Professional Documents
Culture Documents
)
COLIN F. MACDONALD
BRITISH SCHOOL
AT ATHENS
INTERMEZZO
Intermediacy and Regeneration in
Middle Minoan III Palatial Crete
INTERMEZZO
INTERMEDIACY AND REGENERATION IN
MIDDLE MINOAN III PALATIAL CRETE
The Middle Minoan III period on Crete was initially identified and studied in detail at Knossos by Sir
Arthur Evans. Subsequent scholarly attention focused on the preceding Old Palace period and the apparent
floruit of the New Palaces at the beginning of the Late Bronze Age. In consequence one of the critical
transitions in Minoan culture has been virtually overlooked, giving rise to confused and ill-informed
judgements concerning developments in Crete and further afield.
With numerous innovations in art, architecture and material culture — notably an entirely new palace
at Galatas — the changes in Middle Minoan III are striking, and appear to herald a new political
organisation of the island, centred on Knossos. The papers in this volume, presented at the first colloquium
to be held in the Villa Ariadne at Knossos, now restore the period to its rightful position. The specialist
contributions cover most key sites where Middle Minoan III occupation has been identified. The aim
has been to rehabilitate Middle Minoan III as a dynamic period in Crete and also on Thera, in order to
provide a better understanding of socio-political change across the island and beyond in the latter part of
the Middle Bronze Age.
Edited by
Colin F. Macdonald and Carl Knappett
BRITISH
Cover illustration SCHOOL
AT
The palace and central court at Galatas from the south with a baetyl in the
ATHENS
foreground. Photograph by Iannis Papadakis, courtesy of the excavator, STUDIES
Giorgos Rethemiotakis. 21 BRITISH SCHOOL AT ATHENS STUDIES 21
The British School at Athens
INTERMEZZO
INTERMEDIACY AND REGENERATION IN
MIDDLE MINOAN III PALATIAL CRETE
INTERMEZZO
INTERMEDIACY AND REGENERATION IN
MIDDLE MINOAN III PALATIAL CRETE
Edited by
Colin F. Macdonald and Carl Knappett
ISBN 978-0-904887-67-9
Introduction 1
Colin F. Macdonald and Carl Knappett
2 Between Protopalatial houses and Neopalatial mansions: an ‘intermezzo’ southwest of the palace 21
at Knossos
Colin F. Macdonald
3 Middle Minoan III pottery from the town of Knossos: the Vlachakis Plot 31
Peter Warren
4 The end of an intermezzo at Knossos: ceramic wares, deposits, and architecture in a social context 37
Eleni Hatzaki
8 The Middle Minoan III period at Galatas: pottery and historical implications 93
Giorgos Rethemiotakis and Kostis Christakis
11 Architectural signposts: datable ashlar style at Middle Minoan III Kommos in south-central Crete 137
Joseph Shaw
13 Exhuming an excavation: preliminary notes on the use of the Kamilari tholos tomb in 149
Middle Minoan III
Luca Girella
15 The Syme Sanctuary at the transition from the Protopalatial to the Early Neopalatial Periods: 169
the evidence of the pottery
Kostis Christakis
16 Where has Middle Minoan III gone? A lack at Myrtos–Pyrgos — and elsewhere? What does it mean? 179
Gerald Cadogan
18 Middle Minoan III: a ‘gap’ or a ‘missing link’ in the history of the Minoan site of Zakros? 197
Lefteris Platon and Eleni Gerontakou
20 Absolute Middle Minoan III — the bigger picture: early Neopalatial Crete’s relations with 221
the ancient Orient in the mid-second millennium BC
J. Alexander MacGillivray
Index 225
List of participants 227
vii
Abbreviations
GENERAL
BA Bronze Age H Helladic
C Cycladic M Minoan
E/M/L Early / Middle / Late PG Protogeometric
FN Final Neolithic
D. diameter cm centimetre(s)
Ht height kg kilogramme(s)
HM Herakleion Museum SM Stratigraphical Museum (Knossos)
HMs Herakleion Museum seals ↑ height
m metre(s)
SHORT TITLES
ABAC P. M. Warren and V. Hankey, Aegean Bronze Age Chronology. Bristol 1989.
Archanes Y. Sakellarakis and E. Sakellarakis, Archanes. Minoan Crete in a New Light. Athens 1997.
Cretological 1 Pepragmevna tou A' Dieqnouv~ Krhtologikouv Sunedrivou, Hravkleion 22–28 Septembrivou 1961.
KChron 15–16 (1961–62).
Cretological 2 Pepragmevna tou B' Dieqnouv~ Krhtologikouv Sunedrivou, Caniav 11–17 Aprilivou. Athens 1968.
Cretological 3 Pepragmevna tou G' Dieqnouv~ Krhtologikouv Sunedrivou, Revqumnon 18–23 Septembrivou 1971.
Athens 1973.
viii ABBREVIATIONS
List of figures
Map of Crete and the southern Aegean indicating principal sites discussed in the texts. facing p. 1.
1.1 Detail of the schematic plan of part of the East Slope of the palace at Knossos (adapted from 10
PM II, Plan B).
1.2 Olive Press Room: shapes (HC = handleless cups). 12
1.3 Room of Stone Pier, Box 1229: shapes (HC = handleless cups). 13
1.4 Room of Stone Pier, Box 1230: shapes (HC = handleless cups). 13
1.5 Pit East of the School Room: shapes (HC = handleless cups). 13
1.6 Handleless cups: typology. 14
1.7 Olive Press Room: handleless cups, types. 15
1.8 Pit East of the School Room: handleless cups, types. 15
1.9 Room of Stone Pier, Box 1229: handleless cups, types. 16
1.10 Room of Stone Pier, Box 1230: handleless cups, types. 16
1.11 Olive Press Room: wares. 17
1.12 Olive Press Room: dark-on-light motifs. 17
1.13 Olive Press Room: white-on-dark motifs. 17
1.14 Pit East of the School Room: dark-on-light motifs. 17
2.1 Plan of the Southwest Houses including S.V and S.VII, and part of S.V. The location of 22
MM IIIA deposits in S.V 4.1 and .2 and in S.VII 4 are shown.
2.2 Pottery from the lower level of S.V 4.2. 23
2.3 Pottery from the upper level of S.V 4.2. 24
2.4 Pottery from S.V 4.1 stratified beneath LM I. 25
2.5 View from the E of the test under a LM II schist slab floor in S.VII 4. 26
2.6 Pottery from the MM IIIA levels in S.VII 4. 27
4.1 Knossos KS 178, Trench 1: Bronze Age and Hellenistic levels. Photo by Colin Macdonald. 38
4.2 Vessels from the KS 178 stone built compartment deposit mended by Popham: dark-on-light 38
lustrous ware in-and-out bowl (Knossian); light-on-dark pitharaki (Mesara import); jug with
Linear A inscription (import?). Photo by Colin Macdonald.
4.3 KS 178 Group (MM IIIB): wares in fine buff fabric. 40
4.4 Two examples of different types of ripple, from the KS 178 stone built compartment deposit. 41
Photo by Colin Macdonald.
4.5 Dark-on-light lustrous with added white Vapheio cups (SM Pots 2059 and 2060) from the 41
N. E. Magazines showing ripple achieved through the application of two closely paired and
consecutively applied vertical wavy lines. Photo by Colin Macdonald.
5.1 Plan of the Mavro Spelio necropolis, in black the MM tombs (adapted from Forsdyke 49
1926–27, fig. 1).
