Spawn (1997) Credits

Director/Story Writer: Mark AZ Dippe

Composer/Music Suprvisor & Producer: Graeme Revell
Composer (Add’l Music Arrangement): Paul Haslinger
Music Supervisor: George Acogny
Special Makeup & Animatronic Cresture FX Designers:
Robert Kutzman, Greg Nicotero, Howard Berger
ILM VFX Co-Supervisors: Christophe Hery, Habib
Zargarpour
ILM Senior Animation & VFX Producer: Christian Kubsch
ILM Senior Animation Supervisor: Dennis Turner
Associate Producer: Terry Fitzgerald
Production VFX Producer: Tom Peitzman
Production VFX Supervisor/2nd Unit Director: Steven Spaz
Williams
Film Editor: Michael N. Knue ACE
Production Designer: Philip Harrison
Cinematographer: Guillermo Navarro ASC
Cinematographer (VFX & 2nd Units): Jonathan Taylor ASC
Executive Producer: Todd McFarlane
Co-Executive Producers: Brian Witten, Adrianna AJ Cohen
Co-Writer: Alan McElroy
Producer: Clint Goldman
Unit Production Manager: Daryl Kass
Key 1st Ass’t Director: J. Michael Haynie
1st Assistant Director: Richard Graves
Key 2nd Ass’t Director: Sheryl Blanc
2nd Assistant Director: Martin Jedlicks
Stunt Coordinator: Charles Crowell
Stunts: Gregg Smrz
Executive in Charge of Production: Carla Fry
Executive in Charge of Post-Production: Joe Fineman
Post-Production Supervisor: Claire O’Brien
ILM VFX Art Director: Scott Lebrecht
ILM Lead DFX Artist: Bijan Foruntanpour
ILM Chief Digital Model Supervisor: Stewart Lew
ILM Chief Matchmove Artist: Lanny Cermak
ILM Character Animators: Jenn Emberly, Tim Harrington,
David Parsons, Trish Schultz, Scott Huck Wirtz, Marc Chu
ILM DFX Artists: Joakim Arnesson, Greg Maloney,
Terrence Masson, Eddie Pasquarello, Kevin Reuter,
Douglas James Smith, Andy White
ILM Digital Modelers: Wayne Kennedy, Jim Doherty,
Sunny Wei
ILM Matte Artists: Yusei Uesegi, Ronn Brown
ILM 3D Camera Matchmove Artists: Selwyn Eddy III, Erik
Jensen, David Morns, John Whisnant
ILM Digital P&R Artist: Terry Molatore
ILM VFX Coordinator: Jeanie Marie King
ILM Color Timing Supervisor: Bruce Vecchitto
ILM Film Scanning/Recording Supervisor: Joshua Pines
ILM Editorial Supervisor: Dan McNamara
ILM VFX Editor: Bill Kimberlin
ILM Video Editor: Heidi Schmidt
ILM CG Resource Assistant: Erin West
ILM CG Technical Assistants: Robert Bruce, Carole
Johnson, Brian S. Sorbo
ILM Production Assistant: Mary Hirsh
ILM Hell Sequence Technical Assistant: Christa Starr
ILM Senior Scanning Operator: Randall K. Bean
ILM Scanning Operator: Mike Ellis
ILM Negative Cutter: Douglas Jones
ILM Negative Line-Up Supervisor: James Lim
ILM Projectionist: Kenn Moynihan
ILM Digital Plate Restoration Technician: Trang Thuy Bach
ILM Computer Systems Engineering Supervisor: Ken Beyer
ILM Video Engineering Supervisor: Dan Large
ILM Senior VFX Producer: Chrissie England
ILM General Manager: Jim Morris
SBS Senior VFX Supervisor: James Satoru Straus
SBS Senior CG Supervisor: Ron Moreland
SBS Lead Technical Supervisor: Mark Wendell
SBS Senior VFX Producer: Bruce Jones
SBS Hell Designer & Art Director: Peter Lloyd
SBS Comp Supervisor: John Carey
SBS VFX Coordinator: Michelle Butler
SBS VFX Editor: Yon Van Kline
ILM Liaison: Dane Holland
BFTRD Senior VFX Supervisor: Yan Ling
BFTRD VFX Producer: Casey Cannon
BFTRD Lead Digital Artist: Erich Ippen
BFTRD Comp Artist: Yukiko Ishiwata
BFTRD VFX Editor: Lauryl Duplechan
