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Disney'sAmerica:Whose
WhoseProfits,
Patrimony,
WhosePast?
MARCIAG. SYNNOTT
Thislandisyourland,thislandis myland,
FromCalifornia
totheNewYorkIsland,
Fromtheredwood forest
tothegulfstream waters,
Thislandwasmadeforyouandme.
-Woody Guthrie
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44 * THE PUBLIC HISTORIAN
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DISNEY AND THE HISTORIANS * 45
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46 m THE PUBLIC HISTORIAN
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48 m THE PUBLIC HISTORIAN
Although grassrootefforts
wereimportant, thecampaignagainstDisney
benefited fromsolidfinancing--over $2,000,000-andthepoliticalacumen
ofvariouskey"participants, paid andunpaid."Indeed,theopponentsdrew
on the expertiseof "publicWashington, frommediafirmsSquierKnapps
Ochs and FentonCommunication to DemocraticadviserJoelMcCleary
and formerBush administration membersBruceSmart,MarlinFitzwater
and MargaretTutwiler, as wellas consumeradvocateRalphNader."'3With
a well-orchestrated campaign,the opponentsultimately prevailedover
Disney's America executives and GovernorAllen, who had campaignedon
thesloganthat"Virginia was open forbusinessagain."'14
AtthesametimethatThe WaltDisneyCompanywasfighting thebattle
forDisney'sAmerica,ithad to swallowthelossof$900 millionfromEuro
Disney,whichhadopenedinApril1992andwhichtwoyearslaterrequired
a bailoutby Europeanbanksand $500 millionin assistancefroma Saudi
prince.Disney'snetincomehad fallentojustunder$300 millionin 1993,
comparedtoover$816 millionin 1992.Euro Disneywas Eisner's"first real
financialdisappointment" sincehe became CEO in September1984 (his
ownfive-year compensation ofapproximately $235 millionfor1990-1994
makeshim the highest-paid corporateCEO). In recentyears,The Walt
Disney Company has experiencedboth decliningvisitation to its theme
parks(althoughaboutone billionpeople havepassed throughtheirgates
since 1955) and continuing competition fromUniversalStudiosin Florida
andTimeWarner'sSixFlags.Attendance atDisneyWorld,forexample,has
decreasedsince 1990from33,700,000to 28,900,000visitors. Stockholders
and Wall Streetanalysts,then,maypreferthatDisneyenhanceitsexisting
themeparks,whose admissionsearningsare flat,ratherthanbuilda new
one on contestedground.'5
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DISNEY AND THE HISTORIANS * 49
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50 * THE PUBLIC HISTORIAN
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DISNEY AND THE HISTORIANS * 51
appointed new leaders for the project. For example, Disney Channel
PresidentCooke was namedto serveadditionally as chairmanof Disney's
America.In contrastto Eisner'scommentthathe foundscholarlyhistory
"prettyboring"and his quip in Junethat"theFirstAmendmentgivesyou
the rightto be plastic,"Cooke immediatelyindicateda new consensus-
orientedapproach:"We arestarting afreshandarereachingouttohistorians
whohaveopposedus tomakesureourportrayal oftheAmericanexperience
is responsible."Dana Nottingham, an AfricanAmericanwho,as directorof
development,had endeavoredto answersome of the environmentalists'
