MANON Opera in Five Acts Music by Jules Massenet Libretto by HENRI MEILHAC and PHILIPPE GILLE After the Novel by the Abbé Prévost English Translation by GEORGE and PHYLLIS MEAD ED. 2627 G. SCHIRMER, IN New York© MCMLXIIL, by G. Schirmer, Inc. International Copyright Secured Printed in USA. 45841.cx Note All rights of any kind with respect to this English translation and any part thereof, including but not limited to stage, radio, television, performance, motion picture, mechanical, printing, and selling, are strictly reserved. License to perform this work in this translation in whole or in part must be secured in writing from the Publishers. Terms will be quoted upon request. G. SCHIRMER, INC. 609 Fifth Avenue New York 17, N. ¥. iiMANON In the autumn of 1881, Jules Massenet (1842-1912) suggested to Henri Meilhac an opera based on the Abbé Prévost’s novel Manon Lescaut (1731). The next day —according to Massenet’s reminiscences—Meilhac surprised him with the libretto for the first two acts; and most of the ensuing year the two men, together with Philippe Gille, maintained a lively collaboration in the work on the opera. Massenet spent the latter part of 1882 at the Hague, in the very house where the Abbé Prévost had lived. Then, one evening in the spring of 1883, he and the librettists brought the completed score to the home of the director of the Opéra Comique, Léon Carvalho, where “between nine and midnight Manon was read” before the director and his wife, the former Mlle. Félix Miolan, distinguished lyric soprano. When the Carvalhos had heard the score, they were delighted. Mme. Carvalho kept saying, “If I were only twenty years younger!” Massenet returned the compli- ment by dedicating the work to her. By the time the opera was ready to be put in rehearsal, Massenet appeared with a copy of the vocal score already engraved and printed. “Well,” said Carvalho, raising his eyebrows, “it is in bronze, then?” The more usual procedure would have been for Massenet to have waited until the opera had been revised in rehearsal. There was nothing for the director to do but play the opera as Massenet had had it engraved. It was first performed at the Opéra Comique in Paris on January 19, 1884. Manon was played by Marie Heilbronn, the Chevalier Des Grieux by Talazac, Lescaut by Taskin, and the Count Des Grieux by Cobalet. The opera was well received and played for twenty-four engagements at the Opéra Comique, but the death of Mme, Heilbronn in 1885 and the burning of the opera house in 1887 pre- vented the work’s being played in Paris for several years. After the reopening of the Opéra Comique, Manon was revived in Paris with ‘Miss Sanderson in the title réle, She was still singing it there at its 200th perform- ance. Its 500th performance on the stage of the Opéra Comique was sung with Marguerite Carré as Manon, Before Massenet’s death in 1912, it had passed its 740th performance on that one stage. Manon was first heard in New York (sung in Italian) at the Academy of Music on December 23, 1884. Eleven years later (on Jan. 16, 1895) New York heard it in French at the Metropolitan with Sybil Sanderson (an American singer, from Sacramento, California) as Manon and Jean de Rescke as Des Grieux.THE STORY ACT. 1. In the courtyard of an inn at Amiens, in 1721, an elderly roué, Guillot, has ordered dinner with his friend Brétigny for three gay actresses, Poussette, Javotte and Rosette. While they dine, the swaggering officer Lescaut comes to wait for his young cousin, Manon, who is expected by the coach on her way to a convent. To the animated comment of village onlookers the travellers arrive, Manon among them. Greeted by her cousin, she describes the excitement of her journey. While Lescaut goes off to look after the luggage, Guillot makes advances toward the girl and offers his carriage, but is repulsed. Manon reflects wistfully on the gay life of his com- panions. By the time the handsome Chevalier des Grieux arrives, she is ready to yield to his rapturous love-making and go off with him in old Guillot’s coach to Paris. ACT II, Manon and Des Grieux are living happily in their Paris apartment, al- though the girl already conceals the fact that an unknown suitor is sending’ her fiowers. Lescaut and Brétigny arrive, the former to demand that Des Grieux marry Manon, the latter to warn her that the young Chevalier is about to be kidnapped by his father and she had better turn instead to him. Manon lets Des Grieux go off to post a letter asking his father’s permission to marry her. Sadly she bids farewell to the little table where they have so often dined. Des Grieux returns, dreaming of an idyllic life with his beloved. A knock disturbs the couple, Answer- ing it, the Chevalier is seized by his father’s emissaries and dragged away. ACT III. The holiday crowd makes merry on the Cours la Reine, where the young actresses seek to evade their protector Guillot while Lescaut sentimentally addresses them, Preceded by a crowd of wealthy courtiers, Manon is ushered from her sedan chair by her new lover, Brétigny. Preening herself on her dazzling beauty and luxury, Manon sings a gay gavotte in praise of youth and pleasure, She is piqued by news which she overhears from a new arrival, the elderly Count des Grieux, that his son is about to enter holy orders. Learning that the Chevalier has grown cold to her charms, Manon pauses briefly to watch a divertissement arranged for her by Guillot; then she orders her cousin to direct her to St. Sulpice, where young Des Grieux is preaching, In the dim sacristy of the ancient church, the faithful recount the eloquence of the new Abbé. Skeptical of his son’s new virtue, the Count tries to persuade the young man to renounce his vocation and marry some suitable girl. Spurning his father’s advice, Des Grieux falls on his knees to pray for strength to resist his memories of Manon, who arrives almost immediately, She is still too fascinating for him; again the lovers flee in each other’s arms, ACT IV. The Hétel de Transylvanie, a famous gambling house of carly 18th- century Paris, is crowded by pleasure seekers, among them Guillot and his three young companions. Manon and Des Grieux arrive, seeking to improve their for- tunes. While the Chevalier settles down to a game with Guillot, Manon and the three girls celebrate their philosophy of living for the moment. Losing every hand, Guillot accuses Des Grieux of cheating and goes off to call the police. They arrive with the Count, arresting the young man and threatening his beautiful mistress with deportation. ACT V. On the road to Le Havre, where Manon is to be deported to Louisiana, the Chevalier attempts with Lescaut’s help to intercept the convoy of unfortunate women and rescue his beloved from exile. They succeed with a bribe, and Manon falls exhausted into Des Grieux’ arms, She sinks to her knees and asks for pardon, murmuring that now she can die in peace. Her lover tries to rouse her, but, dream- ing of their happiness, Manon expires. Courtesy of Opera News ivCAST OF CHARACTERS THE CHEVALIER DES GRIEUX. . 2. 2... : Tenor THE COUNT DES GRIEUX, his father. 2... - Bass LESCAUT, Manon’s cousin. 2 2... fae . Baritone GUILLOT MORFONTAINE, a nobleman... . Tenor DE BRETIGNY, a tax-collector . fe Baritone INNKEEPER . . . . a . . «Baritone TWO GUARDSMEN... .. 2.2. ..... +. Tenor, Bass PORTER OF THE SEMINARY SERGEANT... 2... 2... Foe ee. Tenor MANON LESCAUT . So5a05450000 Soprano POUSSETTE]..............., . . Soprano JAVOTTE | Actresses. . 020000806 Mezzo-Soprano ROSETTE Soua56 sos ss ss 4. Mezzo-Soprano MAID . . : Das Bo6 Mezzo-Soprano Men and. Women of Amiens; Travellers; Post-boys and Porters; Men and Women of Paris; Gamblers; Guards. SYNOPSIS OF SCENES Page Act I The courtyard of an inn at Amiens... Spee 5 Acr II The apartment of Des Grieux and Manon, in the Rue Vivienne, Paris - te ee NS Acr III Scene 1 Cours la Reine, Paris 173 Scene 2 The reception-room of the Seminary of St. Sulpice. . 