Intro

SIowRock )=54
G5 N.C. G5 N.C. G5 N.C.
Grr. I (disr.)

fore

ltwvi/t/i/Yvt/i

+Actual recording is approximately 1/4 step flat

G5 N.C.

End Riff A Riff B Fl,nd Riff B

\-erse
Gtr. 1: w/ Riff B (4 times)
N.C.

Vhat is
What is this that stands - be - fore Fig - ure in black
Big black shape with eyes _ of fi tell - ing
Child cries out for its moth - er. Moth-er
- -
-

which points - at me._ Turn'round quick and start to run.

peo- ple their- de - si - re. Sa - tan's sit-ting - -
there. - he's smil-ing.
scream-ing in the fi - re. Sa - tan points at me- a - gain.-
-
-

Find out l'm the cho sen one. _ oh no.- Oh.

Watch-es those flames-
- get high - er and high- er. oh God, please help me. Oh no. No.
O - pens the door- to push - me in. - oh no. _ Oh God.

-
Gtr. I w/ Riff A
G5 N.C. G5 N.C. N.C. G5 N.C.

@ Copyright 1970 (Renewed) and 1974 Onward Music Ltd., London, England
TRO - Essex Music lnternational, lnc., New York, New York controls all publication rights for the U.S.A. and Canada
lnternational Copyright Secured
All Rights Reserved lncluding Public Performance for Profit
Used by Permission
 To Coda $ Interlude
Faster.=126
G5 N.C. End Riff C
â

rfrCoau
D.C. al Coda Interlude
(no repeat) Gtr. l: w/ Riff C (2 times)
Gtr. l: w/ Riff C (2 times) Faster r = 130
N.C.

Bridge
Gtr. 1: w/ Riff C (8 times)
N.C.
31n , J> J-^

end my_ friend? Sa tan's com round

-
- -

. --1
)z

the bend Peo - ple run - ning- 'cause- they're scared.

You peo - ple bet- ter go and

- be please- God, - no.
-
- -
Interlude Guitar Solo
G * GmTadd4lF GIE Gm7add4lBb N.C. N.C.
Grr. I

L-l J

*Bass plays note to right of slash in chord symbol, next 3 meas.

I 1/t/Yvlt
 lwvtù
/^/\ ^ :--\
^^ ^ o
^--

r-1 lr-t)fJ'|-3)'J'
Harm.
letring- ----l

1-- C--
--- --- ---;i;i

GmTadd4

-
E
,tl
EEE
I
 War Pigs
(lnterpolating Luke's Wall)
Words and Music by Frank lommi, John Osbourne, William Ward and Terence Butler

Preamble
Slowly r. = 35
*''E5 D5

idbk. ler rittg)

*Actual recording is approximately l/4 step flat. Pitch: Fü

**Chord symbols reflect implied harmony

D5 D5 E5sus4

D5

--J --t

\t--/ 'vtv
\--'--/'/
v v '---
fdhk

Gfl
E

ff rrt.oFaster , = 86
D5 E5 N.C. D5 E5 N.C.
Rhy. Fig. I End Rhy. Fig. I

O Copyright 1970 (Renewed) and 1974 Westminster Music Ltd., London, England
TRO - Essex Music lnternational, lnc., New York, controls all publication rights for the U.S.A. and Canada
lnternational Copyright Secured
All Rights Reserved lncluding Public Performance For Profit
Used by Permission
\:erse
lst time, Gtr. 1: w/ Rhy. Fig. I (3 times)
2nd time. Gtr. l: w/ Rhy. Fig. I (2 l/2 times)
D5 E5

1. Witch CS gath - er at black mass es. _ Bod les burn - red ash
2. On the scene a priest ap - pears, sin ners fall - his
-
2nd time. Gtr. l: w/ Fill I
D5 E5

On the hill. the church -

Sa tan sends our fu - ner

2nd time, Gtr. 1: w/ Fill 2

IS the scene- e-vil do- It's the place for all bad
casts the priest to the fi- -
Filt I

D5 E5

sln ners. Watch them eat dead

folw
-

Gtr. l: w/ Rhy. Fig. I (2 times)

guess it's the same wher - ev - er you may go. _ Oh, Lord, yeah!
 Interlude
D5 E5 D5 E5 Gs
G5 pfs
PfS Fs
F5 E5
Es F5 E5

Interlude
N.C. Em N.C. N.C.
:>

P.M. - --l P.M.----l P.M. - --t P.M -===' i/Yii

--l

Bridge
N.C.(Es)

1. Car ban - ners which - de the

2. Don't back-'cause I just ta

Riff A End Riff.{

-

=\,2\i ü
P.M.-------l P.M.----------l t/2 P.M.-------J P.M.----------i

Gtr. l: w/ Riff A (3 times)

,--l)

See me rock lng in mv grave. _ See them a noint- my head

- u ith
Sa tan's -got a hold on mv soul now. _ Look in my thick- uith
- brain- it's
-

dead rats'- blood.- See them stick- the stake

-through me. oh. _
blood un - seen. Look in my eyes and they're e - nough.- Yeah. -
- -
-

Interlude
D5 E5 G5 F5
'1' :'

7
 Guitar Solo
N.C.(Es)

,- t-\
rI +1
_l -\ /71
ar2 22 + Ï
-1 =T =F

llll

2r e+
- ,a-L a iâ 72 -
2=?c

Illz tv2 1lt2 tU2

,^:-\ h*n .\ û*u--.\ b* r-;-^r f1æ

I1t2 IU2 IU2 Ill2

 tr* r^a-\ lr* f-:1 h-f-:-\ ,N .--i\

P.M.l P.M P.M P.M. P.M.-l

t/2 U2 1t2 t/2n,,

D.S. al Coda
Gake repeat)
D5

--.ll

Pitch: E

-rfrCoau lnterlude
E7(no3rd) E7(no3rd)

E7(no3rd)
 E7(no3rd)

C7(no3rd)

letring --------l

Interlude
E5 E5

,vJ'-J ,

lerring---------l let ring- --------l

E5

let ring- --------l lerring ----J

Guitar Solo
N.C.(Es)
l \
û* r-:-\
---l-\
-.

10
 (Es)
lwwtù
(b)^*r-.-\ ür* lt. \
h* ,--.^..
^

foæ

(E5) (Ds)
h* foæ^:-\ I t- \
^a-\

Interlude
E5

E5 E5
Z1-. Z1-.

j
._+
--t +
let ring l letring----------l

Outro
E7(no3rd)

11
 Goodbye to Romance
Words and Music by John Osbourne,
Robert Daisley and Randy Rhoads

Intro Verse
Slowly
DmajT

l. Yest-ter-day- has beenand To-

been the king,- I'vebeen the Now

w/ clean tone
"!f let ring thruughoul

''Three gtrs. (acous. & elec.) arr. fbr one.

x*Chord symbols retlect overall harmony; chords are implied till Verse.

F#m7 A7sus4 A7 A7slus2 A7

mor-row. will I flnd the sun or it rain? Ev-'ry-bod - y'shav-ing fun

bro-ken wings - can 't hold me down,-I'm
- a- gain. The jest-er with - the bro-ken crown,
- _

Grr. I telec.)

ryP
w/ slight dist

TRO -@ Copyright '1981 and 1984 Essex Music lnternational, lnc., New York
and Blizzard Music, Daytona Beach, FL
lnternational Copyright Secured
All Rights Reserved lncluding Public Performance for Profit
12 Used by Permission
cept me, ly one, - I
won't be a'-round to

Bm(add4)/A

good - -veah. - good-bye

13
 Bm Bm(add4)/A

\
tell ya. Good - bve to al1 the ----
past._-

End Rhy. Fill I Rhy. Fig.2

let rittq

3rd time, to Coda t§ It

4th time, to Coda 2 §
A7sus4

I guess that we'll - meet, we'll-meet in the end.

