i".

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*,r" **
,-
*,æ*;

BM GRENOBLE - DOCUMENT

[uU$$l[UUru
oo0oo14343iæ t

Grard
2 phoe
STO
a3trsf,3
THECOMPLETE ROSES

Ta:,, ii.ltv lii ;i'.:i.iU 54

SoYoung 2
Tell Me 8
Sally Ginnamon 16
Here It Comes 26
All Across The Sands s2
Elephant Stone 21
Full Fathom Five*
The Hardest Thing ln The World 38
Made Of Stone 44
Going Down 56
She Bangs The Drums 4s
Mersey Paradise 60
Standing Here 64
I Wanna Be Adored Ts
Waterfall rB
'l Am The Resurrection 81
Where Angels Play 86
- Fools Gold e6
What The World ls Waiting For e1
Something Burning 104
One Love 110
Guitar Tablature Explained 1fi
Translations 1 18
WHICH HAVE NOT BEEN ELEMENTAL CHLOR NE 3-':: -::
i :,.1 FATHOM FIVE IS A THIS PULP IS FROM FARMED SUSTAINABL: :::::':
-:.E-BEVERSED REMIX OF ELEPHANT STONE
AND WAS PFODUCED WITH SPEC AL FEC:=: :- :
THE ENVIRONT,4ENT, THROUGHOUT, THE PF I":
BINDING HAVE BEEN PLANNED TO ENSUFE "-'.J
tr :" :: .
ATTRACTIVE PUBLICATION WHICH SHOULD G .: .::::
OF ENJOYMENT, IF YOUR COPY FAILS TO I.'::' ^.:
HIGH STANDARDS, PLEASE INFCFI.',: 1"
WE WILL GLADLY ÊÊ'.::: -

MUSIC SALES' COI\,,IPLETE CATALOGUE DÊS : = =: :

THOUSANDS OF TITLES AND IS AVAILABLE 1N FU.. :: -: -:
SECTIONS BY SUBJÊCT. DIRECT FROI\4 MUSIC SALES - '.' '::

THIS PUBLICATION IS NOT AUTHOFiS']

FOR SALE IN THE UNITED STATES OF AMEF C:

www. internetm usicshop. co m

ZOMBA MUSIC PUBLISHERS LIMITED

 SoYoung
WORDS & MUSIC BY IAN BROWN & JOHN SQUIRE

cfm Gfm C#s E5 Gfs

u-ïm*mu-TffiTi n'ffii+i
ËHiii Ëffiii

In the mi-se-ry dic tion-ar - y,_.-- page af - ter page- af - ter page.-

mi-se-ry dic tion-ar - y,

page.

Gtr. 1 (elec.)
^^^ ---€)

f wfiist.

12_12_12 12_12_12_

O COPYRIGHT 1985 ZOMBA MUSIC PUBLISHERS LIMITED, 165-167 HIGH ROAD. LONDON NWlO
ALL RIGHÏS RESERVED. INTEBNATIONAL COPYRIGHT SECURED,

2
 Cflm

+ Gtr. 2: w/heavy flanging fx ad lib.

Full Full
.\
12_12_12-12-12-12-12
12_1 2_1 2_1 2_1 2_1 2_ 1 2 - =

Verse
G#m cf5

Where there's life- there's na be hope

Where there's life- there's na be hope
-

Es Gfl5 c#s

and where there's a will- there's a One man's

and where there's a will- there's a A-mid di

Gfl5

ls an oth er ['ve got - ta get out_ to

SIONS you're SO vou know ['ve got - ta get out- to
 Cflm Gflm

7+9-9-7-9-1 12-9\7-9-7

Cilm

9-7-9- 9-7-9-9-9 2_12-12-12-12-9

lr.
Gilm C#m

12_9 \\ 7-9-7

-7-?z-9-9-7-9-1

lz.
Cflm
 1-1-1-1-
2_2_2_2_

Gilm

7=z-g-9-7-9-?z-1 12_9 \\ 7-9-7 7_9_9_9-9-9-7-9-9-9+

Gflm

12_12_12-12-1
 mi-se-ry dic tion - ar - y.- - page af - ter page- af - ter page,-

1.

G
tion-ar - y.- page af - ter

page--

P.M. _

phasing off

5-4-5-4-5-4-5-4---:-5-4-5-4-5-4-5-4
Cflm Gflm

Cflm UHM

C#m Gfim
Tell Me
WORDS & MUSIC BY IAN BROWN & JOHN SQUIRE

Ffr C#m Ff*

ffiu'Tm ffi ïffin'ïffii ffi

J=,,,
lntro P # cfim
Gtr

€>
{€>
h
lllp wlclean tone
2
_4-4 _2_2-2-2
2_2_2
_3-3-1-3-3
_4-4 4_2_4-4
Ë -2-2
2

cilm
Gtr.2
(elec.)

4-4-4
5-4-4

(rd *) (cfim) (ss) (p #s)

x-x-9-9-1l-X
x-x-9-9-1l-X
x-x-9-9-11-X
(Implied harmony)

(Bs)

x-x-g-x-x-9-x
X-X-9-X
11-9--11
11-9-11
X-X-9-X 11-9-11

O COPYRIGHT 1985 ZOMBA MUSIC PUBLISHERS LIMITED, 165.167 HIGH ROAD, LONDON NW-IO
ALL BIGHTS RESERVED. INTERNATIONAL COPYRIGHT SECURED.

R
 (f 761 )

You can't you- can't

There's on sug - gest what
71" only
Gtr.2 (elec.)
B

Bass atr. for Gtr. Gtr. 2 plays ad lib. feedback

U V2
\tJ

2_2_2_ 2_2_0_2_

(F#) Ir. (c#m)

can't tell rne an v I love me,- I love- on

am the ga - rage flow
Gtr,2 (elec.)

Bass arr. for Gtr.

Gtr. 2: tacet
2_2
2_2
_4_4_4 0
2_2_2_2 2_2_2_2
I 12. rp# )

thing.-
Gtr.2 (elec.) B
 (cflm )

Bass arr. for Gtr

Gtr.1: ad lib. w/feedback

C#m

tell me,
Gtrs. 1+2 -

Gtr'. l: w/dist.

you tell You can't- tell,

11-11 11___x_11_11_X
11-I1 11____X- 11-X
11-11 11 ,r- 11-^

Cfim gs Ffl*

you won't- tell thing.-

11----x-11-11-11-1I
---_--X-11
11
_--___--X-1 1 1 1
11 1 1 -1 -1 1 1
-1 -1
-1
-1
10
Solo tFi )
(C,m ) (Bs) (r'fis)

Gtr,2
-Ç) t,/.1 11411

Gtr. l: tacet
aaila
Tx
ffiI-X-X-
1-X-9-
I
-,l-:r-
9-{91z11-9- -x-x-9-9-t
tl,ta J J/
alL
1-X-9-
{_\1_ô_ 1l
J- \ÿ, ^

EI

(Cilm)

13\11-9-11-11-11

3. I love on - ly me,- ly me. I've got the

Tit
Bass arr. for Gtr.
Gtrs. l+2: tacet

2_2_2_2_2 0

(r# ) (c#m)

an - swers to thing.- I don't need to stare- 'cause I know-

_{F_
2-2-2- 2_2_2-2-

11
 (rfls)

and there's a place for me an y- where.

16#m)

Gtr. l: w/ad lib. feedback

11_11_+--11xx 11-11-x
11_11_+_11 11-11-x
11-11-+-11 x 11-11-x

you won't- tell-.-

11-----X-11-11-11-11
11----X-11-11-11-11
11-----X-11-11-11-11
 2__X
11-11-9-11
x x _11--11_11_9_11 11_11_11_11_11
11_11_11_11_11
11-11-9-11 11_11_11_11_11

(cfm) (F#s)

(cilm ) (ss) (rüs)

BBBBr--B
^*:J t^*J çJ ç^tJ * t ç *h* tQ, {t- t t )^) t -J

V4 r/q y4 V4 V2 t,.r

T <r-r<<rl l t/ ,-:r-
t11lY1tYl H I I lHt I -l I :l
I a a , It t I \-- I t-Y-
r{-}.ri1f {{ I I at
II \..rJ ) ^
Ft I l--l I ll II

(cflm)

13
 (6fim)

(6üm)

Tell- me,- me,-...--

(süm) (gsl

1çflm)

14
 Full

w/ad lib. feedback

-3- -3- -3- --1 -

I am the ga-rage flow-er.-

15
 SallyCinnamon
WOROS & MUSIG BY IAN BROWN & JOHN SQUIRE

D C G C5 G* D* C* Cmajz Gs
u'Tffii u'Tffii
tËffi ffii
u'Ejim
"'l++ffi tr+ËH TËiTi ffi
J=..90
Gtr.1
(elec.) tcl Gtrs. l+2 (12 string acous.)

f wraiI.