5.2 a) Plan of Tomb VI with the niches A–C (after Forsdyke 1926–27, fig. 14); b) plan of Tomb E 49
at Kythera (after Coldstream and Huxley 1972, fig. 73).
5.3 Plan of MS Tomb IX: in circle the area of the closed context of room E (adapted from Forsdyke 50
1926–27, fig. 19).
5.4 Grave goods from MS Tomb IX, room E: a, d) after Forsdyke 1926–27, figs. 20 and 39; k) a later 52
re-use vase.
5.5 Pottery set from Gypsades Tomb XVIII (after Hood et al. 1958–59, fig. 31). 53
x LIST OF FIGURES
6.1 Tombs with definite MM III use in the Knossos valley (approximate Protopalatial settlement 60
limits derived from Whitelaw 2000, 224 fig. 1). For tomb codes see TABLE 6.1.
6.2 Definite and possible MM III tombs in the Knossos valley (approximate Protopalatial 62
settlement limits derived from Whitelaw 2000, 224 fig. 1). For tomb codes see TABLES 6.2–6.4.
6.3 Burial chamber of Upper Gypsades Tomb XVIII (adapted from Hood et al. 1959, 222 fig. 22). 65
Courtesy of the British School at Athens.
6.4 Surface ceramic vessels found in the fill or vicinity of Upper Gypsades Tomb XVIII (adapted from 65
Hood et al. 1959, 254 fig. 31 and 259 fig. 36). Courtesy of the British School at Athens.
6.5 View from the northwest showing the Ailias slope overlooking the Minoan palace (taken 68
1902–04). Courtesy of the A. J. Evans Archive, Ashmolean Museum, University of Oxford.
7.1 Topographical plan of the Mt Juktas temenos and the Alonaki complex, by M. Polydakis. 72
7.2 Simplifed plan of the Alonaki complex showing the two building phases. 73
7.3 Plan and view of the Alonaki complex from the S. 73
7.4 View of the MM III Alonaki complex from the S. 74
7.5 MM III Alonaki complex, the NE staircase from the S. 74
7.6 MM III Alonaki complex, isometric plan by K. Nowicki. 75
7.7 MM III Alonaki complex, hypothetical reconstructions, seen from the N and interior of N section. 75
7.8 View of the MM III Alonaki complex from the W. 76
7.9 Stratigraphy of the N side. 76
7.10 Detail of Room 2 noting the findspot of the cups, ‘vase stand’ (*) and floor plaster fragments 78
(dotted area).
7.11 Serpentinite pedestal lamp. 78
7.12 Two sealstones found in Room 2: a) bearing an ‘architectural’ design; b) decorated in the 78
‘talismanic’ style.
7.13 Built hearth. 78
7.14 Fragments of pithoi. 79
7.15 Destruction layer against the N wall of the paved courtyard. 79
7.16 Fill of Room 2. 80
7.17 Upper layer of fallen plaster. 80
7.18 Lower layer of fallen plaster. 81
7.19 Pottery percentages. 82
7.20 Cup percentages. 82
7.21 Painted pottery. 83
7.22 Painted pottery. 83
7.23 a) Rim sherd of a painted jug with appliqué mould-made decoration depicting agrimi in a cave; 83
b) drawing by Danae Kondopodi.
7.24 Various types of handleless cup. 84
7.25 Single-handled straight-sided cups with or without ridges. 84
7.26 Handled cups with slight carination. 86
7.27 Saucers. 86
7.28 Cooking vessels. 87
7.29 Two-handled painted amphorae and stamnoi. 87
7.30 Chalices, pedestal cup and tumbler. 88
7.31 Deposit of earlier pottery. 88
7.32 Deposit of earlier pottery. 89
9.1 Remains of Building CIV, abutting the so-called Bastione Ovest (on the left); in the foreground 108
the paving slabs of the West Court (Piazzale I). From the southeast.
9.2 Reconstruction of the plan of Building CIV, with indication of the walking level in the 109
neighbouring area.
9.3 General axonometric reconstruction of the West Court (Piazzale I) with Building CIV 109
(digital version by E. Sangregorio).
9.4 House South of the Ramp. E–W section with indication of the different foundation deposits 110
(B. Salmeri, adapted).
9.5 House South of the Ramp. Pottery decorated with thick spiral patterns: a, b = F.4835; 111
c, g = F. 4964; d = 5207 c; e = 4830; f = F. 4837 (from Festòs CM I).
9.6 House South of the Ramp. Pithoi with rope patterns in Room LXXXIX. From the northeast. 111
9.7 Schematic plan of the MM IIIA architectural remains (coloured in black) along the west 112
side of Central Court XXXIII–40 (Room XLV–22, row of columns, Corridor III/7, Room 25,
lustral basin XLIV–38) (adapted from Festòs CM I).
9.8 The partition wall between Court 48 and Room 47. From the east. 113
9.9 Room XXXVII–88: general view with the wall now delimiting its southern side. At the western 113
side the walled passage to the small annex. From the northeast.
9.10 Stairway XXXI–6: on the east side the scanty remains of the retaining wall and its foundation 113
trench cut in the bedrock. From the south.
9.11 Plan of the NE corner of West Court (Piazzale I): rear wall of the Theatre area and Stairway 115
XXXI–6 during the MM IIIA period (coloured in black) (adapted from Festòs PM I).
9.12 Section of the N side of West Court (Piazzale I), with perspective view of the Stairway 115
XXXI–6 and the rear wall of the Theatre (from Festòs PM I).
9.13 Detail of the tiers of the Theatre with its rear wall, restored during MM IIIA. From the southeast. 115
9.14 Reworking of the schematic plan of the area NE of the Palace, with MM IIIA structures 116
coloured in black (from Festòs PM I).
9.15 a) Amphora and b) jug found in association with the Disc (a: neg. SAIA C/3101; b: from 117
Guidotti, Lo Schiavo and Pierobon Benoit 2007).
9.16 General plan of the Palace area with indication of MM IIIA structures coloured in black (adapted 119
from Festòs CM I).
10.1 Plan of Ayia Triada indicating the MM III ceramic deposits (Plan of E. Stefani, B. Salmeri 124
and D. Tanasi with additions by the author).
10.2 Plan of the trenches below Corridor 74 and Avancorpo Orientale, indicating the pottery deposit 124
by the arrows, and the N–S wall on its south (adapted from La Rosa 1977, 300, 304, 307, figs. 2,
9a, 10–12).
10.3 Section and pottery from Context 7 (Below Room P): a–d) MM IIIB mendable and handleless 126
cups from levels 25–26; e–l) MM IIIA vessels from levels 28–29 (adapted from La Rosa 2006,
839, 851–2, 855–6, figs. 23c, 69, 72, 75, 91–92, 94, 96–98, 104, 108).
10.4 Selection of MM IIIA and MM IIIB handleless cups. MM IIIA: a–b) from context 2; c) from context 3; 129
d–g) from context 4; h–l) from context 5. MM IIIB: m–ee) from context 5 (drawings by the author).
10.5 Pottery from Context 6 (photo author). 130
10.6 MM IIIA pottery from the NE sector of Ayia Triada (drawings by G. Merlatti). 131
10.7 MM IIIB pottery from the NE sector of Ayia Triada (drawings by G. Fatuzzo, G. Merlatti). 133
12.1 MM IIIA (a–b) and MM IIIB (c–d) conical cups. a) Kommos, Building T, Room 25a (after Rutter 147
2006, pl. 3.27, no. 5a/5); b) Knossos, SMK M.IV.6 (after Hood 1996, fig. 1, no. 8); c) Kommos,
Building T, Room 25a (after Rutter 2006, pl. 3.27, no. 5a/7); d) Knossos, F.II.5, below threshold
of door between Room of the Tall Pithos and Temple Repositories (after Hood 1996, fig. 1, no. 16).
xii LIST OF FIGURES
12.2 Conical cups from Kommos, Central Hillside, Room 48 (after Betancourt 1990: fig. 99, 147
nos. 1961 and 1962, fig. 97, no. 1900).
