You are on page 1of 108

Contents

PRIDE (rN rne NAME oF LovE) Pase 2

NEW YEAR'S DAY page o

WITH OR WITHOUT YOU Pase 12

I STILL HAVEN'T FOUND WHAT l'M LOOKING FOR Pase 23

SUNDAY BLOODY SUNDAY Page 3t


BAD Page 39

WHERE THE STREETS HAVE NO NAME Page 45

I WILL FOLLOW Pase s2


THE UNFORGETTABLE FIRE Pase sB

SWEETEST THING Pase 67

DESIRE Pase 74

WHEN LOVE COMES TO TOWN Pase 82

ANGEL OF HARLEM ease ez

ALL I WANT lS YOU Page sB

GUITAR TABLAIURE EXPLATNED Pase loe

TRANSLAIIONS Pase tto

BItstIO?rmQ un:-l ) il${ jüTI{EQt jE


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This publication is not authorised for sale :cë 3-r: s *æ l- 1,, ;fli
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ÿt-ï:r -rrr=. =æ- ;== r:
rrE-s:r(: : l'É5!Ë:fl=3 --? -f
lY'se F\.ùIcdi:ns =1: !*nr*€
I :r:*ËE--: t{-.s: :# --rEr:
London/î{eryY@
PRIDE (ln The Name Of Love)
Words & Music by U2
ModerateRock J=ltO
H"rrn.*A

mf
(w/Echo device) trem. bar
Harm.
æ

Gtr. II Harm.

(w/Echo device) Harm.

tChord names derived from bass pattern.

Rhy. Fig. I (doubled by 2nd gtr.)


B

I st Verse
Repeat Rhy. Fig. | (2 times)
B

One man come- in the name of love, one man come- and go.-
.1984
@ Copyright Blue Mountain Music Limited (for the UK), 8 Kensington Park Hoad, London W11 3BU/
Mother Music (for the Republic of lreland), 30-32 Sir John Rogerson's Quay, Dublin 2/Taiyo Music lncorporated (for Japan)/
PolyGram lnternational Music Publishing Limited (for the rest of the World), 8 St. James' Square, London SWlY 4JU.
All Rights Heserved. lnternational Copyright Secured.
3E.ICÜ GRËI\Ü[3LE
Tét. u4 /6 22 Si1 30
r-ax û4 76 09 4A 54

_.- lrus
One man come- he to jus -ti-fy, one man to o-ver
L Rlt'. Fig. I (2 times)
throw.- In the name_
B E A Fil

j in the name of- love._ the name-


=
.È(

l+

E what more_ in the name of love.-


-:.i Verse
B(add4) tE
1t1 A(add9)
tFf
I
t+.l

j
r+J
One man caught- a barbed wive fence,_
Rhy. Fig. 2

Fis2A

sustain all notes

tPlayed by the bass only.

One man washed- on an emp - ty one man be-trayed with a In the name-
Chorus
w/Rhy. Fie. | ( 2 times)
B
----\

what more_ in the name of- love.-

love, in the name of


Interlude
w/Riff B (2 times) -
B

Look out- for me.- ( Lyric ad lib)

Repeat Riff A & Riff B (6 times)


E

Come back to me.


w/Rhy. Fie. | (2 times)
Riff C
B

(sustain both notes)

Riff B

4
4
w/Riff E (below)
B(add4)

hmm- hmm,- hmm hmm- hmm,- hmm hmm- hmm- hmm hmm.-

(Doubled by 2nd etr.)

sustain all notes


trem. bar

-::d Verse
. Rhy. Fie.2 & 2A

Ear - ly morn - ing, A - pril four,- shot rings in the

B(add4) tE

Mem-phis Free at last,- they- took your life, th


Chorus
w/Rhv.
w/Rhy. Fie. 1
1 (2 timeil & Riff c
A(add9)

take your- pride.- the name-


w/Riff D

what more- in the name of- love.-

more- in the name of


Rhy. Fig. 1 & Riff C (last time & Riff D) j
Play timæ and fade

oh, oh, oh,-


Oo,

sustain all notes


NEW YEAR'S DAY
Words & Music by U2

Am C Em G Faddrr Dm/F 6s A5 Em7 Fsus2

Eiffi] ffi TH++i ETÏn ffii] ffi'"li+lfr'"ri+tfl''nl+ffi ffiiE


J= tr
Intro
Am C

Tune all guitars down a semitone

---*

----

10
3-1 3---12.-

Fadd 11
Dm/F Am

Grr. I wÆig. I
2-10-8 10-
2----------12 2__10

Gtr.l (elec.)

f ildist. Piano cont. in slashes

-7-7-7 -7 -7 -7-7 -7 -7 -7-7 -7 -7 --


7
7
-7 -7 -7 -7 -7 -7 -7 -7 -7 -7-7 -7 -7
-x-7 -7 -7-7 -7 -7 -7-7 -7 -7 -7 -7 -7 -7 -

@ Copyright 1982 Blue Mountain Music Limited (for the UK), I Kensington Park Road, London W11 3BU/
Mother Music (for the Republic of lreland), 30-32 Sir John Rogerson's Quay, Dublin 2/Taiyo Music lncorporated (for Japan)/
PolyGram lnternational Music Publishing Limited (for the rest of the World), I St. James' Square, London SWlY 4JU.
All Rights Reserved. lnternational Copyright Secured.
A C E
o
Zfr
o
3fr
@
Zfr

1 )'-) 1). 1 )'=---, -.--.-' J

Harm.

A C E
l-erse o
Zfr
o
3fr
@
2fr
1 )'-) 1 ).-) .ll
1 a --_ /a=-__ --o

l. All is qui et on_ New_ Year's Day,_


2. Un - der a blood red sky,_

l'Gtr. 1 ad lib. (8 bars)


315-5
X_X_X-X_X_X_X-X-X_X-X_X-X-X_XX
X-X_X-X-X_X_X_X_X_X-X_X-X-X_X-X

A C E
e
Zfr
o
3fr
@
21r

1 )'-) , )'-) 1
ll
a'-l=---___...-o

A world in white- un - der way.-


A crowd has gath - ered black and white.-

Harm.-------r
Fig. 1... ...Fig. I ends
Harm.------r

X-X X_X X-X-X-X-X.X


.x-x-7 -7 -7 -7 -7- 7-7-7-X-X-X-X-X-X x-x-7-7-7-7-7-7-7-7-X-X-X-X-X- x-x-7 -7 -7 -7 -7-7-7-7-X-X-X-X-X-X

A C E
o
2fr
o
3fr
@
2fr
l1
(, 1 ).=____-- J I l'-à---,--o

I want to be- with you be,- with you night and day.
cho sen few,
l'only-
Gtn2 (elec.)

Harm. îIlp wldist.

17-17
A C E
o
2fr
o
3fr
@
2fr It.
, )'-) 1 )'-) ', )'- J =--- -

No - thing chan - ges Day.


news - pa - per says, says

Gtr. 2 cont. ad lib.

5-15

6s 4s Em7

x-1 2 _1 2-1 2 2_1 2-1 2-1 2 2-12-12-1


x_1 2 -1 2_1 2 _1
-1 2_1 2_1 2_1 2 2-12-12-1
x-l2_12_12-12_12-12-12 2-12-12-1

Chorus
65

will with

6s Fsus2
l+

EBrid ge
-x-7-7-7-7-7-7-7-7-X-X

6s 45

and we can break-

_2_a_
----]-------r,-
-9!, 3-3/53^ G

one._

rr-ù-
3-3-
1-1-
Gtr. I cont. in slashes

0-0-0-0-0-0-0-0-

Interlude
G5 A5 Em Am
ctr.rD ) §=----§
I

^crftcr

Gtr. I tacet
Gtr. 2 ad lib.