- -
End Rhy. Fig.2 Rhy. Fill2 End Rhy. Fill2

lerring---1 letring- -------1

14
 2. I've

J--
,J,

,J,
,J, ,J,

feel the right, al+hough I knowthat vou might say to me, "What ya gon na do?
-
fr

letring -----1

,J,

15
 \\'hat )'a gon na do?"- have to take this chance, good-bye lriends and

L+ 2 ^

you. _
Ctr.2

-a 1 I

Gtr.3 (dist.)
divisi
"f

16
 Bm(add4)/A

vYwvr/Ylrrr
-

G6 A7sus4 A7
8ÿa

-.b:irf ,G>iÈ^n ^+..

,J,

t/2 t/2
tf*foræfore f-\ Ù^ a---\
_./ _/\

D Bm Bm(add4)/A
loco
/-- li lwvtit/vi,t

D.S. al Coda I

17
 I -Gtr.. -1 & -l rdist. t

-Composite arrangement

Bm(add4ÿA

18
 Gtr.2: w/ Rhir. Fi-u. 2

D Atcf.

And feel I've cleared my

-=---.--'çi

l.\ Lr-

D.S. al Coda 2
Gtr.2: wlRhy. Fill I
Bm(add4)/A A7sus4 A7

aln. _

$coauGtr.zl: w/ Rhy. Fig. I (last meas.) Outro

Gtr. l: w/ Rhy. Fig. I
Gt|.2: \tl Rhy. Fill I Gtr.2: wl Rhy. Fig. 2
A7sus4 D

*Synth. arr. for gtr xxSung I st time only

Repeat and fade

Grr.2: wl Rhy. Fill I
Bm(add4)/A A7sus4 A7

19
 Craal Train
Words and Music by Ozzy Osbourne, Randy Rhoads and Bob Daisley

Intro
Free Time ModerateRockJ =fSt
N.C. (Ff5) (As) (Es) (Ff s)
r- J
----r r- J ------r

Ha! Ha! Ha! Ha! Ha! Ha! (echo repeats) Aye! - (echo repeats)

x
(F*5) (Ds) (Es) (F#s) (As) (E5) (Ff 5)

Grr. I (disr.) &

I #:+ pla-t, 3 times

f
,'fdbk. P.s.

*Microphonic fdbk.. not caused by string vibration

\-_:
P.M.------r P.M.- - - - - - -r

Verse
Gtr. l: w/ Rhy. Fig. l, 6 times, simile
A EIA

1. Cra - zy, but that's how goes.

lis - tened to preach - ers, I've lis - tened fools. I've
Heirs of a cold war, that's rvhat we've come. In-
3. -
DiA A EIA D/A A

Mil - lions of peo - ple liv - ing as foes.

u atched all the drop - outs who make their own rules. One
her-it- ing trou - bles, I'm men - tal - ly numh.

Copyright@ 1981 Blizzard Music Limited, 12Thayer Street, London, W1M sLD, England
20 lnternational Copyright Secured All Rights Reserved
 May - be it's not too late to
per - son con-di-tioned to rule and con - trol. The
Cra - zy, just can - not bear. I'm

DiA A D/FflE/Gf

learn how to love, for-get how to hate.

me-di a sells - and you live the role.
liv- ing with some - that just is - n't fair.

P.M.-.,

Chorus
Gtr. l: w/ Fill 2, 3rd time
F#s D5

Men - tal wounds not heal life's a bit ter shame. - )

Men - tal wounds still scream driv - ing me in sane._ )
Men - tal wounds not heal who and what's to blame? - )
-
loco

Harm. - -----r
u/ bar

Iet ring
Harm'- -ï7r,ii--'

21
 Gtr. l: w/ Fill 3, 3rd time, see previous page Gtr. l: w/ Fill l, 2nd ttme

Ffs

*Located between lst and 2nd frets.

22
 Interlude
A

know that things -

-
8va
loco

pitch: D{
*Microphonic fdbk., not caused by string vibration.

23
 Guitar Solo
Ffl5 D5 cfs
{> +

hold bend
full

G*s Ffs
+! i^^^^^^/a/ù
i),-ri),-,él;,-
IJ-.L a
t---\
a \ r\ ) J+x^ \--...-\

E5 D5 Cf5 85 A5 Gf5

a^Â^^^/l/! /-:a ^A ^ôA ô

/)

l-l JI

--r

-Jl

24
Ffs
8vu----------
a,ô^^,t

w/bar - - - j- - - - - -r
-lt2
v .i^a^ô

A5 G#s

t /)
/-: ,^'
^/t/t
- .i- J_J

25
 B5

loco

full full
) .r^ô )

§ coAo
Outro
F#s Ffs

pitch: Dfl
*\licrophonic fdbk.. not caused by string vibration

Fade Out

P.M._ _.,

vv^
rr I rr I \
\
"it- v w \ ÿ/ \ ,^^^

26
 Mr. Crowley
Words and Music by Ozzy Osbourne, Randy Rhoads and Bob Daisley

DmAmFC Em eb
o ooo xx

ffi* ïffii ffi

lTfiÎ rtr].r
trriJ
$+i+ I taaa
I

Fffii
t

t342 23 I 1342t I 23 I 3-3-3

G5 E5 Asus4 A Pmtb5 C5
xo o o oo X
tlTTl'] frt l1rïr XX

ffiffiffi
131 -14
|TTT1.1

1 24
H ffi
I taaa

123
t FiH#

124
rTTTT]
Ht+
F1++.1-l
t_34

Intro
Moderatelyslow r=90
Dm Am F C Am Em
*Gtr.
*c1r.2
I§ § § § § §
"f

+Synth. arr. for gtr.

It. llz
Am eb F5 G5 F5 E5 F5 Asus4 A G5 F5 E5 F5 Asus4 A
ttl
§ tt r'ttr'§ § tttt I

§ §

\----..\_--l- I / \ÿ-
\-zr \,/-+ /

-2 v2
-4 ll2 -6 -4 l/2

Verse
Faster J = 108
Ctrs. l&2tacet
Dm Bbs

ter Crow what went on

**Gtr. 3 (dist.)

r-Tj

Copyright O 1981 Blizzard Music Limited, 12 Thayer Street, London, W1 M sLD, England
lnternational Copyright Secured All Rights Reserved 27
 Oh,- Mis-terCrow - ley, did you talk

life-style to me-seemed so trag With _ the thrill of it all _

P.M. ] P.M. J

ebs

fooled all the peo ple with mag Yeah. you wait - ed on Sa - tan's 2. Mis ter Charm-

v:- \v/
-/\u/

-v4
*Bend neck

\-erse
Dm

did you think you were Mis

f-1

I r -----r
,-Ê\.
-'-/ -=---- \\--l'
P.M. -l P-M.

t8
 I r ------r

cov - er - ing things - that were sa - fest on this earth.

T-J
.A
-----'l

ceived in the ofase cret af - ter-birth

------------..---
wl bar =

Guitar Solo
Dm Bb
Grr.3 I
E

§r. ol t
l

f I
Grr.4 (disr.)

-
"f I

29
 C Dm

§' t' /»t)

,/,,'-----! ^t r/'\a-\r/---a-\ft! ^ ^ù

Bb Em7b5 D A Asus4
@

I -"]tttt tT'-'lI
open

tt»t I -TXX
l

t' §' a

A Dm Bb

§'
I

çt. ;) /' --

Æ- F
,,. I
.ô
]-{
-1

C Dm

§' ;t' I
I

x ol
:-^--È, ^>
-

30
Bb E EmTbs
@
open

I §'
l

ol '

Verse
Gtr. 4 tacet
Dm ebs

3. Mis - ter Crow - ley, won'tyou ride my white

teT=
-----------..=----
Y7',,

ley,

31
 I hear that maid-ens

Bb Dm

,l--.- ol 1'z ol

32
 Bb Emtb5 Asus4 A

I -F
End Rh1. Fig. 1

§' XX § § §
End Riff \

Bridge
Gtr. 3: w/ Rhy. Fig. I
Grrs.4&5: w/RiffsA&Al
Dm Bb

po-lem-i-c'lly sent?- I wan - na know what you-

Bb Em7b5 Asus4 A

I wan - na know what you meant.