BFTRD Technical Supervisor: Josh Kirschenbaum
BFTRD VFX Coordinators: Sean Williams, Nancy Nyberg
BFTRD On-Set Supervisor: Glenn Cannon
BFTRD Playback Coordinator: Sissy Jones
BFTRD Flatpanel Consultant: Daniel Evanicky
West Images Director of Visual Effects: Jimi Simmons
West Images Technical Director: Jerry Castro
West Images Exec VFX Producer: Lisa McNamara
West Images Senior DFX Artist: Alison Laventhol
West Images DFX Artists: Danielle Ciccarelli, Orin Green
West Images Technical Assistants: Josh Johnson, Lael
Kopke
2nd Film Editor: Todd Busch
1st Assistant Editor: Joelle Taar
2nd Assistant Editor: Steven Ansell
3rd Assistant Editor: Neil Wenger
Art Director: Eric W. Orborn
Ass’t Art Director: Joseph P. Lucky
Production Coordinator: Catherine Olisky
Ass’t Prod Coordinator: Christopher Kahn
Senior Prod Associate: Christopher Raimo
Production Associate: Isabela Smith
A-Camera Operator: Allen Easton
B-Camera Operator: Dean Lyras
B-Camera/Steadicam Operator: Dan Kneece
1st Assistant A-Camera: Alan Cohen
B-Camera Operator/Steadicam Ass’t: Steven Mann
2nd Assistant A-Camera: Paul Giblisco
Film Loader: Stephen Gold
Gaffer: David Lee
Production SFX Supervisor: Garry Elmendorf
Ass’t FX Supervisor: David Heron
SFX Set Foreman: David Sandlin
SFX Shop Foreman: Roland Loew
FX Production Assistants: Melisa Frick, Brett Metzinger
Set Decorator: Dena Roth
Prop Master: Ron Greenwood
Ass’t Prop Master: Ron Seigel
Location Manager: Murray L. Miller
Ass’t Loc Manager: Gerard W. Averill
2nd 2nd Ass’t Director: Evan Gilner
KNB EFX Coordinators: Kamar Bitar, Anne Kurtzman
Image Forces Creative Director/Designer: Garson Yu
Image Forces Producer: Unjoo De Courcey
Image Forces DFX Supervisor: Jim Goodman
Image Forces Editor: Kurt Matilla
Image Forces 3D Head Animator: Emily Goodman
Image Forces 2D Animator: Jessica Nelson
XODA DFX Designer: Bruce Walters
XODA DFX Producer: Ginny Walters
XODA DFX Art Director: Richard Brown
XODA DFX Technicians: Todd Staples, Berry Foster
XODA DFX Intern: Scott Blake
IDIG FX Supervisor: David Biedny
IDIG Production Supervisor: Frank Colin
IDIG Production Coordinator: Maureen Garrett
Hammerhead VFX Software Supervisor: Thar Beier
Hammerhead VFX Producer: Dan Chuba
EYE FX Producer: Nami Katagari
EYE CG Director: Yasuaki Matsuri
EYE Matte Painter: Toshiyuki Kimura
EYE Texture Map Artist: Yumiko Nara
EYE Senior Animator: Daiji Hori
Cinesite VFX Supervisor: Jay Riddle
2nd Unit 1st Ass’t Director: Doug Ornstein
2nd Unit Gaffer: Dino Parks
Special Thants: Michael De Luca, James Cameron, George
Lucas
Filming Dates: 13 August 1996 – 13 November 1996
Camera: Moviecam Compact (35mm Eastman 50D
5245/250D 5297/Kodak Vision 500T 5279)
Lenses: Zeiss Super Speed Primes
AR: 1.33:1 (Negative Ratio), 1.85:1 (4-Perf 35mm
Spherical)(8-Perf VistaVision: Visual Effects)
Budget: 40-45 Million USD
Budget AFI (2022): 70-78.8 Million USD
Printed on: Fuji Film
Special Visual Effects & Computer Animation Created by:
Industrial Light & Magic + Santa Barbara Studios
Special Makeup & Animatronic Creature Effects Provided
by: KNB EFX Group
Opening Sequence, Main Titles, End Graphic & Crawl
Designed & Created by: Imaginary Forces
Additional Visual Effects Provided by: Hammerhead
Productions & Cinesite
Filmed on: Eastman Kodak Film
Attribute: Camera and Lenses Supplied by Rocky
Mountain Pictures