1

WE THREE KINGS OF ORIENT ARE

TABLE OF CONTENTS

1. THE STORY BEHIND THE CAROL ............................................................................................................... 2

2. NOTATION KEY ........................................................................................................................................ 4

3. WE THREE KINGS, STANDARD NOTATION ................................................................................................. 6

4. WE THREE KINGS, STANDARD NOTATION PLUS TAB .................................................................................11

5. WE THREE KINGS TAB ONLY ....................................................................................................................17

 2

The Story Behind the Carol

WE THREE KINGS OF ORIENT ARE
"We three kings of Orient are, bearing gifts we traverse afar," goes the famous Christmas carol, but from where? Little is
known about the Magi, or three wise men as they've come to be known. Over 2,000 years later, the three kings remain
one of the great mysteries of Christ's nativity.

The Three Kings, or as they are commonly known, the Three Wise Men or Wisemen, have long been one of the most
mysterious aspects of Christ's nativity. They are mentioned in Matthew's Biblical nativity but not Luke's, and Matthew
refers to them, without number, as Magi. In the words of the Church of England, "the visitors were not necessarily wise
and not necessarily men." So who exactly were these Magi?

We Three or 12 Astrologers or Magicians

Many traditions surround the Magi. Some people believe that Matthew's nativity is intended to be symbolic rather than
literal. But those who believe in the real existence of the Three Kings have put great effort into uncovering their origins.

What is known for sure is that the Magi were followers of the Zoroastrian religion. The word Magi is a complicated one
and has been translated many ways, including shaman, sorcerer, wizard, and astrologer. It is also the source of the
English words magic and magician.

Zoroastrianism was originally a Persian religion, but in a form of Zoroastrianism known as Zurvanism, Magi was the
specific title of a priestly caste that paid great attention to astrology. As Babylon was the center of Zurvanism, some
people believe the Magi came from there rather than Persia.

Some traditions embrace both the symbolic and literal aspects of the Three Wise Men story. The "Three Kings" were
seen as real-life symbols of worldwide submission to Christ's rule, and under the names Balthasar, Gaspar/Casper, and
Melchior, were reported to be the kings of Arabia, India, and Persia, respectively.

Yet the number three is not found in Matthew's nativity. Eastern traditions put the number of Magi visitors at 12.
Although there is no scriptural basis for stating dogmatically that there were three wise men, the belief in Three
Wisemen stems solely from Matthew's mention of gold, frankincense, and myrrh as gifts to the holy family. Master
artists throughout the centuries have depicted three wise men on camels as one of their favorite nativity themes.
 3

The number of wise men is not important, but the fact that they persisted in following the light that was given them
until they found the object of their search, that they responded in worship, and that they returned home to share their
experience with others all has much to tell us. Also, the gifts presented to the Christ child were both significant and
appropriate: gold, symbolic of His kingly reign; frankincense, symbolic of His priestly ministry; myrrh, symbolic of our
redemption through His death.

Following Yonder Planet

The star of Bethlehem that the Three Wise Men were said to follow has also caused great speculation. Skeptics have
pointed out that a star would be too high in the sky to indicate a particular town or house, but this has not prevented
astronomers from seeking a real-life astronomical event that could have coincided with Christ's nativity.

Some believers in the literal truth of Matthew's nativity story have dismissed astronomy altogether and claimed the
Bethlehem star was a one-time miracle. Others have pointed out that the Greek word used, anatole, means star rising,
suggesting the possibility that the Bethlehem star was actually a planet. Around 2 or 3 B.C. there were several pairings of
planets such as Venus and Jupiter that would have produced great visual interest for astronomers such as the Magi.
However, the death of King Herod is set at around 4 or 5 B.C., which would disrupt the continuity of Matthew's nativity
story.