II
Fadd DmÆ

0
13_12

Guitar Solo
Am Em Am

,7--12-12-12 12-112

10
Em

7- 12-12-1

2=+1O-10-9-

x-x-0-0-0- 0-0-0-0- 0-12121 2121212

Repeat ad lih tofade

3-3-3-3-3-
1-1- 1-1-1-
0-0-0-0-0-
WITH OR WITHOUT YOU
Words & Music by U2

8»a -
Gtr. I

* Feedback
P H
P
/----.,'_------.-

*Additional octave produced by use of gtr. synth.


Rhy. Fig. I (synth. arr. for gtr.)
Gtr. II

Let ring

Repeat Rhy. Fig. I (until change) Bass & Drums enter

Gtr. I n
(D/A) (8m71
^,r-r

* Parenthesized chords indicate the bass line and its effect in Rhy. Fig. I .

(Gmai7.9(no 3rd))
(Gmaj7,9(no 3rd))
--:- v"

Fdbk
s
-/-------.--\

(D/A) (Bm7)

@ Copyright 1987 Blue Mountain Music Limited (for the UK), B Kensington Park Boad, London W.l 1 3BU/
Mother Music (for the Republic of lreland), 30-32 Sir John Rogerson's Ouay, Dublin 2/Taiyo Music lncorporated (for Japan)l
PolyGram lnternational Music Publishing Limited (for the rest of the World), 8 St. James' Square, London SWlY 4JU.
All Rights Reserved. lnternational Copyright Secured.

12
,GmajTsus9)

twrst in your _ wait

(Bm7) (Gmaj7,9(no 3rd))

hand
-

(GmajTsusg)

\rz

twist of on a bed of nails she makes me wait._


P.
--

(D/A) (Bm7)

And I'll wait,

(Fdbk)-

* Gtr. III notes sound I octave higher than written.

GmajTsus9) (D/A)

with - out you, _


5

13
(GmajTsus9)

(GmajTsus9)

we reach the you gave

and I'm wait Ior you.

-
Gtr. III
(Fdbk) .
-------{-1{»-

(GmajTsus9)

(GmajTsus9)

14
(D/A)
(GmajTsusg)

with

(D/A) (Bm7)

Continue Rhy. Fig. lA


(Gmaj7)

Rhy. Fig.
u give your self
2
-----

Repeat Rhy . Fig. 2 (until change)


(D/A)

you gtve _ your - self WâY, and you gir e. _

(D/A) (Bm7)

and you your - self

My hands are tied,


-_-

15
my bod -y she
-sot me with noth - ing wln' -
L-s
É\
- -e.-----
Gtr. II -

Fdbk -

and you give your - self


your - self way,

-
-
Fdbk -
Harm. - -

Harm.
-.O--,-----\ +

Harm. Harm. Harm.

16
w/Fill 2
'r,.,:'.-l
* (Gmaj7) (D) (D/A)
î/

and you give, and you give,

(Gmaj7)

\ryith or with - out- ÿou,


(Rhy. Fi 2

* Gtr. III tacet. *Gtr. II tacet.


,Jont. Rhy. Fig.2 (Bm7) (Gmaj7)
ôl
(D/A) --J I

or with out you- oh,


(D/A) w/Fill 3
(Bm7)

with out you. _


Dsus9 Asus4

Whoa,
(Gtr. II)

Fill 2

17
Bm7

Partial
Harm.

1B
\"susl l,l3 Bm7

with you

-
-

iI ii iJl i4 ia i4 .ia 14 14

A7sus4

w/Rhy. Fig. I (Gtr. III) until change


D

Cont. in rhy. slashes

19
(Gtr. lI tacet)

20
Bm7

r__3

22
I STILL HAVEN'T FOUND WHAT
I'M LOOKING FOR
Words & Music by U2

Tuning:
D5 G5 F5 D
@=Eo @=c» xxx x xx
@ =au @ =sc
@=oo@=eu
rrrrn
ffi
lOfr-
ffi'*
l3
ffi
l3
ffi'n'
rrrrn5fr.
H#I 333
J =100 Rhv. Filll
d-) -N)a

* Use distortion. I st Verse


§
§'
--\..
climbed (the)high
Rhy. Fig.l

(*Dmaj7 Vo 3rd)
l__3_r

moun-tains, have run _ through the fields

* Parenthesized chords refer


to tabbed guitar.

!___......_.____ ),ï
r-3

you, _ with
-

@ Copyright 1987 Blue Mountain Music Limited (for the UK), 8 Kensington Park Road, London Wl1 3BU/
Mother Music (for the Republic of lreland), 30-32 Sir John Rogerson's Quay, Dublin 2/Taiyo Music lncorporated (for Japan)/
PolyGram lnternational Music Publishing Limited (for the rest of the World), 8 St. James' Square, London SWlY 4JU.
All Rights Reserved, lnternational Copyright Secured.
ri

(Dmaj7(no 3rd)) D5
......-l | §
§.
--ë
ôl
:

have crawled. have

(Dmaj7,no 3rd)
(Gmajlsuse)lD)
§- tA
f
---.a-
-\.

(Gsus9/D)
@:r'. (D)
G D5
o

have - n't found what I'm look - ing

(Dsus9)
(GmajJno 3rd/D)
@ sr'.
A @:r'.
§ G

24
(D)
D5 )
a
§'
I

= tng for.

l
l
lnd Verse
= w/Rhy. Fig. I

l Rhy. Fig.
D5
2 w/Rhy. Fill I

D5
Resume Rhy. Fig. I untilChorus
(Gsus9/D)
§-§ DmajT(no 3rd)
3--- § (Dmaj7,no 3rd)
G5
oft
). _\ lr^
-
1 kissed felt the heal- ing _ t burned
-
--.-J.
,-- D5 w/Rhy. Fill I

l oG

this burn - in have spoke with the tongue _ of _


w/Fill 2
o l
§ (Dmaj7,no 3rd)
I
--J
l-

an - gels. held the hand of the dev - il was- warm- in


tGmajT,sus9/D)
G5 D5 End Rhy. Fig. 2

§, ----'-------------=- - o*cv. )
c

the night, I was cold as


-
-

Dsus4

* Use rnax. echo for fills I

25
(D5)
'ô'S (G5)
---r--
Chorus
Rhy. X
f.. @:r'. (Dsus4)
G D5 (D) (Dsus4)
Fig. 3 o
§

look

(D5) (Gs)
@sr'. @: r'
(D5) A G
§

(D)
D5 Gtr. II (cont.) G D
§- Gtr. III (acoustic) ï I

,f' >l))
-

hs
G- GI w/Fill 3
G D
/ --..-Y )))))
-
--P
-t
I
--P,
lrl
))- ))) I

))--t )))
-
|

26
tr§- G F5
:s4) 1- 1-us - - -= p-+
^ ---------__------
) --
)/)tt -
^^ -

= mf Fdbk

=
=
G D G- .-...P,
))-- -tl
//rt ))))) ï I

-r-
(Gtr. III out)
- -
t-3---1

be
P

=
=
L-

=
)

l
=
King - dom come col - ors- bleed in -

l
(Gsus9/D) (Gsus9, I l)
G5

Fill 4 (Gs/D)

'=-------/

27
D5 (Dmaj7,no 3rd)
.-----\.

run - nln You broke the bonds. and you loosed the

(Dmaj7,no 3rd)

car - ry the cross _-- my shame.