12.3 Rhyton, from Kommos, Central Hillside, Room CH 48, no. C 4235 (after Betancourt 1990, 147
fig. 54, no. 1358).
13.1 View of the Grigori Koryphi with the tholos below the arrow, from the summit of the hill facing it, 150
Milona Lakkos (photograph by the author).
13.2 View of the Milona Lakkos hill with the tholos below the arrow, from the summit of the hill 150
facing it, Grigori Koryphi (photograph by the author).
13.3 View of the surviving wall of the Milona Lakkos tholos tomb (photograph by the author). 151
13.4 Aerial view of the Grigori Koryphi tholos tomb (Myres, Myres and Cadogan 1992, 113). 151
13.5 Plan of the Grigori Koryphi tholos tomb (adapted from Festòs CM I, plan OO). 151
13.6 Selection of handleless cups from the Grigori Koryphi tholos tomb (photograph by the author). 153
13.7 Selection of straight-sided cups from the Grigori Koryphi tholos tomb (Herakleion 153
Archaeological Museum. Photographs by the author).
13.8 Monochrome and light-on-dark handleless and straight-sided cups from the Grigori Koryphi tholos 155
tomb (drawings by G. Merlatti).
13.9 Selection of bridge-spouted jars and pitharakia from the Grigori Koryphi tholos tomb 155
(Herakleion Archaeological Museum. Photographs by the author).
13.10 Percentages of handleless cups in the tholos and its annexes by periods (drawing by the author). 157
15.1 Tumblers from the destruction deposits of Building V (scale 1:2). 170
15.2 Pottery from the Pediada (scale 1:2). 170
15.3 Pithoi with incised potter’s marks (scale 1:4). 171
15.4 The Building U: the first architectural phase (Courtesy of Nikos Zarifis). 172
15.5 Carinated cups from Building U (scale 1:2). 173
15.6 Ledged-rim cups from Building U (scale 1:2). 173
15.7 Straight-sided cups from Building U (scale 1:2). 174
15.8 Bell-shaped cups from Building U (scale 1:2). 175
15.9 Bowls from Building U (scale 1:2). 175
15.10 Ledged-rim cups from Building Ub (scale 1:2). 175
15.11 Five of the ten cups found in the Trial Test of the Processional Road (scale 1:2). 176
15.12 Conical cups from Building Ub (scale 1:2). 176
18.1 Slender amphora from the Building to the North of the Harbour Road, Zakros. 198
18.2 Rounded cup from the Building of the East Sector decorated with tendrils in the light-on-dark style. 198
18.3 Zakros: Building of the East Sector. Rounded cups from Room Delta (D). 198
18.4 Zakros: Building of the East Sector. Decorated straight-sided cups. 198
18.5 Zakros: Building of the East Sector. Handleless conical cups from Room Delta (D). 200
18.6 Zakros: Building of the East Sector. Bowls with out-turned rim from Room Delta (D). 200
18.7 Zakros: Building of the NW Sector. Vessels decorated with tendrils in the dark-on-light style. 201
18.8 Zakros: Building of the NW Sector. Bowl with a ledge rim from the eastern part of the building. 201
18.9 Zakros: Building of the NW Sector. Pseudo-carinated cup. 201
18.10 Zakros: Building of the NW Sector. Two-handled conical bowl with dark paint around the rim 201
created by dipping.
18.11 Zakros: Building of the NW Sector. ‘In-and-out bowls’ decorated with tortoise shell ripple. 202
18.12 Zakros: Building of the NW Sector. Sherds decorated with spiral and floral motifs (not to scale). 202
18.13 Zakros: Building of the East Sector. Architectural drawing showing Room Mu (M), with two 203
architectural phases.
18.14 Zakros: Building of the East Sector. Decorated bridge-spouted jars from Room Mu (M). 203
18.15 Zakros: Building of the East Sector. Bridge-spouted jar from Room Mu (M). 203
18.16 Zakros: Building of the East Sector. Beak-mouthed jug decorated with the tortoise-shell ripple 203
motif, from Room Mu (M).
18.17 Zakros: Building of the East Sector. Hemispherical cups with everted rim and the ripple motif,
from Room Mu (M).
18.18 Zakros: Building of the East Sector. Shallow bowls from Room Eta (H) (not to scale). 205
18.19 Zakros: Building of the East Sector. Shallow bowl with a prominent wide rim, decorated with 205
zones of ripple.
18.20 Zakros: architectural plan of Building Nu (N) on the NW hill, with Room 5 marked. 206
18.21 Zakros: Building Nu (N) on the NW hill. Straight-sided cups together with a ledge-rim bowl 207
from Room 5.
18.22 Zakros: Building Nu (N) on the NW hill. Straight-sided cup with white spots on a red slip. 207
18.23 Zakros: Building Nu (N). Carinated cup from the assemblage of Room 5. 207
18.24 Zakros: Building Nu (N), Room 5. Scoop equipped with a handle in its interior. 207
18.25 Zakros: architectural plan of Building Epsilon (E) of the SW hill, with Room B marked. 208
18.26 Zakros: Building Epsilon (E). Stamnos with vertical handles from Room B. 208
18.27 Zakros: Building Epsilon (E). Amphora from Room B. 208
18.28 Zakros: Building Epsilon (E). Jug with a baggy body and ‘white on dark’ bands from Room B. 209
18.29 Zakros: Building Epsilon (E), Room B. One-handled conical cup. 209
18.30 Zakros: Building Epsilon (E), Room B. Pseudo-carinated cup. 209
18.31 Zakros: Building Epsilon (E). Amphoriskos with an ovoid body and ripple decoration from Room B. 210
18.32 Zakros: Building Epsilon (E), Room B. Bridge-spouted jar. 210
18.33 Zakros: Building Epsilon (E). Juglet from Room B. 210
18.34 Zakros: Building Epsilon (E), Room B. The lower part of a closed vessel decorated with 210
ripple and another, curvilinear, motif.
18.35 Zakros: Building Epsilon (E). Amphora from Room B. 210
List of tables
1 Carl Knappett, Iro Mathioudaki and Colin F. were replaced by larger structures in MM IIIA, in which
Macdonald proper ashlar masonry was used for the first time outside
Stratigraphy and ceramic typology in the Middle Minoan the palace. By MM IIIB, more monumental buildings had
III palace at Knossos been erected on larger terraces. The sequence mirrors that
We discuss a number of pottery deposits chiefly from the of the adjacent palace, yet the absence of MM IIB pottery
east slope of the palace. They appear to represent two phases deposits remains problematic.
of MM IIIA, and one of MM IIIB. The wider project seeks
to integrate these ceramics into their stratigraphic and Anav m esa se Prwtoanaktorikev ~ oikiv e ~ kai
architectural contexts in order to understand more fully the Neoanaktorikev ~ epauv l ei~: ev n a ‘intermezzo’
nature of the transition between the First and Second Palace. notiodutikav tou anaktovrou th~ Knwsouv
It appears that there was no single destruction and rebuilding To keivmeno autov parousiavzei MM III kerameikouv~
of the palace in MM IIB–III. Rather, several destructive apoqevte~ apov thn periochv twn Notio-Dutikwvn oikiwvn.