Spiritual Symbols
Whatever their number or origin, the Three Kings have become a fundamental part of traditional outdoor nativity
scenes. They can be seen as eternal spiritual symbols, or as a mysterious complement to the gospel of Luke's more
detailed nativity story. Having endured in our memory, the Three Wise Men certainly deserve their place alongside the
holy family.

The Composer
Reverend John Henry Hopkins, Jr., from Pennsylvania, was an author, book illustrator, stained glass window designer,
Episcopalian minister and editor of the New York Church Journal. He wrote We Three Kings for an 1857 Christmas
pageant put on by the General Theological Seminary of New York City. In 1863, he also published the Christmas Carol in
his book Carols, Hymns and Song. Hopkins has been credited with contributing much to the development of music in his
denomination during the nineteenth century, writing a number of fine hymns and hymn tunes.
 4

N O TAT I O N KEY
L E F T‐H A N D  F I N G E R N O TAT I O N
Left-hand fingers are indicated by plain Arabic numbers:
1=index finger
2=middle finger
3=ring finger
4=little finger
0=open string
4 4=little finger plays G
1 1=index finger plays C
0 0=third‐string G  is open
2 2=middle finger plays E
3
3=ring finger plays low C

R I G H T ‐H A N D  F I N G E R N O TAT I O N
Right-hand fingers are indicated by lower-case letters:
p=thumb
i=index finger
m=middle finger
a=ring finger
c=little finger (seldom used)

I ndex finger ( i ) Ring finger ( a )
plucks 3rd string plucks 1st string

i a
m
p
M iddle finger ( m )
plucks 2nd string
T humb ( p )
plucks 6th string

G U I TA R  S T R I N G  N O TAT I O N
Guitar strings are indicated by circled Arabic numbers:
  =1st or high‐E string (thinnest string)
  =2nd or B string
  =3rd or G  string
  =4th or D string
  =5th or A string
  =6th or low‐E string (thickest string)

B elow, are the same two chords, but played on different sets of strings:
G  is on 1st string G  is on 2nd string
B  is on 3rd string B  is on 4th string

E  is on 5th  string
E  is on 4th string
 5

B A R (B arre) N O TAT I O N

A  full bar (bar all six strings) is indicated by a plain Roman numeral. 
A  dashed line after the R oman numeral indicates how long to hold the bar.

Bar all six strings
at the third fret. A dashed line following the Roman numeral indicates how long to hold the bar:
III III
1 1
1 1
2 2
4 3
3
1 1

B ars of fewer than 6 strings are indicated with a R oman numeral P L U S a circled number 

at the upper right corner of the R oman numeral that indicates how many strings to bar.
A  dashed line after the Roman numeral indicates how long to hold the bar.

Bar five strings
Bar two strings Bar three strings
at the fifth fret.
at the first fret. at the second fret.
I V II
1
1 2 1
1 4 2
2 3 1
4
3 3 1 0 0
0 0 0

(F major chord) (D minor chord) (D major chord)

Partial bars are bars used to hold a particular group of strings. 
T hey are notated by a Roman numeral indicating the fret to be 
barred and a group of circled numbers at the upper right corner 
of the R oman numeral that indicate which strings are to be barred. 
A  dashed line following the Roman numeral indicates how long to hold the bar:

Place a bar at the second  O nly bar the 3rd, 
fret with the first finger. 4th, and 5th strings. O nly bar the 3rd 
Place a bar at the second  and 4th strings.
fret with the first finger.

