Professional Documents
Culture Documents
HYPNOTHERAPY
WILLIAM j. MATTHEWS, STEPHEN LANKTON, and
CAROL LANKTON
http://dx.doi.org/10.1037/10274-009
Handbook of Clinical Hypnosis, edited by J. W. Rhue, S. J. Lynn, and I. Kirsch
Copyright © 1993 American Psychological Association. All rights reserved.
people use would be revealing if one would only learn to observe them
(Haley, 1967). For example, because he was tone-deaf, he learned to tell
the quality of a pianist by the range of touch he or she used. High-level
playing requires many different types of touch. Erickson said,
mother came into his room after meeting with the doctors, he instructed
her to arrange the furniture in a particular way. The rearranged furniture
allowed him to see out of the west window. Erickson said that he would
be “damned if I would die without seeing one more sunset” (quoted in
Rossi, Ryan, fi Sharp, 1983, p. 10). This experience was powerful in
forming Erickson's worldview of overcoming one's real or perceived limi-
tations. Erickson, of course, lived to see many more sunsets, during which
time he overcame many of his limitations and helped thousands of clients
overcome theirs,
Prior to presenting an Ericksonian approach to hypnosis followed
by a case example, we discuss the philosophical underpinnings of Erickson's
work, which can provide an important context in which to understand his
interventions.
may not be in their best interests to do so. From early in his life, Erickson
began to challenge traditional notions, expectations, and limitations placed
on h m.
190 VA HE 5 tANKTDN,AMDtANKTQN
er5, has identified four basic principles to Erickson's work. Rossi
(Erickson fi Rossi, 1980) has indicated that these principles represent a
paradigmatic shift to an entirely different way of using hypnotherapy.
These principles are as follows:
1.The unconscious need not be made conscious. Unconscious
processes can be facilitated such that they can remain outside
of conscious awareness and be used for problem solving.
For Erickson, the unconscious was cons dered to be a complex set of
associations that covered a broad range of human experience. It is the
unconscious patterns of the individual that regulate, control, and guide
the moment-to-moment conduct of as individual. These patterns are
resources that can be used in hypnotherapy to create different
perceptions, experi- ences, and behaviors by the individual. For Erickson,
the unconscious was a repository of positive resources and skills that
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AN EPiCKSONJAN MODEL 19 I
chair were embedded in Erickson's offertngs. Erickson offered suggestions
in such a manner that anything the client did was con5trued as a positive
re5ponse. Over a period of time, the client was able to sit in the chair and
develop a therapeutic trance. Thus, behaviors that might have been viewed
as antithetical to therapeutic success were considered to be a part of the
process of therapy and were used to increase the expectation for a positive
therapeutic outcome by both therapist and client.
3. Suggestions need not be direct. Indirect suggestion permits
(a) the subject's individuality, previous life experience, and
unique potentials to become manifest; (b) the classical psy-
chodynamics of learning with processes such as association,
contiguity, similarity, and contrast are all involved on a more
or less unconscious level so that (c) the client's conscious
limitations and criticism can be bypassed and therefore in-
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would not do. Indirection is the basis for the therapeutic use of metaphors,
stories, paradox, binds, and so forth, because they allow clients to make
meaning relevant for them and to explore their potential to facilitate new
responses.
4. Hypnotic suggestion is not a process of programming the
client with the therapist's point of view but a creation of new
mean- ings, attitudes, or beliefs that can lead to different
behaviors.
Hypnosis itself is not a curative force. No serious student of hypnosis
believes hypnosis can transcend one's normal capabilities and bring about
a dramatic change. Erickson (Erickson H Rossi, 1980) was clear that in all
CLINICAL APPLICATIONS
CL IENT ECOSYSTEN
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Dingno3tic POiameteTs
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person's developmental age may not fit his or her chronological age. For
example, does a 35-yeaT- old man who complains of no intimate
relationships with women continue to treat women as he did when he
was a 16-year-olds What does it mean for a 32-year-old woman to leave
her parents' home and live on her own for the first time Determining the
relation between developmental age and tasks will aid the therapist in
designing treatment interventions that fit the client's needs. (d) What is the
availability of resources of the client? Does the client have the ability to
relate to others in a friendly, intimate, and assertive manner? What range of
problem-solving skills does the client have? The intention here is to build
on the client's strengths rather than focus only on his or her weaknesses.
(e) What is the emotional and role flexibility
Treatment Goal5
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Goals for treatment need not be fixed ideas imposed on the client
but can be mutually agreed on by the client and therapist. On the basis of
the assessment, treatment goals may cover any one or all of the categories
listed in Figure 1, which are as follows: changes in affect, behavior,
attitudes, beliefs, self-image, and social network, as well as an increase in
enjoyment and discipline in living. The latter goal is particularly
Ericksonian, as Er- ickson held the view that life was to be enjoyed and
that enjoyment was closely connected to discipline in daily living.
therapeutic Interventions
Following Figure 1, the therapist and client can then decide on what
interventions may be used to cocreate the desired and agreed-or goals.
