‫‪Arab Film TV School‬‬ ‫‪Page 1 of 81‬‬

‫ﺍﻝﻤﺨﺭﺝ ﻜﻤﺎل ﺴﻠﻴﻡ‬ ‫ﻓﻴﻠﻡ ﺍﻝﻌﺯﻴﻤﺔ‬

‫ﻭﺼﻑ ﺍﻝﺼﻭﺕ‬ ‫ﻭﺼﻑ ﺍﻝﺼﻭﺭﺓ‬ ‫ﻡ‬

‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫ﺍﻝﻤﺅﺜﺭﺍﺕ‬ ‫ﺍﻝﺤﻭﺍﺭ‬
‫ﺍﻝﺘﻴﺘﺭﺍﺕ ﻋﻠﻰ ﻝﻭﺤﺔ‬ ‫‪1‬‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﺸﺭﻜﺔ ﻤﺼﺭ ﻝﻠﺘﻤﺜﻴل ﻭﺍﻝﺴﻴﻨﻤﺎ‬
‫)‪(1‬‬ ‫ﺘﻘﺩﻡ‬
‫ﻤﺯﺝ ‪Dissolve‬‬
‫ﺘﻅﻬﺭ ﻝﻭﺤﺔ‬ ‫‪2‬‬
‫ﻓﺎﻁـﻤﺔ ﺭﺸـﺩﻯ‬
‫ﻓـﻰ‬
‫ﻤﺯﺝ ‪Dissolve‬‬
‫ﺍﻝﻌـﺯﻴـﻤﺔ‬ ‫‪3‬‬
‫ﺇﻨﺘﺎﺝ ﺴﺘﻭﺩﻴﻭ ﻤﺼﺭ‬
‫ﻤﺯﺝ ‪Dissolve‬‬
‫ﺍﻝﺘﺼﻭﻴﺭ‬ ‫‪4‬‬
‫ﻑ ‪ .‬ﻓﺎﺭﻜﺎﺵ‬
‫ﺍﻝﺼﻭﺕ‬
‫ﻤﺼﻁﻔﻰ ﻭﺍﻝﻰ‬
‫ﻋﺯﻴﺯ ﻓﺎﻀل‬
‫ﺍﻝﻤﻨﺎﻅﺭ‬
‫ﻭﻝﻰ ﺍﻝﺩﻴﻥ ﺴﺎﻤﺢ‬
‫ﻤﺯﺝ ‪dissolve‬‬
‫ﺍﻝﺤـﻭﺍﺭ‬ ‫‪5‬‬
‫ﺒﺩﻴﻊ ﺨﻴﺭﻯ‬
‫ﺍﻝﻤﻭﺴﻴﻘﻰ‬
‫ﻋﺒﺩ ﺍﻝﺤﻤﻴﺩ ﻋﺒﺩ ﺍﻝﺭﺤﻤﻥ‬
‫ﺍﻷﻏﻨﻴﺔ‬
‫ﺼﺎﻝﺢ ﺠﻭﺩﺕ‬
‫ﺘﻠﺤﻴﻥ‬
‫ﺭﻴﺎﺽ ﺍﻝﺴﻨﺒﺎﻁﻰ‬
‫ﻤﺴﺎﻋﺩ ﻤﺨﺭﺝ‬
‫ﺼﻼﺡ ﺃﺒﻭ ﺴﻴﻑ‬
‫ﺭﻴﺠﻴﺴﻴﺭ‬
‫ﻗﺎﺴﻡ ﻭﺠﺩﻯ‬
‫ﻤﺯﺝ‬
‫‪Dissolve‬‬
‫ﺘﻤﺜﻴل‬ ‫‪6‬‬
‫ﻓﺎﻁﻤﺔ ﺭﺸﺩﻯ ﻤﺨﺘﺎﺭ ﻋﺜﻤﺎﻥ‬
‫ﺯﻜﻰ ﺭﺴﺘﻡ ﻋﺒﺎﺱ ﻓﺎﺭﺱ‬
‫ﻋﻤﺭ ﻭﺼﻔﻰ ﻤﺨﺘﺎﺭ ﺤﺴﻴﻥ‬
‫ﻤﺯﺝ ‪Dissolve‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 2 of 81‬‬

‫ﻤﺎﺭﻯ ﻤﻨﻴﺏ ﺤﺴﻥ ﻜﺎﻤل‬ ‫‪7‬‬

‫ﺜﺭﻴﺎ ﻓﺨﺭﻯ ﻋﺒﺩ ﺍﻝﺴﻼﻡ ﺍﺍﻝﻨﺎﺒﻠﺴﻰ‬
‫ﻋﻠﻰ ﻁﺒﻨﺠﺎﺕ‬ ‫ﺤﻜﻤﺕ ﻓﻬﻤﻰ‬
‫ﺃﺤﻤﺩ ﺸﻜﺭﻯ‬ ‫ﺃﻤﺎل ﺤﺴﻴﻥ‬
‫ﻤﺯﺝ ‪Dissolve‬‬
‫ﻭ‬ ‫‪8‬‬
‫ﺤﺴﻴﻥ ﺼﺩﻗﻰ‬
‫ﺃﻨﻭﺭ ﻭﺠﺩﻯ‬
‫ﻋﺒﺩ ﺍﻝﻌﺯﻴﺯ ﺨﻠﻴل‬
‫ﻤﺯﺝ ‪Dissolve‬‬
‫ﺘﺄﻝﻴﻑ ﻭﺇﺨﺭﺍﺝ‬ ‫‪9‬‬
‫ﻜﻤـﺎل ﺴـﻠﻴﻡ‬
‫ﻤﺯﺝ‬
‫ﺃﺨﺫﺕ ﺍﻝﻤﻨﺎﻅﺭ‬ ‫‪10‬‬
‫ﺒﺈﺴﺘﻭﺩﻴﻭ ﻤﺼﺭ‬
‫ﺁﻻﺕ ﺘﺴﺠﻴل ﺍﻝﺼﻭﺕ‬
‫ﺘﻭﺒﻴﺱ ﻜﻼﻨﺞ ﻓﻴﻠﻡ‬
‫ﻁﺒﻊ ﻭﺘﺤﻤﻴﺽ‬
‫ﻤﻌﺎﻤل ﺴﺘﻭﺩﻴﻭ ﻤﺼﺭ‬
‫ﻤﺯﺝ ‪Dissolve‬‬
‫ﺍﻝﻤﻼﺒﺱ ﻤﻥ ﺇﻨﺘﺎﺝ‬ ‫‪11‬‬
‫ﺸﺭﻜﺔ ﻤﺼﺭ ﻝﻠﻐﺯل ﻭﺍﻝﻨﺴﻴﺞ‬
‫ﺸﺭﻜﺔ ﻤﺼﺭ ﻝﻨﺴﺞ ﺍﻝﺤﺭﻴﺭ‬
‫ﻤﺯﺝ ‪Dissolve‬‬
‫ﻤﺸﻬﺩ ) ‪( 1‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﺤﺎﺭﺓ‬
‫ﻅﻬﻭﺭ ﺘﺩﺭﻴﺠﻰ‬ ‫‪12‬‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻋﻠﻰ ﻓﺎﻨﻭﺱ ﻤﻀﺎﺀ‬
‫)‪(1‬‬
‫ﻤﺜﺒﺕ ﻓﻰ ﺠﺩﺍﺭ ﻤﻨﺯل ﻤﺤﻤﺩ‬
‫ﻤﺯﺝ ‪Dissolve‬‬
‫ﻤﺸﻬﺩ ) ‪( 2‬‬
‫ﻓﺠﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﺤﺎﺭﺓ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M. S‬ﻝﻠﻔﺎﻨﻭﺱ ﻤﻥ‬ ‫‪13‬‬
‫ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪ Low Angle‬ﻭﻫﻭ‬
‫ﻤﻁﻔﺎﹾ ﻭﺘﻨﺯل ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﺴﻔل ‪Tilt‬‬
‫‪ Down‬ﻝﺘﻅﻬﺭ ﻻﻓﺘﺔ ﻤﻜﺘﻭﺏ ﻋﻠﻴﻬﺎ‬
‫ﺩﺭﺏ ﻤﻌﺘﻭﻕ ﺜﻡ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﻠﻴﺴﺎﺭ‬
‫‪ Pan Left‬ﻭﻴﺨﺭﺝ ﻤﻥ ﺍﻝﺒﺎﺏ‬
‫ﺍﻷﺴﻁﻰ ﺤﻨﻔﻰ ﻭﺍﻝﺩ ﻤﺤﻤﺩ ﻭﺘﺒﺘﻌﺩ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﻠﺨﺎﺭﺝ ‪Tracking out‬‬
‫ﺼﻭﺕ ﺁﺫﺍﻥ ﺍﻝﻔﺠﺭ‬ ‫ﻭﻫﻭ ﻴﺨﺭﺝ ﻤﻥ ﺍﻝﺒﺎﺏ ﻭﻴﺼﺒﺢ ﻓﻰ‬
‫ﺤﺠﻡ ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻭﻴﻨﺯل ﺍﻝﺴﻼﻝﻡ‬
‫ﺍﻝﻤﻭﺠﻭﺩﺓ ﺃﻤﺎﻡ ﺍﻝﻤﻨﺯل ﻭﻴﺘﺠﻪ ﺍﻝﻰ‬
‫ﺍﻝﻤﺴﺠﺩ ﺍﻝﺫﻯ ﻴﻅﻬﺭ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﻴﺴﺎﺭﹰﺍ ﻭﻭﺭﺍﺀﻩ ﺒﻌﺽ ﺍﻝﺭﺠﺎل ﺍﻝﺫﻴﻥ‬
‫ﻴﺩﺨﻠﻭﻥ ﻤﻥ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺘﺩﺨل ﻋﺭﺒﺔ‬
‫ﺒﺤﺼﺎﻥ ﻤﻥ ﺍﻝﻴﺴﺎﺭ ﻭﺘﻘﻑ ﺃﻤﺎﻡ ﺩﻜﺎﻥ‬
‫ﺍﻝﻌﺘﺭ ﺍﻝﺠﺯﺍﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 3 of 81‬‬

‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L. S‬ﻝﺩﻜﺎﻥ ﺍﻝﺠﺯﺍﺭ‬ ‫‪14‬‬

‫ﻭﺘﻅﻬﺭ ﺍﻝﻌﺭﺒﺔ ﺍﻝﻤﺤﻤﻠﺔ ﺒﺎﻝﻠﺤﻡ ﻭﻴﺤﻤل‬
‫ﺃﺤﺩ ﺍﻝﺼﺒﻴﺔ ﺍﻝﺫﺒﻴﺤﺔ ﻭﻴﻌﻠﻘﻬﺎ ﺃﻤﺎﻡ‬
‫ﺍﻝﺩﻜﺎﻥ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ ‪Pan‬‬
‫‪ Left‬ﻝﺘﻅﻬﺭ ﺇﻤﺭﺃﺓ ﺃﻤﺎﻡ ﻤﻨﺯل ﻭﺒﺎﺌﻊ‬
‫ﺍﻝﻠﺒﻥ ﻴﺼﺏ ﻝﻬﺎ ﺍﻝﻠﺒﻥ ﻭﺘﺴﺘﻤﺭ ﺤﺭﻜﺔ‬
‫ﻋﺎﺸﻭﺭ ‪ :‬ﻭﺍﺩ ﻴﺎﻋﻭﺽ ﺍﷲ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ ﻝﻴﻅﻬﺭ ﺍﻝﻤﺨﺒﺯ ﻭﻴﻘﻑ‬
‫ﻋﻭﺽ ﺍﷲ ‪ :‬ﻨﻌﻡ ﻴﺎﻤﻌﻠﻡ‬
‫ﺃﻤﺎﻤﻪ ﻋﺴﻜﺭﻯ ﺍﻝﺩﻭﺭﻴﺔ ﻭﻴﺩﺨل ﻤﻥ‬
‫ﻋﺎﺸﻭﺭ ‪ :‬ﻨﺎﻭﻝﻨﻰ ﺍﻝﻘﻠﺔ ﻤﻥ ﻋﻨﺩﻙ ‪.‬‬
‫ﺍﻝﻴﺴﺎﺭ ﻋﺎﺸﻭﺭ ﺍﻝﻔﺭﺍﻥ ﺃﺒﻭ ﻓﺎﻁﻤﺔ ﻭﻫﻭ‬
‫ﻤﺨﻤﻭﺭ ﺜﻡ ﻴﺨﺭﺝ ﺍﻝﻌﺴﻜﺭﻯ ﻤﻥ ﻴﺴﺎﺭ‬
‫ﻜﺎﺩﺭ ﻭﻴﻘﻑ ﻋﺎﺸﻭﺭ ﺃﻤﺎﻡ ﺍﻝﻤﺨﺒﺯ‬
‫ﻴﺤﻀﺭ ﻝﻪ ﺍﻝﺼﺒﻰ ﺍﻝﻘﻠﺔ‬
‫ﺇﺨﺘﻔﺎﺀ ﺘﺩﺭﻴﺠﻰ‬
‫‪Fade -Out‬‬
‫ﻤﺸﻬﺩ ) ‪( 3‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﺤﺎﺭﺓ‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﺼﻭﺕ ﺍﻝﺸﺎﺭﻉ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻠﻤﻘﻬﻰ ﻭﺘﺘﺤﺭﻙ‬ ‫‪15‬‬
‫)‪(2‬‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﻠﻴﺴﺎﺭ ‪ traveling‬ﻝﻴﻅﻬﺭ‬
‫ﺼﻭﺕ ﺍﻝﺼﺒﻰ ‪ :‬ﺍﻝﻘﻬﻭﺓ ﻋﻠﻰ‬
‫ﺼﺒﻰ ﺍﻝﻤﻘﻬﻰ ﻴﻠﹶﻤﻊ ﺍﻝﺯﺠﺎﺝ ﻤﻥ ﺍﻝﺩﺍﺨل‬
‫ﺍﻝﺘﺒﺎﺸﻴﺭﺓ‬
‫ﻭﺘﺴﺘﻤﺭ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻓﻰ ﺤﺭﻜﺘﻬﺎ ﻝﻠﻴﺴﺎﺭ‬
‫ﺼﻭﺕ ﺭﺠل ‪ :‬ﻁﻴﺏ‬
‫ﻭﻴﺠﻠﺱ ﺸﹸﺒﻙ ﺍﻝﻘﺯﻡ ﻋﻠﻰ ﺍﻝﻤﻘﻬﻰ‬
‫ﺍﻝﺼﺒﻰ ‪ :‬ﺍﻝﺸﻴﺸﺔ ﻴﺄﺴﻁﻰ ﺤﻨﻔﻰ‬
‫ﻭﺘﺘﺎﺒﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺃﺤﺩ ﺼﺒﻴﺎﻥ ﺍﻝﻤﻘﻬﻰ‬
‫ﺼﺒﺎﺡ ﺍﻝﻔل‬
‫ﻭﻫﻭ ﻴﺤﻤل ﺼﻴﻨﻴﺔ ﻝﻴﺼل ﺍﻝﻰ ﺤﻨﻔﻰ‬
‫ﺭﻭﺤﻰ ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﺼﺒﺎﺡ ﺍﻝﺨﻴﺭ‬
‫ﺍﻝﺤﻼﻕ ﻭﻫﻭ ﻴﺠﻠﺱ ﺃﻤﺎﻡ ﺩﻜﺎﻨﻪ ﻭﻴﺩﺨل‬
‫ﻴﺎﺴﻁﻰ ﺤﻨﻔﻰ ﻜﻴﻑ ﻤﺎﺃﺼﺒﺤﺕ‬
‫ﺭﻭﺤﻰ ﺍﻝﺤﺎﻨﻭﺘﻰ ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫) ﻴﻘﺭﺃ ﺍﻝﻔﺎﺘﺤﺔ ( ﻭﻻ ﺍﻝﻀﺎﻝﻴﻥ‬
‫ﻭﻴﻘﻑ ﺃﻤﺎﻡ ﺩﻜﺎﻨﻪ ‪ .‬ﺜﻡ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺃﻤﻴﻥ ‪ .‬ﺒﺤﺒﺤﻬﺎ ﻴﺎﻜﺭﻴﻡ‬
‫ﻴﻤﻴﻨﺎ ﺴﺭﻴﻌﹰﺎ ‪ Pan LEft‬ﻝﻴﻅﻬﺭ ﺍﻝﻌﺘﺭ‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﺴﻼﻤﻭﺍ ﻋﻠﻴﻜﻭﺍ ﻴﺎﻤﻌﻠﻡ‬
‫ﺍﻝﺠﺯﺍﺭ ﻋﻠﻰ ﻅﻬﺭ ﺤﻤﺎﺭ ﻗﺎﺩﻤ ﹰﺎ ﻤﻥ‬
‫ﻋﺯﺭﺍﺌﻴل‬
‫ﺍﻝﻌﻤﻕ ﻭﻴﻨﻅﺭ ﻴﺴﺎﺭﹰﺍ ﻨﺎﺤﻴﺔ ﺍﻝﺤﺎﻨﻭﺘﻰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﺭﻭﺤﻰ‬ ‫‪16‬‬
‫ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﻭﻋﻠﻴﻜﻡ ﺍﻝﺴﻼﻡ ﻴﺎﺯﺒﻭﻥ‬
‫ﺍﻝﺤﺎﻨﻭﺘﻰ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪Low‬‬
‫ﺍﻝﻤﺴﺘﻘﺒل ‪ .‬ﻋﺎﻭﺯﻴﻥ ﻨﺨﺩﻤﻙ ﻋﻥ‬
‫‪ angle‬ﻭﻴﻅﻬﺭ ﻓﻰ ﻤﻨﺘﺼﻑ ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﺭﻴﺏ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ M .L. S‬ﻝﻠﻌﺘﺭ‬ ‫‪17‬‬
‫ﻴﺩﺨل ﻤﻥ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﻅﻬﺭ ﺩﻜﺎﻥ‬
‫ﺍﻝﺠﺯﺍﺭﺓ ﻓﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻨﺯل ﻤﻥ ﺍﻝﻌﺘﺭ ‪ :‬ﻤﺎﺘﺸﻬل ﻴﺎﺩﺍ ﺃﻨﺕ ﻭﻫﻭ‬
‫ﻓﻭﻕ ﺍﻝﺤﻤﺎﺭ ‪ .‬ﺜﻡ ﻴﺄﺘﻰ ﺃﺤﺩ ﺍﻝﺼﺒﻴﺔ ﺩﺍﻫﻴﺔ ﺘﺴﻤﻙ ‪ .‬ﺨﺩ ﻴﺎﺩ ‪ .‬ﺃﺭﺒﻁ ﺇﺒﻥ‬
‫ﻭﻴﺠﺭ ﺍﻝﺤﻤﺎﺭ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ ‪ .‬ﺜﻡ ﻴﺩﺨل ﻋﻤﺘﻙ ) ﻴﻀﺤﻙ (‬
‫ﻋﺎﺸﻭﺭ ﺍﻝﻜﺎﺩﺭ ﻤﻥ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻴﺤﻤل ﻋﺎﺸﻭﺭ ‪ :‬ﻤﺴﺎﺀ ﺍﻝﺨﻴﺭ ﻴﺎﻤﻌﻠﻡ‬
‫ﺍﻝﻘﻠﺔ ﻭﻴﺨﺭﺝ ﻤﻥ ﺍﻝﻴﻤﻴﻥ ﻭﻴﻨﻅﺭ ﺍﻝﻌﺘﺭ ﺍﻝﻌﺘﺭ ‪ :‬ﺼﺒﺎﺡ ﺍﻝﻨﻭﺭ ﻴﺎﺨﻔﻴﻑ ‪.‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻌﺎﺸﻭﺭ ﻴﺘﺤﺭﻙ‬ ‫‪18‬‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﺩﺨل ﺍﻝﺒﻴﺕ ﻭﺘﺼﻌﺩ ﺴﻼﻝﻡ‬
‫ﺍﻝﺤﺎﺭﺓ ﺇﻤﺭﺃﺓ ﺘﺤﻤل ﺴﻠﺔ ﻋﻠﻰ ﺭﺃﺴﻬﺎ‪.‬‬
‫ﺜﻡ ﺘﺭﺘﻔﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﻋﻠﻰ ‪ Tilt Up‬ﺒﺎﺌﻌﺔ ﺍﻝﻔﻭل ‪ :‬ﻓﻭل ﻴﺎﻨﺎﺒﺕ‬
‫ﺴﺭﻴﻌ ﹰﺎ ﻝﺘﻅﻬﺭ ﻓﺎﻁﻤﺔ ﻓﻰ ﺍﻝﺸﺭﻓﺔ ﺍﻝﺘﻰ‬
‫ﺘﻔﺘﺤﻬﺎ ﻭ ﻫﻰ ﺘﺤﻤل ﺴﺠﺎﺩﺓ ﻭﺘﻔﺭﺩﻫﺎ‬
‫ﻋﻠﻰ ﺤﺎﻓﺔ ﺍﻝﺸﺭﻓﺔ ﺜﻡ ﺘﺴﻘﻰ ﺍﻝﺯﺭﻉ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 4 of 81‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M .S‬ﻝﻤﺤﻤﺩ ﻤﻥ‬ ‫‪19‬‬
‫ﺨﻠﻑ ﻓﺎﻁﻤﺔ ﺍﻝﻭﺍﻗﻔﺔ ﻓﻰ ﺍﻝﻨﺎﻓﺫﺓ‬
‫ﺒﻅﻬﺭﻫﺎ ﻭﻫﻰ ﺘﺴﻘﻰ ﺍﻝﺯﺭﻉ ﻭﻫﻭ ﻴﻌﻘﺩ‬
‫ﺭﺍﺒﻁﺔ ﺍﻝﻌﻨﻕ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M.S‬ﻝﻤﺤﻤﺩ ﻤﻥ‬ ‫‪20‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺼﺒﺎﺡ ﺍﻝﺨﻴﺭ ﻴﺎﻓﺎﻁﻤﺔ‬
‫ﻭﺠﻬﺔ ﻨﻅﺭ ﻓﺎﻁﻤﺔ‬
‫) ﻴﺒﺘﺴﻡ (‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M. S‬ﻝﻔﺎﻁﻤﺔ ﻤﻥ‬ ‫‪21‬‬
‫ﻭﺠﻬﺔ ﻨﻅﺭ ﻤﺤﻤﺩ ﻭﻫﻰ ﺘﺒﺘﺴﻡ ﻭﺘﻤﺴﻙ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺼﺒﺎﺡ ﺍﻝﻨﻭﺭ ﻴﺎﺴﻰ ﻤﺤﻤﺩ‬
‫ﺇﻨﺎﺀ ﺍﻝﻤﺎﺀ ‪ .‬ﺜﻡ ﺘﺨﻔﺽ ﺭﺃﺴﻬﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L .S‬ﻝﻠﻌﺘﺭ ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪22‬‬
‫ﻤﺭﺘﻔﻌﺔ ‪ High Angle‬ﻭﻫﻭ ﻴﺒﻴﻊ‬
‫ﺼﻭﺕ ﻤﺸﺘﺭﻯ ‪ :‬ﻴﺎﻝﻼ ﻴﺎﻤﻌﻠﻡ ﻋﺎﻴﺯ‬
‫ﺍﻝﻠﺤﻡ ﻭﻴﻘﻑ ﺤﻭﻝﻪ ﺍﻝﻤﺸﺘﺭﻴﻥ ‪ .‬ﺜﻡ‬
‫ﻤﻭﺯﺓ‬
‫ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﻠﺩﺍﺨل‪Tracking‬‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﻤﻭﺯﺓ ﻤﻭﺯﺓ ﺃﻤﺎل‬
‫ﻝﻴﺼﺒﺢ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‬
‫ﻫﺎﺘﺸﺘﺭﻯ ﺁﻴﻪ ﻤﻥ ﺍﻝﻔﻜﻬﺎﻨﻰ‬
‫‪ .M. L .S‬ﻭﻴﻨﻅﺭ ﻷﻋﻠﻰ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻜﺒﺩﺓ ! ‪ .....‬ﺍﻝﻨﺒﻰ ﺃﺤﺴﻥ ﻋﺎﻝﺒﻠﺩﻯ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M. L .S‬‬ ‫‪23‬‬
‫ﻝﻔﺎﻁﻤﺔ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪Low‬‬
‫‪ Angle‬ﻓﻰ ﺍﻝﺸﺭﻓﺔ ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺼﻭﺕ ﺍﻝﻌﺘﺭ ‪ :‬ﻴﺎﺒﻠﺩﻯ ‪ ....‬ﻴﺎﺒﻠﺩﻯ‬
‫ﺍﻝﻌﺘﺭ ﻭﻫﻰ ﺘﻠﻡ ﺍﻝﺴﺠﺎﺩﺓ ﻤﻥ ﺍﻝﺸﺭﻓﺔ‬
‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻤﺸﻬﺩ ) ‪( 4‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﻤﺤﻤﺩ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻷﻡ ﻤﺤﻤﺩ ﺘﺩﺨل ﻤﻥ ﺍﻷﻡ ‪ :‬ﺍﻝﻬﻰ ﻭﺇﻨﺕ ﺠﺎﻫﻰ ﻴﺎﻤﺤﻤﺩ‬ ‫‪24‬‬
‫ﺍﻝﺒﺎﺏ ﻭﺘﺘﺤﺭﻙ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻬﺎ ﻴﺎﺒﻨﻰ ﺘﺭﺠﻊ ﻤﺠﺒﻭﺭ ﺍﻝﺨﺎﻁﺭ ﻤﻥ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Pan Left‬ﻭﻴﻅﻬﺭ ﻤﺤﻤﺩ ﻨﺘﻴﺠﺔ ﺍﻝﺸﻬﺎﺩﺓ‬
‫ﻴﺸﺭﺏ ﺍﻝﺸﺎﻯ ﻴﺘﻌﺩل ﻝﺘﺼﻠﺢ ﺍﻝﺯﺭﺍﺭ ﻓﻰ ﻤﺤﻤﺩ ‪ :‬ﺒﺈﺫﻥ ﺍﷲ ﻴﺎﻨﻴﻨﺔ ﺃﻨﺎ ﺃﻤﻠﻰ‬
‫ﻜﺒﻴﺭ ﻓﻰ ﺍﻝﻨﺠﺎﺡ ﻭﺍﻝﺒﺭﻜﺔ ﻓﻰ‬ ‫ﻗﻤﻴﺼﻪ‬
‫ﺩﻋﻭﺍﺘﻙ ﺍﻝﺤﻠﻭﺓ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M. S‬ﻝﻸﻡ ﺒﺭﻭﻓﻴل ﺍﻷﻡ ‪ :‬ﻭﺩﻋﻭﺍﺕ ﺃﺒﻭﻙ ﻴﺎﺨﻭﻴﺎ ‪....‬ﺩﺍ‬ ‫‪25‬‬
‫ﺘﺭﻜﺏ ﺯﺭﺍﺭ ﺍﻝﻘﻤﻴﺹ ﻭﺘﻘﻁﻊ ﺍﻝﻔﺘﻠﺔ ﻝﻴل ﻭﻨﻬﺎﺭ ﺒﻴﺴﺘﻨﻰ ﺍﻝﻔﺭﺤﺔ ﺩﻯ ﺯﻯ‬
‫ﻝﻴﺎﻝﻰ ﺍﻝﻌﻴﺩ ‪ ..‬ﺩﻩ ﻁﻠﻊ ﺒﻴﻙ ﻴﺎﻜﺒﺩﻯ‬ ‫ﺒﺄﺴﻨﺎﻨﻬﺎ‬
‫ﻭﺤﻴﺩ ﻤﻥ ﺍﻝﺩﻨﻴﺎ ‪ ..‬ﻴﺎﻤﺎ ﺇﺩﺍﻴﻥ ﻋﻠﻴﻙ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻴﺎﻤﺤﻤﺩ ﻭﺼﺭﻑ ﺍﻝﻠﻰ ﻭﺭﺍﻩ ﻭﺍﻝﻠﻰ‬
‫ﻗﺩﺍﻤﻪ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻤﺤﻤﺩ ﻴﻅﻬﺭ‬ ‫‪26‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺇﻥ ﺸﺎﺀ ﺍﷲ ﻫﺎﻋﻭﺽ‬
‫ﺒﻭﺠﻪ ﻭﻴﻨﻅﺭ ﻨﺎﺤﻴﺔ ﺍﻤﻪ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺼﺒﺭﻩ ﺨﻴﺭ ‪.‬‬
‫ﻗﻁﻊ ‪Curt‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ M .L. S‬ﻝﻤﺤﻤﺩ‬ ‫‪27‬‬
‫ﻭﺍﻤﻪ ‪ .‬ﻭﻴﺘﺤﺭﻙ ﻤﺤﻤﺩ ﻴﺴﺎﺭﹰﺍ ﻭﺘﺘﺎﺒﻌﻪ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ‪ Pan Left‬ﻭﻫﻭ ﻴﺄﺨﺫ ﻤﺤﻤﺩ ‪ :‬ﺘﻌﺭﻓﻰ ﻴﺎﻨﻴﻨﺔ ﻝﻤﺎ ﺃﻨﺠﺢ ﻓﻰ‬
‫ﺍﻝﺩﺒﻠﻭﻡ ‪ ,‬ﻓﺭﺤﺘﻰ ﺒﺎﻷﻜﺘﺭ ﺤﺘﻜﻭﻥ‬
‫ﺍﻝﺠﺎﻜﻴﺕ ‪ ,‬ﺜﻡ ﻴﻠﺘﻔﺕ ﻭﻴﺭﺘﺩﻯ ﺍﻝﺠﺎﻜﻴﺕ‬
‫ﻋﻠﺸﺎﻥ ﻤﻴﻥ ﻋﻠﺸﺎﻨﻙ ﺇﻨﺘﻰ ﻴﺎﻤﺩﺍﻡ‬
‫ﻼ ﻨﺎﺤﻴﺔ‬‫ﻭﺍﻝﻁﺭﺒﻭﺵ ﻭﻴﺘﺤﺭﻙ ﻗﻠﻴ ﹰ‬
‫ﺤﻨﻔﻰ ‪.‬‬
‫ﺍﻝﻴﻤﻴﻥ ﻝﺘﺩﺨل ﺍﻷﻡ ﺍﻝﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﻴﺘﺤﺭﻙ‬
‫ﺍﻷﻡ ‪ :‬ﺃﻴﻭﺓ ‪ ..‬ﺍﷲ ﻴﺠﺎﺯﻴﻙ ﻴﺎﻤﺤﻤﺩ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 5 of 81‬‬

‫ﻴﺴﺎ ‪‬ﺭ ﻝﻴﺼﺒﺤﺎ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻤﺤﻤﺩ ‪ :‬ﻤﻥ ﺤﻕ ﺃﻨﺎ ﻨﺎﺴﻰ ﺁﻴﻪ ؟‬
‫‪ , .L .S‬ﺜﻡ ﻴﻌﻭﺩ ﻭﻴﻘﺒل ﺍﻷﻡ ﻭﻴﺨﺭﺝ ﺍﻷﻡ ‪ :‬ﺇﻝﻬﻰ ﻴﺠﻴﺒﻙ ﺍﻝﻨﻬﺎﺭﺩﺓ ﻓﻰ‬
‫ﻫﻨﺎﻴﻴﻥ ﻭﻓﺭﺤﻴﻥ ‪.‬‬ ‫ﻤﻥ ﺍﻝﺒﺎﺏ‬
‫ﻤﺴﺢ ‪wipe‬‬
‫ﻤﺸﻬﺩ ) ‪( 5‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺨﺎﺭﺠﻰ ﺍﻝﺤﺎﺭﺓ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ .M .L. S‬ﻤﻥ ﻤﺤﻤﺩ ‪ :‬ﺍﻝﺴﻼﻡ ﻋﻠﻴﻜﻡ ﻴﺎﺴﻁﻰ ﺠﺎﺒﺭ‬ ‫‪28‬‬
‫ﺩﺍﺨل ﺩﻜﺎﻥ ﺍﻝﺤﺩﺍﺩ ﻭﺍﻗﻑ ﺒﻅﻬﺭﻩ‬
‫ﻭﺒﺠﻭﺍﺭﻩ ﺍﻝﺼﺒﻴﺔ ﻭﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﺠﺎﺒﺭ ﺍﻝﺤﺩﺍﺩ ‪ :‬ﺇﻻ ﻴﺎﺒﻭ ﺤﻤﻴﺩ ﺘﻌﺎل‬
‫ﻴﺨﺭﺝ ﻤﺤﻤﺩ ﻤﻥ ﺍﻝﻤﻨﺯل ﻭﻴﻘﻑ ﻓﻰ ﺇﺤﻜﻴﻠﻰ ﻫﻰ ﺭﺍﺤﺕ ﻋﻠﻴﻬﺎ ﺴﻜﺘﺔ‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﺴﺘﻨﺩﹰﺍ ﻋﻠﻰ ﺍﻝﺴﻭﺭ ﻭﻻﺁﻴﻪ ! ﺇﺤﻨﺎ ﻤﺴﺘﻨﻴﻥ ﺍﻝﺸﺭﺒﺎﺕ‬
‫ﺒﺘﺎﻉ ﺍﻝﺸﻬﺎﺩﺓ‬ ‫ﺍﻝﺤﺩﻴﺩ ﺃﻤﺎﻡ ﺍﻝﻤﻨﺯل‬
‫ﻤﺤﻤﺩ ‪ :‬ﺒﺎﻗﻴﺔ ﻝﻙ ﺍﻝﻨﻬﺎﺭﺩﺓ ﺇﻨﺸﺎﺀ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﷲ ‪.‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻤﺤﻤﺩ ﻴﻬﺒﻁ ﺴﻼﻝﻡ ﺸﹸﺒﻙ ‪ :‬ﺍﻨﺎ ﺤﺎﻝﻑ ﻋﻠﻰ ﻭﻗﺔ ﻤﻠﺒﻥ‬ ‫‪29‬‬
‫ﺍﻝﺤﺎﺭﺓ ﻭﻴﺠﻠﺱ ﺸﹸﺒﻙ ﺍﻹﺴﻜﺎﻓﻰ ﻴﻤﻴﻥ ﺒﺎﻝﻠﻭﺯ ‪ ..‬ﻭﺍﻹ ﺇﺤﻨﺎ ﺤﺎﻨﺤﻤﺭﻕ ‪.‬‬
‫ﻜﺎﺩﺭ ﺃﻤﺎﻡ ﺩﻜﺎﻨﻪ ﻭﻴﻨﻅﺭ ﻨﺎﺤﻴﺔ ﻤﺤﻤﺩ ﻤﺤﻤﺩ ‪ :‬ﻤﻥ ﻋﻴﻨﻴﻪ ﺍﻹﺘﻨﻴﻥ ﻴﺎﻋﻡ‬
‫ﺸﹸﺒﻙ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M. L. S‬ﻤﻥ‬ ‫‪30‬‬
‫ﺨﻠﻑ ﻅﻬﺭ ﺍﻝﻌﺘﺭ ﻭﻫﻭ ﻴﻘﻁﻊ ﺍﻝﻠﺤﻡ‬
‫ﻭﺤﻭﻝﻪ ﺍﻝﻤﺸﺘﺭﻭﻥ ﻭﻴﻅﻬﺭ ﻤﺤﻤﺩ ﻓﻰ ﺍﻝﻌﺘﺭ ‪ :‬ﻴﺎﺴﻰ ﻤﺤﻤﺩ ‪ ...‬ﻴﺎﺴﻰ‬
‫ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻴﺘﺤﺭﻙ ﻤﻥ ﺍﻝﻴﺴﺎﺭ ﻝﻠﻴﻤﻴﻥ ﻤﺤﻤﺩ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M .S‬ﻝﻠﻌﺘﺭ ﻴﺘﺤﺭﻙ ﺍﻝﻤﺄﺫﻭﻥ ‪ :‬ﺃﻤﺎ ﻝﺤﻤﺘﻙ ﺇﻤﺒﺎﺭﺡ ﻜﺎﻨﺕ‬ ‫‪31‬‬
‫ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻴﺠﻠﺱ ﺍﻝﺸﻴﺦ ﺇﺩﺭﻴﺱ ﻋﻠﻰ ﺍﻝﻤﻠﻭﺨﻴﺔ ﻝﺫﻴﺫﺓ ﻝﺫﺓ ‪.‬‬
‫ﺍﻝﻤﺄﺫﻭﻥ ﺒﺠﻭﺍﺭﻩ ‪ .‬ﻴﺨﺭﺝ ﺍﻝﻌﺘﺭ ﻭﺭﻗﺔ ﺍﻝﻌﺘﺭ ‪ :‬ﺒﺎﻝﻬﻨﺎ ﻭﺍﻝﺸﻔﺎ ‪....‬ﺩﻩ ﺃﻨﺎ‬
‫ﻤﻥ ﺠﻴﺒﻪ ﻭﻴﺩﺨل ﻤﺤﻤﺩ ﻤﻥ ﻴﻤﻴﻥ ﻫﺎﺃﻫﺩﻴﻙ ﺍﻝﻨﻬﺎﺭﺩﺓ ﺒﺤﺘﺔ ﺇﻨﻤﺎ‬
‫ﻫﺎﺘﻌﻤﺭ ﻤﺨﻙ ‪ ......‬ﺸﻭﻑ ﻝﻨﺎ‬ ‫ﺍﻝﻜﺎﺩﺭ‬
‫ﻴﺎﺴﻰ ﻤﺤﻤﺩ ﺍﻝﻭﺭﻗﺔ ﺩﻯ ﻤﻜﺘﻭﺏ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻓﻴﻬﺎ ﺁﻴﻪ ؟‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻤﻥ‬ ‫‪32‬‬
‫ﺨﻠﻑ ﺍﻝﻌﺘﺭ ﻭﻴﻅﻬﺭ ﻓﻰ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻤﺤﻤﺩ ‪ :‬ﺩﻯ ﻤﻥ ﻤﻜﺘﺏ ﺍﻝﺼﺤﺔ‬
‫ﻭﻤﺤﻤﺩ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ ﺜﻡ ﻴﺎﻤﻌﻠﻡ ﺒﻴﻌﻠﻨﻭﻙ ﺒﺈﻥ ﺍﻝﻤﻔﺘﺵ ﻫﺎﻴﻤﺭ‬
‫ﻴﺄﺨﺫ ﺍﻝﻭﺭﻗﺔ ﻤﻥ ﺍﻝﻌﺘﺭ ﻭﻴﻨﻅﺭ ﻓﻴﻬﺎ ﺜﻡ ﻋﻠﻰ ﺍﻝﺩﻜﺎﻥ ﻴﻌﺎﻴﻥ ﺘﺼﻠﻴﺤﺎﺕ‬
‫ﺍﻝﻤﺠﺎﺭﻯ ‪.‬‬ ‫ﻴﻨﻅﺭ ﻝﻠﻌﺘﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪ .M. L. S‬ﺍﻝﻌﺘﺭ ‪ :‬ﺁﻩ ‪ ...‬ﺍﻝﻤﺠﺎﺭﻯ ‪ ,‬ﻴﺎﻤﺎ‬ ‫‪33‬‬
‫ﻝﻤﺤﻤﺩ ﻤﺜل ﻝﻘﻁﺔ ) ‪ ( 31‬ﺜﻡ ﻴﻌﻁﻰ ﺠﺎﺭﻯ ﻓﻰ ﺍﻝﺩﻨﻴﺎ ﻴﺎﻤﺎ ﺠﺎﺭﻯ ‪....‬‬
‫ﻤﺤﻤﺩ ﺍﻝﻭﺭﻗﺔ ﻝﻠﻌﺘﺭ ﻭﻴﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﻫﺄﻫﺎﹾ ﻫﺄﻫﺄﻭ‪ .‬ﺃﻨﺎ ﻋﻘﻠﻰ ﺒﻴﻘﻭﻝﻠﻰ‬
‫ﻼ ﻝﻠﻴﺴﺎﺭ ﺃﺠﻴﺏ ﻝﻰ ﻭﺍﺩ ﻜﺎﺘﺏ ﻫﻨﺎ ﻓﻰ ﺍﻝﺩﻜﺎﻥ‬ ‫ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻗﻠﻴ ﹰ‬
‫‪ Pan Left‬ﻝﻴﺼﺒﺢ ﺍﻝﻌﺘﺭ ﻭ ﺍﻝﻤﺄﺫﻭﻥ ﻋﺸﺎﻥ ﺍﻝﺤﺎﺠﺎﺕ ﺍﻝﻠﻰ ﺯﻯ ﺩﻯ ‪.‬‬
‫ﻤﺎﺍﻨﺎ ﺤﻜﻡ ﺃﻫﻠﻰ ﻤﺎﻋﻠﻤﻭﻨﻴﺵ ﻭﺃﻨﺎ‬ ‫ﻓﻰ ﺍﻝﻜﺎﺩﺭ‬
‫ﺼﻐﻴﺭ ﻋﺸﺎﻥ ﻜﻨﺕ ﺤﻴﻠﺔ ‪..‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M. S‬ﻝﻠﻌﺘﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬ ‫‪34‬‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﺍﻝﻘﺭﺍﻴﺔ ﻭﺍﻝﻜﺘﺎﺒﺔ ﺩﻯ ﺒﻼ‬
‫ﻭﺍﻝﻤﺄﺫﻭﻥ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ .‬ﺜﻡ ﻴﻨﻅﺭﺍ ﻓﻰ‬
‫ﻗﺎﻓﻴﺔ ﺤﻜﺎﻴﺔ ﻓﻨﻁﺎﻅﻴﺔ ‪..‬ﺁﻩ ﻻ ﺒﺩﻯ‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻭﻻ ﺒﺩﻯ ‪ .....‬ﺍﻝﺠﺩﻉ ﺠﺩﻉ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 6‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 6 of 81‬‬

‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺩﻜﺎﻥ ﺍﻷﺴﻁﻰ ﺤﻨﻔﻰ‬

‫ﺍﻝﺤﻼﻕ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M .L. S‬‬ ‫‪35‬‬
‫ﻝﺼﺎﻝﻭﻥ ﺍﻝﺤﻼﻕ ﻭﻓﻰ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ‬
‫ﻤﺤﻤﺩ ‪ :‬ﺍﻝﺴﻼﻡ ﻋﻠﻴﻜﻡ ﻴﺎﺇﺨﻭﺍﻨﺎ‪.‬‬
‫ﺍﻝﺤﺎﺝ ﺭﻭﺤﻰ ﺍﻝﺤﺎﻨﻭﺘﻰ ﺠﺎﻝﺴﹰﺎ ﻴﻤﻴﻥ‬
‫ﺍﻝﺠﻤﻴﻊ ‪ :‬ﻭﻋﻠﻴﻜﻡ ﺍﻝﺴﻼﻡ ﻭ‬
‫ﻜﺎﺩﺭ ﻭﻴﺩﺨل ﻤﺤﻤﺩ ﻤﻥ ﺍﻝﺒﺎﺏ ‪ .‬ﺜﻡ‬
‫ﺍﻝﺭﺤﻤﺔ ‪.‬‬
‫ﻴﺨﺭﺝ ﻤﻥ ﺍﻝﻴﺴﺎﺭ ﻭﻴﻨﺯﻉ ﺍﻝﻁﺭﺒﻭﺵ ‪.‬‬
‫ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﺒﺄﻗﻭل ﻝﻜﻡ ﺇﺒﻥ ﺤﻼل‬
‫ﺜﻡ ﻴﺩﺨل ﺜﺎﻨﻴﺔ ﺜﻡ ﻴﻌﻭﺩ ﺜﺎﻨﻴﺔ ‪ .‬ﻭﺘﺘﺤﺭﻙ‬
‫ﻤﺼﻔﻰ ‪ ..‬ﻝﺴﻪ ﺁﻫﻪ ﺒﻨﻘﻁﻊ ﻓﻰ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﹰﺎ ﻝﻴﺼﺒﺢ ﻤﺤﻤﺩ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﺍﻝﻔﺭﻭﺓ‬
‫ﻭﺭﻭﺤﻰ ﻭﺤﻨﻔﻰ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﻤﺴﻙ‬
‫ﻤﺤﻤﺩ ‪ :‬ﻭﺴﺎﻜﺕ ﻝﻬﻡ ﻴﺎﻭﺍﻝﺩﻯ‬
‫ﻤﺤﻤﺩ ﺍﻝﻤﻭﺴﻰ ﻭﻴﺤﻠﻕ ﻝﻨﻔﺴﻪ ﻭﺤﻨﻔﻰ‬
‫ﺤﻨﻔﻰ ‪ :‬ﻤﺎﻨﻴﺵ ﺴﺎﻜﺕ ﻴﺎﺃﺒﻨﻰ ﺁﺩﻴﻨﻰ‬
‫ﻴﺤﻠﻕ ﻝﻠﺤﺎﻨﻭﺘﻰ ﺫﻗﻨﻪ ﺜﻡ ﻴﺩﺨل ﺸﹸﺒﻙ‬
‫ﺒﺄﺴﻠﺨﻬﻤﻠﻙ ﻭﺍﺤﺩ ﻭﺍﺤﺩ‬
‫ﻤﻥ ﺍﻝﺒﺎﺏ ﻴﻤﻴﻨﹰﺎ ﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ ﻭﻴﺘﺤﺭﻙ‬
‫ﺸﹸﺒﻙ ‪ :‬ﺴﻼﻤﻭ ﻋﻠﻴﻜﻡ‬
‫ﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﺸﺒﻙ ﻴﻤﻴﻥ‬ ‫‪36‬‬
‫ﻜﺎﺩﺭ ﻴﺠﻠﺱ ﺒﺠﻭﺍﺭ ﺯﺒﻭﻨﻴﻥ ﺃﺤﺩﻫﻤﺎ ﺯﺒﻭﻥ ‪ :‬ﺍﻝﺤﺘﺔ ﻜﻠﻬﺎ ﻋﻤﺎﻝﺔ ﺘﺩﻋﻰ‬
‫ﻨﺎﺌﻡ ﻭﺍﻵﺨﺭ ﻭﻴﻤﺴﻙ ﻤﺭﻭﺤﺔ ﻭﻴﻬﻭﻯ ﻝﻙ ﻓﻰ ﻨﻔﺱ ﻭﺍﺤﺩ ﻴﺎﺴﻰ ﻤﺤﻤﺩ ‪.‬‬
‫ﺒﻬﺎ ﻭﻴﻘﻭﻡ ﺸﹸﺒﻙ ﺒﻌﺩل ﺭﺃﺱ ﺍﻝﺯﺒﻭﻥ ﺸﹸﺒﻙ ‪ :‬ﻤﺤﻤﺩ ﻴﺴﺘﺎﻫل ﻜل ﺨﻴﺭ ‪..‬‬
‫ﻴﺎﺯﻴﻥ ﻤﺎﺭﺒﻴﺕ ﻴﺎﺴﻁﻰ ﺤﻨﻔﻰ‬ ‫ﺍﻝﻨﺎﺌﻡ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﺤﻨﻔﻰ ﺤﻨﻔﻰ ‪ :‬ﺘﻌﻴﺵ ﻴﺎﺴﻰ ﺸﹸﺒﻙ ‪ ..‬ﺩﻩ‬ ‫‪37‬‬
‫ﻭﺍﻝﺤﺎﻨﻭﺘﻰ ﻭﻤﺤﻤﺩ ﻜﻤﺎ ﻓﻰ ﻝﻘﻁﺔ ‪ 36‬ﺒﺱ ﻤﻥ ﺃﺼﻠﻙ ﺒﺱ ‪.‬‬
‫ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﺃﻨﺕ ﻓﻴﻙ ﻤﻥ ﻴﺅﻤﻥ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺒﺎﷲ ﻴﺎﺴﻰ ﻤﺤﻤﺩ ؟‬
‫ﻤﺤﻤﺩ ‪ :‬ﻭﻨﻌﻡ ﺒﺎﷲ ﻴﺎﺤﺎﺝ ﺭﻭﺤﻰ ‪.‬‬
‫ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﺃﻨﺎ ﻝﻴﻠﺔ ﺇﻤﺒﺎﺭﺡ ﺸﻔﺕ‬
‫ﻝﻙ ﺭﺅﻴﺔ ﻓﻰ ﺍﻝﻤﻨﺎﻡ ‪ ,‬ﺭﺒﻨﺎ ﻴﺠﻌﻠﻬﺎ‬
‫ﻤﻥ ﺤﻅﻙ ﻭﻤﻥ ﻨﺼﻴﺒﻙ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺨﻴﺭ ﺇﻥ ﺸﺎﺀ ﺍﷲ !‬
‫ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﻗﺎل ﺭﺃﻴﺘﻙ ﻭﺍﻝﺼﻼﺓ‬
‫ﻋﻠﻰ ﺍﻝﻨﺒﻰ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M .Close Up‬ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﻻﺒﺱ ﺃﺒﻴﺽ ﻓﻰ‬ ‫‪38‬‬
‫ﻝﻤﺤﻤﺩ ﻴﺭﻓﻊ ﺍﻝﻤﻭﺴﻰ ﻭﻴﺤﻠﻕ ﺫﻗﻨﻪ ﺃﺒﻴﺽ ‪ ,‬ﻭﻗﺎﻋﺩ ﻋﻠﻰ ﺸﻁ ﺍﻝﺒﺤﺭ‬
‫ﻭﺍﻝﺸﺒﻜﺔ ﻤﺤﺩﻭﻓﺔ ﻗﺩﺍﻤﻙ ﻭﺃﻨﺕ‬ ‫ﻨﺎﻅﺭﹰﺍ ﻓﻰ ﺍﻝﻤﺭﺁﺓ‬
‫ﺒﺘﺠﺭ ﻓﻴﻬﺎ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close Up‬‬ ‫‪39‬‬
‫ﻝﺤﻨﻔﻰ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻴﺘﻭﻗﻑ ﻋﻥ ﺤﻼﻗﺔ ﺼﻭﺕ ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﻭﻁﺎﻝﻌﺔ ﻝﻙ ﺤﺘﺔ‬
‫ﺭﺃﺱ ﺍﻝﺤﺎﻨﻭﺘﻰ ﺍﻝﺠﺎﻝﺱ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺒﻠﻁﻴﺔ ‪..‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻤﺤﻤﺩ‬ ‫‪40‬‬
‫ﻭﺍﻝﺤﺎﻨﻭﺘﻰ ﻭﺤﻨﻔﻰ ‪ ,‬ﻭﻴﺸﻴﺭ ﺍﻝﺤﺎﻨﻭﺘﻰ‬
‫ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﺁﺩﻯ ﻁﻭﻝﻬﺎ‬
‫ﺒﺯﺭﺍﻋﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺸﺒﻙ ﻭﺍﻝﺯﺒﻭﻥ ‪ :‬ﻫﻰ ﺍﻝﺸﻬﺎﺩﺓ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﺸﹸﺒﻙ‬ ‫‪41‬‬
‫ﻭﺍﻝﺯﺒﻭﻨﻴﻥ ‪ ,‬ﻭﻴﻘﻭﻡ ﺸﺒﻙ ﺒﻌﺩل ﺭﺃﺱ ﺇﻨﺸﺎﺀ ﺍﷲ ‪.‬‬
‫ﺼﻭﺕ ﺸﺨﻴﺭ ﺍﻝﺯﺒﻭﻥ‬ ‫ﺤﻨﻔﻰ ‪ :‬ﻴﺎﻜﺭﻡ ﺍﻝﻤﻭﻝﻰ ‪.‬‬ ‫ﺍﻝﺯﺒﻭﻥ ﺍﻝﻨﺎﺌﻡ‬
‫ﺸﺒﻙ ‪ :‬ﺩﻩ ﺍﻝﺤﺎﺝ ﺭﻭﺤﻰ ﻤﻨﺎﻤﻪ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺎﻴﻨﺯﻝﺵ ﺍﻷﺭﺽ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M .S‬ﻝﻠﺤﺎﻨﻭﺘﻰ‬ ‫‪42‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 7 of 81‬‬