II II
0 0
0 2
1 1
1 1
1 0

H A RM O N I C  N O TAT I O N
F or complete information on harmonic notation and execution, see my Technique T ips:
1. H ow to R ead H armonic N otation:
https://douglasniedt.com/Tech_T ip_H ow_T o_Read_H armonic_N otation.html
2. H armonics: https://douglasniedt.com/Tech_T ip_H armonics.html
 6

We Three Kings of Orient Are

(Three Kings of Orient)
John Henry Hopkins (1820-91)
arr. Douglas Niedt

∀ 2 œ œ œ œ
Υ 3 œ œ œ œ œ œ
œ œ

ι
First Verse

∀ ˙ œ ˙ − œ
œ 3œ 3œ
œ œ œ œ œ œ 0 œ 2œ 0œ œ
3

Υ œ
3 3 3 4

1œ
œ œ

∀ ˙ œ ˙
˙− œ
œ œ œ œ œ œ œ œ œ œ œ 0 œ
6

Υ œ
3 3 3

œ œ œ

ι
∀ 3œ − œ 3œ ˙− ˙ œ
œ œ œ œ œ œ œ œ œ œ œ
9

Υ œ
4 1

1œ
2

œ œ

˙ œ ˙ œ φφφ 4 œ œ œ
Guide finger

∀ 2œ
3œ œ 1 œ
Guide finger

œ œ φφφ ˙˙ −−
12 2

Υ œ
1 1 1

œ 0œ
0
0
φ ˙−
Copyright © Douglas Niedt, Niedt Publishing (ASCAP) All Rights Reserved
 7

We Three Kings of Orient Are

∀ 1œ 3œ 4œ 4œ
Guide finger

4˙ 3œ
rit.

˙˙ −−
Guide finger

œ œ œ œ œ
15

Υ œ œ ˙− 2œ
œ œ 1œ
2
0 1

First Refrain
Τ ! a tempo

∀ φ 3˙ œ ˙ œ ˙
Υ φφφφ 12 ˙˙˙ − œ œ
18

œ œ œ œ
3 4

œ œ œ
3

2
œ œ

∀ ˙ 0œ
˙− ˙ œ
œ œ œ
21

Υ 1œ 0
œ œ œ œ œ œ œ œ
4

œ
4

2œ
2 œ œ

∀ ˙ œ ˙ 0œ
˙−
œ œ
24

Υ œ œ œ œ 1œ
œ œ œ œ œ
4 4

2œ
3

œ 2 œ 1 œ

As you are playing, plant the left hand

first finger on the first string first fret.
Slide the left hand 3rd and 4th
Then slide that first finger up to the
fingers up one fret to get to
fifth fret A on the first beat of the next

4œ ˙ œ
next chord

∀ ˙ œ ˙ œ œ2
measure.

2œ œ œ
œ œ œ
27 4

Υ œ œ 0œ œ œ
1 2
4 3

œ
3
2

œ
3 1
0
W 5
Lift left hand
first finger here

Copyright © Douglas Niedt, Niedt Publishing (ASCAP) All Rights Reserved

 8

We Three Kings of Orient Are

˙ 4œ 4˙ œ ˙
∀ 2œ
3œ œ œ
Guide finger

œ
30

Υ œ œ œ œ œ œ
1

œ œ œ
3

2œ œ
0

Option #2: Use this measure

instead of previous measure

Τ
Option #1: End here. You're done! and continue into more difficult
second verse and second refrain

œ
rit.

∀ ˙ 0œ
œ ˙
œ œ
33

Υ 0œ œ œ œ
4

1œ œ
4 4 4

2œ
œ œ
2 œ 2 œ 1 œ
accel.

Second Verse

ι
a tempo

∀ ˙ 2œ 2˙ œ 2œ
− œ 2œ
3œ
œ œ œ œ œ œ 0 œ œ œ
36

Υ œ
4
4

œ 1

œ œ 0

∀ ˙ œ ˙
˙− œ
0œ œ œ œ œ œ œ
39

Υ œ 0œ œ œ œ
3œ
0

œ œ
2

ι
∀ œ− œ œ ˙− ˙−
œ œ œ œ œ œ œ
42

Υ œ œ 0œ 4œ œ œ œ
3œ 3œ
2 0

Copyright © Douglas Niedt, Niedt Publishing (ASCAP) All Rights Reserved

 9

We Three Kings of Orient Are

˙ œ ˙ œ ˙ œ
rit.