episodes were met with reorganisation of terraces for new Brev q hkan se periorismev n h periochv , sthn opoiv a
structures, not least the East Hall built above the MM IIB ekproswpouv n tai trei~ MM III fav s ei~ pou
and early MM IIIA deposits of the Loomweight Basement diacwriv z ontai apov duv o katastrofev ~ purkagiav ~
and the Olive Press Room. Massive ashlar terrace walls with (prwvimh kai uvsterh IIIA kai IIIB). An kai h akolouqiva
distinctive mason’s marks are the most monumental features eivnai emfanhv~ movno sth periorismevnh authv periochv,
of phases of unparalleled architectural elegance as the Second faivnetai pw~ oi tapeinev~ oikive~ twn analhmmavtwn th~
or New Palace gradually took shape. MM II(A) antikatasthv q hkan apov megaluv t ere~
kthriakev ~ monav d e~ sth MM IIIA, sti~ opoiv e ~
Strwmatografiva kai kerameikhv tupologiva sto crhsimopoihvqhke laxeuthv toicodomiva gia prwvth forav
Mesominwikov III anavktoro th~ Knwsouv ektov ~ tou anaktov r ou. Sth MM IIIB perissov t era
Edwv diapragmateuovmaste evnan ariqmov kerameikwvn mnhmeiakav kthv r ia anegev r qhkan se euruv t era
apoqetwvn apov thn anatolikhv ptevruga tou anaktovrou, analhvmmata. H akolouqiva scetivzetai me antivstoice~
pou ekproswpouvn duvo favsei~ th~ MM IIIA kai mia th~ sto kontinov anavktoro, parovlo pou h apousiva MM IIB
MM IIIB. H parouv s a melev t h ev c ei w~ stov c o thn apoqetwvn kerameikhv~ paramevnei problhmatikhv.
enswmavtwsh th~ kerameikhv~ sto strwmatografikov kai
arcitektonikov th~ plaivsio kai thn plhvrh katanovhsh 3 Peter Warren
tou carakthvro~ th~ metavbash~ apov to prwvto sto
Middle Minoan III pottery from the town of Knossos:
deuvtero anavktoro. Faivnetai pw~ den uphvrxe mia movno
katastrofhv kai anoikodovmhsh tou anaktovrou sth MM The Vlachakis Plot
IIB–III, allav diav f ora epeisov d ia katastrofwv n Excavation in 1993 and 1995 of a Minoan building on the
Vlachakis Plot south of the Little Palace at Knossos produced
scetivzontai me thn anadiamovrfwsh twn analhmmavtwn
gia ti~ neve~ kataskeuev~, metaxuv avllwn th~ Anatolikhv~ a rich stratum of MM IIIA pottery on and above the floor. It
Aivqousa~ pou kataskeuavsthke pavnw apov ton MM IIB was destruction material which had fallen into or, after
clearing-up, had been deposited into two narrow passages.
kai prwv i mo MM IIIA apoqev t h tou Upogeiv o u twn
Ufantikwv n Barwv n kai tou Elaiopiesthriv o u, Three shapes dominate: monochrome cups with straight
antivstoica. Megavloi laxeutoiv analhmmatikoiv toivcoi sloping side, plain or ribbed/ridged; on them white-spotted
decoration, most frequently on the interior, is commonest;
me diagnwstikav shmeiva keramevw~ sugkatalevgontai sta
plevon mnhmeiwvdh carakthristikav favsewn aparavmillh~ carinated bowls and cups; small shallow bowls with (usually
arcitektonikhv~ komyovthta~ kaqwv~ diamorfwvnetai prominent) everted rim on which is black paint. Above this
level came a thin one datable to mid-MM III and above this
stadiakav to deuvtero hv Nevo Anavktoro.
a thicker stratum of the MM IIIB–LM IA Transition.
2 Colin F. Macdonald Mesominwikhv III kerameikhv apov thn pov l h th~
Between Protopalatial houses and Neopalatial mansions: Knwsouv: To oikovpedo tou Blacavkh
an ‘intermezzo’ southwest of the Palace at Knossos Oi anaskafev ~ tou 1993 kai 1995 enov ~ minwikouv
This paper presents Middle Minoan III pottery deposits from ktivsmato~ sto oikovpedo Blacavkh novtia tou Mikrouv
the area of the Southwest Houses. They were found in a Anaktovrou th~ Knwsouv apevdwsan evna plouvsio strwvma
restricted area representing three phases of MM III separated MM IIIA kerameikhv~ pavnw apov davpedo. Provkeitai gia
by two burnt destructions (early and late IIIA, and IIIB). strwvma katastrofhv~ pou evpese apov pavnw hv proevkuye
Although the sequence is only apparent in a restricted area, apov kaqarismouv ~ , to ulikov apov tou~ opoiv o u~
it appears that the modest houses on terraces of MM II(A) topoqethvqhke se duvo stenav dromavkia. Kuriarcouvn triva
xvi ABSTRACTS/PERILHYEIS
schvmata: monovcrwma kuvpella me euqeva toicwvmata, aplav qalav m ou E, gnwstouv apov thn euv r esh crusouv
hv baqmidwtav kai diakovsmhsh leukwvn koukivdwn, sunhvqw~ daktulidiouv me epigrafhv th~ Grammikhv~ kai mia~
sto eswterikov tou~, skuvfoi kai kuvpella me tropivdwsh prwvimh~ tafhv~ kunov~, to opoivo analuvetai peraitevrw
kai mikroiv abaqeiv~ skuvfoi me evntona evxw neuvon ceivlo~ kai sugkrivnetai me avlla suvgcrona tafikav suvnola. Ta
bammevno me melanov crwvma. Pavnw apov to strwvma autov suvnola kerameikhv~ dhlwvnoun thn uvparxh prosforwvn
brevqhke evna leptovtero pou cronologeivtai sto mevson faghtouv , pou afev q hkan entov ~ twn tav f wn hv
th~ MM III kai akribwv~ apov pavnw tou evna pacuvtero crhsimopoiouvntan se teletourgikav sumpovsia pou
strwvma th~ metabatikhv~ MM IIIB–UM IA periovdou. evlaban cwvra katav thn tafhv.
den evcoun akovma melethqeiv, brivskoun paravllhla, apov tomev~ pou anaskavfhkan sto Akrwthvri th~ Qhvra~ kai
avlle~ qevsei~, ta opoiva evcoun apodoqeiv sthn perivodo estiavzei sta parakavtw shmeiva:
authv. Basikov provblhma gia th Zavkro eivnai ovti, mevcri a) th strwmatografikhv akolouqiva th~ uvsterh~
stigmhv ~ , den ev c ei giv n ei dunatov na diakriqeiv MEC–prwv i mh~ UEC I ston oikismov , ov p w~
strwmatografikav to tev l o~ th~ MMIII apov thn, tekmhriwvnetai apov ta keramikav suvnola
epovmenh, UMIA favsh. jEna~ ektetamevno~ «orivzonta~ b) th marturiva apov thn keramikhv, me evmfash sti~
katastrofhv~» perilambavnei suvnola me carakthri- eisagwgev~ apov thn Krhvth kai thn epivdrashv tou~
stikav pou se avlle~ qevsei~ apodivdontai sti~ duvo sthn egcwvria paragwghv
parapav n w periov d ou~. Sth melev t h authv , giv n etai g) ti~ scetikev~ marturive~ apov thn arcitektonikhv kai
apovpeira kavpoia kerameikav suvnola, proercovmena tovso ton periorismevno ariqmov avllwn tuvpwn ulikouv
apov thn periochv tou anaktovrou ovso kai tou minwikouv politismouv apov ton oikismov katav to tevlo~ th~ MK
oikismouv, na apodoqouvn se miva cronologikhv baqmivda pou periovdou
brivsketai metaxuv tou proanaferqevnto~ orivzonta, d) thn euruvterh eikovna pou diamorfwvnetai apov ta
carakthrismevnou kai w~ ‘Zavkro~ IV’, kai th~ baqmivda~ dedomevna sto novtio Aigaivo.
