Can't

Stop

  = 174
Red Hot Chili Peppers

       
             
                     
Piano





      
5

             
                    
Pno.


      
9

             
                    
Pno.


      
13

             
                    
Pno.

      

17

                             
   
Pno.




   
          
23

1.Can't stop, ad dict ed to the shin dig.

          
Pno.

            
      
2

                    
27

Chop top, he says I'm gon na win big. Choose not a life of im i ta tion,

              
Pno.

       

  
               
31

dist ant cous in to the res er va tion. De funct the pis

       
 
Pno.

          

      
                
34

tol that you pay for. This punk, the feel ing that you stay for.

  
      
Pno.

         

  
              
37

In time I want to be your best friend. East side love is liv

       
 
Pno.

         

       
               
40

ing on the west end. Knocked out, but, boy, you'd bet ter come to.

    
    
Pno.

           
  
3

               
43

Don't die, you know the truth is some do. Go write your mes

      
  
Pno.

        

          
             
46

sage on the pave ment. Burn in' so bright, I won der what the wave meant.

   
       
Pno.

         

  
              
49

White heat is scream ing in the jung le. Com plete the mo

   
     
Pno.

         

     
                   
52

tion if you stumb le. Go ask the dust for an y an swers.

    
       
Pno.

       

   
                
  
55

Come back strong with fif ty bel ly danc ers. The world I love, the tears,

          
       
Pno.

     



        
4

                    
   
58

I drop to be part of the wave, can't stop. Ev er wond er if it's

 
        
Pno.

                  
          

 
               
  
63

all for you. The world I love, the tears, I drop to be

 
Pno.

                 

              

  
                
    
67

part of the wave, can't stop. Come and tell me when it's time to.

 
   
Pno.

         

            
    

         
       

72

2.Sweet heart is bleed ing in the snow cone. So smart, she's lead

     
  
Pno.

            


        
              
76

ing me to o zone. Mu sic, the great com mu ni ca tor,

  
       
Pno.

        
  
5

                
79

use two sticks to make it in the nat ure. I'll get you in

      
 
Pno.

          

     
                      
82

to pen e tra tion, the gen der of a gen e ra tion. The birth of ev

     
     
Pno.

         

              
        
86

'ry oth er na tion. Worth your weight, the gold of med i ta tion.

   
      
Pno.

         

  
              
89

This chap ter's gon na be a close one. Smoke rings, I know

   
     
Pno.

         

     
                 
92

you're gon na blow one. All on a space ship, per se ver ing,

   
      
Pno.

        
  
6

                
95

use my hands for ev 'ry thing but steer ing. Can't stop the spir

       
 
Pno.

          

     
                 
98

its when they need you. Mop tops are hap py when they feed you.

   
     
Pno.

         

    
              
101

J. But ter fly is in the tree top. Birds that blow the mean

      
         
Pno.

     

          
                
104

ing in to be bop. The world I love, the tears, I drop to be

          

Pno.

         

      


  
                  
    
107


part of the wave, can't stop. Ev er wond er if it's all for you.

  
   
Pno.

              
           

    
  
7

                   

112

The world I love, the tears, I drop to be part of the wave,

 
                
Pno.

     

     

      
        
     
116

can't stop. Come and tell me when it's time to. Wait a

          

Pno.

 
               
      


   
                
  
122


min ute. I'm pass ing out, win or lose, just like you.

             

Pno.

           



 
              
128

Far more shock ing than an y thing I ev er knew.

                     
Pno.

    


   
             
    
134

How 'bout you? Ten more reas ons, why I need

                   

Pno.

     

 
    
8

             
140

some bod y new, just like you. Far more

                 

Pno.

       




            
    
146


shock ing than an y thing I ev er knew, right on cue.

             

Pno.

           



     
             
            
152

                    

            
Pno.




  
              
161

3.Can't stop, ad dict ed to the shin dig. Chop top, he says


   
Pno.

     

     
                      
164

I'm gon na win big. Choose not a life of im i ta tion, dist ant cous in to


      
Pno.

  
      
      
9

                 
168

the res er va tion. De funct the pis tol that you pay for.

 
  
Pno.

         


  
              
171

This punk, the feel ing that you stay for. In time I want

    
Pno.

         

       
               
174

to be your best friend. East side love is liv ing on the west end.

  
Pno.


          

  
              
177

Knocked out, but, boy, you'd bet ter come to. Don't die, you know

    
Pno.

         

                
      
180

the truth is some do. Go write your mes sage on the pave ment.

     
Pno.

          
    
10

                 
183

Burn in' so bright, I won der what the wave meant. Kick start the gold

 
  
Pno.

           

      
                
186

en gen e ra tor. Sweet talk, but don't in tim i date her.

  
      
Pno.

         

 
               
189

Can't stop the gods from en gi neer ing, feel no need for an

       
 
Pno.

         

      
                   
192

y in ter fer ing. Your im age in the dic tion ar y, this life is more

       
   
Pno.

         


     
                     
196

than ord i nar y. Can I get two, may be e ven three of these?

  
        
Pno.

        
      
11

                  
199

Com in' from a space to teach you of the Plein dies. Can't stop the spir

    
 
Pno.

        


     
                 
202

its when they need you. This life is more than just a read thru.

    
Pno.