(Gsus9/D) (Gsus9,f I l/D)


G5

(Dmaj7,no 3rd)

DIA

28
Gsus9

mmm

what I'm look - ing for.

w/Fill 6

what I'm look - ing

29
D5

w/Filr 7A
Dsus4 Dsus4

Fill 7A
SUNDAY BLOODY SUNDAY
Words & Music by U2

= tYp",
DEmF Em7 85 DV G EmTtvp. 2Bm7tyee 3
85 As BSxvl A Bm:

=
ffiffiffi Moderate Rock J=108
ffi ffi*ffi'" m""m ffi ffi*ffi""ffi,*ffi,*m'''
lntro N.C.
(Drums) Elec. violin .ft-

(Vol. ofO (off)


=

G(6) G(6)

l
Yeah! Hmm,- hmm- mm.
-:-- & 12 stg. acoustic gtr.
zuffA- ----'r
I
Sustain all notes

- .:rse
;i
:ri.rt Riff A (2 times)
Bm c(6)

I can't be - lieve- the news- to - day,- oh, I- can't close mÿ eyes and

D Em
G(6) § §
1
À

make it go a- way.- How how long must \rye sing this song?
Acoustic gtr.

@ Copyright 1982 Blue Mountain Music Limited (for the UK), I Kensington Park Road, London W1 't 3BU/
Mother Music (for the Republic of lreland), 30-32 Sir John Rogerson's Quay, Dublin 2/Taiyo Music lncorporated (for Japan)/
PolyGram lnternational Music Publishing Limited (for the rest of the World), 8 St. James' Square, London SWlY 4JU.
All Rights Reserved. lnternational Copyright Secured.

31
D Ent
§ §-
> >

How, long,- to-

k-
æ
".a
!ülE

B5

night to night!
Ah. Ah, ah.

Elec. gtr. (doubled by Harm. Harm. -


l2 stg. acoustic) ( 1Sma) ( 15ma) Harm.
> ( l5ma)

Harm. Harm. Harm.

2. Bro - ken bot - tles un - der chil dren's-


3. And the bat - tle's just- be - gun,-

t I st time only

32
Bod-ies strewn- a - cross- the dead- end street.- But I won't heed the bat - tle
y lost- but tell-
there's man - me who has won?- - - es dug with-in- our
The trench

it puts my back up, puts my back up a-gainst the wall.- I


and moth-er's chil dren, broth-ers' sis ters torn a -part.- {

o
5-

r
F
F Sun-day,- blood-y Sun day.- day, blood Sun -
-

t2n«i time sing G, instead of G

G(6)
J).

day.- Sun - day,- blood - y


Sun-day,- blood-y Sun day.
Harm.-
ÿ!--ry! æ

--

Harm.-

33
F Em7

tJ l).

G B5 D AG rf,

ltf

t
-,4
if,
,TI
1

D Em
Elec. gtr.ç 'i-
:> fo 'l"
^ü ll-
ir-
!- llr

How long,- how long must we sing this song? How long, _ ho';

Acoustic gtr.

Em
§-
^ B5 D
nieht!
Ah.

day,

to night.
Sun day- blood y Sun - day,

rChord names derived from bass pattern.

35
G

Bm

B5

-3-
Wipe the tears from your eyes,-
-
-
(Cont. above in slashes)

3
(mid. stgs.)

B5 D G -3-
il )))) ,Jil il )))))n>l l--t
) ))))>t -t-1 ,l )) ))rlÀ .m.ffi.rm.ffi
]-3---J-- --3-^-3-

wrpe the
- tears I'll wipe your- tears

-
D GJ -3- B5 D

.ffi,r-E,l-T.ra .rT) ) *l,l) ))) ,l ,l )))))


HI I

il
È.-3 -^t-J.--
--i
-
-:

l
wipe- Your- tears a - way.-
Sun - day,- blood - Y
-

36
-J- -J-

I'll wipe- your blood - shot eyes.


day.--T- Sun - day,- blood -y Sun day.-

-F Em7 D F Em7
- ,,UPf-C-'I
a. ) )
i--i
)))).n) =.r
!

n) .l-
-

Sun - day,- blood - y day.-


Sun - day,- blood - y Sun day.-
iilii,,'*,, fi
i{arm.-
', '8va)

.n)
type
F Emj 2
D
i
l-Fl
) #rd )
I

))).

Sun - day,- blood-y Sun-


Sun - day,- blood - y Sun day.

tYne 3
F f,,pJ
) >drd#rdil>d

let's go.
-

37
(Violin solo)
B5 D G B:
t-t
,i ). ) ililil). =-
),1 --l
il x a, arztzEa. -

- -r

4th Verse @"'u"


G BS type 2
BD C

D).m.f,.-r= ffi.ryffi t-
) ilx X.. a8* *,ttt)
r-
)drd

And-it's true- v/e are- im

2
A5 Bsxvl .
B§tvn"
>l)) ) #lC
H
D
>l)) .mfl G
) )d ))))) ) ilJ
(Backgri
>t....xa
'.:: ;'::. =
:
...aa
-F-
)l xl

^/--È !+*- - +

:--
when fact ts fic - tion and T. V. re-al i-tv. :::.1 - lions-
-\ Sun-

G 95 tvpe 2 D G
i-ï-i-l r i-i i-i-] r i-i
*//// x>1 //.// X}{ ll)))) )ClJd)))) ilx x a.a
:....-
lJh ,-L1 +

cry, we eat and drink while to - Ir.rll


day,- Sun - day,- blood-y Sun

85tYPe 2
D G A G

The real bat - tle just be - gun,-


Sun - day,- blood - y Sun day,

G 85 type 2
D G
:-:-:-:-
)d))),) #rd#)))) drd )4./r)// - d#)d//// xx xa/.axxlc///

won
day.-

85 type 2 D G Bm7
ô
))))) JJJ)))) ,l'llJ)))) iilx)ttt xld §
:>

Sun - day,- blood - y day.

-
38
BAD
Words & Music by U2
Moderate Rock J= 100
Riff A
Intro Asus4 D
Gtr. I
a I

+ee

(w/Echo device)
,rf

Rhy. Fig. I
Gtr. II

nyf $lBcho device)

. :fse
::.r Riff A & Rhy. Fig. I (till next verse)
Asus4 A Asus4 Dsus2

If you- twist and


- turn way.-

Asus4 A Asus4 A Dsus2

If you- tear your self two galn.

Asus4 A Asus4 A Dsus2

could,- yes would,- if I I would

-
(Bass enters)
Asus4 A Asus4 Dsus2 Dsus2 D

Sur - ren der.-

Dsus2

cate.
@ Copyright 1984 Blue Mountain Music Limited (for the UK), 8 Kensington Park Road, London W]1 3BU/
Mother Music (for the Republic of lreland), 30-32 Sir John Rogerson's Quay, Dublin 2/Taiyo Music lncorporated (for Japan)/
PolyGram lnternational Music Publishing Limited (for the rest of the World), 8 St. James' Square, London SWlY 4JU.
All Rights Reserved. lnternational Copyright Secured.