∀ œ œ
1œ œ 0œ
45

Υ 2œ
œ œ œ œ œ
2

œ œ œ 0
0 1

ι
V
œ 3œ œ 1œ
− œ 1œ œ
œ
a tempo

∀ 14 ˙˙ −− 1œ
1œ
Œ œœ
œ
48

Υ J 11 ˙ −
2 3 4
2

œ
2

˙ 1˙
0œ œ
3

0 −
1
0

Second Refrain

∀ 3˙
−− ˙˙ −−
0 ˙− 1˙ ˙−
Guide fingers

œ ˙
51

Υ œ ˙ −−
3

œ œ œ ˙−
1
0 2
0 2
2
4 0

∀ ˙ œ ˙ 1œ
˙ 0œ
œ 0œ
54

Υ 3œ 0œ 0œ 0œ œ œ œ 2œ 0œ
2œ
0œ œ œ 3œ œ
1 1 4
0
2 0
4 0
4

∀ ˙− ˙ œ ˙
œ œ œ œ œ œ 3œ œ
57

Υ œ œ œ œ
4 4 4

2 œ œ 2 œ 2
œ 1 œ œ 1œ
1

Copyright © Douglas Niedt, Niedt Publishing (ASCAP) All Rights Reserved

 10

We Three Kings of Orient Are

As you are playing, plant the left hand

first finger on the first string first fret.
Then slide that first finger up to the
fifth fret A on the first beat of the next

∀ ˙ ˙− ˙ œ
measure.

0œ 1œ
0œ œ
60

Υ œ 4œ 0œ 0œ 2œ 0œ œ œ
œ 0œ 1œ 4œ 2œ
4 1 4

2œ
0

rit.
Τ
˙ œ 3œ œ 4œ œ ˙ œ œ ˙ 1œ
∀ φ 1∀œ
φφ 2 œ
3œ 0œ
63

Υ œ 0œ œ œ 0œ
4 4

φφ
1 3 4

œ œ φφ 1 œ
2
1 0
0 1

˙ œ ˙ œ˙
a tempo

∀ œ
œ œ 3œ œ
rit.

œ œ 1 œ œ 013 œœ
66

Υ œ œ 2œ œ œ
4 4 4 4

œ 1œ 2œ 2œ 0œ
3

œ
0

Τ̇
∀
œ
69

Υ œ
4

œ
œ
0
0
0
2

Copyright © Douglas Niedt, Niedt Publishing (ASCAP) All Rights Reserved

 11

We Three Kings of Orient Are

(Three Kings of Orient)
John Henry Hopkins (1820-91)
arranged Douglas Niedt

First Verse

∀ 2 ˙ œ
% 3 œ œ œ œ œ œ œ œ œ œ œ œ œ œ
3 3
Guitar

œ œ œ
7 5
T 0
0
0
0
0 0
0
0
0
0 0
0
0 0
Guitar A
B 0 0 0

ι
∀ ˙ œ 3œ
− œ 3œ ˙−
œ œ œ 0 œ 2œ 0œ œ œ œ œ œ œ
4

%
3 4

1œ
Gtr.

œ œ
4
3 0 2 3 2 0
0 0 0 0
Gtr. 0 0 0 2 2 0 0 0
2
0 0

ι
∀ 3˙ œ ˙ œ œ − œ 3œ
œ œ œ œ œ œ 0 œ 2œ œ œ
7

% œ
3 3 4
3

1œ
Gtr.

œ œ
7
7 5 3 0 2 3 2
0 0 0
Gtr. 0 0 0 0 0 0 2 2
2
0 0

Copyright © Douglas Niedt, Niedt Publishing LLC (ASCAP) All Rights Reserved
 12
We Three Kings of Orient Are

∀ ˙− ˙ œ ˙ œ 1œ
2œ œ œ
Guide finger

œ œ œ œ œ œ œ œ
10

% œ
1 1

œ
3
Gtr.