criticisms,was named presidentof Disney's America,replacingMark
Pacala, who leftthe company.'9
In applaudingDisney'sdecisionto relocate,some opponentsregretted
that it came afteralmost a year duringwhich "thousandsof hours of
volunteerlabor went into demonstrations, research,speeches at public
hearings, even a protestmarch." But such citizenand advocacygroup
is the
activity really only consistentforceavailable fordevelopinga national
consensuson identifying and preserving our nationalpatrimony,giventhe
limitedfederalcommitment and theeconomicpriorities ofmanystateand
local officials.Withouta doubt,bulldozerswill continueto advance on
AmericanCivil War battlefields, because mostof the majorfighting oc-
currednearor on thenation'sroads,railroads,andwaterways, whichtoday
defineourtransportation routes.20
Although The WaltDisneyCompanyhas
beaten a retreatfromManassas,the area aroundHaymarketmaystillbe
19. RichardTurner,"Disney Hopes RetreatIs BetterPartof Public Relations,"p. B4.
Michael Eisner quoted in William F. Powers,"Eisner Says Disney Won't Back Down,"
WashingtonPost,June14, 1994, p. A18; and JohnF. Cooke quoted in Sallie Hofmeister,
"DisneyVowsto Seek AnotherParkSite,"New YorkTimes,September30, 1994,p. A12. Dana
Nottingham defendedthe 3,000-acreproject,in "Disney'sView: A CorporatePhilosophyof
AudubonNaturalistNews 20, no. 7 (September1994), 12, 11,byciting
'Environmentality,"'
the "EnvironmentalMissionStatementof Disney'sAmerica":
Our approach... willbe to avoid adverseenvironmental impactwherepossible;
minimizeadverseimpactsbycarefulplanningand bestmanagement practices;and
mitigatethe impactthat does occur by traditionaland innovativemeans. This
approachis consistent
withtheongoingcommitment ofThe WaltDisneyCompany
to be a good neighbor,a carefuldeveloper,and a responsiblestewardofthe land,
air,and water.
20. Paul Anderson,"Disney haltsplan near CivilWar sites,"p. 3. ArnoldBerke,"Lujan
UnveilsPlan to Save CivilWarSites,"HistoricPreservationNews30, no.9 (September1990),
1, 3; "Lujan's Plan: A Local View,"a reprintfromPotomacNews,Woodbridge,Virginia,in
HistoricPreservationNews 30, no. 9 (September1990), 4. David Lamb of theLos Angeles
Times,"Bulldozersadvancingon battlefields," Tampa TribuneTimes,September11, 1994,p.
14.
Internationally,manycountriesare concernedtodaywithpreservingtheirculturalre-
sourcesfromphysicaldecayand loss as well as fromthedestruction caused byhumanagency
duringwars,arson,and commercialdevelopment.To protectits monumentsand historic
buildings,for example,France adopted "the PatrimoineNational, extendingthe Roman
concept of 'patrimonium'fromfamilypossessionsto the "'nationalinheritance."France is
discussingwhetherto include "industrialand farmingpatrimoniesand those of literature
landscapesand traditions," whichare,saysDr. Hind Sadek,presidentofECOPAST (Environ-
mentand Our Common Past), "conceptsso fardifficult to translatein termsof public and
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52 0 THE PUBLIC HISTORIAN
NowthatopponentshavewonthisbattleforManassasandtheneighbor-
inghistoricterrain,somemembersofthecoalitionmayfocustheiropposi-
tiondirectlyon The Walt DisneyCompany'sinterpretation of American
history.Although scholarsare for
probablywilling Disney to use as
"history
aninformal departure point foran entertainment
experience," they shudder
at a Disney reproduction of Americanhistory, givenEisner'saccolades
aboutDisneyWorld'sAmericanAdventure and Hall ofPresidents.Robert
Weis, seniorvice president of Walt DisneyImagineering, has also been
criticizedforinsensitively that
claiming Disney's America could "makeyou
a CivilWarsoldier.Throughan emotionalstatement, we can makeyoufeel
whatslaverywaslikeduringthattimeperiod,andwhatitwasliketo escape
on theUnderground Railroad."22Historymust"tellthedarkpoints,"among
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DISNEY AND THE HISTORIANS * 53
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54 m THE PUBLIC HISTORIAN
thatarepartofthethemepark.Thisisintended
thattheyonlyseethings
tosupport offantasy,
thefeelings from