‘Zavkro~ III’, h opoiva antiproswpeuvei th MM II perivodo.
20 J. Alexander MacGillivray
19 Irene Nikolakopoulou Absolute Middle Minoan III — the bigger picture: early
Middle Minoan III beyond Crete: the evidence from Neopalatial Crete’s relations with the ancient Orient in
Thera the mid-second millennium BC
An off-island perspective of the MM III period is certainly a Crete’s Middle Minoan III period is a turbulent time in the
challenging task, since a twofold stratigraphical and ceramic ancient world. The interval between the conflagrations at
distinction is not so far clear for the final stage of the MBA the end of MM IIB and the seismic destructions at the end
in most southern Aegean sites. of MM IIIB coincides with the rise and fall of Hammurabi’s
This contribution presents the related evidence from the Babylonian empire, the rise and expansion of the Hittite Old
stratigraphical trenches excavated at Akrotiri, Thera, with a Kingdom and the collapse of central authority in Egypt. This
view to highlighting specific points: is the background for Knossos’s brief rise and influential
a) the stratigraphical sequence of the late MBA–early expansion in MM IIIA, which gives way to regionalism by
LB I settlement as attested by ceramic deposits in the the end of MM IIIB
site;
b) the ceramic evidence, with a particular emphasis on Apov l uth Mesominwikhv III — H euruv t erh
the Cretan imports and their impact on the local pottery; eikovna. Oi scevsei~ th~ prwvimh Neoanaktorikhv~
c) the related evidence from architecture and a limited Krhvth~ me thn Anatolhv sto mevson th~ deuvterh~
number of other types of material culture attested in cilietiva~ p.C.
the end of the MC period in the settlement; H MM III perivodo~ sthn Krhvth eivnai mia taracwvdh~
d) the broader picture in the southern Aegean. perivodo~ tou arcaivou kovsmou. To diavsthma metaxuv twn
anaflevxewn tou tevlou~ th~ MM IIB kai twn seismikwvn
H Mesominwikhv III perivodo~ ektov~ Krhvth~: ta katastrofwvn tou tevlou~ th~ MM IIIB sumpivptei me
dedomevna apov th Qhvra thn avnodo kai ptwvsh th~ Babulwniakhv~ autokratoriva~
O prosdiorismov~ th~ MM III periovdou ektov~ Krhvth~ tou Camourampiv , thn av n odo kai epev k tash tou
eivnai safwv~ evna duvskolo egceivrhma, kaqwv~ h dimerhv~ Cettitikouv Palaiouv Basileivou kai thn katavrreush
diavkrish me strwmatografikouv~ kai keramikouv~ ovrou~ th~ kentrikhv~ exousiva~ th~ Aiguvptou. Autov eivnai to
den eivnai mevcri stigmhv~ xekavqarh gia to tevlo~ th~ skhnikov th~ suvntomh~ anovdou th~ Knwsouv kai th~
Mevsh~ Epochv~ tou Calkouv sti~ perissovtere~ qevsei~ epirrohv~ pou avskhse sth MM IIIA, h opoiva evdwse
tou notivou Aigaivou. th qevsh th~ sth dhmiourgiva mikrwvn perifereiwvn sto
H parouv s a anakoiv n wsh exetav z ei ta scetikav tevlo~ th~ MM IIIB.
arcaiologikav dedomevna apov ti~ strwmatografikev~
xxi
Preface
From the emergence of the first Cretan palaces and Villa, and his wife Dimitra, were both a great help
states in the 20th century BC to their demise in the 15th throughout the workshop.
century BC, variations in material culture, both regional As we write this preface, it is now more than
and temporal, have been relatively well documented four years since the workshop. Many people submitted
in each period, apart from that which lies between the their texts promptly and others were somewhat slower.
Old and New Palace periods, Middle Minoan III. How We thank Olga Krzyszkowska, Series Editor of BSA
this ‘intermezzo’ should be defined, what happened Studies, for her help in preparing this volume and
during it and how long it lasted were among the main Rayna Andrew for formatting the volume with her usual
topics of discussion at a workshop held at Knossos over skill. Despite any delays in submitting this volume, we
three days, 3–5 July 2008. This was the first ever hope that everything is as up-to-date as necessary for
conference to be held in the Villa Ariadne, formerly this workshop to fill a crucial gap in our understanding
the headquarters of Sir Arthur Evans. of the development of palatial Crete. All papers have
The meeting was organised by Colin Macdonald, benefitted from the crucial advice of the anonymous
Carl Knappett and Eleni Banou, all of whom have been reviewer whom we cannot thank enough. The character
actively involved in the excavation and study of Middle of the Middle Minoan III period remains open for
Minoan III material in different parts of Crete: Knossos, some discussion in the future but its importance is
Palaikastro and Pera Galenoi.1 We take this opportunity now much clearer.
to thank Eleni for her support. Invitations were sent At the time, we dedicated the workshop to Peter
out to excavators whose task it was to decide who Warren in his 70th year in recognition of his substantial
should speak on this phase at the workshop. Not contributions to the archaeology of prehistoric Crete, not
everyone who was invited was able to devote enough least to the continuing discussions of the stratigraphy,
time to make a presentation and some decided not to phasing and chronology of the early Neopalatial period.
submit their paper for this volume. We hope that This volume is published in his honour.
publications elsewhere in the not too distant future will
fill the obvious geographical gaps in coverage. It was Colin Macdonald
a wonderful meeting in many ways, not least for the Carl Knappett
fact that our Italian colleagues from Phaistos, the site Knossos, December 2012
that so influenced Evans’s interpretation of the Old
Palace at Knossos, were able to stay in the Villa
throughout the conference, courtesy of the 23rd
Ephoreia of Prehistoric and Classical Antiquities.
Not only do we extend our thanks to all speakers,
but also to Maria Bredaki, the then Director of the 23rd
Ephoreia, who allowed the workshop to take place 1 Eleni Banou (fully occupied as head of the 3rd, and now the
inside the Villa’s saloni, an ideal space for small- 2nd Ephoreia of Prehistoric and Classical Antiquities) and
scale meetings such as this. The workshop was Eleni Tsivilika decided not to publish their paper on Pera
Galenoi but rather to wait until they have had the opportunity
generously f inanced by grants from the British
to study further groups of material from this very important
Academy and INSTAP, and the equipment was lent by site. A preliminary report has already been published: E. S.
the INSTAP East Cretan Study Center. The Curator Banou and E. Tsivilika, ‘Provincial Middle Minoan pottery:
for the British School, Doniert Evely, and his staff the case of Pera Galenoi’, in M. Wiener et al. (eds.), Pottery
worked tirelessly to facilitate the running of the and Society: The Impact of Recent Sudies in Minoan Pottery.
workshop, and many of the residents at the Taverna Gold Medal Colloquium in Honor of Philip P. Betancourt.
chipped in. Stavros Amanakis, the guardian of the AIA. Boston 2006: 95–118.
