Professional Documents
Culture Documents
1 (2002) 13–28
www.elsevier.com/locate/jeap
Abstract
There are widespread (and correct) beliefs that the writing tasks that students are asked to
undertake as they move through their undergraduate and graduate years show a broadly
upward progression in terms of length, complexity of resources utilized, and sophistication
expected. Even so, we also suggest that a number of uncertainties persist: whether these
writings are ‘‘real’’ or ‘‘school’’ products; whether there is a coherent audience, and if so, how
best can it be identified; and what role there might be for a personal voice. To support this
argument, we present two explorations of EAP practice. The first looks at the situation of
dissertation writers, explores their rhetorical and other difficulties, and suggests some ways of
mitigating them. The second deals with students at the opposite end of the spectrum of stu-
dent experience; that of entering undergraduates taking their first class in anthropology and
assisted by a linked course designed to initiate them into disciplinary literary practices.
Despite the huge differences between these two sets of circumstance, we conclude that the
writers’ problems are surprisingly similar, as are the strategies for rendering them assistance.
# 2002 Elsevier Science Ltd. All rights reserved.
1. Introduction
It seems to us that the EAP researchers who view disciplinary practices in terms of
their published products, and who concomitantly interview the producers and targeted
receivers of such discourses, have a relatively straightforward research life. These
texts, such as research articles, are already valorized and ratified by the very fact of
being published; they have typically undergone an arduous and laborious review
process; and they are easily available, indeed increasingly available for corpus-and-
concordance analysis (e.g. Hyland, 2000). Although Paul et al. (2001) have recently
* Corresponding author.
E-mail address: johns@mail.sdsu.edu (A.M Johns).
1475-1585/02/$ - see front matter # 2002 Elsevier Science Ltd. All rights reserved.
PII: S1475-1585(02)00003-6
14 A.M. Johns, J.M. Swales / Journal of English for Academic Purposes 1 (2002) 13–28
Although Dudley-Evans (1999) can still claim that the doctoral dissertation or
thesis1 remains a ‘‘neglected’’ genre, the amount of discoursal attention directed at
this genre has markedly increased in recent years. There have been studies of its
structure (e.g. Dong, 1998; Ridley, 2000; Thompson, 1999; Paltridge, 2001); on the
important role of metadiscourse in such long texts (Bunton, 1998); on citational
patterns (Thompson, 1998); and on disciplinary variation (Parry, 1998). Case study
research into the struggles of individual dissertation writers, beginning with James
(1984), now includes Belcher (1994), Dong (1996) and Sung (2000). Pedagogical
implications and applications have been taken up by Shaw (1996) and Paltridge
1
Terminology is conflicted here; basically, dissertation is the US term with thesis tending to be used
elsewhere.
A.M. Johns, J.M. Swales / Journal of English for Academic Purposes 1 (2002) 13–28 15
(1997), among others. Since this body of work as a whole has investigated British,
Scandinavian and Australian ‘‘traditions’’ in dissertation work in addition to those
prevalent in the US, one useful early conclusion from surveying this literature would
be that the dissertation (very much unlike its oral defense) shows rather little in the
way of distinct national characteristics. Instead, cross-nationally, disciplinary field
or subfield emerges as the strongest determinant of structure and rhetorical shape.
In fact, the structure of the dissertation genre appears from this research to be
quite variable, but to basically fall into three patterns. Although there is a wide
perception that there is standard or traditional format for the dissertation (Dudley-
Evans, 1999) consisting essentially of a ‘‘blown up’’ version of the IMRD structure
of research articles (plus a separate Literature Review chapter following the intro-
duction), only about 15% of the recent exemplars analysed actually adopt this for-
mat. A second variant is the anthology-type ‘‘article compilation’’ format with each
of the main chapters itself following IMRD. Of the 100 dissertations cumulatively
discussed in the recent literature, 44 adopt this model, this pattern being favored in
‘‘hard’’ fields. However, there is considerable area-internal variation: for example,
Ridley (1999) found that while 13 out of 19 ‘‘pure science’’ dissertations were
article-compilations, only five of her 13 engineering texts had this structure—
indeed another five were ‘‘traditional’’. The third pattern is most often called
‘‘topic-based’’ and is thus more reminiscent of the chapter features found in aca-
demic books; these chapter-length analysis-discussions may variously deal with
texts, computer models, or various kinds of empirical research including that based
on fieldwork.2
Paltridge (2002), among others, warns us that there is no simple correlation
between discipline and dissertation structure; further, Thompson (1998) shows clear
differences in structure between two contiguous departments within the same school
of agriculture. It looks as though even the basic outline of the dissertation is a
complex issue to be negotiated among advisors and candidates, wherein sub-field
selected or choice of methodology or choice of theory may emerge as strong deter-
mining factors.