escape,andseparation theoutside
worldthatcharacterizes
thethemeparkexperience, and makesit an
form
attractive ofrecreation.26
In claimingforitselftherightto shutoutmodernlife'sintrusions, Disney's
Americahas demonstrated muchless concernforthehistoricbattlefields
and siteswhichitmightaffect. As theBostonGlobeeditorialized, "Too bad
Disney executivesdon't have a sense of which
irony," would have allowed
"themto see rightoffthe follyof a proposalthatwoulddestroyhistoric
Americanlandto buildan Americanhistory themepark."27
Moreover,Disney's America's initialconceptualsiteplanpromisedmore
entertainment in ersatzhistoricalsettingsthanrealhistory.It was intended
to showcasethe followingtypicalDisney themes:nostalgia,small-town
America,the familyfarm,the Americanfamilyas the basic social unit,
privateenterprise and technology as theenginesofnationalprogress,and
thecontributions ofAmericanheroes.Highlighting episodesfrom1600 to
1945,theplan history stoppedtenyearsbeforetheopeningofDisneyland
in 1955.28
At Disney'sAmerica,visitorswouldbe able to participatein selected
episodesofAmericanhistory atninemultimedia "playlands":(1) Crossroads
USA 1800-1850, a replica mid-nineteenth centurytown selling 1990s
souvenirsand offering innaccommodations, thestarting pointfora tripon
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56 * THE PUBLIC HISTORIAN
middle-classvisitorsratherthanpeople comingfromdiversesocio-eco-
nomicstrata,sincetheHaymarket locationwouldnothavebeen accessible
bytheMetro,butonlybypassengercarsorbusses.In addition,mostofthe
projectedjobs wouldbe modestly payingones forthemeparkattendants,
hotel/motel employees,foodserviceworkers,and sales clerks,who,in all
likelihood, wouldhave had to migrateintoPrinceWilliamCounty,which
has about a 3 percentunemployment rate.Most employeesof The Walt
DisneyCompanymakeless than$20,000per year:thoseplayingDisney
characterslike Mickeyand Goofybeginearning$6.10 an hour;theyare
raisedto $8.95 an hourafterfiveyears.`3
The Walt Disney Company'saggressive,"Bare-knuckled Negotiating
Image ... hiringthe best legal,technicaland lobbyingconsultants," and
issuing ultimatums to the Virginia General Assembly and Prince William
Countyplanningcommissioners providesan ironiccommentary on its
of the
interpretation factory town of Enterprise. During thelatenineteenth
century, businessmenprosperedby hard-nosedtactics,generousgovern-
mentalsubsidies,and a minimumof regulation.m The celebrationof the
Family Farm is also ironic. Disney's America and the attendanturban
sprawl would have threatened, the American Farmland Trustbelieves,
some 6,000 farmswithover 1.2 millionacresin agriculture, in a twelve-
countyregion within fortymiles of the project."The Family Farm wouldbe
unreal, likeThe Walt DisneyCompany's Main Street USA thatdepicted
townslong gone,which,when theydid exist,were not as idyllicas the
recreation.While Main StreetUSA did offera model of main street
renovationto the historicpreservationmovement,it was unlikelythat
Disney'sAmerica'ssmall-town StateFair1930-1945playlandwouldoffera
positivemodeltoeitherHaymarket orThoroughfare, a historically
African-
Americancommunity ofabouta hundredpeople.WhileDisney'sAmerica
wouldnothavetodiscardallitsplaylands, itneedstorethink whatmessages
itshouldcommunicate. Few woulddoubtthatThe WaltDisneyCompany
is a masterof multi-media communication. In thisarea,emphasizesPeter
Rummell,itcancombine"filmmaking, animation, music,interactive media,
liveinterpretation, art,andtechnology" tobringtolifetheinterpretation of
Americanhistory.He sees the role of Disney'sAmericaas stirring the
interestofvisitors so thatthey"willseektoexplorefurther-through books,
through museums, through visitsto historicsites .... The park will not
whitewash or
history ignore the blemishes," Rummell insisted. "But neither
will we apologizeforthe beliefthat,even withAmerica'smistakes,the
33. PeterCarlson,"MickeyMouse History:More Real Than Reality,"pp. 25, 11-14, 17,
24-28. ThomasMuller,"Disney'sEconomics:It JustDoesn't Add Up,"AudubonNaturalist
News 20, no. 7 (September1994), 17.
