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Evans · Staying Alive in the Ruins: Plato to Nato · LRB 22 April 2021
by Paul Betts.
J
ustover forty years ago, in 1980, I found myself by chance
teaching for a semester at Columbia University, armed with
the grandiose title of Visiting Associate Professor of European
History, provided with a free apartment and paid a salary not
far short of what I earned in a whole year as a lowly lecturer in the
UK. I’d never been to the US and knew nothing about Columbia or
indeed any other American university. The faculty mostly seemed
rather elderly to me, and so far as I could tell they lived upstate and
only came in to New York City once a week to dispense their
wisdom ex cathedra in very lofty and very lengthy lectures, which
were later explicated for students by a phalanx of teaching
assistants. Most of the professors evidently thought I was a grad
student, and in any case it was the grad students on whom I quickly
came to rely for my social life.
In 1945, the victorious Allies faced many of the same problems they
thought they had faced in 1918. But the destructive effects of
‘barbarism’ were now greater and more obvious. For one thing, the
scale of the material damage inflicted on Europe was
unprecedented. Entire cities were razed. Tens of millions of people
were starving, destitute and homeless. And the Nazis had departed
radically from the widely understood standards of decency and
humanity that were central to the concept of civilisation.
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American policy was driven by the belief that the Germans needed
reconnecting with contemporary Western civilisation. This could
prove tricky, however. When the CIA sponsored a travelling
exhibition called Advancing American Art, showcasing work by
Abstract Expressionists such as Adolph Gottlieb and designed to
show that American culture was a world away from the pseudo-
classicism of Nazi art and the crude propaganda of Soviet socialist
realism, the House Un-American Activities Committee condemned
it and funding was withdrawn. The CIA continued to promote
exhibitions in Germany by Abstract Expressionists, but covertly.
Backing these initiatives was another CIA-sponsored institution,
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Unesco scored a far greater and more lasting success with its
invention of World Heritage Sites, a popular idea that had its
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T
he backlashagainst the secular, progressive concept of
civilisation found dramatic expression in Greece in the
coup of April 1967, led by colonels in fear of a socialist
victory at the upcoming national elections. The coup had
been necessary, one of the colonels proclaimed, because ‘we had
arrived at a situation of anarchism in this country of Helleno-
Christian civilisation.’ ‘Greece is a mission,’ another said, ‘and this
mission consists of civilisation.’ This did not prevent them from
arresting and torturing thousands of their opponents. Nor did it
stop them adding the plays of Aeschylus and Sophocles to their
already extensive list of banned works. The coup earned the
colonels condemnation across the globe, and few were sorry when
the regime was brought to an end in 1974. But neither the
overthrow of the Portuguese dictatorship in 1974 nor the death of
Franco the following year prevented the return of civilisation’s
identification with Christian conservatism in the following decade.
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the subtitle asked, the West was about to become ‘history’, this was
only because it had lost faith in itself.
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