œ œ
10
0 3 3 5 5
0 0 0 7
Gtr. 0 0 0 0 0 0 7 7 7
0
0 0

∀ 1˙ œ φφ 4 œ œ œ œ œ œ Guide finger
Guide finger Guide finger

φφφ ˙˙ − œ
% œ 0œ 0œ œ
13 2 1 4

φφ ˙ −−
1 4

œ œ
3
Gtr.
0 0

13
7 7 10 8 7 5 7 5
0 0 7
Gtr. 0 0 0
0 0 0 0

First Refrain
Τ !
∀ 4˙ œ φφ 31 ˙˙˙ œ
rit.

œ ˙˙ −− œ
œ œ
16

% ˙− œ φφφ 2 ˙ −
3

œ
3

1œ
œ 1œ
Gtr. 2
2

16
3 2 0 2 5
0 0 0 1
Gtr. 2 2 0 0 2
2 0
2 2
0

a tempo

∀ 4˙ œ ˙ œ ˙ 0œ
œ
19

% œ œ œ œ œ œ œ 1œ 0
œ œ œ
4

œ
3
Gtr.
2
œ œ 2

19
3 3 3 3 0
0 3
Gtr. 0 0 0 0 0 0
0 0 0 2 2
3
3 3

Copyright © Douglas Niedt, Niedt Publishing LLC (ASCAP) All Rights Reserved
 13
We Three Kings of Orient Are

∀ 4 ˙− ˙ œ ˙ 3œ
œ œ œ
22

Gtr. % œ œ œ œ œ œ œ œ œ œ
2 œ œ œ
22
3 3 3 3
0 0 3
Gtr. 0 0 0 0 0 0
0 0 0 0 0
3 3 3

As you are playing, plant the left hand

first finger on the first string first fret.
Then slide that first finger up to the
fifth fret A on the first beat of the next

∀ 4˙ ˙− ˙ œ
measure. (measure #28)

0œ
œ œ œ œ œ
25

% 1œ
œ œ œ œ œ œ
4 4

2œ
Gtr.
2 œ 1 œ œ
25
3 0 3 3 3
0 0 0
Gtr. 0 0 0 0 0 0
2 2 0
3
3 2 0

Slide the left hand 3rd and 4th

fingers up one fret to get to

˙
∀ 1˙ 2œ 3œ œ 4œ œ œ 4œ
next chord

3œ
˙ 3œ
2œ œ
28 2 Guide finger
4

% œ3 2 œ 0œ œ œ
2 1

Gtr.
0
W
1
0
œ œ
Lift left hand 5
first finger here
28
5 7 8 7 5 7
7 8 7
Gtr. 7 7 7 0 0 0 7 7
0 0 0
7

rit.

∀ 4˙ œ ˙ œ ˙ 0œ
œ
31

% œ œ œ œ œ œ œ 1œ
œ œ œ
4

2œ
3
Gtr.
œ œ
0

2
31
3 3 3 3 0
0 3
Gtr. 0 0 0 0 0 0
0 0 0 2 2
3
3 3
Copyright © Douglas Niedt, Niedt Publishing LLC (ASCAP) All Rights Reserved
 14
We Three Kings of Orient Are

Option #2: Use this measure

instead of previous measure Second Verse

Τ
Option #1: End here. You're done! and continue into more difficult
a tempo

˙
second verse and second refrain

∀ œ ˙ œ œ
œ œ œ œ œ œ
34

% œ œ
4 4 4 4 2
Gtr.
œ œ œ
2 2œ 1œ œ
34
3 3 5 7 5
0 0 0
Gtr. 0 0 0 0 0
0 0
3 3 2 0