39
2nd Verse
Repeat Riff A (2 ttmeil & RhY. Fig' | (ttll next verse)
Asus4

could throw this

heart of see you


w/Rhy. Fill I
Asus4 A Dsus2 D
_3_, ,-3-

the- rain, the-


And through

w l2nd half of Riff A


Repeat Rhy. Fie. I -
Dsus2
Asus4

w/Riff B (replaces last bar of Riff A)


w/Riff A Dsus2 D

spir - it free, I'd lead your


If I- could, through mY self,
- -
w/Rhy. Fill2
w/Riff A(2 times)
A Dsus2 D
Asus4 A

- see you breah- break a - way- in - to tho-


way- s -
w/Riff B (rePlaces last bar of
Repeat Rhy. Fie. I
Asus4 A Dsus2 Dsus2 D Riff A)

light

40
lnterlude

hoo, hoo,
--

41
and-

w/Fill I (3 times) To Cod;


+ +
-t:

wide a - wake, I'm not


-

42
Fig. l&RiffA&FillI (till next verse)
Asus4 A Asus4 A

sleep - ing.- Oh- flo,

Asus4

I & Riff A(tiU next fig.) w/Rhy. Fill 2


A Asus4 Dsus2

you- should ask, then may - be they'd- tell you what I would say,
- -
-
Resume Rhy. Fig.
Asus4 A

fly- blue and black,- bruised silk - en sky,- and burn - ing flag.-

Col - ors crash,- col - lide in blood - shot eyes.-

43
Repeat Rhy. Fig. 2 (till next lig.)
A

This des - per

,-3-

D.S. al Coda

3- 3-
's

Begin fade

44
WHERE THE STREETS HAVE NO NAME
Words & Music by U2

*
D5 DmajT(no3rtl)
x
ct't t
-J,-ru G Bm A5
_^
ffi'u ffi'u' H#H ffi'u ffi'u ffi"..
,r,*r"r, ';"
3l2t
;;" (Bm9) (Csus9) (Csus9,l3)

ffi"' ffi'* xxx

ffi',,''
xxxx
rrrrn
H+H
l3
7fr.
XxX

ffi'n
xxx

m'u
ModerateRock )=BZ
Gtr. Il(Organ D5
arr. for gtr.)
PJ. d.-
Intro (Free Time)
* Organ Solo *Gtr. I

p cresc
Let ring

--10
* Grace notes imply speed of delay effect
DmajT(no 3rd) cf,r r

-l
(y J-----J J-J

A5

-----"- I
ô1.

@ Copyright 1987 Blue Mountain Music Limited (for the UK), I


Kensington Park Road, London W11 3BU/
Mother Music (for the Republic of lreland), 30-32 Sir John Rogerson's Quay, Dublin 2/Taiyo Music lncorporated (for Japan)l
PolyGram lnternational Music Publishing Limited (for the rest of the World), 8 St. James' Square, London SWlY 4JU.
All Rights Reserved. lnternational Copyright Secured.

45
Rhy. Fig. I

Repeat Rhy. Fig. I (until change) D5

-=\- ofto ofto

Rhy. Fill I
(Csus9)

46
Dsus4(add9)/C
Vocal
o

I st Verse @ oprn

GtrI (D)

=-Ev
D

"f1 >i>i:
"F?îî"Fïffi "FFff "ffiî "ffi "ffi ).

run I want to hide.

iiÇ? y ffi .Çfi "ffi .ffi ffi - .Ffffi .Ë "ffi "ffi -


II-
F--
*##x
-
I- wan na tear down- the walls that hold me

(G) G5 XII - (Bm) (Bm9 r

.Fffi .ffi .ffiJffi "F??î ffi ffi "ffi ..ffi iffi -


--
I wan reach
@ op"n
(As) D
::::
Jx>t**#>c****#>i>i#x

and touch the flame.


(Csus9)
3 --------r r-3----__-.,
)))))) .æ.æ.ffi.ffi .æ.ffi.ffi.ffi
streets have no Ha.

- @ op.,
::::
/))).))))))))))).
D
J ..ffiJffi 1ffi"ffiæ.n-
Dsus9 wan - na light on m!'_
@op.n
D Dsus9/A Dsus9

).

47
il"ffi"ffi"Çfi"ffi .ffi"ffi"ffi.tfi ::::
**>(x********##>Cx
r_3___-_r

j'?-Fi
-- "F= "F?E.ffi

(Asus9)
Jffii
-- --

-
(Csus9.l3)

ffi.æ.æ
_ r-J---r

)).))))))
-I-

--
streets have no
--

48
Chorus
- Gtr.(Ds) (Dsus4)
I double Grr. II

where the streets have

r_---.-. 3

(Gsus9) (G5)
.--__---':.

(Gsus9)

w/Fill I
(Bm7) 2nd time w/Rhy. Fill 2

3------

there,
go
-

----=-------
æ.æffiffiffiffir.ffiffi
(Ds)
w/Rhy. Fig. I
(D) Ds

Rhy. Fill 2

2rrd Verse
Cont. Rhy. Fig. I (Gtr. I)
(D)
Rhy. Fig. 2 (Gtr. II)

.ffi iffi jffi (Repeat Rhy. Fig. 2 until change)

"ffi ilffi

The ci

We're beat - en and blown by- the

50
(As)
I
1

high des ert yeah,


-
--i time w/Rhy. Fill I
lCsus9, I 3) D.S. al Coda

./) r))rt))r/)r/.))))) ./././././)))r/)rt))r/.)) ,))))))))))))))) )) )))))))))))) it


r-3

streets have no- name. Ah_ where tlte streets have no-

CODA
Cont. Rhy Fig. I
(D) Chords in parenthesis (organ) can
be played bV§fr-ILlEe before.
.-/------.\

can do Our love- turns- to rust, _


--
-
(G)

we're beat blown the wind. blown


-

wind. Oh- and

r--J

see our love turrt rllst. And we're beat


-

blown by the wind. blown by the wind. Oh- when I-


- -
(Bm) (As)
--3--l

go there, go there with you, it's all


D -
Gtr. II § -
-
Gtr. I

fade out

5'1
IWILL FOLLOW
I
Words & Music by U2
Moderately UptemPo Rock J'= 154
Intro
lst time-Solo gtr.
2nd time-Drums enter
3rd time-Bass enters
Rhy. Fig. I It.z.t.
(A)
tN.c. (Es)

device)
'wf @ln"no

*E Mixolydian (E, Pf , cf , A, B, C*, D)


fChords derived from bass figure.
I st Verse
E5 A(sus4)

side when you said-

A(sus4)

was look - ing at-


you said you need - ed mg,-

A(7sus4)

I was blind,- could not

@ Copyright 19g0 Btue Mountain Music Limited


(for the UK), 8 Kensington Park Road, London W11 3BU/
Rogerson's ouay, oJotin zttaiyo Music lncorporated ({or Japan)/
Mother Music (for the Bepublic of lretand), so-sâ éir John London swl Y 4JU'
polyGram tnternationâi Music pubtishing t-imiteà (for the ,"ét or tn"_ woria), a st' James' Square,
All Righls Reserved. lnternational Copyright Secured'

52
i.:peat Rhy. Fig.l, 2 times (2nd time use 4th ending)
N.C. (Es) (A) (Es)

Well a
lrd Verse
A(sus4) A(sus4)

hard- to be his moth - er takes- him his hand- (iO he

A(sus4)

stops to think,- starts to

Chorus
A(sus4) E5

Iilffr,rrlï'fiFje6 lli-t) f sCû'i'i{ÈQU E


r 3renfi'Ër;:,::e
3Ai {ir} üiil:ir;Ui3LE
53 'fei r.l4 f ô Zl et 30
Far,,04 f6 ii9 4Ç 54
A(sus4)

low. walk way, walk WâY,

A(sus4) A(sus4)

w/Rhy. Fig. 1,2 times


N.C. (E5) (Es)

fol - low!
To Coda
(Es) (Es)
+

3rd Verse
E5

I was on the side when they pulled - the- four- walls -

54
Coda
Interlude
0 N.C. (E pedal)

(2nd time) Your


riarm.- -______l
@
_§-
ô
-+

ry
Harm.-

Repeat Rhy. Fig. 2(2 times)


N.C. (E pedal)
a---_\

eyes _ make

see you when go_

ÂE
JU
but it's your Hey! Your-

rv ,v

Repeat Rhy. Fig. I (2 times) (Es)


N.C. (Es)

eyes,
w/Rhy. Fill I
(A) (Es) (A) (D)

You can
Chorus
A(7sus4) A(7sus4)

walk a-way,walk a-way, walk a-way.walk a-way, Iow if you

A(7sus4)

walk way, walk a Wâÿ' walk way, walk way, fol -

56
A(7sus4)

I- will fol low,


Harm.- - 1
==-'\- I Sva

Let ring

*.S/lde past fretboard.