Gtr.3
r elec.) oo

lffi
;-G
I c o =-=-=-.
Gtr. -l: w/clean tone
I
IT-i-
lF3_
l--
\-erse
G cs
Gtrs. l+2 o

Un - til ly I was- nev - er hap pv- I need-ed so much more-

(^* Y rütrTrTr
I Y aaaattaaa
I
r \\, I I I I I I I I

l"-.----7
|
mf
7-7-7-7-7-7-7-7
Gtrs. I +2'. tacet
__{_8_8_8_8_8_8_8_8
-7 -7 -7 -7 -7 -7 -7 8-8-8-8-8-8-8-8 -8-8-8-8-8-8
I
7-7-7-7-7-7-7-7 -8-8-8-8-8-8 _5_5_
| È-z-t-z-t-t-z-t-t -s-5-5-5-5-5-5
r

rain clouds, oh,- they used- to chase_ me_ down- they would pollr.-

Gtr. 3: cont. in slashes

7-7-7-7 7-7-7-7-7-7-7-7 _8_8_8_8_8
7_7_7_7_7_7_7_7 7-7-7-7-7-7-7-7

@ COPYRIGHT 1987 ZOMBA MUSIC PUBLISHERS LIMITED, 165-'167 HIGH FOAD, LONDON NW1O.
ALL RIGHTS BESEHVED. INTERNATIONAL COPYRIGHT SECURED.

16
 5_
7-5-7 7_5_7_

lay

G{< C
Gtr.3 J.___ D_o

2'only (you
I l. verse
G
,JT
I pop, pop, pop,- blow, bub-ble - gum.-

some - thing, h"y,- you must show- me.- From what you are made.

and all- things-

7-5-7

18
ffiG" C G*

12_12_13 13_12-13-12-13-1
2/_12_12_12 12_12_12 12-12-12-1 14-12-14-1

Your
Gtrs. 1+2+3

15-15-15-15-13-12-1 7
-7 -7 -7 -7 -7 -7 -7 -7 -7 -
12_12_1 12_12_1 7 -7 -7 -7 -7 -7 -7 -7 -7 -7 -7 -7 -
-7 -7
-7 -7 -7 -7 -7 -7 -7 -7 -7 -7 -7 -
7

-5-5-5-5-5-5-5-5-5-5-5-

ing back from ev- ry tle of glass you- seem to smile from

7
-7 -7 *7 -7 -7 -7 -
-7 -7 -7 -7 -7 7 -7 -7
-7 -7 -7 -7 -7 -7 -7 -
7
-7 -7 -7 -7 -7 -7 *7 -7 -7 -7 -7 v -7 -7 -7
-7 -7 -7 -7 -7 -7 -7 -7 -
7
-7 -7 -7 -7 -7 -7 -7 -7 -7 - 7 -7 -7 -7
-7 -7 -7 -7 -7 -7 -7 -
-7
3-3-3-3-3-3-3-3-3-3-3-3 -7 5-5-5-5-5-5-5-s-s-
-7

Cmaj;

7-7-7-7-7-7- 7-7-7
7
_7 _7 _7 _7 _7 _7 _7 _7 _7 _7
-7

19
 Gtr. 3: cont. in slashes

3-3-3-0-1

) ,-,rry-,[TD^rTT

a1

Gtr.2: ad lib.

T
A
tr

20
 Elephant Stone
WORDS & MUSIC BY JOHN SQUIRE & IAN BROWN

It
("qL
eb Ob
(c)
Dhaaog
(Cadde)

ffiffiffi
-,("D)

ffi-
J- rro
Capo lst Fret *Ab p,b pr
Free time (c) (o) (c)
Intro N.C.
Gtr. I (elec) Gtr. 2 (electro-acous.)
C'3

ff wtuah-wah
3_
11-12-12-1 12-11-11-1

xsymbols in parentheses represent chord names with respect to capoed Gtr. (Tab 0 = lst fret)
Symbols above represent actual sounding chords

ab gb »b ab eb ob
(G) (o) (c) (G) (D ) (c)

Gtr.3 yb
(acous.) (o)

O COPYRIGHT 1988 ZOMBA MUSIC PUBLISHERS LIMITED, 165.167 HIGH ROAO, LONDON NW1O.
ALL RIGHTS RESERVED. INTEBNATIONAL COPYBIGHT SECURED.

21
 Ab Eb [:
(c) (o) (c)
Gtr.3) ) ) ))^) ))))ztconl.sitil.
- -:
7

1. Burst to hea ven_ kiss - ing the cot - ton

2. Down the hea vens- choke on the cot - ton
Gtrs. 1+2

rr-

Eb
(D)

tic sheets- and of

Gtrs.1+3 ,-

Gtrs.l+3: cont. in slashes

22
 Eb
(o)

me home- like an le - phant stone- smash my dream- of

Gtrs. 1+2

Gtr.3; wÆig. I

3_

Ab r,b Db
(c) (o) (c)
Gtrs. 1+3 ,- ,T^,rT,m sim

Dream - ing 'til the sun_ goes and

Did your bed and book - shelf and

Gtrs. 1+3: cont. in slashes

Ab Eb Db Ab Eb
(c) (o) (c) (G) (»)

night turns ln to day.- Rooms are emp tÿ, I-

run, ilfl' run a way?- These four walls- saw the rise
-

got plen ty, you could move in right

and fall- and your mid night get
Gtrs.l+2

Gtr.3: wÆig. I

2_

23
 pb o[,
Ab (c)
,1. (c) (o)
D. adde Gtrs.E3 f)
,Cadde)

in mY dreams.

Glr.t --.-, //

w/backward fx Gtr' 1: tacet

0
1_-1,
-A-t
#
§r
(G)

my dreams.

//

Seems
Gtrs. 1-3

9_
eb Ob
gb »b (D) (c)
ab (c)
(G) (o)

no-thing means-
so it

Gtrs. 2+3: tacet

'7-7-5-5- -
Â-ng7
 --1 [: Dr
(Gt (D ) (ct

Eh Db ab nb pb
(p)
(c) (c) (D) (c)
Gtrs.2+3 ) ) ) ) ) ,)))))))^) ) ) ),)) ) ))) ) siru.

3-3-3-3-3-2-2
0-0-0-0-0-3-3
0-0-0-0-0-2-2
0-0

p.b pb
(D) (c)

0_0
^o
Ob eb ah
(c) (D) (G)
Gtrs.2-4 ) ) ,- §

10_8_1

25
Here lt Gomes
WORDS & MUSIC BY IAN BROWN & JOHN SQUIRE

Asus4

ffiffi
xo x

Verse
A Asusa A
Gtr.2
)=rno
N.C.
(acous.) / )- ) ,D ) ,D^) ) /
\ Cottl. Stnt

Gtr. I (elec.)

f wnist.

Asus4 Asus4

and yet-
n- C e' Cne-

\-,€>

10-10-10-10--1

Asusa Asus4

give me- your life, ItS rr ofih - Iess an how.-

^o

@ COPYRIGHT 1987 ZOMBA MUSIC PUBLISHERS LIMITED, 165-167 HIGH ROAD, LONDON NWlO
ALL RIGHTS BESERVED. INTERNATIONAL COPYBIGHT SECURED.

26
 Gtr.2o*o

,-) ,D

10-9-9\7-7\ 3-2-3-2-3-2

Yerse Asus4 A

27
 Though I'll- be found-

OO
 / cott|. sittt A sus4

-
j
t_

lJ

2-3-2-3-2-3-2
l
Asus4 A sus+

oo

be one- than no I'd

Gtr.2 (acous.)
Gtr. I (elec.)

x-a+rr-

29
 Asus4

Gtr.2 ),-),n)
A
,n ,n 1)1)

ther- be some - one- with no - one

€>.-

Asus4 A A sus4
t\ù ('ont'stm'
) ) 1 ) I )
-

I'm.just use - less for her,__- I'm so use - less

T 2-2-2-2- 2-2-2-
_+-2-2 -2-2-2-2-
-â--2-2-2-2- -2-2-2-2-
Èt--u-t' -U

Asusa

some - one- with

\./
-
 ra ther- one- than one_ no - one._
Gtr.2 (acous.)
Gtr.l

mf æ l:tacet

A Asus4

),D),D),D ,n1)
one- than no - one to

€>-
--
2_
2_2_
2_2_2_

,- ) ,l-

I'm just use - less yeah, yeah use

2_3_3_2_
2_2_2_2_
2_2_2_2_

['m just use - less

Gtr.3 (elec.)

31
 T
I
!

Al I AcrossThe
i

Sands I

WORDS & MUSIC BY IAN BROWN & JOHN SQUIRE

D G Ff m Gmalz Gmaie A
(c) (F) (Fmaiz) (Fmaje)
J=il G

ffi ffiffiffiffi
oo

ffi*
All Gtrs. capo 2nd fret
Tune guitars sharp to match recording

J -- ,.,
Verse D G
(c) (p)

l. Bones of- an im-pres - sive- ro tered all a cross the sand.

Gtr. I (elec.)

D G
(c) (p )

Ase
i-
cret safè with all- the world.- too vain- to seem so pa - ble.-

re-chorus
Fflm Gmajz
(pm ) (F maj z)
Gtr. 1 ) ,)-,ry ) 1

?.lv{
'---/
Can- vou hear it call
Gtr. 2 (12 str. acous.)

