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  • Violin Arrangement: Kurousa-P Arranged by Fujikura Uruka

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    Bald Shu Yamino
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    This document is a musical score for the violin arrangement of "Senbonzakura" by Kurousa-P. It contains musical notation across 135 measures, including staff lines with notes indicating the melody, tempo markings, and dynamics. The arrangement was transcribed for solo violin by Fujikura Uruka.

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    Senbonzakura_Sheet_Music_-_Arranged_by_Fujikura_Uruka

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    This document is a musical score for the violin arrangement of "Senbonzakura" by Kurousa-P. It contains musical notation across 135 measures, including staff lines with notes indicating the melody, tempo markings, and dynamics. The arrangement was transcribed for solo violin by Fujikura Uruka.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    17 views3 pages

    Violin Arrangement: Kurousa-P Arranged by Fujikura Uruka

    Uploaded by

    Bald Shu Yamino
    This document is a musical score for the violin arrangement of "Senbonzakura" by Kurousa-P. It contains musical notation across 135 measures, including staff lines with notes indicating the melody, tempo markings, and dynamics. The arrangement was transcribed for solo violin by Fujikura Uruka.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 3

    Senbonzakura

    Violin Arrangement

    Kurousa-P

      
    Arranged by Fujikura Uruka

                              
     = 154

                          

        
    25

             
              
    30

                                
     
            
    35

                                     
    3

       
    40

                                     
    3 3

      
    44

                  
                   
    3

      
    48

      
                         
    3 3

    
    52

                      
               
    64
                
         
    2

       
    69

      
              
                 

    73

                                      
    3

      
    77

                              
    3 3

     
    81

                                      
    3

      
    85

                                   
    3 3

     
    89

        
       
    3

                
    104

    
    3

         

            
      
    107

               
          
    109

           
              
     
    112
        
            
    3

                      

    116


    3

                                   
      
    121

                                 
     
    125

        
                    


    129

                      
           
     
    132

    3 3

                

    135

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