Outro - Guitar Solo

Dm Gm7
Rhy. Fig.2

Gtr. .3

§' >i
tol
G, / 8ta
-)i --\ :\ :a\ ,a\ :\ :\ :\ i\ i\ i\ ;\ i\ ,i\ i\
-1 -1

ÈLTOTHEQUE-DISCOTHEQIi
33
Grand'Place
38IOO GRENOBTE
 C

§'

Bb Emtb5 Asus4 A Asus4 A

@ @
open open

,--- -l'
§' t
>
§- P.M. _ _ .J P.M I

Gtr. 3: w/ Rhy. Fig. 2 (till fade)

AA Dm
@
open End Rhy. Fig.2

ar/
W

smtb5

ta-

34
Asus4

,J,

Begin fade
Dm Gm7 C

^D ,z-, . t=

,6

)*) t/YYt/i/Yvw!ù

Emtb5

-=---/

35
 Over the Mountain
Words and Musicby Ozzy Osbourne, Randy Rhoads,
Bob Daisley and Lee Kerslake
E5 65 type2 A5
O XXX O XXXX

Tune down l/2 step:

(low to high) Eb-Ab-Db-Gb-Bb-Eb
m"' m'. m'.
l3 3 134

Intro
Nloderate Rock, = L40
N.C.(Es) A5 c#s
Rhy. Fig. 1

xTwo tbr one

-gtrs. arr.

I t..2., t ll4 Verse

N.C.(Es) A5 N.c.(Es) rr'#si c#s

ver rhe

End Rhy. Fig. I Rh1. Fill I End Rhy. Fill I Rhy. Fig.2

üttT
P.M.-------rPS'

c#s c#s

w/ Rhy. Fig.2 (2 l/2 times)

c#s c#s

Some - thing in my vl - slon,_ some - thing deep in - side. did I wan

-
Copyright O 1981 Blizzard Music Limited, 12 Thayer Street, London, W1M sLD, England
-
36 lnternational Copyright Secured All Rights Reserved
 N.C.

Where d'ya think I wan - dered to?_

i

End Rhy. Fill 2

xChord symbols reflect basic harmonr

r#s

p#s N.C.(Es) A_i

Interlude To codaq,r.
Gtr. l:w/ Rhy. Fig. I (l l/2 times) l: w/ Rhy. Fiu r

c#s N.C.(Es) As C#S N.c.(E5) (F#s)

how.

-
Verse
Gtr. l: w/ Rhy. Fig. 2 (2 times)
c#s c#s c#s N.C.

ver and ways tried to get wav.

c#s c#s c#s N.C.

dream, on ly place I had stay.

-

c#s cfs

a_

Rhy. Fig.3

P.M.---l
 D.S. al Coda
Gtr. l: w/ Rhy. Fig. 3
u/ Rhr, Frll l
c#s c#s c#s

Peo ple talk 1ng

$coau
------+

need no as gv,

Rhy. Fig.4

-
P.M.------l P.S *leI rittg rhntughttur

Bsus4

side of you and me. You don't need tick -

- -
-

End Rhy. Fig..l

39
 I r.,2.,3. ll4
c#s
Gtrs. 3 & 4
(dist.)

End Rhy. Fig.5

P.M.--------l -

Guitar Solo
N.c.(c#(bs))
Gtr. 3

-=-'-----
 Bs N.C.(C#m7) A,5 B-<

N.C.(Cfim7)
8r.'a - - -
Es r#s
 Gtr. 3 tacet
N.C.(G#m) ,/\^.-- a--^\
: ^ ^^/vvv\^^r --l-------r
./,-\

--\-----..
Fr\
x, ----\
.ât\

-+-+-
ïü--

E5

Gtr. lla t
I

./ ,/'
à2
 ./- ,/
f-^
r,1le ! a?
-E

w/bar'-*---1
grad. dive

iô

6 6
65
grad. dive

-2 U2
Interlude
Gtr. l: w/ Rhy. Fig. I ( I l/2 times) Gtr. l: w/ Rhy. Fill I
Gtr. 2 tacet

E5tYP"2 A5 c#s N.C.(Es) As c#s N.C.(E5) (FË5)

,/
tt ./

i,*' T flz
----r--/------/
-

Verse
Gtr. l: w/ Rhy. Fig. 2 (2 times)
c#s c#s cfs N.C.

ver and tween the ups and

c#s c#s c#s N.C.

pet _ ic ride goes round and round.

-

43
 c#s

P.M. ----------l P.M. - - --1

N.C.
c#s
---\_-------

clouds.

End Rhy. Fig.6

Bridge
Gtr. l: w/ Rhy. Fig. 6 Gtr. l: w/ Rhy. Fill 3 Gtr. l: w/ Rhy. Fig. 4
c#s c#s cfs N.C. Cfm

Watch lng my bod dis - ap - pear in - to the crowd. Don't need no as - trol -
-

Cfm

gy, _ it's in - side of you and me. You don't need a tick -
- -
-

Interlude
tr--J---t----lT-
Gtr. l: w/ Rhy. Fig. ,5

N.C. Asus2 o#m c#s 85

to fly with me, I'm free, yeah.

- - -
44
Outro-Guitar Solo
N.C.(G#s)

N.C.(Gfi5) Es r#s cfs

rw\ù lvtù

-+ +
---+
-l -+
üïttt

Df 5 N.C.(Es)A5 CfS
/*,-. /-_:__ - /-.

I
l------------\
I \^

45
 Paranoid
Words and Music by Anthony lommi, John Osbourne,
William Ward and Terence Butler

Intro
FastRock )=172
*E5
Alright! We're gonna
Let's go.
Gtr. I (dist.)
do Paranoid!

x Chord symbols reflect overall harmony

Verse
E5

with- my could n't

P.M. P.M.-------l
P.M.-------l P.M.--------l P.M.

G5 D5

my mind. Peo ple think- I'm be CAUSC

P.M.-------J P.M.--------J P.M-

@ Copyright 1970 (Renewed)Westminster Music Ltd., London, England

TRO - Essex Music lnternational, lnc., New York, controls all publication rights for the U.S.A. and Canada
lnternational Copyright Secured
All Rights Reserved Including Public Perfromance For Profit
46 Used by Permission
 Interlude
E5

l5ma - -----1 loco

day long I things but

- -

=ü P.M.-------J
P.M. ----l P.M.------l
 Can you py_ my

-\-/ ----/- ---=----

Z -==-#---
>-'-- -t--/

yeah. Come on. I y;-anT to see )-ou clap your honds.

-

lnterlude
E5 G5 D5

Verse
E5

to show me_ the things life that

- -
-

P.M.---------l
P.M.--------l P.M.---------l
G5 D5

see the make true

-
-

P.M.-----l P.M.----------l P.M.---------1 P.M.----------l

Guitar Solo
G5 D5 E5

hap - pi - nessi- I must be blind.

fr:> t? Lb

G5 D5 E5
ryvlvwttiù 8t'rt - - -
1- -T--- t ,-'.-

G5 D5

rywwtù

ùttùviù

49
 D5 lttwtt
+
*,1-/'-- (-; :> (.) (-)r-x--\r-. + +---/

G5 D5
tl/Yùt ,t
.-1-.

Let me see your hands now.

ùttwwtttù G5D5 E5

--Q.nl^1.^l

grad. bend
'"wtù
I
ùi/r/YùYi/r/Yiù

lnterlude
E5 G5 D5

slight P.H.