As we have seen from the available evidence, the article-compilation format is
marginally the most popular. Dong summarizes the rationale for this option as
follows:
2
Ridley divides this type of dissertation into three patterns, but the patterns seem basically the same
even though the content is different. We have therefore consolidated these three into one.
16 A.M. Johns, J.M. Swales / Journal of English for Academic Purposes 1 (2002) 13–28
She further notes, based on her survey results, that graduate students felt the
audience for the traditional format was the advisor, the committee and close student
colleagues, while in the new format this perception broadened to include a wider
disciplinary community. Secondly, and not unexpectedly, she found that in the
anthology format, advisors tended to be more fussy (by requiring more drafts) and
more involved (by doing more of the writing themselves).
However, this account somewhat disguises the difficult rhetorical problems that
the new format engenders. These include:
(a) A bibliography consolidated at the end, at each chapter’s close, or even both?
(b) Metadiscoursal references to chapters or to papers?
(c) Using ‘‘I’’, or recognizing co-authorship by using ‘‘we’’?
Given the pressures on doctoral students in nearly all programs in the US (and
often elsewhere) to establish publication profiles before graduation, the rhetorical
complexities imposed by hybridization are only likely to spread and deepen.
An equally intractable but more fundamental issue that underlies the format
question is whether the dissertation is au fond that ‘‘original contribution to knowl-
edge’’ which university authorities worldwide always claim it to be, or is it merely
the final examination in a long student career. Of course, it can be immediately
objected—and rightly—that such an either/or dichotomy will turn out to be unsus-
tainable; as Woolgar (1989: xix) notes, there is ‘‘the play between thesis-as-argument
and thesis-as-an-occasioned academic product’’. However, this kind of observation
is of no comfort or consolidation to the poor dissertation writers as they struggle to
conceptualize and then complete their long and exhausting texts, often under severe
deadline pressures. In an early but important paper, Shaw (1991) concluded, based
A.M. Johns, J.M. Swales / Journal of English for Academic Purposes 1 (2002) 13–28 17
3
Unlike in northern Europe, it is uncommon for US dissertations to be actually published, rather than
being made available through Proquest Co (the latest name for the old UMI).
18 A.M. Johns, J.M. Swales / Journal of English for Academic Purposes 1 (2002) 13–28
(a) Reduce isolation by persuading students to seek and utilize social support,
such as organizing themselves into writing groups. In so doing, as Connor
and Mayberry (1996: p.249) pertinently note: ‘‘It is important then to teach
students strategies to use respondents and other social responses well’’.
(b) Raise rhetorical consciousness by helping students conduct their own dis-
coursal analyses of texts germane to their own, including previous disserta-
tions from their departments.
(c) Suggest ways of how to make best use of any one-on-one writing con-
sultancies available.
(d) Give advice on the strengths and weaknesses of the various manuals and
guides available. Ask them to contribute to this database by soliciting cri-
tiques.
(e) Offer workshops on using corpora and concordances, particularly as a sup-
port for (b) above. Thompson and Tribble (2001) have excellent advice on
how to use these for checking out citational forms and patterns in the chosen
discipline.
