|VJ5u Caiman

Sam Kieth
MlKET?lilNCENBERC
 HER NIPPLES ARE HARPANP
'

PARK ANP SHRUNKEN ON A

. BREASTS LIKE EMPTY POUCHES.

YSTl.HA/R COMES CAXT IN.

, CLUMPS WHEN SHE /MOVES.

SHE TRIPS NOT TO MOVE -
i TOO /M UCH._ fy>X
^
THIRTY,,

,
HER STOMACH SHRANK, THEN ^
BLOATEP. THEN IT SHRANK
, AGAIN HUNGER SUBSIPEP ID A
.

ION NAGGING IN THE BACK OF

J j HER MINC7.
ITS OK. IT
GOES AMY.

NINETY-SIX NINETY-SEVEN.
•

NINETY-ElgHT...

SHE'LL
WAIT.

-
 If P JUST HAP THSl
NIGHTMARE.

HAVE TOU EVER HAP ONE

OF THOSE PATS WHEN
SOMETHING JUST SEEMS
TO BE TRY IN© TO TELL VOU

THESE THINGS WITH FACES LIKE

APPENPECTCMYSCARS WERE CROCHETING
MT INTESTINES INTO BOOTBAGS FOR
THE BLINPmV PEAP.

PL**
I TOLP MYSELF IT WAS ONLY" Wm/g-ter ganpman
A PREAM, BUT IT PIPNT MATTER. JX'M SO ALONE, AIN'T}
THE BASTARPS JUST AS°r ON ygotno Bop/'-fixm
BLOOPY KNITTING.
P'anpsive U5 A
Some five pence
PIKES THE

T^IHEARPIT THROUGH
THE GRAPEVINE’ USEPT© >
SINS IT WITH MUCOUSMEMBRANE
AGES AGO. PFACTICAUY MY i

SI THINK IT'S <

YOUR&RLFR/ENP,
 .

*now you ussenN

TER ME, JOHN CONSTAN-
7EEN, ioU LITTEL
PRICK! —
WjSEP THE SANPMAN, *i
AN' I MEANT THE BLEEPIN'
SANPMAN! 'EG BACK JOHN
/Took,the
'SANPMAN'S A FA/RYS
STORY you TELL KIPS [1 KNOW.
TO GET THEM OFF TO
SLEEP. SPRINKLES
MAGIC PUSYIN XXIR
v EYES ANP BRINGS /
you...
FORTY- SEYV/N
TEARS OLPMV
\I KNOW' y
.

rfM TRYING TON

SAVE THE WOPLP,
MAPHETTIE, ANC?
YOU WANT TO TELL
ME /=*/«y
^ STOR/ES/ ^F&
.

PtHE S/W.^MAA'T'X I THE SANPMAN, EH?

MAP HETTIE, YOU'VE }/
 ,

HE LEFT THE PORSCHE HALF A ^

MILE BACK VOW THE ROAO. HOPES THE/ CALL THEMSELVES CREEPERS.
* ITS A SPORT. BREAKING INTO J
IT WON'T SET STOLEN. THERE ARE
SOME REAL THIEVES AROUNP PEOPLE'S HOUSES WHILE THET'RE
THESE PAYS. ST/ZZ. NT HOME.
a . ^ j

OURING THE PAY HES AN

INVESTMENT COUNSELOR

ANP

HE CAN FEEL THE WARM ,

TIGHTNESS OF HER SXW;

THE SCENT OF SEX IS „
HEAVY IN THE AIR . ^
 .

7OOGOOP
TO BE TRUE.

He'S HITTING A HUNPREC?

'ANP FIFTY IN THE —
LAMBORSHINI OF JMT
I
HISPREAMS. ,

JTTlE CAN SEE HIS PARENTS, HIS

r Boss, his lovers in the
L , CEOWP BELOW HIM.
44
THEY'RE &XWNOW. SORRY THE/ <
’
TREATEP H W SO SAPLX BECAUSE
. , HE'S THE SICW. . a A. >

HE CAHPO ,

•
ANyTHING-
 .