‫ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﺇﺴﺄﻝﻪ ‪ ..‬ﻓﺎﻜﺭ ﻴﺎﺸﺒﻙ‬ ‫ﻭﺤﻨﻔﻰ ‪.‬‬

‫ﺤﻜﺎﻴﺔ ﺠﻭﺯ ﺃﺨﺘﻙ !‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﺸﺒﻙ‬ ‫‪43‬‬
‫ﺸﺒﻙ ‪ :‬ﺃﻴﻭﺓ ﻭﺍﷲ ‪ ...‬ﺩﻯ ﻝﻴﻬﺎ‬
‫ﻭﺍﻝﺯﺒﻭﻨﻴﻥ ﻜﻤﺎ ﻓﻰ ﻝﻘﻁﺔ ‪41‬‬
‫ﺍﻝﻌﺠﺏ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M. .Close up‬‬ ‫‪44‬‬
‫ﻝﻭﺠﻪ ﻤﺤﻤﺩ ﻓﻰ ﺍﻝﻤﺭﺁﺓ ﻭﺍﻝﺼﺎﺒﻭﻥ‬
‫ﻋﻠﻰ ﺠﺎﻨﺏ ﺫﻗﻨﻪ ﻭﻴﺒﺘﺴﻡ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 7‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﺤﺎﺭﺓ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻔﺎﻁﻤﺔ ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪45‬‬
‫ﻤﻨﺨﻔﻀﺔ‪ Low Angle‬ﺘﺨﺭﺝ ﻤﻥ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬
‫ﺼﻭﺕ ﺍﻝﺸﺎﺭﻉ‬ ‫ﺒﺎﺏ ﺍﻝﻤﻨﺯل ﻭﺘﺘﺤﺭﻙ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻨﺎﺯﻝﺔ‬
‫)‪(3‬‬
‫ﺍﻝﺴﻼﻝﻡ ﻭﻤﺭﺘﺩﻴﺔ ﻤﻼﺀﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪ .M .L.S‬ﻝﻤﺤﻤﺩ‬ ‫‪46‬‬
‫ﻭﻫﻭ ﺩﺍﺨل ﺍﻝﺩﻜﺎﻥ ﻴﻤﺴﺢ ﺫﻗﻨﻪ ﻭﻴﺭﺘﺩﻯ ﻤﺤﻤﺩ ‪ :‬ﺴﻼﻤﻭﺍ ﻋﻠﻴﻜﻭﺍ‬
‫ﺍﻝﻁﺭﺒﻭﺵ ﻭﻴﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺍﻝﺠﻤﻴﻊ ‪ :‬ﻋﻠﻴﻜﻭﺍ ﺍﻝﺴﻼﻡ ﻭﺭﺤﻤﺔ‬
‫ﺍﷲ ﻭﺒﺭﻜﺎﺘﻪ ‪.‬‬ ‫ﺨﺎﺭﺝ ﺍﻝﺩﻜﺎﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻔﺎﻁﻤﺔ ﺘﺘﺤﺭﻙ ﻤﺤﻤﺩ ‪ :‬ﻴﻅﻬﺭ ﻴﺎﻓﺎﻁﻤﺔ ﺇﻥ ﺤﻅﻬﻰ‬ ‫‪47‬‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺘﻘﻑ ﻭﻴﺩﺨل ﻤﺤﻤﺩ ﻤﻥ ﺴﻌﻴﺩ ‪ ,‬ﺸﻔﺘﻙ ﻤﺭﺘﻴﻥ ﺍﻝﻨﻬﺎﺭﺩﺓ ‪...‬‬
‫ﺍﻝﻴﻤﻴﻥ ﻭﻴﻘﻑ ﺒﺠﻭﺍﺭﻫﺎ ﻭﻴﺘﺼﺎﻓﺤﺎ ﻓﺎﻁﻤﺔ ‪ :‬ﺇﻨﺸﺎﺀ ﺍﷲ ﻴﻜﻭﻥ ﺴﻌﻴﺩ‬
‫ﺒﻨﺠﺎﺤﻙ ﻴﺎﺴﻰ ﻤﺤﻤﺩ ‪.‬‬ ‫ﻭﻴﺘﺤﺭﻜﺎ ﻴﺴﺎﺭﹰﺍ ﻭﺘﺘﺎﺒﻌﻬﻤﺎ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ tracking‬ﻭﻴﻅﻬﺭ ﺤﻨﻁﻭﺭ ﺍﻷﺴﻁﻰ ﺇﻤﺎﻡ ‪ :‬ﺴﻼﻤﺎﺕ ﻴﺎﺴﻰ‬
‫ﻓﻰ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺭﻓﻊ ﻤﺤﻤﺩ ﺭﺃﺴﻪ ﻤﺤﻤﺩ ‪ :‬ﺇﺯﻴﻙ ﻴﺎﺴﻁﻰ ﺇﻤﺎﻡ ‪ ..‬ﺇﻨﺘﻰ‬
‫ﻨﺎﺤﻴﺔ ﺍﻝﻌﺭﺒﺔ ﺜﻡ ﻴﻨﻅﺭ ﻝﻔﺎﻁﻤﺔ ﻭﻴﻌﺒﺭﺍ ﺭﺍﻴﺤﺔ ﺘﺭﺍﺠﻌﻰ ﺤﺴﺎﺏ ﺍﻝﻔﺭﻥ ؟‬
‫ﺩﻜﺎﻥ ﺍﻝﻌﺘﺭ ﺍﻝﺫﻯ ﻴﻅﻬﺭ ﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ ﺜﻡ ﻓﺎﻁﻤﺔ ‪ :‬ﻭﺇﻥ ﻤﺎﺭﺍﺠﻌﺘﻭﺵ ﻤﻴﻥ‬
‫ﻫﺎﻴﺭﺍﺠﻌﻪ ‪ ..‬ﻴﻌﻨﻰ ﺍﻨﺕ ﻤﺵ ﻋﺎﺭﻑ‬ ‫ﻴﺼﻼ ﺍﻝﻰ ﺍﻝﻤﺨﺒﺯ ‪.‬‬
‫ﺃﻤﻰ ﻭﻗﻠﺒﻬﺎ ﺍﻝﺤﺎﻤﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﻭﻝﺴﻪ ﺃﺒﻭﻜﻰ ﻤﺎﺼﺤﻴﺵ‬
‫ﻝﺤﺩ ﺩﻝﻭﻗﺕ‬
‫ﻴﺎﻤﺎ ﺃﻨﺘﻰ ﺼﻌﺒﺎﻨﺔ ﻋﻠﻴﺎ ﻗﻭﻯ‬
‫ﻴﺎﻓﺎﻁﻤﺔ ‪ ,‬ﻤﺩﻭﺨﻴﻨﻙ ﻓﻰ ﺸﻐل‬
‫ﺍﻝﺒﻴﺕ ﻭﻫﻨﺎ ﻜﻤﺎﻥ ﻓﻰ ﺍﻝﻔﺭﻥ ﻤﺩﻴﺭﺓ‬
‫ﻗﻠﻡ ﺍﻝﺤﺴﺎﺒﺎﺕ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M .S‬ﻝﻠﻌﺘﺭ ﻴﻘﻑ‬ ‫‪48‬‬

‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﻠﺘﻔﺕ ﻨﺎﺤﻴﺔ ﺼﺒﻴﻪ ﺜﻡ ﺍﻝﻌﺘﺭ ‪ :‬ﺠﺕ ﻗﻁﻊ ﻜﻼﻭﻴﻙ ﺨﺭﻭﻑ‬
‫ﺘﻔﻭﻀﺭ ﺍﻝﺩﻡ ‪.‬‬ ‫ﻴﻠﺘﻔﺕ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M .S‬ﻝﻔﺎﻁﻤﺔ ‪ 3/4‬ﻓﺎﻁﻤﺔ ‪ :‬ﺃﻤﺎ ﺍﻨﺕ ﻋﻠﻴﻙ ﻜﻼﻡ ﻴﺎﺴﻰ‬ ‫‪49‬‬
‫ﻜﺎﺩﺭ ﻭﺘﻨﻅﺭ ﻴﻤﻴﻨﹰﺎ ﻭﻤﺤﻤﺩ ﺒﺭﻭﻓﻴل ﻴﻨﻅﺭ ﻤﺤﻤﺩ‬
‫ﻤﺤﻤﺩ ‪ :‬ﻋﻥ ﺇﺫﻨﻙ ﻝﻤﺎ ﺍﻭﺼل‬ ‫ﻨﺎﺤﻴﺔ ﻓﺎﻁﻤﺔ‬
‫ﻝﻠﻤﺩﺭﺴﺔ ﺃﺸﻭﻑ ﺍﻝﻨﺘﻴﺠﺔ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺃﻨﺎ ﻫﺎﺃﺴﺘﻨﻰ ﻓﻰ ﺍﻝﻔﺭﻥ‬
‫ﺠﻨﺏ ﺍﻝﺘﻠﻴﻔﻭﻥ ﺘﺒﻘﻰ ﺘﻁﻤﻨﻰ ﻭﺍﻝﻨﺒﻰ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻤﺤﻤﺩ ﻭﻓﺎﻁﻤﺔ‬ ‫‪50‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺤﺎﻀﺭ ‪.‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 8 of 81‬‬

‫ﺍﻝﺘﻰ ﺘﺩﺨل ﺍﻝﻤﺨﺒﺯ ﻭﻴﺩﺨل ﺍﻝﻜﺎﺩﺭ ﺇﻤﺎﻡ ‪ :‬ﻋﻠﻰ ﻓﻴﻥ ﻜﺩﺓ ؟‬

‫ﺍﻝﺤﻨﻁﻭﺭ ﻭﻴﻘﻑ ﺍﻷﺴﻁﻰ ﺇﻤﺎﻡ ﺜﻡ ﻴﺼﻌﺩ ﻤﺤﻤﺩ ‪ :‬ﻗﺭﻴﺏ ﻫﻨﺎ‬
‫ﻨﻬﺎﻴﺔ ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫ﻤﺤﻤﺩ ﺍﻝﻌﺭﺒﺔ ﺜﻡ ﺘﺭﺘﻔﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Tilt‬ﺇﻤﺎﻡ ‪ :‬ﻻ ﺇﻁﻠﻊ ﻭﻴﺎﻴﺎ‬
‫)‪(3‬‬ ‫ﻤﺤﻤﺩ ‪ :‬ﻤﺘﺸﻜﺭ‬ ‫‪ UP‬ﻝﺘﻅﻬﺭ ﺍﻝﺤﺎﺭﺓ‬
‫ﺇﻤﺎﻡ ‪ :‬ﺇﻁﻠﻊ ﺇﻁﻠﻊ ‪.‬‬ ‫ﺍﺨﺘﻔﺎﺀ ﺘﺩﺭﻴﺠﻰ‬
‫‪Fade- Out‬‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﻤﺸﻬﺩ ) ‪( 8‬‬
‫)‪(4‬‬ ‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺸﺎﺭﻉ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﺸﺎﺭﻉ ﻋﺼﺭﻯ‬ ‫‪51‬‬
‫ﻭﻤﺒﺎﻨﻰ ﻋﺎﻝﻴﺔ ﻭﻤﻴﺩﺍﻥ ﻓﺴﻴﺢ‬
‫ﻤﺴﺢ‬
‫ﻤﺸﻬﺩ ) ‪( 9‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﻜﻠﻴﺔ ﺍﻝﺘﺠﺎﺭﺓ‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻠﻭﺤﺔ ) ﻜﻠﻴﺔ ﺍﻝﺘﺠﺎﺭﺓ (‬ ‫‪52‬‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬
‫ﺠﺎﻤﻌﺔ ﻓﺅﺍﺩ ﺍﻷﻭل‬
‫)‪(4‬‬
‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‬ ‫‪53‬‬
‫‪ High Angle‬ﻝﻔﻨﺎﺀ ﺍﻝﻜﻠﻴﺔ ﻭﻴﻅﻬﺭ‬
‫ﺼﻭﺕ ﺍﻝﻤﻜﺎﻥ‬
‫ﺍﻝﻁﻠﺒﺔ ﻤﺠﺘﻤﻌﻴﻥ ﻓﻰ ﺍﻝﻔﻨﺎﺀ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ‪American Shot‬‬ ‫‪54‬‬
‫ﻁﺎﻝﺏ ‪ :‬ﻤﺒﺭﻙ ﻴﺎﻋﻡ‬
‫ﻝﻤﺤﻤﺩ ﻴﺩﺨل ﻤﻥ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﻭﺒﻌﺽ‬
‫ﻤﺤﻤﺩ ‪ :‬ﻋﺎﺍﷲ ‪.‬‬
‫ﺍﻝﻁﻠﺒﺔ ﻭﺍﻗﻔﻴﻥ ﻭﻴﺤﻴﻴﻬﻡ ﻭﻴﺨﺭﺝ ﻤﻥ‬
‫ﻁﺎﻝﺏ ﺁﺨﺭ ‪ :‬ﺃﻨﺕ ﻫﺎﺘﺨﺯﻯ ﺍﻝﻌﻴﻥ ‪.‬‬
‫ﺍﻝﻴﻤﻴﻥ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨ ﹰﺎ‪Pan‬‬
‫ﺇﺴﻤﻙ ﻓﻰ ﺃﻭل ﺍﻝﻠﺴﺘﺔ‬
‫‪ Right‬ﻴﺼل ﺍﻝﻰ ﻝﻭﺤﺔ ﺍﻷﺴﻤﺎﺀ‬
‫ﻤﺤﻤﺩ ‪ :‬ﻝﻤﺎ ﺃﺸﻭﻑ‬
‫ﻭﻴﺩﺨل ﻁﺎﻝﺏ ﻤﻥ ﺍﻝﻴﻤﻴﻥ ﻭﻴﺼﺒﺤﺎ ﻓﻰ‬
‫ﻁﺎﻝﺏ ‪ :‬ﻤﺒﺭﻭﻙ ﻴﺎﻤﺤﻤﺩ ﻭﺍﷲ‬
‫ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪.M .S‬‬
‫ﻓﺭﺤﺘﻠﻙ ﻗﻭﻯ ‪.‬‬
‫ﻭﻴﺘﺼﺎﻓﺤﺎ ‪ ,‬ﺜﻡ ﻴﺨﺭﺝ ﻤﺤﻤﺩ ﻤﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻤﺤﻤﺩ ‪ :‬ﻤﻴﺭﺴﻰ ﺃﺸﻜﺭﻙ‬
‫ﻴﺴﺎﺭﹰﺍ‬
‫ﺼﻭﺕ ﻋﺩﻝﻰ ‪ :‬ﻴﺎﻤﺤﻤﺩ ‪ ..‬ﻤﺤﻤﺩ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪ .M. L. S‬ﻋﺩﻝﻰ ‪ :‬ﻫﺎﻩ ﻴﺎ ﻤﺤﻤﺩ ‪..‬ﻁﻤﻨﻰ‬ ‫‪55‬‬
‫ﻝﻌﺩﻝﻰ ﻓﻰ ﺍﻝﺴﻴﺎﺭﺓ ﺍﻝﻤﻜﺸﻭﻓﺔ ﻭﻴﺄﺘﻰ ﻤﺤﻤﺩ ‪ :‬ﻨﺠﺤﺕ ﻴﺎﻋﺩﻝﻰ‬
‫ﻤﺤﻤﺩ ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺼﺎﻓﺤﺎ ‪ ,‬ﺜﻡ ﻋﺩﻝﻰ ‪ :‬ﻋﺎل ﻋﺎل ‪ ..‬ﻤﺒﺭﻭﻙ ﺇﻴﺩﻙ‬
‫ﻴﺩﺨل ﺤﺴﻥ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻘﻑ ﺒﻘﻰ ‪ .‬ﻭﺇﻨﺕ ﻴﺎﺤﺴﻥ ﻋﻤﻠﺕ ﻴﻪ ؟‬
‫ﺤﺴﻥ ‪ :‬ﺸﺭﺤﻪ‬ ‫ﺒﺠﻭﺍﺭ ﺍﻝﺴﻴﺎﺭﺓ ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻋﺩﻝﻰ ‪ :‬ﻋﺎل ﻋﺎل ﻭﺴﻠﻴﻤﺎﻥ ﻋﺒﺩ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻤﻨﻌﻡ ﻴﺎﺤﺴﻥ ﻋﻤل ﺁﻴﻪ ؟‬
‫ﺤﺴﻥ ‪ :‬ﻫﻭﻫﻭ ‪ ..‬ﺼﺢ ﺍﻝﻨﻭﻡ ﺩﻩ‬
‫ﺨﺭﺝ ﻤﻥ ﺴﻨﺔ ﺘﺎﻝﺘﺔ‬
‫ﻋﺩﻝﻰ ‪ :‬ﻜﺩﺓ ! ﻴﻌﻨﻰ ﻋﻤل ﺯﻯ‬
‫ﺤﺎﻻﺘﻰ !‬
‫ﺤﺴﻥ ‪ :‬ﺒﺱ ﺃﻨﺕ ﺴﺒﺘﻬﺎ ﺒﻜﻴﻔﻙ‬
‫ﻝﻜﻥ ﺩﻜﻬﺎ ﺇﺘﺭﻓﺩ ) ﻀﺤﻙ (‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M. S‬ﻝﻌﺩﻝﻰ ﻤﻥ ﻭﺭﺍﺀ‬ ‫‪56‬‬

‫ﻋﺩﻝﻰ ‪ :‬ﻴﺎﻝﻼ ﻴﺎ ﻤﺤﻤﺩ ﺇﻁﻠﻊ ﺇﺭﻜﺏ‬
‫ﻅﻬﺭ ﻤﺤﻤﺩ ﻴﻅﻬﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻤﺤﻤﺩ‬
‫ﻭﻴﺎﻴﺎ ‪ ......‬ﻋﺎﻴﺯﻙ ﻓﻰ ﻤﺴﺄﻝﺔ‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻤﻬﻤﺔ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 9 of 81‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M. S‬ﻝﻤﺤﻤﺩ ﻤﻥ ﻭﺭﺍﺀ‬ ‫‪57‬‬

‫ﻤﺤﻤﺩ ‪ :‬ﻤﺵ ﺩﻝﻭﻗﺘﻰ ﻴﺎﻋﺩﻝﻰ ‪..‬‬
‫ﻅﻬﺭ ﻋﺩﻝﻰ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻋﺩﻝﻰ ﻴﺴﺎﺭ‬
‫ﺨﻠﻴﻬﺎ ﺒﻌﺩﻴﻥ ﻻﺯﻡ ﺃﻓﻭﺕ ﻋﺎﻝﺒﻴﺕ‬
‫ﻜﺎﺩﺭ‬
‫ﺃﻁﻤﻨﻬﻡ ﺃﻭ ﹰﻻ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M .L. S‬‬ ‫‪58‬‬
‫ﻝﻌﺩﻝﻰ ﻭﻤﺤﻤﺩ ﻭﺤﺴﻥ ﻜﻤﺎ ﻓﻰ ﻝﻘﻁﺔ )‬
‫ﻋﺩﻝﻰ ‪ :‬ﻴﺎﺴﻴﺩﻯ ‪ ..‬ﺩﻯ ﻜﻠﻤﺔ ﻭﺭﺩ‬
‫‪ ( 55‬ﻭﻴﺨﺭﺝ ﺤﺴﻥ ﻤﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪,‬‬
‫ﻏﻁﺎﻫﺎ ﺃﺭﻜﺏ ﺃﺭﻜﺏ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﻭﻴﻠﻑ ﻤﺤﻤﺩ ﺤﻭل ﺍﻝﺴﻴﺎﺭﺓ ﻭﻴﺩﺨل‬
‫ﺼﻭﺕ ﻤﺤﺭﻙ ﺍﻝﺴﻴﺎﺭﺓ‬ ‫ﺃﻭﺭﻭﻓﻭﺍﺭ ﻴﺎﺤﺴﻥ‬
‫)‪(5‬‬ ‫ﺍﻝﻜﺎﺩﺭ ﻤﻥ ﺍﻝﻴﺴﺎﺭ ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺤﺴﻥ ‪ :‬ﺍﻭﺭﻭﻓﻭﺍﺭ ﺨﻠﻴﻨﺎ ﻨﺸﻭﻓﻙ‬
‫ﻭﻴﺨﺭﺝ ﺤﺴﻥ ﻤﻥ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ‪ .‬ﺜﻡ‬
‫ﺘﺨﺭﺝ ﺍﻝﺴﻴﺎﺭﺓ ﻤﻥ ﺍﻝﻴﻤﻴﻥ‬
‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻤﺸﻬﺩ ) ‪( 10‬‬
‫ﻨﻬﺎﺭ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﺒﺎﺭ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻠﺴﻴﺎﺭﺓ ﺘﺩﺨل ﻤﻥ‬ ‫‪59‬‬
‫ﺼﻭﺕ ﻤﺤﺭﻙ ﺍﻝﺴﻴﺎﺭﺓ‬ ‫ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﻭﻗﻑ ﺃﻤﺎﻡ ﺍﻝﺒﺎﺭ ﻭﻴﻨﺯل‬
‫ﺼﻭﺕ ﻏﻠﻕ ﺒﺎﺒﻰ‬ ‫ﻤﻨﻬﺎ ﻋﺩﻝﻰ ﻭﻤﺤﻤﺩ ﻭﻴﺩﺨﻼ ﻤﻥ ﺍﻝﺒﺎﺏ‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﺍﻝﺴﻴﺎﺭﺓ‬ ‫ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫)‪(5‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 11‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﺒﺎﺭ‬
‫ﻤﻭﺴﻴﻘﻰ ﺨﺎﻓﺘﺔ‬ ‫ﻋﺩﻝﻰ ‪ :‬ﺒﻭﻨﺠﻭﺭ ﻴﺎﺠﻭﻜﺭ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ . L. S‬ﻝﻠﺒﺎﺭ ﻤﻥ ﺍﻝﺩﺍﺨل‬ ‫‪60‬‬
‫ﻤﻥ ﺍﻝﻤﻜﺎﻥ‬ ‫ﺭﺃﻓﺕ ‪ :‬ﺒﻭﻨﺠﻭﺭ ﻤﻴﻜﻰ ﻤﺎﻭﺱ‬ ‫ﻭﻴﺩﺨل ﻤﺤﻤﺩ ﻭﻋﺩﻝﻰ ﻤﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﺃﺴﻁﻭﺍﻨﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﻋﺯﺕ ‪ :‬ﺍﻝﺒﻨﺕ ﺸﺎﺭﻝﻭﺕ ﻤﺤﻀﺭﺓ ﻝﻙ‬ ‫ﻭﻴﻌﺒﺭﺍ ﺍﻝﻤﻭﺍﺌﺩ ﻭﻴﺘﺤﺭﻜﺎ ﻴﺴﺎﺭﹰﺍ ﻨﺎﺤﻴﺔ‬
‫ﻏﺭﺒﻴﺔ‬ ‫ﻤﻴﺔ ﻨﺎﺭ ﻤﺎﺘﻤﺸﻴﺵ ﺒﻭﺸﻙ ﻋﺭﻴﺎﻥ‬ ‫ﺍﻝﺒﺎﺭ ﻭﻴﻠﻘﻴﺎ ﺍﻝﺘﺤﻴﺔ ﻋﻠﻰ ﻤﺠﻤﻭﻋﺔ ﻤﻥ‬
‫ﺍﻝﺒﺎﺭ ﻤﺎﻥ ‪ :‬ﺒﻭﻨﺠﻭﺭ ﺇﻜﺴﻼﻨﺱ‬ ‫ﺍﻝﺭﺠﺎل ﺠﺎﻝﺴﻴﻥ ﺤﻭل ﻤﺎﺌﺩﺓ ﻓﻰ‬
‫ﺼﻭﺕ ﺍﻝﻤﻜﺎﻥ‬
‫ﻋﺩﻝﻰ ‪ :‬ﺒﻭﻨﺠﻭﺭ ﻨﻴﻘﻭﻻ ‪ ..‬ﺠﺭﻯ‬ ‫ﻤﻨﺘﺼﻑ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻌﺒﺭﺍﻫﻤﺎ ﻭﻴﺠﻠﺴﺎ‬
‫ﺁﻴﻪ ﻴﺎﺒﻬﻭﺍﺕ ﻤﻥ ﺨﺸﺏ ﻤﺎﻝﻜﻡ‬ ‫ﺃﻤﺎﻡ ﺍﻝﺒﺎﺭ ﻓﻰ ﺍﻝﻴﺴﺎﺭ ‪.‬‬
‫ﻤﺒﻠﻤﻴﻥ ﻜﺩﻩ ﻝﻴﻪ ؟ ﻤﺵ ﺘﺴﻠﻤﻭﺍ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﻠﻰ ﺴﻰ ﻤﺤﻤﺩ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻠﺜﻼﺜﺔ ﻴﻨﻅﺭﻭﻥ‬ ‫‪61‬‬

‫ﻋﺯﺕ ‪ :‬ﺴﻰ ﻤﺤﻤﺩ ! ﺁﻩ ‪ ..‬ﻭﺍﷲ‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﻘﻔﻭﻥ ﻭﻴﺘﺤﺭﻜﻭﻥ ﻴﺴﺎﺭ‬
‫ﺯﻤﺎﻥ‬
‫ﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻬﻡ ﺍﻝﻜﺎﻤﻴﺭﺍ‪Pan Left‬‬
‫ﺸﻭﻜﺕ ‪ :‬ﻓﻴﻨﻙ ﻴﺎﺴﻰ ﻤﺤﻤﺩ ؟‬
‫ﻭﻴﻅﻬﺭ ﻤﺤﻤﺩ ﻭﻋﺩﻝﻰ ﻓﻰ ﺍﻝﻜﺎﺩﺭ‬
‫ﻋﺩﻝﻰ ‪ :‬ﻫﻨﻭﻩ ﻴﺎﺒﻬﻭﺍﺕ ﺒﺎﺭﻜﻭﺍ ﻝﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻤﺤﻤﺩ ﻭﻋﺩﻝﻰ‬ ‫‪62‬‬
‫ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﺨﻠﻑ ﺍﻝﺒﺎﺭ ﻭﻴﻅﻬﺭ ﻤﺤﻤﺩ ﺭﺃﻓﺕ ‪ :‬ﺁﻴﻪ ! ﻭﺭﺍﺜﺔ ؟‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻋﺩﻝﻰ ﻴﺴﺎﺭ ﻭﺍﻝﺜﻼﺜﺔ ﻓﻰ ﺸﻭﻜﺕ ‪ :‬ﺠﻭﺍﺯﺓ‬
‫ﺍﻝﻤﻨﺘﺼﻑ ﻭﻴﻨﻅﺭﻭﻥ ﻨﺎﺤﻴﺔ ﻤﺤﻤﺩ ﻋﺩﻝﻰ ‪ :‬ﺩﻩ ﻨﺠﺢ ﻓﻰ ﺍﻝﺩﺒﻠﻭﻡ‬
‫ﺍﻝﻨﻬﺎﺭﺩﺓ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﺯﺕ ‪ :‬ﻤﺒﺭﻭﻙ‬
‫ﺸﻭﻜﺕ ‪ :‬ﺸﻴﺭﻴﻭﻭ‬
‫ﻋﺯﺕ ‪ :‬ﻨﻬﻨﻰ ﺍﻨﻔﺴﻨﺎ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪M .L. S‬‬ ‫‪63‬‬
‫ﻝﻠﺜﻼﺜﺔ ﻴﻌﻭﺩﻭﻥ ﺍﻝﻰ ﺍﻝﻤﺎﺌﺩﺓ ﻭﺘﺘﺤﺭﻙ ﻋﺯﺕ ‪ :‬ﺇﺘﻔﺭﺝ ﻴﺎﺴﻴﺩﻯ ﺠﺭﺍﺒﻴﻊ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻝﻠﺘﺘﺎﺒﻌﻬﻡ ﻭﻫﻡ ﺍﻝﺒﻠﺩ‬
‫ﺸﻭﻜﺕ ‪ :‬ﻭﺁﺩﻯ ﻜﻤﺎﻥ ﺩﺒﻠﻭﻡ ‪ ..‬ﻗﻴﺩ‬ ‫ﻴﺠﻠﺴﻭﻥ ﺜﻡ ﻴﻨﻀﻡ ﻝﻬﻡ ﺭﺸﺎﺩ‬
‫ﻋﻨﺩﻙ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺭﺃﻓﺕ ‪ :‬ﻭﺇﺒﻥ ﺍﻝﻤﺯﻴﻥ ﺭﺍﺨﺭ ‪..‬ﺁﻫﻰ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 10 of 81‬‬

‫ﺘﻤﺕ‬
‫ﺭﺸﺎﺩ ‪ :‬ﻻ ﺩﻩ ﻓﻰ ﺍﻝﺤﻘﻴﻘﺔ ﻴﺴﺘﺎﻫﻠﻬﺎ‬

‫ﺍﻝﺠﻤﻴﻊ ‪ :‬ﻁﺒﻌ ﹰﺎ ‪ ..‬ﻤﺅﻜﺩ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M. Close Up‬ﻤﺤﻤﺩ ‪ :‬ﻤﺎﻗﻠﺘﻠﻴﺵ ﻴﺎﻋﺩﻝﻰ ﺁﻴﻪ‬ ‫‪64‬‬

‫ﻝﻤﺤﻤﺩ ﻭﻋﺩﻝﻰ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺍﻝﻤﺴﺄﻝﺔ ﺍﻝﻠﻰ ﺃﻨﺕ ﻋﺎﻴﺯﻨﻰ ﻓﻴﻬﺎ ؟‬
‫ﻋﺩﻝﻰ ‪ :‬ﻴﺎﺴﻴﺩﻯ ﺍﻝﺒﻨﺕ ﺭﻴﺠﻴﻨﺎ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺭﻗﺎﺼﺔ ﺒﻌﺩ ﻤﺎﺴﺒﺘﻬﺎ ﻋﻠﻰ ﺇﻴﺩﻙ‬
‫ﺭﺍﺤﺕ ﻤﻥ ﻏﻴﻅﻬﺎ ﻭﻨﺎﺭﻫﺎ ﻗﺎﺒﻠﺕ‬
‫ﺒﺎﺒﺎ ﻭﻋﻤﻠﺕ ﺤﺘﺔ ﻓﻀﻴﺤﺔ ﻝﺭﺏ‬
‫ﺍﻝﺴﻤﺎ ﻭﻫﻭ ﻤﻥ ﻭﻗﺘﻬﺎ ﻭﻫﻭ ﺯﻋﻼﻥ‬
‫ﻤﻨﻰ ﻭﻤﺵ ﻁﺎﻴﻕ ﻴﺸﻭﻑ ﻭﺸﻰ‬
‫ﻤﺤﻤﺩ ‪ :‬ﻴﺎﺨﺒﺭ ﺃﺒﻴﺽ ﺩﻩ ﺍﻝﺒﺎﺸﺎ‬
‫ﺼﻌﺏ ﻗﻭﻯ ﻭﺒﻌﺩﻴﻥ ﻫﺎﺘﻌﻤل ﺁﻴﻪ ؟‬
‫ﻋﺩﻝﻰ ‪ :‬ﻭﻻ ﺒﻌﺩﻴﻥ ﻭﻻ ﻗﺒﻠﻴﻥ‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close Up‬ﻝﻌﺩﻝﻰ ﻤﻥ ﻋﺩﻝﻰ ‪ :‬ﻓﻜﺭﺕ ﺃﻨﺎ ﻓﻴﻪ ﻤﻴﻥ ﻴﻘﺩﺭ‬ ‫‪65‬‬
‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‪ High Angle‬ﺒﺭﻭﻓﻴل ﻴﺼﻠﺢ ﺒﻴﻨﻰ ﻭﺒﻴﻥ ﺒﺎﺒﺎ ‪ ...‬ﻤﺎﻝﻘﻴﺘﺵ‬
‫ﺒﻴﻥ ﺃﺼﺤﺎﺒﻰ ﻜﻠﻬﻡ ﺤﺩ ﺒﻴﺜﻕ ﻓﻴﻪ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺒﺎﺒﺎ ﻭﺒﻴﺤﺘﺭﻤﻪ ﻏﻴﺭﻙ ﺇﻨﺕ‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close Up‬ﻝﻤﺤﻤﺩ ﻴﻨﻅﺭ ﻤﺤﻤﺩ ‪ :‬ﻤﺎﻫﻭ ﻴﺎﻋﺩﻝﻰ ﻴﺎﺤﺒﻴﺒﻰ ‪.‬‬ ‫‪66‬‬
‫ﺃﻨﺎ ﺃﻭﺩ ﻤﺎﻋﻠﻰ ﻁﺒﻌﹰﺎ ﺃﺴﻌﻰ ﻓﻰ‬ ‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺘﺭﻭﻴﻕ ﺍﻝﺠﻭ ﺒﻴﻨﻙ ﻭﺒﻴﻨﻪ ﻝﻜﻥ ﺁﻴﻪ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻔﺎﻴﺩﺓ ﻝﻤﺎ ﺃﺘﻜﻠﻡ ﺍﻝﻨﻬﺎﺭﺩﺓ ﻭﺃﻨﺕ‬
‫ﺘﻠﺒﺦ ﺒﻜﺭﺓ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M .S.2‬ﻝﻸﺜﻨﻴﻥ ﻜﻤﺎ ﻋﺩﻝﻰ ‪ :‬ﻻ ﻻ ﺍﻝﻤﺭﺓ ﺩﻯ ﻭﺨﻼﺹ ‪.‬‬ ‫‪67‬‬
‫ﻓﻰ ﻝﻘﻁﺔ ) ‪ ( 62‬ﺜﻡ ﻴﺠﺫﺏ ﻤﺤﻤﺩ ﺍﻨﺎ ﺒﺄﺤﻕ ﻨﻔﺴﻰ ﻜﺘﻴﺭ ﻗﻭﻯ‬
‫ﻭﺒﺄﺤﺎﻭل ﺃﻨﻪ ﻴﺤﺴﻥ ﻅﻨﻪ ﺒﻴﺎ‬ ‫ﺍﻝﺘﻠﻴﻔﻭﻥ‬
‫ﺍﺨﺘﻔﺎﺀ ﺘﺩﺭﻴﺠﻰ ‪ Fade -Out‬ﻤﺤﻤﺩ ‪ :‬ﻁﻴﺏ ﻭﻭﺴﻬﺭ ﺍﻝﻠﻴﺎﻝﻰ‬
‫ﻷ ﺨﻼﺹ ‪....‬ﺃﻨﺕ ﻋﺎﺭﻑ ﺍﻝﺤﺎﺠﺎﺕ‬
‫ﺩﻯ ﻓﺭﻏﻨﺎ ﻤﻨﻬﺎ ﺨﻼﺹ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 12‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﻤﺨﺒﺯ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﺸﺤﺎﺘﺔ ﻜﺎﺘﺏ ﺸﺤﺎﺘﺔ ‪ 18 :‬ﻭ ﺨﻤﺴﺔ ﻴﺒﻘﻭﺍ ‪22‬‬ ‫‪68‬‬
‫ﺍﻝﻤﺨﺒﺯ ﺨﻠﻑ ﺍﻝﻤﻜﺘﺏ ﻭﺍﻤﺎﻡ ﺍﻝﻤﻜﺘﺏ ﻓﺎﻁﻤﺔ ‪ :‬ﻷ ‪ ...‬ﻴﺒﻘﻭﺍ ‪23‬‬
‫ﺼﻭﺕ ﺠﺭﺱ ﺍﻝﺘﻠﻔﻭﻥ‬ ‫ﺘﺠﻠﺱ ﻓﺎﻁﻤﺔ ‪ .‬ﺜﻡ ﻴﺭﻓﻊ ﺸﺤﺎﺘﺔ ﺸﺤﺎﺘﺔ ‪ :‬ﻤﺎﺃﻨﺎ ﺒﺄﻗﻭل ‪23‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻷ ﻴﺎﺸﺤﺎﺘﺔ ﺃﻓﻨﺩﻯ ﻷ‬ ‫ﺍﻝﺘﻠﻴﻔﻭﻥ‬
‫ﻼ‬
‫ﻼ ﻭﺴﻬ ﹰ‬ ‫ﺸﺤﺎﺘﺔ ‪ :‬ﺁﻝﻭ ‪ ....‬ﺃﻫ ﹰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close Up‬‬ ‫‪69‬‬
‫ﺸﺤﺎﺘﺔ ‪ :‬ﻴﺎﺴﻼﻡ ﺁﺁﻤﺭ ‪ ....‬ﻤﺒﺎﺭﻙ‬ ‫ﻝﺸﺤﺎﺘﺔ ﻤﻤﺴﻜ ﹰﺎ ﺒﺎﻝﺴﻤﺎﻋﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M .Close Up‬‬ ‫‪70‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻓﻴﻪ ﺁﻴﻪ ﻴﺎﺸﺤﺎﺘﺔ ﺃﻓﻨﺩﻯ ؟‬
‫ﻝﻔﺎﻁﻤﺔ ﺘﻠﺘﻔﺕ ﻭﺘﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻩ‬
‫ﺼﻭﺕ ﺸﺤﺎﺘﺔ ‪ :‬ﺨﺩ ﺍﻝﺩﺒﻠﻭﻡ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﺜﻡ ﺘﺒﺘﺴﻡ‬
‫ﺒﺴﻼﻤﺘﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ .M .L. S‬ﺸﺤﺎﺘﺔ ‪ :‬ﺴﻰ ﻤﺤﻤﺩ ﺇﺒﻥ ﺍﻷﺴﻁﻰ‬ ‫‪71‬‬
‫ﻝﻸﺜﻨﻴﻥ ‪ ..‬ﻭﺘﻘﻑ ﻓﺎﻁﻤﺔ ﻭﺘﺨﺭﺝ ﻤﻥ ﺤﻨﻔﻰ ‪ ..‬ﻤﺎﻋﻠﻴﻨﺎ ﺨﻠﻴﻨﺎ ﻓﻰ ﺍﻝﻤﻬﻡ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻤﺵ ﻭﻗﺘﻪ ﺒﻘﻰ ﻴﺎﺸﺤﺎﺘﺔ‬ ‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻤﺴﺭﻋﺔ‬
‫ﺃﻓﻨﺩﻯ ‪ ..‬ﺨﻠﻴﻙ ﺃﻨﺕ ﻋﻠﻰ ﻤﻬﻠﻙ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 11 of 81‬‬

‫ﻤﺸﻬﺩ ) ‪( 13‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﺤﺎﺭﺓ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻔﺎﻁﻤﺔ ﺘﺠﺭﻯ‬ ‫‪72‬‬
‫)‪(6‬‬ ‫ﻨﺎﺤﻴﺔ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺼﻭﺕ ﺍﻝﺤﺎﺭﺓ‬ ‫ﺴﺭﻴﻊ‪ Pan Right‬ﻭﺘﺼل ﺍﻝﻰ ﺩﻜﺎﻥ‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﺤﻨﻔﻰ ﺍﻝﺤﻼﻕ‬
‫)‪(6‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 14‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺼﺎﻝﻭﻥ ﺍﻝﺤﻼﻕ‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ‪American Shot‬‬ ‫‪73‬‬
‫ﻝﻔﺎﻁﻤﺔ ﺘﺩﺨل ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﺤﻴﺙ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻋﻭﺍﻑ ﻴﺎﻋﻡ ﺍﻷﺴﻁﻰ‬
‫ﻴﻘﻑ ﺤﻨﻔﻰ ﻴﺤﻠﻕ ﺭﺃﺱ ﺃﺤﺩ ﺍﻝﺯﺒﺎﺌﻥ‬
‫ﺤﻨﻔﻰ ‪ ..‬ﻤﺒﺭﻭﻙ ﺴﻰ ﻤﺤﻤﺩ ﻨﺠﺢ‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺘﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺜﻡ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺭﺒﻨﺎ ﻴﺒﺸﺭﻙ ﺒﺎﻝﺨﻴﺭ‬
‫ﻴﺘﺒﻌﻬﺎ ﺤﻨﻔﻰ ﻭﻴﻘﻑ ﻋﻨﺩ ﻤﺩﺨل ﺍﻝﺒﺎﺏ‬
‫ﻴﺎﺒﻨﺘﻰ ‪ ....‬ﻓﺎﻁﻤﺔ ‪..‬‬
‫ﻭﻴﻨﻅﺭ ﻴﻤﻴﻨ ﹰﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 15‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﺤﺎﺭﺓ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻔﺎﻁﻤﺔ ﺘﺼﻌﺩ‬ ‫‪74‬‬
‫ﺴﻼﻝﻡ ﺍﻝﺤﺎﺭﺓ ﺃﻤﺎﻡ ﻤﻨﺯل ﻤﺤﻤﺩ ﻭﺘﻠﺘﻔﺕ ﺼﻭﺕ ﺤﻨﻔﻰ ‪ :‬ﻤﻴﻥ ﻗﺎﻝﻙ ؟‬
‫ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺜﻡ ﺘﻌﻁﻰ ﻅﻬﺭﻫﺎ ﻓﺎﻁﻤﺔ ‪ :‬ﺴﻰ ﻤﺤﻤﺩ ﺒﻨﻔﺴﻪ ﻗﺎﻝﻨﺎ‬
‫ﺒﺎﻝﺘﻠﻴﻔﻭﻥ ﻋﺸﺎﻥ ﻴﺒﺸﺭﻙ‬ ‫ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻠﻌﺘﺭ ﻴﻘﻁﻊ‬ ‫‪75‬‬
‫ﺍﻝﻠﺤﻡ ﻭﻴﻘﻑ ﺜﻡ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﺩﻴﺭ ﺍﻝﻌﺘﺭ ‪ :‬ﻴﺎﻭﺍﺩ ‪ ..‬ﺘﻌﺎل ﻋﺸﺎﻥ ﺘﻘﻑ‬
‫ﺭﺃﺴﻪ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﺘﺭﻙ ﺍﻝﻠﺤﻡ ﻭﻴﺘﺤﺭﻙ ﻤﻁﺭﺤﻰ‬
‫ﻴﺴﺎﺭﹰﺍ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺤﺘﻰ ﻴﻘﻑ ﺃﻤﺎﻡ ﺍﻝﺼﺒﻰ ‪ :‬ﺤﺎﻀﺭ ﻴﺎﻤﻌﻠﻡ‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﻨﺎﻭﻝﻨﻰ ﺍﻝﺠﻼﺒﻴﺔ ﻴﺎﻭﺍﺩ‬ ‫ﺍﻝﺩﻜﺎﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪ American Shot‬ﺸﺒﻙ ‪ :‬ﻋﻘﺒﺎل ﺍﻝﻭﻅﻴﻔﺔ ﺇﻥ ﺸﺎﺀ ﺍﷲ‬ ‫‪76‬‬
‫ﻝﻸﺴﻁﻰ ﺤﻨﻔﻰ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‬
‫‪ High Angle‬ﺃﻤﺎﻡ ﺼﺎﻝﻭﻥ ﺍﻝﺤﻼﻗﺔ ﺃﺤﺩﻫﻡ ‪ :‬ﻨﻔﺭﺡ ﻝﻪ ﻜﺩﺓ ﺒﺎﻝﺠﻭﺍﺯﺓ‬
‫ﻭﻴﻘﻑ ﺸﺒﻙ ﺃﻤﺎﻤﻪ ﻭﻴﺩﺨل ﺃﺤﺩﻫﻡ ﻤﻥ ﺍﻝﻬﻨﻴﺔ‬
‫ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ‪ .‬ﺜﻡ ﻴﺄﺘﻰ ﺍﻝﺯﺒﻭﻥ ﺍﻝﺫﻯ ﺍﻝﺯﺒﻭﻥ ‪ :‬ﺒﺎﻗﻰ ﺩﻤﺎﻏﻰ ﻴﺎﺴﻁﻰ !‬
‫ﻜﺎﻥ ﻴﻘﻭﻡ ﺤﻨﻔﻰ ﺒﺤﻼﻗﺔ ﺭﺃﺴﻪ ﻤﻥ ﺤﻨﻔﻰ ‪ :‬ﺃﻴﻭﺓ ﺤﺎﻀﺭ ‪.‬‬
‫ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺩﺨل ﺍﻝﺤﺎﻨﻭﺘﻰ ﻤﻥ ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﺠﺎﻝﻙ ﻜﻼﻤﻰ ‪ ..‬ﺸﻔﺕ‬
‫ﻤﻨﺎﻤﺎﺘﻰ ﺍﻝﺒﺭﻴﻔﻜﺱ‬ ‫ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﻤﺴﺭﻋﹰﺎ‬
‫ﺍﻝﺯﺒﻭﻥ ‪ :‬ﺒﺎﻗﻰ ﺩﻤﺎﻏﻰ ﻴﺎﺴﻁﻰ‬ ‫ﻤﺴﺢ ‪Wipe‬‬
‫ﺤﻨﻔﻰ ‪ :‬ﺃﻴﻭﺓ ﺤﺎﻀﺭ‬
‫ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﻨﺩﺭ ﻋﻠﻰ ﺃﺸﻴﻠﻙ‬
‫ﻋﺩﻭﻴﻨﻪ ﻭﺍﺤﺩ ﻭﺍﺤﺩ ‪.‬‬
‫ﺤﻨﻔﻰ ‪ :‬ﺃﺠﺎﻤﻠﻜﻡ ﻓﻰ ﺍﻷﻓﺭﺍﺡ ﺇﻨﺸﺎﺀ‬
‫ﺍﷲ ‪.‬‬
‫ﺍﻝﺯﺒﻭﻥ ‪ :‬ﻓﻰ ﻋﺭﻀﻙ ﺘﺠﺎﻤﻠﻨﻰ ﺃﻨﺎ‬
‫ﻓﻰ ﺩﻤﺎﻏﻰ ﻴﺎﺴﻁﻰ !‬
‫ﺤﻨﻔﻰ ‪ ) :‬ﺒﻐﻀﺏ ( ﻁﻴﺏ ‪ ..‬ﻁﻴﺏ‬
‫ﻤﺸﻬﺩ ) ‪( 16‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻨﺯل ﻤﺤﻤﺩ ﺍﻝﺼﺎﻝﺔ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻔﺎﻁﻤﺔ ﺘﺤﻤل‬ ‫‪77‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 12 of 81‬‬