(Es)

(Es)

57
THE UNFORGETTABLE FIRE
Words &, Music by U2
't

Dsus4 Bbsus2 Dm F6 F6l9 l'§(tvne 2)' "F/C C Bbsus4 Bb Eb Ebsus2

ffi 'u mi,f' ffisr' ffi,* m,'' m* ffi 'n ffi'r' ffior' ffiuum''' m'''
Bbl3sus2 Gm7 A7 A7sus4 C5 D5 4.5 Bbs Ç61(tvne 2) A7(lr,pe2) Dm7 Dm9

Intro
Gtr. I

p Let ring
,rf
(w/Echo device)
Let ring
A'H' Harm.------

tr. II (Slide etr.)

4gp"nodevice)

w/Fill2
w/Fill I (Bsus2f I l)

Fill I (Keyboard arr. for gtr.) Fill 2

@ Copyright '1984 Blue Mountain Music Limited (for the UK), 8 Kensington Park Boad, London W11 3BU/
Mother Music (for the Republic of lreland), 30-32 Sir John Rogerson's Quay, Dublin 2/Taiyo Music lncorporated (for Japan)/
I
PolyGram lnternational Music Publishing Limited (for the rest of the World), St. James' Square, London SWlY 4JU.
All Rights Reserved. lnternational Copyright Secured.

58
(Band enters) 'Echo repeats.
t Dsus2
§

rom keyboar

Let ring

Harm.
( 8va)
+'

,rf trem. bar


Harm'- -----ÿ1,vwvtutzvvtztztzvvvtrvvvvwvvvvvvvvvvvv:
Harm.

59
\M/Fill 3
Bbsus2

l st Verse
w/Riff A(4 times)
Dm
§

Ice, Iy
8va- -
These lights-

P zzyftake
(w/o slide) (w/slide)

they shine- as gold. from the-


r-3 ,-3--r

(w/o slide)
Letring- --------{

Fill 3 (Strings arr. for gtr.)

60
w/Fill 3
B bsus2

night- your eyes as black as-


Harm.
(8va)

(w/slide) Let ring

w/Fill3
B bsus2

(w/o slide)
Let ring
A.H.-----:-------1

Chorus

F6 F6le F6 F6l9 F6(type 2) F lC C FiC


Rhv.
ÀJ )-J
I

Fie. I ,J. ). À, )). Ju-; ).

Walk on through,-

Eb sus2 Eb sus2 Bbsus4 Bb sus4 Bb

,»-j ). ). À;

walk rill _ you run and- don't look


- back for- here-
2nd Verse
w/Fill 3
Dm B b l3sus2
§ §

(w/o süde) trem. bar


Harm.

61
I
I
I

w/Fill 3
B b l3sus2

the wheels the col - ors Through


spin. -
w/Fill3
Bb l3sus2

wrne
-3___,
punc- tures the_

trem. bar

Face to face m dry

(w/slide)

Chorus
Repeat Rhy. Fig. I (till next figure)
Bbsus2
F6 F6le

wa ter less- place.

F6le p6 (tvne z)

Walk on walk on through-

to- be your- love so _.- on._


-

62

F6
d/e F6 F6 (typc 2)

Stay this- time,-


9va- -
z:.

(w/o slide)

Ebsus2
,.-_\

Ebsus2 Bbsus4 Bbsus4


.-\

I think you know.

take-

63
OT,

rl.ow stgs. only


f High stgs. orüy

N.C. (Dm)

(w/o süde)
Let ring

(Strings arr. for gtr.)

64
w/Riff A(2 times) & ad lib voc. 2nd time
N.C. (Dm) (Bb) ll2

8va- -

Let ring

C5 w/Fill 5 (2nd time only) A5


Dr
D5 Bb5
.la
lst time only)
(w/slide)

Repeat Rhy. Fig. I (till next fig.)


w/Fill 6
(tvpe 2)
F6 F6le F 6i9 F6 F/C

And if the moun - tains should crum ble OI dis - ap pear_


E b sus2 Eb Ebsus2 Bbsus4 B b sus4 Bb

tear,
- ho, not

Filt 6

Depress trem. bar before striking


I st notes

65
F6 F6le
F6
(tvpe 2) FIC F/C
.z----- -\

Stay- in this- time, stay to night- in

-
Eb Eb sus2 Eb sus2 B bsus4 Bb sus4

this love in time.- And if you


-
p6(trne r) glC C F/C
./---:

save your- love, (don't) Save it all, save it all, don't


w/Fill 7
- -
(tYPe 2)
Gm7

push me too- far, don't push me too- far


-
Dm7 Dm9
§
> - ofto

night. night.
-
ofto

To - night.

w/Fill 8 w/Fill9

Fill 7 Fill 8

Fill 9 (Strines) Slowly (


ô

66
SWEETEST THING
Words & Music by U2
c Dm Flc G F
G* Fsus2 csusa c
''"m''"Effi'"m'"m'"ffi '-ffi '-ffi ,,.ffi ,,.ffi cmajT

)=74
ffit
fntro
N.C.
C F C G
Gtr:,I
Gtr:I (elec.)

Harm.------r
mf clean tone 'rE' r... ...Fig. I ends Harm.------r
ÿchorus & echo Pianoarr. forgtr.- _ _ _ _ _r wlFig.l

iâ=î=ilj---ri 2

C G F G

f,r'-

ha

-C ,1) ,4

^,^.
9-10/12
9/10/12-10
i

12-12_gA1tl2_i-

Verse

L My love she throws_ like- a rub-ber the sweet - est thing.


,e ,1,

Harm.

2
2

9-10/12_10_

@ copyright 1987 Blue Mountain


Music Limited (for the UK), g Kensington park
Mother Music (for the Repu.b.lic orlrehnJ), Road, London w1 1 3BU/
sô-àà sir.ionn'nogeisànl. ôy"v, orori n
PolvGram lnternatlonal Music Publishinà zfiai,vi iusic rncorporated (for Japan)/
lirit"o (for the r,i.i tn. i,vorrd), g_st. James, square,
"i Copyright Secured.
All Rights Reserved. lnternational London swr y 4JU.

67
But she won't catch- me or break my the sweet-est thing.

ft

9-10/12-10 9-10/12-10

Ba - by's got blue skies- up a but in this- ['m a rain- cloud.

,*\ ,- .-.

o/12-10

You know she wants dry kind of oh- the sweet-est thing.

Gtr. I cont. ad lib.

9+10*12-10

ing
Gtn2 (elec.)

w/clean tone
let ring
2-10
10-9

68
Dm

['m los you._ 2. Ain't love- the sweer - 5;

Çc^ C

1o*-
-
9+1O-10 r0_9

Verse

I want-ed to run- but she made crawl,- oh- the sweet-est thing.

,--

wÆig. I
Harm- ----l
2

9_10/12_10_

E- ter - nal fire- she turned me to straw, oh- the sweet-est thing.

^^ft ---

C F G
f_3__=1

I know I've got black eyes- but they so bright ly for

---

9-10-9-10-

69
kind of- love. oh_ the sweet-est thing.

-'-\

Harm.- ---J Gtr. I cont. ad lib.