246 Act IV The Hotel Transylvania, Paris Fe 288 Act V_— On the road to Le Havre. : : 349& Madame C. Miolan-Carvatho 4 Manon Original French libretto by Henri Meilhac and Philippe Gille Jules Massenet English version by GEORGE and PHYLLIS MEAD PRELUDE Allegro moderato d= 104 eek on tf © MCMLXIII, by G. Schirmer, Inc. International Copyright Secured Printed in the U.S. A. 4584 10x‘espressivo Andante sostemuto 2-06 we, ; cy = = a melodia Sf Ba. ® Ben. ® sempre marcata ed espressiva — —_ _ = —_—_— 4584145841Allegretto tranquillo d:00 Pune & \ Port Pr. eprd wrt yprk —————— Sf secco . - = 7 * z poco rit Pp Are. soto | expressive — opr * pp pt dade ede PP, Lh, 45844ACT I Scene: The courtyard of un inn at Amiens Allegro d: 152 curtain t F Guillot (cotsing) Mon-sieur I'h6 - te - lier! Com-bien de Tnn-keep-er, come out! How many a tempo tempsfaut-il cri-er A-vantquevousdai-gniez en - ten - dre? times are we to shout Be-fore you con-de-scend to serve us? atempo — 7S a5sa1Nous a - vons faim! We want to dine! Brétigny Ss Nous a - vons soif! We want some wine! ‘Vous mo-quez-vous de fai-reat-ten- dre? Mor- Are you ig - nor - ing us on pur-pose? See Vien-drez-vous & Ja = fin?tt________ Will you nev - er ap - pear? bleu! Vien-drez-vous & la fin?______ Will you nev - er ap - pear? ob 45841Guillot (spitefutty) Foi de Guil-lot_ Mor-fon - tai- ne! Cestpar trop le cru-au- For Guil - lot Moron - taine_ To be treat - ed with such Pourdes gens de qua- li - tél Is too cru - el to be borne! Brétigny (angrily) Il est mort, la cho-seest cer- He is dead, that is ver-y Animando Pp Pii mosso Poussette (at the window, taughing) FP Al- Ions, mes - (angrily) But get- ting Il est mort! He is dead! dead! Pit mosso ve oP 45844sieurs, point de cour-roux! an-gry will do no good! yy Que faut-il fai - re? What shall we do, then? Il mentend He does not Que faut-il fai - re? What shall we do, then? Poussette (“gushing heartily) On le rap- pel-le! On Je har- cel-te! On Je rap- Thedev-il take him! We'll have to wake him! We'll have to Javotte (laughing heartily) (Wavotte and Rosette join Poussette.) On le har- cel-le! On le rap- Welll have to. wake him! We'll have to Rosette (oushing Acartity) On le rap- We'll have to 55841Allegro brillante J:116 pel le! Voy-bns, mon-sieur I'hd-te - Her! mon-trez~ wake hhim! Come on, Monsieur, there with-in! Make us pel le! Voy-Ons, mon-sieur I'hd-te - lier! mon-trez- wake him! Come on, Monsieur, there with-in! Make us Je! Voy-ons, mon-sieur T'hd-te- liur! mon-trez- him! Come on, Monsieur, there with-in! Make us Voy-0ns, mon-sieur 'hd-te - lier! mon-trez- Come on, Monsieur, there with-in! Make us Voy-ons, mon-sieur I’hd-te - lier! mon-trez- Come on, Monsieur, there with-in! Make us Allegro brillante d= 116 > P t > Pp > vous hos-pi-ta- lier! Mon - trez- vous hos- pi- ta - wel- come at the jinn! Make us wel-come at the inn! Come on, | Mon- > vous hos-pi- ta - lier! Mon - trez- vous hos-pi-ta- lier! — Voy- ons, wel-come at the inn! Make ir us wel- come at the me on, — Mon- vous hos-pi- ta - lier! wel- come at the inn! Make Mon - trez - vous hos-pi - ta - Yoy- ons, us wel- come at the Come on, —Mon- vous hos-pi-ta- lier! Mon - trez- vous hos-pi- ta - ‘Yoy- ons, wel- come at the jinn! Make us wel - come at the inn! © Come on, Mon- > vous hos-pi-ta - lier! Mon - trez- vous hos-pi-ta- lier! Voy-ons, wel- come at_the inn! Make us wel- come at the inn! © Come on, Mon- > P t 4584140 sieur 'hO-te - lier! mon-sieur I'h6-te - lier!Sau-vez-nousde la fa- sieur, there with-in! | Comeon, Mon-sieur, there with-in! Come and save us all from Vho-te - lier! there with - in! mon-sieur 'hé-te - lier! Comeon, Mon-sieur, there with-in! Vh6-te - lier! mon-sieur I'hd-te - lier! there with - in! Comeon, Mon-sieur, there with - in! Yho-te - lier! mon-sieur Thd-te - lier! sieur, there with-in! Comeon, Mon-sicur, there with - in! Yhé-te - lier! mon-sieur ’h-te - lier! there with-in! Comeon, Mon-sieur, there with - in! 4 Sau-vez-nousde Ja fa- mi - Come and save us all from starv - Z£ Sau-vez-nousde la fa- mi Come and save us all from starv San-vez-nousde a, fa- Come and save us all from 45841Mon-trez-vous hos- pi - ta - lier! Voy-ons, —_mon- Make us wel-come at the inn! Comeon, Mon- nel ing! Sau-vez-nousde la fa- mi - Come and save us all from starv - hel poco rall. a tempo Th6- te - there with - Yh6-te - lier! — Mon-sieur. sieur, _______________ therewith - in! Mon-sieur, Tho-te - there with - Mon- sieur- Mon-sicur, Th6-te - there with = Mon- sieur- Mon-sieur, Thd-te - there with - Mon - sieur. Mon-sicur, Tho-te - there with— ‘Mon- sieur. espressivo Mon-sieur, —_ _—+x— = tempo colla voce St 4584442 _— 5 = nel Sau-vez-nous de - - ing, Or i's you we will be lier! Sau-vez-nousde la fa- mi - in!Come and save us all from stary_- — lier! Sau-vez-nousde la fa- mi - = nel Sau-vez-nousde la fa- in!Come and save us all from stary - - - ing, Or it’s you we will be =— lier! Sau-vez-nousde la fa- mi - - - ne! Sau-vez-nousde Ja fa- in!Come and save us all from starv - - - ing, Or it's you we will be Her! in! Soy-ez donc hos-pi-ta- lier! ‘Make us wel-come at the inn! P lier! i non Yonvous ex - ter - mi-ne! Si non in! Come and save us all from starv-ing, Or it’s ne! Voy-ons, mon-sieur, —_mon-sieur. ing! Comeon, | Monsieur, Mon-sieur, fe! Voy-6ns, mon-sieur, _mon- sieur. ing! Comeon, Mon-sieur, Mon-sieur, ne! Yoy-ons, mon-sieur, —_mon-sieur. ing! Comeon, Mon-sicur, Mon-sieur, Soy-ez donchos-pi-ta- lier! Voy-ons, mon-sieur, _ mon-sieur. Make us welcome at the inn! Comeon, Mon-sieur, Mon-sieur, Yonvous ex - ter - Mon-sieur, mon-sieur. you we will ~— be -—_carv-ing! Mon-sieur, — Mon-sieur, —— —< Te a13 Un poco animato Tho - te- lier! there with-in! Tho- fe - tier! there with-in! Thé - te - lier! there with-in! Tho - te - ter! there with-in! Pit (istening) Thé - te- lier! Eh there with-in! Un poco animato Well vt i Moderato poco a poco Pas de He’s still un- Pas de ré- He's still Pas de ré- He's still un- bien! Eh quoi! pas de ré- pon-se? now, how now? He's still un - heeding? Moderato poco a poco 45841Pas de ré - pon - se? He's still un - heed- ing? Il est He is We'll try a - gain! {e-com-men- gons! Welll try a - gain! ’e-com-men-gons! fe’ - gain! We'll try a - gain! Pa Pastrop de bruitce- 1a re - dou-ble lap- pé- But don’t for ~get, All this will make us hun-grier 4584115 a tempo Voy-ons, mon-sieur ThO-te - Her, Mon- trez - vous hos-pi - Come on, Mon-sieur, there with- in! Make us wel - come at fa - the Voy-ons, mon-sieur I'h6-te - lier, Mon - trez - Comeon, Mon-sieur, there with - in! Make _us ‘vous hos-pi- ta - wel- come at_the Voy-ons, mon-sieur 1'hd-te - lier, Mon- trez - Comeon, _ Mon-sieur, therewith - in! Make _us pi- ta- eat the tit yet! Mon - trez - Make _us 3 vous hos-pi- ta - wel=comeat the Yoy-ons, mon - sieur ‘Mon - trez - vous hos- pi - ta - Comeon, Mon-sieur, therewith - in! Make us wel- comeat the a tempo . = Pp Allegro Tempo I° d=152 PP lier! Mon-trez- vous hos-pi- ta inn! Make us _wel-come at the ‘Mon-trez- vous hos-pi- ta lier! inn! Make us wel-come at_the inn! Mon-trez - vous hos-pi- ta lier! ! Make us wel-come at_the inn! (76 Juni eae ‘Mon-trez- vous hos-pi-ta -. lier! . Make us _wel-come at_the inn! fe @ burst of joy and surprise) > OS <. Mon-trez- vous hos-pi-ta - lier! © Ah! voi-la le cou- pa- ble! inn! Make us wel-come at the inn! —_Here he comes, af - ter al _ S—_Allegro Tempo I? d= 152 PP = 4584116 Guillot 7 oo angry that he is Ludicrous) Ré-ponds-nous, mi- sé- ra - ble! ‘An-swer us when we call! SF Innkeeper St Moi! vous a -ban-don-ner! Je ne di-rai qu'un mot: T to neglect a guest! Your din-ner’s on the way ser - ve le di- ner! ML le of the. beat! (Mer Som én, woiters vee plates) te Nu AEs he Allegro maestoso (non troppo Zento) d:108 itere proceed slowly and rather solemn = wards the summer-house.) 