P.M. ------l P,M P.M.- - l

4. Make and you

P.M.--------l P.M. --------l

Hap NCSS

P.M.---------l

Interlude
E5

--------------

Come

"--/- +- +-?'. --------- -

----// >--=-_-/
-t-/

\--l
;-\----l

Pitch: C *x Using a guitar with Les Paul style electronics, set lead volume to 0 and rhythm volume to 10. Strike the strings while the
pickup selector switch is in the lead position, then flip the switch in the rhythm indicated to simulate the re-attack.

51
my_

Come on, let me see ÿour

G5 D5
>

Thank you. good night.

We love you all!
 Bark at the Moon
Words and Music by Ozzy Osbourne
G5 ebs c
XO
A5 GIB
æ
ffi ffi H
XX
n'tiTl
ffi''.iiffij'*
1333 134 133 1111
F]+Èt-l
t-H]#
ll
ttattt
14

Intro
ModerateRock r=148
**
G5 A5 A7(no3rd)
Rhy. Fig. 1

*Gtr. I (dist)

P.M.--------l P.M.--------l P.M.----------1

*Two gtrs. arr. fbr one

**Chord symbols reflect basic harmony

F5lA G5 A5

A7(no3rd) N.C.

End Rhy. Fig. I

+++
P.M. --t P.M.-------1 P.M.-------.1 P.M. ------l P.M. --l

A7(no3rd) GslA
x,À

Screams break the si Wak - from the dead of night. -

Years spent in tor Bur - in a name-less gra\ e. _

Howl ing in shad Liv - in a lu -nar spell.

-

P.M.--------1 P.M.----------l

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All Rights Reserved lnternational Copyright Secured Used by Permission 53
 FslA A5 A7(no3rd)

Venge ance boil

Now he ris
He finds heav

P.M. - --1 P.M. -1 P.M. -l P.M. J P,M. P.M.------i P.M, P.M.----------l

Pre-Chorus
Gs/A N.C. P#m -Ds/F#

He's re - turned to kill the when he's- found who he's

Mir-a - cles would have to that the beast is
spew - ing from the mouth of

P.M. I

*Bass plays note to right of slash in

chord symbol, next 2 meas.

2nd time, Gtr 1: w/ Fill 2

3rd time, Gtr, l: w/ Fill 3

N.C.(Ffi5)
**D5/F#

lng for, ten awe and you'11

irg for, ten awe and you'll

-
-
'---//
\-/
P.M.

**Bass plays F#

54
 lr Interlude
Ctr. l: w/ Rhy. Fig. I
Gtr. 2 tacet
E5 E G5 A5
\ '\
Ctr.l
I Ir
,.J,

bark at the Ha, ha, ha, ha.

Chorus
A5 cs Ds G/B G

To Coda $

55
 Bridge
Half-time feel
F5

They cursed and bur ied him, a long shame. -

8t'a ---1
8va !Yi/t
tôtltt loco

w/ bar
P.M. ] P.M. --l P.H.
lviù

L L L

*Composite arrangement; starts on beat 4 I 12 before Bridge

E5 F5
:---.
And thought time soul had gone, _
8r,a ----1
End Rhy. Fig.3 8r,c rvtt

Y,-a I 1 +
ù + ---+
TI
Y,tt I
w/ bal grad. dive P.M. - I P.H.
+ w/ bar
P.M. - -1 P.H.
V
wlbar steadt gliss.
wlt

Gtrs. I & 2: w/ Rhy. Fig. 3

F5

burn ho

E5 D5 C5 ebs

;-\'-----

56
 Guitar Solo
End half-time feel
Dm

O" - bY.
vwvivtwwtù
_o

"f

Rhy. Fig.4

lerring -------l P.M.-------l

C5 A5 sbs

T/YI/YYYIù ,z\.,-\,^. rvyyi/vt/tô

End Rhy. Fig.4

P.M.------l

A5 G5 sbs As

rywvvi/t/t/t/hù ryYvvvùt!
-

j
--=-------
P.M. - P.M.--------l

57
 Dm C5
Gtr. l: w/ Rhy. Fig. 4 l5mcr
i,rr --- ----------'t
rywtwwvtw

P.H.

ùtwvùùwvtù

C5 A5 ebs
l5ma
n /l,t
/-a\,^. nùt/Ylt
lwwt/Ytit

lvi/i/ltwt,t

F5 D5
,/\:- \
lwlt
-. ùt/ùtùYtùt!

rt/YYtùùttù

(cont. in slashes)
P.M. _ J P.M. - --t

58
 7y \
t-

ebs

I ,t\ol I
P.\I

GIB

§'
\ll
ttll
C

n G5

D.S. al Coda
Interlude (take 2nd ending t
Gtr. l: w/ Rhy Fig. I Gtr. 2 tacet
A5 A7(no3rd) GslA Fs/A A5 A7(no3rd) Gs/A N.C.
ôi,t---
Ùtù ryVt! ùtrltù !tù lVttt ùtù ùttù tÙttù ùtù ùtttù ùtù ùVt/t ùt,Ùtù !iù ùVttt
I

grad. decresc.

Ùtù ùttù lWtt ùt! tl,Ùt/t ùtù ùttù ùt/t ùù!lù ùt/t wtù twtù tt,Ù ttÙt't

59
 Ctr. 1: w/ Rhy. Fig. 2
F A5 Cs Ds G/B G GF
.---_-....-'

Hey, yeah, bark at the moon.

-
End Rhy. Fig.5
Rhy. Fig.5

Gtr. l: w/ Rhy. Fig. 5

E5 A5 cs Ds G/B G GF
\* -,'.^-
-J

yeah,
- bark at the moon.

Outro
Gtr. l: w/ Rhy. Fig. I

A5 C5

Gtr. l: w/ Rhy. Fig. 5

GF E5 A5
I

Gtr. r tl t
-i\ ùtù

60
 Shot in the Dark
Words and Musicby Ozzy Osbourne and Phil Soussan

Bm Aadd9/B G/B 85 C D
*ô ^ xo xo ^ xo xxx xAx x^x

ffi* ffi'- m* ffi-"m*m*

Tuning:
(low to high) F-Br-Dt-Gb-Bt-Eb
Intro
Moderate Rock J =124
Bm Aadd9lB Bm Aadd9/B GIB AaddelB G/B
Rhy. Fig. I End Rh1. Fig. I

*Gtr. I )
C
t'
\
l^§ l' I
II§r t'I I [^l
l' I [^ §
ü
Gtr. 2 (dist.)
ffi
Harm. 2

"!f

*Kybd. arr. for gtr Pitch:B C: B

*xBend behind nut *"*Vibrato behind nut

Gtr. l: w/ Rhy. Fig. I

Bm Aadd9/B Bm Aadd9lB GIB Aadd9/B GIB
loco
Gtr.2 I

t*;

Gtr.3 (dist.)
P.H. - l dit,isi
Harm

Pitch: B

Bm7 AIB AIB GIB A7/B G/B

Rhy. Fig. 2

Gtrs. 2 & 3

\j
P.M. ] P.M. --------l P.M.- --1
------l P.M..---------l

Pitch: D
'iBend hehind :

O 1986 MONOWISE LTD.

All Rights for the U.S.A. and Canada Controlled and Administered by EMI VIRGIN MUSIC, lNC.
All Rights Reserved lnternational Copyright Secured Used by Permission 61
 AT lB

P.M.--l P.M.-------l P.M.- -.1 P.M.-------l P.M. -.1

Verse
B5
Gtrs.2 & 3 §

L Out on the street, I'm stalk

2. Taught by the pow-ers that preach
Gtr. -l (clean)

mf
"v lerring- -------l

Gtrs.2&3tacet
Em/B Em6/B Bsus2
/-
1\

I can my heav -y breath Paid for the

I can their emp - ty rea I would - n't

letring- ----l lerring- ------l lerring ------l

87sus2 EmlB Em6/B

Gtr.3 r

seem right, some-thing there I can't be - lieve

to fight, I o-pened -up my mind to trea

letring -------l letring- -------j letring -----l

62
 ffPre-Chorus
3rd time, Gtr. 2: w/ Fill 2
GIB AT|B GIB

1. Voic-es are call - lng from in - side mv I can hear- them, I can hear-
(2 ,3.) .just like the wound ed and when it's too - ber.
they'll re-mem they'll sur-ren
Gtr. 3

P.M. J P.M.- -l -l
P.M. -

let ring- ----l letring --------l letring --------l

AT lB ATlB Bm/F# p#s

Van-ish - ing mem ries of things that were said, thel can't hurt me now. _ But a
Nev-er a care for the peo - ple who hate, un-der - es -
mate_ me now. _ But a

P.M.- I P.M. - -.1

letring- -----l

Fiil 2

Gtr.2 + Ô
r\

63
 Bm7 AIB

AslB Bm7

from you.
from you.