O COPYRIGHT 1987 ZOMBA MUSIC PUBLISHERS LIMITED, 165-167 HIGH ROAD, LONDON NWlO
ALL RIGHTS RESERVED. INTEFNATIONAL COPYRIGHT SECURED.

32
 Film GmajT A
(E m) (Fmaju) (G)
, )-,ry cont.sim.

1-3-

D
(c)
30-o

Gtrs.2+3 (elec.)

GmajT D
(Fmaj7) (c)
a-

GmajT
(Fmajz)
?a

,\ e'_v
\__
laughs and tles by. kissed- the girls- and made- them die.-

33
Pre-chorus
GmajT
ts/m (Fmaj7)
(e,m)
), )) , »,fTT sim

-_/ Do- you

Can- you

1-3.---I-0-1

as-- the hired- hand's- ex - posed?

D G
(c) (p)
,D-T )) sim.

nev - er come
And I'll nev - er come here

and we will nev - er PlaY- here

1-1-1 3-3--3
 D
(c) Gmajz Gmaje Gmajz Gmai-
(Fmajz) (Fmaje) (Fmnjzl r Pmaj-,
Interlude
§- ) m
Gtr.3 (elec.)

Gtr 2 doubles octave lower

Gmajz Gmaje GmajT D

(Fmajz) (Fmajo)(Fmajz) (c)
,m rry sim.

Pre-chorus
F#m
Gmajz Gmajo GmajT Gmaje GmajT Gmajs GmAiT (pm )
(Fmaj z) (F maj s ) (P maj 7) (F maj o ) (r maj z; (F
maj e ) (F maj z) Nt
), )) 1/) '/ /^/ N

Can- you hear

let ring -

35
 GmajT
(Fmajz)

hired- hand's- ex - posed? I feel low,-

D
M iddle 8 (C )
ofro

.UU

Pre- Fflm
chorus (n,m)
Gtr.l )

Can- you

36
 Fflm
(Em)

Outro
GmajT
GmajT
(Fmajz) (Fmaj7)

1
_1
-1 -1 -1-
-1
GmajT GmajT
(Fmajr) (F maiz)

her her

37
 The HardestThing In TheWorld
WORDS & MUSIC BY JOHN SQUIRE & IAN BROWN

A D E Esus2 A5
(c) (c) (D) (Dsus2) (Gs)
xxo

Capo 2nd fret Ëïiil Hfii TiIHi trïïH

)=uo
Intro ,l
(c)

The hard thing-

Gtr.l

mf w/crunch dist.
L3-
L0_
i8-
r2-
r$-
*symbols in parentheses represent chord names with respect to capoed Gtr. (Tab 0 = 2nd fret)
Symbols above represent actual sounding chords

D E
(c) (o)

3-33-3- 5-3-3
3-5-5 3-3-3 0-0
2

A D
(c) (c)
Yerse

Hol - land don't

I'm sick in and ob
Gtr. I

Gtr.2 sim.

3-2-

@ COPYRIGHT 1988 ZOMBA MUSIC PUBLISHERS LIMITED, 165.167 HIGH BOAD, LONDON NW-IO
ALL RIGHTS BESERVED. INTERNATIONAL COPYRIGHT SECURED.

38
 A D
(c) (c)

I er want - ed to leave,- search- ing for- a per fect J

would ven help me be clean,- search- ing for- a per fect :

0
2-O 2-2-
E
(o)

nev - er hap - pens that way, a- hey he)

nev - er hap - pens that way, a- hey he) he.

2_2_0_3_3 0
1
0
2
3

11. llz.
E E sus2
(D) (D sus2)

Cut a

let ring..

2 0
3
2 2
0

D A D A
Chorus (c) (c) (c) (c)
round. 3. You nev - er heard-

3_3
2_2
0_0_0_ ^o
1-72-2-

word- ple

_1 3_5_3
2-2- 0
0
-2-2-0 3_2 3_ 3_

that knew- you would

1_1 1-1-3 3-3-3-5-

0_0 0-0-2
2_2_ 2_2_O 0_0
3-3-

3-3-
 2_2_
3_3 3_3_

D
(c)

2_2 2_2_2
3_3 3_3_3
E A
(D) (c)

the hard- est world.-

€>-
_--.=--t

\=_*--l
\=----l
\-=---l

0-0-2 2-2-2
1-1-3 3_3_3 3_0
0-0-2 2_2_2_2_2_2_O
2-O 0-0-0
3_ t=-2_2_0_2_0_

D E
(c) (o)
o sim.

o_2_2

41
 ^ 3-3-3 3-5

D
Chorus (C )

Gtrs. I+2

2-2-2-
2_2_2_2
1=z-2-2-0-2-

A
(c)

.)t \\
l^l', ]..-.

42
 / /n

I'm get - ting high - er and high - er.-

D
,TTT ,-TT ,TTT (c)

world

€}

43
 Made Of Stone
WORDS & MUSIC BY IAN BROWN & JOHN SQUIRE

Em7 Em6 Emb6 Em D C B G

!1-'r !**1 (**'1 !î*J (gl (F) (E) (c)

ffiffiffiffiffi ffi ËHiri

All guitars: Capo 7th fret*

J=130
Em7
b6

Intro ttl,
Em6 EM
(erec.) (a-6) (e*h6)
# tr-.

w/slight distortion
3_3 2_2 1-1 0_
tr----
1_1_1 1_1_1 1_1_0_1_
2_2 2_2 2_2

Grr. 2 (elec.)

s 'slide. distortion & echo

tm 6 E*b6 T

(R-6) (e*b6) Gtr. I

t't\
:
h

3- 1-1-1 2_2 1-1

1_1
1_1_1
2- 2_ 2_

*Symbols in parentheses represent chord names with respect to capoed guitars ( Tab 0 = 7th fret).
Symbols above represent actual sounding chords.

O COPYBIGHT 1989 ZOMBA MUSIC PUBLISHERS LIMiTED, 165-167 HIGH ROAD, LONDON NWlO
ALL RIGHTS RESERVED. INTERNATIONAL COPYBIGHT SECURED.

A.A
 Your knuc - kles whi ten on the wheel, the last thing that your hands
I'm stand - ing warm a gainst the cold, now that the flames have ta

B
(E)
It

feel,yourfi-nal flight can't be de Iayed.

hold, at least you left your life in style. -

Gtr. 3 (elec.)

P.M.- ---------1
w/slight distortion w/clean s(runc

1-0-1
2_0_2_A-
2-2-2-2-2-2-2-2 2-2-2-2
0-0-0-0-0-0-0-0 0-0-0-0

D
(G)

No earth, just sky it's so se - rene,_ your pink fat let go a Sil<:I]..

And for AS far asI can see,_ ten twist ed grin back at me. _

let ring

1-1-1 u- u- 0-0-1-0 i

2_2_2-2 2-2-
2_2-2- -0-0

C B
(F) (E)

t
--/
you fry and melt,- love the scene.- Some

bad mo-ney dies love the scene.

-
-

0-
2-2-2 1-1-1
2-2

45
 Gtr. I
x3
Chorus t ) n fT)
D
(G)
) ltt ttttrl

nw)
C

n fT)
(F) (c)
) )

streets

Gtr.4

ttll

u'hc-It :itï": :13 Ct'rld and lOne-

.i.: I .,. Fls. 1

D
G (G)
(c) To Coda §
t , l.

ly, and the cars they burn be - low- me. Are you all a r!, .rn -)'- bo-dy
,'8, ... ]ou made of

1.
Em D
(Am) (G)
Iu l0

1-1_-1
2-2-2-2-
2-2-2-
 C B

t(t, l'o'
Gtr. 5 (elec.)

0-
2-2

Gtr. I 11
Em D
Guitar (G)
soto 11") t0

home?
Gtr.3
2',\f '*'n
B,r-

w/distortion
Full Full

7-
5-7- 5-7---------x- 4-4-2-4-5-7 7-7-5-5
_=-
5-7-5-7------5 -5-7-

C (E) fx rhythm

t(r)
rffi;\/
| >{ * * ,l >i'
iffi;\/
>i >i * }i >('

Full Full
s)
n:-o:--a
s) s

5_5_7_5_7_7_7 5- 5- 5-x-x-x-x-x-x-x-x-x
7-5-7-5-7 7_5_7_7_7 5- 5- 5-x-x-x-x-x-x-x-x-x
5- 5- 5-x-x-x-x-x-x-x-x-x

47
 B
D.* ut Coda§
D
(G) (E)
n
u t

w/distortion & flanging Some-times

SOutro
coao
1 6 b6
Em' bm tr,m Em
(a-b6) (Am)
(e*7) (a*6)

tr,*,*

tr-**
2- 2 2-42-2

Gtr.2

rit.
Em6 E.nb6
Em7
(e*7) (a-6) (a*b6)

- 1-1-1
2.--2 2--2

4A
 She BangsThe Drums
WORDS & MUSIC BY IAN BROWN & JOHN SQUIRE

ED AA5E5
(D) (c) (G) (ct) (nt)
All guitars: Capo 2nd fret*
tune low E string to D ffi ffi''m*m ffi
J=138
tEl
Gtr. I *

0_0_2_0_4_0_0_ 4-0-2-4-2- o_o_2_ 0_4_ 0_ 0_ 5_

* Bass arr. for Gtr

E
(D)
Gtr.2
w/distortion. lr)--/
àL
0
?l t\
l) o t ,l I
chorus & echo

end Fig. I

4-0-2-4-2-

Gtr.3

--/ -----/-
w/distortion, chorus & echo
double tracked

2-2*4

*Symbols in parentheses represent chord names with respect to capoed guitars ( Tab 0 2nd fret).
=
Symbols above represent actual sounding chords.