4584147 Poussette Javotte Rosette Guillot Brétigny Innkeeper f(P2mpousty) Hors-doeu- vres de choix, A’ choice of hors-d’ocuvres .. . ver - ses é- pi - ces, 5 Poisson, > ' i ary can- a ~ pe, Poisson, > Po . anf 4584418 nf = lo © dou-66 pro- vi- den P, Oh sweet and kindly for Du poisson! Voi- fa quenca- What a fish! jnner’s on the Voi- 1a quenca- P Rirrner’s on the 1a pou-let! Voi- la quen ca - What a dish! inener’s on the fait! Voi-1a quenca- Hurray! Dinmer’s on the Voy- . Come St eryagera ay dis cel tune! On vient dous ser-vir! Din-ner’s on. the way! den-ce On vient nous ser- vir! way!Our din-ner’s on the way! ‘den-ce On vient nous ser- vir! way! Our din-ner's on the way! den-ce On vient nous ser- vir! waylOur din=ney’s on the way! den-ce On vient nous ser- vir! way!Ourdin-ney's.on the way! (uyging persistently) ez! On vient vous ser- vir! on! —_Din-ner’s on the way! Un buisson _d’é-cre- There is beef, there is > —=45841 (Joyfutty) Des 6 - cre-vis- ses! Look at the lob -ster! Des é - cre-vis - ses! Look at the lob - ster! Des 6 - cre-vis - ses! Look at the lob- ster! ,Joufuéty) Des é-cre - vis- ses! Look at the lob-ster! Et pour ar- ro - ser All the prop-er wines (¢o the waiters) Ne les troublez pas! Handle them with care! pas, De vieuxvins! Etpourcomplé - ter all be-yond compare! And the fi-nal touch > . > P20 f. Ua pa- tél Liv-er tart! Un pa- te Liv-er tart! Un pa- tél Liv-er tart! Un pa- tet Liv-er tart! Ua pa- tél Liver tart! (drawing himself up) Le pa-té de canard! Non pas, mes- Isa goose- liv ~ er tart! No, no, Mes - —-. == ‘dou- Ge. pro-vi- Oh sweet and-kind=ly_ Vrai-ment! Of course! ‘Par-fait! Of course! Ua ob-jet fart! A work of atl dim. * asset CaO Le LaeaA dim. cel - tune! On vient dous ser- vir! Dinsner’s on the way! sort dé-lec- jow at last we're Voi - 14 quen ca- den-ce jin-ner’s on the way, our ‘On vient dous ser- vir! din-ner’s on the way! sort dé-lec- Now at last we're Voi - 1a quien ¢a- den-ce ri On vientnous ser- vir! sort dé-lec- Din-ner’s on the way,our din-nep’s on the way! Now at last we're Vor- 1a quenta- den-ce Din-ner’s on the way, our ‘On vient nous ser- vir! din-ney’s,on the way! sort dé-lec- jow at last we're Voi - la qwenca- den-ce On vientnous ser- vir! sort dé-lec- Din-ner’s on the way,our din-ners on the way! Now at last we're im. ‘Voy - ez! Come on! ‘On vient vous ser- irl Din-ner’s on the way! t tec caret De se mettre enfin bie, Lo Ton a faim, ed Bigrding one and all: “Be get —el’_By_the_weleare gl ores ta - ble, greet - ed Lors-que Ton a faim. welcome call ‘oresc. De se mettre enfin Bie-ding one and all: “Be ta - ble, Lorsque fon a faim, De se mettreenfin A eet - ed ___By the welcome call Bjeding one and all: “Be ores. ta - ble, Lors-que Yona faim, greet_- ed By the wel-come call soresc. De se mettreenfin A Bjading one and all: “Be ta_- ble, Lors-que fon a faim, eet - ed’ By the_wel-come call erect —_ ee _ BYE We’come cre sc. De se mettreenfin ‘A Bjeding one and all: “Be Tl est pré-f€-ra - ble Et mé-metréssain ‘Datten-dre la faim. Now that you are greet - ed By the welcome call: |_| ,“Hungry peo-ple all, == 45841Met-tez - vous Won't you please a Be a table! @ Be seated! Be a ta-blel 3 Be seated! Be a ta- ble! Be seat-ed! a ta- blel Be seat-ed! 45841 ‘On vient nous Din-ner’s on ‘On vient tous Din-ner’s on ‘On vient nous Din-ner’s_ on On vient nous Din-ner’s_ on On vient nous Din-ner’s on On vient vous Din-ner’s on ser- virl the way! Ser- vir! the way! ser- virl the way! ‘ser- vir! the way! ser-virl the way! ‘ser- virl the way!23 (AU go into the summer-house, the door and window of which close again. The Innkeeper remains on stage alone.) a tempo ble! ed!” a=" THO OEEY LYE Ltr: Innkeeper: Crest trés bien de diner! Il faut aussi payer! Et je vais— Mais, It’s all very well for them to order dinner, if they can pay for it. I'm going_—but Pp 458412A au fait, pensons au —_ Chevalier Des Grieux! Le temps passe, wait— ‘The Chevalier Des Grieux! I promised ———__ —_—_—_————_ Et j'ai promis de retenir sa place Au premier coche. to reserve him a seat in the first coach! (turns to go upstage and sees the o: villagers about to invade the inn) Et mais, voila Déja La ribambelle Des bons bourgeois! Ils viennent regarder Si fon peut lorgner Quelque belle, Ou se moquer de quelque voyageur! Here comes the usual crowd of my fellow-townsmen, hoping to get a look at some pretty girl, Allegro moderato or to make fun of the travelers as they come and go. 26 # [Innkeeper] (sententiously) Allegro moderato ¢ = 126 (goes into his office) Jai re- mar-qué que ’hom-me esttrés ob-ser-va - teur! eared ‘The hu-man race will al - ways run to see a show! irik ee.) mf pesante e"sostenuto ~) SS 45844(ton and women of the village gradually invade the inn.) — > rene. Villagers SOPRANO (calmly) ALTO En - ten - dez Voi - ci Pheu -"re TENOR Now that the ing And the coach is En - ten- dez che, Voi- ci heu-'re Now that the ing And the coach is En - ten - dez vousla clo - che, Voi- ci Pheu- re Now that _ the time is near - ing And the coach is = = = co - che, pear ~ ing, We_ must see faut tout voir! tout “voir! all, see all! co - che, faut tout voir! tout voir! pear- ing, must sec___all, see_all! faut tout voir! tout voir! must see_all, see_all! he co - che, ear ing, 4584426 es voy- a - geu See who will come, the men and la - dies, Les voy - a - geurs, es voy- a- geu- ses, See who will come, the men and la - dies, Les voy - a - geurs, les voy-a- geu - ses, Sec who will come, the men and la - dies, faut tout voir! See who will gof Ab, yes! Ul faut tout voir! Pour See who will go! ‘Ah, yes! Pp Ti faut tout voir! Pour See who will go! Ah, yes! —brd BA 45841a7 P Cescant enters, followed by to Guardsmen.) Jeu St i id Lescaut (addressing the Guardsmen) Cestbien i - ci Thd-tel - te - Is this the inn? Is this the # e Ou le co - che dAr- ras Va tan - t6t sar-ré- = tion where the coach from Ar - ras ver-y soon will ar ~ ——s ——s . mf sost.¢ pesante vo wep —___—F Guardsmen 7° Allegro moderato 4:120 Lescaut (dismissing them) Cestbien i - cil Bon-soir! This is the place. Good bye. S ben ritmato28 Tempo I° SF Guardsmen (crying out) Quel- le plaisan-te- ri - Sure -ly you must be jok - Lescaut, Les -caut, Lescaut (good-Aumoredty) tu pour-rais nous quit - ter! Ja- mais! ja-mais! Are you leav -ing us now? No, no! No, no! No, Pa Se t A Allegro moderato 4-112 mais!_ Al - lez a Yau - ber- ge sin, ssOOnssy no! You two can go_ straight to inn,___Where the ae mf briltante vend un clai- ret Joy - eux; Je vais at - ten- dre ma cou- si - clar-et is old and fine. I. will wait here to meet my cous - 4584129 2 w2 tempo rall. Je vaisat-ten-drema cou- si - ne, Et je vousrejoinstousles in, I will wait here to meet my cous - in, And then we'll have plenty of t a tempo ral. ip | ——_ Lescaut (ayended) |, of Guardsmen deux! Rap - pel- le toi! ‘Yous miin-sul - tez, cest im-pru- wine, Do not for - get! Me, — for - get? ‘That is an —_——— ae : t Guardsmen Lescaut (pirased und insolent) (supptiantly) a a tempo dent! — Les- cant! Crest insult! Les-caut! All Je per - drais la mé - Til for - get what I've been @ tempo Gwith an air of authority) sa-git de boi - re! get down to drink - ing. aoa.30 a tempo gp cunningly, changing his tone) , — a Yau-ber-ge voi- sine, On y vend un clai - ret — can gostraight to the inn, ___ Where the clar-et is old & ee mf briliante rail. 2. at - ten - dre ma wait here to.