D5
. ,,^\. \ -----\-

al - ways creep up- on you.

no - thing you
-

P.M. - I P.M.---------l

1E-> +
/\-f/lùVù\/t

P.M. - l P.M. ---------1 P.M. - --t

64
 B5

Interlude
To Coda S' Utr. 2 tacet
N.C.(C) CD
z *
cv. t 1)ç
---: ------

Al - ways creep up_ on you.

P.M.----------l f wlslide
(Gtr.3 cont. in slashes)

C
@
6fr
:
o' l f t t

CD C

l^ ^ § l---..--- \^l^ ,.-=

fzl' I ----l' §
i

§' t tt-
|

§ (cont. in notari..:
. =:-.
.]}\-

65
 Guitar Solo
Gtr. 5 tacet
85 N.C. 85 B5 N.C. B5 D5 c#tbot N.c. G#(b6)
:\ r. /$ôafnft/\ùt/f
/t! --- ^/f

' J 'LJl ,J, '3'

3

tî /t/vt ù P.M.-- -l P.H.

^ t/wwvwwvt/tt
I I

85A85 D
lwYYY}llt/Vr ,--r/\
^ù ^

i/vlt/vi/t/|^^ /ùt
^

D.S. al Coda
(take 2nd ending)
N.C. c#rbol N.C. G5 N.C.(A)

3. They're
tf*fureû.ffi fowfoæ fow fuæ
(r) ( r)

-ünæ fpæ foæ foæfoæ b*fpæ fore forefæfoæfom

*Trill to higher notes by hammering and pulling off with the edge of the pick, while the left hand frets the lower notes.

66
 $coa, Gtrs. 2 & 3: w/ Rhy. Fig. 2 (l 3/4 times)
Bm7 AIB ATlB

AIB ATlB

shot in the dark.

Begin fade
Bm7 AIB

a shot dark.
Gtrs. 2 & 3 -

let ring- 1
P.M. --l P.M.----------l P.M. - -l

G/B ATlB

Gtr. 2
diyi.si
P.M.- - - --1
'3t

Gtrs. 2 & 3: w/ Rhy. Fig. 2

Bm7 AIB AT lB GIB

the dark.

Fade out
AT lB GIB illtètt
,^----\,2)a-\

P.M.- l P.M.--------l P.M.- I P.M.-------l P.M.- I

i/vtta'tn

67
 Crazy Babies
Words and Musicby Ozzy Osbourne, Robert Daisley, ZakkWylde and Randy Castillo

E5 B5 A5 E5tvpe2 D5
O x xx XO XXX OX OO
ffi
XXX
IElTl
rtllII
ffi
rrîm
tt-t-t-t-l
ffi ffi ffi
ffi iffiii 5fr
lt 134

Tune down 1/2 step:

(low to high) E-Ab-Db-Ct-Bt-Eh
Intro
ModerateRock j =125
2nd time, Gtr. 3 tacet
E5 A5 A5 ,z\ rvrvw
*Grr. I (disr.)
;bi

P.M. ] P.M. I

*Two gtrs. arr- for one.

pitch: D E6'. sim. rhrougltout

A5 E5

Cra - zy-
Rhy. Fig. I

-Tù
P.M. --i P.M.. l P.M.. j
P'H'ttz
lwvtt

ffGtr.v..r"
l: w/ Rhy. Fig. I ( I l/2 times)
E5 A5

Cra zy ba - bies nev - er say

they were born they were born to be
No use talk-ing'bout if they'll
End Rhy. Fig. I
/î-1 ^^ f

-/\v
\----

Em7 85 A5

born to live on a per - ma - nent high.

- Fly - ing high the world be - low,
a - bove they'd bet - ter
some say I'm an - er
- oth dev - il's- child.- Cra - zy ba - bies in
a world of their own. I am a
u here they're go - in' or a - bout their past. They're just the re-sult of our so - ci - et - y.
-
O 1989 EMIVIRGIN MUSIC LTD.
All Rights the U.S. and Canada Controlled and Administered by EMI VIRGIN MUSIC, lNC.
- AllforRights
68 Reserved lnternational Copyright Secured Used by Permission
 Pre-Chorus
2nd time, Gtr. l: w/ Rhy. Fill I

E5 D5 A5 A5 D5 E N.C.(Es) A5
t-

comedown soon- or ev -'ry one will know,-

No bod-y's gon-na change change them.
cra- zy ba - by, bet - er leave me.a-lone,
No bod-y's gon-na change change me.
-

so frus - trat - ed just like you and me, -

/l/"\lVlô

it^ôtt :Di :

f' eD,l-+i1»
P.M.--l i" r

twv}! i/vtô
-

E (E5) Em1 85 A5 E N.C.(Es)

they've gone o-ver No - bod-y's gon- na tame tame them. -

I'm gon - na do it No - bod-y's gon-na tame tame me. _
/^\wt/t
i/Vt /t
.Pt t
-.--
-+-

-v

P.M.1

Chorus
N.C. D5 C5 A5 C5 A5

)
*
-ta-
ê

they're nev - er gon - na stop. Spoken: Walk- that walk.

so you bet - ter not try.
n/wlt

=-/ -'ü T

69
 To Coda 2$
D5 C5 A5 D5 C5 A5 D5 C5 A5 D5 C5 A5 G5
--1
)
f
)
e

Spoken: Talk- that talk Spoken: Walk- that walk.

Ah. _ tvtù
A*

P.M. -l P.M. J

To Coda t§ Interlude
Gtr. l: w/ Rhy. Fig. I (2 times)
C5 A5 D5 C5 85 E5 A5 E5 A5

D.S. al Coda I
Em7 85 A5 E5 A5 E5 A5 Em7 85 A5 E5 A5

Cra - zv-

$coau I Interlude
B5
Gtr.r a-o-§-§-

talk.
ùvt/vt /wvtt
Gtr. 2 (dist.)

----/
ü *lslide & delay *
(cont. in slashes)

P.H-
t/r/ttVYYYYIù

*Set for eighth-note regeneration w/ one repeat

70
 I
(cônt. in notation r

*Slide positioned halfway between 9th & lOth frets. *xxslide positioned halfway between 8th & 9th frets.
**Played behind the beat.

Gtr. 2 tacet
E +DIE

U1

tBass plays E,

\ , ---:
qüT
P.N{. --.1

Guitar Solo
B5 A5 E5 E5tYP'z B5 A5 D5
Rhy. Fig.2

Gtr. t
1
..\
t 1- r'
|
-l)
//^çl
l

I tt
I

.l)t
r 1^ r' \
7 tt-
Grr.3 (disr.) I5mu ktco loco
TYYYYYYYYIù lwiù l5ma loco l5tna /\.1 a

P,M P.M.
P.H,

vr^/YYYt/ù!iù t/r! !YYt!

71
 Gtr. l: w/ Rhy. Fig. 2
E5
type2
B5 A5 E5
End Rhy. Fig.2

tl
lt

U4

*Bend with left hand at the gth fret while tapping the note at the 2lst fret with right-hand finger x*Catch @ str.
under bending
finger.