I'm los

0 13-12 *1 2___10 _
1O 8____1 0
-{e}-to 12//14-1 10-12---1 10-

Dm FIC G*

los - you.- ing Ain't love the swe€t -

,-)^ a--,.,-,.......--a. -E-! - t: 1., a.- +-


a
- +-^È t l-. t-/C-l
- +: -

8-10 3-t2-t0----r8-t0
e--{eFl0 12-14-114\t-12-1 I 10
FI
I

Bridge
Fsus2

love the sweet

let ring
mf w/slight dist. & echo
Gtrs. I +2tacet

1-8 10- 8
9-10----___10

70
Csus4 Csusa

Ah_

wÆig. I

Csus4 Csus4
frîn

Strings arr. for gtr


Gtr. 3 tacet

C Csus4 C Csus4
))) ,-ffi ))) 1ffirc

3---------12-1o

71
Verse
Csus4 Csus4
ff)-)
3. Blue eyed boy- meets a brown

0-10 13__12
9<9F-109-10 9 y1 O /1 2___-1 2/1 4__-__12 _1 O
_1 O

Csus4 Csus4
n iF
//// i-
1 ) I /-/ / ) /
-

but you still see tear, the sweet- est thing.

o-12-8-10
-10-(10»r'1

Csus4 Csus4

1ffi_ffi 1m-,m
And ba-by's got

8--_-12-8--10 13-12
9Y1O/12-12/14-12-10

72
Csus4 Csus4

Oh-- she's a stonn - y of- love, oh=-- the sweet - est thing.

12-8-10-1
9l-10t12--9-10

do, do do do do. Do do

-.

Fig.2... ...Fig. 2 ends


13_____12 1;13_12
6-16-1 4-12 16_14_12 12-14-12-1O-g___--

do, do do do. Do do do

let ring
Gtr.2 wlFig.2

7
Cmaj

Do do do do, do do sweet est thing. Do do do do do do, the sweet-est thing.-

Gtn2 ^€>

73
DESIRE
Words & Music by U2

D A Esusa Dsus2 Asus2

riffi ffii Ëffiii Eiffiii


.l=rot
Intro
E Dsus2 A E Esusa E Dsus2 A Esus4 E
vu.!tçrrL., i-
Gtr.3(acous.) )' /-/ -i- ) /-/ -!- / / / / /
-

Gtn 1(elec.) E vE \/ ll l.l l.,l \/

w/slight distortion & echo Echo off

0-0-r
0_0_0_0
2-2-2- 2_1_1_1
2-2-2- 2_2_2_2_2_2 2_2_2_2_2_24
0-0-
2_2_ 2_2_2_2___1
Tune all guitars down a semitone

Dsus 2
Esus4 E Dsus 2
Esus a E

2_2

Verse
A Esusa E Esus4
--\

l. Lov I'm the gon - na go where the


Gtrs.l+2+3

o-X X

@ Copyright 1988 Blue Mountain Music Limited (for the UK), 8 Kensington Park Road, London W1 1 3BU/
Mother Music (for the Republic of lreland), 30-32 Sir John Rogerson's Quay, OrOtin ZUtaiyo Music lncorporated (for
Japan)/
PolyGram lnternational Music Publishing Limited (for the rest of the World), 8 St. Jame!' Square, London SWly 4JU.
All Rights Reserved. lnternational Copyright Secured.

74
Esus 4

bright and the big With a red

2_2_2_2_2 2_2 2_2_


2_2

Dsus2 Asus2 A Asusz 6 Asus2

fire,-

5_3_
2_2_ 2_2_
0_0_0_

Esus4 E

2. She's a can

0_0
1_i
2_2_
2_2_2_2_'
2_2_
Verse
Esusa E

dle-- burn-ing my_ room, yeah I'm like the nee -

o_2

75
2 Esusa E
Dsus2 Esusa E Dsus

dle,- nee - dle and er the coun

2_2_
2_ 2_2_ 2_2
0_

Esus4 E Dsus2 Esus4 E

with a pret - ty

0-0
0-0
2- 2_2_

2
Dsus Esusa Dsus2 Esusa E

eve - ry - bo-dy's got one, and the fe

0-i-0- 0-0_0___r
2-2- 2 | 0_2_2 2_2_2 |

Asus2AAsus2AAsus2

ver_ when be side-

o_2_2 2_2_2

76
Chorus

2_2_

Esus a B

0-0- 2_ 2--0
0-0

Gtn 4 (elec.)

.ç let ring
J ddistortion
0_0_0_0
315-3 315-3 3-2- 315-315-sl5-315-
-0-0-0-0-0-0-

2
Dsus
Gtrs.t+2$ ). m-tr) ff)
high 41,
-
hr

2-.-12
8-8-10 1ot12-12-O 2-12
Esus a B

0-

Esus4 E Esus a E

2-0-0
3_2_2
2_2_2 1_2_1_1 2-2_0-0_0-0-0-0
-0-
2_2_2_1_1_2_1_1_1

Dsus2 Asus2A Asusz 6 Asus2

0_0 0_0- 2_ 0-0-0-0-0-0-0-0-0-0


2_ _ 2_ O- O- 2- 2-0-
3-3-3-3-
2_2_2_2-2-2- 2-
2_
2- 2- 2- 2_
O
2- 2- 2- 2- 2- 2- 2-
0
2
0-0-0-0-0-0- 2_ 2_ 2_ 2- 2- 2- 2- 2- 2- 2- 2- 2

Gtrs. I +2+3
Dsus2

-)
Burn

o---
10-
------
0-0-0 ---- 0-0-0-0-r
3-3-3 0-0-0-0i
2-2-2 1-1-1-1--l
0-0-0-0--0-0-0--3-3- 2-2-2-2-1
2-2-2-21
0-0-0-0--r

78
N.C.

She's the dol


Gtr.l

Gtr. 4 tacet
Flick selector switch Gtrs. 1+2+3 tacet
X-X-X-X-X-X X-X-X-X----X-X-X-X-X-X-
X---X-X_X_X_X
X_-X-X_X-X_X

Verse

she's my pro-tec Yeah she's a prom in the year of el - ec

Gtr. 4 plays ad lib.


x-x_x-x-x-x_x_x-x-x-x
x_x_x_x_x_x_x_x_x_x_x x-x-x_x_x_x-x-x-x-x
x-x-x_x-x-x-x-x-x-x X
X

;.Tr\.'
srs I can't you go. Like a

X#_X_X_X_X
X _X_X x_x_x_x_x_x_x_x_x_x x_x_x_x_x*x_x_x_x_x_x_x_x_x _
X-X#X x_x_x_x_x_x_x_x_x_x x-x-x-x-x-x-x-x-x-x-x-x-x- x -

preach - er steal ing hearts- a tra - vel show. For love

X X-X-X-X -
X
X-X-X X-X-X-X X--
X-X-X-X

79
ney,mo-ney,mo - ney, mo-ney, mo-ney, mo-ney, mo ney, mo- ney, mo - ney, mo-ney and the

x_x_x_x_x_x_x_

Dsus2 Asuszp^Asuszp^Asus2

fe ting high ef,

Gtrs.l+2+3

2-2
0-0- 2_2_2_2_

Chorus
Esus a g A E Esus a g

1-2- 0-0
2-2-2-2-2- 2-2-2-2
2-2-2-
-2-2-2
Esus 4
A Esus 4 B

2-2-2 0- '

80
D Esusa E Esusa E Esusa E

De slre.

1
e e
I

2
Dsus Esusa E

Right!-

2_2 2-2
2_
0

l.
2
Dsus A Esus a E Dsus2 6 Esus 4
E Dsusz s Esusa E

2_2_

lz.
D Esusa E

0_0
WHEN LOVE COMES TO TOWN
Words & Music by U2

Asusa
. E:,. "P.'{Px x
p/A.
ffi
E A E

Intro
)=tt Gtn2 (elec.) §
lt-"1
/// D
Hey
Gtr.l (elec.)