—smeet atempo fren ee Al - lez trin- quer en mat-ten - dant! - in, You two go and drink while you = wait,______ > a tempo en mat-ten-dant, al- lez Go on and drink! Go on. a5e41BL Allegro tempo I° J: 126 (The street fills with postboys, porters carrying trunks, boxes, and suitcases, and trav- ellers of both sexes scurrying about for their luggage.) quer! drink! Villagers SOPRANO Goy fully) ‘ALTO Lesvoi- 1a! tes voi-1at Here they are! Here they are! TENOR Lesvoi- la! tes voi-la! Here they are! Here they a Les voi- 1a! les voi-Ia! Here they are! Here they are! = Allegro tempo I° d= 126 > les voi- Here they are! Arrival of the coach > > > 4584132 Upstage is seen the coach, from which trav- = = = Pit mosso = = wa ellers ‘get gut) = = Travellers An old lady diaying ap) = = = Oh! ma coif- fu - ‘My clothes are muss - 4584133 SOPRANO Caughing) ALTO Voy-ez- vous TENOR The poor old Voy-ez- vous The poor old Voy- ez - vous The poor old Another traveller Eh! Boy, le por- teur! where's my bag? co- quet - te! ap - palling! co- quet - ve! ap - pall - ing! co - quet - te! all- ing! 4584134 Dans un You'll have gu - lier per-son- fun - ny look-ing gu - lier per- son - fun ~ ny look-ing gu- lier per- son - fun - ny look-i 45841 A porter in a bad humor) ins - tant! to wait! S Caughing) Ant na - gel crea~ ture! na - gel crea - ture! na - gel crea~ ture! le sin- there's a35 A lady traveller Ok sont mes oi- seaux et ma ca - ge? Who has seen my birds and my bird - cage? rayman{Conccrey He! pos- til - Boy! ‘Where's the A woman (aiso catting) Another woman (a/so caiting) _ Another Pos-til- lon! Pos-til-lon! Mon pa - Where's the boy? Another man (atso, catting) Where’s the boy?another manWhere’s my Ton! boy? Ma mal-le! ‘My par-cell pos-til- lon! Where’s the boy? woman Women (att together) nier! purse! Men (aie together s - til- lon! .) Where's the boy? Pos - fil - ton! fos - til - lon! Postboys and Porters Where’s the boy? Where's the boy? (disengaging themselves) Dans un mo - mentidans un mo - meat! You'll get your lug = gage, Don’t you wor = ry. 4584136 (shouting with all their might) Don-nez & cha-cun son ba - We want our baggage in a Don-nez 4 cha-cun son ba - , We want our bag-gage in a ————__ ‘Voy - ons! voy-ons! voy- ons! quel tra- ‘Come on! Come on! Come on! When you ‘voy-ons! voy- ons! quel tra- Come on! Come on! Ah!—— When you —_—_——— cest & Peo-ple non!non! non! non! No, no, no, no, no! SOPRANO Villagers ‘ALTO TENOR cest a When they cest a When they cest a When they 45844cas et queltour-ment Quand i] faut mon-ter en voi - tu- re! ! je le trav-el_in a coach Or in a careriageor a cart, "ake my cas et queltour-ment Quand il faut mon-ter en voi - tu-re! je te travel in a coach Or in a car-riageor a cart, fake my se dam-nervrai-ment! Cha- cundeux gé- mit et mur-mu-rel ‘quien mon- rid-ing in a coach Are in a tem-per from the start! ‘They are Se dam-ner vrai-ment, a mit! i iv'en mon - trav-el in the coach They groan, ! ‘hey are se dam-nervrai-ment, ha - itt i jwen mon- trav-el in the coach © They - hey are se dam-nervrai-ment, | Cha - ‘quen mon- trav-el in the coach ! They are fe- rait bien fi-rea - Vant good ad - vice And make your will ju- re On ver - y son tes - be -fore ju-reOn fe-rait bien de fai-rea - vant ver-y good ad - vice And make your will son tes - be- fore tant dans la voi - moan- ing tu-reEt re - com - when they meet you, They are part! Oh! They are tant du des-cen- dant! Dieux! = ment! moan-ing when they _ meet And when _they part! tant ou moan- ing des-cen - dant! eux! when they meet ‘And fent! they part! tant ou des-cen - dant! Dieux! quel tour - ment! moan-ing when they meet And when they part! 45844tiz— Dieuxlqueltra - cas et queltour- ment! Abt Ton de- Oh,make your will be fore you start! ye Ah You had Dieuxiquel tra - cas et queltour-ment! ah!queltour- ment! Ah! Ton de- ‘Oh! Youhad bet-termake your will be-fore you start. Ah You had men-ce en des- Cen - dant! —— crest a groaning when they part! ‘They are ng y Pi _— quel tra- When you uel tra- When you quel tra- When you vrait fai-re a- vant ‘t6ut gon tes - ta- ment! Yon de - vrait fai-re'a - vant bet-ter make your will be-fore you start Youhad bet-ter make your Vrait fai-rea-Vvant tout son tes- ta- ment! |_____ Ton de - vrait fai-re a- vant bet-ter make your will be-fore you start. Youhad bet-ter make your Se dam-ner vrai- ment! cha-cun ge~ mill cest @ se dam-ner vrai- y groaning when they meet And when they part!__ Al They are groaning when they et quel tur - ment! quel tra - cas et el in coach; i make your will be et quel ‘ment! quel tra - cas et al in coachge Ah make your will be et ‘quel ‘ment! quel tra - cas et a i coach make your will | be Ss 45841tout son tes- ta- ment! will be-fore you start! tout son tes- will ta- ment! Quel tra - éas! be-fore you start! What a noise! ment!cha- cin Zé- mit! Tai-sez- vous! meet And when they part! What a noise! quel fore quel fore uel 4 fore, ‘ment! crowd! vous! crowd! 45844 tour you tour you tour you Dieux! They're Dieux! They're ‘ah! ‘They're ment! start! ‘ment! start! 39 el tra cas! Quel tour- fhat a noise! ‘What a Tai-sez-vous! Quel tour-nient! ‘Tai- sez- What a noise! Whata crowd! What a Tai- sez-vous! Gaughingy What a crowd! Ant Ab! “Aht ah! ah! ah! ah!49841. tour- méeat¢_——————— a crowd !@aughing Z : ‘tur-mentlahlah! ablahl: abl ah! ahlah! abt ‘acrowd!ah!'ah! ahlah!ah! ah!ah!ah! ah!ahlah! ‘tour-mentlahlah! ablah!ah! ablabl ah! ‘acrowdlah!ah! ahlahlah! ahlah!ah! tour-mentlahlah! ahlahlah! ma oF;45844 (gunning after the Postboys). (spoken), ee, EB pre - mib-re! ‘ake me! I am figst! (spoken) suis le pre - mier! je Take met I am first! (orusquely) ‘Le der-nier! You'll be last! Gaughingly mimicking the Postboys) Le der-nier! You'll be last! e,der-niert You'll be last! Le der-nier! = You'll be last! wm42 (Manon, who has just come out of the crowd, cooks on all this hubbub with astonishment) Andantino d.:60 eS Se =>. Animando Lescaut _mfbserving her in turn) Ehlji-ma- gi-ne Que cet-te beleen-fant, I should im-ag-ine that yon-der lovely lass Allegro moderato d:138 (going towards her) Sf, (to Manon, freely) CestMa-non! ma cou-si- ne! Je suis Les-caut. is my cous-in Ma-non. Tam Les-caut. g Manon (stightty surprised) a piacere (simply and without restraint) Yous, mon cou-sin? Em-bras- sez- moi! You! My cous: Give me a kiss! 45841a3 f Lescaut qo Maistrés vo-lon-tiers, sur ma foil Hap-py to ob- lige! Yes, in- deed! es RE a & oy senza riteners | a Allegro deciso Zz —p «be ™~ Mor-bleu!_ cest u-ne bel- le fil - le Qui fait hon-neur a la fa- By heavin, she really is a beau- ty! She is a cred-it to our > 7 Manon i poco rit. (with embarrassrient) A Mt eo Pig Ah! moncou-sin! moncou- sin, ex-cu- Sez-moil ‘Ab! Ab, my cousin, ex - cuse_me,won't you please! \_poco ritenuto she TH vf, colla voce ‘Andantino cantabile ¢.-60 Lescaut —_p(aside) a Elle est char-man- te! ——— Oh! She is charm-ing. =F S| af TF ain. P 45841aa Manon (charmingly, with emotion) ae Le gtempo Je suis__ en - cor tout é- tour- di - e, Je suis_ en - cor T've seen— so much that a-maz-es me, Tve seen— so much dolce, ———__ culla voce tout en-gour- di - el that it daz - es me. espressivo TN, wolla vo0e _—_— _——— —— a tem pp ree dim, ral. moi! ex - cu-Sez un mo-ment d’é- moi. Je suis_ en- cor new, Pardon the fool-ish things.I do! Tve seen so much én Bp atempo ten, —__ rll e— gree. 4M: detivered in a lively manner) tout 6 - tour-di- et Par-don-nez & mon ba-var-da - ge, Jen that a-maz-es me, If I do some-thing that you may deplore, I’ve a tempo ——<———— colla voce a 484145 a tempo _ Bdolee aster than at the beginning) suis 4 monprem-ier voy- a - gel nev-er been a- way from home be-fore. a tempo a _ Laster than at the beginning BP 3 a SS (in narrative fashion) Le 60 - ches%- loi-gnait 4 pei-ne, Que j'ad-mi-rais de tous mes As soon asthe coachhad start-ed, A marvilous world began to un- = = — a = S= yeux, Lesha-meaux, lesgrandsbois, la plai - ne, fsa, Pret-ty towns,” roll-ing fields and wood - _ lands, lO eS | it0__ "(changing her tone) Animando t Lesvoy-a-geurs jeu- nes et _viewx. ‘The trav. young and old! Ah! moncou-sin, ex-cu- sez- Ab, cous-in, par-don me once f ——————_—_—_—_—__— 4584146 p (continuing her narrative) moi! cest mon prem-ier voy - a - ge! Je re- gar-dais more, I've nev-er been from home be~fore. Ev? ry-thing was fuir, cu-ri-eu - se, fris- son-nant au vent! smil - ing and glow - ing, blos-somed on our wai PP Et jou-bli-ais, tou- te joy - eu - se, Que je partaispour le cou- And I for-got where I was go - ing, The convent where I am to dim. poco rall, Patempo vent, pour le cou-vent, pour le cou veat! stay, Where I must go this ver-y day! ‘poco rll a tompo SPTeSSICO 45844ben cantate, francamente P vant tant de cho - sesnou- vel - - kes, Ne ri-ez all was so_ strange, so. de - light - - ful... You must not —= —=== Animando £——_ H pas, si jevousdis Que je croy-ais a-voir desai - laugh! It “is not nice! Sometimes I thought that I was fly - 4 piacere reggere aa ten. Un poco pit Jento 2p poco rail. = les, Et mien-vo-ler en pa-ra-dis! Oui,mon cou - sin! Puis, ing And that I was in Par-a-dise! You must not laugh! Then 7 pits mosso pprcolla voce ral. P je ne sais pasquoi. Nev-er ask_me why! ——= jeus un mo-ment de tris - tes-se, Je pleu-rais, a_sud-den feel-ing of ‘sad-ness Made me cry. —S= = 4584148 Allegro subito d.: 06 Sf (ohanging her tone) Lins-tant da-prés, je le con- But all at once, a mo-ment ais, abt abt! abt laughed! ‘ah! ah! ah! ah! Je ti- ais, Aht aht ah! ah! ah! ah! ah! ah! ah! How I laughed! Ah! ah! ah! ah! ah! ab! ah! ah! ah! (bursting out into peais of laughter) a piacere ahl_je Ti-dis! Mais sans Sa-voir pour - quoi! Ah! ah! ah! ah! ah! ab! ah! ah! ah! Ah,How Tlaughed!But nev-er ask me why! Ab!ah! ah! ah! ah! ah! ah! ah! ah! tt. Allegro ._ Senza ritenere Mf (embarrassed) ‘Ab! mon cou - sin, ex- cu-sez- moi, ‘ah! mon’ It’s all so new, gj, —-_-you must for - give The fool-ish ah! ah! speara9 Tempo [andantino) Pp — > =— dim. Je suis en - cor T've seen so. much ral. dolce rall, a tompo__ St tout é- tour-di- e, Je suis en - cor tout en- gour-di- e! that_a- maz-es me, ve seen so much that it daz-es me, ~~ _——~oolla voce Pp a tempo S fen, (delivered ina tively manner) 5 — P, Par-don-nez a mon ba-var-da - ge, Jen suis 4 monprem-ier voy- a - If I do something that yourmay deplore,T've nev-er been a~ way from home— 4584450 “Much bustle. Travellers, preceded by Posthoys, invade the courtyard of the inn. A bell rings: it is time for the coach to leave.) Allegro de > = > S SF = = = = = = Travellers (so frightened that they are ludicrous) Com-ment? Par - Igs time to Com-ment? Par - T's ti to Posthoys y%to 7ravetiers) a Par - tez! Come on! (ruthlessly to the Travellers) Al - lonst sor - tez! voi- ci Tau-tre voi- Move on! Get in! The oth - er coach is = = = = = = = = = = > * It is possible to proceed directly from the point indicated above to page 60; retaining from the interven ing passage simply Leseaut’s speech on page 88 45841BA Par - tir! Com- ment? To go? How so? Quel-le mé- How ver - y Another traveller y Mes oi - seaux! (ALL jostle one another in But my birds! claiming their packages) One traveller % tu- re! Mon car - ton! vat - ing! But my box! Another traveller Non! Mon pa - No! ly va- Par - tez! Come on! 45841Antthe Mge oL- eaux! — Mes oi - ~ Tse! - eae, My va ~ lise! the Oh my birds! Oh my Mon pa - quet! Mon car - tont My va - lise! Oh my box! tt Mon pa- quet! eet Another traveller 3 Allthe My va = Tse! Mon cha- peau! — Mon cha- peau! | Mon cha- Where's my hat? Where's my hat ?_ Where's my fn = son- ne! We're leav- ing! seaux! birds! On nous ran - gon - We have been swin - On nous tan- gon - We have been swin - 7 foi- ci Yau-tre voi- tu- ret Villagers The oth~ er coach is wait- ing. SOPRANO Caughing) ALTO Ant ah! TENOR, (aughing) Bb! ah! “ARE ‘abt ! ah! Gaughing) ah! 4584145841 = ons! @ ‘Voy - ons! Voy See here! See = ons! voy - ons! ons! ~ ons! here! See_here! yoy - here! See here! See voy - mas! here! ns! here! par = tez! a ee fas Gb del tour- trav-el in fas et quel tour - trav-el in a se dam-ner rid~ ing in Se dam-ner trav-el in Se _dam-ner trav-el in se dam-ner vrai - trav-el in the ft ment Qland faut in a ment Quandil faut coach Or in a ‘ment! Cha- cun deux coach Are in a ment! coach ment! coach ter en Voi - carriage ora tu - rel cart, mon-ter en voi - tu - rel car-riage or a cart, gé- mit et mur- mu- tel tem-per from the — start! 6 mit! and54 nf ju-1On fe-rait bien de fai-rea - vant son tes- {a - ver-y good ad - vice And make your will be- fore you Fite my vant son tes- ta - ju-re,On fe-rait bien de fai-rea - will be- fore you ver-¥ good ad - vice And make your ve my tu-reEt re-com - menceen des- cen - quen mon - tant dans la voi - meet you, They are groan-ing when they ‘They are moan-ing when they les- cen - dant! Dieux! quel tour - juen mon - tant ou ing when they meet And when they they are _ moan-ing jwen mon - tant ou they are moan-ing des- cen - dant! Dieux! quel tour when they meet And when they qwen mon - tant ow ‘They are moan- des- cen - dant! Dieux! quel tour - when they meet And when they meat! Dieux! quel tra-- cas et el tour - start! ‘Oh, make your will _be~ fore ment! Dieux!quel tra - cas et quel tour - ment! ah! quel tour- start! Oh! You had bet - ter makeyour will be- fore you dant! Qa re-com- men-ceen des-cen - dant! part! Oh! They are groan-ing when they part! ment part! ment! part! ment! 45881Von de - vrait fai-rea-vant tout gon tes - ta- ment! Youhad bet- ter make your will be-fore you start! Tonde - vrait fai-re a- vant tout son tes- ta- ment! Youhad bet- ter make your will be- fore you start! eest® Se dam-ner vrai - ment! cha- cun They are groan-ing when they meet And when they part queltra - cas et quel When you trav - el in vgueltra ~ eas et quel Ihenyou trav - el in queltra — cas fhen you trav - Yon de - viait fai-re'a - vant tout son tes - ta - You had bet - ter_make your will be - fore _you Yon de - vrait fai-rea- vant tout son tes - ta - Quel tra - You had bet - ter make your will be - fore you What a gest A se dam-ner vrai- ment! cha- cun @@ - They are _groan-ing when they meet And when they quel tra - et quel inake your be fore quel tra - et quel make your be fore quel tra - et uel make your be foreQuel tour-ment! Dieux! el tra- cast M1 ‘What a crowd! Jhey're rhat a noise! Dieux! at - Quel tour-ment! 7 Tai- sez-vou: Tal” oez-vous! ’ hi Whata crowd! “Wrata’ crowd! They're ise! b ngsses What a noise! vous! ‘they aughing) as Abt (aughing) Ab! Abt Caughing) Sbcrowd ment) crowd! ment Ab abt crowd! ment! Abi abt _ opel Ab! ah! ment! “Ah! abt crowd! Ah! ah! & ah! abl abt cah!_ah!_ah! ah! abl ah! ht ah! ah! abl ah! ah! ah! ah! ah! ‘abt ahl. ‘abt ah! abt ‘abt ah! at ah! abl ah! ‘abl ah! abt ih! abt ah! ‘abl abl abl ahl_ah!_ah! 4 abt ahl ab! ahl_ah!_ah! abl ah! ah! ah! ah! ah! a a Ta Tay 4584158 (Little by little the crowd draws away, leaving Lescaut and Manon together.) > => ZS = = Lescaut (going out to get Manon's luggage) Attendez-moi, soyez bien sage, Je vais chercher votre bagage! You stay here and wait. I will get your baggage. Pp 4584159 Allegro, Tempo di Minuetto d= 126 ; SOPRANO pVillagers ALTO Tl faut TENOR This we Tl faut tout voir! This we must know! Allegro, Tempo di Minuetto 4: 126 apie gcd Aa Exennt Villagers) auf, —————_p Hanon remains on stage, atone.) ‘de - voir! must “gol de - voir! must go! de - voir! must go! 45844(Cuillot appears on the balcony uf the summer-house.) Allegro d:144 Guillot: Hotelier de malheur! [] est donc entendu Que nous n’aurons jamais de vin! (Apercevant Manon) Ciel! quai-je vu? That cursed innkeeper! It looks as if A . . A 5, Me le! we're not going to have any wine! ‘Andantino . Ree (Seeing Manon) By Heaven! What do I see! —_—_—— oo fa part) Ce qui Est inowi Manon ( part, em rinnt): Cet homme est fort dréle, ma foi! Guillot (aside): What's happening to my mind? This is amazing! Manon (aside, Zaughing): What a funny man! 2 passe en ma cervelle hem! hem! hem! hem! Guillot: Mademoiselle, écoutez-moi! On me nomme Guillot, Guillot de Morfontaine, De louis d'or ma caisse est pleine, Et jen donnerais beaucoup pour Obtenir de vous un seul mot d’amour— Jai fini, quavez-vous 2 dire? Mademoiselle, listen to me. My name is Guillot Morfontaine. I have lots of money and,I'd give a lot to hear you say one loving word. That’s all J have to say. What have you to say? a 4584461 Allegretto J. 84 Manon: Que je me facherais si je n’aimais mieux rire. That I ought to be angry, but I'd rather laugh. Allegro d = 144 (Manon bursts out laughing, as do also Brétigny, Javotte, Poussette, and Rosette, who have just come out on the balcony.) z = t LeCr care! Carer Laver Ba. Brétigny: Eh bien, Guillot, que faites-vous? Nous vous attendons! Well, Guillot, what are you.doing? We're waiting for you. Guillot: Au diable les fous! Poussette ( ouiz2os): N'avez-vous pas honte? & votre age! Jayotte: & votre agel! Rosette: votre agell! Brétigny: Cette fois-ci, le drole a par hasard Découvert un trésor. Guillot: To the devil with all fools! Poussette (to Guitéot): Aren't you ashamed, at your age? At your age! At your age! This time the fool has happened to discover a treasure! 