34. SpencerS. Hsu, "'Bare-knuckled'NegotiatingImage Gets MixedRatings,"Washing-
tonPost,September19, 1994,p. Bi; SenatorJoeGartlan,Jr.,"A SorryDay fortheCommon-
wealth,"Audubon News20,no.7 (September1994),13.RichardFoglesong,"When
Naturalist
DisneyComes To Town,"The Washington PostMagazine,May 15, 1994,pp. 15-16.
35. ValerieBerton,editorofAmericanFarmland,"ProposedTheme ParkCould Swallow
Northern VirginiaFarmland," AudubonNaturalistNetvs20, no. 7 (September1994),18-19.
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58 * THE PUBLIC HISTORIAN
hopelesslyoutdatedoralreadyavailablefromtraditional
sources."Minimallearning willoccur,
she maintains,unless The Walt Disney Companyencouragesvisitorsto participatein a
meaningful wayin itsgamesand skits(JaneKuenz,"It'sa SmallWorldAfterAll:Disneyand
thePleasuresofIdentification,"
SouthAtlanticQuarterly92, no. 1 [Winter1993],71, 73-77,
63-88).
39. ViewpointsForumon "PublicHistoryand Disney'sAmerica,"Perspectives, American
HistoricalAssociationNewsletter,33,no.3 (March1995).See alsoCharlesAlanWatkins, who
arguesthatmuseumsneed to defendtheirrolesin thefaceof"a growingidea in thepublic
mindthattheworkofmuseumscan be sharedwith,ifnotentirely shoulderedby,entitiessuch
as themeparksand that'educationis increasingly represented as a formofrecreation"' (Dean
MacCannell,quotedin CharlesAlanWatkins,"AreMuseumsStillNecessary?"Curator37/1
[1994],25). "Forthemainplayersin the'legitimate' history biz,"wroteNeilAsherSilberman,
"thegreatestthreatposedbyDisney'sAmericawas itsfrightening reflection
ofwhattheywere
becomingthemselves." The difference betweenDisney'sAmericaand "themorerespectable
formsofhistorical entertainmentinAmerica"was theformer's "vastlysuperiorabilitytobuild
robotsandthrillrides,notinitsshallowness."Disney'sAmerica'sformula forsuccesswouldbe
to "combinethe geniusof P. T. Barnumwiththeinspiration of GeorgeFerris-feedingthe
tourist'sdesireto marvelat historicalcuriosities
whilesatisfying thefairgoer'scravingfora
mechanicalthrill"(Neil AsherSilberman,"The BattleDisney ShouldHave Won,"Lingua
franca5, no. 1 [November/December 1994],28, 26). In additionto resistingcommercializa-
tion,history museumand historicsiteprofessionals need also to counterthecriticisms from
someofthepressand thepublic"thathistorians in museumsshouldsticktopresenting facts,
notmeanings." Curatorsofhistoryexhibitsmustrecognize,BarbaraFrancosaid,"thatscholars
and thepublicpose different questions"and thatscholarship in museumsis a "balancingact"
(BarbaraFranco,"Doing Historyin Public:BalancingHistoricalFactwithPublicMeaning,"
Perspectives,AmericanHistoricalAssociationNewsletter 33, no. 3 [May/June 1995],5, 7.
40. David McCullough,quoted in SpencerS. Hsu and MarylouTousignant,"No Joyin
Haymarket, ResidentsSay'Fat Cats' Killedthe GoldenMouse,"p. A16.
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