B5 A5 D5 E5 85 A5

ctr't, r' r' t

:> >
P.M.------r

E5
tvpe2 85 A5
-l)l\-
'llilll tt I

72
I
E5

t tl
E5
tvpe:

,w A5

tttl I

P.M.--------l
-l-1
n/r/wwtù
E5

t/wvl?t
/lt':
- 1- 1-
h-J^^ffi
tl-
^ù

semi-harm. -----l P.H. ---------l

ùt i/Yt/tù iùr^ /t t n /wwwtù v2

85
tl
tttt
P.M.---r
A5
tll
P.M.

-
---r
D5

I wtw ,w \\)-tù
lt1i
D.C. al Coda 2 0

\--\--l//
p.S.

-__

.Lightly rest the edge of the R.H. palm perpendicular to and across the strings. Starting
at the pickups, steadily slide the palm down the fretboard while the L.H. performs the
indicated pulloffs.

C5 N.C.

73
 No More Tears
Words and Musicby Ozzy Osbourne,Zakk Wylde, Randy Castillo, Michael lnez and John Purdell

G5 F5 D, C5 A sbs
xxx XO
l.l'.l-tr.5fr
H.til
X XX
Ta-]-T-rl 5rr td llEll
XX
§{1#
,
-à
H ffi
r-1 ilt
l-t*+#
134.
ffi ffi -ffi
I34 it 134

Drop D tuning, down l/2 step:

(low to high) Db-Ab-Db-Gb-Br-Eb
Intro
Moderate Rock .] = 104

Rhy. Fig. I
(Bass) l,r ,------ ------
,--.---

in slashes)

+Kybd. arr. for gtr.

x':Chord slmbols reflect overall harmony

Gtr. l: w/ Rhy. Fig. I

D Em Bb D5
End Rhy. Fig. I
Gtr. I ^§
Gtr.2 (dist.)
lt!ùVtù /^\
tYYVtù t/i/wwwttù ry Rhy. Fill 1

->--/
ü w/ slide
don't pick
ste1d| gliss.

lwvvtt ryVVi/|,! ùwwwwtù

The light in the win dow is a crack in the sky.

now that it's o - ver, can we just say good - bye?

Bnd Rhy. Fill 1 Rhy. Fig. 2

O 1991 MONOWISE LTD. and JOHN PURDELL MUSIC

All Rights for the U.S.A. and Canada Controlled and Administered by EMI VIRGIN MUSIC, lNC. and EMI VIRGIN SONGS, lNC.
74 All Rights Reserved lnternational Copyright Secured Used by Permission
 F5 Ds nbs G5 N.C.

way to dark
stair - NCSS the
like to move on and the

ry -

lrywwwvw

abs G5 F5 G5 F5 G5

blink of an eye. _ A
most of the night.
tt/l/Ywl,! End Rh1'. Fig. 2

- w/ slide
ÿWt/ùn /t

Gtr.2: wl Rhy. Fill Gtr.2: wl Rhy. Fig. 2 (last 7 meas.

ebs cs Fs Gs Fs ebs
)

D5 F5 D5 G5 N.C.
C

lev - ee of tears- to learn she'll nev - er be com - ing back.-

May-be a kiss- be - fore I leave you this wav. _

D5 Fs Ds Abs Gs Fs Gs Fs ebs G5 F5 G5 F5

man in the dark will bring an oth - er at - tack.

lips are so -
cold- I don't know what else to sav.

-
ff Pre-Chorus
D5 E5
-

Yourmom - ma- told you you're

- not sup - posed- to
I see- the- man _ a the cor ner wait - ing
Inev-er want - ed to- end- this way, my
- -
-

w/o slide P.M.-------l

75
 lnd & 3rd times. Gtr. 2: w/ Fill I

--

to- strang - ers. Look in the mir - ror. me- do-

he- see- me? I close my eves and to hear
my- dar - ling. Be - -
lieve - me
- when I to- vou_
- - - -
- -

a,
-§ f
1
P.M .t

think your life's in dan Yeah-

sound-
- of some one _ scream
love I -
think- I'm-
- fall
-

To Coda t§
Chorus
2nd & 3rd times. Bkgd. Voc.: w/ Voc. Fig. I (l l/2 times) coda 2§
F N.C. Ab5 G5 F5

Voc. Fig. I

76
 Grr.2: wl Rhy. Fig. 3 Gtr. 2: w/ Rhy. Fill I

N.C. Gs abs Gs D5

tears.
Verse
-
Gtr.2: wl Rhy. Fig. 2

D5 D5 F5 D5 ebS G5 F5 G5 F5 D5 Ar-<

er day pass CS

G5 N.C. D5 F5 D5 EbS G5 F5 G5 F5

The red lightgoes on- to say it's time to be - gin.

$ coau r
Ir.,z lr
D.S. al Coda I Gtr. 2: w/ Rhy. Fig. 3 (3 times)*
G5 F5 G5 F5 N.C. G5 Ab5 G5 F5 G5 Ab5 G5 F5

+3rd time, omit P.M.

lnterlude
Gtr. 2 tacet
D5 N.C.
Gtr.2 §
xxGtr. 3

**Strings arr. for gtr.

,i**Gtr. 4

**'FStrings and low brass arr. for gtr

Interlude
Slower . =76
Gtrs.3&4tacet
Bm

tKybds. arr. for gtr.

77
 Spoken: He who laughs last, is just a hand in the bush
Bm G7
Gtr. 6 (clean)

*-<
w/ slide
& delay**

*Vol. swell
**Set for eighth-note
regeneration w/
fbur repeats.

D D.r.f4 Dtcf} E5 Fsus#4 F/G G Gsus4

/É\

++
-L..,]

D D C6 Caddfrq Bb
t
z-:--\.1 t-, --------
{e i -ï
at

rake --l

L -

78
 G5
n,,r-"r
ttttttllllttltltl
P.lvl.

ry-\,-,
- -

acc)
tl - f-----\
) ,/ )-

\a

Guitar Solo
TempoI j=104
Gtr. 5 tacet
F5 G5 F5 D5V D C5 D5V
@
open

I't
I

^ tÙwt ù
I
I
) )r..-_ ti l. P.M.
tq
ct1.0 ;! i !!/!wii
^-:-\ -^

,J,

G5 F5 D5D D5D C5 D5
@ @
open open

) tt»l /LrW P.M P.M

tD)
/!,/YYlùt!
/\--
+
- !l
^ . r---\,^.
-/+,;,+ r L'

,3,
l-

G5 F5 D D5V DD5DC5D5V
@ @ @
open open open

P.M P.M
tD
/-:. ^':-\ rytùùVtt

I tU2
f--------'-
lù l)-. -^-) ùwtttt

79
 G5

I t ) )

A5

shs

)
8t'tt - - -
tttù

It.,z. lf
Gtr. 6 tacet
D.S.S. al Coda 2 $ coau z
Gtr. 2: w/ Rhy. Fig. 3 (3 times)
N.C. G5 Ab5 G5 F5 G5 Ab5 G5F5
(cont. in notation)

Spoken: *...is just a hand in the bush.

G5 abS Gs Fs Ds

xw/ delay repeats

80
 Mama, I'm Coming Home
Words and Music by Ozzy Osbourne and Zakk Wylde

85 C5 D5 E5 Asus2
xo oo O
E
XX
Esus4
oxx
C#m
ftT5ï trrm
5tr
ffiffi 7lr lTTlTl
iTr-ri-r F-f--r1 TaTïTô4fr

174 12
taa t I
t-]-lt+
23t
I

ffi
234
H#+l
t-t-t-]-H

Tune down I 12 step:

(low to high) Et-Ab-Db-Gb-Br-Eb
Intro
Moderatelyslow r=69
**Gtrs. I & 2
*
N.C. E
Gtr. I (acous.)

w/ pick & fingers

ryP let ring, throughout
I

+Chord symbols reflect implied harmony.