4584462 Jamais plus doux regard Nillumina plus gracieux visage. (eee oenetenc nee Features A cio ave laughing at Guillet, Andantino J : Allegro vivo J: 144 ———— Poussette f°/eagero e syjamente = . — > Se a 2 == See Re- ve - nez,Guillot, re-ve- nez!_ Dieusait oi vous mé - ne un faux Come a - way, GuiHlot, come a - way! One mis-step and down you will Javotte Sx fi + + — — — = == SS i Re- ve - nez,Guil-lot, re-ve- nezl_ Dieusait oi vousmé - ne un faux Come a ~ way,Guil-lot, come a - way! One mis-step and down you will Rosette ge en come : Fi + ‘ SSS SS eee es pe te ae Y Re - ve - nez,Guil-lot, re-ve- nezi_ Diewsait oi vous mé- ne un faux ‘Come a -way,Guillot, come a - way!_ One mis-step and down you will a - mi Guil- lot, men fai - tes mis - step, Guil- lot, and down you a - mi Guil- lot, men fai - tes mis - step, Guil- lot, and down you a - mi Guil-lot, men fai - tes mis - step, Guil-lot, and down you 4594163 day! mmf lez yous cas nez! Re - ve - nez donc, Guil- may Live to day! Oh, Come a - way, Guil- S Maughing) A—te—, =, 2 a i Re - ve - nez done,Guil- lot! Ah! ah! ah! ah! ah! Oh, Come a - way, Guil - lot! Ah ah! ah! ah! mf pg pe aging) —— ————— — ite @—@— 9 = ee eel Re - ve- nez donc,Guil- lot! non! non! point de faux pas! Ah! ah! ah! ah! abt Oh, Come a - way, Guil - lot, No, no, no, no, no, no! Ah ah! ah! ah! ah! =p a Laughing) # Fr ‘ ——_—_ | SSeS + lot! non! non! point de faux pas! Guil-lot! nen fai-tes pas! Ah! ah! ah! ah! ah! lot! No, no, no, no, no, no! Oh, Come a- way, Guil-lot! Ah! ah! ah! ah! ah! 6 oJ BE 4584164 ah! ah! ah! ah! ah! ah! ah!_-Re- ve - nez! Vousal - lez vous cas- ser le ah!ah! ah! ah! ah!ah! — ah! or you may Live to rue the - lez vous cas - ser le may Live to rue the ah! ab! ah! ah! ah! ah! ah! ah! ah! ah! ah! ah! ah! ah! ab! ah! ah! ah! Vous al - ez vous cas - ser le ah!ah!ah!ah!ah!ah! ah! Come a - way, or you may Live to rue the laughing) laughter mf Si eghing) seaclfauehts + iL E z nez! Re - ve - nez donc,Guil - lot! Ah! ah! ah! ah! ah! abl day! Oh, Come a - way, Guil - lot! ah! ah! ah! ah! ah! if —— ie SSS SSS == A ~ FH ea nez! Re - ve - nez done,Guil - lot! Ah! ah! ah! ah! ah! ab! day! Oh, Come a- way, Guil - lot! Ah ah! ah! ah! ah! ah! ah! Zz eee t—, —* seer + — + — + ss hs ee + — x O nez! Re - ye - nez donc,Guil - fot! Ah! ah! ah! ah! ah! ah! ah! day! Oh, Come a- way,Guil - lot! Ah ah! ah! ah! ah! ah! ah! & = — jesusse Brétigny: Allons, Guillot, laissez Mademoiselle, Et revenez, Yon vous appelle! Come on, Guillot, let her alone Come back here! ‘They're calling you. 1 Fas a fa 4584165 Guillot: Cémpatienté) Oui, je reviens dans un moment! (@ Manon) Ma mignonne, un mot seulement! Brétigny: (Getting impatient) All right, Pll come in a moment. Guillot, laissez Mademoiselle... (¢o Manon) My sweet, just a word .. . Guillot, let her alon oa Guillot: (nm a tow voice, to Manon) De ma part, tout a heure un postillon viendra, Quand vous I'apercevrez, cela signifiera I will send my coachman here. When he comes, my pretty dear, Allegro J: 146 mp Grime vojtue attend, qe vous pauves la prendre, it quaprés... vous devez comprendre. .. You'll know my carriage is at hand, iso J: And after that... . you understand! Allegro deciso d:138 = (Lescaut has just entered) > at Guillot (speechless, stammering) P Mon-sieur? Mor-sieur, Lescaut (orugquely, to Guiltot) Je ne di-sais did- n't say a Plait-il, Mon-sieur! Eh bien! Vous di- siez. What's go-ing on! Mon-sieur! You were say-ing— u ie 4584166 Allegro J: 14s Poussette pllaughing) - nez! Dieu sait One mis - Re - ve Come a nez, Guil-lot, way, Guil-lot, come a Javotte Dieu sait ‘One mis - Rosette Dieu sait One mis - Guillot i (retreating, in spite of himvetf, Come a ~ way,Guil-lot, come a - towards the summuer-house) rien! word! Brétigny pUaughing) Re - ve = nez,Guil-lot, re- ve - nez!_ Dieu sait Come a - way,Guildot, come a - way! One mis - Allegro d= 144 = f = =a SS ch aus a - aeun faux step apd down you vill as gs oi nous mé - neun faux step and down you will 3 ol nove ma - asta faux step and down you will ten fai - tes and down you = ——— nen fai - tes and down you +—};—* e—s—e men fai - tes and down you ff. + -* . _ ff # # 6 # bop: x + f—__f _§ _# _# _§ : # a —_s 2 fe oi nous mb - neun faux ‘past’ cher h - mi Gui lot, nen fai - tes step and down you will go! One_ mis ~ step, Guil-lot, and down you is == oe ad > Ss BE Hh 4584167 t Pp. nez! Vous vous € - tes cas- sé le way, or you may Live to rue the PP Vous vous @ - tes cas- sé le nez! or you may Live to rue the day! “pp, : nez! ‘Vous vous Come a - way, or you may Livesto rue the day! PP & - tes cas - may Live to ‘Vous vous or you they go into the summer-house.) =ly P 4584168 Allegro d= 108 Lescaut (to Manon, seriously) ., eRgero Ti vous parlait, Ma- He spoke to you, Ma- Manon pilightly and with animation) Ce né-tait pas ma fau- te. Tt real- ly was-n’t my fault. Cer- tes! I know that! non? atempo | > td oo et jai de vous 0 - pi- ni-on trophau-te Pour me fa - cher. 1 think too yell 9, of You, my dear,To question what you may do. «tempo ee? Pr Fe colta voce ff ft A guardsman (to Lescaut) Another guardsman (to Lescaut) Eh bien, ' tu ne viens pas? Les car-tes et les dés nbus at- ten- dent 1a- Les-caut, it’s time to go. Thecards and the dice are wait-ing for 4584169 Allegro deciso Lescaut ritenuto Je viens, Mais & cet-te jeu Till come, But be-fore the cards and (conceitedty) Per-met - tez d’a-bord qué ja - dres- se Quel-ques con - I must stay and give my young cous- in Some words of seils tout rem-plis de wis - dom and fa-therly The two guardsmen (submissively, respectfully) aA E-cou-tons la sa- ges-se. ‘We must hear these words of wis - dom. poco ritenuto IP mf 4584170 Allegretto J: 108 Lescaut _mftsel/-importantty, to Manon) Re-gar - dez-moi bien dans _—_les_yeux! Look me in the eye, cous - in dear! ph? Je vaistout pris, a la ca- ser - ne, T find that I" must go and leave" you here. p ces mes - De cer- tain must dis - A cer- tain poco ral _atempo point qui les con- cer - At - ten-dez- moi donc mat- ter that con- cerns on-ly You wait here for me. —. poco_rall. S 45844a un ins- tant... ‘un seul mo- ment, = Don’t go. *way! T won't be long. d——#) atempo f—— S fon poco | rult. a wo Allegretto maestoso d = 76 nie ritenuto Ne bron- chez pas, Be good, my chi nf, = pine ritenuto dim, Et nlou- bli - ez pas, mon cher coeur, Do not for - get our fam'-ly name! nf ———_ dy wFdy eee OS mn Thon - neur from shame. dien de Que je suis gar - it is free I must see that —— F SF FUT 45841712 itenute VER ee — Tempo I d=108 Dela fa- mil - te, dela fa- mil - lel Protect our fam'ly name! And keep it free from shame! a 3 Lt cotta vove | —- P par ha-sard, quel-que impru - dent Si should come this way And if a man 4 é nait un pro- pos fri-vo - le, Dansila © crain - te dun ac-ci - Just be care - ful and turn a - prop-er sug - ges_- tions, poco rill. Ne di-tes pas u-ne pa - ro Don’t an-swer an-y foolish ques _— mf ee voce ® 4584173 Pri-ez - le at - ten-dre un ins - tant, un seul mo- Tell him no, at least for a ~while, Don't e-ven 6..,3 2) r= poco| ral, Allegretto maestoso d: 76 pie ritenuto Nebron-chez pa: Soy-ez gen - tille___________ Et nfou-bli - ez pas, mon cher Be quite gen - teel. Do not for - get our fam’ ly jj|d> tye A ; Oa Que je suis gar- dien de hon- neur 1. must see that it is free from shame, 458447” ancor un poco ritenuto oe din—~ Allegro d= 120 De la fa - mil Je, de la fa - mil Pro-tect our fam’. ly name! And keep it free from a J: colla voce < (To the Guardsmen, signalting them to go) on delivered in a very lively manner) poco rit. Et main-te- nant, voy-ons & quide nous La Dé-es-se du ‘And now it's time for us to go and see If La- - dy Allegro Tempo I° eee (As he is withdrawing, he turns back to Manon.) jeu va fai - re les yeux doux! Luck will smile- on you or = me! ne t 4564115 Allegro maestoso = 76 dolce ritenuto _ . <> Ne bron - chez se Soy-ez gen - til Be good, my ild!