Map of Crete and the southern Aegean indicating principal sites discussed in the texts.
2
Between Protopalatial houses and
Neopalatial mansions: an ‘intermezzo’
southwest of the palace at Knossos
Colin F. Macdonald
The dearth of MM IIB destruction deposits at Knossos and S.VII of the Southwest Houses two tests (S.V 4.1
is a fact long established and little acknowledged. Were and 4.2) were carried out from the ground level left
such deposits to exist, they would mark a very after Evans’s excavations, to the top of the Neolithic.8
convenient line between the end of the Old Palace Another test to the W (S.VII 4), divided from S.V 4.2
period and the beginning of the New.1 Even relatively by a LM II wall, was made beneath LM II schist paving.
recent excavations SW of the palace have failed to The sequences uncovered appear to be Neolithic, MM
produce any clear MM IIB levels.2 They have, however, IIA, MM IIIA, LM IB and LM II. In one instance, in
brought to light stratified deposits, both primary and the N part of the test in S.V 4.2, the main MM IIIA
secondary, representing MM IB, MM IIA3 and two deposit overlay another secondary fill or dump
phases of MM IIIA. In addition, these excavations belonging to the same broad ceramic phase but
uncovered ashlar masonry belonging to MM IIIA,4 an including a few features more typical of MM II.
innovation that is one of several marking the transition Although none of the deposits is large, and few
from modest houses on small terraces to early complete vessels could be restored, their main
mansions on larger ones. characteristics allow them to be placed earlier and later
MM IIA saw the occupation of several houses of in MM IIIA. The division of MM IIIA into two phases
modest size on the terraces of the SW slope of the palace is also apparent in some of the palace deposits
hill (FIG. 2.1). A widespread destruction accompanied discussed in this volume.9
by burning seems to have affected Knossos at the end The earliest MM III material (FIG. 2.2) in S.V 4.2 N
of the period.5 The approximate outline of the MM IIA was part of a dump of destruction debris, including
precursor of the Southwest House, that contained in one much charcoal, a little over 0.30 m deep, lying on
room a deposit of horn cores and seal-making debris, Neolithic strata (unexcavated). Plain, monochrome and
indicates that the area covered by one MM IIA house spatter or splash painted wares predominate, as in the
(c. 126 m2) was much less than the ground area taken MM IIIA deposits of the palace. The unpainted
up by the later, Southwest House proper (minimum of
300 m2, perhaps as much as 450 m2, not counting upper
storeys). Although we cannot yet provide an outline of
1 The Knossos Pottery Handbook (Knossos Pottery I) divided
a complete MM IIIA house, it is clear that new terracing MM III between two authors, thereby creating the impression
of the SW slope of the hill allowed larger structures to that MM IIIA is ‘Protopalatial’ and MM IIIB, the first phase
be erected by MM IIIA, a phenomenon directly of ‘Neopalatial’. Matters are not as simple as this and many
paralleled on the E slope of the palace.6 In urban terms, will still prefer to see their MM IIIA as the beginning of
the transformation of the modest ‘house’ into a larger Neopalatial — not least the excavator of Galatas!
‘mansion’ is an important social phenomenon which 2 But see the discussion in Macdonald 2010.
occurs at Knossos before the spread of so-called 3 Macdonald and Knappett 2007. In a review of that publication,
‘palatial’ architectural features to smaller Cretan Warren 2009 rightly pointed out that the paucity of MM IIB
settlements. Indeed, Knossian town dwellers at the start has not yet been satisfactorily explained.
of the 17th century BC may have shown how some 4 See below Walls 20 of S.VII and 6 of S.V.
5 Knossos POP, 97–8; MacGillivray 2007, 122; Macdonald and
palatial architectural features, notably ashlar masonry,
Knappett 2007, Deposit E.
could best be adapted to non-palatial settings. 6 Knappett, Mathioudaki and Macdonald 2013 (this volume
The Southwest Houses pottery deposits (S.V, S.VI Chapter 1), 10–11.
and S.VII in Pendlebury’s nomenclature,7 FIG. 2.1) that 7 Pendlebury 1933.
cover this period of urban transformation are five, with 8 Supervised by Eleni Hatzaki.
four of these probably belonging to precisely the same 9 Knappett, Mathioudaki and Macdonald 2013 (this volume
depositional act. In the N–S passage between areas S.V Chapter 1).
22 COLIN F. MACDONALD
Fig. 2.1. Plan of the Southwest Houses including S.V and S.VII, and part of S.V. The location of MM IIIA deposits
in S.V 4.1 and .2 and in S.VII 4 are shown.
handleless cup is the predominant shape10 including preceding Trial KV–MM IIB phase.13 Interestingly,
the shallow, broad type often with marked rilling on there are two relatively complete tall carinated cups
the interior (Type 1B: 187–188, 1218, Girella Type 3). (182, 1293) which differ from MM II examples in
Several examples of a broader and deeper handleless having a very weak or light carination just below a
cup (Type 1A) may have a plain, ledge/sliced-off rim short rim; such carinated cups are found in early MM
(Type 1A: 1190, Girella 1 or 4) or an everted ledge IIIA in the palace (Olive Press Room).14 By chance,
rim, angular (1187, Girella 5) or curved (1186, 1221,
Girella 5). A complete, tall handleless cup (Type 3A:
1209) seems confined to MM IIIA at Knossos, perhaps
more common early in the period.11 Fragments of 10 I follow here the broad typology published in this volume by
another two (Type 3B: 1205, 1192), one with spatter Knappett, Mathioudaki and Macdonald. Where possible, I
on the exterior, may look back to a tall, bell-shaped have followed this with the south-central Cretan typology of
Girella 2010, 203–11, fig. 66.
version from the Trial KV Group of MM IIB.12 There
11 Knappett, Mathioudaki and Macdonald 2013 (this volume
is also a more conical handleless cup (Type 2A: 1188) Chapter 1), 15; similar but not identical to Girella’s
with rilling which is of a size and shape found in both ‘semiovoide’ type 2: Girella 2010, 207, fig. 66.
MM IIIA and MM III B deposits. 12 Popham 1974, 186–7, fig. 6: 22.
Of monochrome wares, there are few examples of 13 Popham 1974, 186–7, fig. 6: 6–7.
monochrome handleless cups (1185 with everted ledge 14 Knappett, Mathioudaki and Macdonald 2013 (this volume
rim), one (1184) being more characteristic of the Chapter 1), 16.
BETWEEN PROTOPALATIAL HOUSES AND NEOPALATIAL MANSIONS 23
monochrome straight-sided cups and deep hemi- has parallels in early MM IIIA deposits in the palace.
spherical cups are not common in this deposit (1212, An imported ‘Rhodian’ amphora fragment (1224) is a
1196a). A monochrome miniature tripod vase (189) fabric that is found in many Knossian MM IIIA
resembles cruder unpainted examples from MM IIIA deposits, particularly from the east slope of the palace.18
palace deposits (Room of the Knobbed Pithos).15 Above this deposit was about 0.25 m of earth, plaster,
In such a small deposit, it is not surprising that there charcoal and ash with a number of restorable vases. It
are almost no fine decorated wares. The bevelled base looks as though destruction debris from one of the
of a light-on-dark ware straight-sided cup (1197) may houses was dumped in the later N–S passage. The
be MM IIB since the spiky foliate band has parallels passage itself became the corridor-like space that we
in MacGillivray’s so-called Spiral Band Style,16 and is see today when the House West of the Southwest House
also found in Phase C at Akrotiri.17 Dark-on-light ware
occurs in the form of dark spatter on plain ware shapes
e.g. a handleless cup (Type 1B: 188) with distinctive
interior spattering in an orange-brown paint; however, 15 Knappett, Macdonald and Mathioudaki in preparation.