@ COPYRIGHT 1989 ZOMBA MUSIC PUBLISHERS LIMITED, 165.167 HIGH BOAD, LONDON NWlO
ALL BIGHTS RESERVED. INTERNATIONAL COPYBIGHT SECUHED.

49
 E
\erse (D) L
0 , I I' t

can feel the move,_ nee - dle

don't feel too feet, hol - low,

- 3

D
(c)
l0

and spi - ral through- an day, I hear my

pas-sion fruit- and bread- ûll my
-

-
E
(D)
\\ t
I f_, l''--/ l' tt ,)

"Kiss me where- don't yours

Through the ear ing see_

NrNI
l' l'

the ture's out of

she bangs the

50
 llz.
00

----\ ----

Chorus A D A D
(c) (G) (c)
E' ttrl r
'1' Nl
L=) ) )) ) )) )) ) /\)

have- you The way she

Gtr.4 (acous.)

n)n
E
(D)

L)J ))

4_5_0_2_2

A D A D
(G) (c) (G) (c)
) ) )t L_-) t ),\ I )) , ), ) ) )
k\:
l) l) I

ev pass?

3_5_3__________l
4_5sl

51
 E

)) L,\ ) ))
(D)
nt n
Codq

nrm

4_5_0_2_2 4_4_5_4_2_
Gtr.5 (elec.)
As

nt n nw) (Gs)
J-Tl-l ,.-lT- .r-T-Il

Gtr. 6 (elec.)

PM.
guitar) Gtr. 5 w/distorrion

4_5_0_2_2
2_3 2_ 0_2_0
E5
(D5)
J--l--t-- l-.r-t-
>ilxxx

0_2
4_0_2_4_2_0 s_5_5
E5 E
(D5) Gtr. 2 (D)
Gtr. 4 tacet
I-T]-l ,.r--T--l-l

Gtr.7

2_0_2_
0_0_2_0_4_0_0_

52
 Gtrs.5&6tacet

0-
0-2-2

D
(c)
"r--T--l-- .rT]--] ITI-J..=

5-3
5-4
0-
0-2-2

T-T-T- .rTl--] .rrl-l JTr-l ''o)

x-x-5-3-5- 5-3-5-7 7_8_ 8_

g_ 8_ 8-
x-x-5-4-5 5_4_5-7 7_9_ 9_ 9-

8_7_7_7 8-7 8-7 5-

9_7_7 5-

D.* at Codo S
E
(D)
Ir

x-x-s
x-)e-5-4-5-7 -5-7 9_x_11_ 11

53
 A D
(c)
§ coao
) N TTT (G)
) ))
\.
t,--/

the way I

A D AD
(G) (c) (G) ,C

i) )t ) )t l\l)t
|.Ll Lr
l) I t , t t t t ttt

Have- you seen- her, have- you heard?- The rrar she words

--\ +

3_ 5

E
(D)
), l_) I )) nr lr
to des - cribe- the way- I

2 \ 1- 4-2-0

A D A D
(G) (c) (G) (c)
t) )) l__) ) t_) ) )tt /\) I
\
;t ; i )

come- to She'll be the first. she'll be the last,

- -

3
3-5

54
 i-
tttltt

to des - cribe- the way- I the way I feel

0_2_2 4-4-5-4-2-0

A D

n) n )nfTT (G)
)) )/
(c)
) )/ )) l ;

0-2-2 2-0
-4-5

A D
(G) (c)
)L\l L_-) I t_.) t

n
E

nt n_rTT)
Repeat toJade
(D)
)t )) t )t

4_4_5_ 4_2_0

55
 Going Down
WORDS & MUSIC BY IAN BROWN & JOHN SQUIRE

D A G G/D A/G NFù NE

ffiffiffiffiffiffiffi
(xo ooo xx ooo OC

)=po
lntro D
Gtr.2 ...T.-]
(acous.) / |

,D^,W z t-z ,/ / /

e
àîJJ;'
*f i:,',:';ïiif,1ài,n",,
2_2_5_s 5

*Coral Gtr. 3

E CflD E verse
@ ÂG\rÀ
X
zrr ïrrYr, D A
) )-) ) ) ) ) ,)

l. Dawn slngs_- the

E
nl F

_v_
ee-ei

2_2_2

p#G E C#» s
@ oo@
9- ,@,. 2fr 4fr 5fr 21r D

D-,rTT ) )-) ) ) -i- a) ) , ,'-, , / /

phone sings This boy's

2_2_2_2

O COPYRIGHT 1989 ZOMBA MUSIC PUBLISHEBS LIMITED, 165-167 HIGH BOAD, LONDON NWlO
ALL BIGHTS RESERVED. INTERNATIONAL COPYBIGHT SECUBED.

56
 F,G E C,D
A
30
lfr 3fr
o
2fr
ooo
E

4fr 5fr 2fr

/ ,/ol F=T-]
aaa

two days sur rect

5_5_
FfG
XD A G P- "q.
) ,---'fTT ,) D,-..rTT ) D-,rTT,
2. Pen - ny here,- we've got to SO come on 'round- to
3. Penny's place, crum my her Dan sette crack - les to
(Verse 4 (f§) see block lltric)

ff only: Gtrs. l+2 w/Rhy. Fig. I

2_2_ _5_5
3_2_
E CflD E
@ oo@
2fr 4fr 5fr 2fr D
) )-) ) ))) D-,fm
There's SO much Pen ny ly ing here,- to
s tune. I don't I taste Am bre So - laire,- her

2_2_2_2 2-2-2-
0-0_

Rhy.Fig. 1
D
NF
Gtr.2 ,TD
(P.M.)
'»

3-3-3-3-3-3-3-3-3 3-3-3-3-3-3-3-3-3
2-2-2-2-2-2-2-2-2 2-2-2-2-2-2-2-2-2 4-4-4-4-4-4-4-4-4 2-2-2-2-2-2-2-2-2
0-0-0-0-0-0-0-0-0 2-2-2-2-2-2-2-2-2 5-5-5-5-5-5-5-5-5 2-2-2-2-2-2-2-2-2
0-0-0-0 0-0-0-0-0-0-0-0-0

57
 E CfDE
G
ü8
Zfr 3fr A
@ oo@
2fr 4fr5frZfr
Chorus
G
) D^,W ) ) )^) ) ))) -t-t j

\.--ÿ
touch and Ring ding- I'm go -lng
neck, her her her hair.

\--l-:

--ro
2-2
4_4 2-2
2-2

G/D
,-^fTT )
G/D

Bridge A A/G A/Ffi D G

,D ,-.- ,D ,D ) D^, ,1^W

All thoughts- of sleep de - sert- me. there
(There is no time.)
n \/ Fl llE \/

5-5-5-5-5-5-5-5
5-5-5-5-5
6-6-6-6-6
7-7-7-7-7-7-7-7 o-o- 2
a-2-
4-4-4
t-t-t-8-8-8-8
A/Ff
,-,m
A A/G AIE, To Coda§
,- ,-,- ,-,- -

Thir- ty mi-nutes round- to- her num - ber

. ..€>

5-5-s-5-5
_6_6_6 5-s-5-5-5
6-6-6-6-6
3
4
7_7_7_7_7_7 7-7-7-7-7 5
5
3
*Solo D A
s iDl D.ÿ§. alCoda

w/chorus -----.1

7\=5-5 \\ 4-4-5
"Solo made up of overdubbed Gtr. parts, arr. here for single Gtr.

§ coda
D

you don't-

3 3 3 3
! é z 1
F 0 4 5 5 0 4

Freely

\-------.---
['ve nev flown in plane. I'll live un die. -
â

-
3
4
5

Verse I (r§):
Yeah, she looks like a painting
Jackson Pollock's number five
Come into the forest and taste the trees
The sun starts shining and I'm hard to please.

59
 Mersey Paradise
WORDS & MUSIC BY IAN BROWN & JOHN SQUTRE

Capo 5th fret G

(D) C5
(c5) D
(Æ Gs/C
(Ds/c)
)=ne
Gtr. I (elec. l2 str.)
Gtr.2 (elec.)
ffi Ëffi ffi-n'Tiffii
*G
cs D c5 D
(o) (cs) (A) (G5) (a)
NV E
Intro F ,,, ""''

f rctring throughout

o-2-0

*Symbols in parentheses represent chord names with respect to capoed Gtr. (Tab 0 5th fret)
=
Symbols above represent actual sounding chords

G
Verse (o)

Riv- er splash- es the rocks- and I-

AsI stare an wheel- comes

2" wlFig.2 (x2)

2-O
3-3_3
2_2_ 2_2

cs D G
(G5) (n) (o)

the tracks, won't- lead down to dark- black pits or

feel- like-- grow- fins and fall ing in -uith the bricks.