__________ Be quite gen ~ teel! a™ Tempo I? d= 120 dim. (exit) Moderato 4-02 Manon 2 semplicemente Restons i - ci, —puis-quille faut! I shall stay here... since I must. 4584416 nf sans pen- ser! E- vi-tons ces fo - li - es, Ces pro- © - ven think! Til for-get all the dreams and the Pp TT p rall, p semplicemente jets qui met-taient ma rai- son en dé- faut! Ne 1é- vons Tong - ings That try to lead my heart__a- stray. Fare-well to eapressivo —yl Ganon seems lost in thought. Then suddenly, simply, she turns her glance to the summer-house, where Poussette, Javotte, and Rosette are.) Andantino espressivo 4:60 (anon rises) P Com-bien ces fem - mes sont jo - Those oth- er wom- en are $0 458447 Pik animato li- es! lovely! Laplus jeu - ne — portait un collier —degrains And the young - est is wear - ing a neck - lace of cantabile ed espressivo i ITs af ® Fa. ® * Allegro brillante SS com-me ces rich-es toi- they must be ev - er so PB senza rit St A vivace t EE let-tes, Et ces paru-res si co-quet - tds Lesren-Gaient plusbel - wwealth-y! See how they've dressed their lovely hair! ‘Oh, that I were so charm - y les en- ing, so , I calla voce pile mosso Andantino lento d: 69 Plcad 5584178 and resigned) SS a ons, Ma-non, plus de chi- me - res, Ou va ton es- prit no, Manon, for - get your dream- ing, ‘It’s no use to dream en ré~ vant? Lais- se ces dé- sirs ¢ - phé-mé - res an = y more, Leave all these thoughts of world - ly beau mull pp ya tempo A la por de ton —couvent! Voy - ons, — Ma-non, Leave them all convent door Ah no, ~— Manon, a tempo colta nore PP J. fento SUM pp mpehanning hep ons, Manon, Plusde dé- sirs,plusde chi-mé - res! Et ce- pen-dant! __ no, Manon, it would not do.Dreaming is not for you. But what of them! dim. ~ calla voce ra t 4584172 Poco pi appassionato Pourmon& - me ra- a They have beau- ty and —=———<— > ? — Pitt mosso poco a poco ih vi- © a el les tout ést sé - dui - sant! lei = sure, For them —___ life is. al - ways gay. = z Se Stesso tempo (with a burst of desire) tf. — aoe IF, ih pose = vivo 4 Ah!__ Com-bience doit é-trea-mu-sant De s’a- mu-ser toute - ne vi - Ah!— If I could on-ly live that way. And be like them, and live for pleas- a I —— Tempo Abt ure! Ah! Voy - ons, Ma-non, plus de chi-mé - res, Ah no, Manon, —for_- get _your dream-ing, mL P 4584180 —=—_—T———_ P= (half-rveeping, half-smiling) Ou va ton es- prit en ré-vant?__ Voy- ons, = Ma-non, voy- It’s no use to dream an - y more. Ah no, Manon! = Ah ons, Ma-non, plusde dé- sirs,plusde chi-mé - no, Manon, it would not do!Dream-ing is not for yout a oN Lt J = voce , lanon, catching sight of Des Grieux) Andante molto tranquillo d.. 63 Vite, & mon bane de pierre! Quelqu’un! Quick, back to my place! Who's that? (Des Grieux comes dmonstage without seeing Manon.) —— 2. —_— ben cantato, calmando ¢ sostennto 45841sh Des Grieux P to rimseif) Jai mar-qué Yheu-re du dé- part, I should be stait-ing on my way. P ‘Thé-si-tais, It is strange. 2—2— 2 = =- Ppt z cho - se sin-gu-lik - re! Some-how I want to stay. (resolutely) En - fin, de-main soir au plus tard Jem-bras-se- rai mon I know that to- mor-row night “I shall be with my 584182 P = S espressivo p pe- rel Mon pe - ret Oui, je le vois sou- fa-ther, my fa - ther! Ah, T can see him —=. Ta dim = of espressivo Et mon cour ne me trom - pe And = my heart nev - er led me fi F —— poco a poco animato past Je le wis, il map-pel - leet je Ii wrong. He will call, then he'll take me _in_ his en yp len cantato pitt fy | pea poco antinato —= tends les bras! 4584183 Allegro moderato d.: 98 (Unconsciously Des Grieux has turned towards Manon.) © ciel! Oh heav'n! = — => >, bd 1d) ot rall. crese, f (Little by little Des Griewz has drawn nearer to Manon.) Des Grieux (simse’y) Manon Des Grieux (moved) Mademoiselle— Eh quoi? Pardonnez-moi! pon santos er Mademeiele Sir? Forgive me. h J J Andante cantabile 4. (breaking off) (accentuated more sharply) Je ne sais— Tobéis!. je ne suis plus mon maitre. T do not know. . . T obey. 1 el = = se = 45841(gradually more ardent) (tender and restrained) Je vous vois, jen suis stir, pour la premiére fois Et mon coeur cependant vient de vous reconnaitre! T know: that this is the first time I have seen you, yet my heart seems to recognize you. esvressivo Manon gp(simply) Et je sais vo-tre nom... miap-pel-le Ma- And “T must know your name. . . . You may call me Ma- —_— —_ =— eT Se SS Des Grieux ‘ dolce (with feeting) Manon go side) 77 Ma-non! Ma-non! Que son re-gard est tendrel Et que He has a gen - tle smile, What a <——--—_ ——= — Poco animato Des Grieux jai de plai- a Yen-ten - dre! Ces pa- ro - les dun pleas-ure to hear him speak - ing! But I speak like a —_— == 4584186 Manon (simply) Com-ment les con-dam- Don’t con-demn your dear Veuil-tez les par- don - ner! my words stum-ble and fall. pnes__ st gop sutito —— —= poco ——— doles dim ner! E\- les char-mentle coeur enchar-mant__ les _0- reil-- ies! They have charmed my heart, and my ears —love to hear them.” —_ words, Jen vou-drais sa - voir de pa- reil les How I wish I __knew how to_match them ———_ Tempo I° d.:60 PRS Atleur Lonrapeuree) En-chan-te- res - sel Aw Pour vous les ré- pé- ter! You are_en-chant - ing, I With a charming re - ply! poco _rall, —<—_—_ — |r Bea. 4584487 ping ten char-me vain-queur!__ Ma - non! Vous é-tes la mai-tres-se de_mon_ can-not_re- sist. you! Ma- non, Mamon,you are the mistress of—_my— Un poco animato Manon Lt. BP Mots char-mants! En- Charm-ing words. What Yous What covur! heart! Un poco animato Tempo 1° mp rull_ i-vrantes fit - vres, en - i-vran-tes fie - vres is this en-chant-ment, What is this en-chant-ment @-tes maitres - se, vous @-tes mattres- se is this en-chant-ment, What is this en-chant-ment Tempo 1° —_—_ 2 SS — p| Ser a = peat88 LN @ zz z SSS = ceepetere ft = = ~ + == 1 a ‘Re. a Allegretto vivo d: 98 ples Grieux Manon Ant par- lez - moi! Ah, tell. me more! suis quu-ne pau-vre fil - Ie. daugh - ter of sim-ple peo - ple. ——$——— 4584189 Allegro d=108 (emiting) Mais sou-vent On mrac- Je ne suis pas man - vai - se, But my fam’=ly ac - You must not think me wick-ed, |_~ rt (sadty) dansma fa- mil- le Dai-mer trop le plai-sir. On me Of lov-ing pleas-ure and the joys. ofthe world, So they're Allegretto d= 92 senza ritenere met an cou-vent Tout a Vheu- re. Et cest 14 —’his-toi - re send- ing me off to a con - vent. Now you know the sto- ry am” ploimply) de Ma- son Les- caut! of Ma-non Les - caut. 4584490 Allegro animato d: 152 fides Grieux (ardently) Non! Je ne veux pas croi - rea cet-te cru-au - té! Que tant de No! Iwill not be - lieve That such a thing must be! That so much pile mosso 5 ft mes, de beau - té Soient vou-és & ja- mais a la tom-be vi- so much charm Must be wast-ed and hid-den a-way in a Manon van-te! Maiscest,hé - la la vo-lon- té Du ciel dont je suis la ser- tomb! It is the will, the will of _heav'n it-self And I must 0 — S0st. espressivo —= = S espressiva dim. Puis-qu'un mal- heur si grand ne peut ¢ - — treé-vi- What else is there to do Since there’s no oth- er senza ritenere colla voce P 45841OL Allegro Des Grieux (firmay) J. Non! No! Non! way! No! f. Sip fie ‘ben cantato — sostenuto Manon Geyously) Vo-tre li-ber- té ne se- ra pas ra- vi ! Com- Beau-ti-ful Ma-non, you shall not lose your free . How Des Grieux ‘Au che-va - lier Des Gri-eux, Yous pou- vez vous fi- You must re- ly on me, The Che-va lier Des Gri- fie = = pt (with spirit) Manon A, Ah! je. vous de - vrai plus que 1a Ah, you prom-ise me much more than oe hs Pe — 4584192 Des Grieux (passionately) = ef Ah! = Ma- non! vous ne par-ti- rez self, Ahi © Ma-non, —_you shall not leave