1
2
2
0

) )-J-J

hey- yeah.--

.,G
vo
0________-rr
0------*l
1_____*t
2-------+
?---fi
Verse

l. I wasasail-or, I was sea.-

.,C -7
vro ---Z
---Z
Gtr.2 tacet

@ Copyright
'1988 Blue Mountain Music Limited (for the UK), I Kensington Park Road, London Wl 1 3BU/
Mother Music (for the Republic of lreland), 30-32 Sir John Rogerson's Quay, Dublin 2/Taiyo Music lncorporated (for Japan)/
PolyGram lnternational Music Publishing Limited (for the rest of the World), 8 St. James' Square, London SWlY 4JU.
All Rights Reserved. lnternational Copyright Secured.

82
res-cued me._ I was a fight er I could turn on
B

Chorus
Asus 4

['m gon - na jump that train. When love- comes to town,- I'm gon-na
Gtrs. 1+2

o
-0-
2-
-2-
-2-
-0-

catch- that flame. May - be I was wrong- to ev - er let you down,

----Z
-___z

83
I
AE
ffi-" W)

Ye I§E
E
Gtn2 § J=..=__._ rTT
l. Used to make- love- un - der a red- sun - set, I was mak-ing pro - mi - ses I would

o
o
-0-
.0-
-1-
-2-
-2-

She was

X_X_X
X__X_X

-
) î l

wed-ding gown,- left her be - fore love- came to town.-

Gtr. 2 tacet

x_x_
x-x
4
Asus

a juke- when I heard-

notes were turn-ing I was daz-ing in a

85
{

Chorus
4
Asus

town- ['m that When love-

let you but I did what I did- be - fore love- came

.,G e_
./o e +echo

Bridge
gs g5 D5Æ

Gtr.2 §- §-

Gtr. I

86
DsÆ

When lore-

jump- that train, when love- comes to town- I'm gon - na

Fig.2...

È-

-o
let you down,

87
Guitar Solo

rake-' rake, y^

11_rr___{11F_g_x

GEGE
@@@
3fr Open 3fr

11 9-11 11-9-9
-1
AE AE,
-J rTT I ) ) / /-
B_ B_-
*-'-^A

Full'3'

_11_11_9 9-11
1--11

B
(.) âÂÂz /

Full rake-, % rake-,

T ^Éta/
I tu
:t r r v
Ê t
I

-I,-:r-Y-
Verse

3. I was there- when they cru - ci - fied-- my Lord, I held the scab - bard when the sol -

(t
' Gtrs. 2+3 tacet po
Bass gtr. arr. for gtr. Cont. sim w/clean tone
sword. threw the dice when they

0
%

AA <ô
i;/ ,14 1.)

-12-14

pierced his

Chorus

I'm gon catch that train, when love-

2_2_1_1
0_ 2_2
0

comes to town_ I',m gon - na catch- that flame. was wrong_

X_X
let you down, but I did what I did_ be - fore love- came to town.

Gtrs. 1+2 cont. in slashes Full

2
2

9-11

B B,-.-
ÂÂ,? ææ:> "-

% Ful

A G/A
))
, r-3--r

% Full Gtr. 1wÆig. 1

æ
8-10
9L

B
al

Gtr. 1wÆig. I

11--11-9

E
B
T.- 3 --1 r3 --r

B
O2

Asus 4

2_9_11

4
Asus
r-3-r

:lf| a,l' {at-{ô


-12 11-9-9-9-tt 12

4
Asus A E
Fa de Out

11-11


l\'
lr

I+_
I

l-n- rr tr-1
l_€__ -1
ANGEL OF HARLEM
Words & Music by U2

C Fadde F Fsus2 G Gsusa Am

ffi ffi ffi ffi'"m'''m'-m


)=rcr
Intro
C Fadde e
C Fadd

Gtr.l Gtn2
(etec.) (elec.)

Fig. 1... ...Fig. 1 ends 2... ...Fig. 2 ends


mJt
Gtt.2wlFig.2 I wÆig. I

S-x-X-6-6-6
5--X-X-

e
C Fadde Fadd Fadde
Gtn3 (elec.)

let ring
Gtr. I wÆig. I until chorus
Gtr. 2 wÆig.2 until chorus

e
Fadde Fadde Fadd

@ Copyright '1988 Blue Mountain Music Limited (for the UK), 8 Kensington Park Road, London Wl1 3BU/
Mother Music (for the Republic of lreland), 30-32 Sir John Rogerson's Quay, Dublin 2/Taiyo Music Incorporated (for Japan)/
PolyGram lnternational Music Publishing Limited (for the rest of the World), I St. James' Square, London SWlY 4JU.
All Rights Reserved. lnternational Copyright Secured.

92
Verse
Fadde

cold and De-cem when we touched the ground- at J._ F. K._


2. Bird - land fif- the- street sounds like a- sym - pho-ny. We

Fadde

Snow was melt - ing on- the ground, B, L. s._ heard- the sound- of an
John Col - trane and a love su - preme, Miles says- got- to be- an

--+
e
cont. sim.

Fadde

Fig.3...
...Fig.3 ends
8-
Q_X_g_l0_
9_-s--X-0_i0_iô_iô_
0=-_--1 0---x-1 0_1 0_i 0_i ô_.
1

New York a mas tree,- ci-ty be-


La - dy Day got mond Eyes- truth be-hind
Gtr.3
Fadde

O-rO*rO-rro-rro-1

Fsus 2 Y Gsus a G

Soul love this love- won't- let me


Gtrs.l+2+3

Gtr.4 tacet
1_1-1-1-1-1-----3 3-3- 3-3-3-3 3-3- 3-3-x-3
x-3
1_1-1-1-1-1-------=3 3-3- 3-3-3-3 3-3-3-3-3
2_2_O_2-2-2=-4 4_4_4-4-4-5-4-4-4 4-4-4-4-4-4-4-X-4 Y-5
3-3-3-3-3-3 5-5- 5-5-5-5-5-5-5

F Fsus 2 F Fsus 2 Fsus 2 F

An gel- of-

1-1- 1-1-1 1_1_ 1_1-3


1-1-1-1-1-1-1 1_1_1-1-1-1-3
2-2=-24
3-3- 5-5-5-

lr. e
e e Fadde Fadd
Fadd C Fadd

Gtr. I wÆig. 1

Grr.2wEig.2

94
lz.
C Fadde Fadd e e
Fadd

An lem,-

Bridge
2p
Gtr.3
Am
/ I

nJ-) G
) nn/ F Fsusz P
\l
/ / /'\
Fsus
)

She says

mf w/slight dist.
Gtrs. l+2 tacet
À_
^V

/4_4_4_4 _2-2_2-3-3-
-rr-t)

n_rW) |m_D,
Am G F Fsus 2
Fsus 2

) f)D) ))
/--
t-en

^9
rr-
215- 2/4-4 o/2-

C Fadd e
Fadde Fadde Fadd e

Yeah,- yeah,- hey hey- right- now.