FOR THE NEAT FEW WyS ONE THIN© I'VE LEARNED:

MEANING TO
I /fiS6P >0U CAN KNOWANYTHING.
INVESTIGATE THIS ITS ALL THERE. YOU OUST
SANPMAN STUFF. I JUST HAVETOf/ZViPIT. /
.y
NEVER QUITE GET
ROUND’ 70 IT.

JZ.TOCALLIIY ML|-
> OWN...lWANTA^-
DREAM LOVER, SOI <

DON'T HAVE TO J1
| pREAM ALONE... >

AS PER
USUAL.

IT WAS ON "THE THIRP CW

HECAU6HT UP WITH ME.
'THAT POUCH? THAT WAS
'

"I HAVENTSEEN IT FORAGES.

YEARS AGO. YEAH, I BOUGHT.
GARAGE SALE
IT IN A IN
Let us reprieve £
J BUT THE ODRS ARE ITS DOWN
IN CHAS' LOCK-UP, WITH ME
STUFF FROM...PADPINGTDNANP
FROM THE NOTTINSHIU. PIACEy*.

'ANP THE EAST CKMDOH

.FUAT BEFORE THATm^

^ THOPE YOU DON’T

EXPECT/METOGOON
PUBLIC TRANSPORT
S.WITH YOU PRESSED7 /
^MKE 7WA7: y-
 F
WE'VE STILL GOT /C
LOAPOTS'.V",-- ;•:>
^n-THBOUftH YET,
BOSS
p
Mr'
, Juj. .

KEEPSMILiNS.™ J
“*

HOW PIP YOU ^

^
lose THIS POUCH,
V,ANYWAY ?

PAMNl n DON'T KNOW WH?’

I HANS ON TO ALL THIS
STUFF. ^

r THERE WAS
IF uh,boss.x1
’
FIRE IT'P BE LIKE MT THINK 1 KNOW]
VJHOLEI/FE WAS WHERE yoUtZl
SOINS UP IN i k POUCH IS. A
L- FLAMES...
 'ERE, JOHN, CAN WE
Stop at A service Station ? ]
J'/VI FWRCHEP. I TOOKOFF J
^ WITHOUT ME TEA

f you HEARPTHEMAN/^
CHAS.OLP MATE SORRY. .

I AIN'TNOMARK FOB.
vWE VENUSOF THE J

,
JOHN BUT THIS
yoU, .

Lis pushing it.

/
/'HIS KINO
JUST TURN UP
^
OUT OF THE BLUE.
THEY CALL
'v YOU. ^ .

’
UH. IT'S JUST
CHAS, /MISTER.,

WE WERE LIVING
TOGETHER IN A HIGH-
RISE FLAT IN EAST
CROyPON. I WENT TO
ALASKA FOP SIX
MONTHS, OVER THE
LUPUS AFFAIR

1 tV/S/i IV REALIZE? v
THAT SHEV NICKEO THE (
POUCH AS WELL, THOUGH

jAP-THE CANPY-
“ "CANPy-
>COLOREO CLOWN"?
^
'
COLOREP CLOWN THEY (
CALL THE SANPMAN...
[ YEAH, RIGHT.
M
TIP-TOES THROUGH MY i
ROOM EVERY NIGHT.., \
 T RIGHT. 1
THIS l« IT. "WE

Mi I
%* r"'l

ZJBr ro You
W/?/sw:
HER RAP'S
retirep.a/k
|^U(VW3J j

PILOT. NiceMAN.
WE'LL SET yoUK ^
fc. g/K5 BACK-^^fl

in
The POUCH
here And
‘than -ffie
O
MoP£
Pouch,..
W/lfi STAY IN THE CAR
BOLL UP THE WINROWS,
’ YOU TAKEOFF AT THE
FIRST SKSN OF TROUBLE.
RIGHT?
LOCK THE POORS.