Those of us who work from the bottom-up (as it were), with novice undergraduate
students, are faced initially with a broader question, about how we should approach
the teaching and learning of disciplinary practices—even before we begin to consider
how these practices begin to influence the uninitiated. This teaching and learning
question is especially daunting in the United States where post-secondary students
are required to take classes for breadth (‘‘general education’’) before they begin their
major concentrations, often delayed until their third year of university. As a result,
there is considerable discussion in the literature about what we should teach in our
first year literacy classes, such as whether integrating our writing classes with
A.M. Johns, J.M. Swales / Journal of English for Academic Purposes 1 (2002) 13–28 19
4
She also teaches a university orientation class for another group of students, also in the cluster.
5
Some business majors make money, but the SDSU career center observes that in terms of being
employed, students might be better off to select a major that requires a considerable amount of writing,
e.g. history or English.
20 A.M. Johns, J.M. Swales / Journal of English for Academic Purposes 1 (2002) 13–28
Because methodology (and its critique) is central to anthropology and all the
social sciences, and the ‘‘hard’’ sciences, as well, this became basic to the
discussions of the values of the discipline and its literacies. Reading about the
traditional methods of cultural anthropology (see e.g. Scheper-Hughes, 2000)
and analyzing and describing methods for the final IMRD paper became
central to student success.
One method with which students were familiar was the interview. Thus, they
were asked to investigate their family histories through interviews in an initial
paper whose basic information was integrated into the final IMRD piece,
both of which centered around a ‘‘Human Migration and Cultural Persis-
tence’’ topic. Constructing this first interview paper about their families was
for many of the students the most interesting and enjoyable task for their
highly intertextual final paper
Another element of the assigned papers was citation. We discussed why cita-
tion is used, how to effectively draw from sources, what language signals a
citation, and, because the students had had so little practice, how to write
internal citations and produce a references page. Because most of the uni-
versity uses the APA style sheet, we insisted that they learn this style, despite
the fact that the MLA is much preferred in the secondary schools. [See
Hyland (2000), from which some ideas for this part of the instruction were
drawn.]
In addition to introducing the IMRD paper in stages, an experience that
students found puzzling and difficult after the five-paragraph essay of their
secondary school years (see Johns, 2002), we attempted to teach other general
features of academic writing, described by Geertz (1988) in his discussion of
‘‘author-evacuated’’ prose. By asking students to read and analyze the lan-
guage of research studies in anthropology, we also hoped to encourage a
sophisticated understanding of the rules of and reasons for ‘‘hedging’’
described by Hyland (1998).
6
At this level, and perhaps at any level, this was an attempt to balance what Berkenkotter and Huckin
(1995), after Bakhtin (1981) refer to as the centripetal forces that contribute to text prototypicality and the
centrifugal forces in a rhetorical situation that require revision and variation.
A.M. Johns, J.M. Swales / Journal of English for Academic Purposes 1 (2002) 13–28 21
Overall, these pedagogical choices were attempts to make potential textual fra-
meworks and their purposes more explicit and to encourage students to use a lan-
guage that demonstrated their recognition that all research findings are contestable.
In this way, it was hoped that the students would also learn to ask the right questions
of their future instructors about their academic subjects and tasks (e.g. Johns, 1997).
Much of this curriculum was overwhelmingly new to the students (‘‘and hard!’’)
who came to university with no conception of faculty disciplinary orientations, no
idea that faculty have ‘‘implicit conceptions of what constitutes writing’’ (Lea &
Street, 1999, p. 63) or that these conceptions vary across and among disciplines, no
understanding of the differences between pedagogical genres (e.g. an assigned’’
research paper’’) and disciplinary genres, and very little understanding of academic
language and values. However, they did have remarkable life experiences and per-
sonal insights, and in many cases, these experiences plus their high motivation to
prove themselves in university succeeded in compensating for any lack of informa-
tion about those foreign tribes and clans to which we in university belong (Becher,
1989).
3.1. Findings
So what did the students make of all this? At the end of the term, what did they
now believe about the values and practices of cultural anthropologists? What did
they understand about the various methods used by researchers to triangulate their
qualitative studies? How did they perceive of textual practices and registers of cul-
tural anthropology? And finally, what topics did they find to be of most interest for
their own research?