‫ﺼﻴﻨﻴﺔ ﺍﻝﺸﺭﺒﺎﺕ ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺃﻡ ﻤﺤﻤﺩ ‪ :‬ﺘﻌﺒﺘﻰ ﺭﻭﺤﻙ ﻴﺎﺤﺒﻴﺒﺘﻰ‬

‫ﻴﻤﻴﻨﺎ‪ P an Right‬ﻭﻫﻰ ﺘﻘﺩﻡ ﻴﺎﻓﻁﻭﻤﺔ ‪ .‬ﺃﻨﺸﺎﺀ ﺍﷲ ﺃﺘﻌﺏ ﻝﻙ ﻜﺩﺓ‬
‫ﺍﻝﺸﺭﺒﺎﺕ ﻝﻠﻨﺴﺎﺀ ‪ .‬ﺘﻅﻬﺭ ﺃﻡ ﻤﺤﻤﺩ ﻨﻬﺎﺭ ﻋﺩﻝﻙ ﻭﻫﺩﻭ ﺒﺎﻝﻙ ﻴﺎﺒﻨﺘﻰ‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺠﺎﻝﺴﺔ ﻋﻠﻰ ﻤﻘﻌﺩ ﻤﺠﺎﻭﺭ ﺴﻜﻴﻨﺔ ‪ :‬ﻴﻭﻩ ﺍﻝﻨﺎﺱ ﻝﻠﻨﺎﺱ‬
‫ﻝﺸﺭﻓﺔ ﺴﻠﻡ ﺍﻝﻤﻨﺯل ‪ .‬ﻭﺘﻌﺒﺭﻫﺎ ﻓﺎﻁﻤﺔ ﺃﻡ ﻓﺭﺩﻭﺱ ‪ :‬ﻤﻌﻠﻭﻡ ﺍﻝﻐﺭﺏ‬
‫ﻝﺘﻌﻁﻰ ﻓﺭﺩﻭﺱ ﻭﺃﻤﻬﺎ ﺍﻝﺠﺎﻝﺴﺘﺎﻥ ﻴﻤﻴﻥ ﺒﻴﺴﺎﻋﺩﻭﺍ ﺒﻌﺽ‬
‫ﻜﺎﺩﺭ ﻭﺘﻘﻑ ﺒﻴﻨﻬﻥ ﻭﺘﺼﺒﺢ ﺃﻡ ﻤﺤﻤﺩ ﺃﻡ ﺒﻬﻴﺔ ‪ :‬ﺁﻩ ﺃﻤﺎل ﺁﻴﻪ ﺤﺎل ﺍﻝﺠﻴﺭﺍﻥ‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻔﺎﻁﻤﺔ ﺘﻨﻅﺭ ﻓﺎﻁﻤﺔ ‪ :‬ﺁﻫﻪ ﺃﻨﺎ ﻴﺎﺨﺎﻝﺘﻰ ﺃﻡ ﻤﺤﻤﺩ‬ ‫‪78‬‬
‫ﺃﺘﻌﺏ ﺼﺤﻴﺢ ﻭﺃﺨﺩﻡ ﺒﻌﻴﻨﻰ ﺍﻷﺘﻨﻴﻥ‬ ‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺘﺒﺘﺴﻡ‬
‫ﺒﺈﺫﻥ ﺍﷲ ﻴﻭﻡ ﻤﺎﺴﻰ ﻤﺤﻤﺩ ﻴﺴﺘﻠﻡ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻭﻅﻴﻔﺔ ﺍﻝﺤﻠﻭﺓ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻔﺭﺩﻭﺱ ﻭﺃﻤﻬﺎ ﻓﺭﺩﻭﺱ ‪ :‬ﺸﺎﻴﻔﺔ ﺍﻝﺒﺕ ﻭﺍﻗﻔﺔ‬ ‫‪79‬‬
‫ﺠﺎﻝﺴﺘﺎﻥ ﺃﻤﺎﻡ ﺍﻝﻤﺎﺌﺩﺓ ﻭﺘﻨﻅﺭﺍ ﻴﺴﺎﺭ ﺘﺘﺤﻨﺠل ﻜﺩﺓ ﺯﻯ ﻋﻔﺭﻴﺕ ﺍﻝﻌﻠﺒﺔ‬
‫ﻜﺎﺩﺭ ‪ .‬ﺜﻡ ﺘﻠﺘﻔﺕ ﺍﻷﻡ ﻨﺎﺤﻴﺔ ﺍﻷﺒﻨﺔ ﻴﻤﻴﻨ ﹰﺎ ﻴﺎﺴﻡ ﻜﺩﺓ ‪.‬‬
‫ﻼ ‪ Tilt Up‬ﺍﻷﻡ ‪ :‬ﺇﻜﺸﻔﻰ ﺩﺭﺍﻋﺎﺘﻙ ‪ ,‬ﺃﺩﻴﻜﻰ‬ ‫ﻭﺘﺭﺘﻔﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﻋﻠﻰ ﻗﻠﻴ ﹰ‬
‫ﻋﻨﺩﻤﺎ ﺘﺩﺨل ﻓﺎﻁﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻭﺘﻘﺩﻡ ﺸﺎﻴﻔﺔ ﺍﻝﻤﻘﺎﺭﻴﺹ ﻭﺒﺤﻠﻘﺘﻬﻡ ﻓﻴﻬﺎ‬
‫ﺍﻝﺸﺭﺒﺎﺕ ﺜﻡ ﺘﺄﺨﺫﺍﻥ ﺍﻝﺸﺭﺒﺎﺕ ‪ .‬ﺜﻡ ﻓﺭﺩﻭﺱ ‪ :‬ﺇﻨﺸﺎﺀ ﺍﷲ ﻤﺎﻨﻌﺩﻤﻙ‬
‫ﺘﺨﺭﺝ ﻓﺎﻁﻤﺔ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺘﻨﺯل ﻴﺎﺤﺒﻴﺒﺘﻰ ‪.‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Tilt Down‬ﻭﺘﺼﺒﺤﺎ ﺍﻡ ﻓﺭﺩﻭﺱ ‪ :‬ﻭﺃﻨﺕ ﻴﺎﺴﺕ ﺃﻡ ﻤﺤﻤﺩ‬
‫ﺍﻷﺜﻨﺘﻴﻥ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻷﺜﻨﻴﻥ ﺘﺘﻔﺭﺠﻰ ﻋﻠﻰ ﻓﺭﺩﻭﺱ ﺒﻨﺘﻰ ‪ ..‬ﺩﻯ‬
‫‪ . M .S.2‬ﺜﻡ ﺘﻠﺘﻔﺕ ﺍﻷﻡ ﻨﺎﺤﻴﺔ ﻴﺴﺎﺭ ﻨﺘﺸﺕ ﺇﻴﺩﻯ ﻤﻥ ﻁﺸﺕ ﺍﻝﻐﺴﻴل‬
‫ﻭﻋﻠﻰ ﻗﻭﻝﺔ ﻗﻭﻤﻰ ﻴﺎﺃﻤﻪ ﻨﻬﻨﻰ‬ ‫ﺍﻝﻜﺎﺩﺭ‬
‫ﺜﻡ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ ‪ Pan Left‬ﺍﻝﺴﺕ ﺃﻡ ﻤﺤﻤﺩ ﻭﺇﻨﺸﺎﺀ ﺍﷲ ﻤﺎﺤﺩ‬
‫ﻝﺘﺼل ﻷﻡ ﻤﺤﻤﺩ ﺜﻡ ﺘﻠﺘﻔﺕ ﻋﻜﺱ ﺍﺘﺠﺎﻩ ﻏﺴل ‪.‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻨﺎﺤﻴﺔ ﺍﻝﺴﻠﻡ ﻭﺘﺭﺘﻔﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺃﻡ ﻤﺤﻤﺩ ‪ :‬ﺘﻌﻴﺸﻰ ﻴﺎﺤﺒﻴﺒﺘﻰ‬
‫ﻷﻋﻠﻰ ‪ Tilt Up‬ﻝﺘﻅﻬﺭ ﺃﻡ ﺯﻨﻭﺒﺔ ﻋﻠﻰ ﺼﻭﺕ ﺇﻤﺭﺃﺓ ‪ :‬ﺃﻡ ﻤﺤﻤﺩ !‬
‫ﺍﻝﺴﻠﻡ ‪ .‬ﺜﻡ ﺘﻨﺯل ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﺴﻔل ﻝﺘﺘﺎﺒﻊ ﺃﻡ ﻤﺤﻤﺩ ‪ :‬ﻨﻌﻡ !‬
‫ﺃﻡ ﻤﺤﻤﺩ ﻭﻫﻰ ﺘﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ .‬ﺃﻡ ﺯﻨﻭﺒﺔ ‪ :‬ﻤﺒﺭﻭﻙ ‪ ..‬ﺇﺤﻨﺎ ﻓﺭﺤﻨﺎ‬
‫ﻭﺍﻝﻨﺒﻰ ﻝﺴﻰ ﻤﺤﻤﺩ ﺇﻨﺸﺎﺍﷲ ﻴﺎﺭﺏ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺇﻥ ﻜﻨﺕ ﺒﺄﻜﺩﺏ ﻴﻔﺭﻤﻨﻰ ﺘﺭﻭﻤﻭﺍﻯ‬
‫ﺃﻡ ﻤﺤﻤﺩ ‪ :‬ﻋﺩﻭﻙ ﻴﺎﺃﻡ ﺯﻨﻭﺒﺔ ‪.‬‬
‫ﺼﻭﺕ ﺴﻜﻴﻨﺔ ‪ :‬ﺇﺴﺄﻝﻰ ﻤﺎﻤﺎ ﻤﻥ‬
‫ﺴﺎﻋﺔ ﻤﺎﺒﻠﻐﻨﻰ ﺍﻝﺨﺒﺭ ‪.....‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﺴﻜﻴﻨﺔ ﺠﺎﻝﺴﺔ ﺴﻜﻴﻨﺔ ‪ :‬ﻭﺃﻨﺎ ﻓﻰ ﺍﻝﻤﻁﺒﺦ ﺒﻘﻴﺕ‬ ‫‪80‬‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺒﺠﻭﺍﺭﻫﺎ ﺴﻴﺩﺓ ﺘﺭﻜﻴﺔ ﻤﻥ ﻓﺭﺤﺘﻰ ﺃﻁﺒل ﻋﻠﻰ ﻁﺎﺴﺔ‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪ .‬ﺜﻡ ﺘﻠﺘﻔﺕ ﻨﺎﺤﻴﺔ ﺍﻝﺴﻴﺩﺓ ﺍﻝﺘﻘﻠﻴﺔ ‪ ..‬ﺸﻤﻰ ﺇﻴﺩﻯ ﻜﺩﺓ‬
‫ﺍﻝﺘﺭﻜﻴﺔ ﻭﺘﺸﻴﺭ ﻝﻬﺎ ﺒﻴﺩﻫﺎ ‪ .‬ﺜﻡ ﺘﻠﺘﻔﺕ ﺍﻝﺴﻴﺩﺓ ﺍﻝﺘﺭﻜﻴﺔ ‪ :‬ﺴﻴﺱ ﺨﺭﺴﻴﺱ‬
‫ﺨﻴﺒﺔ ﺍﷲ ‪ .‬ﺃﻡ ﻤﺤﻤﺩ ‪ ..‬ﺘﻬﺎﻨﻰ‬ ‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻤﺒﺭﻭﻙ ‪ ,‬ﺇﻴﻔﻴﺕ ﻜﻼﻡ ﺼﺭﺍﺤﺎﺕ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﻥ ﻏﻴﺭ ﺇﻴﻤﺎﻨﺎﺕ ‪..‬ﻤﻥ ﻏﻴﺭ‬
‫ﺤﻠﻔﺎﻨﺎﺕ ﺍﻝﺤﻤﺩ ﷲ ﺃﻨﺎ ﻤﺎﻓﻴﺵ‬
‫ﻋﻨﺩﻯ ﺒﻨﺎﺕ ﻤﺎﻓﻴﺵ ﻤﺤﻠﺴﺎﺕ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪.M .L .S‬‬ ‫‪81‬‬
‫ﻝﺒﻠﺤﺔ ﺃﺨﻭ ﻓﺎﻁﻤﺔ ﻴﻘﻑ ﻋﻠﻰ ﺍﻝﺴﻠﻡ ﺒﻠﺤﺔ ‪ :‬ﺇﺩﻴﻨﻰ ﺍﻝﺤﻼﻭﺓ ﻴﺎﺨﺎﻝﺘﻰ ﺃﻡ‬
‫ﻤﺤﻤﺩ ‪ .‬ﺴﻰ ﻤﺤﻤﺩ ﺁﻫﻪ ﺠﻪ ﺘﺤﺕ ‪.‬‬ ‫ﻭﻴﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻷﻡ ﻤﺤﻤﺩ ﻭﺒﻠﺤﺔ‬ ‫‪82‬‬
‫ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻋﻠﻰ ﺍﻝﺴﻠﻡ ﻭﺘﺩﺨل ﺃﻡ ﻤﺤﻤﺩ ‪ :‬ﻤﻥ ﻋﻴﻨﻴﻪ ﺍﻹﺘﻨﻴﻥ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺇﺨﺘﺸﻰ ﻴﺎﻭﺍﺩ ﻴﺎﺒﻠﺤﺔ ‪ .‬ﺁﻴﻪ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 13 of 81‬‬

‫ﻓﺎﻁﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻭﺘﻨﻅﺭ ﻨﺎﺤﻴﺔ ﺒﻠﺤﺔ ‪ .‬ﺜﻡ ﺍﻝﻠﻰ ﺠﺎﺒﻙ ﻫﻨﺎ ؟ ﻴﺎﻝﻼ ﻋﺎ ﺍﻝﺒﻴﺕ ﺃﻨﺎ‬
‫ﻴﻨﺯل ﺒﻠﺤﺔ ﻭﺘﺭﺘﺩﻯ ﻓﺎﻁﻤﺔ ﺍﻝﻤﻼﺀﺓ ﺠﺎﻴﺔ ﻭﺭﺍﻙ ‪ .‬ﺃﺴﺘﺄﺫﻥ ﺒﻘﻰ ﻴﺎﺨﺎﻝﺘﻰ‬
‫ﺃﻡ ﻤﺤﻤﺩ‬
‫ﻭﺘﺘﺤﺭﻙ ﻴﻤﻴﻨﹰﺎ ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Pan‬ﺃﻡ ﻤﺤﻤﺩ ‪ :‬ﻤﺎﻝﺴﻪ ﺒﺩﺭﻯ ﻴﺎﻓﻁﻭﻤﺔ‬
‫‪ Right‬ﻭﺘﺨﺭﺝ ﻤﻥ ﺍﻝﺒﺎﺏ ﻓﻰ ﻋﻤﻕ ﺃﺩﻴﻜﻰ ﻤﻨﻭﺭﺍﻨﺎ ‪.‬‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻓﻰ ﺍﻝﻤﻘﺩﻤﺔ ﺘﻅﻬﺭ ﻓﺭﺩﻭﺱ ﻓﺎﻁﻤﺔ ‪ :‬ﺃﺼﻠﻰ ﺇﺘﺄﺨﺭﺕ ‪ ..‬ﻓﺘﻜﻡ‬
‫ﻼ ﻝﺘﺼﺒﺤﺎ ﻓﻰ ﺒﻌﺎﻓﻴﺔ ﻜﻠﻜﻡ ‪.‬ﺍﻝﺠﻤﻴﻊ ‪ :‬ﻤﻊ ﺍﻝﺴﻼﻤﺔ‬ ‫ﻭﺃﻤﻬﺎ ﻭﺘﻨﺯل ﺍﻝﻜﺎﻤﻴﺭﺍ ﻗﻠﻴ ﹰ‬
‫ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .‬ﺜﻡ ﺘﻔﺘﺢ ﻓﺎﻁﻤﺔ ﻴﺎﺨﺘﻰ ‪.‬‬
‫ﺍﻝﺒﺎﺏ ﺜﺎﻨﻴﺔ ﻭﺘﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻩ ﻓﺭﺩﻭﺱ ﻓﺭﺩﻭﺱ ‪ :‬ﻜﺸﺤﺔ ‪ ...‬ﺍﷲ‬
‫ﻭﺘﻠﺘﻔﺕ ﻓﺭﺩﻭﺱ ﻨﺎﺤﻴﺔ ﺍﻻﺒﺎ ﻋﻜﺱ ﺍﺘﺠﺎ ﻤﺎﻴﻭﺭﻴﻜﻰ ﻁﺭﻴﻕ ﺍﻝﺴﻼﻤﺔ ‪.‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻓﺭﺩﻭﺱ !‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪.‬‬
‫ﻓﺭﺩﻭﺱ ‪ :‬ﻨﻌﻡ ﻴﺎﺨﺘﻰ !‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺇﺒﻘﻰ ﺨﻠﻴﻨﺎ ﻨﺸﻭﻓﻙ‬
‫ﻤﺸﻬﺩ ) ‪( 17‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺴﻼﻝﻡ ﻤﻨﺯل ﻤﺤﻤﺩ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ L. S‬ﻝﻔﺎﻁﻤﺔ ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪83‬‬
‫ﻤﻨﺨﻔﻀﺔ‪ Low Angle‬ﻭﻫﻰ ﺘﻬﺒﻁ‬
‫ﻼ ﻴﺎﻓﺎﻁﻤﺔ ﺃﺘﺎﺭﻯ ﺍﻝﺩﻨﻴﺎ‬
‫ﺍﻝﺴﻼﻝﻡ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﺩﺨل ﻤﺤﻤﺩ ﻤﻥ ﻤﺤﻤﺩ ‪ :‬ﺃﻫ ﹰ‬
‫ﺨﻁﻭﺍﺕ ﻓﺎﻁﻤﺔ‬
‫ﺍﻝﻴﺴﺎﺭ ﻭﻴﻘﻔﺎ ﺃﻤﺎﻡ ﺒﻌﻀﻬﻤﺎ ‪ .‬ﺜﻡ ﻴﻤﺴﻙ ﻤﻨﻭﺭﺓ‬
‫ﻴﺩﻴﻬﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M. close up‬ﻓﺎﻁﻤﺔ ‪ :‬ﻤﺒﺭﻭﻙ ﻴﺎﺴﻰ ﻤﺤﻤﺩ‬ ‫‪84‬‬
‫ﻝﻔﺎﻁﻤﺔ ‪ 3/4‬ﻭﻤﺤﻤﺩ ﻴﻅﻬﺭ ﺠﺎﻨﺏ ﻤﻥ ﻓﺭﺤﺘﻠﻙ ﺍﻝﺤﺘﺔ ﻜﻠﻬﺎ ‪.‬‬
‫ﻭﺠﻬﻪ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺘﺨﻔﺽ ﻋﻴﻨﻴﻬﺎ ﻤﺤﻤﺩ ‪ :‬ﻭﻤﻴﻥ ﺒﺎﻷﻜﺘﺭ !‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻭﺍﻝﺩﺘﻙ‬ ‫ﻭﺘﺭﻓﻌﻬﻤﺎ ﻓﻰ ﺍﺘﺠﺎﻫﻪ‬
‫ﻤﺤﻤﺩ ‪ :‬ﻭﻤﻴﻥ ﻜﻤﺎﻥ ?‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺍﻷﺴﻁﻰ ﺤﻨﻔﻰ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M. close up‬‬ ‫‪85‬‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻴﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻩ ﻓﺎﻁﻤﺔ‬
‫ﻤﺤﻤﺩ ‪ :‬ﻤﺎﻫﻭ ﺩﻩ ﻤﻔﻬﻭﻡ ‪ .‬ﺍﻝﻤﻬﻡ‬
‫ﺍﻝﺘﻰ ﻴﻅﻬﺭ ﺠﺎﻨﺏ ﻤﻥ ﺭﺃﺴﻬﺎ ﻭﻫﻤﺎ‬
‫ﺃﻨﺘﻰ‬
‫ﻋﻜﺱ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻸﺜﻨﻴﻥ ﻜﻤﺎ ﻓﻰ‬ ‫‪86‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻤﺎﺩﻩ ﻤﻔﻬﻭﻡ ‪ .‬ﻋﻥ ﺇﺫﻨﻙ‬
‫ﻨﻬﺎﻴﺔ ﻝﻘﻁﺔ ) ‪ ( 83‬ﻭﺘﺘﺤﺭﻙ ﻓﺎﻁﻤﺔ‬
‫ﻴﺎﺴﻰ ﻤﺤﻤﺩ ‪.‬‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺘﻨﺯل ﻤﺴﺭﻋﺔ ‪ .‬ﺜﻡ ﻴﻠﺘﻔﺕ‬
‫ﺱ ! ﻋﺎﻴﺯ ﺃﻗﻭل‬‫ﻤﺤﻤﺩ ‪ :‬ﺇﺴﻤﻌﻰ ﺒ ‪‬‬
‫)‪(7‬‬ ‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻤﻤﺴﻜ ﹰﺎ ﺒﻴﺩﻫﺎ ‪ .‬ﺜﻡ ﺘﺘﺭﻜﻪ‬
‫ﻝﻙ ﺤﺎﺠﺔ ‪.‬‬
‫ﻭﺘﻬﺒﻁ ﺍﻝﺴﻼﻝﻡ ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻴﺎﻨﺩﺍﻤﺔ ! ﻷ ﻴﺎﺴﻰ‬
‫‪Pan Right‬‬
‫ﻤﺤﻤﺩ ‪.‬‬
‫ﺨﻁﻭﺍﺕ ﻓﺎﻁﻤﺔ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 18‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﺤﺎﺭﺓ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻔﺎﻁﻤﺔ ﺘﺨﺭﺝ ﻤﻥ‬ ‫‪87‬‬
‫ﺒﺎﺏ ﻤﻨﺯل ﻤﺤﻤﺩ ﻭﺘﺠﺭﻯ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺍﺴﺘﻤﺭﺍﺭ ﻤﻭﺴﻴﻘﻰ‬ ‫ﻨﺎﺤﻴﺔ ﺒﺎﺏ ﻤﻨﺯﻝﻬﺎ ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫)‪(7‬‬ ‫‪ Pan Left‬ﻭﻫﻰ ﺘﺠﺭﻯ ﻭﻓﻰ ﻤﻘﺩﻤﺔ‬
‫ﺍﻝﻜﺎﺩﺭ ﺒﻌﺽ ﺍﻷﻁﻔﺎل ﻴﻠﻌﺒﻭﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 19‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺴﻼﻝﻡ ﻤﻨﺯل ﻓﺎﻁﻤﺔ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 14 of 81‬‬

‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‬ ‫‪88‬‬

‫‪ High Angle‬ﻝﻔﺎﻁﻤﺔ ﺘﺩﺨل ﻤﻥ‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺘﺼﻌﺩ ﺍﻝﺴﻠﻡ ﺠﺭﻴﹰﺎ‬
‫ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨ ﹰﺎ ‪Pan Right‬‬
‫ﺼﻭﺕ ﺨﻁﻭﺍﺕ ﻓﺎﻁﻤﺔ‬
‫ﻭ ﺘﺼﺒﺢ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻓﻰ ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ‬
‫‪ Low Angle‬ﻭﺘﻔﺘﺢ ﺒﺎﺏ ﺍﻝﺸﻘﺔ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 20‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺼﺎﻝﺔ ﺸﻘﺔ ﻓﺎﻁﻤﺔ‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ‪American shot‬‬ ‫‪89‬‬
‫ﻝﻔﺎﻁﻤﺔ ﺘﺩﺨل ﻤﻥ ﺍﻝﺒﺎﺏ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻴﻭﻭﻩ‪ ..‬ﻫﻭ ﻓﻴﻪ ﺤﺩ ﻫﻨﺎ !‬
‫ﻭﺘﻘﻑ ﻭﺘﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪ .‬ﺜﻡ ﺘﺘﺤﺭﻙ‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﻴﺎﻤﺭﺤﺏ ﻴﺎﻤﺭﺤﺏ ‪ .‬ﺇﺯﻴﻙ‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‪Pan Right‬‬
‫ﻴﺎﺴﺕ ﻓﺎﻁﻤﺔ !‬
‫)‪(7‬‬ ‫ﺴﺭﻴﻌﹰﺎ ﻝﻴﻅﻬﺭ ﺍﻝﻌﺘﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻓﻰ‬
‫ﺍﻷﻡ ‪ :‬ﺩﻫﺩﻴﻪ ‪ .‬ﻤﺎﻝﻙ ﺴﻬﻤﺘﻰ ﻜﺩﻩ !‬
‫ﺍﻝﻤﻨﺘﺼﻑ ﻴﺠﻠﺱ ﻋﺎﺸﻭﺭ ﻭﺃﻡ ﻓﺎﻁﻤﺔ‬
‫ﻤﺎﺘﺨﻭﺸﻰ ﻴﺎﺒﺕ‬
‫ﻭﺒﻠﺤﺔ ﻋﻠﻰ ﺍﻷﺭﺽ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻔﺎﻁﻤﺔ ﻓﻰ‬ ‫‪90‬‬
‫ﺱ ﺃﻨﺎ ﻭﺭﺍﻴﺎ ﺍل‪...‬‬‫ﻓﺎﻁﻤﺔ ‪ :‬ﺒ ‪‬‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺘﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﺼﻭﺕ ﻋﺎﺸﻭﺭ ‪ :‬ﺴﻴﺒﻴﻬﺎ ﺘﺸﻭﻑ‬
‫ﻭﺘﺭﻓﻊ ﺍﻝﻤﻼﺀﺓ ﻋﻠﻰ ﻜﺘﻔﻬﺎ‬
‫ﺸﻐﻠﻬﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻌﺎﺸﻭﺭ‬ ‫‪91‬‬
‫ﻋﺎﺸﻭﺭ ‪ :‬ﺘﺨﺵ ﺘﻌﻤل ﺁﻴﻪ ! ﺘﺸﺎﻫﺩ‬
‫ﺠﺎﻝﺱ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺘﻅﻬﺭ ﺍﻝﻘﻠﺔ‬
‫ﻓﻴﻨﺎ ﺍﻝﺠﻤﺎل ﺍﻝﻨﺎﺩﺭ ﻭ ﹶﻻ ﺘﺘﻔﺭﺝ‬
‫ﻓﻰ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﺒﺠﻭﺍﺭﻩ‬
‫ﻋﺎﺍﻝﺴﻴﻤﺎ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻷﻡ ﻓﺎﻁﻤﺔ ﺘﻨﻅﺭ ﻴﺴﺎﺭ ﺃﻡ ﻓﺎﻁﻤﺔ ‪ :‬ﻋﺎﺸﻭﺭ ﻤﺎﺘﺘﺤﺸﺭﺵ ‪..‬‬ ‫‪92‬‬
‫ﻜﺎﺩﺭ ﺜﻡ ﺘﻨﻅﺭ ﻷﻋﻠﻰ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ .‬ﺘﻌﺎﻝﻰ ﺴﻠﻤﻰ ﻋﺎﻝﻤﻌﻠﻡ ﻴﺎﻗﻠﻴﻠﺔ‬
‫ﺍﻝﺫﻭﻕ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪ .M. L. S‬ﻝﻠﻌﺘﺭ‬ ‫‪93‬‬
‫ﻴﻘﻑ ﻭﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺘﺭﺘﻔﻊ ﺍﻝﻌﺘﺭ ‪ :‬ﻷ ﻷ ﺩﻩ ﻜل ﺍﻝﺫﻭﻕ ﺍﻝﻠﻰ ﻓﻰ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﻋﻠﻰ ‪ Tilt up‬ﻝﺘﺘﺎﺒﻌﻪ ‪ .‬ﺍﻝﺩﻨﻴﺎ ﻓﻀﻠﺔ ﺨﻴﺭﻫﺎ ‪ ..‬ﻭ ﹶﻻ ﺁﻴﻪ‬
‫ﻭﺘﺩﺨل ﻓﺎﻁﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻤﻥ ﺍﻝﻴﺴﺎﺭ ﻴﺎﺫﻭﻕ ﺍﻝﺫﻭﻕ ‪.‬‬
‫ﻭﻴﺼﺎﻓﺤﻬﺎ ﺍﻝﻌﺘﺭ ﻭﻫﻰ ﺘﻨﻅﺭ ﻷﺴﻔل ﺍﻷﻡ ‪ :‬ﺃﻗﻌﺩﻯ ﻴﺎﺒﺕ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻠﻌﺘﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬ ‫‪94‬‬
‫ﺠﺎﻝﺴ ﹰﺎ ﻭﻓﺎﻁﻤﺔ ﺘﺴﻴﺭ ﻋﻜﺱ ﺍﺘﺠﺎﻩ‬
‫ﺒﻠﺤﺔ ‪ :‬ﻫﻭ ﺒﺎﻝﻌﺎﻓﻴﺔ !‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻨﺎﺤﻴﺔ ﺍﻷﺭﻴﻜﺔ ﻭﺘﺠﻠﺱ ﺒﻴﻥ‬
‫ﺍﻷﻡ ‪ :‬ﺃﺴﻜﺕ ﻴﺎﻤﻘﺭﻭﺽ ﻴﺎﻝﻠﻰ‬
‫ﺃﻤﻬﺎ ﻭﺃﺒﻴﻬﺎ ﻭﺒﻠﺤﺔ ﻋﻠﻰ ﺍﻷﺭﺽ ﺒﺠﻭﺍﺭ‬
‫ﺘﻨﻘﺭﺹ ‪.‬‬
‫ﺍﻝﻌﺘﺭ ‪ .‬ﻭﺘﻀﺭﺏ ﺍﻷﻡ ﺒﻠﺤﺔ ﻋﻠﻰ ﺭﺃﺴﻪ‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﺨﻔﻴﻑ ﺍﷲ ﻴﺠﺎﺯﻯ ﺸﻴﻁﺎﻨﻪ‬
‫ﻭﻫﻰ ﺘﺩﺨﻥ ﺴﻴﺠﺎﺭﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻸﻡ ﻭﻓﺎﻁﻤﺔ ﺃﻡ ﻓﺎﻁﻤﺔ ‪ :‬ﺨﻔﻴﻑ ﺍﻝﺸﻭﻡ ‪ .‬ﻁﺎﻝﻊ‬ ‫‪95‬‬
‫ﺘﺠﻠﺱ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ .‬ﺜﻡ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻁﻭﻴل ﺍﻝﻠﺴﺎﻥ ﺯﻯ ﺃﺒﻭﻩ‬
‫ﺴﺭﻴﻌﹰﺎ ﻝﻠﻴﺴﺎﺭ‪ Pan Left‬ﻝﻌﺎﺸﻭﺭ ﺼﻭﺕ ﺍﻝﻌﺘﺭ ‪ :‬ﺃﻅﻥ ﻤﺎﺒﺎﺭﻜﺕ ‪...‬‬
‫ﻭﻫﻭ ﻴﺸﺭﺏ ﻤﻥ ﺍﻝﻘﻠﺔ ﻭﻴﻨﺯﻝﻬﺎ ﺜﻡ ﻴﻨﻅﺭ‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L . S‬ﻝﻠﻌﺘﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬ ‫‪96‬‬
‫ﺍﻝﻌﺘﺭ ‪....:‬ﻋﻠﻰ ﺸﻬﺎﺩﺓ ﺇﺒﻨﻬﺎ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 15 of 81‬‬

‫ﻭﺒﻠﺤﺔ ﻓﻰ ﺍﻝﻤﻨﺘﺼﻑ ﻋﻠﻰ ﺍﻷﺭﺽ ﻴﺎﺴﺕ ﻓﺎﻁﻤﺔ ﻷﻡ ﻤﺤﻤﺩ ﻋﻠﻰ‬

‫ﻭﺍﻷﻡ ﻋﻠﻰ ﺍﻷﺭﻴﻜﺔ ﻭﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻓﺎﻁﻤﺔ ﺸﻬﺎﺩﺓ ﺇﺒﻨﻬﺎ ‪.‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺒﺎﻝﺤﻕ ﻴﺎﻤﻪ ! ﺩﻯ ﺴﺄﻝﺘﻨﻰ‬ ‫ﻭﺘﻠﺘﻔﺕ ﻨﺎﺤﻴﺔ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻋﻠﻴﻜﻰ ‪ .‬ﺍﻝﺠﻴﺭﺍﻥ ﻜﻠﻬﻡ ﻋﻨﺩﻫﺎ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﻜﺎﻥ ﻴﺼﺢ ﺘﺭﻭﺤﻰ ﺘﻬﻨﻴﻬﺎ‬
‫ﺍﻷﻡ ‪ :‬ﺃﺒﻘﻰ ﺃﺨﻁﻑ ﺭﺠﻠﻰ ﻜﻤﺎﻥ‬
‫ﺸﻭﻴﺔ ﻭﺃﺭﻭﺡ ﻝﻬﺎ ﺩﻩ ﻭﺍﺠﺏ ‪.‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻠﻌﺘﺭ ﻓﻰ ﺍﻝﻌﺘﺭ ‪ :‬ﻋﻠﻰ ﺁﻴﻪ ﻴﻌﻨﻰ ! ﻫﻭ ﻓﺘﺢ‬ ‫‪97‬‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ .‬ﻋﻜﺎ ‪ .‬ﺤﺘﺔ ﺸﻬﺎﺩﺓ ﻻ ﻁﻠﻌﺕ ﻭﻻ‬
‫ﻨﺯﻝﺕ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻠﺠﻤﻴﻊ ‪ .‬ﺍﻝﻌﺘﺭ‬ ‫‪98‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺒﺭﻭﻓﻴل ﻭﺍﻷﻡ ﻭﻓﺎﻁﻤﺔ ﻓﻰ‬
‫ﺍﻝﻤﻨﺘﺼﻑ ﻭﻋﺎﺸﻭﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺒﻠﺤﺔ‬
‫ﺍﻷﻡ ‪ :‬ﺇﺯﺍﻯ ! ﺒﻜﺭﺓ ﻴﺘﻭﻅﻑ ﺒﻴﻬﺎ‬
‫ﺼﻭﺕ ﺨﻁﻭﺍﺕ ﻓﺎﻁﻤﺔ‬ ‫ﻋﻠﻰ ﺍﻷﺭﺽ ‪ .‬ﺜﻡ ﺘﻘﻑ ﻓﺎﻁﻤﺔ ﻭﺘﺘﺤﺭﻙ‬
‫ﻭﺘﺘﺭﻗﻰ ﻭﻴﺘﻌﺩل ﺤﺎﻝﻪ ‪.‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻨﺎﺤﻴﺔ ﺍﻝﻐﺭﻓﺔ ﻭﺘﺘﺎﺒﻌﻬﺎ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Pan Right‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻔﺎﻁﻤﺔ ﺒﺠﻭﺍﺭ ﺼﻭﺕ ﺍﻷﻡ ‪ :‬ﺩﻩ ﺍﻝﻠﻰ ﻓﻰ ﺇﻴﺩﻩ‬ ‫‪99‬‬
‫ﺒﺎﺏ ﺍﻝﻐﺭﻓﺔ ﺘﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ .‬ﺜﻡ ﺘﻔﺘﺢ ﺸﻬﺎﺩﺓ ﻓﻰ ﺇﻴﺩﻩ ﻤﻔﺘﺎﺡ ﺍﻝﺠﻨﺔ‬
‫ﺼﻭﺕ ﺍﻝﻌﺘﺭ ‪ :‬ﺍﻝﻜﻼﻡ ﺩﻩ ﻜﺎﻥ ﺯﻤﺎﻥ‬ ‫ﺒﺎﺏ ﺍﻝﻐﺭﻓﺔ ﻭﺘﺩﺨل‬
‫ﻭﺠﺒﺭ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻌﺎﺸﻭﺭ ﻋﺎﺸﻭﺭ ‪ :‬ﺴﻴﺒﻙ ﺃﻨﺕ ‪ .‬ﺍﻝﻜﻼﻡ ﺩﻩ‬ ‫‪100‬‬
‫ﻤﻤﺴﻜﹰﺎ ﺒﺎﻝﻘﻠﺔ ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪ .‬ﺜﻡ ﻜﻼﻡ ﺍﻝﺠﻬﻠﺔ ﺍﻝﻠﻰ ﺯﻯ ﺤﺎﻻﺘﻰ‬
‫ﻭﺤﺎﻻﺘﻙ‬ ‫ﻴﺭﻓﻊ ﺍﻝﻘﻠﺔ ﻭﻴﺸﺭﺏ‬
‫ﺼﻭﺕ ﺍﻝﻌﺘﺭ ‪ :‬ﺁﻴﻪ ! ﺤﺎﻻﺘﻰ ﺃﻨﺎ !‪..‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻠﻌﺘﺭ ﻴﻨﻅﺭ ﺍﻝﻌﺘﺭ ‪ ... :‬ﺃﻤﺎ ﺇﻨﻙ ﻴﺎﻤﻌﻠﻡ ﻋﺎﺸﻭﺭ‬ ‫‪101‬‬
‫ﺒﻘﻰ ﻴﻤﻼ ﻋﻴﻨﻴﻙ ﻭﺍﺩ ﺯﻯ ﺴﻰ‬ ‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻤﺤﻤﺩ ﺩﻩ !‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ M. L. S‬ﻝﻠﻌﺘﺭ‬ ‫‪102‬‬
‫ﺒﻠﺤﺔ ‪ :‬ﺃﻨﺕ ﻜﻤﺎﻥ ﻋﺎﻴﺯ ﺘﻌﻤل‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺃﻡ ﻓﺎﻁﻤﺔ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺭﻭﺤﻙ ﺯﻯ ﺴﻰ ﻤﺤﻤﺩ‬
‫ﻭﺘﻨﻅﺭ ﻨﺎﺤﻴﺘﻪ ﺜﻡ ﺘﻀﺭﺏ ﺒﻠﺤﺔ ﻋﻠﻰ‬
‫ﺍﻷﻡ ‪ :‬ﺇﺨﺭﺱ ﺍﻨﺕ ! ﻀﺭﺒﺔ ﻓﻰ‬
‫ﺭﺃﺴﻪ ﺜﻡ ﻴﺩﻓﻌﻪ ﺍﻝﻌﺘﺭ ﻭﻴﺴﻘﻁ ﻋﻠﻰ‬
‫ﻗﻠﺒﻙ ‪.‬‬
‫ﺍﻷﺭﺽ‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﻋﻔﺭﻴﺕ ﻗﻭﻯ ﺭﺒﻨﺎ ﻴﺨﻠﻰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻠﻌﺘﺭ ﻴﻨﻅﺭ ﺍﻝﻌﺘﺭ ‪ :‬ﺒﺎﻝﻙ ﺃﻨﺕ ! ﺍﻝﺠﺎﻫل ﺍﻝﻠﻰ‬ ‫‪103‬‬
‫ﻗﺩﺍﻤﻙ ﺩﻩ ﺃﻗل ﻤﺎﻴﻬﻠﺒﻠﻪ ﻋﻠﻰ ﻤﻜﺴﺏ‬ ‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻓﻰ ﻻﻴﻭﻡ ﺃﺘﻨﻴﻥ ﺃﻫﻴﻑ ‪ .‬ﺁﻩ ﺃﺼﻠﻬﺎ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺩﻨﻴﺎ ﺤﺩﺍﻗﺔ ﻭﻤﺠﺩﻋﺔ ‪ .‬ﻤﺵ ﺤﺒﺭ‬
‫ﻋﻠﻰ ﻭﺭﻕ ‪.‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻠﻌﺘﺭ ﻭﺍﻷﻡ‬ ‫‪104‬‬
‫ﻭﻋﺎﺸﻭﺭ ﻭﻴﻘﻑ ﺜﻡ ﺘﺭﺘﻔﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺍﻝﻌﺘﺭ‪ :‬ﺴﻼﻤﻭﻋﻠﻴﻜﻭﺍ‬
‫ﻝﺘﺘﺎﺒﻌﻪ‪ Tilt up‬ﻭﻴﻘﻔﺎ ﺍﻹﺜﻨﻴﻥ ﻭﻴﻅﻬﺭ‬
‫ﺍﻷﻡ ‪ :‬ﻤﺵ ﻫﺎﺘﺸﺭﺏ ﺍﻝﻘﻬﻭﺓ !‬
‫ﺒﻠﺤﺔ ﻋﻠﻰ ﺍﻷﺭﻴﻜﺔ ﺒﺠﻭﺍﺭ ﺍﻝﺒﺎﺏ ‪.‬‬
‫ﺒﻠﺤﺔ ‪ :‬ﻤﺎﻫﻰ ﺍﻝﻘﻬﻭﺓ ﺘﺤﺕ ﻗﺩﺍﻤﻪ‬
‫ﻭﻴﺼﻔﻌﻪ ﺍﻝﻌﺘﺭ ﻋﻠﻰ ﻭﺠﻬﻪ ﺜﻡ ﻴﺨﺭﺝ‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﻨﻜﺘﺔ ﻗﻭﻯ ﺍﻝﻭﺍﺩ ﺩﻩ‬
‫ﻤﻥ ﺍﻝﺒﺎﺏ‬
‫ﺼﻭﺕ ﻏﻠﻕ ﺍﻝﺒﺎﺏ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻔﺎﻁﻤﺔ ﺘﻔﺘﺢ ﻓﺎﻁﻤﺔ ‪ :‬ﺁﻴﻪ ﺍﻝﺤﻜﺎﻴﺔ ﻴﺎﺃﻤﻪ ! ﺍﻝﻌﺘﺭ‬ ‫‪105‬‬
‫ﺍﻝﺒﺎﺏ ﻭﺘﺨﺭﺝ ﻤﻥ ﺍﻝﻐﺭﻓﺔ ﻭﺘﺘﺤﺭﻙ ﺁﻴﻪ ﺍﻝﻠﻰ ﺠﺎﺒﻪ ﻋﻨﺩﻨﺎ ؟‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 16 of 81‬‬

‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Pan‬ﺍﻷﻡ ‪ :‬ﻋﺎﻭﺯ ﻴﺸﺘﺭﻯ ﻤﻨﻰ ﺍﻝﺴﺕ‬