ι
∀ 2˙ œ 2œ
−
3œ
4œ 2œ ˙−
œ œ œ 0 œ œ œ 0œ
37

% œ œ œ 0œ œ
0
Gtr. 1

œ
2
0 3

37
3 0 2 3 2 0
0 3 0
Gtr. 0 0 0 2 2 0 0
0 2
3
0

ι
∀ ˙ œ ˙ œ œ − œ œ œ
œ œ œ œ œ œ œ œ
40

Gtr. % œ œ œ
œ œ
40
7 5 3 0 2 3 2
0 0 3
Gtr. 0 0 0 0 0 0 2 2
0
0 0

∀ ˙− ˙− ˙ œ
œ œ œ œ
43

% œ œ 0œ 4œ œ œ œ 2œ
œ œ œ œ
3œ 3œ
Gtr.
2 0

43
0 0 3 3
0 0
Gtr. 0 0 0 0 0 0 0 0
2 2 4 0 2 2
3 3

Copyright © Douglas Niedt, Niedt Publishing LLC (ASCAP) All Rights Reserved
 15
We Three Kings of Orient Are

4
V

˙ œ œ œ œ
∀ ˙ œ
rit.

1œ
2œ
œ œ 0œ œ J ˙˙˙ −−−
46 4 3

% œ
2
1

œ ˙
Gtr. 1

0 −
0 1
0 1

46
5 5 7 7 10 8 7
3 0 5
Gtr. 2 2 0 0 5
0 5
3 0

ι
∀ 1œ− 1œ œ 1œ œ œ 2œ
a tempo

1œ ˙−
Œ 3œ 0œ
1œ
49

% 0œ
3 4

œ œ
2

1˙
œ œ 2
0

0œ œ
Gtr.
0 4

49
5 7 5 3 5 2 0
5 3 0
Gtr. 5 2 0
0 2 2
0 0 3 3

Second Refrain

∀ 31 ˙˙ −− ˙ −− ˙ œ
˙˙ −
Guide fingers

% 2 ˙˙ −− 0œ
52

3œ œ œ œ
3 1

˙−
1
Gtr. 2
0 0 0
0 4

52
2 5 3 3
1 3 0
Gtr. 2 5 0 0 0
0 5

∀ 1˙ ˙ 0œ
˙−
% 2 œ 0 œ 0 œ œ 12 œœ 0 œ
55

2œ
œ œ œ œ œ œ
4 4
Gtr.
œ 3œ 2œ œ œ
0
0
4 2
1
55
3 3 0 3
0 3
Gtr. 0 0 0 0 0 0 0 0 0
4 4 2 0
3 2
2 3

Copyright © Douglas Niedt, Niedt Publishing LLC (ASCAP) All Rights Reserved
 16
We Three Kings of Orient Are

∀ 4˙ œ ˙ ˙ 0œ
œ œ œ œ œ œ 3œ œ
58

% œ œ
œ 0œ 1œ 4œ
4 4

1œ 2œ
Gtr.
2
œ 1 œ œ
58
3 3 3 3 0
0 0 3
Gtr. 0 0 0 0 0 0 0
0 2 4
2 3 3
3 2 0

As you are playing, plant the left hand

first finger on the first string first fret.
Then slide that first finger up to the

˙ œ 3œ œ 4œ œ
fifth fret A on the first beat of the next

∀ 1 ˙− ˙ œ
measure. (measure #28)

œ
% 4 œ 0 œ 0 œ 0 œ 12 œ œ
61

0œ œ œ
1

2œ
4

œ
2
Gtr. 0
0

61
3 3 3 5 7
0 3 0 7
Gtr. 0 0 0 0 0 0 7 7 7
4 2 0

rit.
Τ
4˙ œ œ ˙ 1œ ˙ 4œ
a tempo

∀ φ 1∀œ
œ 0œ φφ 2 œ
φ œ
64

% œ 0œ œ œ 0œ œ œ 2œ œ
4 4
3 4

œ φφ 1 œ
φ
Gtr. 3

œ
1 0
1

64
8 7 5 7 3 3
8 0 7 0
Gtr. 0 0 0 5 8 0 0 0
0 2
7 3
7 0

Τ̇
∀ 4˙ ˙œ œ
% œ œ œ œ 3œ œ
rit.