1 ends

=3320= 0-0

O COPYRIGHT 1989 ZOMBA MUSIC PUBLISHEBS LIMITED, 165-167 HIGH ROAD, LONDON NWlO,
ALL BIGHTS BESEBVED. INTERNATIONAL COPYBIGHT SECUHED.

60
 where- 2.rf_ she were there I'd hold- her down,-
bikes,- 4.(I) swim a - out-
long with - a care,_

Fig. 2...
2" w/Fig. I

3-

push her der while- she drowns breathe and

eating when I- need air,- life I'll

...Fig. 2 ends
0 0

D
(e)

she does - n't

who'll wolf me

:>

3_3-3 0

GIC
(olc)

Or the (one that's

(I want to be) where the (drownings
E It,/ l'l \/
VIIV sim.

4_4_4
*optional bass note
 G5IC
(oslc)

1r--
3-3-3-
2-2-2- 4_4_4_ 0_
5-5-5
*optional bass note
Ir.
G
(o)

my Mer sey
CC
L

G C D C D
(n) (c) (a) (G) (Al
Gtrs. I + 2 rrrr I
l>
Clee

2-2-O
2-2-O
2-2-0
0-0-
3-3
12.c D
Sol.o (n ) (A)

Gtr. 1: wÆig.3

2-O-O O ^ O-O-O i ^ O-O-O-2-O-2

Fiil 1 C G
(c) (o)
>

2_2_O
i /^' o-o-2 - 2
3
 CD
)
(G (A)

3_5_3-
2_4-4 4-
2
0-0 2-4-2-O o ^ o-o-o

D GIC G C
Chorus (n) (olc) (») (c)

want to be- (I want to be) arq- (drownings are. )

Gtrs.l+2 l.l lr1 l.l E l'l VI'I V

2_2_2_2 2-2-2- 4_4_4_

ir- 5-5-5

You see where

2-2 3-3-3- 3-3-3

2_2 2-2-2- 4-4-4
5-5-5

I1. G
D (o)
(e)
^
yeah!- ln my

2=z-3-

63
 Standing Here
WORDS & MUSIC BY IAN BROWN & JOHN SQUIRE

tr7 A B E E5 E5* Aadd9

u'Tiffii )-xo ,. oo
frn"#
F++IH ffiffi
A/G NFfr NE
ïffi ffi
B/A slc# BIFfr
rrrrr]l r

ffiffiffi ffiffiffi
x x ox

Freely J= qs

Intro N.C.

Gtr.l @1.11

ff wldist & feetlback

1,1.L-1^"4,1-1.1,1 1 1 1 1 1 1

^ g-g-I1-'11
9-11 9-11

E E
@@ E1 A B

Tempo
open open
,-,ry ,ffi,m /// ,//,/
-)
Gtr.2 (elec.)

9-11-11 9-11-11-9

oCOPYRIGHTIgSgZoMBAMUSICPUBLISHERSLIIVITED,I65.I6THIGHRoAD,LoNDoNNWI0.
ALL BIGHTS RESEBVED. INTEBNATIONAL COPYRIGHT SECURED.

64
 A B

,ry ,77,-
on
through
(Verse 3 (T6) see block lyric)

1
11-11-9 11-11-9-9-

hun - dred miles from home.Z

swing - ing from a tree.

(l'Gtr. I doubles Gtr.2)

--.. 10

12-11

E1

the light sur rounds- mg,-

but you can't feel- me,_

V4%V4y4
s-

FiII 1

11.11->-11 9 9_7
11 9-9-9-

65
 --=-----
1-- a

you to show me round.-'l

me AS you speak. J
-_=--

ly don't think you could know that I'm hea - \'en when you

,l q;
Y2

4_4
2_0_2

It. E

2. l'm

0-0-0-0
0-0-0-0 2-2-2-2
1_1 1_1_1_1 2-2-2-2
2-2-2-2 79 2-2-2-2
7_9_11 4-4-4-4
0-0 0-0

Fiil 2

Gtr.2 E1 A

v J J
11-9-11-9-11-9 ^
tr, tt v

66
 where,- real - ly don't think you could

_2_4_4
4_4
4-4

that I'm hea - ven smile. But I don't think- you think- like

4-4 n2nn2-
2_2_2_4_4_4
2_O_2 l,r-Lr-

No mat- ter hard- I al - ways thought, I'd have- the

0
2_4_

let me what* I've got.

n2n2-2-2,-2 2-2?2"
2_4-2-4-

67
Solo E
Gtr.2 ,-

ff w/neck pick up

11 _9_9_9_ 11 /13_13\11 _9_11

ffis-tt o

E A
B
1->---,

^â. 11-9-11-9-11-9
11-11
11-11-9-9

0_0_0
7-0

D.l§. al Coda

i
Bass cue -l
0-0-0
0-0-0-- 2-2-2-2-2-2-
7-7-7-O 2_2_2_2_2_2_2_4
2-2-2-2-2-2-
0-0-0-0__0-0- 2-4-2-0

Basscue ----.1
10 .--.
11_11_9
4-2-O

68
§ Coda

Chorus

real - ly think you could know that I'm in hea - ven when you

2-2
1_1 2-2 4-4
2_2 2-2 0_0
4-4
4_4_4_4 2_o_2_

I'm stand - ing I real-ly don't think you could

0-0-0-0 2-2-
0-0-0-0 2-2-
-1-1-1 1_1
2-2-2-2 4_4_4 2_2 2-2-
0_0-2-2 4-4-4-4-
0_0_0_0 2-0-2

know that I'm hea - ven when you But I'm ev ry

0-0-0-0
_4 0-0-0-0
_1_1_1_1 4_4_4
2_4_4 2-2-2-2 4-4-4
2-2
2-O-2 2-

E5*

l,r
think you could know that I'm hea-ven when vou But I don't think-you think like

4
V2
0-0
0-0
1-1 2_2_2_2 2_2_
2-2 2_2_2_4_4_4
4_4_4_4 o_o_2_2 2-o-2

69
 No mat - ter

2--za- 6\4-2

al - ways thought- I'd have- the an

ae
Gtr.2: w/Fill4

2-2-2

Fill 4 A
Gtr.2

T 9-9-9-9-
ffig
FT
Èt
-9- I I

o
0-
0-
6-
7-
0-

70
Aadde

AIGil A/F# BIGfr B/Ffl

could park-

.! _!_
ï-+-
t-+-

A/G# AIFfr B/A

{--
your_ mouth.
(Vocal tctcet 3")

B IGil B/F# AIGil AIFfr

And feel the

4_
 B/A B/Gil B/Ffl AIGil

when you shout. I should safe for - ev

A/Ffl A/E B/A B IGI BIFl

rn vour
I should

A/Gil A/Ffi AIE, B/A B IG.. B lF1 Repeat to fade

Verse 3 (f§):
['m looking through Your window
I might just have the keY
Over me my free-fall babY
You hear me as You sPeak.
 I Wanna BeAdored
WORDS & MUSIC BY IAN BROWN & JOHN SQUIRE

G EmC
ffiffiffiffiffi
o ooo x o o

Intro.
Ëlffi
J=108

Gtr. l* '
IGI J Io'] IG] lo'r [p']

5-5-5- 7_7_7_7_
3-3-3-3 0-
* Bass arr. fbr Gtr.

D- E5

-T
w/distortion

2-2-2-0 2-2-2-O
0-0-0-
2-2-2- 0-0-0-0 0-0-0-
2-2-2-
0-0-0- 4_4_2_
2-2-2-2-2-2-2-2 2-2-2-2-2-2-2-2-
3-3-3- 3-3-3 0-0-0-0-0-0-0-0 0-0-0-0-0-0-0-0-
(
Gtr.3 G E'

/ widistortion & octaver

7-5-7-5-7-5 ^
7-5-7-5
9-7-g_7______z_9_7 7-4-7*9-

I don't have- to my soul, he's al-rea-dy

-
-

mf ct .2wtFig.1

O COPYRIGHT 1989 ZOMBA MUSiC PUBLISHERS LIMITED, 165-167 HIGH ROAD, LONDON NWlO
ALL RIGHTS RESERVED. INÏERNATIONAL COPYRIGHT SECURED.

73
 7_7\ < 4_7

*G
En-r

) t
-fTt
9_7_g_7_9 9_7_9_7 9_7

74
12.
D

...endFig.2
2-0-0- 2-0-0
3-0-1-3- 3-0-1-3-1-0-
2-2-0-0- 0- 0_ 0-
0-2-2- 2_0-
3_3

Gtr.5 (elec.)

3-3-3-3-3-1 3-3-3.-----2-5-5-3 \ <1 3_3-3-3-3-3-1-

-3

2_2-2-2-2-2-2-2-,
3-3-3-3-3-3-3-3
2-0-2-0- 2_2-2-2-2-2-2-2
0- 0-0-0- 0-0- 0-
i

0----]
|

Outro
G D5 G D' Em
Gtr.4r f_-r

dored.