What follows is a selection of some of the most insightful student reflections made
during the Fall Semester, 2001, to shed the best light on essentially non-general-
izable results. (Corrected for sentence-level errors.)
First, students were asked: ‘‘What is an anthropologist? Define this term to a
friend.’’ Though most of the students responded with something they had memor-
ized for the examinations in anthropology, a few were much more analytical. Here
are their comments:
For a cultural anthropologist, studying the way a culture affects its people is
important. (Stevan)
Stevan has identified the heart and soul of the discipline: the basic foundations
of its research. No matter what their particular emphasis (symbolic, linguistic,
22 A.M. Johns, J.M. Swales / Journal of English for Academic Purposes 1 (2002) 13–28
Anthropologists study cultures’ world views and try to understand why people in a
culture do what they do. They are interested in studying the meanings of what
people do, the motives in each culture. (Vicky)
Vicky’s answer leans toward the work of the symbolic anthropologist. But it also
identifies the kinds of syntheses that all anthropologists must complete in order to
explore the meanings of certain beliefs or rituals within a culture.
They look at things that we would not necessarily look at or write about. They
have a more complex way of putting things and analyzing people’s actions. They
analyze things like language and marriage rituals. (Jennifer)
Jennifer singles out some of the subject matter of anthropology (language and
marriage customs) as unusual; that, in addition to the ‘‘complex way of putting
things’’ sets anthropologists apart from ‘‘what we would write about.’’ She does not
believe that she has been initiated and still sees herself as a student, outside of the
expert culture.
Decreasing ethnocentrism among the students is a major goal of this course, per-
haps the most important of all the goals. Marysol has identified it and spoken of its
importance.
A second reflection question related to the purported stance of the professional
anthropologist both in his/her research and writing. I asked ‘‘What do the methods
that anthropologists use, and their ways of writing, tell you about the rules for being
an effective researcher and writer in this discipline?’’ Here are some of the best
responses:
You have to be able to analyze the data in a holistic perspective, making sure not
to have your biases or feelings interfere. (Phi Ha)
They tend to put their own beliefs and morals into play when living with a culture,
but they can’t do that. They have to do everything the people do, whether they like
it or not. (Sherisee)
They must leave personal opinions out and morals behind when they write about a
certain culture. Unlike other writers, anthropologists actually must undertake
participant observation. This allows them to make much stronger conclusions
about what a culture is like. (David)
Assimilation, like culture, is an extremely subjective word. What may seem like
assimilated behavior to one person may be perceived as traditional to another. (Alfred)
A.M. Johns, J.M. Swales / Journal of English for Academic Purposes 1 (2002) 13–28 23
For these novice students, problems that researchers face had become a reality.
Throughout the semester, they complained about how difficult it is to obtain inter-
esting data.
How did students approach their interviews for their IMRD papers with a group
of secondary students, whom they hardly knew? Here, they were past masters—
experts in discovering and organizing the small bits of information that the young
students (most were 14 years old) gave them. The answers to this question appear in
the students’ methodology sections of the IMRD paper:
Before I got to the school, I went over the questions and I made sub-questions so
that I could get as much as possible. (Jennifer)
I couldn’t just ask the questions for my paper. I had to kind of make con-
versation and then give a question. I tried to show the students that we had
something in common so I went into detail about where I grew up and my
school. (Steven)
To take notes, I divided my paper in half because I had two students and I wanted
to make sure that I recorded their answers right. (Phi Ha)
A very important question for their understanding of the ways in which dis-
ciplinary texts relate to practices was the following: ‘‘How do anthropologists write?
What do their research papers look like? Why?’’ We know from the dissertation
discussions outlined in this paper that the answers to these questions are remarkably
complex. Here are some sample responses:
24 A.M. Johns, J.M. Swales / Journal of English for Academic Purposes 1 (2002) 13–28
In anthropology, you write in a different style, very detailed and analytical. Most
(of our) papers are about what you think, but anthropologists try to prove or
investigate something. Then they express their feelings (in the discussion).