Interventions within this framework have a connection to assessment and
continuous process of evaluation. Although the focus of this chapter is on
hypnotherapy, one should note that the interventions listed can occur with
or without the use of formal hypnosis.
As Figure 1 indicates, if the client's symptoms continue, then the
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A simple question, but in asking it Lankton implies that she has control
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of the information she decides to share and what she has the right to
withhold. Linda then explains that she engages in a lot of negative and
self-deprecating thoughts that she would like to stop.
Lankton: I would like to change it, if it were me. I'm not quite sure
what your motivation is for changing it. Why do you want to! Woody
Allen does fine with it.
Linda: lt is really unhelpful for me!
Lankton: But what is your motivation for getting rid of this self-
effacement How do you imagine your life would be improved
some- how if you did!
Linda: I wouldn't be, um, 1 would be able to be less afraid about
being ir groups and more able to receive credit when people try to
give it to me. 1 would be able to teach easier without it being
traumatic. 1 mean those aTe the things that I am doing.
In this exchange about what reason Linda has for changing her be-
havior and how specifically her life would be improved by this change,
Lankton sought to determine (a) the context and logic of this behavior in
her life, (b) what behaviors would indicate positive identifiable change,
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and (c) what the cost of change would be. Perhaps in changing the self-
elfacing behavior, she would be more unhappy if, for example, by being
more self-assured Linda were challenging a family rule of communication
or some notion of how a woman is supposed to be in interpersonal rela-
tionships.
Lankton: .... We remember the past for the ways we are doing
this stuff, or we credit them for the ways we are doing it. What do
you blame or credit for how come you are self-effacing/ In some
ways I reckor it's a real strength that helped: kept you somehow
from getting more punishment that you expect you might have
gotten. And by keeping yourself self-critical, you've anticipated
punishment
That's what I would like to attempt to do. And I know you will
seek further help and so on afterward to the extent you need it, and
you are capable of doing that.
in and o1 itself and need not have generalizability in her daily life. He
then proceeds to tell another story about a woman with whom he worked
who had chronic back pain that was significantly diminished in their trance
work. Lankton suggests that the woman make sure that the pain comes
back after the trance and that this experience need not influence her daily
life in any way unless she wanted it to. Lankton continues with the value
of metaphor.
Lankton: There's another problem in telling metaphors to people in
trance, and that is: Who will the person identify with! I think it
would be perfectly legitimate for you to identify with everybody I
talk about in the metaphor. I might talk about my daughter and my
with you the next time you walk into the living room.
Lankton seeks to have Linda's physiological experience in trance co-
incide with her psychological state, thus enhancing the positive connection
between the two. He then continues with the importance of having feelings
of mastery in one's life. He offers a series of anecdotes of how children
achieve mastery by pretending.
Lankton: And there is no harm in pretending, it is very good rehearsal
to make space somewhere inside for that new feeling to develop.
In the midst of the anecdotes of how children pretend, Lankton offers
a statement about the value and importance or pretending. Lankton then
AN ERfCK5ONfAN MODEL
of consciousness, he subsequently checked whether she was able to
project her current emotional state onto the audience and verify that she
believed the audience to be accepting of her. After establishing that Linda
can have her eyes open and look at the audience while holding onto these
feelings, Lankton then asks her to try to have self-effacing thoughts while
she is holding onto the positive feelings. He exhorts her to try to have
negative memories from her childhood while maintaining these positive
feelings and images looking at the audience. Lankton comments to the
audience and indirectly to Linda that this is a form of reciprocal
inhibition that floods a person's negative experience with positive feelings
rather than the reverse.
Lankton: Sometimes I work with people and I mention that they will
do an experience in trance and they'll gain an idea that they just
won't be able to shake when the trance is over. Something will
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seize their mind as a useful concept or an idea and it will stay with
them.
Lankton offers, indirectly, the possibility that Linda may want to keep
this positive experience without challenging her with a direct posthypnotic
suggestion that she will continue to have this experience. Thus, there is
no chance of Linda failing regardless of what she does. At this point,
Lankton continues his challenge of Linda to try to have negative memories
of experiences that in the past had served to prove she is wrong and should
be sel -ef acing.
Lankton: So I would like you to try really hard to feel bad while you
are holding this feeling and looking at the group that you become
aware that you failed at feeling bad. And maybe criticize yourself
for that.