Gtr. 2 w/Fig. I

2-2-2-2-2

75
 w/echo, delay = i
10-7-
_9-g-7

4-2-2æ
' - 4 4-2-4-0-0

-2-2 4-2-0-2 4-2-4

76
 4-4*2-0-2-4-2\0---

s_7_g_7-9 11-9-7-9-7-?z.g>-7

12_12_12 11-9-7-9-7-9-7

rit.
*G

E' Gtrs.2
G
&4 I
D
I n fT) rTT)
Em

âI]

I wan-na be à

o
o
_3_3_2_2_2 3-3-3-3-2-2-2- -0-
0-0-0-0-3-3-3-
0-0-0-0-2-2-2-
-0-
11-9-7-9-7- 9-7-9 11-9-7-9-7 0_0_2_2_ 0-0-0-0-0-0-0-
-0-
0_0-0_0-0- -2-
-2-
3-3- 3-3-3-3 -0-

77
 Waterfall
WORDS & MUSIC BY IAN BROWN & JOHN SQUIRE

85 Ff/A# Gflm7 cfTrma E5 E,s/pfi

(ct) (DiF$)
!iT'l tll'.'ÿ Jfl tc5lsl
"'m "'m ïriËr]

Ailguitars: capo4thrret* B C# Filsus2

,idJ,i ES (91 t?:"{t

)=104
iIfIIi TtriTi
"So)"
ffiffiffi
Gtr. I (elec.) t tr# l

let ring
w/slight distortion & chorus

E' tp* l

I . Chimes sing Sun -day morn. to -dav's- the day

- she's- to
2. Now- you're at the wheel. tell me how- how does rt- So
-
( Verses 3, 4 & 5 see block lyric)
Gtr. I wiFig. I

Bs Ffi/Afl Güm7 B5 Ffi/Afi

(D/Fil) 7) (D/Ff
(Gs) (En rct) )

r
steal what she ne ver cou[d own, and race ir..m thrs hole she- calls
-
good to- have e - q ua-lized. to li ft up the lids of- your
- -
-

*Synibols in parentheses represent chord names with respect to capoed guitars ( Tab 0 4th fret)
=
S-v',mbols above represent actual sounding chords.

O COPYRIGHT 1989 ZOMBA MUSIC PUBLISHERS LIMITED, 165.167 HIGH BOAD, LONDON NWlO
ALL RIGHTS RESERVED, INTERNATIONAL COPYRIGHT SECUBED.

78
 I tz.q lls.s
C: sus- IFf,] tF#l
(Atr.'rtt )

3-3-3-3
0_0_0_ 2_0_0_0-
2_2_2_
0_0_0

7sus2
E5 Es/ofl Cf
ttrü l
(cs) (csls)
N'c'
1A7rrr2;

E' E5/of cfi7sus2 cfiTsusa D.* al CodaS

tF# l To Coda §
(cs) (cs/B) 1A7sus2) lATsusa)

car - ry on through it all.

G$m B
(Em) (G)

§ coao
\grvsr'' fr ffi i, t-t, - fr ffi ffi
tFfi l Gtr.2 (12 str. acous.)
-

0_2_0_0 i

79
 \ _[+-,_ B Cfl
tr-
L--_ (G) (A) FËsus2

I tt ttttt [1 tTl- tnttttt tt t

1Dsus2)
t

w/distortion

0-0-0

Repeat toJàde

Gtr.4 w/wah-wah ad lib

2-0-0-0-0 2-0-0-0-0
U-U-

Verse 3:

As the miles they disappear

See land begin to clear
Free from the filth and the scum
This American satellite's won.

Verse 4:

See the steeple pine

The hills as old as time
Soon to be put to the test
To be whipped by the winds of the west.

Verse 5:

Stands on shifting sands

The scales held in her hands
The wind it just whips her and wails
And fîlls up her brigantine sails.

80
 :f r r. qi..y-;rI j Ii:,.Iili$r,l"til;i:Uïi{EeL
,r ,.',i:8
r' L : I .' r, :'riil ';-lLE

The Resurrection
i

I Am
-
t'f-' j', r it r't 'r i 30
r1 '

Fàr, t)& ln rlii +ir 54

--::---==+-a^r*æry

WORDS & MUSIC BY IAN BROWN & JOHN SQUIRE

B A E Gfim tr# Ffisusa Fflsus2

(G) (F) (C) (Em) (D) lDsusa) (Dsus2)
"rm Eiffi iËft] ËËili Tiiffi iiTH iiïHi
*E *B Dü5 5
B7
F#s Em
(B 5)
E,
(o') (c) (cm) (G) rc/l
F+ËHi Ëffi
u
"'m 3rr

ffi "'mffiffi
!.:1.

All guitars except Gtr. l: Capo 4th fret*

)=126

B
Gtr. 3 (elec.) (G)
rllr
IrLr'-- l) \r \
(on repeats only)
) Ii-/z
l' I f__, I À__, l' I I

Down you bring me down,

- I you knock
Turn I wish you d learn,- there's a and
Stone why can't you see?- You're a one no

Gtr.2 (elec.)
(on repeats only)

*Symbols in parentheses represent chord names with respect to capoed guitars ( Tâb 0 4th fret).
=
Symbols above represent actual sounding chords.

O COPYRIGHT-I989 ZOMBA MUSIC PUBLISHERS LIMITEO, :65-167.TIG'.1 FCAD. LONDON NWlO

ALL RIGHTS RESERVED. INTERNATIONAL COPYRIGHT SECJF=)

81
 A B
(F) (G)
I
I

,._.1 I t) ) jl Ltl
lt I I )t
down- my door- and I can't sleep at ,;
place for r'y thing,- ['ve got
- to get it through.
- where washed - up ba - by who'd look bet - ter dead.

let ring

3_1-3-3-1
7-7-5-7-7

.\
Rhythm cont. sim. tFl

Your face, it has no pii*, no room for )'ou- side- my house,

Cut loose 'cause youle no usg I could n't stand t'rth - er se

Your tongue is -
far too long,- I don't like the \À'a)' sucks and slurps
-

let ring

7-5-7-7

82
 v
I to bea - lone.
- cond your com - pa _ n\:_-
up my ev'- ry word.
-

2-1-2-4-2-1
Gtr 2 enters I st time

w/distortion

3-2-3-5-3-2
G#m E
Gtr.3 (Em) (c)
each time
) )

Don't waste your don't ny thing- from

distortion off

3-0-3-
2_2_
0

B Güm
(G )
)
(Em)
I N TTT)
where you've been- or what
8va on
''^I

3_
o-2-4-0
0-0-0{-2-2-0-

E F#
(c) (D) Itz.
rlrr
) ) l- t t t I I I
r

) x.c

you do.
Gtr.3,3o

3-3-3-3-3-3-3
4- 4- 2- 2-2-2-2-2-2-2-
2_0 0-

83
 13. Frsusl F, Fisust Fr: xE Em xB
(D susa)(D )( D susl )( D-t I (Cl (Cm ) (G)
^/ / ,,j ,, ,

am the re-sur - rec am-- the

3_3 _3_3_3_3
*E *B
(c) (G)

bring my - self to hate- \ oli as-- I'd

4_4_H 0_0_0
5-H-0-0-0-0
3-3-3
Gfim E
(Em) (c
,D,rm
)

Gtr.5 (acous.) ) ,- ,) /

Gtr.2 (2" only)

B Gflm E
(G) (pm) (c
w
I

),D sim.

84
Gtr.5 (acous.)

ü
3_3_ _0_0 0_0_
_0_0
2_2_ 2_
2-2-2-
_0_0_0_
3-3-
I
E pfl F fl susa pfl FT
(c) (n) (D susa) (p) (p)

2-2-2-2-2-
1_1_1_1_1_1_1 3-3-3- 3_3_3_3_3_3_3_ 3-3-3-3-3-
2_2_2_2_2_2_2_2 _4_4_4_5_4_5 2-2-2-2-2-
3-3-3-
--{-

Es D15 E5 Dfl5 P-r B7 Es Pf,,s Ps pfls p-s 81

(c-s) ( B-5)(C-s) (BsxC-5) (G7) (c5) (B-5)(C5) (B-5)(C-5) (G7)

\
en

O-
-.1

1_1 _xX 1_ 1_1 X

X
0_0 x 0_0_o_
3_3 x 3_3_3 3 X 3_3_3_
E5 Dfls Es D,5 E5 B7 Es Dfls Es Dfls Es B
(cs) (B-5) (C 5) ( Bs)(C5) (G7) (c-5) (Bs) (C-5) (B-5)(Cs) (G)

I_1 X 1_1_1
0-0 x 0_0-0
5-5-4-5-5-4-5
3-3-2-3-3-2-3 3-3-2-3-3-2-
3_y--3_3_

85
 WhereAngels Pl ay
WORDS & MUSIC BY IAN BROWN & JOHN SQUIRE

C D Csus2 D7sus4 G5 G G5* D (Ff uass) Em

i#iri
D5
ffi
C*
ffi
G/B D5* Bm
n'i++ffi n'ffiiii n-mn''Timi
G/C C5 G/B*
n"T+ffii u'T+ffii

u'iiffiir u'T+ffii n'T+ffii n'lffiii u'iffi u'Tffili ,,'{if,jj

)=p+ ffi
(c) (c) (G) (c) (o) (c)

me to place no eyes have- ev - er

Gtr.l

let ring...
Ittf wlchorus
3
5 3-3
5
5 5

(c) (c) (c) (D)

a
\-,
mil lion miles- from here- where no one's- EV er been.