I think that this vase more properly belongs in the plain 16 MacGillivray 2007, 137–8, fig. 4.24.4.
ware category, as indicated above. Part of an amphora 17 Knappett and Nikolakopoulou 2008, 32 fig. 20.
with diagonal trickle decoration (1213), where dark slip 18 Knappett, Mathioudaki and Macdonald 2013 (this volume
is allowed to trickle down from the shoulder while the Chapter 1), 12–13; for definition of Rhodian fabrics, see
vase is tilted at 45°, is typical of this broad phase and Hilditch et al. forthcoming.
24 COLIN F. MACDONALD
was constructed in LM II.19 Again, this was not a large to the W, in the adjacent space excavated at part of
deposit but among plain, handleless cups with rilling S.VII 4, the latter stratified beneath a LM II fill under
were two restorable vases of interest (FIG. 3.3: 1141, schist paving belonging to the house whose façade
1144). One was a large, conical, ledge-rim cup or bowl formed the W side of the N–S passage (FIGS. 2.1 and
with two opposing lugs; it is monochrome ware and 2.5). There is one join between the N and S deposits of
made of a soft sandy fabric more common for flaring S.V 4.2, but none with that in S.VII 4.
bowls of MM IB–II. The other is a dark-on-light Handleless cups predominate in the S.V 4.2 S
lustrous ware, fine straight-sided cup decorated in a deposit, (FIG. 2.3) many with marked rilling on the
red-brown, very lustrous, tortoise-shell ripple with
added white subsidiary ornament.
This group was probably deposited at the same time
as material recovered from the S of the same test and 19 Macdonald 2011, 450.
BETWEEN PROTOPALATIAL HOUSES AND NEOPALATIAL MANSIONS 25
interior, some with ledge rims; most belong to the and fragmentary cups of LM I date — perhaps LM
broad type, both shallow (Type 1B: 1137a) and deep IB23 — was stratified above a secondary deposit of MM
(Type 1A: 1109, 1128), and to a crude version of the IIIA material. Complementary levels and pottery were
more conical form, still with a ledge or cut-off rim found on the W side of Wall 1 of S.VII in spaces A and
(1105, 173). There are no examples of the tall variety C.24 The absolute levels in S.V 4.1 indicate that the
found in the stratigraphically earlier deposit in the N MM III level belongs with those found further N in
of the test. Straight-sided cups are the next most S.V 4.2, roughly between ↑96.55 and 96.30; however,
common cup shape with three examples of the ridged some separating from the LM I above had to be done
variety (1167), two of which have white spotted on the strewing tables. Any hopes that this test would
decoration at the rim (1166, not illustrated) and base help date the fine ashlar W façade of S.V, the Southwest
(1165); one straight-sided cup is monochrome, and House proper, came to nothing because the five courses
almost complete apart from the handle (1164, not of massive ashlar at this point stood on Neolithic levels
illustrated). Other singletons include part of the neck which had been cut into on the W in order to
and rim of a ‘Rhodian’ amphora (1126, not illustrated), accommodate structures of LM I, MM IIIA and,
part of a large, plain bowl with a broad, flat, everted perhaps even MM IIA. So the pottery discussed here
rim and spatter decoration (1172) and the neck and relates more to the history of S.VII and less to S.V
lower body fragments of a large ewer decorated with despite the nomenclature (S.V 4.1).
tortoise-shell ripple with added white and red ornament Of the clear MM IIIA material,25 (FIG. 2.4) plain
(1174 — join with upper deposit in N of test S.V 4.2). ware handleless cups were the most common, with
Lastly, substantial fragments of an oval-mouth
amphora, with dark-on-light vertical zone dividers
filled with crude, isolated foliates, the dividers 20 Best illustrated in Panagiotaki 1999, 140 fig. 35: 327, 330.
themselves sporting white grasses on either side 21 PM I 260, fig. 193.
(1175). This is paralleled by two examples in the 22 For discussions of the date of the vases from the Temple
Temple Repositories 20 which Evans, in turn, had Repositories see PM I 463ff, and 556ff (MM IIIB);
compared with an example from Phaistos of MM IIB.21 Panagiotaki 1998 and 1999, 136–51 (LM IA); Macdonald
Our amphora is clearly from the same workshop as 2002, 39–41 (MM IIIB) and 2003 (review of Panagiotaki
1999); Hatzaki 2007, 173 (LM IA).
those in the Temple Repositories implying, if the
23 Pots 175–178, pottery lot #230, equivalent of #212 (Pot 136)
S.V 4.2 upper deposit is later MM IIIA, an early date in S.VII 1, Area C. All LM I stratified under LM II.
of manufacture for some of the vases from the Temple 24 The main doorway was blocked in LM II when a series of
Repositories usually considered MM IIIB and later.22 loomweights and conical cups were stratified. The small
A clear sequence was also uncovered, just outside spaces A and C had remains of LM I and MM IIIA floors
the doorway to the later LM II house of S.VII, in with some pots and small finds on them.
S.V 4.1, a 2 m long by 1 m wide test. A series of whole 25 From pottery lots #230–231.
26 COLIN F. MACDONALD
Fig. 2.5. View from the E of the test under a LM II schist slab floor in S.VII 4.
marked interior rilling (FIG. 2.4). There was also a plain few closed vessels (fragments of bridge-spouted jars
S-profile handleless cup (1242), perhaps similar to 2024, 2002b and an amphora 2043). There were no
1205 above and to an example with splash or spatter large storage vessels, but equal quantities of sherds
decoration published from the MM IIB group of Trial from monochrome and plain ware closed vessels of
KV.26 An unpainted miniature tripod vase (1246) is small to medium size, and fewer sherds of dark-on-
also noteworthy. Of monochrome and light-on-dark light and light-on-dark ware closed vessels. Cooking
wares, there were a few examples of ridged, straight- wares included a few tripod legs with a flattened ovoid
sided cups, one full profile being decorated at the rim section. There were two examples of plates (2026,
with fugitive white spots (1243a). One rounded or 2027, not illustrated) and one lower body fragment of
hemispherical cup with everted rim is the only example a Milesian amphora. The character of the deposit was
of the type and is decorated with a white wavy line that of a secondary deposit or fill of burnt destruction
flanked by thin bands on a dark ground (1236). The material, including burnt bone, charcoal and plaster,
neck fragment of a ‘Rhodian’ amphora (1248) was the derived from a house, presumably that with a modest,
only obvious import. This MM IIIA material was ashlar façade in the form of Wall 20.
stratified above a small deposit of MM IIA and a Among the plain or splash/spatter wares are two
Neolithic level. Although the depth of the deposit handleless cups of a distinctive conical type (Type 2:
indicates that it was laid down at the same time as the 2010, 2030, 2050) resembling the profile of the
later MM IIIA in S.V 4.2, there is not enough material standard LM I conical cup, although 2010 is thicker in
to support this on stylistic grounds. section and has spatters of brown paint on the interior
The final deposit, that in S.VII 4, under LM II schist like MM IIIA examples. Otherwise, the handleless cups
paving, lay at the same depth as the adjacent MM IIIA were of the broad, low types,27 — plain lipped, ledged
deposits in S.V 4.2, and up against the foundation or everted rim (Type 1: 2042, 1991, 2040, 2013, 1993).
course and the first course of a wall (20) of finely Linear decorated, dark-on-light wares included
dressed blocks orientated NNE–SSW in contrast to the examples of large ledge rim bowls, one conical and
N–S ‘palace orientation’ of the main Southwest House. linear decorated in dark-on-light (2039) and three more
(FIG. 2.5) The stratigraphical position of the deposit
means that Wall 20 was built before the deposit was
laid down, providing a terminus ante quem for
construction here. 26 Popham 1974, 186, fig. 6: 22.