Gtr. I w/Fig. I
Gtr.2 wlFig.2

95
Gtr.4 plays Fig. 3

Fadde Fadde

emp ty glass- a. la dy slngs, Eyes swol len like a bee sting.-

Fadd e Fadde

Blind ed,- lost- your way, through side- streets and the al ley way like î

e Fadd e
Fadd
Fsus 2 P Gsus a

An - gel shoes,- sal - va - tion in the blues,- ne-ver looked

Gtrs. 1+2+3

3_3_3_3_3_x_3 3-3-1-
3-3-1-
4-4-4-5-4_2-
5-5-3

F Fsus 2
Fsus 2
Fsus 2 F Fsus 2
FG Gsus a 6
.--r --- ] ---

gel.- Yeah.
--
Yeah.- gel- of Har -

1_1_1_1_x_1
1_1_X_1
2-2-2-
3-3-3-3-3X_3 2-O x_2

Fadde Fadde Fadde

lem.-

Gtr I wÆig. I
Gtr.2 wtFig.2

e e
Fadd Fadd

gel- of- Har - lem.-

0_10_x_10_x_10_10_1 9-9-x-10-x-10-10-0- 9_9_x_10_x_10_10_9_


8_x_8_8_ 0-1 0-x-1 0-x-1 0-1 0-1 0 0_1 0_x_1 0_x_1 0_1 0_1 0
8_X_8_8_
| I
=
-^-8-8
97
ALL IWANT IS YOU
Words & Music bY U2

A D/A Asus2 Dsus2 P F[m

ffi ffi ffi"ff+H] HÏffi',"m


.l=too
Intrt D/A
A
Gtr.l (acous.)

mJf

3- 2

Tune all guitars down a semitone

D/A

2-
1-2-2
v-v-v-

Verse

_2_2_2_2_2_2-

@ Copyright 1988 Btue Mountain Music Limited (for the UK), I Kensington
Park Road' London Wl 1 3BU/
Music lncorporated (for Japan)/
Mother Music (for the Republic of lreland), 30-32 Sir John Rogerson;s Quay, Dublin 2/Taiyo
polyGram lnternationàl Music Publishing Limited (for the ràst of the World), I St. James' Square, London SWlY 4JU'
All Rights Reserved. lnternational Copyright Secured'

98
381('ltl GFltrf{CBr_E
Tét. û4 7622 9.i 30
Fax 04 76 09 4054

Asus2 A Asus2 Dsus2 DDsus2DDsus2

you want-

2_2 2- 0-2-0
3-3-3
2-
2_2_2_2 2-2-2-2-2
2_2_2
0-0

Asus2 Dsus2 D/A

ry_ to re - maln told.- But all

ee
2_0-0 3_3
2-2 0-0
2-O 2-
2_2_2_2_2_2_2_O

Chorus

from the cra - dle the

2_2
2_2 2_2_2
2-2-2
2_2_
2
Dsus2 Asus Dsus2 D

99
1
et*rffi_ffi
Asus2 A Asus2 A Dsus2 D
n
Gtn2 (elec.)

,f w/slight distortion & echo

2-2-
2_2- 2-2-
O-2

Asus2 A Asus2 A Dsus2


fTT) tr) fT ffi-ff)
2. You-

2_2_2_0_0_0_0_
o-2-o-2
2-2
3-3-

Verse

you'll me_ high- way with no - one

Gtr. 2 tacet
2-2-2-2-2-2-2-
2--2
2-2 3-3-3-3-3-3-3-
2-2-2-2-2-2- 2_2
0-È-0

Dsus2

to look up the

3-3 G-a-

0_0_ 0_0_0_0

100
Dsus2DDsus2DDsus2

rich - es- night.- You- say you'll give-

Gtn2 (elec.)

cont. in slashes Illf wtecho

m Dsus2

eyes_ ngss,-

Dsus2
_) )
-_ffi

Dsus2
n-ff)
-_ffi
But all

101
Chorus
FIm D Film

) n-fficont.sim.

we- make from the cra - dle the grave,-

when- T- want_
O )îO

2_ 5_7_5_
3/5_5_5_5_ -5-5-5_5

m_w Asus2A Asus2A Asus2


ffi_w
Asus2 A Asus2A Asus2

2-2-2-0-
2_2_O O_2_O_2 3-3-3-3-3-3-3
2_2-
2-2-O-2--0-2--0-

D Dsusz 5 A
| - riT
/' /-/ / /-/ ) / I / / / §

\_--
3. You-

ô- \.----l -o t------
Gtr. 1 tacet mJf
2
3
0-0

102
Verse

you want- to work out

2-0
2-2 2-2_2_2

the

3-3 2-O
2-

You- want_

mf
2-o-2 5
2_2_23_3

dia - monds- on a ring of your

6
5-

103
to- grow- cold. All

t-t-t-t t
7-7-7 ,

Chorus -6
Fhn D
Gtr.rffi-fficont.sim.

3-3-3-

dle grave,- when-

2-2-2-2-2
- 2-2-2-2-2-
3-3 3-3-3-
2 2-2-2-2 -

want-

sl5- 5-5-5

104
Asus2 A Asus2 D Dsus2

7-5-

A Asus2 6 Asus2 A D Dsus2


ffi
Asus2
ffi_ffi
--tr)-ïT
7-5-

Asus2 6 Asus2 A Asus2 D Dsus2


/' /-/ / ,)-/ iTr/ /
-

9_9 9_9_
5_7 7_

A Asus2 s Asus2 A Asus2 D Dsus2


t

/-/ I

7-7-7-7

Asus2 A Asus2 A Asus2 Dsus2

-_m_înrT I want

105
A
ffi-m Asus2 A Asus2 Asus2
n_f, Dsus2
rnffi

Asus2 Asus2 A Asus2 Dsus2

ffi-ffi
--tr)-ffir'T

A
ffi
Asus2 Asus2
,7-ff)-rnm Dsus2

__1 4
_1 4 _1 4 _1 4 _1 4
-1 -1 -1 4 4-1 ! t5
5-i 5-i s-i s-r 5--1 5-1 5-1 s-1 5-1 s-1
4 4 4
5-i -4 -1

Asus2 A Asus2 A Asus2 D Dsus2

) ) ) )-

17 17 17 17 17
1' 14 14 14 14 14:

106
Asus2 A Asus2 A Asus2 Dsus2
) )_) ) ))

7__---1
__14___1 7 7
-1
-1 4-14--14_--1 15-14- 15------15-15-15-15-15
-17 -1 -17

Asus2 6 Asus2 A Asus2 D Dsus2

--tr)-f-rc

Asus2 A Asus2 A Asus2 Dsus2


W /-/ / /-/ / / / / /

u ,çCCrî

20 _2O *20 _20 _20 _


20 _2O _20 _2A _
_17_17_17_17_17_17+

Asus2 A Asus2 A Asus2 Dsus2

Asus2 A Asus2 6 Asus2 Dsus2


l

)_)
-_ffi_rnm
2_2_

107
A Asus2 A
_m Asus2 Dsus2

J
I
1
I
r
lt

\\1,
-r
. a Ç

I
I
Ç

I-J
ÿ

I
ÿ

l-J
ÿ

I
ÿ

I
I
?

I
I4J
ÿ

I
C

I
?

I
ÿ

I
,----

I I I
-_ffi_mrr
r
l--=_
-
_g_g_ _g_9_g_g_7_7_ 4 _1 4 _1 4_1 4 __1 4_14 _1 4 _1 5
I r_f-l
l:*--
l:Ë-
- 0 _1 0
_1 0 _1

-9-9-
7-7-7-
0 _1 0 _1 0_1
-
0 _1 0 _1

-9-9-9-9-9-9_
-7-7-7-7-7-7-
0
_1 0 _1 0 _1

-
0 _1 0
_1 0 5-15-15-15_-I5_15-15-15
4_14_14_14-14_14-14_14
I

Asus2 A
ffi
--ff)-înfT
-9-9- 9-7-7 4 4 4 4 4 4
-1 -1 -1 5 -1 5-15-r5-15-1 4
-1 4 4
-1 -1 -1 -1 5-15-r5-' 4-1 4
-1
-1 5-1 4 4
5-15-15-1 -1 5
4 -1 -1 -1 -1 -1 4-1 4 -1 4 -1 4 -1 4 -1 4 -1 4 -1 4
4 4 4 4

A D
§

-_J

2-2-
0-0-

Orchestral Outno
Repeat ad lib. to fade

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