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  • Avé Maria William Gomez Flauta e Viola

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    jmiguelfg
    13 views2 pages
    This musical score contains the Ave Maria arranged for flute and viola. It is divided into multiple sections with the flute and viola playing melodic lines separately or together. The piece utilizes various time signatures, dynamics, and articulations over its duration.

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    Original Title

    Avé maria William Gomez Flauta e Viola

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    © © All Rights Reserved

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    This musical score contains the Ave Maria arranged for flute and viola. It is divided into multiple sections with the flute and viola playing melodic lines separately or together. The piece utilizes various time signatures, dynamics, and articulations over its duration.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    13 views2 pages

    Avé Maria William Gomez Flauta e Viola

    Uploaded by

    jmiguelfg
    This musical score contains the Ave Maria arranged for flute and viola. It is divided into multiple sections with the flute and viola playing melodic lines separately or together. The piece utilizes various time signatures, dynamics, and articulations over its duration.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    Ave

    Maria

          
    William Gomez, arr. Miguel Gonçalves

      = 60
              
     
           
    Flauta

         
       
     3 3

    Viola

                

                 
     
    7

       
    Fl.

           

    3 3 3 3 3 3

    Vla.

                               
       

    11


    Fl.

               
     
     3 3 3 3

    Vla.

          


       
     
    16

      
    Fl.

        
      
    3 3 3 3 
    Vla.

                 
    3 3 3 3


     
    20

       
    Fl.

           
    3 3

    Vla.

              
        
       
    24

      
    Fl.

           
     
    3 3 
    Vla.

    
    2

                             
     
    29

    Fl.
    3 3 3 3

    Vla.            

            



      
    33

    Fl.
    3 3 3 3 

       
     
    Vla.
       
    3 3 3 3

                  


    
     
    37

    Fl.
    3 3 3

       
     
        
    Vla.

                    
    

    41

    Fl.
    3 3

       
    
              
    3 3
    Vla.
    3 3

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