‫ﻗﺭﺍﺭﻴﻁ ﺇﻴﺎﻫﻡ ﺒﺘﻭﻉ ﺍﻝﺒﻴﺕ ﺍﻝﻠﻰ ﻓﻰ‬ ‫‪ Left‬ﻭﺘﺼﺒﺤﺎ ﺒﺭﻭﻓﻴل‬
‫ﺍﻝﻤﺭﺠﻭﺸﻰ ‪ .‬ﺭﺍﺠل ﻤﻘﺘﺩﺭ ﻤﺎﻝﻙ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﻗﺘﻪ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻤﻥ ﻭﺠﻬﺔ ﻓﺎﻁﻤﺔ ‪ :‬ﻭﻋﻠﺸﺎﻥ ﻤﺎﻫﻭ ﻤﻘﺘﺩﺭ‬ ‫‪106‬‬
‫ﻤﺎﻝﻙ ﻭﻗﺘﻪ ﻴﻘﻭﻡ ﻴﺘﻜﻠﻡ ﻓﻰ ﺤﻕ‬ ‫ﻨﻅﺭ ﺍﻷﻡ‬
‫ﻤﺤﻤﺩ ﺒﺎﻝﻔﺎﻀﻰ ﻭﺍﻝﻤﻠﻴﺎﻥ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ .M. L. S‬ﻋﺎﺸﻭﺭ ‪ :‬ﻴﻌﻨﻰ ﻫﻭ ﺒﻜﻼﻤﻪ ﻴﺎﺒﻨﺘﻰ‬ ‫‪107‬‬
‫ﻝﻔﺎﻁﻤﺔ ﻴﻤﻴﻥ ﺒﺭﻭﻓﻴل ﻭﻴﺩﺨل ﻋﺎﺸﻭﺭ ﺇﻴﺵ ﻋﺭﻓﻪ ﺩﻩ ! ﺩﻩ ﺭﺍﺠل ﻋﻘﻠﻪ‬
‫ﻓﻰ ﺍﻝﻤﻨﺘﺼﻑ ﻭﺍﻷﻡ ﻴﺴﺎﺭ ﺒﺭﻭﻓﻴل ‪ .‬ﺜﻡ ﺒﻘﺭﻯ ‪.‬‬
‫ﺘﺠﻠﺱ ﺍﻷﻡ ﻋﻠﻰ ﻤﻘﻌﺩ ﻭﺘﺼﺒﺢ ﺍﻷﻡ ‪ :‬ﺇﻻ ﺼﺤﻴﺢ ﻤﺎﺩﺍﻫﻴﺔ ﻻ ﻴﻜﻭﻥ‬
‫ﺒﻅﻬﺭﻫﺎ ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻴﻨﻅﺭ ﻨﺎﺤﻴﺘﻬﺎ ﻜﻼﻤﻪ ﺘﻤﺎﻡ ﻭﻻ ﻴﻼﻗﻴﺵ ﻤﺤﻤﺩ‬
‫ﺍﻷﺜﻨﺎﻥ ‪ .‬ﺜﻡ ﻴﺘﺤﺭﻙ ﻋﺎﺸﻭﺭ ﻨﺎﺤﻴﺔ ﻭﻅﻴﻔﺔ‬
‫ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺠﻠﺱ ﻋﻠﻰ ﺍﻷﺭﻴﻜﺔ ‪ .‬ﺜﻡ ﻋﺎﺸﻭﺭ ‪ :‬ﺍﻝﺩﻨﻴﺎ ﻭﺍﺤﺩﺓ ﻭﺍﺤﺩﺓ ‪.‬‬
‫ﺍﻝﻨﻬﺎﺭﺩﺓ ﺨﺩ ﺍﻝﺸﻬﺎﺩﺓ ‪ .‬ﺒﻜﺭﺓ ﻴﺎﺨﺩ‬ ‫ﺘﻘﻑ ﺍﻷﻡ‬
‫ﺍﻝﻭﻅﻴﻔﺔ ‪ ..‬ﺍﻨﺎ ﻨﻔﺴﻰ ﻜﻨﺕ ﺁﻴﻪ ﻓﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻷﻭل‬
‫ﺍﻷﻡ ‪ :‬ﺇﺴﻡ ﺍﷲ ﻋﻠﻴﻙ ﺭﺤﺕ ﺍﻝﺩﻴﻭﺍﻥ‬
‫ﻗﻭﻡ ﺇﻨﻜﺸﺢ ﻋﺎﻝﻔﺭﻥ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻌﺎﺸﻭﺭ ﻭﺠﺯﺀ‬ ‫‪108‬‬
‫ﻤﻥ ﺠﺴﺩ ﺍﻷﻡ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﻨﻅﺭ ﻷﻋﻠﻰ ﻋﺎﺸﻭﺭ ‪ :‬ﻤﺎﻜﻨﺕ ﺴﻬﺭﺍﻥ ﻓﻰ‬
‫ﺍﻝﺸﻐل ﻝﻠﺼﺒﺢ ﻴﺎﻭﻝﻴﻪ ‪.‬‬ ‫ﻴﺴﺎﺭﹰﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻸﻡ ﻓﻰ‬ ‫‪109‬‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺘﻨﻅﺭ ﻷﺴﻔل ﺍﻝﻜﺎﺩﺭ ‪ .‬ﺍﻷﻡ ‪ :‬ﺃﻨﺕ ﻫﺎﺘﻘﻭﻡ ﻭﻻﺃﻁﻴﻥ ﻋﻴﺸﺘﻙ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﺒﻠﺤﺔ ﻴﻠﻌﺏ ﺼﻭﺕ ﻋﺎﺸﻭﺭ ‪ :‬ﻁﻴﺏ ‪ ...‬ﺍﻋﻭﺫ‬ ‫‪110‬‬
‫ﺒﺎﷲ ﻫﻭ ﺍﻝﻭﺍﺤﺩ ﻤﺎﻴﺴﺘﺭﻴﺤﺵ‬ ‫ﺒﺎﻝﺒﻠﻰ ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﺩﻗﻴﻘﺔ !‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ‪ American shot‬ﻝﻸﻡ‬ ‫‪111‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻋﺎﺸﻭﺭ ﻓﻰ ﺍﻝﻤﻨﺘﺼﻑ‬
‫ﻭﺒﻠﺤﺔ ﺠﺎﻝﺱ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﺒﺭﻭﻓﻴل ‪.‬‬
‫ﻭﻴﺭﺘﺩﻯ ﻋﺎﺸﻭﺭ ﺍﻝﻁﺭﺒﻭﺵ ﻭﺘﺘﺎﺒﻌﻪ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭ‪ pan left‬ﻜﺎﺩﺭ ﺤﺘﻰ‬
‫ﺍﻷﻡ ‪ :‬ﻴﺎﺨﺘﻰ ﺒﺘﺘﻠﻜﻊ ﻜﺩﻩ ﻝﻴﻪ ؟‬
‫ﺍﻝﺒﺎﺏ ‪ .‬ﺜﻡ ﻴﻌﻭﺩ ﻴﻤﻴﻨﹰﺎ ﻭﻴﻘﻑ ﻨﺎﺤﻴﺔ‬
‫ﻋﺎﺸﻭﺭ ‪ :‬ﺃﺸﺭﺏ ‪ ..‬ﻤﺎﺃﺸﺭﺒﺵ‬
‫ﺍﻷﻡ ‪ .‬ﺜﻡ ﻨﺎﺤﻴﺔ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺄﺨﺫ‬
‫ﻜﻤﺎﻥ ‪.‬‬
‫ﺍﻝﻘﻠﺔ ﻭﻴﺸﺭﺏ ‪ .‬ﺜﻡ ﻴﺘﺭﻜﻬﺎ ﻓﻴﻬﻡ ﺒﻠﺤﺔ‬
‫ﺒﺄﺨﺫﻫﺎ ﻓﻴﺨﻁﻔﻬﺎ ﻤﻨﻪ ﻋﺎﺸﻭﺭ ﻭﻴﺘﺤﺭﻙ‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Pan‬‬
‫‪Left‬‬
‫ﺍﺨﺘﻔﺎﺀ ﺘﺩﺭﻴﺠﻰ ‪Fade -out‬‬
‫ﻤﺸﻬﺩ ) ‪( 21‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺨﻠﻰ ﺼﺎﻝﺔ ﻤﻨﺯل ﺍﻝﺒﺎﺸﺎ‬
‫ﻅﻬﻭﺭ ﺘﺩﺭﻴﺠﻰ‪Fade -in‬‬ ‫‪112‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻠﺒﺎﺸﺎ ﻭﻓﻰ ﻤﻘﺩﻤﺔ‬
‫ﻼ ﻤﺤﻤﺩ‬ ‫ﺍﻝﻜﺎﺩﺭ ﻤﺎﺌﺩﺓ ﺍﻝﺒﻠﻴﺎﺭﺩﻭ ﻭﺨﻠﻔﻬﺎ ﻴﻘﻑ ﻨﺯﻴﻪ ﺒﺎﺸﺎ ‪ :‬ﺃﻫ ﹰ‬
‫ﻼ ﻭﺴﻬ ﹰ‬
‫ﺼﻭﺕ ﺍﻝﺨﻁﻭﺍﺕ‬ ‫ﻨﺯﻴﻪ ﺒﺎﺸﺎ ﻴﻠﻌﺏ ﻭﻓﻰ ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ‬
‫ﺃﻓﻨﺩﻯ‬
‫ﻋﻠﻰ ﺍﻝﺴﻠﻡ ﺍﻝﺩﺍﺨﻠﻰ ﻨﺭﻯ ﺍﻝﺨﺎﺩﻡ ﻭﺨﻠﻔﻪ‬
‫ﻤﺤﻤﺩ ‪ .‬ﻴﻨﺯﻻ ﺩﺭﺠﺎﺕ ﺍﻝﺴﻠﻡ ﺍﻝﻤﺅﺩﻯ‬
‫ﺍﻝﻰ ﺍﻝﺼﺎﻝﺔ ﻭﻴﺘﻭﻗﻑ ﺍﻝﺒﺎﺸﺎ ﻋﻥ ﺍﻝﻠﻌﺏ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 17 of 81‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻴﺴﺎﺭ ﻨﺯﻴﻪ ‪ :‬ﻤﺒﺭﻭﻙ ‪ .‬ﺃﻨﺎ ﺒﻌﺩ ﺍﻝﻀﻬﺭ ﻝﻤﺎ‬ ‫‪113‬‬
‫ﻜﺎﺩﺭ ﻭﻨﺯﻴﻪ ﺒﺎﺸﺎ ﻭﻴﺘﺼﺎﻓﺤﺎ ‪ .‬ﺜﻡ ﻴﺭﺒﺕ ﺇﻁﻠﻌﺕ ﻋﺎﻝﺠﺭﺍﻴﺩ ﺇﻨﺒﺴﻁﺕ ﻗﻭﻯ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﻤﺘﺸﻜﺭ ﻴﺎﺴﻌﺎﺩﺓ ﺍﻝﺒﺎﺸﺎ‬ ‫ﻋﻠﻰ ﻜﺘﻑ ﻤﺤﻤﺩ‬
‫ﻨﺯﻴﻪ ‪ :‬ﺘﻤﻠﻰ ﻜﺎﻥ ﺭﺃﻴﻰ ﻓﻴﻙ ﺃﻨﻙ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺜل ﻤﻥ ﺃﻤﺜﻠﺔ ﺍﻝﺸﺒﺎﻥ ﺍﻝﻘﻼﺌل ‪..‬‬
‫ﺘﻌﺎل ﺇﺴﺤﺏ ﺍﻷﺴﺘﻴﻜﺔ ‪ ..‬ﺘﻌﺎل ﻨﻠﻴﻥ‬
‫ﺇﻴﺩﻴﻨﺎ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪M. L .S‬‬ ‫‪114‬‬
‫ﻝﻤﺤﻤﺩ ﻭﻋﺼﻴﺎﻥ ﺍﻝﺒﻠﻴﺎﺭﺩﻭ ﻓﻰ ﻤﻘﺩﻤﺔ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻴﺴﺤﺏ ﻤﺤﻤﺩ ﺇﺤﺩﻯ ﺍﻝﻌﺼﻴﺎﻥ‬
‫ﺜﻡ ﻴﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ ﺍﻝﻌﻤﻕ ‪ .‬ﻭﺘﺘﺎﺒﻌﻪ‬
‫ﻤﺤﻤﺩ ‪ :‬ﻫﻭ ﻋﺩﻝﻰ ﻤﺵ ﻫﻨﺎ ؟‬
‫ﺼﻭﺕ ﺨﻁﻭﺍﺕ ﻤﺤﻤﺩ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﺘﺭﺍﻓﻴﻠﻨﺞ ﺩﺍﺌﺭﻯ ‪Traveling‬‬
‫ﻨﺯﻴﻪ ‪ :‬ﻓﻭﻕ ‪.‬‬
‫ﻝﻴﺼﺒﺢ ﻤﺤﻤﺩ ﻭﺍﻝﺒﺎﺸﺎ ﺨﻠﻑ ﻤﺎﺌﺩﺓ‬
‫ﺍﻝﺒﻠﻴﺎﺭﺩﻭ ﺍﻝﺘﻰ ﺘﻜﻭﻥ ﻓﻰ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﻴﻌﻴﺩ ﺍﻝﺒﺎﺸﺎ ﻭﻀﻊ ﺍﻝﻜﺭﺍﺕ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ‪American Shot‬‬ ‫‪115‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﻜﺎﻥ ﺒﺩﻯ ﻴﺎﺴﻌﺎﺩﺓ ﺍﻝﺒﺎﺸﺎ‬
‫ﻝﻤﺤﻤﺩ ﻭﻫﻭ ﻴﻌﺘﺩل ﻭﻴﻘﻑ ‪ .‬ﺜﻡ ﻴﻨﻅﺭ‬
‫ﺃﺘﻜﻠﻡ ﻤﻌﺎﻙ ﺸﻭﻴﺔ ﺒﺨﺼﻭﺹ ﻋﺩﻝﻰ‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻫﻭ ﻓﻰ ﻤﻨﺘﺼﻑ ﺍﻝﻜﺎﺩﺭ‬
‫ﺇﺫﺍ ﺴﻤﺤﺕ‬
‫ﻭﻓﻰ ﺍﻝﻤﻘﺩﻤﺔ ﻤﺎﺌﺩﺓ ﺍﻝﺒﻠﻴﺎﺭﺩﻭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ‪American Shot‬‬ ‫‪116‬‬
‫ﻝﻨﺯﻴﻪ ﺒﺎﺸﺎ ﻓﻰ ﻤﻨﺘﺼﻑ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﻭﻗﻑ‬
‫ﻋﻥ ﺍﻝﻠﻌﺏ ﻭﻴﻨﻅﺭ ﻴﻤﻴﻨﹰﺎ ‪ .‬ﺜﻡ ﻴﻠﻌﺏ‬
‫ﻨﺯﻴﻪ ‪ :‬ﺨﺼﻭﺼﺎ ﺒﻌﺩ ﺍﻝﻔﻀﻴﺤﺔ‬
‫ﺍﻝﻜﺭﺓ ﻭﻴﺘﺤﺭﻙ ﻴﻤﻴﻨﹰﺎ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺒﺘﺎﻋﺔ ﺍﻝﺭﻗﺎﺼﺔ ‪.‬‬
‫‪ . Pan Right‬ﺜﻡ ﻴﺩﺨل ﻤﺤﻤﺩ ﺍﻝﻜﺎﺩﺭ‬
‫ﺼﻭﺕ ﻀﺭﺏ ﺍﻝﻜﺭﺓ‬ ‫ﻤﺤﻤﺩ ‪ :‬ﻝﻜﻥ ﻴﺎﺴﻌﺎﺩﺓ ﺍﻝﺒﺎﺸﺎ ﺩﻯ‬
‫ﻭﻴﺼﺒﺢ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‬
‫ﻤﺴﺄﻝﺔ ﻗﺩﻴﻤﺔ ﻭﺇﻨﺘﻬﺕ ‪ ..‬ﺍﻝﻨﻬﺎﺭﺩﺓ‬
‫‪ . .M. L. S‬ﻭﻴﻨﺤﻨﻰ ﻨﺯﻴﻪ ﻭﻴﻠﻌﺏ‬
‫ﻋﺩﻝﻰ ﻗﻁﻊ ﻜل ﻋﻼﻗﺘﻪ ﺒﻴﻬﺎ ‪.‬‬
‫ﺍﻝﻜﺭﺓ ﺜﻡ ﻴﺩﻭﺭ ﻤﻥ ﺨﻠﻑ ﻤﺤﻤﺩ ﻨﺎﺤﻴﺔ‬
‫ﺍﻝﻴﻤﻴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻴﺴﺎﺭ ﻤﺤﻤﺩ ‪ :‬ﺃﻨﺎ ﻋﻨﺩﻯ ﻤﺸﺭﻭﻉ ﻴﺎﺴﻌﺎﺩﺓ‬ ‫‪117‬‬
‫ﻜﺎﺩﺭ ﻭﻴﺨل ﻨﺯﻴﻪ ﻤﻥ ﺨﻠﻔﻪ ﻭﻴﺼﺒﺢ ﺍﻝﺒﺎﺸﺎ ‪ ,‬ﻤﻤﻜﻥ ﻴﻨﻘﺫ ﻋﺩﻝﻰ ﻤﻥ‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﻨﺤﻨﻰ ﻝﻴﻀﺭﺏ ﺍﻝﻜﺭﺓ ‪ .‬ﺜﻡ ﺍﻝﻭﺴﻁ ﺍﻝﻤﺘﺤﺎﻭﻁ ﺒﻴﻪ‬
‫ﻴﻨﺯل ﺍﻝﻌﺼﺎ ﻭﻴﻀﺭﺏ ﺍﻝﺠﺭﺱ ﺍﻝﺴﺎﻗﻁ ﻨﺯﻴﻪ ‪ :‬ﻤﺸﺭﻭﻉ ﺁﻴﻪ ﺇﺤﻜﻴﻠﻰ ‪.‬‬
‫ﺱ ﺘﺅﻤﺭ ﺴﻌﺎﺩﺘﻙ ﻭﺘﻨﺩﻩ‬ ‫ﻓﻭﻕ ﺍﻝﻤﺎﺌﺩﺓ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺤﺭﻙ ﻤﺤﻤﺩ ﻤﺤﻤﺩ ‪ :‬ﺒ ‪‬‬
‫ﻝﻌﺩﻝﻰ ﻭﻴﺎﻨﺎ‬ ‫ﻨﺎﺤﻴﺔ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﻨﺯﻴﻪ‪ :‬ﺇﺘﻔﻀل ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻤﺤﻤﺩ ﻭﺍﻝﺒﺎﺸﺎ‬ ‫‪118‬‬

‫ﻴﺘﺤﺭﻜﺎ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻤﻌﻬﻡ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﻠﻴﻤﻴﻥ ﺤﺘﻰ ﻴﺼﻼ‬
‫ﻼ‬
‫ﺍﻝﻰ ﺍﻝﺼﺎﻝﻭﻥ ﻭﺘﺭﺘﻔﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻗﻠﻴ ﹰ‬
‫‪ , Tilt up‬ﻭﻴﻅﻬﺭ ﺍﻝﺨﺎﺩﻡ ﻋﻠﻰ ﺍﻝﺴﻠﻡ ﻨﺯﻴﻪ ‪ :‬ﺇﻨﺩﻩ ﻝﻰ ﻋﺩﻝﻰ ‪ ....‬ﺃﻗﻌﺩ‬
‫ﺍﻝﺩﺍﺨﻠﻰ ﻭﻴﺸﻴﺭ ﻝﻪ ﻨﺯﻴﻪ ﺒﺎﺸﺎ ﺜﻡ‬
‫ﻴﺠﻠﺴﺎ ‪ .‬ﻤﺤﻤﺩ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻨﺯﻴﻪ ﻴﻤﻴﻥ‬
‫ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻤﻥ ﻤﺤﻤﺩ ‪ :‬ﺃﻨﺎ ﺩﻝﻭﻗﺘﻰ ﺒﻌﺩ ﻤﺎﺇﻨﺘﻬﻴﺕ‬ ‫‪119‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 18 of 81‬‬

‫ﻭﺠﻬﺔ ﻨﻅﺭ ﺍﻝﺒﺎﺸﺎ ﻭﻫﻭ ﺠﺎﻝﺱ ﻓﻰ ﻤﻥ ﺍﻝﺩﺭﺍﺴﺔ ‪ ,‬ﻓﻜﺭﺕ ﻓﻰ ﺍﻝﻁﺭﻴﻕ‬

‫ﺍﻝﻠﻰ ﺃﺴﻠﻜﻪ ﻓﻰ ﺍﻝﺤﻴﺎﺓ‬ ‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻨﺯﻴﻪ ‪ :‬ﻁﺒﻴﻌﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻨﺯﻴﻪ ﻤﻥ‬ ‫‪120‬‬
‫ﻨﺯﻴﻪ ‪ :‬ﻓﻜﺭﺓ ﻭﺠﻴﻬﺔ ﺠﺩﹰﺍ ‪ ....‬ﻝﻜﻥ‬
‫ﻭﺠﻬﺔ ﻨﻅﺭ ﻤﺤﻤﺩ‬
‫ﻋﺩﻝﻰ ﺁﻴﻪ ﻋﻼﻗﺘﻪ ﺒﺎﻝﻤﻭﻀﻭﻉ ﺩﻩ ؟‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻨﺯﻴﻪ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻤﺤﻤﺩ ‪ :‬ﻨﻔﺘﺢ ﺍﻝﻤﻜﺘﺏ ﺴﻭﺍ ‪ ,‬ﺃﻨﺎ‬ ‫‪121‬‬
‫ﻭﻅﻬﺭﻩ ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻓﻰ ﺍﻝﻌﻤﻕ ﻤﺤﻤﺩ ‪ .‬ﺒﻤﺠﻬﻭﺩﻯ ﻭﻫﻭ ﺒﺭﺃﺴﻤﺎﻝﻪ ‪..‬‬
‫ﻭﻤﺴﻴﺭﻩ ﻤﻊ ﺍﻝﺯﻤﻥ ﻴﺘﻤﺭﻥ ﻋﻠﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺇﺤﺘﻤﺎل ﺍﻝﻤﺴﺌﻭﻝﻴﺔ ‪ ,‬ﻭﻴﺼﺭﻑ ﻨﻅﺭ‬
‫ﺨﺎﻝﺹ ﻋﻥ ﺍﻝﻤﺸﻰ ﺍﻝﻠﻰ ﺴﻌﺎﺩﺘﻙ‬
‫ﺒﺘﺸﻜﻰ ﻤﻨﻪ ‪.‬‬
‫ﻨﺯﻴﻪ ‪ :‬ﺃﻨﺎ ﻤﺎﻋﻨﺩﻴﺵ ﻤﺎﻨﻊ ﻭﺇﺫﺍ‬
‫ﻜﺎﻥ ﻋﻠﻰ ﻤﺴﺄﻝﺔ ﺍﻝﻔﻠﻭﺱ ﺃﻨﺎ‬
‫ﻤﺴﺘﻌﺩ ‪.‬‬
‫ﻼ ﻤﺤﻤﺩ ‪ .‬ﺍﻨﺕ‬ ‫ﻼ ﻭﺴﻬ ﹰ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻌﺩﻝﻰ ﻴﺄﺘﻰ ﻤﻥ ﻋﺩﻝﻰ ‪ :‬ﺃﻫ ﹰ‬ ‫‪122‬‬
‫ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺤﺭﻙ ﻴﻤﻴﻨﹰﺎ ﻝﻴﺼل ﺍﻝﻰ ﻓﻴﻥ ﻴﺎﺨﻰ ‪ .‬ﻤﺒﺭﻭﻙ ﻤﺎﺘﺂﺨﺩﻨﻴﺵ ﺃﻨﺎ‬
‫ﺍﻝﺼﺎﻝﻭﻥ ﺤﻴﺙ ﻴﺠﻠﺱ ﻤﺤﻤﺩ ﻭﺍﻝﺒﺎﺸﺎ ‪ .‬ﻜﻨﺕ ﻋﺎﻴﺯ ﺃﺯﻭﺭﻙ ﻤﺨﺼﻭﺹ‬
‫ﻴﻘﻑ ﻤﺤﻤﺩ ﻝﻴﺼﺎﻓﺢ ﻋﺩﻝﻰ ‪ .‬ﺜﻡ ﻴﺘﺤﺭﻙ ﻭﺃﻫﻨﻴﻙ ‪.‬‬
‫ﻨﺎﺤﻴﺔ ﺍﻷﺭﻴﻜﺔ ﻭﻴﺠﻠﺱ ﻓﻰ ﻤﻨﺘﺼﻑ ﻤﺤﻤﺩ ‪ :‬ﻤﻴﺭﺴﻰ ﻴﺎﻋﺩﻝﻰ‬
‫ﻨﺯﻴﻪ ‪ :‬ﺩﻝﻭﻗﺕ ﻫﻤﻪ ﻜﻠﻤﺘﻴﻥ‬ ‫ﺍﻝﻜﺎﺩﺭ‬
‫ﺒﺈﺨﺘﺼﺎﺭ ‪....‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻠﺒﺎﺸﺎ ﻓﻰ ﻨﺯﻴﻪ ‪ :‬ﻤﺤﻤﺩ ﻋﻨﺩﻩ ﻓﻜﺭﺓ ﻤﺸﺭﻭﻉ‬ ‫‪123‬‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﺘﺄﺴﻴﺱ ﻤﻜﺘﺏ ﺘﺠﺎﺭﻯ ‪ ,‬ﻭﺒﻠﻎ ﻤﻥ‬
‫ﺇﺨﻼﺼﻪ ﺃﻨﻪ ﻋﺎﻴﺯ ﻴﺸﺎﺭﻜﻙ ﺃﻨﺕ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﻴﺎﻩ ‪ .‬ﺁﻴﻪ ﺍﻝﻠﻰ ﺘﺸﻭﻓﻪ ﻜﺩﻩ ﺒﻜل‬
‫ﺼﺭﺍﺤﺔ ؟‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M. Close up‬‬ ‫‪124‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﻤﺎﻫﻭ ﻴﺎﺒﺎﺒﺎ‪ ....‬ﻤﻜﺘﺏ‬ ‫ﻝﻌﺩﻝﻰ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﺘﺠﺎﺭﻯ ﻭﺃﻨﺎ ‪...‬‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ M. L. S‬ﻝﻠﺒﺎﺸﺎ ﻨﺯﻴﻪ ‪ :‬ﻭﻴﺎﻙ ﻤﺤﻤﺩ ﺃﻓﻨﺩﻯ‬ ‫‪125‬‬

‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻋﺩﻝﻰ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﺤﺘﺘﻌﺎﻭﻨﻭﺍ ﺴﻭﺍ ‪ .‬ﺍﻨﺕ ﻋﺎﻴﺯ‬
‫ﻭﻤﺤﻤﺩ ﻓﻰ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﻭﻅﻬﺭﻩ ﺘﺠﻴﻠﻙ ﻓﺭﺼﺔ ﻝﺤﺩ ﻋﻨﺩﻙ ﺃﺤﺴﻥ ﻤﻥ‬
‫ﻜﺩﻩ ‪ .‬ﻭﻻ ﻨﺎﻭﻯ ﺒﺭﻀﻪ ﺘﻔﻀل ﻓﻰ‬ ‫ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﻤﺸﻴﻙ ﺍﻝﻔﺎﻝﺼﻭ ﺩﻩ ﻭﺘﺨﻠﻴﻨﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻏﻀﺒﺎﻥ ﻋﻠﻴﻙ ‪.‬‬
‫ﺱ‬
‫ﻋﺩﻝﻰ ‪ :‬ﺒﺎﻝﻌﻜﺱ ﻴﺎﺒﺎﺒﺎ ‪ .‬ﺃﻨﺎ ﺒ ‪‬‬
‫ﺒﺄﺘﻨﺎﻗﺵ ﻓﻰ ﺍﻝﻤﻭﻀﻭﻉ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻓﻰ ﻤﺤﻤﺩ ‪ :‬ﺜﻡ ﻴﺎﻋﺩﻝﻰ ﻜﻤﺎﻥ ﺃﻨﺕ ﻨﺒﻴﻪ‬ ‫‪126‬‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻻ ﻓﻴﺵ ﺸﻰﺀ ﻴﻨﻘﺼﻙ ﻋﻠﺸﺎﻥ‬
‫ﺘﻜﻭﻥ ﻤﺭﻜﺯﻙ ﻭﺃﻨﺕ ﻤﻥ ﻨﻔﺴﻙ ﺒﻌﺩ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺨﻁﻭﺍﺕ ﺍﻷﻭﻝﻰ ﺤﻴﻠﺫﻝﻙ ﺍﻝﺴﻴﺭ ﻓﻰ‬
‫ﺍﻝﻌﻤل ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻌﺩﻝﻰ ﻴﻨﻅﺭ ﻋﺩﻝﻰ ‪ :‬ﺃﻨﺎ ﻤﺎﺒﺄﻗﻭﻝﺵ ﺤﺎﺠﺔ ‪.‬ﺃﻨﺎ‬ ‫‪127‬‬
‫ﺒﺎﻝﻌﻜﺱ ﻤﺴﺘﺤﺴﻥ ﺍﻝﻔﻜﺭﺓ‬ ‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﺜﻡ ﻴﻨﻅﺭ ﻷﺴﻔل‬
‫ﺨﺎﻝﺹ ‪ ..‬ﺃﻨﺕ ﻓﺎﻜﺭ ﻴﺎﻤﺤﻤﺩ ﺇﻨﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺒﺴﻭﻁ ﻤﻥ ﻗﻌﺩﺘﻰ ﺩﻯ ‪ .‬ﻭﻻ ﻤﻥ‬
‫ﺍﻝﻔﻜﺭﺓ ﺍﻝﻠﻰ ﺒﺎﺒﺎ ﻭﺍﺨﺩﻫﺎ ﻋﻨﻰ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻠﺒﺎﺸﺎ ﻴﻨﻅﺭ‬ ‫‪128‬‬
‫ﻨﺯﻴﻪ ‪ :‬ﺃﻨﺎ ﺃﻜﻭﻥ ﺴﻌﻴﺩ ﻝﻤﺎ ﺘﺒﺭﻫﻥ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 19 of 81‬‬

‫ﻝﻰ ﻋﻠﻰ ﺃﻥ ﺭﺃﻴﻰ ﻓﻴﻙ ﻤﺎﻜﺎﻨﺵ ﻓﻰ‬ ‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬

‫ﻤﺤﻠﻪ ‪ .‬ﻭﻤﻥ ﺠﻬﺔ ﺍﻝﻔﻠﻭﺱ ‪ ,‬ﺃﻨﺎ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺴﺘﻊ ﺃﺩﻓﻊ ﻝﻙ ﺍﻝﻠﻰ ﺃﻨﺕ ﻋﺎﻴﺯﻩ ﻗﺒل‬
‫ﻤﺎﺃﺴﺎﻓﺭ ﺃﻭﺭﻭﺒﺎ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪ M .L. S‬ﻝﻠﺜﻼﺜﺔ ﻨﺯﻴﻪ ‪ :‬ﻭﺃﺘﻌﺸﻡ ﻨﻬﺎﺭ ﻤﺎﺃﺭﺠﻊ‬ ‫‪129‬‬
‫ﺍﻝﺘﻘﻴﻙ ﺃﺘﺭﺠﻠﺕ ﻴﺎﻋﺩﻝﻰ ﻭﺘﺭﻜﺕ‬ ‫ﻜﻤﺎ ﻓﻰ ﻝﻘﻁﺔ ‪125‬‬
‫ﺃﻤﻭﺭ ﺍﻝﻠﻌﺏ ﺒﻘﻰ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﺨﻼﺹ ﻴﺎﺒﺎﺒﺎ ﺇﻁﻤﺌﻥ‬
‫ﻝﻠﻨﺘﻴﺠﺔ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ .M. L. S‬ﻤﺤﻤﺩ ‪ :‬ﺃﻨﺎ ﺒﺭﻀﻪ ﻜﻨﺕ ﺩﺍﻴﻤﹰﺎ ﻤﻌﺘﻘﺩ‬ ‫‪130‬‬
‫ﻝﻠﺜﻼﺜﺔ ﺍﻝﺒﺎﺸﺎ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻅﻬﺭﻩ ﺇﻥ ﺍﻝﻴﻭﻡ ﺩﻩ ﻫﺎﻴﻴﺠﻰ ‪..‬‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻋﺩﻝﻰ ﻓﻰ ﻤﻨﺘﺼﻑ ﺍﻝﻜﺎﺩﺭ ﻋﺩﻝﻰ ‪ :‬ﻁﻴﺏ ﺒﻘﻰ ﻴﺎﻤﺤﻤﺩ‬
‫ﻭﻤﺤﻤﺩ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭ ﺤﺘﻘﺎﺒﻠﻨﻰ ﺇﻤﺘﻰ ﻋﻠﺸﺎﻥ ﻨﺤﻀﺭ‬
‫ﺍﻝﺸﻐل ؟‬ ‫ﻜﺎﺩﺭ ‪ .‬ﺜﻡ ﻴﻘﻔﻭﻥ ﺠﻤﻴﻌﹰﺎ‬
‫ﻤﺤﻤﺩ ‪ :‬ﺸﻭﻑ ﺘﺤﺏ ﺇﻤﺘﻰ !‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﺒﻜﺭﺓ !‬
‫ﻤﺤﻤﺩ ‪ :‬ﻭﻫﻭ ﻜﺫﻝﻙ ‪.‬‬
‫ﻨﺯﻴﻪ ‪ :‬ﻋﻅﻴﻡ ‪ .‬ﻋﻅﻴﻡ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻠﺜﻼﺜﺔ ﻭﺍﻗﻔﻭﻥ‬ ‫‪131‬‬
‫ﻨﺯﻴﻪ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻴﺼﺎﻓﺢ ﻤﺤﻤﺩ ﺍﻝﻭﺍﻗﻑ ﻤﺤﻤﺩ ‪ :‬ﺇﻥ ﺸﺎﺀ ﺍﷲ ﻴﺎﺴﻌﺎﺩﺓ‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ .‬ﻭﻋﺩﻝﻰ ﻓﻰ ﺍﻝﻤﻨﺘﺼﻑ ‪ .‬ﺍﻝﺒﺎﺸﺎ ‪ ,‬ﺘﺭﺠﻊ ﻤﻥ ﺃﻭﺭﻭﺒﺎ ﻜﺩﻩ ﻓﻰ‬
‫ﺜﻡ ﻴﺘﺤﺭﻜﺎ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻬﻤﺎ ﺼﺤﺔ ﻜﻭﻴﺴﺔ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﺍ ‪ً Pan Left‬ﻭﻴﺼﻌﺩﺍ ﻨﺯﻴﻪ ‪ :‬ﻭﺃﻨﺘﻡ ﺃﺸﻭﻓﻜﻡ ﺒﺩﺃﺘﻡ ﻓﻰ‬
‫ﺍﻝﺴﻠﻡ ﻓﻰ ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺼﺒﺢ ﺍﻝﻌﻤل ‪.‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪ Low‬ﻤﺤﻤﺩ ‪ :‬ﺒﺈﺫﻥ ﺍﷲ ‪.‬‬
‫‪ .Angle‬ﺜﻡ ﻴﺨﺭﺝ ﻤﺤﻤﺩ ﻤﻥ ﻋﻤﻕ ﺃﻭﺭﻭﻓﻭﺍﺭ ﻴﺎﻋﺩﻝﻰ ‪ ,‬ﻫﺎﻨﺘﻘﺎﺒل ﻓﻴﻥ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻴﻨﺯل ﻋﺩﻝﻰ ﺍﻝﺴﻠﻡ ﻭﺘﺎﺒﻌﻪ ﺒﻘﻰ ؟‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﻋﺩﻝﻰ ‪ :‬ﻫﺎﺃﻓﻭﺕ ﻋﻠﻴﻙ ﺍﻝﺼﺒﺢ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ ‪Pan Left‬‬
‫)‪(8‬‬ ‫ﺍﺨﺘﻔﺎﺀ ﺘﺩﺭﻴﺠﻰ ‪Fade- Out‬‬
‫ﻤﺸﻬﺩ ) ‪(22‬‬
‫ﻝﻴل ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﻤﺤﻤﺩ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close up‬‬ ‫‪132‬‬
‫ﻝﺩﻭﺴﻴﻬﺎﺕ ‪ .‬ﺜﻡ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫‪ Traveling‬ﻝﺘﺼﺒﺢ ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪L.‬‬
‫‪ S‬ﻝﻐﺭﻓﺔ ﻤﺤﻤﺩ ﺍﻝﺠﺎﻝﺱ ﻋﻠﻰ ﻤﺎﺌﺩﺓ ﺍﻷﻡ ‪ :‬ﻴﻌﻨﻰ ﻴﺎﻤﺤﻤﺩ ﻤﺎﻜﺎﻨﺘﺵ‬
‫ﻓﻰ ﻭﺴﻁ ﺍﻝﻐﺭﻓﺔ ﻭﺃﻤﺎﻤﻪ ﺁﻝﺔ ﻜﺎﺘﺒﺔ ﺍﻝﻭﻅﻴﻔﺔ ﺃﺤﺴﻥ ﻝﻙ ﻤﻥ ﺍﻝﻬﻡ ﺩﻩ‬
‫ﺼﻭﺕ ﺍﻻﻝﺔ ﺍﻝﻜﺎﺘﺒﺔ‬ ‫ﻭﺒﻌﺽ ﺍﻷﻭﺭﺍﻕ ﺍﻝﻤﺘﻨﺎﺜﺭﺓ ‪ .‬ﻭﻴﻜﺘﺏ ﻜﻠﻪ ‪.‬‬
‫ﻤﺤﻤﺩ ﻋﻠﻰ ﺍﻻﻝﺔ ﺍﻝﻜﺎﺘﺒﺔ ﻭﻴﻔﺘﺢ ﺒﺎﺏ‬
‫ﺍﻝﻐﺭﻓﺔ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺘﺩﺨل ﺍﻷﻡ ﻭﻫﻰ‬
‫ﺘﺤﻤل ﺼﻨﻴﺔ ﺍﻝﻘﻬﻭﺓ ﻭﺘﻀﻌﻬﺎ ﻋﻠﻰ‬
‫ﺍﻝﻤﺎﺌﺩﺓ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close up‬‬ ‫‪133‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺨﻼﺹ ﻫﺎﻨﺕ ﻴﺎﻨﻴﻨﺔ ‪ .‬ﺃﻨﺎ‬
‫ﻝﻤﺤﻤﺩ‬
‫ﺇﻨﺘﻬﻴﺕ ﺘﻘﺭﻴﺒﹰﺎ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻷﻡ ‪ :‬ﺒﺹ ﻝﺭﻭﺤﻙ ﻓﻰ ﺍﻝﻤﺭﺍﻴﺔ ‪,‬‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻸﻡ‬ ‫‪134‬‬
‫ﻋﻤﺎل ﺘﺨﺱ ﻭﻻ ﺃﻨﺕ ﺩﺍﺭﻯ ‪ .‬ﺩﺍ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺇﺤﻨﺎ ﻓﻰ ﺭﻤﻀﺎﻥ ﻴﺎﺒﻨﻰ ‪ ,‬ﻭﺒﻘﻰ ﻝﻙ‬
‫ﻜﺎﻡ ﺠﻤﻌﺔ ﺩﻝﻭﻗﺕ ﻭﺃﻨﺕ ﻋﺎﺍﻝﺤﺎل‬
‫ﺩﻩ ‪.‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 20 of 81‬‬

‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻤﺤﻤﺩ ﻓﻰ‬ ‫‪135‬‬

‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻴﻘﻑ ﻓﻰ ﻤﻭﺍﺠﻬﺔ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ .‬ﺜﻡ ﻴﻘﻑ ﻭﻴﺨﺭﺝ ﻤﻥ ﺍﻝﻴﻤﻴﻥ‬
‫ﻤﻤﺴﻜﹰﺎ ﺒﺎﻝﻭﺭﻕ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ .M. L. S‬ﻤﺤﻤﺩ ‪ :‬ﻜﻠﻬﺎ ﻜﺎﻡ ﻴﻭﻡ ﻭﻨﻔﺘﺢ‬ ‫‪136‬‬
‫ﻝﻤﺤﻤﺩ ﻅﻬﺭﻩ ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻫﻭ ﻴﺭﺘﺩﻯ ﺍﻝﻤﻜﺘﺏ ‪ .‬ﻭﻻ ﻴﻜﻭﻥ ﻋﻨﺩﻙ ﺃﻯ‬
‫ﺍﻝﺠﺎﻜﻴﺕ ﻭﻴﺘﺤﺭﻙ ﻴﺴﺎﺭﹰﺍ ﻭﺘﺘﺎﺒﻌﻪ ﻓﻜﺭ ‪ ..‬ﺃﻨﺎ ﺭﺍﻴﺢ ﺩﻝﻭﻗﺕ ﺃﺘﻜﻠﻡ ﻓﻰ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Pan Left‬ﻭﻫﻭ ﻴﺨﺭﺝ ﻤﻥ ﺍﻝﺘﻠﻴﻔﻭﻥ ﻤﻊ ﺸﺭﻴﻜﻰ ﻋﺩﻝﻰ ﻭﺃﺨﺩ‬
‫ﺍﻝﺒﺎﺏ ﻭﺘﺼﺒﺢ ﺍﻷﻡ ﺒﻤﻔﺭﺩﻫﺎ ﻓﻰ ﺍﻝﻜﺎﺩﺭ ﻤﻨﻪ ﻤﻴﻌﺎﺩ ﺃﻋﺭﺽ ﻋﻠﻴﻪ ﺍﻝﺘﺭﺘﻴﺒﺎﺕ‬
‫ﻜﻠﻬﺎ ‪ .‬ﻭﻨﻤﻀﻰ ﺍﻹﺘﻔﺎﻕ ﺴﻭﺍ‪.. .‬‬ ‫ﻤﺴﺢ ‪Wipe‬‬
‫ﺘﻌﺭﻓﻰ ﻴﺎﻨﻴﻨﺔ !‬
‫ﺍﻷﻡ ‪ :‬ﺁﻴﻪ ﻴﺎﺒﻨﻰ !‬
‫ﻤﺤﻤﺩ ‪ :‬ﺃﻨﺘﻰ ﻗﻤﺭ ) ﻀﺤﻙ (‬
‫ﺍﻷﻡ ‪ :‬ﻴﻭﻩ ‪ ..‬ﻴﺎﻤﺤﻤﺩ ﺃﻨﺕ ﺭﺍﺨﺭ‬
‫ﻤﺸﻬﺩ ) ‪( 23‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻜﺘﺏ ﺍﻝﻤﺨﺒﺯ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﺸﺤﺎﺘﺔ ﻜﺎﺘﺏ ﻤﺤﻤﺩ ‪ :‬ﺴﻼﻤﻭﺍ ﻋﻠﻴﻜﻭﺍ ‪.‬‬ ‫‪137‬‬
‫ﺍﻝﻤﺨﺒﺯ ﺨﻠﻑ ﺍﻝﻤﻜﺘﺏ ﻭﺃﻤﺎﻡ ﺍﻝﻤﻜﺘﺏ ﺍﻷﺜﻨﻴﻥ ‪ :‬ﻭﻋﻠﻴﻜﻭﺍ ﺍﻝﺴﻼﻡ‬
‫ﻋﺎﺸﻭﺭ ﺠﺎﻝﺱ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ .‬ﻭﻴﺩﺨل ﻋﺎﺸﻭﺭ ‪ :‬ﺇﺯﺍﻯ ﺤﺎل ﺍﻝﺸﻐل ﻴﺎﺴﻰ‬
‫ﺼﻭﺕ ﻏﻨﺎﺀ ﺍﻷﻁﻔﺎل‬
‫ﻤﺤﻤﺩ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻤﺴﻙ ﻤﺤﻤﺩ ؟‬
‫ﺃﻏﺎﻨﻰ ﺭﻤﻀﺎﻥ‬
‫ﻤﺤﻤﺩ ‪ :‬ﻋﺎل ﺍﻝﺤﻤﺩ ﷲ ‪ ....‬ﺁﻝﻭ ‪..‬‬ ‫ﺍﻝﺘﻠﻴﻔﻭﻥ‬
‫ﻋﺩﻝﻰ ﺒﻴﻪ ﻤﻭﺠﻭﺩ! ‪...‬ﻗﻭﻝﻪ ﻤﺤﻤﺩ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺤﻨﻔﻰ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 24‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﺒﺎﺭ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻠﺒﺎﺭﻤﺎﻥ ﻴﺘﺤﺭﻙ‬ ‫‪138‬‬
‫ﻝﻠﻴﺴﺎﺭ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Pan Left‬‬
‫ﺍﻝﺒﺎﺭ ﻤﺎﻥ‪ :‬ﺩﻗﻴﻘﺔ ﻭﺍﺤﺩﺓ ﻤﻥ ﻓﻀﻠﻙ‬
‫ﻭﻴﻔﺘﺢ ﺒﺎﺏ ﻤﻜﺘﻭﺏ ﻋﻠﻴﻪ ﻤﺨﺼﻭﺹ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 25‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﻤﺨﺒﺯ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻜﻤﺎ ﻓﻰ ﻝﻘﻁﺔ ‪ 137‬ﻋﺎﺸﻭﺭ ‪ :‬ﻤﺎﺘﺠﻴﺏ ﺒﻘﻰ ﻨﺸﻔﺕ‬ ‫‪139‬‬
‫ﺭﻴﻘﻰ ‪ ..‬ﺃﻨﺕ ﺨﻭﺍﻑ ﻜﺩﻩ ﻝﻴﻪ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺸﺤﺎﺘﺔ ‪ :‬ﻤﻬﻭ ﻴﺎﻤﻌﻠﻡ ﺴﺕ ﻓﺎﻁﻤﺔ‬
‫ﺒﺘﺩﻗﻕ ﻭﻴﺎﻴﺎ ﻗﻭﻯ ﻓﻰ ﺍﻝﺤﺴﺎﺏ‬
‫ﻋﺎﺸﻭﺭ ‪ :‬ﻫﻰ ﻤﻥ ﺭﻴﺎل ﻴﺎﻤﻐﻔل !‬
‫ﺯﻭﻏﻪ ﻓﻰ ﻭﺴﻁ ﺍﻝﺘﻨﺎﺘﻴﺵ ‪ .‬ﻫﻰ‬
‫ﺒﺘﺩﻗﻕ ﻓﻰ ﺍﻝﺤﺴﺎﺏ ﻭﺃﻤﻬﺎ ﺒﺘﻘﻭﻝﻙ‬
‫ﻤﺎﺘﺩﻨﻴﺵ ‪ ..‬ﺍﻤﺎل ﺃﺼﺭﻑ ﺃﻨﺎ ﻤﻨﻴﻥ‬
‫ﺒﻘﻰ ؟‬
‫ﻤﺸﻬﺩ ) ‪( 26‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﺒﺎﺭ‬
‫‪ 140‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M. Close up‬‬
‫ﻤﻊ ﺤﺭﻜﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺘﺘﺎﺒﻊ ‪Pan Right‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﺁﻝﻭ ﺃﻨﺎ ﻤﺘﺄﺴﻑ ﻴﺎﻤﺤﻤﺩ‬
‫ﻴﻤﻴﻥ ﻤﻊ ﻋﺩﻝﻰ ﺤﺘﻰ ﻴﺼل ﺍﻝﻰ‬
‫ﺇﻨﻰ ﻏﺒﺕ ﻋﻠﻴﻙ ‪.‬‬
‫ﺍﻝﺘﻠﻴﻔﻭﻥ ﻭﻴﺭﻓﻊ ﺍﻝﺴﻤﺎﻋﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 27‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 21 of 81‬‬

‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﻤﺨﺒﺯ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ M. Close up‬ﻤﺤﻤﺩ ‪ :‬ﺃﻨﺎ ﺨﻼﺹ ﻴﺎﻋﺩﻝﻰ‬ ‫‪141‬‬
‫ﻝﻤﺤﻤﺩ ﻭﻫﻭ ﻴﺘﺤﺩﺙ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺠﻬﺯﺘﻠﻙ ﻜل ﺸﻰﺀ ﻋﻠﻰ ﺍﻵﺨﺭ ‪.‬‬
‫ﺤﻨﺘﻔﺎﺒل ﺇﻤﺘﻰ ﻋﻠﺸﺎﻥ ﺘﻁﻠﻊ ﻋﻠﻰ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺍﻝﺒﻴﺎﻨﺎﺕ ‪ .‬ﻭﻨﺒﺘﺩﻯ ﺒﻘﻰ ﺍﻝﺸﻐل‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻴﺎﺒﻁل ؟‬
‫ﻤﺸﻬﺩ ) ‪( 28‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﺒﺎﺭ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M. Close up‬ﻋﺩﻝﻰ ‪ :‬ﺸﻐل! ﺁﻩ ﻁﻴﺏ ﻴﺎﻤﺤﻤﺩ ‪.‬‬ ‫‪142‬‬
‫ﻝﻌﺩﻝىﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﺘﺤﺩﺙ ﻓﻰ ﺒﻜﺭﺓ ﺍﻝﺼﺒﺢ ﺘﻔﻭﺕ ﻋﻠﻰ ﻓﻰ‬
‫ﺍﻝﺒﻴﺕ ‪ .‬ﺃﻴﻭﺓ ﻁﻴﺏ ﻴﺎﺃﺨﻰ ﻁﻴﺏ‬ ‫ﺍﻝﺘﻠﻴﻔﻭﻥ‬
‫ﺃﻭﺭﻓﻭﺍﺭ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 29‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﻤﺨﺒﺯ‬
‫‪ 143‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻤﺤﻤﺩ ﻴﻤﺩ ﻴﺩﻩ ﻓﻰ ﻋﺎﺸﻭﺭ ‪ :‬ﻻ ﻭﺍﷲ ﻤﺎﺘﺠﻴﺵ ﻴﺎﺴﻰ‬
‫ﺠﻴﺒﻪ ﻝﻴﺩﻓﻊ ﺜﻤﻥ ﺍﻝﻤﻜﺎﻝﻤﺔ ﺜﻡ ﻴﺨﺭﺝ ﻤﺤﻤﺩ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﻤﺘﺸﻜﺭ ﺴﻼﻡ ﻋﻠﻴﻜﻭﺍ‬ ‫ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻋﺎﺸﻭﺭ ‪ :‬ﻤﺎﺘﻔﻭﺕ ﺒﻘﻰ ‪ .‬ﺃﻨﺎ ﺭﻴﻘﻰ‬ ‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻨﺸﻑ ﻭﺇﺤﻨﺎ ﻓﻰ ﺭﻤﻀﺎﻥ ﻴﺎﺃﺨﻰ‬
‫ﻭﺩﻩ ﺸﻬﺭ ﻜﺭﻴﻡ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 30‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﺤﺎﺭﺓ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L .S‬ﻝﻠﺤﺎﺭﺓ ﻭﻴﻅﻬﺭ‬ ‫‪144‬‬
‫ﺍﻝﻤﺴﺠﺩ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻤﻀﺎﺀ‬
‫ﺒﻤﺼﺎﺒﻴﺢ ‪ .‬ﻭﺍﻝﺤﺎﺭﺓ ﻤﺯﺩﺤﻤﺔ ﺒﺎﻝﻤﺎﺭﺓ‬
‫ﺍﻷﻁﻔﺎل ‪ :‬ﻭﺤﻭﻯ ﻴﺎﻭﺤﻭﻯ‬
‫ﻭﺘﻅﻬﺭ ﺇﺤﺘﻔﺎﻻﺕ ﺸﻬﺭ ﺭﻤﻀﺎﻥ ﻓﻰ‬
‫ﺼﻭﺕ ﺍﻝﻤﻜﺎﻥ ﻭﺍﻷﻁﻔﺎل‬ ‫ﺒﺎﺌﻊ ﺍﻝﺯﺒﺎﺩﻯ ‪ :‬ﺯﺒﺎﺩﻯ ﻴﺎﻝﺒﻥ ‪..‬‬
‫ﺍﻝﺤﺎﺭﺓ ﻭﻴﺘﺤﺭﻙ ﻤﺤﻤﺩ ﻤﻥ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ‬
‫ﻴﻐﻨﻭﻥ‬ ‫ﻗﺸﻁﺔ ﻴﺎﻝﺒﻥ ‪.‬‬
‫ﺍﻝﻰ ﺍﻝﻴﻤﻴﻥ ﻭﻴﻬﻡ ﺒﺼﻌﻭﺩ ﺴﻠﻡ ﺍﻝﺤﺎﺭﺓ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻭﺍﺩ ﻴﺎﺒﻠﺤﺔ !‬
‫ﺃﻤﺎﻡ ﻤﻨﺯﻝﻪ ‪ ,‬ﺜﻡ ﻴﻨﻅﺭ ﻷﻋﻠﻰ ﻨﺎﺤﻴﺔ‬
‫ﺸﺭﻓﺔ ﻓﺎﻁﻤﺔ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻔﺎﻁﻤﺔ ﻤﻥ‬ ‫‪145‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺒﻠﺤﺔ‬
‫ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪ Low Angle‬ﻓﻰ‬
‫ﺼﻭﺕ ﺒﻠﺤﺔ ‪ :‬ﻤﺎﻝﻙ ﻋﺎﻭﺯﺓ ﺁﻴﻪ !‬
‫ﺍﻝﺸﺭﻓﺔ ﺘﻨﻅﺭ ﻷﺴﻔل‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻜﻔﺎﻙ ﻝﻑ ﺒﻘﻰ ﺒﺯﻴﺎﺩﺓ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M . S‬ﻝﺒﻠﺤﺔ ﻭﺤﻭﻝﻪ‬ ‫‪146‬‬
‫ﺼﻭﺕ ﻓﺎﻁﻤﺔ ‪ :‬ﺃﻁﻠﻊ ﻨﺎﻡ ‪.‬‬
‫ﺍﻷﻁﻔﺎل ﻤﻤﺴﻜﻴﻥ ﺒﺎﻝﻔﻭﺍﻨﻴﺱ ﻭﻴﻨﻅﺭﻭﻥ‬
‫ﺒﻠﺤﺔ ‪ :‬ﻷ ﻨﺎﻤﻭﺍ ﺃﻨﺘﻭﺍ ‪ .‬ﺃﻨﺎ ﺒﺎﺍﻝﻌﺏ‬
‫ﻷﻋﻠﻰ‬
‫ﻭﻴﺎ ﺍﻝﻌﻴﺎل ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪ M .L. S‬ﻝﻤﺤﻤﺩ‬ ‫‪147‬‬
‫ﺼﻭﺕ ﻓﺎﻁﻤﺔ ‪ :‬ﺒﺄﻗﻭﻝﻙ ﺃﻁﻠﻊ ﻜﻔﺎﻴﺔ‬
‫ﻭﺍﻗﻔﹰﺎ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﻀﺤﻙ ‪ ,‬ﺜﻡ‬
‫ﻜﺩﺓ ‪.‬‬
‫ﻴﻠﺘﻔﺕ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻷﻋﻠﻰ ‪.‬‬
‫ﺼﻭﺕ ﺒﻠﺤﺔ ‪ :‬ﻷ ﻤﺎﻨﻴﺵ ﻁﺎﻝﻊ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻔﺎﻁﻤﺔ ﻓﻰ ﻓﺎﻁﻤﺔ ‪ :‬ﻤﺎﻴﺤﺼﻠﻜﺵ ﻁﻴﺏ‬ ‫‪148‬‬
‫ﺍﻝﺸﺭﻓﺔ ﺘﻨﻅﺭ ﻷﺴﻔل ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻁﺎﻭﻋﻨﻰ‬
‫ﺼﻭﺕ ﺒﻠﺤﺔ ‪ :‬ﻷ ﻤﺎﺃﻁﺎﻭﻋﺵ ﺤﺩ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻁﻴﺏ ‪ .‬ﺃﻨﺎ ﻫﺎﻭﺭﻴﻙ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M. S‬ﻝﺒﻠﺤﺔ ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪149‬‬
‫ﺒﻠﺤﺔ ‪ :‬ﻤﺎﻜل ﺍﻝﻌﻴﺎل ﺒﻴﻠﻌﺒﻭﺍ ﺃﻫﻡ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 22 of 81‬‬

