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  • UPTOWN - FUNK Easy Fingerstyle Complete

    Uploaded by

    Cesar Garcia
    34 views2 pages
    The document contains musical notation for an uptempo funk song titled "Uptown Funk". The notation uses symbols like squares, triangles, and lines to represent notes and rhythms. It appears to be written for guitar in an easy fingerpicking style. The song is credited to musician Mark Ronson featuring Bruno Mars.

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    Original Title

    UPTOWN_FUNK easy fingerstyle complete

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    The document contains musical notation for an uptempo funk song titled "Uptown Funk". The notation uses symbols like squares, triangles, and lines to represent notes and rhythms. It appears to be written for guitar in an easy fingerpicking style. The song is credited to musician Mark Ronson featuring Bruno Mars.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    34 views2 pages

    UPTOWN - FUNK Easy Fingerstyle Complete

    Uploaded by

    Cesar Garcia
    The document contains musical notation for an uptempo funk song titled "Uptown Funk". The notation uses symbols like squares, triangles, and lines to represent notes and rhythms. It appears to be written for guitar in an easy fingerpicking style. The song is credited to musician Mark Ronson featuring Bruno Mars.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 2

    UPTOWN

    FUNK

                     
    EASY FINGER STYLE

                                       

          
             
              
             
          
           
    5

           
     
             
             
                    
         
    7

               
     
                            
                                          
                   
    10

                 
           
                                  
                               
    14

            
           
         
                    
       
                         
    17

         
       
                            
             
                       
    20

             
        

                                       
       
    23

                 

                                  
                   
    26

                  



            
                                   
             
    29

       

    BY GARCIA
         
                   
          
    2

                  
    33

          
                         
          
                            
    
    36

     

       
                          
                   
          
    41

        

    BY GARCIA

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