This house >

is PANS£R0US,
Constantine.

LET'S NOT \.
GIVE HER A 1
REASON /
TO. £H?S4
RACHEL WAS ALWAYS PLAYING
WITH THE POUCH. KEPT GOINS
ON AT ME TPTRyTPOPEN IT.

SHE'PASK WE, WHAtfS THE POINT

OF HAVING SOMETHIN© MAGIC I

IF YOU CON'T l/jgg IT ?

HELL, THERE'S NO>

p’letb GO
ROUNP THE BACK,
WE CAN SMASH A
WINDOW, GET IN
s 73W WAy.„^

HOTLINE TO /HE/HOPy.

\f'ANYWAY,
WAS FONt? OF ’
RACHEL ONCE. SHE
WAS, you KNOW,
. THE QMLCFNtf .
\UPEAMS. Ji
 ' .

THE 'WHAT 90 yOU ’

r ELECTRICITY'S ’ /VI BAN/ WATCH OUT,
CUTOFF. THERES
SIX MONTHS' WORTH
OF MAIL ON THE
A
.
.

bw. POORMAT.
r
WHATS BEEN
HAPPENING k
i. HERE ? ^

WHAT ^
[/VAFFfiVeO’l

MK0M/V.

I'VE BEEN OUT OF/W

PEPTH BEFORE.
SOMETHING TELLS
/VIE THERE ARE SHARKS

IN THESE PEPTHS

1 OUGHT TO
BE RUNNING
AWAY. BUT.

SURE. THANKS.
MOV/ES. OLP PARK HOUSE.
HORRIBLE MENACE ON THE
LOOSE. "LET'S SPLIT UP.*
MUFFLEP SCREAMS IN
PARKNSSS...

yecHH.

ANP I CAN SEE THE

i

CLOUPS. THEY UDOK

KINPOF SOUP. ANP
THE SROUNP BELOW
THEM.
HOW 0\P X X PONT WANT
GET HERE? TOP1E.IR3NT
WANT TO RAIL.

MEMORY FILL'S IN =
THE PLANE ON
FIRE; 1 JUMPSI7...

ITELLADSELF ITS WHEN

..ITS

NOT THE PALL. FALLING voug^y?

DOESN'T HURT.
X FEEL SICK. X CAN FEEL
THE HOT POS ANP COFFEE
X GKASSEO FOR PINNER
TRYING ID FIGHT THEIR
WAY BACK UP FOR AIR-
 !

'o0 ;
PlSTUfZBjl/
.. U4 //'

'po NOT
kM£fZ

Pi CWN'T^^W
CAKE WHO)©u\Q
BLOOPY f\RE )j
WE WAbfT TO
.£££ ZACHEL >/
Vo not
£>i SftjpB
POcjUSH
«eAr
THIN&SA/

"HEAK If ^
Posture?

HEAP IT
threaten?.
^

r
AUUSbNe^
loNegoNEj
^/vwereit.

RIGHT?

'^WE'THoUeHT '
you ions ©one^

r^NP >ou'RE^
REALLY THE/R
.MASTER?
 WHENEVER
I WANT TO.,.

'

1,jjk

4* 4
HUM- ifr
i

a mg
1
(J
 ^>©U CAN'T ^
LEAVE HER LIKE
. THIS.
^
HURTS.

S XSAIC? /
. you CAN'T %
BLOOpy LEAVE.
7
HER LIKE f
TH/S! jvjy-J
 ANP SHE KNOWS
fiEiS WAITING "
. FOR HER.

HULL O,
.LOVE.,

'1
S BEEN A
LONGTIME.

THEN'

1 KNOW.
Love you.
 WELL,

HEHHH. AREN'T WE
ALL,MATE? AREN'T
WE ALL? ^
,,1'IL GO WAKE CHAS
UP, ANP TAKE OFF
'WHERE ARE' SACK TOTHE SMOKE,
you eome THEN. OOT
\NOW? j WOAKIO l

p/'