‫ﻤﺭﺘﻔﻌﺔ ‪ High Angle‬ﻴﻨﻅﺭ ﻷﻋﻠﻰ ﺼﺒﻰ ‪ :‬ﻤﺎﺘﻁﻠﻌﺵ ﻴﺎﻭﺍﺩ‬

‫ﺼﺒﻰ ﺁﺨﺭ ‪ :‬ﻤﺎﺘﺴﺄﻝﺵ ﻋﻨﻬﺎ‬ ‫ﻭﺒﺠﻭﺍﺭﻫﺎ ﺍﻷﻁﻔﺎل‬
‫ﺒﻠﺤﺔ ‪ :‬ﻫﺎﺘﻌﻤﻠﻰ ﺁﻴﻪ ﻴﻌﻨﻰ !‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻔﺎﻁﻤﺔ ﻜﻤﺎ ﻓﻰ‬ ‫‪150‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻭﺒﻌﺩﻴﻥ ﻓﻰ ﺸﺒﻜﺘﻙ ﺩﻯ !‬ ‫ﻝﻘﻁﺔ‬
‫ﺃﻨﺕ ﻫﺎﺘﻁﻠﻊ ﻭ ﹶﻻ ﺃﻨﺯل ﺃﺠﺭﻙ !‬ ‫) ‪( 148‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﺒﻠﺤﺔ ﺒﺭﻭﻓﻴل‬ ‫‪151‬‬
‫ﺒﻠﺤﺔ ‪ :‬ﻤﺎﺘﻘﺩﺭﻴﺵ ﺘﻨﺯﻝﻰ ‪.‬‬ ‫ﻴﻨﻅﺭ ﻷﻋﻠﻰ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻔﺎﻁﻤﺔ ﺘﻨﻅﺭ‬ ‫‪152‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻁﻴﺏ ﺃﺩﻴﻨﻰ ﺠﺎﻴﺎﻝﻙ ‪,‬‬
‫ﻨﺎﺤﻴﺔ ﻤﺤﻤﺩ‬
‫ﻭﺍﻝﻨﺒﻰ ﺤﻭﺸﻪ ﻴﺎﺴﻰ ﻤﺤﻤﺩ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﺒﻠﺤﺔ ﻓﻰ‬ ‫‪153‬‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‬
‫ﺼﻭﺕ ﺨﻁﻭﺍﺕ ﺍﻝﺠﺭﻯ‬ ‫‪ High Angle‬ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻭﻴﺠﺭﻯ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‬ ‫‪154‬‬
‫‪ High Angle‬ﻝﻤﺤﻤﺩ ﻴﻨﺯل ﻤﻥ ﺍﻝﺴﻠﻡ‬
‫ﻭﻴﺠﺭﻯ ﻨﺎﺤﻴﺔ ﺒﻠﺤﺔ ﺍﻝﺫﻯ ﻴﺠﺭﻯ ﻴﺴﺎﺭ‬
‫ﺼﻭﺕ ﻀﺤﻙ ﺍﻷﻁﻔﺎل‬
‫ﻜﺎﺩﺭ ﻭﻴﻠﻑ ﻤﻥ ﻓﻭﻕ ﺍﻝﺴﻠﻡ ‪ ,‬ﺜﻡ‬
‫ﻴﻤﺴﻜﻪ ﻤﺤﻤﺩ ﻭﻴﺤﻤﻠﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪American Shot‬‬ ‫‪155‬‬
‫ﻝﻤﺤﻤﺩ ﻴﺤﻤل ﺒﻠﺤﺔ ﻭﺤﻭﻝﻪ ﺍﻷﻁﻔﺎل‬
‫ﻴﻘﻔﺯﻭﻥ ﻭﻴﺼﺭﺨﻭﻥ ﻭﻴﺘﺤﺭﻙ ﺒﻪ ﻨﺎﺤﻴﺔ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﺜﻡ ﻴﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 31‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﺴﻠﻡ ﻤﻨﺯل ﻓﺎﻁﻤﺔ‬
‫‪ 156‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪ .M .l. S‬ﻝﻤﺤﻤﺩ ﻤﺤﻤﺩ ‪ :‬ﺃﻁﻠﻊ ﻤﺎﺘﺨﺎﻓﺵ ‪.‬‬
‫ﻼ ﺒﻠﺤﺔ ﻭﻫﻭ ﺒﻠﺤﺔ ‪ :‬ﻁﺏ ﺃﻤﺴﻙ ﺇﻴﺩﻴﻬﺎ ﻝﺤﺩ‬ ‫ﻴﺩﺨل ﻤﻥ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﺤﺎﻤ ﹰ‬
‫ﻴﺼﺭﺥ ‪ ,‬ﻭﺘﻨﺯل ﻓﺎﻁﻤﺔ ﻭﺘﺘﺎﺒﻌﻬﺎ ﻤﺎﺃﻁﻠﻊ ﺃﻨﺎ ‪.‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻓﻰ ﺍﻝﻴﻤﻴﻥ‪ Pan Right‬ﻤﻥ ﻓﺎﻁﻤﺔ ‪ :‬ﻷ ‪ ...‬ﻴﺎﻓﻀﻴﺤﺘﻰ ‪...‬‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﻋﻠﻰ ﺍﻝﺴﻠﻡ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻘﻑ ﻴﺎﻨﺩﺍﻤﺘﻰ ﺍﻝﺠﻴﺭﺍﻥ ﻁﺎﻝﻌﻴﻥ ﻨﺎﺯﻝﻴﻥ‬
‫)‪(9‬‬ ‫ﺒﻠﺤﺔ ﻭﻤﻤﺤﻤﺩ ﻤﻤﺴﻜﹰﺎ ﺒﻴﺩﻯ ﻓﺎﻁﻤﺔ ﺤﺩ ﻴﺸﻭﻓﻨﺎ‬
‫ﻭﻴﺼﻌﺩ ﺍﻝﺴﻠﻡ ﺠﺭﻴﹰﺎ ﻭﻴﺠﻠﺱ ﻤﺤﻤﺩ ﻤﺤﻤﺩ ‪ :‬ﻤﺎﺘﺨﺎﻓﻴﺵ‬
‫ﻋﻠﻰ ﺍﻝﺴﻠﻡ ﻴﺴﺎﺭﻜﺎﺩﺭ ﺠﺎﺫﺒﹰﺎ ﻓﺎﻁﻤﺔ ﻤﻥ ﻓﺎﻁﻤﺔ ‪ :‬ﺴﻰ ﻤﺤﻤﺩ‬
‫ﺱ ﻤﺎﻓﻴﺵ ﺤﺩ‬ ‫ﻤﺤﻤﺩ ‪ :‬ﺃﺴﻜﺘﻰ ﺒ ‪‬‬ ‫ﻴﺩﻴﻬﺎ ﺒﺭﻭﻓﻴل ‪.‬‬
‫ﻤﺎﻝﻙ ﺨﻭﺍﻓﺔ ﻜﺩﻩ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 157‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻔﺎﻁﻤﺔ ﻴﻤﻴﻥ‬
‫ﻜﺎﺩﺭ ﻭﻤﺤﻤﺩ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻤﻤﺴﻜ ﹰﺎ ﺒﻴﺩﻫﺎ ﻤﺤﻤﺩ ‪ :‬ﺘﻌﺎﻝﻰ ﻫﻨﺎ ﻗﻭﻝﻴﻠﻰ ﺒﻘﺎﻝﻰ‬
‫ﻭﻴﻨﻅﺭﺍ ﻓﻰ ﺍﺘﺠﺎﻩ ﺒﻌﻀﻬﻤﺎ ﺍﻝﺒﻌﺽ ﻜﺎﻡ ﻴﻭﻡ ﺩﻝﻭﻗﺘﻰ ﻤﺎﺒﺎﺸﻭﻓﻜﻴﺵ ‪.‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻤﺎﻫﻭ ﺴﺎﻋﺔ ﻤﺎﺒﺎﻻﻗﻰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺩﻨﻴﺎ ﺭﺍﻴﻘﺔ ﻭﺃﺘﻠﻔﺕ ﺒﺸﻭﻴﺵ ﺃﺩﻭﺭ‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﻋﻠﻴﻙ ﺘﻜﻭﻥ ﺃﻨﺕ ﺨﺭﺠﺕ‬
‫)‪(9‬‬ ‫ﻤﺤﻤﺩ ‪ :‬ﺃﺼل ﻴﺎﻓﺎﻁﻤﺔ ﺍﻝﻴﻭﻤﻴﻥ‬
‫ﺩﻭل ﻤﻠﺨﻭﻡ ﻗﻭﻯ ﻓﻰ ﺍﻝﺸﻐل ‪.‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 23 of 81‬‬

‫ﻓﺎﻁﻤﺔ ‪ :‬ﺸﻐل ! ﻓﺭﺤﻨﻰ ‪ ..‬ﺁﻴﻪ‬

‫ﻝﻘﻴﺕ ﻭﻅﻴﻔﺔ ؟‬
‫ﻤﺤﻤﺩ ‪ :‬ﻭﻅﻴﻔﺔ ﺁﻴﻪ ﻴﺎﻓﺎﻁﻤﺔ !‬
‫ﺍﻝﻤﺸﺭﻭﻉ ﺍﻝﺠﺩﻴﺩ ﺒﺘﺎﻋﻰ ‪.‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺁﻤﺎل ﺁﻴﻪ ﺍﻝﻜﻼﻡ ﺩﻩ ﺍﻝﻠﻰ‬
‫ﻋﻤﺎﻝﻴﻥ ﻨﺴﻤﻌﻪ ﺩﻩ !‬
‫ﻤﺤﻤﺩ ‪ :‬ﻜﻼﻡ ﺁﻴﻪ ﻴﺎﻓﺎﻁﻤﺔ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺩﻩ ﺍﻝﻌﺘﺭ ﺒﻴﻘﻭل ﺇﻥ ﺸﻐﻠﻙ‬
‫ﺩﻩ ﻜﻠﻪ ﻻ ﻝﻪ ﻤﻌﻨﻰ ﻭﻻ ﻝﻪ ﻓﺎﻴﺩﺓ‬
‫ﻤﺤﻤﺩ ‪ :‬ﻭﺁﻴﻪ ﺍﻝﻌﺘﺭ ﺩﻩ ﺭﺍﺨﺭ ﺍﻝﻠﻰ‬
‫ﺘﺎﺨﺩﻯ ﻋﻠﻰ ﻜﻼﻤﻪ ؟‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻭﺠﻪ ﻓﺎﻁﻤﺔ ﻓﺎﻁﻤﺔ ‪ :‬ﺃﻨﺕ ﺇﺘﻀﺎﻴﻘﺕ ﻴﺎﻤﺤﻤﺩ ؟‬ ‫‪158‬‬
‫ﺼﺤﻴﺢ ﻤﺎﻜﺎﻨﺵ ﻻﺯﻡ ﺃﻗﻭﻝﻙ ﺤﺎﺠﺔ‬ ‫ﺘﺨﻔﺽ ﺒﺼﺭﻫﺎ‬
‫ﺯﻯ ﺩﻯ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻤﺤﻤﺩ ﻴﻌﺘﺩل‬ ‫‪159‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺍﻨﺎ ﻤﺎﺃﺘﻀﺎﻴﻘﺘﺵ ‪ ..‬ﺇﻨﻤﺎ‬
‫ﻼ ﻝﻠﻴﺴﺎﺭ‪Pan‬‬ ‫ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻗﻠﻴ ﹰ‬
‫ﻓﺎﻜﺭﻙ ﻤﻬﺘﻤﺔ ﺒﻤﺸﺭﻭﻋﻰ ﺍﻜﺘﺭ ﻤﻥ‬
‫‪ Left‬ﻭﻴﻨﻅﺭ ﺒﻌﻴﺩﹰﺍ‬
‫ﻜﺩﻩ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻜﻤﺎ ﻓﻰ ﻝﻘﻁﺔ )‬ ‫‪160‬‬
‫‪( 157‬‬
‫ﻴﻤﻴﻥ ﻭﻤﺤﻤﺩ ﻴﺴﺎﺭ ﻓﻰ ﻤﻭﺍﺠﻬﺔ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻁﺒﻌ ﹰﺎ ﻭﺃﻨﺎ ﻤﺴﺘﻨﻴﺔ ﺍﻝﻴﻭﻡ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺘﻨﻅﺭ ﻓﺎﻁﻤﺔ ﻨﺎﺤﻴﺘﻪ‬
‫ﺩﻩ ﺒﻜل ﻓﺭﺡ ﻭﻻ ﻋﻨﺩﻴﺵ ﺃﻯ ﺸﻙ‬
‫ﻓﻰ ﺃﻨﻙ ﻫﺎﺘﻭﺼل ﻝﻠﻰ ﺃﻨﺕ ﻋﺎﻴﺯﻩ ‪,‬‬
‫ﻭﺘﻜﻭﻥ ﻓﺭﺤﺎﻥ ﻜﺩﻩ ﺒﻤﺴﺘﻘﺒﻠﻙ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﻭﺁﻴﻪ ﺘﺎﻨﻰ ﻴﺎﻓﺎﻁﻤﺔ ؟‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻭﺘﻜﻭﻥ ﻤﺘﻬﻨﻰ ﻓﻰ‬
‫ﻋﻴﺸﺘﻙ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺒﻭﺠﻭﺩﻙ ﻤﻌﺎﻴﺎ ‪ .‬ﻭﺴﺎﻋﺘﻬﺎ‬
‫ﺘﺒﻘﻰ ﺃﻨﺘﻰ ﺴﺕ ﺍﻝﺒﻴﺕ ‪ ,‬ﺘﺅﻤﺭﻯ‬
‫ﻭﺘﻨﻬﻰ ﻋﻠﻰ ﻜﻴﻔﻙ ‪ ,‬ﻭﺘﻘﻭل ﺭﺤﺕ‬
‫ﻓﻴﻥ ﻭﺠﻴﺕ ﻤﻨﻴﻥ ؟ ﻭﺇﺘﺄﺨﺭﺕ ﻝﻴﻪ ؟‬
‫ﻭﺘﻜﺭﻯ ﻝﻰ ﺒﻘﻰ ﺍﻝﻤﻨﻠﻭﺝ ﺇﻴﺎﻩ ‪.‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻭﺤﻀﺭﺘﻙ ﺘﺘﺤﺠﺞ ﻝﻰ‬
‫ﺒﺎﻝﺸﻐل ﺃﺒﺼﺭ ﻗﺎﺒﻠﺕ ﻤﻴﻥ ﻭﻜﺎﻥ‬
‫ﻭﺭﺍﻴﺎ ﺁﻴﻪ ‪ ..‬ﻭﺘﻌﺒﺎﻥ ﺍﻝﻠﻴﻠﺔ‬
‫ﻴﺎﻓﺎﻁﻤﺔ ‪ ,‬ﻭﻻﺯﻡ ﺃﺨﺭﺝ ﺤﺎ ﹰﻻ ‪..‬‬
‫ﻋﻨﺩﻯ ﻤﻴﻌﺎﺩ ‪ ..‬ﻋﻨﺩﻯ ﻤﺎﺃﻋﺭﻓﺵ‬
‫ﺁﻴﻪ ؟ ‪ ...‬ﺃﻭﻋﻰ ﻴﺎﻤﺤﻤﺩ !‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻷ ﻴﺎﻤﺼﻴﺒﺘﻰ ‪..‬‬
‫ﺜﻡ ﻴﻘﺒﻠﻬﺎ ﻭﺘﻘﻑ ﻭﺘﺠﺭﻯ ﻤﻨﻪ ﻭﻴﻘﻑ ﻤﺤﻤﺩ ‪ :‬ﻓﺎﻁﻤﺔ ﻓﺎﻁﻤﺔ‬
‫ﻤﺤﻤﺩ ﻭﺘﺭﺘﻔﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﻋﻠﻰ ‪Tilt‬‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫‪up‬‬
‫) ‪( 10‬‬ ‫ﺼﻭﺕ ﺨﻁﻭﺍﺕ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻔﺎﻁﻤﺔ ﺘﺼﻌﺩ‬ ‫‪161‬‬
‫ﺍﻝﺴﻠﻡ ﺒﺭﻭﻓﻴل ﻤﻥ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﻴﻤﻴﻨﹰﺎ ﺜﻡ ﺼﻭﺕ ﻤﺤﻤﺩ ‪ :‬ﻨﺴﻴﺕ ﺃﻗﻭﻝﻙ ﺤﺎﺠﺔ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻷ ‪.‬‬ ‫ﺘﻠﺘﻔﺕ ﻨﺎﺤﻴﺔ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﻁﺎﻭﻋﻴﻨﻰ ﺘﻌﺎﻝﻰ ‪,‬‬ ‫ﻓﻰ‬ ‫ﻝﻤﺤﻤﺩ‬ ‫‪.‬‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪M . S‬‬ ‫‪162‬‬
‫ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻤﻥ ﻓﻭﻕ ﻜﺘﻑ ﻓﺎﻁﻤﺔ ﻤﺎﺘﺨﻠﻨﻴﺵ ﺃﺯﻋﻕ ‪.‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 24 of 81‬‬

‫ﻓﺎﻁﻤﺔ ‪ :‬ﻷ‬ ‫ﻭﻴﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻫﻬﺎ‬

‫ﻤﺤﻤﺩ ‪ :‬ﻤﺎﻫﻭ ﺒﻌﺩﻴﻥ ﻝﻭ ﻤﺎﻨﺯﻝﺘﻴﺵ‬
‫ﺃﻨﺘﻰ ﻫﺎﺃﻁﻠﻊ ﻝﻙ ﺃﻨﺎ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻷ‬
‫ﻤﺤﻤﺩ ‪ :‬ﺃﻫﻭ‬
‫‪ 163‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻔﺎﻁﻤﺔ ﺘﻨﺯل ﻓﺎﻁﻤﺔ ‪ :‬ﻴﺎﺩﺍﻫﻭﺘﻰ ‪ ..‬ﻁﺏ ﺨﻠﻴﻙ‬
‫ﺍﻝﺴﻠﻡ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﺘﺘﺤﺭﻙ ﻝﺘﺘﺎﺒﻌﻬﺎ‪ Pan‬ﻤﻜﺎﻨﻙ ﺃﻨﺎ ﻨﺎﺯﻝﺔ ﺃﻫﻭﻩ ‪ ..‬ﻋﺎﻴﺯ ﺁﻴﻪ‬
‫‪ Left‬ﻭﻴﺩﺨل ﻤﺤﻤﺩ ﺍﻝﻜﺎﺩﺭ ﻤﻥ ﺍﻝﻴﺴﺎﺭ ﻜﻤﺎﻥ‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﻭﻴﻘﺒﻠﻬﺎ ﻭﻴﻠﺘﻔﺕ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﻤﺴﻜﻬﺎ ﻤﺤﻤﺩ ‪ :‬ﺃﻤﺘﻰ ﻫﺎﻨﺘﻘﺎﺒل ﺘﺎﻨﻰ ﻗﻭﻝﻴﻠﻰ‬
‫ﺼﻭﺕ ﺨﻁﻭﺍﺕ ﻓﺎﻁﻤﺔ‬
‫) ‪( 10‬‬ ‫؟‬ ‫ﻤﻥ ﻴﺩﻫﺎ ﺜﻡ ﺘﺨﺭﺝ ﻤﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺒﻌﺩﻴﻥ ﺒﻌﺩﻴﻥ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻴﺎﻻ ﻴﺎﺴﻰ ﻤﺤﻤﺩ ﺇﻋﻤل ﻤﻌﺭﻭﻑ ﻗﻴل‬
‫ﻤﺎﺤﺩ ﻴﺸﻭﻓﻙ‬
‫‪ 164‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻤﺤﻤﺩ ﻴﻨﺯل ﺍﻝﺴﻠﻡ‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Pan‬‬
‫ﺨﻁﻭﺍﺕ ﻤﺤﻤﺩ‬
‫‪Left‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 32‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ‬
‫ﺍﻝﺤﺎﺭﺓ ﻭﺼﺎﻝﻭﻥ ﺍﻝﺤﻼﻗﺔ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻠﺤﺎﺭﺓ ﺜﻡ ﺘﻨﺯل ﻓﺎﻁﻤﺔ ‪ :‬ﺴﻌﻴﺩﺓ ﻴﺎﻋﻡ ﺍﻷﺴﻁﻰ‬ ‫‪165‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﺴﻔل‪ Tilt down‬ﻝﺘﺘﺎﺒﻊ ﺤﻨﻔﻰ‬
‫ﻼ ﺇﺯﻴﻙ ﻴﺎﻓﺎﻁﻤﺔ ‪...‬‬ ‫ﻓﺎﻁﻤﺔ ﻭﻫﻰ ﺘﺄﺘﻰ ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﺤﻨﻔﻰ ‪ :‬ﺃﻫ ﹰ‬
‫ﻭﺘﺩﺨل ﺍﻝﺼﺎﻝﻭﻥ ﻭﺘﺘﺤﺭﻙ ﻴﻤﻴﻨ ﹰﺎ ﺠﺒﺕ ﻝﻙ ﺍﻷﻤﺎﻨﺔ ‪.‬‬
‫ﻭﺘﺼﺒﺢ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M.‬ﻓﺎﻁﻤﺔ ‪ :‬ﺒﻜﺎﻡ ؟‬
‫‪ .S‬ﻫﻰ ﻭﺍﻷﺴﻁﻰ ﺤﻨﻔﻰ ﺍﻝﺫﻯ ﻴﺘﺤﺭﻙ ﺤﻨﻔﻰ ‪ :‬ﻴﺎﺴﻼﻡ ﻴﺎﻓﺎﻁﻤﺔ ﻋﻴﺏ ﺩﻩ‬
‫ﻨﺎﺤﻴﺔ ﺍﻝﻌﻤﻕ ﻭﻴﻌﻭﺩ ﻤﻤﺴﻜﹰﺎ ﺒﺯﺠﺎﺠﺔ ﺃﻨﺘﻰ ﺒﻨﺘﻰ‬
‫ﻋﻁﺭ ﺜﻡ ﻴﻨﻅﺭ ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭ ﻓﺎﻁﻤﺔ ‪ :‬ﻻ ﻭﺍﻝﻨﺒﻰ ﻤﺎﺘﻌﻤﻠﺵ ﻜﺩﻩ ‪.‬‬
‫ﺼﻭﺕ ﻤﻥ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ ‪ :‬ﺴﻼﻡ‬ ‫ﻜﺎﺩﺭ‬
‫ﻋﻠﻴﻙ ﻴﺎﺃﺴﻁﻰ ﺤﻨﻔﻰ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻼ ﻤﺤﺠﻭﺏ‬ ‫ﻼ ﻭﺴﻬ ﹰ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪ .M .L. S‬ﺤﻨﻔﻰ ‪ :‬ﺃﻫ ﹰ‬ ‫‪166‬‬
‫ﻝﺤﻨﻔﻰ ﻭﻓﺎﻁﻤﺔ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﺩﺨل ﺃﻓﻨﺩﻯ‬
‫ﻤﺤﺠﻭﺏ ﺃﻓﻨﺩﻯ ﻤﻥ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﻭﻤﻌﻪ ﻤﺤﺠﻭﺏ ‪ :‬ﻋﺩﻡ ﺍﻝﻤﺅﺍﺨﺫﺓ ‪ ..‬ﻜﺎﻥ‬
‫ﺸﻴﺦ ﺍﻝﺤﺎﺭﺓ ﻭﺍﻝﻤﺴﺎﻋﺩ ﻭﻴﻀﻊ ﺒﻭﺩﻯ ﻤﺠﻴﺘﻰ ﻝﻙ ﺘﻜﻭﻥ ﻓﻰ ﺨﺩﻤﺔ ‪,‬‬
‫ﺍﻝﻤﺤﻀﺭ ﻗﻁﻨﹰﺎ ﻓﻰ ﺃﺫﻨﻪ ﻭﺇﺤﺩﻯ ﻋﻴﻨﻴﻪ ‪ .‬ﻝﻜﻥ ﻤﻊ ﺍﻵﺴﻑ ﺍﻝﺨﻭﺍﺠﺔ ﻴﻌﻘﻭﺏ‬
‫ﻤﻨﺯل ﻋﻠﻴﻙ ﺤﺠﺯ ﺍﻝﻨﻬﺎﺭﺩﺓ ﻭﺒﻴﻘﻭل‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻓﻰ ﻋﺭﻴﻀﺔ ﺍﻝﺩﻋﻭﺓ ﺃﻨﻙ ﻤﻤﺎﻁل ﻓﻰ‬
‫ﺃﺭﺒﻊ ﺩﻓﻊ ﺩﻝﻭﻗﺕ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﺤﻨﻔﻰ ﻴﻨﻅﺭ ﺤﻨﻔﻰ ‪ :‬ﻴﻌﻨﻰ ﻫﻭ ﺃﻨﺎ ﻜﻨﺕ‬ ‫‪167‬‬
‫ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﻤﻘﺼﺭ ‪ ..‬ﺃﻭﺍﺨﺭ ﺴﻨﺔ ﻭﺇﻗﺴﺎﻁ‬
‫ﺍﻝﻤﺩﺭﺴﺔ ﻭﺩﻩ ﻜﻠﻪ ﻭﻻ ﻓﻴﺵ ﺃﻨﺘﻅﺎﺭ‬ ‫ﻤﺤﺠﻭﺏ ﺃﻓﻨﺩﻯ‬
‫ﺸﻭﻴﺔ ‪ ..‬ﺩﻯ ﻜﻠﻬﺎ ﻴﻭﻡ ﻭﻤﺤﻤﺩ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺃﺒﻨﻰ ﻴﺸﺘﻐل ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻔﺎﻁﻤﺔ ﺘﻨﻅﺭ ﺼﻭﺕ ﺤﻨﻔﻰ ‪ :‬ﻫﻰ ﺍﻝﺩﻨﻴﺎ ﺩﻯ ﺠﺭﻯ‬ ‫‪168‬‬
‫ﻓﻴﻬﺎ ﻴﺎﺃﺨﻭﺍﺘﻰ !‬ ‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺜﻡ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺼﻭﺕ ﺍﻝﻤﺤﻀﺭ ‪ :‬ﺠﺭﻯ ﻓﻴﻬﺎ ﻜﺘﻴﺭ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻴﺎﺃﺴﻁﻰ ﺤﻨﻔﻰ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻤﺤﺠﻭﺏ ﻤﺤﺠﻭﺏ ‪ :‬ﺍﻝﻘﺭﺵ ﻴﺨﻠﻠﻰ ﺍﻷﺥ ﻓﻰ‬ ‫‪169‬‬
‫ﺃﻓﻨﺩﻯ ﻭﺸﻴﺦ ﺍﻝﺤﺎﺭﺓ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻓﻰ ﺍﻝﺯﻤﺎﻥ ﺩﻩ ﻴﺒﻴﻊ ﺃﺨﻭﻩ ﻓﻰ ﺍﻝﺩﻻﻝﺔ ‪.‬‬
‫ﺍﻝﻨﻬﺎﻴﺔ ﻭﺍﻝﺴﻼﻡ ﻨﺎﺨﺩ ﺒﻴﺎﻥ‬ ‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 25 of 81‬‬

‫ﺒﺎﻝﻤﻨﻘﻭﻻﺕ ﺍﻝﻠﻰ ﻤﻭﺠﻭﺩﺓ ﻫﻨﺎ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M.S‬ﻝﻸﺭﺒﻌﺔ ﻭﻴﻠﺘﻔﺕ ﻤﺤﺠﻭﺏ ‪ :‬ﻋﻨﺩﻙ ﺤﺩ ﺃﻋﻴﻨﻪ‬ ‫‪170‬‬
‫ﺤﻨﻔﻰ ﻨﺎﺤﻴﺔ ﻓﺎﻁﻤﺔ ﻭﺘﺠﺭﻯ ﻓﺎﻁﻤﺔ ﺤﺎﺭﺱ ﻤﻥ ﻁﺭﻓﻙ‪ ,‬ﻭﻻ ﺃﺸﻭﻑ‬
‫ﻭﺍﺤﺩ ﺒﻤﻌﺭﻓﺘﻰ !‬ ‫ﻨﺎﺤﻴﺔ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﺤﻨﻔﻰ ‪ :‬ﺇﺨﻁﻔﻰ ﺭﺠﻠﻙ ﻴﺎﻓﺎﻁﻤﺔ‬ ‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻭﺤﻴﺎﺓ ﺃﺒﻭﻜﻰ ‪ ,‬ﺃﻨﺩﻫﻰ ﻝﻰ ﻤﺤﻤﺩ‬
‫ﻤﻥ ﺍﻝﺒﻴﺕ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 33‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺸﻘﺔ ﻤﺤﻤﺩ‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪American Shot‬‬ ‫‪171‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﻓﺎﻁﻤﺔ ! ﺘﻌﺎﻝﻰ ﺨﺸﻰ ‪.‬‬
‫ﻝﻤﺤﻤﺩ ﻴﻔﺘﺢ ﺍﻝﺒﺎﺏ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻓﺎﻁﻤﺔ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺍﻝﻤﺤﻀﺭ ﻭﺸﻴﺦ ﺍﻝﺤﺎﺭﺓ‬
‫ﺘﻅﻬﺭ ﺃﻤﺎﻡ ﺍﻝﺒﺎﺏ ﻓﻰ ﻤﻭﺍﺠﻬﺔ‬
‫ﻋﻨﺩ ﺍﻷﺴﻁﻰ ﺤﻨﻔﻰ ﻭﻋﺎﻴﺯﻴﻨﻙ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ ,‬ﺜﻡ ﺘﺩﺨل ﺍﻷﻡ ﻤﻥ ﺍﻝﻴﻤﻴﻥ‬
‫ﻗﻭﺍﻡ ‪.‬‬
‫)‪( 11‬‬ ‫ﻭﺘﺩﺨل ﻓﺎﻁﻤﺔ ﻝﻠﺩﺍﺨل ﻭﺘﺘﺤﺭﻙ ﻤﻊ‬
‫ﻤﺤﻤﺩ ‪ :‬ﺁﻩ ﺒﺴﻴﻁﺔ ﻴﺎﻓﺎﻁﻤﺔ‬
‫ﻤﺤﻤﺩ ﻝﻠﻴﺴﺎﺭ ﻗﻠﻴﻼ ًﺜﻡ ﻴﻌﻭﺩﺍ ﻭﻴﺨﺭﺠﺎ‬
‫ﻤﺎﺘﺨﺎﻓﻴﺵ ‪ .‬ﺃﻨﺎ ﺍﻝﻨﻬﺎﺭﺩﺓ ﺤﺎﺒﺘﺩﻯ‬
‫ﻤﻥ ﺍﻝﺒﺎﺏ ﻭﻴﻐﻠﻘﺎﻩ ﻭﺭﺍﺀﻫﻤﺎ‬
‫ﺍﻝﻌﻤل ﺒﺈﺫﻥ ﺍﷲ‬
‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻤﺸﻬﺩ ) ‪( 34‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﺤﺎﺭﺓ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻤﺤﻤﺩ ﻴﺨﺭﺝ ﻤﻥ‬ ‫‪172‬‬
‫ﺍﻝﺒﺎﺏ ﻭﻴﺘﺤﺭﻙ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻪ‬
‫ﺍﺴﺘﻤﺭﺍﺭ ﻤﻭﺴﻴﻘﻰ‬
‫ﺠﻭ ﺍﻝﻤﻜﺎﻥ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨ ﹰﺎ‪ Pan Right‬ﺤﺘﻰ‬
‫) ‪( 11‬‬
‫ﻴﺼل ﺍﻝﻰ ﺍﻝﺼﺎﻝﻭﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 35‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﺼﺎﻝﻭﻥ‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ‪ American Shot‬ﻤﺤﻤﺩ ‪ :‬ﺴﻼﻤﻭ ﻋﻠﻴﻜﻭﺍ ‪.‬‬ ‫‪173‬‬
‫ﻼ ﺴﻰ ﻤﺤﻤﺩ ﺇﻤﻀﻰ‬ ‫ﻝﺤﻨﻔﻰ ﻭﺍﻝﻤﺤﻀﺭ ﻭﺸﻴﺦ ﺍﻝﺤﺎﺭﺓ ﻭﻴﺩﺨل ﺍﻝﻤﺤﻀﺭ ‪ :‬ﺃﻫ ﹰ‬
‫ﻤﺤﻤﺩ ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻘﻑ ﺒﻴﻨﻬﻡ ﺜﻡ ﻝﻨﺎ ﻫﻨﺎ ‪ ...‬ﺸﺩ ﺤﻴﻠﻙ ﻴﺎﺃﺴﻁﻰ‬
‫ﻴﻠﺘﻔﺕ ﺍﻝﻤﺤﻀﺭ ﻨﺎﺤﻴﺔ ﺍﻝﻴﻤﻴﻥ ‪ ,‬ﻴﺨﺭﺝ ﺤﻨﻔﻰ ‪ ..‬ﺴﻼﻡ ﻋﻠﻴﻜﻡ ‪.‬‬
‫ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ‪ ,‬ﻭﻴﻘﻑ ﻤﺤﻤﺩ ﻤﻤﺴﻜﹰﺎ ﻤﺤﻤﺩ ‪ :‬ﺴﻼﻡ ﻭﺭﺤﻤﺔ ﺍﷲ‬
‫ﺒﺫﺭﺍﻉ ﺃﺒﻴﻪ ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻴﺨﺭﺝ ﻤﻥ ﻭﺒﺭﻜﺎﺘﻪ ‪ ...‬ﻭﻻ ﻴﻜﻭﻥ ﻋﻨﺩﻙ ﻓﻜﺭ ‪.‬‬
‫ﺃﺩﻴﻨﻰ ﺩﻝﻭﻗﺕ ﺭﺍﻴﺢ ﺃﻗﺎﺒل ﻋﺩﻝﻰ‬ ‫ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ‬
‫ﻭﺃﻤﻀﻰ ﻭﻴﺎﻩ ﺍﻹﺘﻔﺎﻕ ﻭﺃﺭﺠﻊ ﻝﻙ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﻤﻌﺎﻴﺎ ﺃﺨﺒﺎﺭ ﺘﺴﺭﻙ ‪.‬‬
‫ﺤﻨﻔﻰ ‪ :‬ﺇﻝﻬﻰ ﻴﻨﺠﺢ ﻤﺴﺎﻋﻴﻙ‬
‫ﻴﺎﺃﺒﻨﻰ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 36‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﺤﺎﺭﺓ‬
‫‪ 174‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻴﺨﺭﺝ‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﻭﺍﺨﺩ ﻝﻰ ﺒﺎﻝﻙ ﻴﺎﻤﻌﻠﻡ‬
‫ﻤﻥ ﺍﻝﺼﺎﻝﻭﻥ ﻭﻴﺘﺤﺭﻙ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻋﺎﺸﻭﺭ ‪ ,‬ﺃﻫﻡ ﺤﺠﺯﻭﺍ ﻋﻠﻰ ﺩﻜﺎﻥ‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺸﻤﺎ ﹰﻻ ‪Pan Left‬‬
‫ﺍﻷﺴﻁﻰ ﺤﻨﻔﻰ ‪ ...‬ﺃﻫﻰ ﺼﻼﺓ‬
‫)‪( 11‬‬ ‫ﻭﻴﻅﻬﺭ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﺍﻝﻌﺘﺭ ﻭﻋﺎﺸﻭﺭ‬
‫ﺍﻝﻨﺒﻰ ﻨﻔﻌﺘﻪ ﻗﻭﻯ ﺍﻝﺸﻬﺎﺩﺓ ﺒﺘﺎﻋﺕ‬
‫ﺇﺒﻨﻪ ‪.‬‬
‫ﻤﺴﺢ ‪wipe‬‬
‫ﻤﺸﻬﺩ ) ‪( 37‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺼﺎﻝﻭﻥ ﻤﻨﺯل ﺍﻝﺒﺎﺸﺎ‬
‫‪175‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﺠﻬﺎﺯ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 26 of 81‬‬

‫ﺍﻝﺭﺍﺩﻴﻭ ‪ ,‬ﺜﻡ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ‬

‫ﻝﻠﺨﺎﺭﺝ ‪ Track out‬ﻝﻴﻅﻬﺭ‬
‫ﺃﺼﺩﻗﺎﺀ ﻋﺩﻝﻰ ﻓﻰ ﺍﻝﻤﻨﺯل ﻓﻰ ﺤﻔﻠﺔ‬
‫ﻭﻴﻅﻬﺭ ﺒﻌﻀﻬﻡ ﻭﻫﻡ ﻴﺭﻗﺼﻭﻥ‬
‫ﻭﺍﻝﺒﻌﺽ ﺍﻵﺨﺭ ﻴﻘﻑ ﺒﺠﻭﺍﺭ ﺍﻝﺴﻠﻡ ﺃﻭ‬
‫ﺼﻭﺕ ﺍﻝﺤﻔﻠﺔ‬ ‫ﻓﻭﻗﻪ ‪ .‬ﻭﻨﺭﻯ ﺇﺤﺩﻯ ﺍﻝﻔﺘﻴﺎﺕ ﺘﺭﻗﺹ‬
‫ﻓﻭﻕ ﻤﺎﺌﺩﺓ ﺍﻝﺒﻠﻴﺎﺭﺩﻭ ﻭﺘﺘﺎﺒﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻓﺘﺎﺓ ﻭﺸﺎﺏ ﻴﺘﺤﺭﻜﺎ ﻝﻠﻴﻤﻴﻥ ﺤﺘﻰ ﻴﺼﻼ‬
‫ﺍﻝﻰ ﻋﺩﻝﻰ ﻭﻤﻌﻪ ﻤﺠﻭﻋﺔ ﻤﻥ ﺍﻷﺼﺩﻗﺎﺀ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺸﺎﺏ ‪ :‬ﺇﺴﻤﻌﻭﺍ ﻴﺎﺠﻤﺎﻋﺔ ﺒﻭﻝﻴﺕ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪.M. L. S‬‬ ‫‪176‬‬
‫ﻋﻨﺩﻫﺎ ﻓﻜﺭﺓ ﻫﺎﻴﻠﺔ‬ ‫ﻝﻠﺸﺎﺏ ﻭﺍﻝﻔﺘﺎﺓ ﻴﺼﺎﻓﺤﺎ ﻋﺩﻝﻰ‬
‫ﺍﻝﺠﻤﻴﻊ ‪ :‬ﺁﻴﻪ ﻫﻰ !‬ ‫ﻭﺍﻷﺼﺩﻗﺎﺀ‬
‫ﺒﻭﻝﻴﺕ ‪ :‬ﺍﻝﺠﻤﻌﺔ ﺍﻝﺠﺎﻴﺔ ﻨﺭﻭﺡ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻨﺼﻁﺎﺩ ‪ ,‬ﺁﻴﻪ ﺭﺃﻴﻜﻡ ؟‬
‫ﺸﺎﺏ ‪ :‬ﺃﻭﻜﻴﻪ‬
‫ﺸﺎﺏ ﺜﺎﻨﻰ ‪ :‬ﻓﻜﺭﺓ ﻤﺩﻫﺸﺔ‬
‫ﺜﺎﻝﺙ ‪ :‬ﺘﺴﺘﺎﻫﻠﻰ ﺒﻭﺴﺔ ﻋﻠﻰ ﻜﺩﻩ ‪.‬‬
‫ﺭﺃﻓﺕ ‪ :‬ﺁﻴﻪ ﺭﺃﻴﻙ ﻴﺎﻋﺩﻝﻰ ؟‬
‫ﻋﺩﻝﻰ ‪ :‬ﺤﺎﺠﺔ ﻝﻁﻴﻔﺔ ﺨﺎﻝﺹ‬
‫ﺸﻭﻜﺕ ﺒﻘﻰ ﻝﻨﺎ ﺯﻤﺎﻥ‬
‫ﻤﺎﻫﻴﺼﻨﺎﺵ ‪.‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ M .Close up‬ﻋﺩﻝﻰ ‪ :‬ﺒﺱ ﻤﺵ ﻀﺎﻤﻥ ﺁﺠﻰ‬ ‫‪177‬‬

‫ﻝﻌﺩﻝﻰ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺒﺠﻭﺍﺭﻩ ﺸﻭﻜﺕ ﻓﻰ ﻤﻌﺎﻜﻡ‬
‫ﺠﻴﻨﺎ ‪ :‬ﻝﻴﻪ ﻴﺎﺸﻴﺭﻯ ؟‬ ‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺸﻭﻜﺕ ‪ :‬ﻁﻠﻊ ﻝﻨﺎ ﺤﺠﺞ ﺒﻘﻰ ﻴﺎﺴﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﺩﻝﻰ ‪.‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﺃﺼل ﺒﺎﺒﺎ ﻤﻤﻜﻥ ﻴﺭﺠﻊ ﻤﻥ‬
‫ﺃﻭﺭﻭﺒﺎ ﺍﻝﺠﻤﻌﺔ ﺍﻝﺠﺎﻴﺔ ‪,‬‬
‫ﻭﻤﺎﻴﺼﺤﺵ ﻤﺎﻴﻼﻗﻴﻨﻴﺵ‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M .L‬‬ ‫‪178‬‬

‫ﻝﻠﻤﺠﻤﻭﻋﺔ ﻭﺒﻴﻨﻬﻡ ﻋﺩﻝﻰ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺭﺍﻓﺕ ‪ :‬ﻫﻭ ﺠﺎﻯ ﺇﻤﺘﻰ ؟‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻴﺩﺨل ﺍﻝﺨﺎﺩﻡ ﻭﻴﻬﻤﺱ ﻋﺩﻝﻰ ‪ :‬ﻤﺵ ﻋﺎﺭﻑ ﺒﺎﻝﻅﺒﻁ‬
‫ﻝﻌﺩﻝﻰ ‪ ,‬ﺜﻡ ﻴﺘﻘﺩﻡ ﻋﺩﻝﻰ ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺸﻭﻜﺕ ‪ :‬ﻁﻴﺏ ﻴﺄﺨﻰ ﻤﺎﺩﺍﻡ ﻤﺵ‬
‫ﻋﺎﺭﻑ ﺤﺘﻔﻀل ﻝﻴﻪ‬
‫ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨ ﹰﺎ ﻝﻌﺯﺕ ﺍﻝﺫﻯ ﺭﺃﻓﺕ ‪ :‬ﻤﺎﺩﺍﻡ ﻤﺎﻜﺘﺒﺵ ﻝﻙ ﻴﻤﻜﻥ‬
‫ﻴﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ ﺍﻝﺨﺎﺩﻡ ‪ ,‬ﺜﻡ ﻴﺨﺭﺝ ﺍﻝﺨﺎﺩﻡ ﻤﺎﻴﺠﻴﺵ‬
‫ﻋﺩﻝﻰ ‪ :‬ﺁﻭﻩ ﻴﺎﺤﻔﻴﻅ ‪ ,‬ﺠﻴﻨﺎ ﺒﻘﻰ‬ ‫ﻤﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻝﻠﺩﻭﺸﺔ ﺍﻝﻔﺎﺭﻏﺔ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺠﺎﺒﻰ ‪ :‬ﺁﻴﻪ ﻤﺎﻝﻙ ﻴﺎﻋﺩﻝﻰ ؟‬
‫ﺭﺃﻓﺕ ‪ :‬ﻤﺘﻀﺎﻴﻕ ﻤﻥ ﺤﺎﺠﺔ ؟‬
‫ﻋﺩﻝﻰ ‪ :‬ﻤﻥ ﺴﻰ ﻤﺤﻤﺩ ﺩﻩ ﺭﺍﺨﺭ ‪.‬‬
‫ﺸﻭﻜﺕ ‪ :‬ﻤﺤﻤﺩ ﻤﻴﻥ ؟‬
‫ﻋﺩﻝﻰ ‪ :‬ﺠﺩﻉ ﻴﺎﺴﻴﺩﻯ ﻜﻨﺕ ﻤﺩﻯ ﻝﻪ‬
‫ﻤﻴﻌﺎﺩ ﻭﻨﺎﺴﻴﻪ ﺨﺎﻝﺹ ‪ ,‬ﺠﺎﻯ ﻝﻰ‬
‫ﻴﻘﻠﺏ ﺩﻤﺎﻏﻰ ﻓﻰ ﺍﻝﺸﻐل ﻭﺍﻝﻌﻜﻨﻨﺔ ‪,‬‬
‫ﺃﻨﺎ ﻓﺎﻀﻰ ﻝﻠﻜﻼﻡ ﺍﻝﻔﺎﺭﻍ ﺩﻩ ؟‬
‫ﺸﻭﻜﺕ ‪ :‬ﻴﺎﺃﺨﻰ ﻭﺯﻋﻪ ‪.‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 27 of 81‬‬

‫ﺭﺃﻓﺕ ‪ :‬ﺭﻭﺡ ﻗﻭل ﻝﻪ ﺍﻝﺒﻴﻪ ﻤﺵ‬

‫ﻤﻭﺠﻭﺩ ‪ ..‬ﻗﻭل ﻝﻪ ﻨﺎﻴﻡ ‪.‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﻤﺎﻫﻰ ﺘﺒﻘﻰ ﺒﺎﺭﺩﺓ ‪..‬‬
‫ﺤﻴﻔﻬﻤﻬﺎ ﺩﻝﻭﻗﺕ‬
‫ﺸﻭﻜﺕ ‪ :‬ﻫﻭ ﺠﻨﺱ ﻓﻭﺭﻤﺘﻪ ﺁﻴﻪ ؟‬
‫ﻋﺩﻝﻰ ‪ :‬ﻤﺎﻫﻭ ﻋﺎﺭﻓﻪ ﻋﺯﺕ‬