œ 1 œ œ 013 œœ 0œ
67

0œ
4 4

1œ 2œ 2œ
œ
0œ
3
Gtr.
0
2 œ 0

67
3 3 0 3
0 3 3 1 1 0
Gtr. 0 0 0 0 0 2 0
0 0
2 3 2 0
3

Copyright © Douglas Niedt, Niedt Publishing LLC (ASCAP) All Rights Reserved
 17

We Three Kings of Orient Are

(Three Kings of Orient) John Henry Hopkins (1820-91)
arranged Douglas Niedt

First Verse
7 5
T 0
0
0
0
0 0
0
0
0
0 0
0
0 0
Guitar A
B 0 0 0

4
3 0 2 3 2 0
0 0 0 0
Gtr. 0 0 0 2 2 0 0 0
2
0 0

7
7 5 3 0 2 3 2
0 0 0
Gtr. 0 0 0 0 0 0 2 2
2
0 0

10
0 3 3 5 5
0 0 0 7
Gtr. 0 0 0 0 0 0 7 7 7
0
0 0

13
7 7 10 8 7 5 7 5
0 0 7
Gtr. 0 0 0
0 0 0 0

16 First Refrain
3 2 0 2 5
0 0 0 1
Gtr. 2 2 0 0 2
2 0
2 2
0

19
3 3 3 3 0
0 3
Gtr. 0 0 0 0 0 0
0 0 0 2 2
3
3 3
Copyright © Douglas Niedt, Niedt Publishing LLC (ASCAP) All Rights Reserved
 18
We Three Kings of Orient Are

22
3 3 3 3
0 0 3
Gtr. 0 0 0 0 0 0
0 0 0 0 0
3 3 3

25
3 0 3 3 3
0 0 0
Gtr. 0 0 0 0 0 0
2 2 0
3
3 2 0

28
5 7 8 7 5 7
7 8 7
Gtr. 7 7 7 0 0 0 7 7
0 0 0
7

31
3 3 3 3 0
0 3
Gtr. 0 0 0 0 0 0
0 0 0 2 2
3
3 3

Option #2: Use this measure

instead of previous measure
and continue into more difficult
34 Option #1: End here. You're done! Second Verse
second verse and second refrain
3 3 5 7 5
0 0 0
Gtr. 0 0 0 0 0
0 0
3 3 2 0

37
3 0 2 3 2 0
0 3 0
Gtr. 0 0 0 2 2 0 0
0 2
3
0

40
7 5 3 0 2 3 2
0 0 3
Gtr. 0 0 0 0 0 0 2 2
0
0 0

43
0 0 3 3
0 0
Gtr. 0 0 0 0 0 0 0 0
2 2 4 0 2 2
3 3
 19
We Three Kings of Orient Are

46
5 5 7 7 10 8 7
3 0 5
Gtr. 2 2 0 0 5
0 5
3 0

49
5 7 5 3 5 2 0
5 3 0
Gtr. 5 2 0
0 2 2
0 0 3 3

52 Second Refrain
2 5 3 3
1 3 0
Gtr. 2 5 0 0 0
0 5

55
3 3 0 3
0 3
Gtr. 0 0 0 0 0 0 0 0 0
4 4 2 0
3 2
2 3

58
3 3 3 3 0
0 0 3
Gtr. 0 0 0 0 0 0 0
0 2 4
2 3 3
3 2 0

61
3 3 3 5 7
0 3 0 7
Gtr. 0 0 0 0 0 0 7 7 7
4 2 0

64
8 7 5 7 3 3
8 0 7 0
Gtr. 0 0 0 5 8 0 0 0
0 2
7 3
7 0

67
3 3 0 3
0 3 3 1 1 0
Gtr. 0 0 0 0 0 2 0
0 0
2 3 2 0
3