(David)
You have to be open-minded. Careful, meaning do not just write what people do
but explain why they do them and what event caused them to think the way they
do. (Marysol)
Anthropologists take themselves out of the paper completely. They write every-
thing down in steps and use a lot of detail. Mostly facts are used, and when they
write their thoughts, it is separated from the facts in writing. In English classes,
the writer is usually included in the paper. Most of their thoughts and beliefs
reflect a point of view. (Shannon)
Anthropologists write in a different format/style. I wasn’t familiar with the IMRD
format until I enrolled in this class. I also found it interesting that the writer
should not let her own feelings get the best of them when writing in scientific style.
They pretty much just write what they did, how they did it, and what they found
out. As for me, I have always written in the five paragraph style and let my feeling
take the best of me when I write because I thought this helped me get my point
across. (Phi Ha)
student consultant had mentioned: ‘‘What are the differences between the languages
he uses at home [where his father dominates the discourse] and the language he uses
with friends at school?’’ Carolina wanted to investigate meaning: ‘‘When I asked the
girl about rituals, I would need to know what they mean.’’ Shannon focused on the
influence of migration on the cultural mix, the hybridization of cultures: ’’ I would
have to figure out what parts of the culture were borrowed from other cultures as
the people migrated.’’
So what do the students’ comments tell us about what we should be teaching from
the very beginning of a post-secondary education and perhaps earlier? These student
comments suggest that:
Faculty in all classes need to encourage student awareness of the texts, lan-
guage, research questions, and methodologies of the discipline that the class
represents. If possible, the pedagogical genres of these classes should be more
disciplinary than school-based (see Dudley-Evans, 2002).
Students should be assigned to research texts, practices, language, and other
aspects of academic disciplines. They should learn to observe, analyze, ask
questions, and if possible, negotiate their tasks to enhance their success.
Within literacy classes, students should be assigned a variety of writing tasks,
requiring a number of intertextual and formal textual experiences. Students
should be encouraged to write in different genres and under different conditions.
We should encourage student meta-awareness of the social nature of genres.
Periodically, students should be asked to reflect upon their literacy experi-
ences and to compare these experiences with those in other classes or other
schools.
they are writing for. While, on one level, the answer may be obvious (for an
instructor and for a dissertation committee), this does not itself clarify what those
instructors and those committees are actually looking for—especially as all too
many academics remain rather ‘‘cagey’’ about their expectations.
For both groups, isolation (within a class or within a graduate program) and
subsequent failure to ask the right questions or get the right kind of help can be (for
all but the most exceptional) a major threat to academic progress and success. Sung
(2000) investigated the experiences of over a hundred Taiwanese doctoral students at
a major research university, and found very different levels of what she calls ‘‘roun-
ded academic success’’. Here is an interview extract from a third year doctoral stu-
dent in Industrial Health who was not doing well, and indeed still taking classes:
Typically, I eat, sleep, spend time with my wife, and study. I don’t socialize with
Americans. . .I went out of class after class is dismissed. . .. We attend Chinese
church. . .This is the primary social activity I have. I don’t attend departmental
activities. I don’t have a sense of belonging because of my English and stutter. . .
The dividing line between isolation and alienation can be disturbingly thin. More
generally, one of Sung’s major conclusions is that her cohort (with some exceptions)
seek primary help from their co-nationals when their spoken English proficiency is
limited, and only approach their advisors when their English competence and self-
confidence is higher. There is a clear role for EAP mediation services of various
kinds when we are confronted with these uncomfortable findings.
Finally, Spack (1988) is right, of course. We cannot prepare students for all
eventualities in academic classrooms or in other situations (such as proposal defen-
ses), nor do we understand other disciplines or other pedagogical practices well
enough to give our students templates for success. What we can do, across the
board, is raise students’ awareness, give them a variety of experiences and exposures,
encourage their analyses and critique of texts and contexts, and motivate them to see
the university, like all institutions, as human and constructed, rigid, fluid, hegemo-
nous and negotiable—all at the same time.
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