‫ﻋﺯﺕ ‪ :‬ﻤﻴﻥ ؟؟‬

‫ﻋﺩﻝﻰ ‪ :‬ﻤﺤﻤﺩ ﺤﻨﻔﻰ‬
‫ﻋﺯﺕ ‪ :‬ﺒﺘﺎﻉ ﺍﻝﺘﺠﺎﺭﺓ!‪ ..‬ﻁﺏ ﺩﺍ‬
‫ﻝﻘﻁﺔ‬
‫‪ .‬ﻫﺎﺘﻪ ﻫﺎﺘﻪ ﻨﻀﺤﻙ ﻋﻠﻴﻪ ﺸﻭﻴﺔ‬
‫ﻋﺩﻝﻰ ‪ :‬ﻻ ﻴﺎﻋﺯﺕ ‪ ..‬ﺃﺭﺠﻭﻙ ﺒﻼﺵ‬
‫ﺒﻬﺩﻝﺔ ﻭﻴﺎﻩ‬
‫ﻋﺯﺕ ‪ :‬ﺒﺸﺭﻓﻰ ﻴﺎﺃﺨﻰ ﺒﻬﺯﺭ ‪,‬‬
‫ﺒﺎﻝﻜﻡ ﻋﺒﺎﺭﺓ ﻋﻥ ﺁﻴﻪ !‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪ .M. L. S‬ﻤﻥ ﻋﺯﺕ ‪ :‬ﺸﺭﺵ ﺠﺯﺭ ﻻﺒﺱ‬ ‫‪179‬‬
‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‪ High Angle‬ﻭﻋﺯﺕ ﻁﺭﺒﻭﺵ ﻭﺒﺩﻝﺔ ‪.‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻋﺩﻝﻰ ﻴﻨﻅﺭ ﻨﺎﺤﻴﺘﻪ ‪ ,‬ﺜﻡ ﻋﺩﻝﻰ ‪ :‬ﻤﺎﻴﺼﺤﺵ ﻴﺘﻬﺯﺃ ﻫﻨﺎ ﻓﻰ‬
‫ﺼﻭﺕ ﻏﻠﻕ ﺍﻝﺒﺎﺏ‬ ‫ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ‪ Pan Left‬ﻤﻌﻬﻡ ﺒﻴﺘﻰ ‪.‬‬
‫ﻭﻫﻡ ﻴﺩﺨﻠﻭﻥ ﻏﺭﻓﺔ ﻭﻴﻐﻠﻘﻭﻥ ﺍﻝﺒﺎﺏ ﺸﻭﻜﺕ ‪ :‬ﻤﺎﺘﺨﺎﻓﺵ ‪..‬ﺤﻨﻜﻭﻥ ﻜﻠﻨﺎ‬
‫ﺠﺩ ﺠﺩﹰﺍ ‪ .‬ﺇﻗﻔل ﺍﻝﺭﺍﺩﻴﻭ ‪ ,‬ﻭﺒﻁﻠﻭﺍ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺭﻗﺹ ﻭﺃﻨﺕ ﺃﺩﺨل‬
‫ﻼ ﻤﺤﻤﺩ‬‫ﻝﻘﻁﺔﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻠﺴﻠﻡ ﻭﻴﺩﺨل ﻋﺩﻝﻰ ﻋﺩﻝﻰ ‪ :‬ﺁﻫ ﹰ‬ ‫‪180‬‬
‫ﻼ ﺤﻘﻴﺒﺘﻪ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪ high‬ﻤﺤﻤﺩ ‪ :‬ﻨﻬﺎﺭﻜﻡ ﺴﻌﻴﺩ ﻴﺎﺠﻤﺎﻋﺔ‬ ‫ﺤﺎﻤ ﹰ‬
‫‪ Angle‬ﻭﻴﺴﺘﻘﺒﻠﻪ ﻋﺩﻝﻰ ﻭﻴﺘﺤﺭﻜﺎ ﺍﻝﺠﻤﻴﻊ ‪ :‬ﻨﻬﺎﺭﻙ ﺴﻌﻴﺩ ﺒﻭﻨﺠﻭﺭ‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺃﺴﻔل ﺍﻝﺴﻠﻡ ﻭﺘﺘﺤﺭﻙ ﻴﺎﺃﻓﻨﺩﻡ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﻠﺨﺎﺭﺝ ‪ Track out‬ﻭﻴﺘﻘﺩﻡ ﻤﺤﻤﺩ ‪ :‬ﺃﻅﻥ ﻴﺎﻋﺩﻝﻰ ﺍﻨﺎ ﺠﻴﺕ ﻓﻰ‬
‫ﻭﻗﺕ ﻏﻴﺭ ﻤﻨﺎﺴﺏ ‪ ,‬ﻜﺎﻥ ﺃﺤﺴﻥ‬ ‫ﺃﺼﺩﻗﺎﺀ ﻋﺩﻝﻰ ﻭﻴﺼﺎﻓﺤﻭﻨﻪ‬
‫ﻴﺄﺨﻰ ﺘﻭﺍﻋﺩﻨﻰ ﻓﻰ ﺴﺎﻋﺔ ﺘﺎﻨﻴﺔ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﻻ ﺃﻗﻌﺩ ﻴﺎﻤﺤﻤﺩ ﺃﻗﻌﺩ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M . S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪181‬‬
‫ﻤﻨﺨﻔﻀﺔ ‪ Low Angle‬ﻷﺜﻨﻴﻥ ﻤﻥ ﺭﺃﻓﺕ ‪ :‬ﺁﻴﻪ ﻴﺎﻋﺩﻝﻰ ‪ ..‬ﺃﻭﻋﻰ ﻴﻜﻭﻥ‬
‫ﺃﺼﺩﻗﺎﺀ ﻋﺩﻝﻰ ﻴﻌﺘﺩﻻ ﻭﻴﺠﻠﺴﺎ ﻓﻭﻕ ﺍﻝﺒﻴﻪ ﻤﺘﻀﺎﻴﻕ ﻤﻥ ﻭﺠﻭﺩﻨﺎ‬
‫ﺍﻝﺩﺭﺍﺒﺯﻴﻥ ﻭﻴﻨﻅﺭﺍ ﻷﺴﻔل‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .l. S‬ﻝﻤﺤﻤﺩ ﻭﻋﺩﻝﻰ‬ ‫‪182‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﻻ ﻴﺎﺃﻓﻨﺩﻡ ﺃﺒﺩﺍ ﻤﺎﻓﻴﺵ‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﻨﻅﺭﺍ ﻋﻜﺱ ﺍﺘﺠﺎﻩ‬
‫ﺤﺎﺠﺔ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻨﺎﺤﻴﺔ ﺍﻝﺭﺠﻼﻥ ﺍﻝﺠﻠﺴﺎﻥ ﻓﻭﻕ‬
‫ﺸﻭﻜﺕ ‪ :‬ﻨﻨﺼﺭﻑ ﺇﺤﻨﺎ ﺇﺫﺍ ﺤﺒﻴﺘﻡ !‬
‫ﺍﻝﺩﺭﺍﺒﺯﻴﻥ ﻭﻴﻘﻑ ﺸﻭﻜﺕ ﻓﻰ‬
‫ﻋﺯﺕ ‪ :‬ﺩﻫﺩﻯ ‪ ..‬ﺴﻰ ﻤﺤﻤﺩ‬
‫ﺍﻝﻤﻨﺘﺼﻑ ‪ ,‬ﺜﻡ ﻴﺩﺨل ﻋﺯﺕ ﻤﻥ ﻴﺴﺎﺭ‬
‫ﻤﺤﻤﺩ ‪ :‬ﺇﺯﻴﻙ ﻴﺎ ﺴﻴﺩ ﻋﺯﺕ ‪..‬ﺁﻴﻪ‬
‫ﻜﺎﺩﺭ ﻭﻴﺼﺎﻓﺢ ﻤﺤﻤﺩ ‪ ,‬ﺜﻡ ﻴﺘﺤﺭﻜﻭﻥ‬
‫ﺘﺴﻤﺤﻭﺍ ﻨﻘﻌﺩ ﻤﻌﺎﻜﻡ ‪ ,‬ﻭﻻ ﺒﺘﺘﻜﻠﻤﻭﺍ‬
‫ﻨﺎﺤﻴﺔ ﺍﻝﺼﺎﻝﻭﻥ ﻭﻴﺠﻠﺱ ﻋﺯﺕ ﻓﻰ‬
‫ﻓﻰ ﺤﺎﺠﺔ ﺴﺭ ؟‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻤﺤﻤﺩ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻋﺩﻝﻰ ‪ :‬ﻻ ﺴﺭ ﻭﻻ ﺤﺎﺠﺔ ‪..‬‬
‫ﻭﻋﺩﻝﻰ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻤﺎﺤﺩﺵ ﻏﺭﻴﺏ ﺍﺘﻔﻀﻠﻭﺍ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. s‬ﻝﻌﺩﻝﻰ ﻴﺠﻠﺱ‬ ‫‪183‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﺁﻴﻪ ﺒﻘﻰ ﻴﺎﻤﺤﻤﺩ ؟‬ ‫ﻋﻠﻰ ﺍﻝﻤﻘﻌﺩ ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻤﺤﻤﺩ ‪ :‬ﺃﻨﺎ ﺨﻠﺼﺕ ﻜل ﺤﺎﺠﺔ ﻭﻗﺒل‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺎﻨﺭﻭﺡ ﺍﻝﺒﻨﻙ ﻋﺎﻴﺯ ﺃﻋﺭﺽ‬
‫ﻋﻠﻴﻙ ‪.‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 28 of 81‬‬

‫ﻋﺩﻝﻰ ‪ :‬ﺒﻨﻙ ! ﻫﻭ ﺃﺤﻨﺎ ﻫﺎﻨﺭﻭﺡ‬

‫ﺍﻝﺒﻨﻙ ﺍﻝﻨﻬﺎﺭﺩﺓ ؟‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻴﻨﻅﺭ ﻤﺤﻤﺩ ‪ :‬ﻁﺒﻌﹰﺎ ﻴﺎﺃﺨﻰ ‪ ..‬ﻋﻠﺸﺎﻥ‬ ‫‪184‬‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ ,‬ﺜﻡ ﻨﺩﻓﻊ ﺍﻝﻀﻤﺎﻨﺎﺕ ﻭﺍﻝﺘﺄﻤﻴﻨﺎﺕ ﻝﻠﻨﺎﺱ‬
‫ﺍﻝﻠﻰ ﻤﺴﺘﻨﻴﻥ ‪.‬‬ ‫ﻴﻔﺘﺢ ﺍﻝﺤﻘﻴﺒﺔ ﻭﻴﺨﺭﺝ ﺨﻁﺎﺏ‬
‫ﺱ ﻭﺭﻴﻨﻰ ﻋﻤﻠﺕ‬ ‫ﻋﺩﻝﻰ ‪ :‬ﻁﻴﺏ ﺒ ‪‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺁﻴﻪ ؟‬
‫ﻤﺤﻤﺩ ‪ :‬ﺃﻭ ﹰﻻ ﻤﺴﺄﻝﺔ ﺍﻷﺨﺸﺎﺏ ﺠﺎﻨﻰ‬
‫ﻓﻴﻬﺎ ﺍﻝﺭﺩ ‪ ,‬ﻤﻭﺍﻓﻘﻴﻥ ﻋﻠﻰ ﺍﻝﺴﻌﺭ‬
‫ﺍﻝﻠﻰ ﺇﺤﻨﺎ ﻁﻠﺒﻨﺎﻩ ‪ ..‬ﺁﻫﻪ ‪.‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻠﺠﻤﻴﻊ ‪ .‬ﻤﺤﻤﺩ‬ ‫‪185‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻴﻤﺩ ﺍﻝﺩﻭﺴﻴﻪ ﻝﻌﺩﻝﻰ ﻭﻴﺄﺨﺫﻩ‬
‫ﻤﻨﻪ ﻋﺯﺕ ﺍﻝﺠﺎﻝﺱ ﻓﻰ ﺍﻝﻤﻨﺘﺼﻑ‬
‫ﻭﻴﻌﻁﻴﻪ ﻝﻌﺩﻝﻰ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻅﻬﺭﻩ‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻴﻤﺴﻙ ﻋﺩﻝﻰ ﺍﻝﻤﻠﻑ ﻭﻴﻨﻅﺭ‬
‫ﻓﻴﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M .S‬ﻝﻸﺜﻨﻴﻥ‬ ‫‪186‬‬
‫ﺍﻝﺠﺎﻝﺴﻴﻥ ﻓﻭﻕ ﺍﻝﺩﺭﺍﺒﺯﻴﻥ ﻭﻴﻀﺤﻜﺎﻥ‬
‫ﻭﻴﻨﻅﺭﺍ ﻝﺒﻌﺽ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻠﺠﻤﻴﻊ ﻜﻤﺎ ﻓﻰ ﻋﺩﻝﻰ ‪ :‬ﻜﻭﻴﺱ‬ ‫‪187‬‬
‫ﻝﻘﻁﺔ )‪ ( 185‬ﻴﻤﺴﻙ ﻋﺯﺕ ﺍﻝﻤﻠﻑ‬
‫ﻤﺤﻤﺩ ‪ :‬ﻭﺤﺘﻰ ﻝﺤﺴﻥ ﺍﻝﺤﻅ ﺇﻥ‬ ‫ﻭﻴﻌﻁﻴﻪ ﻝﻤﺤﻤﺩ‬
‫ﺍﻝﻜﻤﺒﻴﻭ ﺩﻝﻭﻗﺕ ﻤﺵ ﻫﺎﻴﻌﻤل ﻓﺭﻕ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻜﺒﻴﺭ ﺒﻴﻥ ﻫﻨﺎ ﻭﺒﻴﻥ ﺍﻝﺴﻭﻴﺩ‬
‫ﺸﻭﻜﺕ ‪ :‬ﻫﻭ ﺃﻨﺘﻡ ﻫﺎﺘﺠﻴﺒﻭﺍ ﺨﺸﺏ‬
‫ﻤﻥ ﺍﻝﺴﻭﻴﺩ ؟‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪ .M. L. S‬ﻋﺩﻝﻰ ‪ :‬ﺁﻤﺎل ! ﺸﻐل‬ ‫‪188‬‬
‫ﻝﻌﺩﻝﻰ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﺒﺭﻭﻓﻴل ﻭﻋﺯﺕ ﻓﻰ ﻋﺯﺕ ‪ :‬ﻝﻜﻥ ﻴﺎﺃﺨﻰ ﺇﺯﺍﻯ ؟ ﻫﻰ‬
‫ﺍﻝﻤﻭﺍﺠﻬﺔ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺴﺭﻴﻌ ﹰﺎ ﺍﻝﺴﻭﻴﺩ ﺩﻝﻭﻗﺘﻰ ﺒﺘﺼﺩﺭ ﺃﺨﺸﺎﺏ ؟‬
‫‪ Pan Right‬ﻝﻤﺤﻤﺩ ﻭﻴﻅﻬﺭ ﺸﻭﻜﺕ ﻤﺤﻤﺩ ‪ :‬ﺃﻤﺎل ﻴﺎﻓﻨﺩﻡ‬
‫ﺸﻭﻜﺕ ‪ :‬ﻏﺭﻴﺒﺔ !‬ ‫ﺒﻴﻥ ﻤﺤﻤﺩ ﻭﻋﺯﺕ‬
‫ﻤﺤﻤﺩ ‪ :‬ﻝﻴﻪ ؟‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻸﺜﻨﻴﻥ ‪ M. S. 2‬ﻓﻭﻕ ﺭﺃﻓﺕ ‪ :‬ﻤﺵ ﺒﻴﻘﻭﻝﻭﺍ ﺇﻥ ﻫﺘﻠﺭ ﺨﺩ‬ ‫‪189‬‬
‫ﺍﻝﺴﻭﻴﺩ !‬ ‫ﺍﻝﺩﺭﺍﺒﺯﻴﻥ‬
‫ﺍﻝﺜﺎﻨﻰ ‪ :‬ﺍﻝﺴﻭﺩﻴﺕ ﻴﺎﺃﺨﻰ ﻤﺵ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺴﻭﻴﺩ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻓﻰ ﺼﻭﺕ ﺭﺃﻓﺕ ‪ :‬ﻤﺎﻫﻤﺎ ﺍﻹﺘﻨﻴﻥ‬ ‫‪190‬‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺨﻔﺽ ﺒﺼﺭﻩ ﻗﺭﻴﺒﻴﻥ ﻤﻥ ﺒﻌﺽ ‪.‬‬
‫ﺍﻝﺜﺎﻨﻰ ‪ :‬ﺒﺎﻝﻌﻜﺱ ﺩﻭل ﻫﻤﺎ ﺒﻌﺎﺩ ﻋﻥ‬ ‫ﻭﻴﺒﺘﺴﻡ‬
‫ﺒﻌﺽ ﻗﻭﻯ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻌﺩﻝﻰ ﻓﻰ ﻋﻤﻕ ﻋﺩﻝﻰ ‪ :‬ﻫﻪ ﻭﺁﻴﻪ ﺘﺎﻨﻰ ﻴﺎﻤﺤﻤﺩ ؟‬ ‫‪191‬‬
‫ﺍﻝﻜﺎﺩﺭ ﻴﺴﺎﺭﹰﺍ ﻭﻤﺤﻤﺩ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻤﺤﻤﺩ ‪ :‬ﻭﻤﺴﺄﻝﺔ ﺍﻝﻤﻨﺴﻭﺠﺎﺕ ﺃﻨﺕ‬
‫ﻭﻅﻬﺭﻩ ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻓﻰ ﺍﻝﻤﻨﺘﺼﻑ ﻋﺯﺕ ﻋﺎﺭﻓﻬﺎ ﻁﺒﻌﹰﺎ‬
‫ﻭﺸﻭﻜﺕ ﻭﺍﻗﻔﻴﻥ ﺃﻗﺼﻰ ﺍﻝﻴﻤﻴﻥ ﻋﺩﻝﻰ ‪ :‬ﺃﻴﻭﺓ ﺃﻴﻭﺓ ‪ ..‬ﻤﺎ ﺃﻨﺘﻬﻴﻨﺎ‬
‫ﻤﻨﻬﺎ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪ M .L. S‬ﻝﻤﺤﻤﺩ ﻤﺤﻤﺩ ‪ :‬ﺍﻝﻠﻰ ﻋﺎﻴﺯﺓ ﺘﻌﺏ‬ ‫‪192‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 29 of 81‬‬

‫ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻜﻤﺎ ﻓﻰ ﻝﻘﻁﺔ )‪ ( 185‬ﺍﻝﻨﻬﺎﺭﺩﺓ ‪ ,‬ﻻﺯﻡ ﻨﺒﺫل ﻓﻴﻬﺎ ﺠﻬﺩ‬
‫ﻜﺒﻴﺭ ﻫﻰ ﻤﺴﺄﻝﺔ ﺍﻝﺠﻠﻭﺩ ‪ ,‬ﻷﻥ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺠﻤﺎﻋﺔ ﺩﻭل ﻤﺎﺴﻜﻴﻥ ﺍﻝﺴﻭﻕ‬
‫ﻤﺎﺴﻜﺔ ﺠﺎﻤﺩﺓ ‪ ,‬ﻭﺇﺤﻨﺎ ﻓﻰ ﺍﻷﻭل‬
‫ﻤﻀﻁﺭﻴﻥ ﻨﺠﺎﺭﻴﻬﻡ ﻝﻐﺎﻴﺔ ﻤﺎﻨﻌﺭﻑ‬
‫ﻤﻴﺘﻬﻡ ‪..‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻤﻥ ﻤﺤﻤﺩ ‪ :‬ﻭﺃﻨﺕ ﻋﺎﺭﻑ ﺃﻨﻪ ﻓﻰ ﺸﻐﻠﻨﺎ‬ ‫‪193‬‬
‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‪ High Angle‬ﻭﻴﺩﺨل ﺩﻩ ﻤﺎﻨﻘﺩﺭﺵ ﻨﺴﺘﻐﻨﻰ ﻋﻥ ﺍﻝﺠﻠﻭﺩ‬
‫ﺸﻭﻜﺕ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﻠﻴﺴﺎﺭ ﺸﻭﻜﺕ ‪ :‬ﺘﺴﻤﺢ ﻝﻰ ﺒﺴﺅﺍل ﺒﺎﺭﺩ‬
‫ﻨﺎﺤﻴﺔ ﺸﻭﻜﺕ ﺍﻝﺫﻯ ﻴﺘﺤﺭﻙ ﻭﻴﺠﻠﺱ ﺸﻭﻴﺔ !‬
‫ﻋﻠﻰ ﻁﺭﻑ ﺍﻷﺭﻴﻜﺔ ﻭﺘﺘﻘﺘﺭﺏ ﻤﻨﻪ ﻤﺤﻤﺩ ‪ :‬ﺇﺘﻔﻀل‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﻠﺩﺍﻝﺦ ‪ ,‬ﺜﻡ ﺘﺘﺤﺭﻙ ﻴﺴﺎﺭﹰﺍ ﺸﻭﻜﺕ ‪ :‬ﻫﻭ ﺤﻀﺭﺘﻙ ﺤﺘﻔﺘﺢ ﻤﺤل‬
‫ﺠﺯﻤﺠﻰ ؟‬ ‫ﻨﺎﺤﻴﺔ ﻋﺯﺕ‬
‫ﻋﺯﺕ ‪ :‬ﻨﻔﺼل ﻜﻠﻨﺎ ﻋﻨﺩﻙ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻸﺜﻨﻴﻥ ﻤﻥ ﺯﺍﻭﻴﺔ ﻨﺴﻴﻡ ‪ :‬ﺃﻨﺎ ﺃﺼﻠﻰ ﻤﺘﻀﺎﻴﻕ ﻤﻥ‬ ‫‪194‬‬
‫ﻤﻨﺨﻔﻀﺔ ‪ ,‬ﺜﻡ ﺘﻨﺯل ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﺴﻔل ﺍﻝﺠﺯﻤﺠﻰ ﺒﺘﺎﻋﻰ‬
‫ﻨﺎﺤﻴﺔ ﻋﺯﺕ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻋﺯﺕ ‪ :‬ﺍﻝﺒﻠﺩ ﻤﺎﻫﻰ ﻤﻠﻴﺎﻨﺔ‬
‫ﺠﺯﻤﺠﻴﺔ ‪ ..‬ﻤﺎﺘﻔﺘﺤﻭﺍ ﺼﺎﻝﻭﻥ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺤﻼﻗﺔ ﺃﺤﺴﻥ ‪.‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻠﺠﻤﻴﻊ ﻭﻤﺤﻤﺩ‬ ‫‪195‬‬
‫ﻴﻘﻑ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﻨﻅﺭ ﻨﺎﺤﻴﺔ ﻋﺯﺕ‬
‫ﺍﻝﺠﺎﻝﺱ ﻓﻰ ﺍﻝﻤﻨﺘﺼﻑ ﻭﻴﻠﻘﻰ ﺒﺤﻘﻴﺒﺘﻪ‬
‫ﻋﻠﻰ ﺍﻝﻤﻘﻌﺩ ﻭﻴﻨﻅﺭ ﻷﻋﻠﻰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻓﻰ ﻤﺤﻤﺩ ‪ :‬ﻤﺘﺄﺴﻑ ﺇﻥ ﺍﻝﻅﺭﻭﻑ‬ ‫‪196‬‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺜﻡ ﻴﺨﻔﺽ ﺭﺃﺴﻪ ﺒﺘﻭﺭﻴﻨﻰ ﺃﺨﻼﻕ ﺒﺎﻝﺸﻜل ﺩﻩ ‪ ,‬ﻝﻭ‬
‫ﻜﺎﻥ ﻋﻨﺩﻜﻡ ﺸﻌﻭﺭ ‪ ,‬ﻜﻨﺘﻡ ﺘﺭﺍﻋﻭﺍ‬ ‫ﻨﺎﺤﻴﺔ ﻋﺯﺕ‬
‫ﺇﺤﺴﺎﺱ ﻏﻴﺭﻜﻡ ‪ ,‬ﻝﻜﻥ ﺍﻝﻤﺅﻝﻡ ﺃﻨﻜﻡ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﺎﻴﺸﻴﻥ ﻓﻰ ﺍﻝﺩﻨﻴﺎ ﻤﻥ ﻏﻴﺭ‬
‫ﻀﻤﻴﺭ ‪ .‬ﺇﺫﺍ ﻜﺎﻥ ﻴﻠﺫ ﻝﻜﻡ ﺘﺘﻬﻜﻤﻭﺍ‬
‫ﻋﻠﻰ ﺍﻝﻨﺎﺱ ﻭﺘﺴﺨﺭﻭﺍ ﻤﻨﻬﻡ ‪ ,‬ﻓﺎﻨﺘﻡ‬
‫ﻓﻰ ﺍﻝﺤﻘﻴﻘﺔ ﺒﺘﺤﻁﻭﺍ ﻤﻥ ﻨﻔﺴﻜﻡ ‪..‬‬
‫ﻏﻴﺭﻜﻡ ﻴﺠﺩ ﻭﻴﻜﺎﻓﺢ ‪ ,‬ﻭﺃﻨﺘﻡ ﻋﺒﻴﺩ‬
‫ﺸﻬﻭﺍﺘﻜﻡ ‪ .‬ﻴﺎﺘﺭﻯ ﺁﻴﻪ ﺍﻝﻠﻰ ﺠﻨﻭﻩ‬
‫ﺃﻫﻠﻜﻡ ﻋﻠﺸﺎﻥ ﺘﻜﻭﻨﻭﺍ ﻭﺼﻤﺔ ﻓﻰ‬
‫ﺠﺒﻴﻨﻬﻡ ؟‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻌﺯﺕ ﻴﻘﻑ ﻋﺯﺕ ‪ :‬ﺁﻴﻪ ﺍﻝﻜﻼﻡ ﺍﻝﻔﺎﺭﻍ ﺩﻩ !‬ ‫‪197‬‬
‫ﻭﻴﻨﻅﺭ ﻭﻴﻅﻬﺭ ﺍﻷﺜﻨﻴﻥ ﺨﻠﻔﻪ ﻭﺸﻭﻜﺕ ﺭﺃﻓﺕ ‪ :‬ﻻ ﺩﺍ ﺯﻭﺩﻫﺎ ﻗﻭﻯ‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﻨﻅﺭﻭﻥ ﺠﻤﻴﻌﹰﺎ ﻨﺎﺤﻴﺔ ﻨﺴﻴﻡ ‪ :‬ﻤﺵ ﻋﻴﺏ ﺘﻘﻭل ﻜﻼﻡ ﺯﻯ‬
‫ﺩﻩ ؟‬ ‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﺸﻭﻜﺕ ‪ :‬ﺃﻭﻩ ﻨﻭﻩ ‪ ..‬ﺴﻰ ﺘﺭﻭ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪.M. L. S‬‬ ‫‪198‬‬

‫ﻝﻌﺩﻝﻰ ﻴﺩﺨل ﺍﻝﻜﺎﺩﺭ ﻤﻥ ﺍﻝﻴﺴﺎﺭ ﻭﻴﻨﻅﺭ ﻋﺩﻝﻰ ‪ :‬ﺴﻴﺒﻙ ﻤﻨﻬﻡ ﻴﺎﻤﺤﻤﺩ ﺨﻠﻴﻙ‬
‫ﻭﻴﺎﻴﺎ ﺃﻨﺎ ‪ ,‬ﻭﺃﻨﺘﻡ ﻴﺎﺠﻤﺎﻋﺔ‬ ‫ﻋﻜﺱ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻨﺎﺤﻴﺔ‬
‫ﺃﺼﺩﻗﺎﺌﻪ ‪ ,‬ﻭﻤﺤﻤﺩ ﻭﺍﻗﻑ ﺒﺭﻭﻓﻴل ﻓﻰ ﻤﺎﻴﺼﺤﺵ ﻜﺩﻩ ‪.‬‬
‫ﺍﻝﻴﻤﻴﻥ ‪ ,‬ﺜﻡ ﻴﻠﺘﻔﺕ ﻤﺤﻤﺩ ﻨﺎﺤﻴﺔ ﻋﺩﻝﻰ ﻋﺯﺕ ‪ :‬ﻤﺎﻴﺼﺤﺵ ﻏﺯﺍﻯ ﺃﻨﺕ ﻤﺵ‬
‫ﻭﺘﻘﺘﺭﺏ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺒﺒﻁﺀ‪ track in‬ﺴﺎﻤﻊ ﺍﻝﻰ ﺒﻴﻘﻭﻝﻪ ؟‬
‫ﺤﺘﻰ ﻴﺼﺒﺤﺎ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﺭﺃﻓﺕ ‪ :‬ﻻﺯﻡ ﻴﺘﺤﺎﺴﺏ ﻋﻠﻰ ﻜﻼﻤﻪ‬
‫‪ .M. S‬ﻭﻋﺯﺕ ﻴﻘﻑ ﺒﻴﻨﻬﻤﺎ ‪ .‬ﺸﻭﻜﺕ ‪ :‬ﺁﻴﻪ ! ﺤﻀﺭﺘﻪ ﺒﻴﺩﻴﻨﺎ‬
‫ﺩﺭﺱ ؟‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 30 of 81‬‬

‫ﻤﺤﻤﺩ ‪ :‬ﺍﻝﺩﺭﺱ ﺍﻝﻠﻰ ﻜﺎﻥ ﻻﺯﻡ‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫ﺘﺎﺨﺩﻭﻩ ﻓﺎﺕ ﻭﻗﺘﻪ ‪.‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﺇﻫﺩﺍ ﺸﻭﻴﺔ ﻴﺎﻤﺤﻤﺩ‬
‫ﻤﺎﺘﺒﻘﺎﺵ ﻋﺼﺒﻰ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺃﻫﺩﺍ ﻁﺒﻌﹰﺎ ﻝﻤﺎ ﺃﻁﻠﻊ ﺒﺭﺓ‬
‫ﺒﻌﻴﺩ ﻋﻥ ﺍﻷﺨﻼﻕ ﺩﻯ ‪ ..‬ﻴﺎﻝﻼ ﺒﻴﻨﺎ‬
‫ﻴﺎﻝﻼ ﻤﺎﻓﻴﺵ ﻭﻗﺕ ‪.‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﺍﺴﺘﻨﻰ ﺸﻭﻴﺔ ﻴﺎﻤﺤﻤﺩ‬

‫‪ 199‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ M. Close up‬ﻋﺩﻝﻰ ‪ :‬ﺃﺼل ﻋﺎﻴﺯ ﺃﻗﻭﻝﻙ ﻜﻠﻤﺘﻴﻥ‬

‫ﻝﻜﻥ ﻝﻜﻥ ﻤﻜﺴﻭﻑ‬ ‫ﻤﻥ ﻓﻭﻕ ﻜﺘﻑ ﻤﺤﻤﺩ‬
‫ﻤﺤﻤﺩ ‪ :‬ﺁﻴﻪ ﻗﻭل‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﺃﺼل ﺍﻝﻔﻠﻭﺱ ﺍﻝﻠﻰ ﻓﺎﻴﺘﻬﻡ‬
‫ﻝﻰ ﺒﺎﺒﺎ ﻜﻠﻬﻡ ﺘﻘﺭﻴﺒ ﹰﺎ ﻁﺎﺭﻭﺍ ﻓﻰ‬
‫ﺍﻝﺒﻜﺎﺭﺍﻩ‬
‫ﻋﺩﻝﻰ ‪ :‬ﺃﺼل ﺍﻝﻔﻠﻭﺱ‬
‫‪ 200‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻤﺤﻤﺩ ﻤﻥ ﺨﻠﻑ ﻋﺩﻝﻰ ‪ :‬ﻭﻝﺴﻪ ﻜﻤﺎﻥ ﻋﺎﻴﺯ ﺃﻏﻴﺭ‬
‫ﻅﻬﺭ ﻋﺩﻝﻰ ‪ ,‬ﺜﻡ ﻴﺭﻓﻊ ﻤﺤﻤﺩ ﻗﺒﻀﺘﻪ ﺍﻝﻌﺭﺒﻴﺔ ‪ ..‬ﻭﺍﻝﺠﻤﺎﻋﺔ ﺩﻭل‬
‫ﻤﻭﺭﻁﻴﻨﻰ ﻓﻰ ﻓﺴﺤﺔ ﺼﻴﺩ ﻋﺎﻴﺯﺓ‬ ‫ﻭﻴﻀﺭﺒﻪ ﻓﻰ ﻭﺠﻬﻪ‬
‫ﻝﻬﺎ ﺸﻭﻴﺔ ﺘﻜﺎﻝﻴﻑ ‪ ..‬ﻷ ﻭﺍﻷﺩﻫﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﻥ ﻜﺩﻩ ﻤﺎﻨﻴﺵ ﻋﺎﺭﻑ ﺤﺎﺼﺭﻑ‬
‫ﻤﻨﻴﻥ ﻋﻠﻰ ﺒﻨﺕ ﻓﺭﻨﺴﺎﻭﻴﺔ ﻁﺒﺕ‬
‫ﺠﺩﻴﺩ ﻓﻰ ﺍﻝﻜﺒﺎﺭﻴﻪ ﺃﻤﺎ ﺤﺘﺔ ‪..‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻤﺤﻤﺩ ﻭﻴﺴﻘﻁ‬ ‫‪201‬‬
‫ﻋﺩﻝﻰ ﻋﻠﻰ ﺍﻷﺭﺽ ﻭﻴﻠﺘﻔﺕ ﻤﺤﻤﺩ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﻝﻴﺄﺨﺫ ﺤﻘﻴﺒﺘﻪ ﻭﻴﻨﻅﺭ ﺍﻝﻰ ﺍﻝﻤﺠﻤﻭﻋﺔ‬
‫) ‪( 12‬‬ ‫ﻓﻴﺠﻠﺱ ﻋﺯﺕ ﻋﻠﻰ ﺍﻷﺭﻴﻜﺔ ﻭﻴﺘﺤﺭﻙ‬
‫ﺨﻁﻭﺍﺕ ﻤﺤﻤﺩ‬
‫ﻤﺤﻤﺩ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ‪Pan‬‬
‫‪ Left‬ﻭﻫﻭ ﻴﺼﻌﺩ ﺍﻝﺴﻠﻡ ﻭﻴﺨﺭﺝ ﻤﻥ‬
‫ﺍﻝﺼﺎﻝﺔ‬
‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻤﺸﻬﺩ ) ‪( 38‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﺤﺎﺭﺓ‬
‫ﺍﺴﺘﻤﺭﺍﺭ ﻤﻭﺴﻴﻘﻰ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻠﺤﺎﺭﺓ ﻭﻴﺄﺘﻰ‬ ‫‪202‬‬
‫)‪( 12‬‬ ‫ﻤﺤﻤﺩ ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﺨﺭﺝ ﻤﻨﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬
‫) ‪( 12‬‬
‫ﻤﺸﻬﺩ )‪( 39‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺼﺎﻝﻭﻥ ﺍﻝﺤﻼﻕ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻠﺼﺎﻝﻭﻥ ‪,‬‬ ‫‪203‬‬
‫ﻼ ﺤﻘﻴﺒﺘﻪ ‪ ,‬ﺜﻡ ﻴﺩﺨل ﺍﻷﺴﻁﻰ‬
‫ﻴﺩﺨل ﺤﺎﻤ َﹰ‬
‫ﺤﻨﻔﻰ ‪ :‬ﺨﻴﺭ ﻴﺎﺒﻨﻰ ﻋﺎﷲ ﺘﻜﻭﻥ‬
‫ﺤﻨﻔﻰ ﺍﻝﻜﺎﺩﺭ ﻤﻥ ﺍﻝﻴﺴﺎﺭ ﻭﻴﻨﻅﺭ ﻓﻰ‬
‫ﺍﺘﻭﻓﻘﺕ ﻭﺁﺸﻴﺘﻙ ﻤﻌﺩﻥ !‬
‫ﺍﺘﺠﺎﻩ ﻤﺤﻤﺩ ‪ ,‬ﺜﻡ ﻴﺤﺭﻙ ﻤﺤﻤﺩ‬
‫ﺍﻝﻁﺭﺒﻭﺵ ﻝﻠﺨﻠﻑ ﻭﻴﺨﻔﺽ ﺭﺃﺴﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 204‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻭﺤﻨﻔﻰ‬
‫ﻤﺤﻤﺩ ‪ :‬ﻤﻊ ﺍﻵﺴﻑ ﻴﺎﻭﺍﻝﺩﻯ‬
‫ﻭﻴﻅﻬﺭ ﻤﺤﻤﺩ ﺘﺭﻭﻜﺎﺭ ﻭﺤﻨﻔﻰ ﺒﺭﻭﻓﻴل‬
‫ﻤﺸﺭﻭﻋﻰ ﻓﺸل ﺒﺎﻝﻜﻠﻴﺔ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 31 of 81‬‬

‫ﺤﻨﻔﻰ ‪ :‬ﺇﺯﺍﻯ ! ﻭﻻ ﺤﻭل ﻭﻻﻗﻭﺓ‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫ﺍﻹ ﺒﺎﷲ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﺤﻨﻔﻰ ﻤﻥ ﺤﻨﻔﻰ ‪ :‬ﻤﻌﻠﺵ ﺃﺤﻤﺩ ﺭﺒﻨﺎ ‪ ,‬ﻭﺇﺫﺍ‬ ‫‪205‬‬
‫ﻜﺎﻥ ﻤﻥ ﺠﻬﺔ ﺍﻝﺤﺠﺯ ﻤﺎﺘﺸﻐﻠﺵ‬ ‫ﻓﻭﻕ ﻜﺘﻑ ﻤﺤﻤﺩ‬
‫ﻓﻜﺭﻙ ﺍﻨﺎ ﻫﺎﻭﻀﺏ ﺃﻤﻭﺭﻯ ﻋﻠﻰ ﻗﺩ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻹﻤﻜﺎﻥ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪ .M. L. S‬ﻝﻠﻌﺘﺭ ﺍﻝﻌﺘﺭ ‪ :‬ﺴﻼﻤﻭﺍ ﻋﻠﻴﻜﻭﺍ‬ ‫‪206‬‬
‫ﻴﺩﺨل ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻤﺤﻤﺩ ﻭﺤﻨﻔﻰ ﺤﻨﻔﻰ ‪ :‬ﻭﻋﻠﻴﻜﻭﺍ ﺍﻝﺴﻼﻡ ﻭﺭﺤﻤﺔ‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻫﻪ ﻭﻴﺘﺠﻪ ﺍﷲ ﻭﺒﺭﻜﺎﺘﻪ ‪.‬‬
‫ﻨﺎﺤﻴﺔ ﺍﻝﻤﻘﻌﺩ ﻭﻴﺠﻠﺱ ‪ ,‬ﺜﻡ ﻴﻤﺴﻙ ﺍﻝﻌﺘﺭ ‪ :‬ﺇﺯﺍﻯ ﺃﺤﻭﺍﻝﻙ ﻴﺎﺴﻰ ﻤﺤﻤﺩ‬
‫ﺤﻨﻔﻰ ﺍﻝﻔﻭﻁﺔ ﻭﻴﺨﺭﺝ ﻤﺤﻤﺩ ﻤﻥ ﻋﻤﻕ ؟‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻴﻀﻊ ﺤﻨﻔﻰ ﺍﻝﻔﻭﻁﺔ ﺤﻭل ﺭﻗﺒﺔ ﻤﺤﻤﺩ ‪ :‬ﺍﻝﺤﻤﺩ ﷲ ‪...‬ﺃﻨﺎ ﻭﺍﺼل‬
‫ﻤﺸﻭﺍﺭ ﻴﺎﻭﺍﻝﺩﻯ ﻭﻴﻤﻜﻥ ﺃﺘﺄﺨﺭ‬ ‫ﺍﻝﻌﺘﺭ‬
‫ﺸﻭﻴﺔ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺤﻨﻔﻰ ‪ :‬ﻁﻴﺏ ﻴﺎﺒﻨﻰ ‪ ..‬ﺇﻝﻬﻰ ﺒﺒﺭﻜﺔ‬
‫ﺸﻬﺭ ﺍﻝﺼﻴﺎﻡ ﺩﻩ ﻴﻔﺭﺠﻬﺎ ﻋﻠﻴﻙ‬
‫ﻴﺎﺒﻨﻰ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ M. Close up‬ﺍﻝﻌﺘﺭ ‪ :‬ﻤﺵ ﺘﻘﻭﻝﻠﻰ ﻴﺎﺴﻁﻰ ﺤﻨﻔﻰ‬ ‫‪207‬‬
‫ﺁﻴﻪ ﺍﻝﻠﻰ ﻤﺨﻠﻴﻙ ﺴﺎﺭﺡ ﻜﺩﻩ ﻭﻤﺤﻴﺭ‬ ‫ﻝﻠﻌﺘﺭ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺃﻓﻜﺎﺭﻙ ؟‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻸﺜﻨﻴﻥ‪ M. S. 2‬ﻭﻴﻀﻊ ﺤﻨﻔﻰ ‪ :‬ﺍﻝﻠﻰ ﻓﻰ ﺍﻝﺩﻨﻴﺎ ﺒﻴﻘﺎﺴﻰ‬ ‫‪208‬‬
‫ﺤﻨﻔﻰ ﺍﻝﺼﺎﺒﻭﻥ ﻋﻠﻰ ﺫﻗﻥ ﺍﻝﻌﺘﺭ ﻫﻤﻭﻤﻬﺎ ﻴﺎﻤﻌﻠﻡ‬
‫ﻭﻴﺘﺤﺭﻙ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺍﻝﻤﻭﺴﻰ ﻓﻰ ﻴﺩﻩ ﺍﻝﻌﺘﺭ ‪ :‬ﻴﺎﺨﻰ ﻓﻀﻔﺽ ﻋﻥ‬
‫ﺭﻭﺤﻙ ‪ ,‬ﺩﻩ ﺇﺤﻨﺎ ﺠﻴﺭﺍﻥ ‪...‬ﺁﻴﻪ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻤﺴﺄﻝﺔ ؟ ﺇﺘﻜﻠﻡ !‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﺤﻨﻔﻰ ﻴﺴﻥ‬ ‫‪209‬‬
‫ﺍﻝﻤﻭﺴﻰ ﻭﻴﻨﻅﺭ ﺃﺴﻔل ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﺤﻨﻔﻰ ‪ :‬ﺤﺠﺯﻭﺍ ﻝﻰ ﻋﻠﻰ ﺍﻝﺩﻜﺎﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M .close up‬ﺍﻝﻌﺘﺭ ‪ :‬ﻜﺩﻩ ‪ .‬ﻻ ﺤﻭل ﺍﷲ ‪ ,‬ﺃﻤﺘﻰ‬ ‫‪210‬‬
‫ﺍﻝﻜﻼﻡ ﺩﻩ ؟ ﺯﻋﻠﺘﻨﻰ ﻴﺎﺴﻁﻰ‬ ‫ﻝﻠﻌﺘﺭ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪.‬‬
‫ﺤﻨﻔﻰ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﻝﻜﻥ ﺇﺴﻤﻊ ﻝﻤﺎ ﺃﻗﻭﻝﻙ ‪.‬‬ ‫ﻓﻰ‬ ‫ﻜﻤﺎ‬ ‫‪M.S.‬‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻸﺜﻨﻴﻥ‪2‬‬ ‫‪211‬‬
‫ﻤﺎﺘﺤﻤﻠﺵ ﻫﻡ ﺃﻨﺎ ﺴﺩﺍﺩ ﻓﻰ ﺍﻝﻠﻰ‬ ‫ﻝﻘﻁﺔ‬
‫ﺘﻌﻭﺯﻩ ‪.‬‬ ‫) ‪( 208‬‬
‫ﺤﻨﻔﻰ ‪ :‬ﺘﻌﻴﺵ ﻴﺎﻤﻌﻠﻡ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ M. Close up‬ﺍﻝﻌﺘﺭ ‪ :‬ﻫﻭ ﺃﻨﺎ ﻴﺨﻠﺼﻨﻰ ﺃﻜﻭﻥ‬ ‫‪212‬‬
‫ﻤﻭﺠﻭﺩ ﻓﻰ ﺍﻝﺤﺘﺔ ﻭﺃﻨﺕ ﺘﻨﻔﻀﺢ‬ ‫ﻝﺤﻨﻔﻰ ﻴﻨﻅﺭ ﺃﺴﻔل ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻗﺩﺍﻡ ﺍﻝﻌﺎﻝﻡ ؟ ﻓﺸﺭ !‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺤﻨﻔﻰ ‪ :‬ﻜﺘﺭ ﺨﻴﺭﻙ ﻴﺎﻤﻌﻠﻡ ‪ .‬ﺇﺒﻥ‬
‫ﺃﺼل‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻸﺜﻨﻴﻥ‪ M. S. 2‬ﻓﻰ‬ ‫‪213‬‬
‫ﺤﻨﻔﻰ ‪ :‬ﻨﻌﻴﻤﹰﺎ‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ ,‬ﺜﻡ ﻴﻨﺘﻬﻰ ﺤﻨﻔﻰ ﻤﻥ‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﺍﷲ ﻴﻨﻌﻡ ﻋﻠﻴﻙ ﻴﺎﺴﻁﻰ ‪....‬‬
‫ﺍﻝﺤﻼﻗﺔ ﻭﻴﺼﺏ ﻝﻜﻭﻝﻭﻨﻴﺎ ﻓﻰ ﻴﺩﻩ ‪ ,‬ﺜﻡ‬
‫ﺇﺴﻤﻊ ﺍﻝﺤﺎﺠﺎﺕ ﺍﻝﻠﻰ ﺯﻯ ﺩﻯ‬
‫ﻴﻘﻑ ﺍﻝﻌﺘﺭ ﻭﻴﺨﺭﺝ ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﻤﺎﺘﺠﻴﺒﺵ ﺒﻴﻬﺎ ﺴﻴﺭﺓ ﻗﺩﺍﻡ ﺤﺩ‬
‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻤﺸﻬﺩ ) ‪( 40‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺼﺎﻝﺔ ﻤﻨﺯل ﻓﺎﻁﻤﺔ‬
‫‪214‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻷﻡ ﻓﺎﻁﻤﺔ ﺘﻔﺘﺢ‬
‫ﺍﻝﺒﺎﺏ ﻭﻴﺩﺨل ﺍﻝﻌﺘﺭ ‪ ,‬ﺜﻡ ﻴﺘﺤﺭﻙ ﻴﻤﻴﻥ ﺍﻝﻌﺘﺭ ‪ :‬ﻋﻭﺍﻑ ﻴﺎﺃﻡ ﻓﺎﻁﻤﺔ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 32 of 81‬‬