Gtr.

5
3-5 1
0 0
5 2
3

C D C D

glv- en and a ho hea-ven face,-

Ctr. 2 (elec.)

P.M.

5-5-5-5-5-5-5-5 2-2-2-2-2-2-2 5-5-5-5-5-5-5-5 2-2-2-2-2-2-2

5-5-5-5-5-5-5*5 0-0-0-0-0-0-0 5-5-5-5-5-5-5-5
3-3-3-3-3-3-3-3
0-0-0-0-0-0-0
0-0-0-0-0-0-0-3
3-3-3-3-3-3-3-3 0-0-0-0-0-0-0-3

: COPYRIGHT 1989 ZOMBA IVUSIC PUBLISHERS LIMITED, 165-167 HIGH ROAD, LONDON NWlO
ÀLL BIGHTS RESERVED. INTERNATIONAL COPYRIGHT SECURED.

86
 I'M the edge-

+C
et
Gtr.2l
Open -

5-s-s-5-5-5-5-5 2-2-2-
5-5-5-5-5-5-5-5 0-0-0- -2-2
0-0-0
3-3-3-3-3-3-3-3 0-0-0 -0-g

C sus2

Gtrs. 1+2

4-
s /a
c-o-
5-5-5- _0
5-5-5-5-5-5-2 3
3-3-3-3-3-3-

mf

5-5-5-5- 5-5-
3-3-3-3- 3-3 -
3-3- 3-3
G
Gtr.1 )^o

ug ly lit
The warm- red sun

5
4-4-4-4-4-4 4-4-4-4-
5-5-
5-5 3-3-3-3
3-3-3-3 -

87
 C

place fbr me- and Our car- pet ona dew-

sinks in - to- the But I'm no I can't

Gtr. I tacet

1__rr
__*__5_5_5_5-5-5-5 0 -----rr0
1

t 2-2-2-2-2-2-2 0 2-2-2-2-2-2-
2_____rr _
t -0 0-0-0-0-0-0-
Ë--e-8-8-8-8-8-8 3 3 -0-0-0-0-
3
-3-3-3 -3 -3
0-0-0-0-0-0-0-3

fresh daffo- dil plain.- I Take a look a round. there's some - thing
stand here be trayed. J
-

4_ô
U-U-U-U-U-U-U-U
z- z- z- z- z- z-z-1 UL'T'
J U-U-U-U-t,-U-U f'
-J-J-J-J -\r-ü
-J

hap-pen-ing, all the co- lours fade.

eüe
l" rT 5-J
o-

3-2-3

Chorus
Em D5
Gtr.3 G5* D Gfl bass)
(elec.) J I J ^t stm. c*

I bang
Gtrs. l'l
l+2

f Ct .3: w/heavy dist. & tremolo

0 -1 0-1 0-1 0-1 0-1 0-1 0-1 0
I

8-8-8-8-7-7-7-7 8-8-8-8-10-10-10-10
7-7-7-7-7-7-7-7 g-7-7-7-7- 9-9-9-9-7-7-7-7
9-9-9-9-7-7-7-7
-8-10-10-10-10 10-10-10- 10-7-7-7-7

88
G5* D (F, bass) Em G/B

0
-1 0-1 0
-1 -1 -1 -1 0 0 0 0 -1 0
8-8-8-8-7-7-7-7 8-10-10-10-10 8-8-8-8-8-8-8-8 8-8-8-8- 10- 10- 10- 10 -
7-7-7-7-7-7-7-7 9_9_9_9_7_7_7_7 9-9-9-9-7-7-7-7 9-9-9-9-7-7-7-7
9_9_9_9_7_7_7_7 10-10-10-10-9-9-9-9 10-10-10- 10-7-7-7 -7 --

Ds*
Gs* D (Ffi bass) )_ §
I

->

e
bang, pret - ty pret - ty, bang bang. think so no- nO,-

o
Gtr. 3 tacet

0-1 0-1 0-1 0-r 0-1 0-1 0-1 0

I 2
8_ 8_ 8_ 8_10_10_10_10 3
7_7_7_7_7_7_7_7_ 4
4
2

Ir.
C

GIC

bang bang.-
F l.l FI It It

f Ctt.3 tacet

3_3_
4_4_4
0_0_2_2_
3_3_

89
 .C
lz.

bang.

)n
*^ :=+
\=--//
8-10
8-10
F_'r-9-1.1_ _ 9_11
FË'- 10 10 O- 12- 1 12- 12- 12 10-12
[p t0- 10- O- 12- 112- 12- 12 10_10_10_12
8-8-8-10-10-10-10 8-10

(c ) (cls) (G/B ) Play 6 times

â'
j

'-/
l"
3_3 5-3-2
rr-rr- 3-3

D5 cs D I Repeat to fade

J._.rTT ) ,.-,»

r _-/
l'l'l'l -J
t'
5-3-2
0

90
 What The World ls Waiting For
WORDS & MUSIC BY IAN BROWN & JOHN SOUIRE

BAEE* 85
ffiffi
A5

"'[+m n'Ïffi "'ï+ffi n'ïffi

E,1, FT:
- Ffi B* E*:"
"
ffiffiffi
"
ffiffi
X
"
.J= ttt B E* .\
Intro B E )) ))
Gtr. I (elec.) Gtr.2 (elec.)

w/slight overdrive Gtr. l: cont. in slashes w/slight overdrive

9-9
10_10_9 o.-o_
9-9
11-11 _11_9_11_11

X u..r"
,- B

COl-r]ES the wise-

comes the don

Gtr. 2: tacet

10-10
\-/ 11-119-

Er< A
) ./.-

and there goes-

key. ten- tonne plough. -

Ctr

9-1111-11

O COPYRIGHT 1989 ZOMBA MUSIC PUBLISHEBS LIMITED, 165-167 HIGH BOAD, LONDON NW1O.
ALL RIGHTS BESERVED, INlERNATIONAL COPYRIGHT SECURED.

91
 E

-rm ,fl
burned
make

need to look for the rules.

-
crack. beat him down.-

2-4------2:-6-4----2

2. (X) Verse

3.5. He his bro -

 ü
sell for a fist ful of gold. But he needs
-

6?-8_6_4

the- pro - mised land.- don't be - lieve, a word.-

0-2-
2_4=2_6_4\2
4

Take me way the

9-10-10- 9-9-9-9-9 9-
9-9-9 9-9-9-9-9 9-
9-11-11-11-11 -11-11-11-11-11-

Chorus 85
Gtr. 1§

You'll know- what you wan- na do- or where vou wan - na

w/slide

7-10\

93
 9.11:9.11 - (11)'=11
11
-11 - 9-9-11-11

To Coda § D.î§. alCoda

: (no repeat)
Ex
N
,ffi,ry

:r--: J---,:-
- 9-11-9-11-11

4-4 /

94
 there. All you got - ta do is stop me on the cor - ner

ub üo

_a
6_4_6_4
4-?z-6

say, to - day.-

4_4
4-6
2_X_X_4-rz_6

Ffl

Stop- the stop the I'M

-

2 _9_9_11_11_9_

E* E Repeat to fade

)) ,rT,-
w/ad lib. vocals
off.

Gtr.2

o-o
§-9^6^9-11

95
 Fools Gold
WORDS & MUSIC BY IAN BROWN & JOHN SQUIRE

)=r'
Intro N.C.(Rm ) l|1,2,3.

Gtr. 1 (elec.)

(rL) -lL---
mfv.w.---- ---l

2_3_

1.2. The gold road's sure a long

(X') boots were made for walk

\-----'/'

5_4_6_4_5
-

on through - the hills for fif

de Sade- nev -
- er made no boots

\\----l/ (

5_4_

O COPYRIGHT 1989ZOMBA MUSIC PUBLISHERS LIMITED, 165-167 HIGH ROAD, LONDON NWlO
ALL RIGHTS RESERVED. INTERNATIONAL COPYBIGHT SECURED.

96
 days.
these. Gtr.2 (elec.)

\-"-.-'--l
w/wah-wah
#
Gtr. l: w/Fig. I (x2)
Gtr.2: w/ad lib. fills 2" & 3"

7_7_
3_2_ 2_2

7_7_7_7_7_7+

pack on my back is ach

(X') Gold's just a - round the cor
Gtr.l

P.M.-----------l
Gtr. 2: tacet

3_2_3_3_2_2
3_4_s_

To Coda A

straps seem me like

break down's up round

3_3_______4_=5_
 w/wah-wah

x-x-x-x-10-10-x-10 x-x-19-1O-x-1-0
1-r-r-x-'9-- b--x- I -x-x-x- x- I 9 I
- -x-

5------------1

11.

