Whoreson

Prison Blues


Transcription: From The Witcher Season 2 Joseph Trapanese
I. Albakov Joey Batey


                           
 = 90

  
               
 


   




     

  

                

  
     
4


       
           



  


     

    
         
                      
7

  
   
           
  


    
 
   


 
                  

10

      
            
 


  
     

  
            
2

              
13

          
        
       
   


 
     

   
              
                    
16

    
      
            


    


       

   
   
       

 
 
    
20

     

            


 



    
   


 
     


      







 
       
23

 

    
      





    



     


               
    
26

    
     
  



  
    

  
3

      
            
29

      
       


 
  



()       


               
 = 90


     
33



   
   
Ritardando

  
 



       

               
    
37

  
      

    
 


     


                          
41  = 90

     
   


     


  


 







     

         
       
45

         

   


    


   
        
 
       

  
4

                  
49

    
      
  

        

       


  
     
         
   
53

     


   
   
 


      
 
    

       



   
         
         
    


57

   
       
  

     


        
        
       
  



 



60


  
        
     
 
 
     