me a be > espressivo > be- ‘Au bout du - jeal-ler cher- cher bgthrough all the and I must search 7S Andante (tempo 19 4.60 dim p nf mon - U-ne re-trai - tein-con-due et pro-fon - de world, Till find a place . where the world will not find. us da aan Aa a f,. — oe | Et vous y por-ter dans mes ‘And car-ry you there in my 48HA voustou-te ma vi-e, a ja- My heart, my heart is yours for-ev-er, ev - er = -y—+ vie et moni - mel life and my soul, yp En-chante-res - se! You are en-chant - ing! vous 6-tes la mai-tres-se de_ mon Ma - non, ‘Ma-non, you are the mis-tress of my Ma - non, $ f = Z : (At this moment there appears upstage the Postboy whom Gutllot has Allegro J:198 te follow Manor's orders.) z = i coeur! heart, Allegro J: 138 : f all cp ees —| pee Se eet Manon ‘Ste Zooks at Aim, thinks a moment, then smiles.) ‘Par a-ven - ta re, Pout-é-tre a-vonsnousmieux: U- ne voi- T have a plan that will help us get_a~way. There is a n 458444 Logger ¢ senza_ritenere oo mfsiyly) tu-re! fa'chai-SedunSei-gneur! ‘Il fai-saitlesdoux yeux A Manon, Ven-gez- carsiage which belongs toano-ble lord, He's been mak - ing eyes at Ma-non, Let’s get, Des Grieux (70 Des Grieux Manon vous! Mais com-ment? fousfes deux, pre-nlons Ta! Sot,” par- e-ven! What joy mean? Let us take it, you and I. Good!Go and Pp SP the Postboy, who gues off at once.) Allegro risoluto d: 152 tons! wait! Des Grieux (enraptured) Manon yi (tisterded) ar) Eh quoi, partir en-sem- ble? Oui,Ma-non! le ciel_ nous ras- © dear! Dyowthink we ought to?Yes, Ma-non|pfeav'n brought us to - wr 4584195 Tempo I°(allegro) pitender, moved) Tousles deux! (with emotion and charm) You and I! AP —~ DN sem - ble! Nous vi- vrons a Pa-ris, Tous les deux, geth- er. Come to Pa - ris with me! You and I rm Tempo Plallegro) _ We will a Sf rail. = - Ztempo A Pa- ris! Ye dT! wll, ‘ou an ay, coeurs a- mou-reux, Lun a Yau-treen-chai-nés,_——"___ Pour ja - be all a - lone. And our love shall make us one! You to- —e GS a tempo = 7 yrons a Pa- ris, Pa ~ ris with me! ‘Tempo Mallegro) Tous les deux, Et nos coeurs a- mou-reux, You and I! We will be all a- lone. a _ wt 4 4 4584498 ral. BP .,,@ tempo ‘Nous n’au- In the =#. Lun a Yau-tre en-chai- nés, Pour ja- mais ré-u-nis Ny vi- And our love shall make us one! _______ You to - geth- er with me. In the “sy a tempo a colle voct Pp ~ a a tempo dolce —= q rall. rons que des jours bé - joy of the days to be, —= A Pa-ris!__a Pa-ris, tous les deux! Nous vi- In the joy of the days that will be! Come to Tent er ee dolce?” vront que des jours bé - joy of the days to be, A Pa- ris!__ Pa-ris, tousles deux! Nous vi- Tn the joy of the days that will be! Come to ——_——_ a tempo uf He le colle vot x tC ( oS _sgaity) Allegro vivo d= 160 A S vréns a Pa - ris!, Pa - ris with mel. —— —— tous tes deux! You and r! (gaily) vrons a Pa- ris! Pa - ris with me! —________ tous les You and I! 4: 100 Yo —|% 4584499 Manon (remembering: Ce sont elles! Des Grieux: Quavez-vous? I forgot about them! What's wrong? (Peats of laughter come from the summer-house.) Poussette Re- ve- nez,Guil-lot, re- ve- nez!_ Vous al- Come a-way,Guil-lot, come a-way,— or you ft . —= Re - ve- nez,Guil-lot, re-ve- nez!_ Vous al- Come a-way,Guil-lot, come a-way,- or you —= Rosette Vous al- or you re- ve- nez!_ come a- way,— Re - ve - nez,Guil-lot, Come a-way,Guil-lot, Manon (én confusion) Rien!.. ces femmes si belles! f, Nothing. ... Those beautiful women. (aughing) - de — - Paints —— A SS SS SS yee pa SSS eee Jez vous cas- ser le mez! Re- ve-nez done,Guil-lot! ab! ab! ah! aht ah! may Live to rue the day!Oh,Come a-way, Guil-lot! ah! ab! ah! ah! ah! “hte pe SSS ere 7 $+ Jez vouscas-ser le nez! Re - ve-nez donc,Guil-lot! ah! ah! ah! ah! ah! may Live to rue the day! Oh, Come a-way, Guil-lot! ah! ah! ah! ah! ah! fi, 4 : panes =. = hp tht SSS ae lez vouscas-ser le ez! Re- ve-nez donc,Guil-lot! ah! ah! ah! ah! ah! may Live to rue the day! Oh, Come a-way, Guil-lot! ah! ah! ah! ah! ah! FF 45841400 Lescaut (ogstage, tipsy) Alle Ce soir, vous rendrez tout au cabaret voisin! *gr0 You'll repay me tonight at the wineshop. Des Grieux (frightened) . a tempo Manon (frightened) _—Pit mosso Lal... Crest la voix de mon cou- sin! Ah! It’s my cous-in, Les caut! Des Grieux F — eer 45844404, Poussette %° 7*#08, in the summer-house) —= neste yates) Re-ve- nezGuillot, re-ve- nezl re-ve - ez! Come a-way,Guillot, come a - way, come a way! = fa Javotte Re - ve- nez,Guil-lot, Come a- way,Guillot, come a - way, — nez! - way! tm Rosette Re- ve- nezGuillot, re - ve nez! Come a-way,Guil-lot, conie a - way, come a - way! (aside) Manon (pausing, in indecision) tA Com- Manon in a burst of desire) declamando (ina burst of desire) pp declamant : ft bien ce doit é-tréa-mu-sant de s'a- mu-ser toute u-ne vi-el Ab! on-ly I could be that way And be like them and live for pleasure! Ah;-———_ we Des Grieux ao Viens! par- Abs we a 55841102 Allegro pid mosso d:168 (They both flee.) animando (entering in Lescaut yemterings drunk) Allegro d:152 Plus un sou! Le tour est trés plai- Not a sou! But how I love to (catting) (ooking for her) He Hey, ss "The act may be terminated after the duet. 45841103 (etupepied) (shouting) Quoi! Dis-pa-ru - et What! She's dis-ap- peared! _ Un poco animato ee Stesso tempo J: 144 meno mosso__Quillot (going down the steps softly) = Hg i (cqutiousty) Je veux la_re- trow- ver. T must see her once a - gain, 45841404 Allegro tempo 19) (arawing back) ( him and 66 ) eine ruth ‘seeing him and barring the way) (ruthlessly) Lescaut f4 What? Ah! cest vous! le gros hom-me! Vous‘a-vezpris Ma- Allegro (tempo 1)4B, i's you! The no-ble lord!_____You have ab-ductedMa- t (terrified) Tai-sez- vous! Not so loud. (shouting alt the Louder) fon, vous, _ren-dez - la! Ren-dez-la’ moi!Ren-dez-la moi! Ren-dez-la non, You! Give her back! Give her to. me! Give her to me!Give her to (Graduaity, at the sound of Leseaut’s shouting, the villagers and the Innkeeper have come from all sides. Laughing, they point out to cach other the two disputants.) << moi! ! 45841105 (to Guittot) Guillot (to Lescaut, pointing at alt the people) Al-tons! —ren-dez-1a_ moi! Re-gar-dez donc com - me vous at- ti- Come on! Give her to me! Can you not see How you are stirring t ‘Lescaut < rez lafou - le! Ah bah! ga mesté - gall. up the peo - ple? Ah, bah! What's that to me! pe (to the Villagers) (to Guitiot) I a pris nore hon-neur! Cest un tropbeau ré- He has stained our good name. That girl is much too (terrified) Quellea-ven- tu - rel O whata scan - dal! (to the Villagers) gal Pourton vi-lain mu-seau! Ila pris no-tre hon - fine For such a lout as you! He has stained our good 45841406 Lescaut neur! name! Innkeeper Yoy- ons, ex-pli- quez - Come on! You mustex - plain! Villagers SOPRANO ALTO ex- pli- quez Come on! You must ex - TENOR ex- pli- quez Come on! ‘You must ex ' é & Voy - ons, ex- pli- quez Come on! You must ex - plain! Guillot Soit! maistrésdou-ce - ment, tres dou-ce - ment et sans Please! Do let us be calm, Let us be calm, let’s keep Lescaut (stitt more loudly) _ t Ré- pon - dez ca-té- go-ri - que You speak up with-out any more de = seat4107 ‘Je veux Ma - non! Je veux Ma - non! I want Ma - non! IT want Ma - non! Innkeeper Que Cet-te jeu-ne fil - Ie, el-leestpar - ti Ob, that_ young _ girl? She went a ~ way. Guillot (én despair) © cielt O Lord! A-vec un jeune hom - me! B-cou-tez! witha fine young = man. She is gone! (In the distance, sound of carriage is heard) 45851108 (Furious) Lescaut Maisc'est'hon-neur de la fa- mil - le! But what a-bout our fam‘ly name! SOPRANO & ALTO El-leestpar-ti - et She went a - way! TENOR El-le est par-ti Elle estpar-ti - of She went a-way!__ = et Innkgeper (gointing fo Guillog) Guillot Dans la voi-tu- re de Mon-sieur! Inthe coach that belongs to Monsieur. . . Dans la, voi-tu- te’ de Mon-sieur. ‘The coach—— that belongs to Monsieur! Dans la voi-tu- re de Mon-sieur. ‘The coach, that belongs to Monsieur! Dans la voi-tu- re de Mon-sieur. ‘The coach—— that belongs to Mon-sieur! 45641