The pottery (FIG. 2.6) chiefly comprised various 27 As defined in Knappett, Mathioudaki and Macdonald 2013
kinds of cups, notably handleless cups, as well as a (this volume Chapter 1), 14, FIG. 1.6.
BETWEEN PROTOPALATIAL HOUSES AND NEOPALATIAL MANSIONS 27
rounded with a broader ledge (2008) and two lugs at look at illustrations of the pottery published here by
the rim (2038, 2055). 2006 is a monochrome example other authors from different sites. However since the
of a rounded bowl with a distinctly everted rim. In all Southwest Houses deposits are relatively small, I do
bowl shapes, except the plain handleless cup, there is not intend to list many detailed similarities and
a great deal of overlap between decorative modes i.e. differences. A few points will suffice. Compared with
dark-on-light linear decorated, simple rim band and the Vlachakis plot material, it should be noted that plain
monochrome. There were examples of conical bowls handleless cups comprise a higher percentage of the
with wide flat everted rims, 1990 being linear decorated assemblages from the area of the Southwest Houses
with a rim band inside and out, and another mono- which, from that point of view, have more in common
chrome (2009, not illustrated). with deposits from the palace. In addition, the
There is a single hemispherical cup (?) with a decorative elements used on cups do not allow our
straight rim decorated with lustrous dark-on-light deposits to be clearly aligned with those from the
spirals of the ‘open centre’ variety so common in white Vlachakis plot; I could not even suggest that the earlier
paint in MM IIIA (see 2043). Many might be tempted and later deposits from the two excavations should be
to place 1984 in LM IA, yet its open centre spirals and synchronised. In particular, earlier MM IIIA from S.V
interior dark rim band on an already shaded mono- 4.2 N is not obviously similar to the earlier MM IIIA
chrome interior make it stand apart. The decoration of deposit in Warren’s paper. However, I would suggest
other examples of dark-on-light lustrous ware is that the lowest deposit of S.V 4.2 N can be broadly
confined to tortoise-shell ripple on a very fine, large synchronised with the earlier MM IIIA deposits beneath
conical bowl with a red band added on top of the broad the Olive Press Room on the E slope of the palace on
dark rim band (1983), a conical cup (2002a) and an the basis of handleless cups and the carinated cups.30
in-and-out bowl (2002d). Interestingly, in a quest for synchronisms,
Monochrome wares include the light-on-dark MacGillivray31 has suggested that his West and South
spotted cups. There are some rim sherds of mono- Polychrome Deposits Group (i.e. MM IIIA deposits)
chrome straight-sided cups, two (1986, 1987 — not were laid down at about the time of the earthquake
illustrated) with successive rounded ridges and outward that hit Anemospilia creating large destruction
curving rims; at least three appear to be from proper deposits there. While this could be true for some
ridged straight-sided cups (1988, 1989 and 2045). 2005 deposits, when confronted with at least two MM IIIA
is a simple monochrome straight-sided cup of the kind horizons at Knossos, it would be premature to suggest
found in many MM III deposits. precise synchronisms for MM IIIA levels at Knossos,
Of a few pieces of more elaborate light-on-dark before full publication of the Anemospilia pottery,
decorative ware, a small amphora (2043) illustrates the particularly since there are substantial differences in
open spiral so typical of MM IIIA, and a cylindrical the character of different deposits, making statistical
bowl (2004: double wavy lines on the exterior and comparisons open to criticism, and the use of ‘type-
double concentric semicircles pendent from the rim, fossils’ unconvincing.32
and white bands and a running quirk on the interior) is In terms of architectural development and the
without parallel but apparently locally made. stratigraphic sequences covering the transition from
The S.VII 4 deposit also yielded two seals, one a the so-called Old to New Palace periods, the region of
talismanic biconvex amygdaloid (SF 412) typical of the Southwest Houses is similar to the palace in that,
MM III, and the other a bone seal, oval divided into with the important exception of the Loomweight
two zones (SF 413).28 A context date of LM I–II was Basement,33 there is little evidence for MM IIB. This
given by me to the CMS team before the deposits were is not the case at the Stratigraphical Museum Extension
studied. I can state unequivocally that they were found Excavations, nor at Trial KV, which has now given its
in the MM IIIA level discussed here.
These five deposits — two stratified one above the
other — support a division of MM IIIA into earlier
and later, the former having close connections with 28 CMS V Suppl. 3 nos. 187 (SF 412) and 186 (SF 413). These
MM II (e.g. carinated cups). Later MM IIIA might be and other seals from MM IIIA contexts will be discussed by
considered MM IIIB or even MM IIIB/LM IA J. Weingarten and me in the near future.
transitional by many, particularly if they approach MM 29 Hatzaki 2007, 160–72; 2013 (this volume Chapter 4).
30 Examples of MM IIIA lightly carinated cups are also found
III from a deep knowledge of LM I pottery, as opposed
in Phase C at Akrotiri, Thera: Knappett and Nikolakopoulou
to MM II. However, the differences between these 2008, 20–1 figs. 10–11: 21.
deposits and the KS 178 Group — Trench 1 in the Area 31 MacGillivray 2007, 144–9.
of the Hellenistic Kilns — discussed at this workshop 32 The Southwest Houses are secondary deposits of destruction
by Eleni Hatzaki, should be clear.29 material, not primary destruction deposits as at Anemospilia,
The deposits are notable for having few reconstruct- or at the Vlachakis plot and Acropolis Houses of Knossos.
able pouring vessels or cooking pots. As one of the The material from the latter would be worth re-examining.
editors of this volume, I have had the opportunity to 33 PM I, 248–60.
BETWEEN PROTOPALATIAL HOUSES AND NEOPALATIAL MANSIONS 29
name to this pottery group in the Knossos Pottery Kommos46 at this time. The pottery indicates that there
Handbook.34 The palace, Royal Road basements and was some kind of realignment of interests at Knossos
Southwest Houses have yielded numerous floor that is also reflected in the archaeological records of
deposits and fills of MM IIA.35 As MacGillivray has islands such as Thera and Rhodes, as well as the Asia
noted,36 MM IIB deposits are few and have chiefly been Minor coast (Miletus and, less so perhaps, Iasos).47 At
identified in the town to the W of the palace. The the same time, the palace of Galatas is being built in
Southwest Houses may have evidence of some MM the Pediada plain, perhaps an indication of Knossian
IIB occupation,37 but like the palace, the next major interest immediately to the SE , if not territorial
deposits and perhaps architecture, probably expansion.48 The excavator suggests a strong Knossian
representing activity punctuated by two successive influence over this new palace in part based on the
destructions, belong to MM IIIA. However, a gap in adoption of north-central Cretan ceramic techno-
occupation during MM IIB is hard to defend; Wall 20 logies.49 Pottery will not solve all matters of economic
of S.VII 4 and Wall 6 of S.V 6.2 and 7, perhaps a ties and political geography, yet it seems to be a useful
forerunner of the longer N façade of the Southwest indicator of some of the mechanisms at work at the
House ( FIG . 2.1) both lie on MM IIA deposits, beginning of the Neopalatial period.
indicating that they were built between the end of MM
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