Verse
E

1. Times have changed,- and times are strange,_

Asus2

Att Rights ror the u.s.A. and canada controtted MUStc, tNC. and EMt vtRGtN soNGS, tNC
".3i:il"XBlL?iit§ri"1*n,*
All Rights Reserved lnternational Copyright Secured Used by Permission 81
 Gtrs. 1 & 2: w/ Rhy. Fig. I

Asus2

could have ['m com-ing

Pre-Chorus
Cf- Esus4

you drove me out. y'eah you had hyp - no

-
-----\
-=- / _=___/=
-=----

Lost and found. and- turned a - round- bv the fire your 2. You
--/--- -
-..-\ )+

\--/
--------

Verse
Gtrs I &2: wl Rhy. Fig. 1 (2 times)
E

you told me lies, say good bye.

- - -
-

nyf wldisr

82
 Asus2

Asus2

.ft
/1t Pre-Chorus
lst time. Gtr. 3 tacet
2nd time, Gtr. I tacet
2nd time. Gtr. 3: w/ Fill I

c#s

Self love, yeah, we're both The be - fore the fall, yeah. But
took in and you drove yeah, you me hyp - -no - tized, - yeah.
*l5ma- --------r
tÂù -
ùVtt!!ù 111 /oco

-
-=---/
---___/ P.H. P,H.
P.M
ùvtttw

Pitch: B Gfi
*Refèrs to harmonics only.

cfs A5 B5

na take heart- stone just got to

found turned - round
- the fire
-

P.M.- - --1

FiI I
Gtr.3

83
 seen your face- hun - dred times
seen your face- thou - sand times -
Rhy. Fill I End Rhy. Fill I Riff A -
Gtr. 3

Gtr, 5 (elec.) Riff Al

--rz\..-r--r-
w/ dist.

Rhy. Fill2 End Rhy. Fill2

P.M. - -1

lst time. Gtrs.3 & 5 tacet

2nd time, Gtrs. 3 & 5: w/ Riff A & Al
Gtr. l: w/ Rhy. Fill I 2nd time, Ctr. 4: w/ Rhy. Fill 2
A5 Esus4 E5

ev - 'ry day we've been a - part.

- End Riff A

End Riff Al

84
 ro Coda$
E5

B5 D5

§ ol

E5 B C5
@
19 fr
- ,
t'
I

I t^t --\.__ §r

I'mcom-ing home.

End Rhy. Fig.2

85
 Interlude
Gtr. ,1 tacel

*Two gtrs. arr. for one.

Gtrs. I & 2

Gtr. 6 tacet
B5

Gtr. I tacet
E Esus4 E E Esus4 E

ffi
tttt /ll
.r=
tt Jt
-
I

I'
ryww!/tù tvwwwlt
ta.

'J'

86
 *Asus2
C7m B5 B5

t=i , -'r
I t ol t ttt -r
ttt I
P.M. - P.M. -
-

You
8rr
ffi
--------- !> r:-\
,J, ,.J,
I
I

$coau Gtr. 4 tacet

Asus2
r J ------.]

'-=---/
_-\-_.//

Outro-Chorus
Gtr. l: w/ Rhy. Fig. 2 (3 l/2 times) Grr.4'. wl Rhy. Fig. 3 (2 l/2 times)
C Dadd4 C Dadd4

com - ing home.

Home.
End Rhy. Fig.3

ti.
-f -l-

87
 I Don't Want to Change the World
Words and Musicby Ozzy Osbourne,ZakR Wylde, Randy Castillo and Lemmy Kilmister

Tune down l/2 step:

(low to high) Eb-ArDz-Gr-B:-Ez

Intro
Moderately fast Rock ) = 126
*A5
N.c. C5 D5 A5

'i Chord symbols ref-lect basic harmonr

D5 Csus2 A5 D5 A5 D5 C5

P.H.--------1
P.M. - -l P.M. - --t
P.M. ---l I

Pitch: G

O 1991 EMIVIRGIN MUSIC LTD.

All Bights tor the U.S. and Canada Controlled and Administered by EMI VIRGIN MUSIC, lNC.
88 All Rights Reserved lnternational Copyright Secured Used by Permission
bring me_

P.M.-- I P.M.--------l

* Lightly rest the edge ofthe R.H. palm perpendicular to and across the strings.
Starting at the pickups, steadily slide the palm down the fretboard while the L.H. performs the indicated pullofti.

D5 Csus2 A5 D5 A5 D5^--\- C5
twYiô
/"

P.M. --l P.M. ------l P.M. -1 P.M.-l p.H.------l

I
 . c5lA DslA D5 Csus2
riÈ

Chorus
A5

I-
ùvtwùtù
loco

P.H.

ùwwvtf

I-

90
 Csus2 A5 cslA DslA As D5 C5
trtÂôi
/--, +
i-
-
.ts

P.H.-------1
P.M. - -.1 P.M. --------1 P.M. - I P.M.-l r

Verse
A5

2.Tell for ÿou,

1
J
++
 cslA DslA

you than know-

ùlltwùwwl,t

twwtwtwtù

Chorus
A5 G5

I- want the world to change

Rhy. Fig. I

--=--/ V
--'---/

-
 You know

==

Gtr. l: w/ Rhy. Fig. 2 (3 times)

_t+ - pfs
t,l+5 85 A5

85 A5

please
-
 rywwl/t

l5m0 - 1

t 1'a
^,t ^-j-\

f ? , ,J,
P.H. P.M. P.M.-----l
ùvtù ùvtw

Pitch: G
* Refers to harmonic only

D5 +--^:*-.------
ùtttytt!

tùlWtlf/t

*i' Move L.H. down to the 4th fret rvhile holding bend with R.H. finger

*** Lightly rest the edge of the R.H. palm perpendicular to and across the strings.
Starting at the pickups, steadily slide the palm down the fretboard while the L.H. performs the indicated pullofïs

94
â + + ht. a=...-\

* Played behind the beat

/ù loco

,J,

** Played ahead ofthe beat

-ü

way.-
 I-

DaddalFfr

letring- -------1

cslA DslA cslA DslA

 D5 Csus2 cslA Ds/A

Chorus

don't want the world I-

 Outro
A5 cs/A DslA

A5 D5 Csus2 A5 D5iA cslG

.:> ltttù
 I Just Want You
Words and Musicby Ozzy Osbourne and Jim Vallance
Tune Down l/2 Step:

@=eb @=ru
@=sb @=ob
@=oi @=Eb
Intro
Moderately ) = 92
*Bm A Em Bm
Rhy. Fig. I
I (slight dist.)

mf
let rine _ letring- - - -l letring- - - - - - -t
w/ leslie effect

* Chord symbols reflect overall tonality

Verse
Bm

End Rhy. Fig. I

Gtr. l: w/ Rhy. Fig. l, I I/2 times

Bm

right - a ble wrongs

- ble songs.

there are no

There ale un - name ble names,- shall I Yeah.

-

O 1995 EMI VIRGIN MUSIC LTD,, MONOWISE LTD., ALMO MUSIC CORP. and TESTATYME MUSIC
All Rights for EMI VIRGIN MUSIC LTD. and MONOWISE LTD. in the U.S. and Canada Controlled and Administered by
EMI VIRGIN MUSIC lNC. and EMI VIRGIN SONGS, lNC.
All Rights for TESTATYME MUSIC Controlled and Administered by ALMO MUSIC CORP.
All Rights Reserved lnternational Copyright Secured Used by Permission 99
 Interlude
Gtr. l: w/ Rhy. Fig. I
BmA EmBmAEm Bm
Gtr. 2 (dist.) 9t,a--- -------r
loco

2. There are no im - pos-si-ble dreams,- there are no Each night when the day is

Rhy. Fig. 2

Gtr.4: w/ Fill I

Em7

don't ask much. I just want you. want you.