Linda: (laughs)
possibility of new meaning (e. g., as taking conscious control of what was
thought to be involuntary) for the symptom. While in the trance, Lankton
asks Linda how this experience worked. She is clear that this experience
is new to her (i.e. , to look at others without thinking they are criticizing
her). She indicates that she feels relaxed and comfortable with this new
learning.
Lankton then asks Linda, who continues in the trance, to close her
eyes and appreciate what she has just done. He explicitly reminds her of
her accomplishment and the fact that this experience can have many dif-
ferent meanings for her. To illustrate his point metaphorically, he then
proceeds to tell Linda a serles of short anecdotes about his own learning
experiences as a child in which he learned significant things such as riding
a bike and swimming almost as if by accident. He reminds her that there
In the story, the young man then left his town to explore the desert,
only to return to find that his beloved town was gone. Not knowing what
to do, he went to see the region's magistrate, who listened to his story.
Lankton: The Magistrate said, “Well, it's always different in each case.
And this one of course, is unique. But one thing that is certain to
me is that sometimes it's a matter of trust and sometimes it's a matter
of wit, and sometimes it's a matter of courage and sometimes it's a
matter of the heart. And the tests that you have will be a test of
your heart.”
Clearly, the intention here is for Linda to identify with the protagonist
of the story and to follow his quest with the parallels in her own life.
Lankton proceeds to take his protagonist through a series of trials in which
he needed courage, heart, trust, and wit to overcome. In each of the trials,
the protagonist used one of his possessions (the key, feather, whistle, or
crystal) to solve his dilemma. In doing so, however, he lost each possession.
For instance, he found himself locked in a cage for which he used his key
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to free himself, but the key became lodged in the lock. In each trial, a
different emotion and character trait were emphasized. However, the pro-
tagonist thought he was a failure and was certain that the magistrate would
think the same. However, in the end, the magistrate reviewed each of the
trials that the protagonist had to overcome.
Lankton: .... The Magistrate congratulated him on a job well
done. He passed the test!. The Magistrate said you have a heart filled
with t tith and you saw it. And you could have thought that the
beast was evil and malicious, but to you it was humorous, and
your heart passed the test of being a light fienrt. And you saw that
the cage had come undone, and you could have thought that it was
evil
AN ERJCKSONJAN MODEL
and malicious, but you decided it was an accident and proved you
have the cabricioiis oud {oigiving heart. And when the animals threat-
ened you, you could have tried to be brave and pretend, but you
have the t'FiiStTng heart and you asked for help .... Go back to
where you came from now, and you will find, I think, free of de-
lusion, that the home you look for is there.
Remembering that the overall contract is to reduce her debilitating
self-criticism, the story offers Linda a way to draw conclusions for herself
about herself. A story of this structure invites the listener to reevaluate
isolated experiences previously thought to be failures in light of a larger
context of one's growth and life accomplishments. This act of maturing is
one of the natural ways in which people learn to forgive themselves and
perhaps others.
Lankton then overs the idea of amnesia for what they had done in
this session and reminds her that she does not need to change anything if
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she chooses not to. Again, he attempts to relieve any pressure on Linda to
have immediate success with this experience. He then returns to his
initial story about the client with back pain. He reports that her pain had
gone.
Lankton: .... because you can use those unconscious accidental ex-
periences that occur to you, in your own unconscious way, at your
own speed, and let your unconscious discover just how or if you'll
use what you've done here today.
Hingst ( 1983), Henry (1984), and Coe and Scharcoff (1985) found no
support for a preferred modality in clinical or laboratory settings. Falzett
( 1981), however, found that therapists who matched clients' primary rep-
resentational system were reported to be more trustworthy than therapists
who did not. Yapko ( 198 l) reported mixed findings in that subjects
showed more physical relaxation when the primary representational system
was used to induce hypnosis; however, their self-reports of relaxation failed
to match the wording of the primary representational system with the
wording of the relaxation instructions. The research on NLP is at best
mixed in support of the theory and demands more empirical validation to
support the claims of its practitioners.
19?5).
An important element of the Ericksonian approach both in the in-
duction of trance and in treatment intervention is the use of indirect
suggestion (Erickson fi Rossi, 1979, 1980; Haley, 1973; S. Lankton fi
Lankton, 1983; Matthews, 1985b). Indirect suggestions are defined as sug-
gestions that have a degree of ambiguity and allow for increased latitude
in responding on the subject's part. By contrast, direct suggestion is a clear
request for a particular response by the hypnotist to the subject. Alman
and Carney ( 1980), using audiotaped inductions of direct and indirect
suggestions, compared male and female subjects on their responsiveness to
posthypnotic suggestions. They reported that indlrect suggestions were more
successful in producing posthypnotic behavior than were dlrect suggestions.
McConkey ( 1984) used direct and indirect suggestions with real and
simulating hypnotic subjects. He found that although all of the simulating
subjects recognized the expectation for a positive hallucination, half of the
real subjects responded to the indirect suggestions and half did not.