98
 X-X-5-5-5-5-5-55
X-X-5-5-5-5-

x_x_l 0_1 0_1 0_1 o_x_x_x_x_l 0_1 (FI 0_

x-x-x-x-10---x_10 8_10__1
x_x__x__x_9-_x

99
 down down down.

Chorus
(Am ) (c) (G)

(1.) Vocal tacet

(2.) I'M stand rng a lone- I'M watch lng you all,-
(3 .) I'm stand ing a lone- you're weigh ing your gold,-

Gtr. l: wlFig.Z

X-X-X-X-8-8-X-8-8-8-8-8-7-7-7
x-x 8.618 x-x-x-x-8-8- 10-10-10-10-8-8-8
x_x_x_x_9_9_x_9_9_9_9_ 9_7 _7 _7
x-x-x-x- 10- 10-x- 10- 10- 10- 10

It, z.
(em)

\-- /
I'm see you sink ing.
I'm watch you sink

= e
=a?
'at-
X-X-X-X
x-x-x-x-8-8
x-x-x-x-7-7- I 8- 8-7
-x- - -7 -7
7-7-7-7-7-7-7 -
5-7-5
-8-8 3-5-3

ls.
(am)

al
XX

Gtr. l: wÆig I (x2)

x-x-x-x-7__x-x-7-x-x-x x-x-7 x-x-x-x-7-x-x-7 7-7-7

100
x-x-x-x- 7
-x-x-7 -x-x-x-x- 7
-x-x- 7 5-7
-

D.l*. al Coda

x-x-x-x-7 -x-x-7 7
-x-x-7 7-X-5-
-x-x-x-x-

§ coda

5_7_
-x-x-_x-7-__x-x-7-x-x-x-x-7-x-x-7 x-x-x-x-7-x-x-7-7

x-
10_10_1 8_SXXXXXY_
7---X-X-7-X-X-7-X-X-X-X-7-7

101
 7_6_

know what you're

.t \---/-
--

Drumrhythm -------l

102
 (G)

(l .) Vocal tacet
(2.) I'rn stand rng a I'rn you all.-
(3.) I'rn stand ing a you're your gold.-

Gtr. l: w/Fig.2

x-x-x-x-10-10 8-.-8 x-x-x-x-8-8-x-8-8-8-8-8-

x-x-x-x-8-8-x- 8-7
10-10-10-8-10-8 -7 -7 -
10- 10- 10 - 10- 10- 10-8-8-
x-x-x-x-g-g- 9-9-9-
x-x-x-x- 10- 10-x- 10- 10- 10- 10
x-x-x-x-9-9-x- 9-9-9-9-9- 9-7 -7 -7I --

1t,2.
(am)

I'rn you sink

I'rn you sink

J - -
Gtr.1 t) =-e
-at-

x-x-x-x-8-8-
x-x-x-x-7 8-8-8-8-7-7-7
_7 _7 _7 _7
-7 -x-7 5-7-5
-7 -7 - 7-5
-7

(1" onllt) Foo ools

l: w/Fig. I (x2)

5-5-5-5-
x-x-x-x-7 x-x-x-x-7-7-- 5-5-5-5-
x.-x-x-x-0- -70 -x-
-x-7-x-x-x-x-
0
7
0- -x-7 0
-70 -x- x-x-x-x-0-0-x-0 7-7-7
-x-x-x-x-

Repeot to.tade

x_x_x_x_7_7 x 7_X_X_X_X_7_7 X7
x_x_x_x_0_0_x_{_x_x_x_x_0_0_x_0 x_x_x_x_7 _7 _x_7 _7 _7 _7 _5_7
x-x-x-x-o-o-x-o_

103
Something's Burning
WORDS & MUSIC BY IAN BROWN & JOHN SQUIRE

ACDC/GA5
u'ïffi1 n'ïffii u'Ëffii
E+ffiî ffiij

)=rro
lntro N.C.

Gtr.1 (elec.)

w/tlanger+slight P.M.

ff v"rr.
(Am)*

(1,2,X) Don't count your chick-ens 'cos they're nev - er gon - na hatch.

after D.ff. ad lib

*Implied chords

you're
You can't catch key with

3COPYRIGHTIgSgZoMBAMUSICPUBLISHERSLIMITED,I65-167HIGHRoAD,LoNDoNNW10
À-r- iIGHTS FESERVED. INTEBNATIONAL COPYRIGHT SECURED'

104
5_

105
 5
_x_7 7-5-7
7-l\-5

Chorus
(Am )

just could - n't get off your knees.- I- can see the love hate-
G-tr' 2 (stems uD)
elec.
:>

Gtr. 1* (Gtr. 2) Fig.

Gtr.2: w/crunch dist.

3 2_
U vu- v-z-o

xGtr. I TAB in italic

CIG N.C.

in your eyes, thoughts- hind- the dis guise.

..Fi_e I
rir-l'.-'
ends (Gtr. 2)

5-7-5

you gon - na do and what- you gon - na say? I'm not the on - ly one be

106
To Coda§
4-5

5-
s-7
v 0- 72- 3 3-s-7'4
8 -

107
 Solo
(am)

x-x-7-5-x-5-5-5
X-X-7-5-X
X-X-7-§-l-7-5-5-s

(am)

7_7+__5_7 x

(Rm)

7_7_7_5_7

108
(am) (o) (am) (n) D.1§. al Coda

.J 4iF
7_5_(s
7_7
3_5_3_
-5_(5 3_4_
§ Coda
As CIG

What you gon - na do with the of your Head for the thoughts- be - hind-

I Gtr.l: w/wah wah

J Ctr.2: wÆig I (ad lib.)

----l
the dis What- you gon - na do with the rest- of your life? Head -

Repeat to.fad,
CIG A5

the thoughts- guise.

-_l

109
 One Love
WORDS & MUSIC BY IAN BROWN & JOHN SQUIRE

J= rrs
Emll

Gtr. I (elec.)

w/crunch dist, chorus, reverb let Bass cue

2- 0-
0-3

x(Em ) (a) (em) (e)

w/wah
Full Full
1a

æ:-1i7-l?7-î-i 14_14_12--12-14 2->->->->-2

(1qa
-14-14-12-14
-lmplied chords

\-erse (Pm) (a)

1. An tlme you want

O COPYRIGHT 1990 ZOMBA MUSIC PUELISHERS LIMITED, 165.167 HIGH ROAD, LONDON NWlO.
ALL RIGHTS RESERVEO. INTERNATIONAL COPYRIGHT SECUHED.

110
 (em) (A) (Em)

you need- ffie ,

0_0_0

(A) (Bm) (A)

all you do

(rm) (e) (Em )

(1,2.) An y time you want me, an- y time at

Pre
1\

Ad lib on rpt.

14-12-12

(A) (nm) (a)

B
B
ç'

Y2 Full Full

14_12_12_14
14-12-14-12-14 =/ p-4-p-J-e--
-Z-1212--+--12
14_ 14_ 14_ 14_14_12___:_______
2
o_2 14 -- 14

111
 (Em )

all you got - ta do call.

2. You put

x-x-x--x
x-x-x-x
x-x-x-x 10-12114
10-12
Pre-chorus
(a)

I'rn l1o dog, I'm a dol phin, I just don't livein the sea.
-
one
-
step clear of the chain- gang, and two miles- ov- er the line.-

# të

T-tq ÿ-14-12 lo 1^ 1A-Y-1L

_12_14_ 14_x-1
1'
-ri--la -A-14-, -14-12
I-c-
, Z-5-c- t

You my- t'lorr. and you flood

the I- sa\\ -- left-

12-14-14-x-14-12
2-O

N.C.

-a.
my brain,- me your slon, your ap-pa - ri tion and
me want- ing

12
1}14-12-14 14-14-12-12
14-14-12-12-10
7-7-5-5 3-5?27

112
 depths of your

-4-4-4
-5-5-5
-4-4-4
l-.L

- 1n-rl-tlS E

One love,- we don't er love.

4
i ,- 5-5 o ,,-_
2-4-2-

0
4
214- 4
2 4

113
 4-6--
^ ^ d

and these feet fall sure and

10-10 1010 2
9-9-9- 4-4 2
11-11 1111i14-4
o_2
B

10-10-1 9-9
E_9_9_9-9-9- 9-9
11-11-11-11

turns dust- or turns in

x-x-x-7-x-x-9-x-7-7 2_2_2_4
4
I - II I -X-X- 9-X- I - I 4
I - -X-X-X-X- -X-X- 9-X- I -9 2_4 4
-X-X-X-X-g

114
(r'fim )

2-O-2-O

2_2-2
2_2_2_2_2
_2_4 2_2-2-2-2

10_12_ 10-12-10

7_X

'115
 lQ- 12->->- 12->-12-10

9-11_11_11_11-g-X-X
11_11_g_x_x

w/crunch dist, chorus

Start fade out ...
Full
14_17_14\12_14_ 12_12_ /- ,-\ ,^.
14-14- 12-14\12-12-10
2-4- 4-2-4-2

(s) (r'flm )
Gtr.1
B

14- 14- 12- 12- >

->->->->- 10

.l_
Z-
2
4-4-4-2-4-2

116