- -
- Gtrs. 2 & 3
End Rhy. Fig.2 ,
a^
^,(l/)

.,.\,
I /2

100
 Gtr. l: w/ Rhy. Fig. I Gtrs.2&3tacet
BmAEm Bm A Em Bm

;r \, u-5-u

Verse
Gtr. l: w/ Rhy. Fig. I

Bm

3. There are no crlm cnmes, _ there are rhym-a - ble rhymes.-

Gtr. -1: w/ Fill 2

Em

twins
-

Gtr. 1: w/ Rhy. Fig. 2

Bm

There are there are ble thrills. -

Gtr. -1: w/ Fill I

Em7

One thing and you know don't ask much, you. _

letrins - - - r

101
 I just want - you. I just want

=J7 letring - - - -t

U2

I just want _ you.

-
a^a

;T ;u

I t2 I

-C--

I'm sick and tired sick and I used to go to bed so high and

Rhy. Fig.3

Bm
--,---

yeah, yeah, yeah.

-- End Rhy. Fig.3

102
 Gtr. I w/ Rhy. Fig. 3

Em

think I'll buy my - self some plas I guess I should have mar-ried Len-nons' daugh

Yeah, yeah.
(Yeah.

Guitar Solo
-
Gtr. 1:w/ Rhy. Fig.3,2 times
Em Bm
Æ-> el-t a\
a
t a/1,1,tô a ^ô
^,1

)J'
w/ leslie effect
.7Ê

i^,ô (l^,+ i,'l,{}

slight P.M. throughout

 a^Aôaôaôa/t r^ ôr^ ^ ^Ô
i^ Â/r^/rô ;t
a^^^ôaÔ r^^^a^Ô i^^^^^^,t i ^ !> d> -I

!r ,atr,t a a^^a^/r a a
r^ ô aaa ô,fôôôô a^^^/t,! ^ ^ ^a^A,f ^ôôôr ^
^aa

slight P.M. throughout

Verse
Gtrs. 2. 3 & -5 tacet
Ebm

4. There are no un - a- chiev-a - ble goals' -

r^ô,ÔrôrôÙtrè
r^ ôa^ ^Àa^a^ô

let ring -1 let ring - - - -l

-
a^^ ôaôaôa^ ô
^

Grrs. 2 & 3

104
know what

and there when the day is

- - -t let ring - - - -l let ring

-

Chorus
w/ Voc. ad Lib Play 13 Times and Fade
Ebm

105
 Back on Earth
Words and Music by Richie Supa and Taylor Rhodes

Intro It llz
Moderately J=86
-Em D/F# CIG CIE
(Keyboard)

l. I have
Rhy. Fig. I End Rhy. Fig. 1
*xGrr. 1 (slight dist.)

Olfp y,1l çl1o1ug

let ring throu.qhout

xChord symbols reflect overall harmony.

**Two gtrs. arr. for one.

Verse
Gtr. l: w/ Rhy. Fig. I (4 times)
Em DFf.

fall - en f,rom grace. - and my ash - es are scat tered. No long - er of sion and flesh.
-

flame is a - live, though my wings have been shat tered. They lay my bod rest.
- -

Pre-Chorus
F8(no3rd) G5 Am7 F8(no3rd) G5 Am7
r-3.--..--.-l r-..-J r-3'---.---- r=-J

splr - rt rs breath - ing, m), sens - es are _ pure. Like re-ln-car na - tlon, my soul will en dure.
I Riffa
r-3 f-r
--t
l-J r-3---.---- .l --------1 r-3 t-- J

@ 1995 COLGEMS-EMI MUSIC INC., SUPER SUPA SONGS,

UNIVERSAL - MCA MUSIC PUBLISHING, A Division of UNIVERSAL STUDIOS, lNC. and T. RHODES SONGS
All Rights for SUPER SUPA SONGS Controlled and Administered by COLGEMS-EMl MUSIC lNC.
106 All Rights Reserved lnternational Copyright Secured Used by Permission
 Chorus
ebs er#sl ebs a(#sr ebs at#sr sbs e(#s) Am(add9)

earth.

End Riff A Riff B

-

Am(add9) Am(add9) Gsus2

Interlude
Gtr. l: v",/ Rh1 . Fig. I tl times I

cf" Am(add9) Em DEf. cE

f-J
f-J -------

spir - it, it nev - er lets go. _ 2. Like

Bnd Riff B
r-J --r
r-r i
lr

,nw

Verse
Gtr. l: w/ Rhy. Fig. I (4 times)

107
 C

Death nal for on ly The spir wavs re - maln.

P.M. -------l
P.M.-------l

Pre-Chorus
Gtr. l: w/ Riff A
F8(no3rd) G5 c#o Am7 F9(no3rd) G5 cfo Am7
r-3------.- r-J-----r r-J--------.1

Bur - y me deep just to cov - er mv_ Mv soul is re - deemed as the jour- ney be glns. _

'-=--l

Chorus
Gtr. l: w/ Riff B
ebs (afst sbs erfs) ebs a(#s) sbs a(#st Am(add9) Gsus2 DFfl Am(add9) Gsus2

--ll:
-e+e+ t) +- tl
-^4-'--
Back on earth.
(You feel
Rhy. Fig.2
- End Rhy. Fig.2
-

DFfr F Am(add9) Gsus2 cfo

tl)
++
,Ê\ )
e

on earth. nev - er lets

(cont. in slashes)

108
 A5 G5 DFf" F5 D5
ctr.2 I

§l ol § ol §

Interlude
D5 ebs C5
§ § §

oh,_ oh, oh, oh.

- - -

*Strings arr. for gtr.

Guitar Solo
Gtr. I: w/ Riff B (lst 2 meas.) (4 times)
Gtr.2: wl Rhy. Fig. 2 (4 times)
Gtr. 3 tacet
Am(add9) Gsus2 DF# F Am(add9) Gsus2 DÆf} Am(add9) Gsus2
Gtr.4 (dist.)
/-- /-:
ùt/!!
?oC

twvvvtù I{2 rwwvw

109
 !rwwwvw

lnterlude
Gtr. l: w/ Rhy. Fig. I (2 times)
Gtrs.2&4tacet
Ds/A Em DFfr CÆ D/F#
Gtr.2 §
Gtr -r li oi
r-:-\
(.?)
-I

An - oth-er di riv - er of light. I'm twist - ing, I'm

Gtr. I
-
.-3 1- L- l-J r-3

110
 Ebs Ds pbs Ds ebs Ds Ebs Ds Ds Ebs Ds r,bs Ds ebs

Chorus
Gtr.2: wl Rhy. Fig. 2 (4 times)
Am(add9) Gsus2 DFf" F Am(add9) Gsus2 D/F#

-1:. )
c

Back Back
leel me.

-
-

Gsus2 DFf. Am(add9) Gsus2 D/Ffr

*-^
:+++e --.,_ \ )
e .:j-r
Back Back earth.
me.) Still breath
-
-

111
 Gtr. l: w/ Riff B (lst 2 meas.)(4 times)
Gtr.2: wl Rhy. Fig. 2 (4 times)
Am(add9) Gsus2 Gsus2 DFfr

ê
)

Back earth. Back earth.

You feel- me.
-
-
t/l,t /t/t r-a---\ tl,?iù!ù}!t! !ttiù!ù ÿ!lÿWt!t,!!!I| vvYwwv!/tù
^ ^/vi! e n----\ ^-:---\
^--------.-
-

ltwvi/wvtù I !ww!!vi/tù I !wwv\ù

Ctr.5 (dist.) !wwt/vi/r/tù lwwwwtù

v\/-/- "--------
wi/t/Ytlwtù ltlwwwti rytwwit

Repeat andfade
Am(add9) Gsus2 D/Ffr Am(add9) Gsus2 D/F#
,------
) el-+^+,- + + t)
-]'l
l

Back Back
me. _ Stillbreath

lwwwwwlt wltwwwit ttWWi,ù li/rtwwwv!ù Z-:---\

^-1----\

112 LBLIOTHEQUE. DISCOTHEQL

Grand'Place