McConkey ( 1984) concluded that “indirection may not be the clinically
important notion as much as the creation of a motivational context where
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206
metaphoric material. The authors compared treatment groups who received
multiply embedded stories with indirect suggestion for amnesia with control
groups who received multiple embedded metaphor without indirect sug-
gestions for amnesia. They found support for the structural effect of embed-
ding metaphors on amnesia but also reported that indirect suggestion did
not enhance the effect of amnesia.
Matthews, Bennett, Bean, and Gallagher ( 1985) compared subjects'
responses on the Stanford Hypnotic Clinical Scale (Morgan fi Hilgard,
1978) to subjects' responses on the same scale rewritten to include only
indirect suggestions. They found no significant behavioral differences be-
tween the two scales, However, they did report that individuals who re-
ceived the indirect suggestions perceived themselves to be more hypnotized
than those who received the Stanford Hypnotic Clinical Scale.
In a follow-up study, Matthews and Mosher ( 1988) sought to compare
direct and indirect hypnotic induction and direct and indirect suggestions.
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AN EPfCKSONIAN MODEL
Systematic study of Erickson's ideas in the clinical setting may provide
more useful information with regard to process and efficacy than the more
limited analogue studies previously mentioned. For example, Bank ( 1985)
reported positive results over a 22-month period when hypnotic suggestions
(both direct and indirect) were used for the control of bleeding that
occurs in patients following the insertion and removal of the angiographic
catheter. During this time period, an ABA design was used out of medical
necessity with a particular patient who was given suggestions to stop his
bleeding, which he did. The patient was then told that in order to find
out what was bleeding, he needed to undo the previous suggestion and start
bleeding, which he did. Bank concluded that although a causal connection
was not established beyond any possible doubt, he believed that the use of
hypnotic suggestion was highly effective in the control of this type of
bleeding. Bank's study underscores the importance of a context in which
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a positive change in the presenting problem. The 6th client reported almost
total amnesia for each of the metaphor sessions. He also indicated his dislike
of the treatment process and reported no therapeutic change.
Nugent ( 1989a) attempted to show a causal connection between
symp- tomatic improvement and Erickson's notion of “unconscious thinking
with- out conscious awareness.” In a series of seven independent case
studies with a range of presenting problems (e. g. , fear of injections,
performance anxiety, claustrophobia), he used the same methodological
procedure and treatment intervention (i. e. , orientation, induction,
Ericksonian suggestions for change, trance ratification). A pretreatment
baseline response, the mt st recent onset of the problem, and therapeutic
change relative to the inter- vention were all systematically assessed by
Nugent. In all seven cases, each
CONCLUSION
tionships.
Erickson developed many techniques to help create the desired ther-
apeutic change. His use of paradox, symptom prescription, metaphor, jokes,
and puns with and without a hypnotic trance have become legend. Un-
derlying these interventions is the importance of using the client's behavior
to promote change. Ericksonian work also places emphasis on indirect use
of suggestions to bypass conscious resistance and access unconscious re-
sources and associations. Of equal importance is the metaphor of the split-
ting of the conscious mind, where the stuckness of the presenting problem
resides from the unconscious mind, where the necessary tools and resource
experiences can emerge. Ericksonian hypnotherapy, because of its focus on
MATTHEWS, LANKTON,ANDLANKTON
solution, tends to be brief with the focus on present and future functioning
over various developmental stages.
The research on concepts such as indirect suggestion, metaphor, and
Ericksonian hypnotherapy as causal to therapeutic change is relatively new.
The data reviewed in this chapter is mixed in its support for the importance
of indirect suggestion and the necessity for amnesia for a given metaphor.
However, two studies did reveal preliminary support for the effectiveness of
Ericksonian hypnosis as a clinical intervention. More research on this approach
and its various claims needs to be conducted and to be used as part of a
feedback loop to inform both clinicians and uture research. Although
Erickson has become a legendary figure, those who use his clinical
principles need to have more than anecdotal evidence to support their belief
systems. Researchers, on the other hand, need to develop methodologies that
accurately reflect the clinical setting.
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REFERENCES
Arab z, D. (1982). Hypnosis and sex therapy. New York: Brunner/ Mazel.
Alman, B. , fi Carney, R. ( 1980). Consequences of direct and indirect suggestion
on success of posthypnotic behaviour. AmeTican JOlJ'fTli2l 0{ CliniCof Hypnosis,
23, 112—118.
Bank, W. O. ( 1983). Hypnotic suggestion for the control of bleeding in the
angiography suite. Ericksonian Monographs, I , 76—89.
Bandler, R. , fi Grinder, R. ( 1975). PotfernS of the hypnotic techniques o{ Mtlton H.
distribution.