‫ﻼ‬
‫ﺍﻷﻡ ‪ :‬ﻴﻌﺎﻓﻴﻙ ﻴﺎﻤﻌﻠﻡ ﻋﺘﺭ ‪ .‬ﺃﻫ ﹰ‬ ‫ﻜﺎﺩﺭ ﻭﺘﻐﻠﻕ ﺍﻝﺒﺎﺏ ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺇﺘﻔﻀل ‪ .‬ﻫﻴﻪ ﺭﺤﺕ ﺍﻝﻤﺭﺠﻭﺸﻰ‬ ‫ﻴﻤﻴﻨ ﹰﺎ‪ Pan Right‬ﻭﻴﺠﻠﺱ ﻴﻤﻴﻥ‬
‫ﺯﻯ ﻤﺎﺇﺘﻔﻘﻨﺎ ‪ ,‬ﻭﺸﻔﺕ ﺍﻝﺒﻴﺕ ؟‬ ‫ﻜﺎﺩﺭ ﻭﺘﺠﻠﺱ ﺃﻡ ﻓﺎﻁﻤﺔ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﻻﻭ ﺍﷲ ﺇﺘﻌﻁﻠﺕ ﺍﻝﻨﻬﺎﺭﺩﺓ‬ ‫ﻭﺃﻤﺎﻤﻬﺎ ﻤﺄﺌﺩﺓ ﻋﻠﻴﻬﺎ ﺼﻨﻴﺔ ﻋﻤل‬
‫ﻤﻥ ﺴﺎﺒﻴﺏ ﻤﺴﺄﻝﺔ ﺯﻋﻠﺘﻨﻰ ﺸﻭﻴﺔ ‪.‬‬ ‫ﺍﻝﻘﻬﻭﺓ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻸﻡ ﺘﻨﻅﺭ ﻴﻤﻴﻥ ﺍﻷﻡ ‪ :‬ﺁﻴﻪ ﻜﻔﺎﻝﻪ ﺍﻝﺸﺭ ! ﺠﺭﻯ‬ ‫‪215‬‬
‫ﻜﺎﺩﺭ ﻭﺘﻀﻊ ﻴﺩﻫﺎ ﻋﻠﻰ ﺼﺩﺭﻫﺎ ﺤﺎﺠﺔ ؟‬
‫ﺼﻭﺕ ﺍﻝﻌﺘﺭ ‪ :‬ﻤﺵ ﻝﻴﺎ ﺃﻨﺎ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻠﺴﻁﻰ ﺤﻨﻔﻰ ‪ ..‬ﻤﺴﻜﻴﻥ !‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻠﻌﺘﺭ ﻴﻨﻅﺭ ﺍﻝﻌﺘﺭ ‪ :‬ﺍﻝﻨﻴﺎ ﻤﻠﺨﺒﻁﺔ ﻤﻌﺎﻩ ‪ ,‬ﻭﺍﻝﻔﻘﺭ‬ ‫‪216‬‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﺠﻠﺱ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺤﺎﻁﻁ ﻋﻠﻴﻪ ‪ ,‬ﻭﺩﻴﻭﻥ ﻤﺘﻠﺘﻠﺔ ﻤﻥ‬
‫ﻜل ﻨﺎﺤﻴﺔ ‪ ,‬ﻝﺤﺩ ﻤﺎﺤﺠﺯﻭﺍ ﻋﻠﻰ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻋﻔﺵ ﺍﻝﺩﻜﺎﻥ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻸﻡ ﻭﻫﻰ‬ ‫‪217‬‬
‫ﺘﻤﺴﻜﺔ ﻜﻨﻜﺔ ﺍﻝﻘﻬﻭﺓ ﻋﻠﻰ ﺍﻝﻨﺎﺭ ﻭﺘﻨﻅﺭ ﺍﻷﻡ ‪ :‬ﻴﺎﻨﺩﺍﻤﺔ ﻭﺍﷲ ﺤﺎﺠﺔ ﺘﻐﻡ ‪..‬‬
‫ﺍﻷﺴﻁﻰ ﺤﻨﻔﻰ ﻤﺎﻴﺴﺘﺎﻫﻠﺵ ﻜﺩﻩ !‬ ‫ﻨﺎﺤﻴﺘﻬﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻠﻌﺘﺭ ﻤﻥ ﺍﻝﻌﺘﺭ ‪ :‬ﻋﺩﻭﻙ ﺒﻘﻰ ‪ ,‬ﻋﻘﻠﻪ ﻜﺎﻥ‬ ‫‪218‬‬
‫ﻫﺎﻴﺸﺕ ﻤﻥ ﺩﻤﺎﻏﻪ ‪ .. ..‬ﻴﺭﻭﺡ‬ ‫ﺨﻠﻑ ﺃﻡ ﻓﺎﻁﻤﺔ ‪.‬‬
‫ﻝﻤﻴﻥ ﻴﻴﺠﻰ ﻝﻤﻴﻥ ؟ ﺒﺼﻴﺕ ﻝﻘﻴﺘﻪ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﻠﻰ ﻏﻔﻠﺔ ﺩﺍﺨل ﻋﻨﺩﻯ ﻓﻰ‬
‫ﺍﻝﺩﻜﺎﻥ ‪ ,‬ﻭﺍﻝﺩﻤﻭﻉ ﻓﻰ ﻋﻴﻨﻴﻪ ‪,‬‬
‫ﻭﻫﺎﺕ ﻴﺎﺒﻭﺱ ﻓﻰ ﺇﻴﺩﻴﻪ ﻭﻓﻰ‬
‫ﻜﺘﺎﻓﻰ ‪ ..‬ﺃﻨﺎ ﻓﻰ ﻋﺭﻀﻙ ﺃﻨﺎ ﻓﻰ‬
‫ﻁﻭﻝﻙ ‪ ..‬ﺍﻝﻨﻬﺎﻴﺔ ﺼﻌﺏ ﻋﻠﻰ‬
‫ﻭﺇﺘﻔﻘﺕ ﺃﺩﻓﻊ ﻝﻪ ﺍﻝﺩﻴﻥ ‪ ..‬ﻭﺁﻫﻪ ﻜﻠﻪ‬
‫ﻋﻨﺩ ﺍﷲ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻷﻡ ﻓﺎﻁﻤﺔ ﻓﻰ ﺍﻷﻡ ‪ :‬ﻴﻨﻭﺒﻙ ﺜﻭﺍﺏ ﻴﺎﻤﻌﻠﻡ ﻋﺘﺭ ﻜﺘﺭ‬ ‫‪219‬‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺍﻝﻌﺘﺭ ﺒﺭﻭﻓﻴل ﺃﻝﻑ ﺨﻴﺭﻙ‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﺁﻩ ‪ ..‬ﻤﺎﻫﻭ ﺭﺍﺨﺭ ﻋﻠﻁﺎﻥ ‪,‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻭﺍﺤﺩ ﻴﻤﺸﻰ ﻋﻠﻰ ﻗﺩﻩ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ M. Close up‬ﺍﻝﻌﺘﺭ ‪ :‬ﻜل ﺩﻩ ﻤﻥ ﺠﺭﺍﻴﺭ ﺇﺴﻡ‬ ‫‪220‬‬
‫ﻝﻠﻌﺘﺭ ﻤﻥ ﺨﻠﻑ ﻅﻬﺭ ﺃﻡ ﻓﺎﻁﻤﺔ ﺍﻝﻨﺒﻰ ﺤﺎﺭﺴﻪ ﺴﻰ ﻤﺤﻤﺩ ‪ ,‬ﻻﺯﻡ‬
‫ﻴﺼﺭﻑ ﻝﻰ ﻋﻠﻴﻪ ﻓﻰ ﺍﻝﻤﺩﺍﺭﺱ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﺍﻝﺸﻬﺎﺩﺍﺕ ﻭﺍﻝﻜﻼﻡ ﺍﻝﻔﺎﻀﻰ ‪ .‬ﺇﺯﺍﻯ‬
‫ﺍﻝﺤﺎل ﺩﻝﻭﻗﺕ ؟ ﺁﻫﻪ ﺇﺘﺤﻭﺝ ﻝﻭﺍﺤﺩ‬
‫ﺯﻴﻲ ﺃﻨﺎ ‪ ,‬ﻏﺭﻴﺏ ﻤﺎﺘﺄﺨﺩﻨﻴﺵ ‪.‬‬
‫ﻭﺇﺒﻨﻪ ﻨﻔﻌﻪ ﺒﺂﻴﻪ ؟ ﻤﺎﻫﻭﺵ ﻻﻗﻰ‬
‫ﻴﺄﻜل ﺭﻭﺤﻪ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻷﻡ ﻓﺎﻁﻤﺔ ﺍﻷﻡ ‪ :‬ﺘﺼﺩﻕ ﺒﺎﷲ ﺃﻨﺎ ﺇﺘﺄﺫﻴﺕ‬ ‫‪221‬‬
‫ﻗﻭﻯ ‪.‬‬ ‫ﺘﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﺼﻭﺕ ﺍﻝﻌﺘﺭ ‪ :‬ﻭﺘﺘﺄﺫﻯ ﻋﻠﻰ ﺁﻴﻪ !‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺎﺃﻨﺎ ﺨﻼﺹ ﻫﺎﻓﻙ ﻀﻴﻘﺘﻪ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻠﻌﺘﺭ ﻴﻨﻅﺭ ﺍﻝﻌﺘﺭ ‪ :‬ﺇﺴﻤﻌﻰ ﻴﺎﺃﻡ ﻓﺎﻁﻤﺔ ‪ ,‬ﺼﻠﻰ‬ ‫‪222‬‬
‫ﻋﺎﺍﻝﻠﻰ ﻴﺸﻔﻊ ﻓﻴﻜﻰ ‪.‬‬ ‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺼﻭﺕ ﺍﻷﻡ ‪ :‬ﺃﻝﻑ ﺼﻼﺓ ﻋﻠﻴﻙ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻴﺎﻨﺒﻰ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M. L. S‬‬ ‫‪223‬‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﺒﻘﻰ ﺃﻨﺎ ﺠﺎﻯ ﻝﻙ ﻜﺩﻩ ﺁﺨﺩ‬
‫ﻝﻸﺜﻨﻴﻥ ﻭﺒﻴﻨﻬﻤﺎ ﻤﺎﺌﺩﺓ ﺍﻝﻘﻬﻭﺓ ‪,‬‬
‫ﺭﺃﻴﻙ ﻓﻰ ﻋﺒﺎﺭﺓ ﺒﻴﻨﺎ ﻭﺒﻴﻥ ﺒﻌﺽ ‪,‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 33 of 81‬‬

‫ﺍﻝﻭﺍﺤﺩ ﻁﻬﻕ ﻤﻥ ﺤﻜﺎﻴﺔ ﺍﻝﻌﺯﻭﺒﻴﺔ ‪,‬‬ ‫ﻭﺘﺼﺏ ﺍﻷﻡ ﻝﻠﻌﺘﺭ‬

‫ﻭﻁﺎﻝﻌﺔ ﻓﻰ ﻤﺨﻰ ﺃﺘﻠﻡ ﻋﻠﻰ ﺒﻨﺕ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺤﻼل ‪.‬‬
‫ﺍﻷﻡ ‪ :‬ﺨﻴﺭ ﻤﺎﺘﻌﻤل ‪ ,‬ﺍﻝﺠﻭﺍﺯ ﻨﺹ‬
‫ﺍﻝﺩﻴﻥ‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﺩﺍ ﻜﺘﻴﺭ ﻗﻭﻯ ﻋﺎﺭﻀﻴﻥ‬
‫ﺒﻨﺎﺘﻬﻡ ﻋﻠﻰ ‪ ,‬ﻝﻜﻥ ﺃﻨﺎ ﺒﺎﻝﻤﻔﺘﺸﺭ‬
‫ﻁﺩﻩ ﻤﺴﺘﺨﺴﺭ ﺭﻭﺤﻰ ﻭﻤﻜﺴﺒﻰ ﻓﻰ‬
‫ﺤﺎﺠﺔ ﻤﺎﺘﻜﻭﻨﺸﻰ ﻤﻌﺭﻓﺔ ‪ ,‬ﻭﻤﺎﻝﻰ‬
‫ﺇﻴﺩﻯ ﻤﻨﻬﺎ ‪.‬‬
‫ﺍﻷﻡ ‪ :‬ﻤﻌﻠﻭﻡ ﻤﻌﺎﻙ ﺤﻕ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻠﻌﺘﺭ ﻴﺸﺭﺏ ﺍﻝﻌﺘﺭ ‪ :‬ﺒﺎﻝﻙ ﻗﻠﺕ ﻓﻰ ﺒﺎﻝﻰ ﺁﻴﻪ ‪..‬‬ ‫‪224‬‬
‫ﺃﻨﺕ ﻴﺎﻭﺍﺩ ﻤﺎﻴﻨﻔﻌﻜﺵ ﻏﻴﺭ ﻓﺎﻁﻤﺔ ‪,‬‬ ‫ﺍﻝﻘﻬﻭﺓ ‪ ,‬ﺜﻡ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺒﻨﺕ ﺍﻝﻤﻌﻠﻡ ﻋﺎﺸﻭﺭ ‪ .‬ﺃﻤﺎﻩ ﻭﺃﺒﻭﻫﺎ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻨﺎﺱ ﺒﻨﻰ ﺃﺩﻤﻴﻥ ‪ ,‬ﻭﻨﺴﺎﻴﺏ ﻴﺘﺎﻗﻠﻭﺍ‬
‫ﺒﺎﻝﻤﺎل‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻷﻡ ﻓﺎﻁﻤﺔ‬ ‫‪225‬‬
‫ﺍﻷﻡ ‪ :‬ﺩﻩ ﺒﺱ ﻤﻥ ﺇﻨﺴﺎﻨﻴﺘﻙ ﻴﺎﻤﻌﻠﻡ‬ ‫ﺘﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻋﺘﺭ ‪ .‬ﺩﺍ ﺍﻨﺎ ﻓﺎﻁﻤﺔ ﺃﻗﺩﻤﻬﺎ ﻝﻙ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺠﺎﺭﻴﺔ ﻤﻥ ﻏﻴﺭ ﻓﻠﻭﺱ ‪.‬‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﺘﻌﻴﺸﻰ ﻴﺎﺃﻡ ﻓﺎﻁﻤﺔ ‪.‬‬

‫ﺍﻝﻌﺘﺭ ‪ :‬ﺃﻨﺎ ﺒﺭﻀﻪ ﻜﺎﻥ ﻋﺸﻤﻰ ﻜﺩﻩ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻠﻌﺘﺭ ﻴﻨﻅﺭ ﻴﺴﺎﺭ‬ ‫‪226‬‬
‫ﻓﻰ ﻤﺭﻭﺀ‪‬ﺘﻙ ‪.‬‬ ‫ﻜﺎﺩﺭ ﻭﺃﻤﺎﻤﻪ ﺃﻡ ﻓﺎﻁﻤﺔ ﺘﻨﻅﺭ ﻴﻤﻴﻥ‬
‫ﺍﻷﻡ ‪ :‬ﺒﺱ ﻴﺎﺨﻭﻴﺎ ﻝﻤﺎ ﺃﺘﻜﻠﻡ ﻤﻊ‬ ‫ﻜﺎﺩﺭ ﻭﺘﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻫﻪ ‪,‬‬
‫ﺃﺒﻭﻫﺎ ﻭﺃﺭﺩ ﻋﻠﻴﻙ ‪.‬‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﺃﺒﻭﻫﺎ ﻤﺎﺃﻨﺎ ﻤﻜﻠﻤﻪ ﻗﺒل‬
‫ﻤﻨﻙ ‪ ..‬ﻋﻁل ﺍﻝﺤﻜﺎﻴﺔ ﻋﻠﻰ‬
‫ﻤﻭﺍﻓﻘﺘﻙ ﺃﻨﺕ‬
‫ﺍﻷﻡ ‪ :‬ﻴﺒﻘﻰ ﺨﻼﺹ ‪ .‬ﻋﻠﻰ ﺨﻴﺭﺓ ﺼﻭﺕ ﻓﺘﺢ ﻭﻏﻠﻕ ﺍﻝﺒﺎﺏ‬
‫ﺍﷲ ‪ ,‬ﻫﻭ ﺃﻨﺎ ﻓﻰ ﺩﻴﻜﻰ ﺍﻝﺴﺎﻋﺔ ‪.‬‬
‫ﺱ ﻴﺒﻘﻰ ﺃﻤﺎل ﺤﻴﺙ ﻜﺩﻩ ‪,‬‬ ‫ﺍﻝﻌﺘﺭ ‪ :‬ﺒ ‪‬‬ ‫ﺜﻡ ﻴﻘﻑ ﻭﻴﺨﺭﺝ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺤﺼل ﺍﻝﻤﻨﻰ ‪ ,‬ﻴﻌﻨﻰ ﺭﻁﻨﺎ ﺍﻝﻜﻼﻡ ‪,‬‬ ‫ﻴﺴﺎﺭﹰﺍ ﻭﻴﺨﺭﺝ ‪ Pan Left‬ﻤﻥ ﺍﻝﺒﺎﺏ‬
‫ﻭﺭﻗﺒﺘﻰ ﻓﻰ ﺍﻝﻤﻬﺭ ﻭﻓﻰ ﺍﻝﻨﻔﻘﺔ‬ ‫ﻭﻭﺭﺍﺀﻩ ﺃﻡ ﻓﺎﻁﻤﺔ ﺘﻭﺩﻋﻪ‬
‫ﻭﺍﻝﻔﺭﺡ ‪ ,‬ﻭﻜل ﻤﺎﺒﻠﺯﻡ ‪ ..‬ﺘﻘﻌﺩﻯ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺒﺎﻝﻌﺎﻓﻴﺔ ﻤﺅﻗﺘﹰﺎ ‪.‬‬
‫ﺍﻷﻡ ‪ :‬ﺍﷲ ﻴﻌﺎﻓﻴﻙ ‪ ....‬ﻤﻊ ﺍﻝﺴﻼﻤﺔ‬
‫ﻴﺎﺨﻭﻴﺎ‬
‫ﻤﺸﻬﺩ ) ‪( 41‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺴﻼﻝﻡ ﻤﻨﺯل ﻓﺎﻁﻤﺔ‬
‫‪ 227‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻠﺴﻠﻡ ﻤﻥ ﺯﺍﻭﻴﺔ‬
‫ﺍﻝﻌﺘﺭ ‪ ) :‬ﻴﻐﻨﻰ ( ﻴﺎﻝﻴﻠﺔ ﺒﻴﻀﺔ‬
‫ﻤﻨﺨﻔﻀﺔ ‪ Low Angle‬ﻭﺍﻝﻌﺘﺭ ﻴﺨﺭﺝ‬
‫ﻴﺎﻨﻬﺎﺭ ﺴﻠﻁﺎﻨﻰ ‪ ..‬ﻫﻨﻭﻨﻰ ﻴﺎﺤﺎﺒﻴﺏ‬
‫ﻤﻥ ﺍﻝﺒﺎﺏ ﻭﻴﻨﺯل ﺍﻝﺴﻠﻡ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺼﻭﺕ ﺍﻝﺨﻁﻭﺍﺕ‬ ‫ﺍﻝﻔﺭﺡ ﺁﻫﻪ ﺠﺎﻨﻰ ‪ ...‬ﺩﻫﺩﻩ ﺩﻫﺩﻩ‬
‫ﻭﺘﺩﺨل ﻓﺎﻁﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻤﻥ ﺍﻝﻴﺴﺎﺭ‬
‫ﻴﺎﻤﻴﺕ ﻨﺭﺠﺱ ‪ ....‬ﺠﺎﻴﺔ ﻤﻨﻴﻥ‬
‫ﻭﻅﻬﺭﻫﺎ ﻝﻠﻜﺎﻤﻴﺭﺍ ﺤﺎﻤﻠﺔ ﻜﻴﺱ ﻭﺭﻕ‬
‫ﻴﺎﻏﺯﺍل ؟‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪228‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻸﺜﻨﻴﻥ ‪, M .S. 2‬‬
‫ﺍﻝﻌﺘﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺃﻋﻠﻰ ﺍﻝﺴﻠﻡ ﻭﻓﺎﻁﻤﺔ ﻓﺎﻁﻤﺔ ‪ :‬ﺒﺘﺴﺄل ﻝﻴﻪ ؟‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﺃﺴﻔل ﺍﻝﺴﻠﻡ ‪ ,‬ﺜﻡ ﺘﺤﺎﻭل ﺍﻝﻌﺘﺭ ‪ :‬ﺍﷲ ! ﻫﻭ ﺍﻝﺴﺅﺍل ﺤ‪‬ﺭﻡ ؟ ‪..‬‬
‫ﺍﻝﺼﻌﻭﺩ ﻓﻴﻤﻨﻌﻬﺎ ﺒﻭﻀﻊ ﻴﺩﻩ ﻋﻠﻰ ﻤﺴﺘﻌﺠﻠﺔ ﻋﻠﻰ ﺁﻴﻪ ‪ ..‬ﺃﺴﺘﻨﻰ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 34 of 81‬‬

‫ﺸﻭﻴﺔ ‪..‬‬ ‫ﺍﻝﺩﺭﺍﺒﺯﻴﻥ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﺃﻨﺎ ﻴﺎﺭﺏ ﻜﻨﺕ ﻋﺎﻴﺯ ﺃﻗﻭل‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M. Close up‬‬ ‫‪229‬‬
‫ﺁﻴﻪ ؟ ﺁﻩ ﺃﻨﺕ ﺼﺎﻴﻤﺔ ﻭ ﹶﻻ ﺯﻯ‬ ‫ﻝﻠﻌﺘﺭ ﻴﻨﻅﺭ ﻷﺴﻔل ﻤﻥ ﺨﻠﻑ ﻅﻬﺭ‬
‫ﻭﺍﻝﺩﺘﻙ ؟‬ ‫ﻼ‬
‫ﻓﺎﻁﻤﺔ ﻭﻴﻅﻬﺭ ﺃﻋﻠﻰ ﻤﻨﻬﺎ ﻗﻠﻴ ﹰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻭﺃﻨﺕ ﻤﺎﻝﻙ ﺒﻴﺎ ‪ ,‬ﺨﻠﻴﻨﻰ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M. Close up‬‬ ‫‪230‬‬
‫ﺃﻁﻠﻊ‬ ‫ﻝﻔﺎﻁﻤﺔ ﻤﻥ ﺨﻠﻑ ﻅﻬﺭ ﺍﻝﻌﺘﺭ ﻭﺘﺸﻴﺢ‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﺍﻨﺎ ﺨﻼﺹ ﻨﻭﻴﺕ ﺃﺒﻁل‬ ‫ﺒﻭﺠﻬﻬﺎ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﺘﻨﻅﺭ ﻷﻋﻠﻰ‬
‫ﺍﻝﺸﻘﺎﻭﺓ ‪ ..‬ﺭﻤﻀﺎﻥ ﺍﻝﺠﺎﻯ ﺒﺈﺫﻥ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﷲ ﻫﺎﻨﺼﻭﻤﻪ ﺴﻭﺍ ﻓﻰ ﺒﻴﺕ ﻭﺍﺤﺩ ‪.‬‬
‫ﺼﻭﺕ ﺯﻏﺭﻭﺩﺓ‬ ‫) ﻴﻀﺤﻙ (‬
‫‪ 231‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻸﺜﻨﻴﻥ ‪ .L. S‬ﻋﻠﻰ ﺍﻝﺴﻠﻡ‬
‫ﻫﻭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻫﻰ ﻓﻰ ﺍﻝﻤﻨﺘﺼﻑ‬
‫ﻭﻴﻅﻬﺭ ﻤﺼﺒﺎﺡ ﻓﻰ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﻓﻰ‬
‫ﺍﻝﻤﻘﺩﻤﺔ ‪ ,‬ﺜﻡ ﺘﻘﻭﻡ ﻓﺎﻁﻤﺔ ﺒﺈﺯﺍﺤﺔ ﻴﺩ‬
‫ﺼﻭﺕ ﺨﻁﻭﺍﺕ ﻓﺎﻁﻤﺔ‬
‫ﺍﻝﻌﺘﺭ ﻭﺘﺼﻌﺩ ﺍﻝﺴﻠﻡ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ‪ Pan Right‬ﻭﺘﺩﺨل‬
‫ﺒﺎﺏ ﺍﻝﺸﻘﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻠﻌﺘﺭﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪232‬‬
‫ﻤﻨﺨﻔﻀﺔ ‪ Low Angle‬ﻴﻨﺯل ﺍﻝﺴﻠﻡ‬
‫ﻴﺄﺘﻰ ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻴﻐﻠﻕ ﺍﻝﻌﺩﺴﺔ‬
‫ﺒﺠﺴﺩﻩ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 42‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻰ ﺃﻤﺎﻡ ﺍﻝﻤﻘﻬﻰ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻠﻤﻘﻬﻰ ﻭﺍﻝﺒﺎﻋﺔ ﻴﺘﺤﺭﻜﻭﻥ‬ ‫‪233‬‬
‫ﺠﻭ ﺍﻝﻤﻜﺎﻥ‬ ‫ﺼﺒﻰ ﺍﻝﻤﻘﻬﻰ ‪ :‬ﺍﻝﺠﻨﺯﺒﻴل‬
‫ﺃﻤﺎﻡ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻓﻰ ﺍﻝﻴﻤﻴﻥ ﻭﺍﻝﻴﺴﺎﺭ‬
‫ﺍﻝﻤﻁﻠﻭﺏ ‪ ..‬ﻭﺍﺤﺩ ﺸﺎﻯ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻠﺤﺎﻨﻭﺘﻰ ﺸﹸﺒﻙ ‪ :‬ﻻ ﻤﺅﺍﺨﺫﺓ ﺃﻨﺎ ﺇﺘﺄﺨﺭﺕ‬ ‫‪234‬‬
‫ﻭﺍﻝﺤﺩﺍﺩ ﺠﺎﻝﺴﺎﻥ ﺃﻤﺎﻡ ﺍﻝﻤﻘﻬﻰ ﻭﻴﺩﺨل ﺸﻭﻴﺔ ‪ .‬ﺃﺼل ﺩﻤﺎﻏﻰ ﺒﺘﻠﻑ ﻜﺩﻩ‬
‫ﺸﹸﺒﻙ ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺠﻠﺱ ﻴﻤﻴﻨﹰﺎ ﻤﺄﻋﺭﻓﺵ ﻝﻴﻪ ؟‬
‫ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﻷ ‪ .‬ﺃﻭﻋﻰ ﺘﻌﻤﻠﻬﺎ ‪...‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺃﻨﺎ ﻤﺎﻋﻨﺩﻴﺵ ﺨﺸﺒﺔ ﻋﻠﻰ ﻗﺩﻙ‬
‫)ﻴﻀﺤﻜﻭﻥ ( ‪...‬‬
‫ﺸﹸﺒﻙ ‪ :‬ﻤﺎﺒﻠﻐﻜﻭﺵ ﺤﻜﺎﻴﺔ ﻓﺎﻁﻤﺔ ‪,‬‬
‫ﺒﻨﺕ ﺍﻝﻤﻌﻠﻡ ﻋﺎﺸﻭﺭ ؟‬
‫ﺍﻝﺤﺩﺍﺩ ‪ :‬ﺁﻩ ‪ ..‬ﺤﻜﺎﻴﺔ ﺘﺯﻋل‬
‫ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﺁﻴﻪ ﻤﺎﻝﻬﺎ ‪.‬‬
‫ﺸﹸﺒﻙ ‪ :‬ﻤﺵ ﺍﻝﻌﺘﺭ ﻫﺎﻴﺘﺠﻭﺯﻫﺎ ؟‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻠﺤﺎﻨﻭﺘﻰ ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﻻ ﻴﺎﺸﻴﺦ ﺼﺤﻴﺢ ﺍﻝﻜﻼﻡ‬ ‫‪235‬‬
‫ﺩﻩ ؟ ﺃﻨﺕ ﻤﺘﺄﻜﺩ ؟‬ ‫ﻭﺍﻝﺤﺎﺩﺩ ﻤﻥ ﺨﻠﻑ ﻅﻬﺭ ﺸﹸﺒﻙ‬
‫ﺍﻝﺤﺩﺍﺩ ‪ :‬ﺃﻤﻬﺎ ﻗﺒل ﺍﻝﻔﻁﺎﺭ ﻜﺎﻨﺕ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺒﺘﺭﻥ ﺍﻝﺯﻏﺎﺭﻴﺩ ‪.‬‬
‫ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﻻ ﺤﻭل ﺍﷲ ‪ ..‬ﻴﺎﺩﻯ‬
‫ﺍﻝﻐﻠﺏ ﺇﻝﻠﻰ ﺃﻨﺕ ﻤﻭﻋﻭﺩ ﺒﻴﻪ‬
‫ﻴﺎﻤﺤﻤﺩ ‪ .‬ﻫﻭ ﺍﻝﺠﺩﻉ ﻫﺎﻴﺴﺘﺤﻤل‬
‫ﺁﻴﻪ ﻭ ﹶﻻ ﺁﻴﻪ ؟ ﻤﺵ ﺒﺯﻴﺎﺩﺓ ﻜﻭﻨﻪ‬
‫ﻴﺴﻤﻊ ﺇﻥ ﺍﻝﻌﺘﺭ ﺤﺎﻴﺴﺩ ﺩﻴﻥ ﺃﺒﻭﻩ ‪.‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 35 of 81‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻜﻤﺎ ﻓﻰ ﻝﻘﻁﺔ ) ﺸﹸﺒﻙ ‪ :‬ﻭﺩﺍﻴﺭ ﻓﻰ ﺍﻝﺤﺘﺔ ﺍﻝﻨﺩل‬ ‫‪236‬‬
‫ﺍﻝﺨﺴﻊ ‪ ,‬ﻴﻘﻭل ﻝﻜل ﻤﻥ ﻜﺎﻥ ‪ ,‬ﺍﻨﺎ‬ ‫‪( 234‬‬
‫ﺍﻝﻠﻰ ﺤﺎﻓﻙ ﺤﺠﺯﻩ ﺃﻨﺎ ﺇﻝﻠﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻫﺎﺃﻨﺘﻌﻪ ‪.‬‬
‫ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﺩﻴﻬﺩﻯ ‪ .‬ﺩﻩ ﺴﻰ ﻤﺤﻤﺩ‬
‫ﺠﺎﻯ ﺃﻫﻪ ‪ ...‬ﻴﺎﻝﻼ ﺇﺨﻔﻭﺍ ﺍﻝﺴﻴﺭﺓ‬
‫ﺩﻯ‬
‫ﺸﹸﺒﻙ ‪ :‬ﻤﺎﻫﻭ ﻤﺴﻴﺭﻩ ﺤﺎﻴﺩﺭﻯ ‪.‬‬
‫ﺍﻝﺤﺩﺍﺩ ‪ :‬ﻭﺍﻝﺴﻼﻡ ‪ ...‬ﻤﺎﺘﺠﻴﺵ ﻤﻨﺎ‬
‫ﺇﺤﻨﺎ ‪.‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻤﺤﻤﺩ ﻴﺄﺘﻰ ﻤﻥ‬ ‫‪237‬‬
‫ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺤﺭﻙ ﻴﺴﺎﺭﹰﺍ ﻭﺘﺘﺎﺒﻌﻪ‬
‫ﻤﺤﻤﺩ ‪ :‬ﺴﻼﻤﻭﺍ ﻋﻠﻴﻜﻭﺍ ‪.‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ‪ Pan Left‬ﺤﺘﻰ ﻴﺼل ﺍﻝﻰ‬
‫ﺍﻝﺜﻼﺜﺔ ‪ :‬ﻭﻋﻠﻴﻜﻡ ﺍﻝﺴﻼﻡ‬
‫ﺍﻝﺜﻼﺜﺔ ﻭﻴﺠﺫﺏ ﻤﻘﻌﺩ ﻭﻴﺠﻠﺱ ﺒﺠﻭﺍﺭ‬
‫ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﺇﺘﻔﻀل ‪ ...‬ﺁﻴﻪ ﻴﺎﺃﺨﻭﻴﺎ‬
‫ﺍﻝﺤﺎﻨﻭﺘﻰ ﻭﺸﹸﺒﻙ ﻴﻤﻴﻨﹰﺎ ﻭﺘﻨﺯل ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺃﻨﺕ ﻓﻴﻥ ! ﻤﺎﺤﺩﺵ ﺸﺎﻓﻙ ﺍﻝﻨﻬﺎﺭﺩﺓ‬
‫ﻷﺴﻔل ‪Tilt Down‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻤﺤﻤﺩ ﻴﻨﻅﺭ ﻤﺤﻤﺩ ‪ :‬ﻤﻥ ﺼﺒﺎﺤﻴﺔ ﺭﺒﻨﺎ ﻝﺩﻝﻭﻗﺕ‬ ‫‪238‬‬
‫ﺩﺍﻴﺭ ﺃﻝﻑ ﻋﻠﻰ ﻜﻌﺎﺒﻰ ‪ ,‬ﻭﺤﺘﻰ ﻝﻘﻤﺔ‬ ‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺍﻝﻔﻁﺎﺭ ﻜﻠﺘﻬﺎ ﺒﺭﺓ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻠﺤﺎﻨﻭﺘﻰ ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﺍﻝﺤﺎل ﻤﻥ ﺒﻌﻀﻪ ﻴﺎﺴﻰ‬ ‫‪239‬‬
‫ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﺤﻤﺩ ‪ ,‬ﺍﻷﻴﺎﻡ ﻓﻴﻬﺎ ﻜﺩﻩ ﻭﻓﻴﻬﺎ‬
‫ﻜﺩﻩ ‪ ,‬ﺍﻝﻭﺍﺤﺩ ﺒﻴﻌﺩﻯ ﻋﻠﻴﻪ ﺸﻬﺭ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﺇﺘﻨﻴﻥ ﻝﺤﺩ ﻤﺎﻴﻁﺏ ﻝﻪ ﺯﺒﻭﻥ ‪.‬‬
‫ﺃﺼل ﺍﻝﺤﻜﻤﺎ ﺨﺴﺭﻭﺍ ﻋﻠﻴﻨﺎ ﺍﻝﺸﻐل ‪,‬‬
‫ﻭﺍﻝﻁﺏ ﻜل ﻤﺎﺩﺍ ﺒﻴﺘﻘﺩﻡ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻸﺭﺒﻌﺔ‬ ‫‪240‬‬
‫ﺍﻝﺤﺎﻨﻭﺘﻰ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺍﻝﺤﺩﺍﺩ‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺸﹸﺒﻙ ﻅﻬﺭﻩ ﻝﻠﻜﺎﻤﻴﺭﺍ ‪,‬‬
‫ﻴﻨﻅﺭ ﺍﻝﺤﺎﻨﻭﺘﻰ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﻴﻐﻤﺯ‬
‫ﺒﻌﻴﻨﻴﻪ ﻝﻠﺤﺩﺍﺩ ﺍﻝﺠﺎﻝﺱ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﺍﻝﺫﻯ‬
‫ﻴﺘﺠﻪ ﺒﻨﻅﺭﻩ ﻨﺎﺤﻴﺔ ﺍﻝﻴﻤﻴﻥ ﻤﺎﻋﺩﺍ ﻤﺤﻤﺩ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L .S‬ﻝﻠﻌﺘﺭ ﻭﻭﺭﺍﺀﻩ‬ ‫‪241‬‬
‫ﺭﺠل ‪ :‬ﻤﺒﺭﻭﻙ ﻴﺎﻤﻌﻠﻡ ﻋﺘﺭ ‪ ..‬ﺭﺒﻨﺎ‬
‫ﻤﺠﻤﻭﻋﺔ ﻤﻥ ﺍﻝﺭﺠﺎل ﻭﻴﺘﺤﺭﻜﻭﻥ ﺍﻝﻰ‬
‫ﻴﻨﻌﻡ ﺒﺎﻝﺨﻴﺭ ‪.‬ﺍﻝﻌﺘﺭ ‪ :‬ﻴﺒﺎﺭﻙ ﻓﻴﻙ ‪..‬‬
‫ﺩﺍﺨل ﺍﻝﻤﻘﻬﻰ ﻭﺘﺘﺎﺒﻌﻬﻡ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ‬
‫ﻋﻘﺒﺎل ﻋﻨﺩﻙ ‪ .‬ﺘﻌﺎل ﻴﺎﺭﺯﻕ ﺃﻗﻌﺩ‬
‫‪ . Pan Left‬ﺜﻡ ﻴﺩﺨل ﻤﻥ ﺍﻝﻌﻤﻕ‬
‫ﻴﺎﻋﺸﻤﺎﻭﻯ ‪ ...‬ﺨﺸﺎﻑ ﻝﻠﺠﺩﻋﺎﻥ‬
‫ﻭﻓﻰ ﺍﻝﻤﻘﺩﻤﺔ ﻤﺤﻤﺩ ﻭﺃﺼﺩﻗﺎﺌﻪ‬
‫ﻴﺎﻭﺍﺩ ‪ .‬ﻭﺃﻨﺎ ﻫﺎﺘﻠﻰ ﺍﻝﺴﺎﺩﺓ ‪ ..‬ﺍﺴﻌﺩ‬
‫ﺠﺎﻝﺴﻴﻥ ‪ ,‬ﻴﻌﺒﺭ ﺍﻝﻌﺘﺭ ﻤﺎﺌﺩﺘﻬﻡ ﻭﺘﺘﺎﺒﻌﻪ‬
‫ﺍﷲ ﺍﻝﺘﻤﺎﺴﻰ ﻴﺎﻤﺤﻤﺩ ﺒﻴﻪ ‪ ,‬ﻜل‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻥ‪ Pan Right‬ﻜﺎﺩﺭ ﺤﺘﻰ‬
‫ﺭﻤﻀﺎﻥ ﻭﺃﻨﺕ ﺒﺎﻝﻬﻡ ﻴﺎﺤﺎﻨﻭﺘﻰ‬
‫ﻴﺠﻠﺱ ﺃﻤﺎﻡ ﻤﺎﺌﺩﺓ‬
‫ﺍﻝﻔﻘﺭ ‪).‬ﻴﻀﺤﻙ (‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻤﺤﻤﺩ ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﺍﻝﺴﻨﺔ ﺍﻝﺠﺎﻴﺔ ﻨﻔﺭﻕ‬ ‫‪242‬‬
‫ﻭﺍﻝﺜﻼﺜﺔ ‪ ,‬ﻴﻨﻅﺭ ﺍﻝﺤﺎﻨﻭﺘﻰ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻋﻠﻰ ﺭﻭﺤﻙ ﻜﻭﺍﺭﻉ ) ﻴﻀﺤﻙ‬
‫ﺍﻝﺠﻤﻴﻊ (‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻠﻌﺘﺭ ﻓﻰ‬ ‫‪243‬‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﺇﻻ ﻴﺎﺴﻰ ﻤﺤﻤﺩ ﻴﺎﺤﻨﻔﻰ‬
‫ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻭﺨﻠﻔﻪ ﻴﺠﻠﺱ ﺍﻝﺭﺠﺎل‬
‫ﻁﺎﻝﻌﺔ ﻭﻴﺎﻙ ﺁﻴﻪ ‪ ..‬ﻤﺎﺘﻌﺒﺭﺵ‬
‫ﻭﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺍﻝﻨﺎﺱ ﻭﺘﻴﺠﻰ ﺘﺒﺎﺭﻙ ﻝﻬﻡ ؟‬
‫ﻗﻁﻊ ‪Cut‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 36 of 81‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻤﻥ ﻤﺤﻤﺩ ‪ :‬ﺁﻴﻪ ! ﺨﻴﺭ ‪ ..‬ﻤﺎﺒﻠﻐﻨﻴﺵ‬ ‫‪244‬‬

‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪ High Angle‬ﺍﻝﺫﻯ ﺤﺎﺠﺔ‬
‫ﻴﻠﺘﻔﺕ ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ ﺍﻝﻌﺘﺭ ‪ :‬ﺇﺯﺍﻯ ! ﻤﺎﻗﺎﻝﻭﻝﻜﺵ ﺇﻨﻰ‬
‫ﻜﺎﺩﺭ ﻭﺍﻝﺤﺩﺍﺩ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﻴﻅﻬﺭ ﺤﺎﺘﺠﻭﺯ ﻓﺎﻁﻤﺔ ﺒﻨﺕ ﺍﻝﻤﻌﻠﻡ‬
‫ﻋﺎﺸﻭﺭ !‪ ..‬ﻭﺇﻨﺕ ﻜﺩﻩ ﻤﺵ ﺤﺎﺘﺸﺩ‬ ‫ﺍﻝﻐﻀﺏ ﻋﻠﻰ ﻭﺠﻪ ﻤﺤﻤﺩ‬
‫ﺤﻴﻠﻙ ﻜﺩﻩ !‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﻭﺘﺸﻭﻑ ﻝﻙ ﺸﻐﻼﻨﺔ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻠﻌﺘﺭ‬ ‫‪245‬‬
‫ﻭﺘﺨﻠﻴﻨﺎ ﻨﺠﻭﺯﻙ ﻭﻨﻔﺭﺡ ﺒﻴﻙ ‪ ..‬ﻭ ﹶﻻ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺤﺘﻔﻀل ﻜﺩﻩ ﺴﺎﻴﻘﻬﺎ ﻋﻠﻴﻭﻯ ﻭﺘﻘﻌﺩ‬
‫ﻋﻭﺍﻁﻠﻰ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻜﻤﺎ ﻓﻰ ﻤﺤﻤﺩ ‪ :‬ﻋﻭﺍﻁﻠﻰ ! ‪ ..‬ﻷ ﺼﻠﺢ‬ ‫‪246‬‬
‫ﻝﻘﻁﺔ )‪ ( 244‬ﻴﺤﺎﻭل ﺍﻝﻭﻗﻭﻑ ﻭﻴﻤﻨﻌﻪ ﻜﻼﻤﻙ ‪.‬‬
‫ﺱ ﺒﺄﻨﺼﺤﻙ‬ ‫ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ ,‬ﺜﻡ ﻴﻠﺘﻔﺕ ﻤﺤﻤﺩ ﻨﺎﺤﻴﺔ ﺼﻭﺕ ﺍﻝﻌﺘﺭ ‪ :‬ﺃﻨﺎ ﺒ ‪‬‬
‫ﻋﻠﺸﺎﻥ ﺨﺎﻁﺭ ﺃﺒﻭﻙ ﺍﻝﻐﻠﺒﺎﻥ ‪ ,‬ﺍﻝﻠﻰ‬ ‫ﺍﻝﻤﺎﺌﺩﺓ ﻭﻴﺄﺨﺫ ﻜﻭﺏ ﻤﺎﺀ‬
‫ﺃﻨﺕ ﻤﺩﻭ‪‬ﺨﻪ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L .S‬ﻝﻠﺤﺎﻨﻭﺘﻰ ﻤﻥ‬ ‫‪247‬‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﻜﺩﻩ !‪ ..‬ﺩﻩ ﺃﻨﺎ ﻫﺎﺃﺨﺩ‬
‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‪ High Angle‬ﻭﻤﺤﻤﺩ‬
‫ﻋﻤﺭﻙ‬
‫ﻴﻘﺫﻑ ﺍﻝﻜﻭﺏ ﻨﺎﺤﻴﺔ ﺍﻝﻌﺘﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪,‬‬
‫ﺼﻭﺕ ﺭﺠل ‪ :‬ﻋﻴﺏ ﻴﺎﺨﻭﺍﻨﺎ ﻤﺵ‬
‫ﻓﻴﻘﻑ ﺍﻝﻌﺘﺭ ﻭﻴﻤﺴﻙ ﻤﻼﺒﺱ ﻤﺤﻤﺩ‬
‫ﻜﺩﻩ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻠﻌﺘﺭ ﻓﻰ‬ ‫‪248‬‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﻤﺤﻤﺩ ﺍﻝﻌﺘﺭ ‪ :‬ﻤﺎﺒﻘﺎﺵ ﻜﻤﺎﻥ ﻏﻴﺭ ﺍﻝﻭﺍﺩ‬
‫ﺍﻝﻬﻠﻔﻭﺕ ﺍﻝﺼﺎﻴﻊ ﺩﻩ ؟‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻤﺤﻤﺩ ﻤﻥ‬ ‫‪249‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺃﺨﺭﺱ ﻗﻁﻊ ﻝﺴﺎﻨﻙ‬ ‫ﻭﺠﻬﺔ ﻨﻅﺭ ﺍﻝﻌﺘﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻠﻌﺘﺭ ﻭﻴﻅﻬﺭ‬ ‫‪250‬‬
‫ﺭﺠل ‪ :‬ﺁﻴﻪ ﺤﺘﺔ ﺍﻝﻭﺍﺩ ﺍﻷﻓﻨﺩﻯ ﺩﻩ‬
‫ﺍﻝﺭﺠﺎل ﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ‬
‫؟‪ ..‬ﺴﻴﺒﻭﻨﻰ ﻋﻠﻴﻪ ﻭﺃﻨﺎ ﺃﻓﺼﺼﻪ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ M. Close up‬ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﺩﻩ ﻀﻔﺭﻩ ﺒﺭﻗﺒﺘﻙ ‪..‬‬ ‫‪251‬‬
‫ﻝﻤﺤﻤﺩ ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺍﻝﻌﺘﺭ ﻭﺒﺠﻭﺍﺭﻩ ﻭﺍﻨﺕ ﻤﺘﻔﺭﻋﻥ ﻋﻠﻰ ﺁﻴﻪ ؟‬
‫ﻴﺎﻤﺎﻏﻴﺭﻙ ﻜﺎﻥ ﺃﺠﻌﺹ ﻤﻨﻙ ‪...‬‬ ‫ﻴﻘﻑ ﺍﻝﺤﺎﻨﻭﺘﻰ‬
‫ﺒﻜﺭﺓ ﻴﻴﺠﻰ ﺩﻭﺭﻙ ﻭﺃﺸﻴﻠﻙ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻠﻌﺘﺭ ﻤﻥ ﺍﻝﻌﺘﺭ ‪ :‬ﻴﺒﻘﻰ ﺍﺒﻭﻙ ﻴﻴﺠﻰ ﻴﻌﻴﻁ‬ ‫‪252‬‬
‫ﻝﻰ ‪ ,‬ﻭﻴﺒﻭﺱ ﺇﺩﻴﻪ ﻭﻴﺘﺭﺠﺎﻨﻰ ﺃﺩﻓﻊ‬ ‫ﻭﺠﻬﺔ ﻨﻅﺭ ﻤﺤﻤﺩ‬
‫ﻝﻪ ﻓﻠﻭﺱ ﺍﻝﺤﺠﺯ ‪ ,‬؟‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ M. Close up‬ﺼﻭﺕ ﺍﻝﻌﺘﺭ ‪ :‬ﻭﺃﻨﺕ ﺘﺭﺸﻨﻰ‬ ‫‪253‬‬
‫ﺒﺎﻝﻤﻴﻪ ‪ ..‬ﻁﺏ ﺘﻼﺘﺔ ﺒﺎﷲ ﺍﻝﻌﻅﻴﻡ‬ ‫ﻝﻤﺤﻤﺩ ﻤﻨﺩﻫﺵ‬
‫ﻤﺄﻨﻰ ﺩﺍﻓﻊ ‪..‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪. M .L. S‬‬ ‫‪254‬‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﺸﻭﻑ ﺒﻘﻰ ﻤﻴﻥ ﺍﻝﻠﻰ‬
‫ﻝﻠﺠﻤﻴﻊ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪High‬‬
‫ﺤﻴﺩﻓﻊ ﻝﻪ ‪.‬‬
‫‪ Angle‬ﻤﺤﻤﺩ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺍﻝﻌﺘﺭ‬
‫ﺤﻨﻔﻰ ‪ :‬ﺍﷲ ﺍﻝﻐﻨﻰ ‪ ..‬ﺤﺴﺒﻰ ﺍﷲ‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﻴﺩﺨل ﺍﻷﺴﻁﻰ ﺤﻨﻔﻰ‬
‫ﻭﻨﻌﻡ ﺍﻝﻭﻜﻴل ‪ .‬ﻤﻌﻭﻥ ﺍﻝﻤﺵ‬
‫ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺠﺫﺏ ﻤﺤﻤﺩ ﻤﻥ ﻴﺩﻩ‬
‫ﻤﺎﻴﻨﻀﺢ ﻋﺴل ‪ ..‬ﺘﻌﺎل ﻴﺎﺃﺒﻨﻰ‬
‫ﺘﻌﺎل ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻤﺤﻤﺩ ﻭﺤﻨﻔﻰ ﻓﻰ‬ ‫‪255‬‬
‫ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺤﺭﻜﺎ ﻓﻰ ﺍﺘﺠﺎﻩ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 37 of 81‬‬

‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ﺘﺘﺭﺍﺠﻊ ﻝﻠﺨﻠﻑ‬

‫‪ Track out‬ﻭﻴﺼﺒﺤﺎ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ‬
‫ﻤﺤﻤﺩ ‪ :‬ﺴﺎﻤﺤﻨﻰ ﻴﺎﻭﺍﻝﺩﻯ ‪ .‬ﺃﻨﺎ‬
‫ﻤﺘﻭﺴﻁﺔ ‪ , .M. S‬ﺜﻡ ﻴﺨﺭﺝ ﻤﺤﻤﺩ‬
‫ﻤﺎﻜﻨﺘﺵ ﻓﺎﻫﻡ ﺤﺎﺠﺔ ﺃﺒﺩﹰﺍ ﻋﻥ‬
‫ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻅل ﺤﻨﻔﻰ ﻴﻨﻅﺭ‬
‫ﻓﻠﻭﺱ ﺍﻝﺤﺠﺯ ﺩﻯ ‪.‬‬
‫ﻝﻸﺭﺽ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 43‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺠﻰ ﺃﻤﺎﻡ ﻤﻨﺯﻝﻰ ﻤﺤﻤﺩ‬
‫ﻭﻓﺎﻁﻤﺔ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻠﺤﺎﺭﺓ ﻭﺘﺘﺤﺭﻙ‬ ‫‪256‬‬
‫ﻤﺠﻤﻭﻋﺔ ﻤﻥ ﺍﻝﻤﺼﻠﻴﻥ ﺤﺎﻤﻠﻴﻥ ﺃﻋﻼﻡ‬
‫ﻭﻴﺨﺭﺠﻭﻥ ﻤﻥ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﻴﻅﻬﺭ‬
‫ﻤﺤﻤﺩ ﺼﺎﻋﺩﹰﺍ ﺍﻝﺴﻼﻝﻡ ﺃﻤﺎﻡ ﻤﻨﺯﻝﻪ ﻓﺎﻁﻤﺔ ‪ :‬ﻤﺤﻤﺩ ﻤﺤﻤﺩ ‪...‬‬
‫ﺼﻭﺕ ﺍﻝﻁﺒل‬
‫ﻭﺘﻅﻬﺭ ﻓﺎﻁﻤﺔ ﻓﻰ ﺍﻝﺸﺭﻓﺔ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﺤﺼﻠﻨﻰ ‪.‬‬
‫ﻭﻴﻘﻑ ﻤﺤﻤﺩ ﻭﻴﻨﻅﺭ ﻷﻋﻠﻰ ﻨﺎﺤﻴﺔ‬
‫ﻓﺎﻁﻤﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻔﺎﻁﻤﺔ ﻤﻥ‬ ‫‪257‬‬
‫ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪ Low Angle‬ﻓﻰ‬
‫ﺼﻭﺕ ﺍﻝﻁﺒﻭل ﻴﻌﻠﻭ‬ ‫ﻓﺎﻁﻤﺔ ‪ :‬ﺃﻨﺎ ﻤﺴﺘﻨﻴﺎﻙ ﻓﻰ ﺍﻝﺴﻁﻭﺡ‬
‫ﺍﻝﺸﺭﻓﺔ‪ ,‬ﺜﻡ ﺘﺩﺨل ﺍﻝﻰ ﺍﻝﻐﺭﻓﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 44‬‬
‫ﻝﻴﻠﻲ ‪ /‬ﺩﺨﻠﻰ ﺍﻝﻐﺭﻓﺔ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻠﻐﺭﻓﺔ ﻭﺘﺩﺨل‬ ‫‪258‬‬
‫ﻓﺎﻁﻤﺔ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺼﻭﺕ ﺍﻝﻁﺒل ﻴﻨﺨﻔﺽ‬ ‫‪ Pan Right‬ﻭﺘﺭﺘﺩﻯ ﺍﻝﻤﻼﺀﺓ ﻭﺘﻔﺘﺢ‬
‫ﺍﻝﺒﺎﺏ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 259‬ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻤﻘﺒﺽ ﺍﻝﺒﺎﺏ‬
‫ﻭﺒﻪ ﺍﻝﻤﻔﺘﺎﺡ ﻭﻴﺘﺤﺭﻙ ﺍﻝﻤﻘﺒﺽ ﻭ‬
‫ﺼﻭﺕ ﻤﻘﺒﺽ ﺍﻝﺒﺎﺏ‬
‫ﻻﺘﺴﺘﻁﻴﻊ ﺃﻥ ﺘﻔﺘﺤﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L .S‬ﻝﻔﺎﻁﻤﺔ ﺘﺘﺤﺭﻙ‬ ‫‪260‬‬
‫ﻴﺴﺎﺭﹰﺍ ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ‪Pan left‬‬
‫ﻭﺘﻔﺘﺢ ﺒﺎﺏ ﻏﺭﻓﺔ ﺃﺨﺭﻯ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 45‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﻨﻭﻡ ﺍﻷﻡ‬
‫‪ 261‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L .S‬ﻝﻐﺭﻓﺔ ﺍﻷﻡ ﻭﻫﻰ‬
‫ﻨﺎﺌﻤﺔ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺘﻨﻅﺭ ﻝﻬﺎ ﻓﺎﻁﻤﺔ ﺜﻡ‬
‫ﺘﺘﺤﺭﻙ ﺒﺤﺫﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻬﺎ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ‪ Pan Left‬ﻭﺘﺨﺭﺝ ﻤﻥ ﺍﻝﺒﺎﺏ‬
‫ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 46‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﺼﺎﻝﺔ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫‪262‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻤﻥ ﻴﻤﻴﻥ ﻭﺘﺘﺤﺭﻙ‬
‫) ‪( 13‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ‪ Pan Left‬ﻝﺘﺘﺎﺒﻊ ﻓﺎﻁﻤﺔ ﻓﻰ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 38 of 81‬‬

‫ﺍﻝﺼﺎﻝﺔ ‪ ,‬ﺜﻡ ﺘﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬

‫ﻭﺘﺨﺭﺝ ﻤﻥ ﺍﻝﺒﺎﺏ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 47‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺴﻼﻝﻡ ﻤﻨﺯل ﻓﺎﻁﻤﺔ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻔﺎﻁﻤﺔ ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪263‬‬
‫ﻤﻨﺨﻔﻀﺔ ﻭﻫﻰ ﺃﻤﺎﻡ ﺒﺎﺏ ﺍﻝﺸﻘﺔ ﺘﻐﻠﻕ‬
‫ﺍﻝﺒﺎﺏ ﻭﺘﺭﺘﺩﻯ ﺍﻝﺤﺫﺍﺀ ﻭﺘﻐﻁﻰ ﺸﻌﺭﻫﺎ‬
‫ﺒﺎﻝﻤﻼﺀﺓ ‪ ,‬ﺜﻡ ﺘﺘﺤﺭﻙ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻭﺘﺼﻌﺩ ﺍﻝﺴﻠﻡ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 48‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﺴﻁﺢ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪High‬‬ ‫‪264‬‬
‫‪ Angle‬ﻝﻠﺴﻁﻭﺡ ﺘﺼﻌﺩ ﻓﺎﻁﻤﺔ ﺍﻝﺴﻠﻡ‬
‫ﻤﻥ ﺍﻝﻴﻤﻴﻥ ﻭﺘﺘﺤﺭﻙ ﻴﺴﺎﺭﹰﺍ ‪ .‬ﺜﻡ ﺘﻘﻑ‬
‫ﻭﺘﻨﻅﺭ ﻴﺴﺎﺭﹰﺍ ‪ .‬ﺜﻡ ﻴﺩﺨل ﻤﺤﻤﺩ ﻭﺘﺘﺎﺒﻌﻪ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Pan left‬ﻴﺴﺎﺭﹰﺍ ﻭﻴﺘﻘﺎﺒﻼ‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﻭﻴﺤﻀﻨﺎ ﺒﻌﻌﺹ ﻭﻴﻘﺒﻠﻬﺎ‬
‫) ‪( 13‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻭﻓﺎﻁﻤﺔ ﻓﺎﻁﻤﺔ ‪ :‬ﻋﻤﻠﺕ ﺁﻴﻪ ﻴﺎﻤﺤﻤﺩ ‪.‬‬ ‫‪265‬‬
‫ﻁﻤﻨﻰ !‬ ‫ﻴﻘﺒﻼ ﺒﻌﺽ ﺜﻡ ﻴﻨﻅﺭﺍ ﻝﺒﻌﺽ‬
‫ﻤﺤﻤﺩ ‪ :‬ﻭﻻ ﺤﺎﺠﺔ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺇﺯﺍﻯ ! ﻭﺒﻌﺩﻴﻥ ﺩﻩ ﺍﻝﻌﺘﺭ‬
‫ﺨﻁﺒﻨﻰ ﻴﺎﻤﺤﻤﺩ ؟‬
‫ﻤﺤﻤﺩ ‪ :‬ﻤﺵ ﻋﺎﺭﻑ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻭﺁﻴﻪ ﺍﻝﻌﻤل ؟‬
‫ﻤﺤﻤﺩ ‪ :‬ﺩﻩ ﺍﻝﻠﻰ ﺒﺄﻓﻜﺭ ﻓﻴﻪ ‪ .‬ﺘﻌﺎﻝﻰ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‬ ‫‪266‬‬
‫‪ High Angle‬ﻝﻸﺜﻨﻴﻥ ﻴﺘﺤﺭﻜﺎ ﻴﻤﻴﻥ‬
‫ﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻬﻤﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Pan Right‬‬
‫‪ ,‬ﺜﻡ ﻴﺠﻠﺴﺎ ﻋﻠﻰ ﺃﺭﻴﻜﺔ ﺨﺸﺒﻴﺔ ﻓﻰ‬
‫ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻴﻤﻴﻨﹰﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M. S. 2‬ﻝﻸﺜﻨﻴﻥ ﻓﺎﻁﻤﺔ ﻓﺎﻁﻤﺔ ‪ :‬ﻤﺤﻤﺩ ‪.‬‬ ‫‪267‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻤﺤﻤﺩ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ ,‬ﻤﺤﻤﺩ ‪ :‬ﻨﻌﻡ‬
‫ﻭﺘﻤﺴﻙ ﻓﺎﻁﻤﺔ ﺭﺍﺒﻁﺔ ﻋﻨﻕ ﻤﺤﻤﺩ ﻓﺎﻁﻤﺔ ‪ :‬ﻝﻴﻪ ﻤﺎﺒﺘﺩﻭ‪‬ﺭﺵ ﻋﻠﻰ‬
‫ﻭﻅﻴﻔﺔ ؟ ﻜل ﺍﻝﻠﻰ ﻤﻌﺎﻫﻡ ﺸﻬﺎﺩﺍﺕ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺒﻴﻌﻤﻠﻭﺍ ﻜﺩﻩ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺘﻤﺎﻡ ﻭﺃﻨﺎ ﺭﺍﺨﺭ ﻫﺎﺃﻋﻤل‬
‫ﻜﺩﻩ‬
‫ﻤﺤﻤﺩ ‪ :‬ﺃﻨﻤﺎ ﺘﻔﺘﻜﺭ ﺘﻼﻗﻰ ﻭﻅﻴﻔﺔ‬
‫ﻴﺎﻤﺤﻤﺩ ؟‬
‫ﻤﺤﻤﺩ ‪ :‬ﺍﻻﻗﻰ ﻤﺎﺃﻻﻗﻴﺵ ﻝﻴﻪ ﻫﻭ ﺃﻨﺎ‬
‫ﻤﺵ ﺯﻴﻬﻡ‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻭﺠﻪ ﻓﺎﻁﻤﺔ‬ ‫‪268‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻝﻭ ﺘﻌﺭﻑ ﻴﺎﻤﺤﻤﺩ ﺁﻴﻪ ﺍﻝﻠﻰ‬
‫ﺘﻌﺘﺩل ﻭﺘﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻋﻤﻠﺘﻪ ﻓﻰ ﺃﻤﻰ ﺍﻝﻨﻬﺎﺭﺩﺓ ؟‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M. Close up‬‬ ‫‪269‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 39 of 81‬‬

‫ﻝﻤﺤﻤﺩ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻓﻰ ﻤﻭﺍﺠﻬﺔ‬

‫ﻤﺤﻤﺩ ‪ :‬ﻤﻌﻠﺵ ﺇﺘﺤﻤﻠﻰ ‪ ..‬ﻤﺵ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻫﺎﺘﺘﺠﻭﺯﻴﻪ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻸﺜﻨﻴﻥ‪ M. S. 2‬ﻜﻤﺎ ﻓﺎﻁﻤﺔ ‪ :‬ﺇﻨﺠﺩﻨﻰ ﻴﺎﻤﺤﻤﺩ ‪ ..‬ﺃﻨﺎ‬ ‫‪270‬‬
‫ﻗﺎﻋﺩﺓ ﻁﻭل ﺍﻝﻨﻬﺎﺭ ‪ ,‬ﺯﻯ ﺍﻝﻠﻰ‬ ‫ﻓﻰ ﻝﻘﻁﺔ‬
‫) ‪ , ( 267‬ﺜﻡ ﺘﺸﻴﺢ ﺒﻭﺠﻬﻬﺎ ﻴﻤﻴﻨﹰﺎ ﻜﺎﺒﻭﺱ ﺨﺎﻨﻘﻨﻰ‬
‫ﻭﻴﻨﻅﺭ ﻤﺤﻤﺩ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﺜﻡ ﻴﺸﻴﺭ ﺒﻴﺩﻩ ﻤﺤﻤﺩ ‪ :‬ﺸﻔﺕ ﺍﻷﺭﻨﺏ ﺍﻝﻠﻰ ﻓﺎﺕ‬
‫ﻫﻨﺎﻙ ﺩﻩ ؟‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻷﺭﻨﺏ ﻴﺠﺭﻯ‬ ‫‪271‬‬
‫ﻴﺴﺎﺭﹰﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻸﺜﻨﻴﻥ‪ M. S. 2‬ﻜﻤﺎ‬ ‫‪272‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻓﻜﺭﺘﻨﻰ ﻴﺎﻤﺤﻤﺩ ‪ ..‬ﺃﺭﻨﺒﺘﻰ‬
‫ﻓﻰ ﻝﻘﻁﺔ‬
‫ﻭﻝﺩﺕ ﺇﻤﺒﺎﺭﺡ ‪ ,‬ﻭﻤﻥ ﺯﻋﻠﻰ‬
‫) ‪ ( 269‬ﺜﻡ ﻴﻘﻔﺎ ﻭﻴﺨﺭﺠﺎ ﻤﻥ ﻴﺴﺎﺭ‬
‫ﺍﻝﻨﻬﺎﺭﺩﺓ ﻤﻁﻠﻴﺘﺵ ﻋﻠﻴﻬﺎ ﺘﻌﺎل‬
‫ﺍﻝﻜﺎﺩﺭ‬
‫ﻨﺸﻭﻓﻬﺎ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪.M. L. S‬‬ ‫‪273‬‬
‫ﻝﻸﺜﻨﻴﻥ ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺘﻨﺤﻨﻰ ﻓﺎﻁﻤﺔ ﻓﺎﻁﻤﺔ ‪ :‬ﺘﻌﺎﻝﻰ ﻴﺎﻤﺴﻜﺴﻨﺔ ‪ ..‬ﺃﻨﺕ‬
‫ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﺴﻔل ‪ Tilt Down‬ﺯﻋﻼﻨﺔ ﻤﻨﻰ ﺍﻝﺘﻬﺎﺭﺩﺓ ؟ ‪ ..‬ﺃﻨﺎ‬
‫ﻤﺎﻜﻨﺘﺵ ﻓﺎﻀﻴﺔ ‪.‬‬ ‫‪ .‬ﻭﺘﻤﺴﻙ ﺒﺎﻷﺭﻨﺏ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻷﺜﻨﻴﻥ‪ M. S. 2‬ﻤﺤﻤﺩ ﻓﺎﻁﻤﺔ ‪ :‬ﺒﻭﺴﻬﺎ ﻴﺎﻤﺤﻤﺩ ‪ ..‬ﺨﻠﻴﻬﺎ‬ ‫‪274‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻓﺎﻁﻤﺔ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﺘﻤﺴﻙ ﺘﺼﺎﻝﺤﻨﻰ ‪ .‬ﻋﺎﺭﻓﺔ ﻤﻴﻥ ﺍﻝﻠﻰ ﺒﺎﺴﻙ‬
‫ﺒﺎﻷﺭﻨﺏ ﻭﺘﻭﺠﻬﻪ ﻨﺎﺤﻴﺘﺔ ﻤﺤﻤﺩ ﻭﻴﻘﺒل ﻴﺎﻋﺯﻴﺯﺓ ؟ ﺩﻩ ﻤﺤﻤﺩ ‪ ..‬ﻗﻭﻝﻴﻠﻰ‬
‫ﺍﻷﺭﻨﺏ ﻭﺘﻁﻠﻘﻬﺎ ﻤﻥ ﻴﺩﻫﺎ ‪ ,‬ﺜﻡ ﻴﻨﻅﺭﺍ ﻤﺵ ﺤﻠﻭ ﻴﺎﻋﺯﻴﺯﺓ ؟ ‪ ...‬ﺒﺘﻘﻭﻝﻰ‬
‫ﺁﻴﻪ ‪ ..‬ﺁﻩ ﻴﺎﻋﻔﺭﻴﺘﺔ ‪..‬‬ ‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻷﺴﻔل‬
‫ﻤﺤﻤﺩ ‪ :‬ﻗﺎﻝﺕ ﺁﻴﻪ ﻴﺎﻓﺎﻁﻤﺔ ؟‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺩﻩ ﻜﻼﻡ ﺴﺭ ‪ ..‬ﺨﺸﻰ‬
‫ﺨﺸﻰ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺸﻭﻓﻰ ﻫﺎﺩﻴﻴﻥ ﺇﺯﺍﻯ ؟‬

‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻸﺭﺍﻨﺏ ﻭﻫﻰ‬ ‫‪275‬‬

‫ﺼﻭﺕ ﻤﺤﻤﺩ ‪ :‬ﻻ ﺘﻔﻜﻴﺭ ﻭﻻ ﻗﻠﺒﺔ‬
‫ﺘﺄﻜل‬
‫ﺩﻤﺎﻍ ‪ .‬ﻭﻻ ﻭﻅﺎﻴﻑ ﻴﺎﻓﺎﻁﻤﺔ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻜﻤﺎ ﻓﻰ ﻝﻘﻁﺔ ) ﻤﺤﻤﺩ ‪ :‬ﻤﻴﻥ ﺃﺴﻌﺩ ﻤﻥ ﺩﻭل ؟‬ ‫‪276‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻴﺎﻤﺎ ﻨﻔﺴﻰ ﻴﺎﻤﺤﻤﺩ ﻨﺘﻠﻡ‬ ‫‪( 274‬‬
‫ﻜﺩﻩ ﻓﻰ ﻋﺵ ﻅﺭﻴﻑ ﺒﻌﻴﺩ ﻋﻥ ﺃﺫﻴﺔ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻨﺎﺱ ‪ ,‬ﻻ ﻨﺤﻤل ﻫﻡ ﻭﻻ ﻨﻔﻜﺭ ﻓﻰ‬
‫ﺤﺩ ‪ ,‬ﻨﻌﻴﺵ ﺍﻝﻌﻤﺭ ‪ ,‬ﻗﻠﺒﻨﺎ ﻋﻠﻰ‬
‫ﺒﻌﺽ ‪,‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻔﺎﻁﻤﺔ ﺘﻨﻅﺭ ﻓﺎﻁﻤﺔ ‪ :‬ﺇﺫﺍ ﺤﺩ ﺇﺸﺘﻜﻰ ‪ ,‬ﺯﻤﻴﻠﻪ‬ ‫‪277‬‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﺘﺨﻔﺽ ﺭﺃﺴﻬﺎ ﻭﺘﺒﻜﻰ ﻴﻭﺍﺴﻴﻪ ‪ .‬ﻨﻘﺭﺡ ﺴﻭﺍ ﻭﻨﺴﻌﺩ ﺒﺎﻝﺩﻨﻴﺎ‬
‫ﻭﺤﻼﻭﺘﻬﺎ ‪ ,‬ﻴﺒﻘﻰ ﻝﻨﺎ ﺃﻭﻻﺩ ‪,‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻨﺭﺍﻋﻴﻬﻡ ﻭﻨﻬﻨﻴﻬﻡ ‪ ,‬ﻭﻨﺠﺩﺩ ﺒﺤﺒﻬﻡ‬
‫ﺃﺤﻼﻤﻨﺎ ﺍﻝﺠﻤﻴﻠﺔ ﻁﻭل ﺍﻝﻌﻤﺭ ‪.‬‬
‫ﺼﻭﺕ ﻤﺤﻤﺩ ‪ :‬ﻓﺎﻁﻤﺔ ‪ ..‬ﺒﺘﻌﻴﻁﻰ ؟‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻷ ‪ ..‬ﺃﻋﻴﻁ ﻤﻥ ﺁﻴﻪ ؟‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻴﻤﺴﻙ ﻤﺤﻤﺩ ‪ :‬ﺨﻠﻴﻜﻰ ﺸﺠﺎﻋﺔ ‪ .‬ﻤﺎﻓﻴﺵ‬ ‫‪278‬‬
‫ﻭﺭﺩ ﻤﻥ ﻏﻴﺭ ﺸﻭﻙ ﻴﺎﻓﺎﻁﻤﺔ ‪ .‬ﺍﻝﻠﻰ‬ ‫ﻜﺘﻔﻬﺎ‬
‫ﻤﺎﻴﺸﻭﻓﺵ ﺍﻝﻤﺘﺎﻋﺏ ﻤﺎﻴﻌﺭﻓﺸﻰ‬ ‫‪Cut‬‬ ‫ﻗﻁﻊ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 40 of 81‬‬

‫ﺒﻌﺩﻫﺎ ﻝﺫﺓ ﺍﻝﻨﻌﻴﻡ ﻭﺍﻝﺭﺍﺤﺔ ‪,‬؟ ﻭﺭﻴﻨﻰ‬

‫ﺇﺒﺘﺴﺎﻤﺘﻙ ‪ ,‬ﺨﻠﻴﻬﺎ ﺘﻨﻭﺭ ﻝﻰ ﻁﺭﻴﻕ‬
‫ﺍﻷﻤل ‪ ,.‬ﺃﻴﻭﺓ ﻜﺩﻩ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪M. L. S‬‬ ‫‪279‬‬
‫ﻝﻸﺜﻨﻴﻥ ‪ ,‬ﺜﻡ ﻴﻘﻔﺎ ﻭﺘﺭﺘﻔﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﺤﻤﺩ ‪ :‬ﻭﺩﻝﻭﻗﺕ ﻴﺎﻝﻼ ﺒﻴﻨﺎ ﺃﻨﺕ‬
‫ﻝﺘﺘﺎﺒﻌﻬﻤﺎ ﻷﻋﻠﻰ‪ Tilt up‬ﻭﻴﺨﺭﺠﺎ ﻤﻥ ﺇﺘﺄﺨﺭﺕ ‪ ,‬ﻭﻴﻤﻜﻥ ﺍﻤﻙ ﺘﻼﺤﻅ‬
‫ﻏﻴﺎﺒﻙ ‪ ,‬ﻭﻴﺒﻘﻰ ﻓﻴﻬﺎ ﻜﻼﻡ ﻭﺤﺩﻴﺕ ‪.‬‬ ‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ﻓﺎﻁﻤﺔ ‪ :‬ﺃﺸﻭﻓﻙ ﺇﺯﺍﻯ ﻴﺎﻤﺤﻤﺩ ؟‬ ‫‪280‬‬
‫ﻝﻸﺜﻨﻴﻥ ‪ High Angle‬ﻴﺘﺤﺭﻜﺎ ﻨﺎﺤﻴﺔ ﻤﺤﻤﺩ ‪ :‬ﺨﻠﻴﻬﺎ ﻝﻠﻅﺭﻭﻑ ‪ .‬ﺒﻼﺵ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﺍﻝﺴﻠﻡ ‪ ,‬ﻭﺘﻨﺯل ﻓﺎﻁﻤﺔ ﺜﻡ ﺘﻌﻭﺩ ﺜﺎﻨﻴﺔ ﻨﺨﺎﻁﺭ ﺯﻯ ﺍﻝﻠﻴﻠﺔ ‪ ,‬ﺩﻝﻭﻗﺕ ﻤﺵ‬
‫) ‪( 14‬‬ ‫ﺯﻯ ﺍﻷﻭل ‪ ,‬ﺍﻝﻌﻴﻭﻥ ﻤﻔﺘﺤﺔ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺤﻭﺍﻝﻴﻙ ‪.‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻤﺤﻤﺩ !‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻸﺜﻨﻴﻥ‪ M. S. 2‬ﻤﺤﻤﺩ ‪ :‬ﻓﻴﻪ ﺁﻴﻪ ﻴﺎﻓﺎﻁﻤﺔ ؟‬ ‫‪281‬‬
‫ﻭﺘﺩﺨل ﻓﺎﻁﻤﺔ ﻤﻥ ﺍﻝﻴﻤﻴﻥ ﻭﺘﺼﺒﺢ ﺒﻴﻥ ﻓﺎﻁﻤﺔ ‪ :‬ﻤﺵ ﻗﺎﺩﺭﺓ ﺃﺴﻴﺒﻙ‬
‫ﻭﺃﻨﺯل ‪ .‬ﺨﺎﻴﻔﺔ ﻤﺎﺃﺸﻭﻓﻜﺵ ﺒﻌﺩ ﻜﺩﻩ‬ ‫ﺯﺭﺍﻋﻴﻪ ﺒﺭﻭﻓﻴل‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺁﻴﻪ ﺍﻝﻭﻫﻡ ﺩﻩ ! ﺃﻨﺎ ﺠﻨﺒﻙ‬
‫ﺘﻤﻠﻠﻰ ‪.‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻤﺤﻤﺩ ﻤﻥ‬ ‫‪282‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺇﺭﺠﻌﻰ ﻷﻭﺩﺘﻙ ﺩﻝﻭﻗﺕ ‪,‬‬
‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪ High Angle‬ﻴﻨﻅﺭ‬
‫ﺼﻭﺕ ﺨﻁﻭﺍﺕ‬ ‫ﻭﺤﺎﺘﻀﺤﻜﻰ ﺒﻜﺭﺓ ﻋﻠﻰ ﺍﻝﻤﺨﺎﻭﻑ‬
‫ﻴﻤﻴﻥ ﻷﺴﻔل‬
‫ﺩﻯ ﻜﻠﻬﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻔﺎﻁﻤﺔ ﻤﻥ‬ ‫‪283‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺤﺩ ﻁﺎﻝﻊ ﻴﺎﻤﺤﻤﺩ ‪.‬‬
‫ﺨﻠﻑ ﻅﻬﺭ ﻤﺤﻤﺩ ﺘﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻫﻪ ﺜﻡ‬
‫ﻤﺤﻤﺩ ‪ :‬ﻤﺵ ﺒﺄﻗﻭﻝﻙ ‪ .‬ﺃﻫﻪ ﺩﻩ ﺍﻝﻠﻰ‬
‫ﺘﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻝﻠﺨﻠﻑ‬
‫ﻜﻨﺕ ﻋﺎﻤل ﺤﺴﺎﺒﻪ ﻴﺎﻓﺎﻁﻤﺔ ‪..‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺘﻌﺎﻝﻰ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻸﺜﻨﻴﻥ‪ .L. S‬ﻴﺘﺤﺭﻜﺎ‬ ‫‪284‬‬
‫ﻨﺎﺤﻴﺔ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺩﺨﻼ ﻏﺭﻓﺔ ‪ ,‬ﺜﻡ‬
‫ﺼﻭﺕ ﺨﻁﻭﺍﺕ‬ ‫ﻴﺼﻌﺩ ﺍﻝﺴﻡ ﺍﻝﻤﻠﺤﻥ ﻭﻴﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ‬
‫ﺍﻝﻌﻤﻕ ﻭﻴﻐﻠﻕ ﺍﻝﺒﺎﺏ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 49‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﺍﻝﻤﻠﺤﻥ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻠﻤﻠﺤﻥ ﻴﺩﺨل‬ ‫‪285‬‬
‫ﺍﻝﻐﺭﻓﺔ ﻭﻴﻀﻊ ﺍﻝﻌﻭﺩ ﻭﻴﺘﺠﻪ ﻨﺎﺤﻴﺔ‬
‫ﺍﻝﺠﺭﺍﻤﺎﻓﻭﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﺩﻴﺭﻩ ﻭﻴﺠﻠﺱ‬
‫ﺒﺠﻭﺍﺭﻩ‬
‫ﻗﻁﻊ‬
‫ﻤﺸﻬﺩ ) ‪( 50‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﺍﻝﻘﻤﺢ ﺴﻁﺢ‬
‫ﺍﻝﻤﻨﺯل‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻔﺎﻁﻤﺔ ﻭﻤﺤﻤﺩ ‪.‬‬ ‫‪285‬‬
‫ﻴﺠﻠﺱ ﻤﺤﻤﺩ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺘﺘﺤﺭﻙ‬
‫ﺩﺨﻭل ﺍﻷﻏﻨﻴﺔ ﻤﻥ‬ ‫ﻓﺎﻁﻤﺔ ‪ ! :‬ﺃﻨﺕ ﻤﺠﺭﻭﺡ ﻴﺎ‬
‫ﺨﻁﻭﺍﺕ ﻓﺎﻁﻤﺔ‬ ‫ﻓﺎﻁﻤﺔ ﻴﺴﺎﺭﹰﺍ ﻨﺎﺤﻴﺔ ﺤﻭﺽ ﺍﻝﻤﺎﺀ ﻓﻰ‬
‫ﺍﻝﺠﺭﺍﻤﺎﻓﻭﻥ‬ ‫ﻤﺤﻤﺩ ‪ ...‬ﺘﻌﺎﻝﻰ ﺃﻗﻌﺩ‬
‫ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 41 of 81‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻔﺎﻁﻤﺔ ﺒﺠﻭﺍﺭ ﺤﻭﺽ )ﺍﻷﻏﻨﻴﺔ ( ‪:‬‬ ‫‪286‬‬

‫ﺍﻝﻤﺎﺀ ﻭﺘﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺘﺒﺘﺴﻡ ‪ ,‬ﺜﻡ ﻴﺎﺒﻠﺒﻠﻴﻥ ﻓﻰ ﺍﻝﻬﻭﻯ‬
‫ﺨﺎﻴﻔﻴﻥ ﻤﻥ ﺍﻝﻌﺎﺫل‬ ‫ﺘﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻤﺤﻤﺩ ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪287‬‬
‫ﻤﺭﺘﻔﻌﺔ ﻭﺘﺩﺨل ﻓﺎﻁﻤﺔ ﻤﻥ ﻴﺴﺎﺭ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻤﻌﻬﺎ ﻁﺒﻕ ﺍﻝﻤﺎﺀ ‪ ,‬ﻭﺘﺠﻠﺱ‬
‫ﻗﺎﻝﺕ ﻋﻴﻭﻨﻬﻡ ﺴﻭﺍ‬
‫ﺒﺠﻭﺍﺭﻩ ﻴﺴﺎﺭﹰﺍ ﻭﺘﻨﻅﺭ ﻝﻠﺠﺭﺡ ﻭﻴﻤﺴﻙ‬
‫ﺃﻤﺘﻰ ﻫﺎﻨﺘﻘﺎﺒل‬
‫ﻤﺤﻤﺩ ﻴﺩﻫﺎ ﻭﻴﻘﺒﻠﻬﺎ ‪ ,‬ﺜﻡ ﺘﺨﺭﺝ ﻤﻥ‬
‫ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻔﺎﻁﻤﺔ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺘﺘﺤﺭﻙ‬ ‫‪288‬‬
‫ﻨﺎﺤﻴﺔ ﺍﻝﻨﺎﻓﺫﺓ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺩﺨل‬
‫ﻤﺤﻤﺩ ﻤﻥ ﺍﻝﻴﻤﻴﻥ ﻭﻴﻘﻑ ﺨﻠﻔﻬﺎ ﻭﻴﻨﻅﺭﺍ‬
‫ﺍﻝﻰ ﺍﻝﻨﺎﻓﺫﺓ ﺍﻝﻤﻐﻠﻘﺔ ‪ ,‬ﻭﺇﻀﺎﺀﺓ ﺨﺎﻓﺘﺔ‬
‫ﺘﺴﻘﻁ ﻋﻠﻰ ﺠﺴﺩﻴﻬﻤﺎ‬
‫ﻗﻁﻊ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻤﺤﻤﺩ ﻴﻘﺘﺭﺏ ﻤﻥ‬ ‫‪289‬‬
‫ﻓﺎﻁﻤﺔ ﻭﻴﻠﻤﺱ ﺯﺭﺍﻋﻬﺎ ﻓﺘﻠﺘﻔﺕ ﻨﺎﺤﻴﺔ‬
‫ﺍﻝﻴﻤﻴﻥ ‪ ,‬ﺜﻡ ﻴﻠﺘﻔﺘﺎ ﺴﻭﻴﹰﺎ ﻨﺎﺤﻴﺔ ﺍﻝﻨﺎﻓﺫﺓ‬
‫ﻤﺭﺓ ﺃﺨﺭﻯ‬
‫ﻗﻁﻊ‬
‫ﻤﺸﻬﺩ )‪( 51‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻷﻓﻕ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻸﻓﻕ‬ ‫‪290‬‬
‫ﺍﺴﺘﻤﺭﺍﺭ ﺍﻷﻏﻨﻴﺔ‬
‫ﻗﻁﻊ‬
‫‪ 291‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻸﺜﻨﻴﻥ ﻤﻥ ﺨﻠﻑ ﺯﺠﺎﺝ‬
‫ﺍﻝﻨﺎﻓﺫﺓ ﻤﺤﻤﺩ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻓﺎﻁﻤﺔ ﻴﻤﻴﻥ‬
‫ﻜﺎﺩﺭ ﻭﻴﻨﻅﺭﺍ ﻓﻰ ﺍﺘﺠﺎﻩ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻷﻋﻠﻰ‬
‫ﻗﻁﻊ‬
‫ﻤﺸﻬﺩ )‪( 52‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﻤﺨﺯﻥ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻸﺜﻨﻴﻥ ﻜﻤﺎ‬ ‫‪292‬‬
‫ﻓﻰ ﻝﻘﻁﺔ ) ‪ . ( 289‬ﺜﻡ ﺘﺘﺤﺭﻙ ﻓﺎﻁﻤﺔ‬
‫ﻭﺘﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﻅل ﻤﺤﻤﺩ ﻓﻰ‬
‫ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪.M. S‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻔﺎﻁﻤﺔ ﻤﻥ‬ ‫‪293‬‬
‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‪ High Angle‬ﻭﻫﻰ‬
‫ﺘﺠﻠﺱ ﻋﻠﻰ ﺃﻜﻴﺎﺱ ﺍﻝﻘﻤﺢ ﻭﺘﻠﻌﺏ ﺒﻴﺩﻫﺎ‬
‫ﻓﻰ ﺍﻝﻘﻤﺢ ﺍﻝﻤﻠﻘﻰ ﻋﻠﻰ ﺍﻷﺭﺽ ﻭﺘﻨﻅﺭ‬
‫ﻓﻰ ﺍﺘﺠﺎﻩ ﻴﺩﻫﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻭﺠﻪ ﻓﺎﻁﻤﺔ‬ ‫‪294‬‬
‫ﻭﻫﻰ ﺘﺭﻓﻊ ﺭﺃﺴﻬﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻴﻨﻅﺭ‬ ‫‪295‬‬
‫ﻴﻤﻴﻨﹰﺎ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 42 of 81‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M. Close up‬‬ ‫‪296‬‬
‫ﻝﻔﺎﻁﻤﺔ ‪ ,‬ﻴﺩﺨل ﻤﺤﻤﺩ ﻤﻥ ﺍﻝﻴﺴﺎﺭ‬
‫ﻭﻴﺠﻠﺱ ﺨﻠﻔﻬﺎ ﻓﺘﻨﻅﺭ ﻨﺎﺤﻴﺘﻪ ‪ ,‬ﺜﻡ‬
‫ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﺴﻔل‪Tilt Down‬‬
‫ﻋﻠﻰ ﻴﺩﻫﺎ ﻭﻫﻰ ﺘﻠﻌﺏ ﻓﻰ ﺍﻝﻘﻤﺢ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻠﻴﺩ ﻭﺘﻘﺒﻀﻬﺎ‬ ‫‪297‬‬
‫ﻨﻬﺎﻴﺔ ﺍﻷﻏﻨﻴﺔ‬ ‫ﻓﺎﻁﻤﺔ‬
‫ﺍﺨﺘﻔﺎﺀ ﺘﺩﺭﻴﺠﻰ ‪Fade -out‬‬
‫ﻤﺸﻬﺩ ) ‪( 53‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﺤﺎﺭﺓ‬
‫‪ 298‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻠﺤﺎﺭﺓ ﻤﻥ ﺯﺍﻭﻴﺔ‬
‫ﻤﺭﺘﻔﻌﺔ‪ High Angle‬ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ‬
‫ﺼﻭﺕ ﺍﻝﻤﺴﺤﺭﺍﺘﻰ‬ ‫ﻓﺎﻁﻤﺔ ﻭﻫﻰ ﺨﺎﻝﻴﺔ ﻤﻥ ﺍﻝﻤﺎﺭﺓ ﻭﺘﻅﻬﺭ‬
‫ﺍﻝﺤﺎﺭﺓ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 54‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﻤﺨﺯﻥ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. s‬ﻝﻠﻐﺭﻓﺔ ﻭﻓﺎﻁﻤﺔ‬ ‫‪299‬‬
‫ﺘﺘﺤﺭﻙ ﻤﻥ ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ ﻨﺎﺤﻴﺔ ﻤﺤﻤﺩ ﻓﺎﻁﻤﺔ ‪ :‬ﻤﺤﻤﺩ ﻤﺤﻤﺩ ‪ .‬ﻗﻭﻡ ﺍﻝﻭﻗﺕ‬
‫ﺭﺍﺡ ﺇﺤﻨﺎ ﻓﻰ ﺍﻝﺴﺤﻭﺭ ‪.‬‬ ‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﻴﻘﻑ ﻭﻴﻁﻔﻰﺀ‬
‫ﺍﻝﻤﺼﺒﺎﺡ ﻭﻴﺘﺤﺭﻜﺎ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﺨﺭﺠﺎ ﻤﺤﻤﺩ ‪ :‬ﻴﺎﻝﻼ ﺒﻴﻨﺎ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 55‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﺴﻁﺢ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻸﺜﻨﻴﻥ ‪M. S. 2‬‬ ‫‪300‬‬
‫ﻴﺨﺭﺠﺎ ﻤﻥ ﺍﻝﺒﺎﺏ ﻭﻴﻨﻅﺭﺍ ﺤﻭﻝﻬﻤﺎ ‪ .‬ﺜﻡ‬
‫ﻴﻘﺒﻠﻬﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻠﺴﻁﺢ ﻴﺘﺤﺭﻙ‬ ‫‪301‬‬
‫ﻤﺤﻤﺩ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺘﺘﺤﺭﻙ ﻓﺎﻁﻤﺔ‬
‫ﻷﺴﻔل ﺍﻝﺴﻠﻡ‬
‫ﺍﺨﺘﻔﺎﺀ ﺘﺩﺭﻴﺠﻰ ‪Fade -out‬‬
‫ﻤﺸﻬﺩ ) ‪( 56‬‬
‫ﻓﻭﺘﻭ ﻤﻭﻨﺘﺎﺝ‬
‫‪ 302‬ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﺸﻬﺎﺩﺓ ﺘﺨﺭﺝ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬
‫ﻤﺤﻤﺩ‬
‫) ‪( 14‬‬
‫ﻤﺯﺝ ‪Dissolve‬‬
‫‪ 303‬ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪Close up‬ﻋﻠﻰ ﺠﻤﻠﺔ " ﻻ‬
‫ﺘﻭﺠﺩ ﻭﻅﺎﺌﻑ ﺨﺎﻝﻴﺔ‬
‫ﻤﺯﺝ ‪Dissolve‬‬
‫‪304‬‬
‫ﻓﻭﺘﻭ ﻤﻭﻨﺘﺎﺝ ‪Photo montage‬‬
‫ﻝﻠﺠﺭﺍﺌﺩ ﺍﻝﻤﺼﺭﻴﺔ ﻭﺃﺨﺒﺎﺭ ﻋﻥ ﺍﻝﺒﻁﺎﻝﺔ‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﻭﺨﺒﺭ " ﻗﺘل ﺯﻭﺠﺘﻪ ﻭﺃﻭﻻﺩﻩ ﻷﻨﻪ ﻻﻴﺠﺩ‬
‫)‪( 14‬‬ ‫ﻼ‪.‬‬‫ﻋﻤ ﹰ‬
‫ﺨﺒﺭ ﺁﺨﺭ " ﻴﻨﻔﻕ ‪ 100000‬ﺠﻨﻴﻪ ﻋﻠﻰ‬
‫ﺭﺍﻗﺼﺔ ‪.‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 43 of 81‬‬

‫"ﻓﺭﺍﺵ ﻤﻠﻡ ﺒﺎﻹﻨﺠﻠﻴﺯﻴﺔ "‬

‫ﺍﻝﺘﻘﺩﻡ ﻝﻭﻅﻴﻔﺔ ﺏ‪ 4‬ﺠﻨﻴﻬﺎﺕ "‬
‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻤﺸﻬﺩ ) ‪( 57‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻜﺘﺏ ﺸﺭﻜﺔ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪ .M. L. S‬ﺍﻝﺴﻜﺭﺘﻴﺭ ‪ :‬ﻤﺎﻗﻠﻨﺎ ﻝﻙ ﻴﺎﺴﻴﺩﻯ‬ ‫‪305‬‬
‫ﻝﻠﺴﻜﺭﺘﻴﺭ ﻭﻅﻬﺭﻝﻠﻜﺎﻤﻴﺭﺍ ‪ ,‬ﻭﻤﺤﻤﺩ ﻓﻰ ﻤﺎﻋﻨﺩﻨﺎﺵ ﻭﻅﺎﻴﻑ ﺨﺎﻝﻴﺔ ‪ ..‬ﺁﻴﻪ !‬
‫ﺴﺘﻴﻥ ﺃﻝﻑ ﻭﺍﺤﺩ ﺒﻴﺠﻭﻨﺎ ﻜل ﻴﻭﻡ !‬ ‫ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ ﻭﺍﻗﻔﹰﺎ ﻴﻨﻅﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ M. Close up‬ﻤﺤﻤﺩ ‪ :‬ﺃﻨﺎ ﺃﺼﻠﻰ ﻤﻘﺩﻡ ﻁﻠﺏ ﻤﻥ‬ ‫‪306‬‬
‫ﻝﻤﺤﻤﺩ ﻴﻨﻅﺭ ﻷﺴﻔل ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﻤﺩﺓ ‪ ,‬ﻭﻻﺯﻡ ﺍﻝﻁﻠﺏ ﺩﻝﻭﻗﺕ ﻋﻨﺩ‬
‫ﺍﻝﻤﺩﻴﺭ ‪.‬‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺍﻝﺴﻜﺭﺘﻴﺭ ‪ :‬ﻭﻫﻭ ﺍﻝﻤﺩﻴﺭ ﺩﻩ ﻴﻌﻨﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻓﺎﻀﻰ ﺒﺱ ﻋﻠﺸﺎﻥ ﺤﻀﺭﺘﻙ ﺃﻨﺕ‬
‫ﻭﺍﻝﻠﻰ ﺯﻴﻙ ‪,‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻠﺴﻜﺭﺘﻴﺭ ﺍﻝﺴﻜﺭﺘﻴﺭ ‪ :‬ﺃﻨﺘﻡ ﻤﺎﺒﺘﻔﻬﻤﻭﺵ‬ ‫‪307‬‬
‫ﺨﻠﻑ ﺍﻝﻤﻜﺘﺏ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻋﺭﺒﻰ ؟‪ ..‬ﻗﻠﺕ ﻝﻙ ﻴﺎﺒﻨﻰ ﺁﺩﻡ‬
‫ﻤﺎﻓﻴﺵ ﻭﻅﺎﻴﻑ ﻋﻨﺩﻨﺎ ‪ ,‬ﻤﺎﻓﻴﺵ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺎﻓﻴﺵ ‪..‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪.M .L. S‬‬ ‫‪308‬‬
‫ﻝﻠﺴﻜﺭﺘﻴﺭ ‪ ,‬ﻴﺨﺭﺝ ﻤﺤﻤﺩ ﻤﻥ ﻋﻭﻕ ﺍﻝﺭﺠل ‪ :‬ﺘﺴﻤﺢ ﻴﺎﺤﻀﺭﺓ ؟‬
‫ﻼ ‪ ,‬ﺜﻡ ﻴﻀﻊ ﺍﻝﺴﻜﺭﺘﻴﺭ ‪ :‬ﻨﻌﻡ‬‫ﺍﻝﻜﺎﺩﺭ ﻭﻴﺩﺨل ﺭﺠ ﹰ‬
‫ﺍﻝﺭﺠل ‪ :‬ﻋﻨﺩﻜﻡ ﻭﻅﻴﻔﺔ ﺨﺎﻝﻴﺔ ؟‬ ‫ﺍﻝﺴﻜﺭﺘﻴﺭ ﻴﺩﻴﻪ ﻋﻠﻰ ﺭﺃﺴﻪ ‪.‬‬
‫ﻤﺴﺢ ‪Wipe‬‬

‫ﻤﺸﻬﺩ ) ‪( 58‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﻤﻘﻬﻰ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M .S‬ﻝﻤﺤﻤﺩ ﺠﺎﻝﺱ ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﻤﺎﺘﺯﻋﻠﺵ ﻴﺎﺴﻰ‬ ‫‪309‬‬
‫ﻋﻠﻰ ﻤﺎﺌﺩﺓ ﻓﻰ ﺍﻝﻤﻘﻬﻰ ﻭﻴﻀﻊ ﺼﺒﻰ ﻤﺤﻤﺩ ‪ ...‬ﺃﺒﻭﻙ ﺇﺯﻴﻪ ﺩﻝﻭﻗﺕ ؟‬
‫ﺍﻝﻤﻘﻬﻰ ﺍﻝﻘﻬﻭﺓ ﻝﻤﺤﻤﺩ ‪ ,‬ﺜﻡ ﺘﻨﺯل ﻤﺤﻤﺩ ‪ :‬ﻝﺴﻪ ﻋﻴﺎﻥ ‪.‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﺴﻔل‪ Tilt Down‬ﺒﺩﺨﻭل ﺍﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﻫﻭ ﺍﻝﻤﺯﺍﺩ ﺍﻝﺴﺎﻋﺔ ﻜﺎﻡ‬
‫ﺒﻜﺭﺓ‬ ‫ﺍﻝﺤﺎﻨﻭﺘﻰ ﻭﻴﺠﻠﺱ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻤﺤﻤﺩ ‪ :‬ﺍﻝﺴﺎﻋﺔ ﻋﺸﺭﺓ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﻴﺤﻠﻬﺎ ﺃﻝﻑ ﺤﻼل ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ M. Close up‬ﺍﻝﺤﺎﻨﻭﺘﻰ‪ :‬ﺃﻨﺎ ﻋﻨﺩﻯ ﺯﺒﻭﻥ ﺴﻘﻊ‬ ‫‪310‬‬
‫ﻭﺍﺤﺩ ﺒﻴﻪ ﻗﺩ ﺍﻝﺩﻨﻴﺎ ‪ ,‬ﺇﺫﺍ ﻜﺎﻥ ﺭﺒﻨﺎ‬ ‫ﻝﻠﺤﺎﻨﻭﺘﻰ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻴﻔﺭﺠﻬﺎ ﻭﻴﺎﺨﺩ ﺃﺠﻠﻪ ‪ ,‬ﻤﻥ ﻫﻨﺎ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻠﺼﺒﺢ ﺃﻗﺒ‪‬ﻀﻙ ﻴﺎﻋﻡ ﺘﺩﻓﻊ ﺍﻝﻤﺘﺄﺨﺭ‬
‫ﻭﺘﺤﻭ‪‬ﺵ ﺍﻝﺒﻴﻊ ‪ ,‬ﻭﺘﺒﻘﻰ ﺍﻷﺸﻴﺎ‬
‫ﻤﻌﺩﻥ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M .Close up‬‬ ‫‪311‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺍﷲ ﻴﺠﺎﺯﻴﻙ ﻴﺎﺤﺎﺝ ﺭﻭﺤﻰ‬
‫ﻝﻤﺤﻤﺩ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ﻴﻨﻅﺭ ﻴﻤﻴﻥ‬
‫ﺒﻘﻰ ﻋﻠﺸﺎﻥ ﺘﻔﻙ ﻀﻴﻘﺘﻨﺎ ‪ ,‬ﻨﻤﻭﺕ‬
‫ﻜﺎﺩﺭ‬
‫ﻝﻨﺎ ﻭﺍﺤﺩ ؟‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻷﺜﻨﻴﻥ ‪ M. S. 2‬ﻜﻤﺎ‬ ‫‪312‬‬
‫ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﻨﻤﻭﺕ ﻝﻨﺎ ﻭﺍﺤﺩ ؟‬ ‫ﻓﻰ ﻝﻘﻁﺔ ) ‪( 309‬‬
‫ﺃﺴﺘﻐﻔﺭ ﺍﷲ ﺍﻝﻌﻅﻴﻡ ﻴﺎﺭﺏ ‪ .‬ﺃﻨﺕ‬ ‫ﺍﺨﺘﻔﺎﺀ ﺘﺩﺭﻴﺠﻰ‬
‫ﺤﺘﻜﻔﺭ ﻴﺎﺴﻰ ﻤﺤﻤﺩ ‪ ,‬ﻭﻻ ﺁﻴﻪ ؟ ‪..‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 44 of 81‬‬

‫ﻫﻭ ﺇﺤﻨﺎ ﺤﻨﺨﻨﻘﻪ ؟ ﺩﻩ ﺸﻐل‬

‫ﻋﺯﺭﺍﺌﻴل !‬
‫ﻤﺸﻬﺩ ) ‪( 59‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﺤﺎﺭﺓ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ M .L S‬ﻝﻤﺤﻤﺩ‬ ‫‪313‬‬
‫ﻓﻰ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻭﻴﻠﺘﻔﺕ ﻋﻜﺱ ﺍﺘﺠﺎﻩ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﺼﻭﺕ ﺍﻝﺤﺎﺭﺓ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻴﻅﻬﺭ ﺍﻝﻤﺤﻀﺭ ﻭﺍﻝﻤﺴﺎﻋﺩ‬
‫)‪( 15‬‬ ‫ﻭﺨﻁﻭﺍﺕ ﺍﻝﺤﺼﺎﻥ‬ ‫ﻴﻘﻭﻤﺎ ﺒﺎﻝﺤﺠﺯ ﻭﻤﺤﻤﺩ ﻴﺘﺤﺭﻙ ﻴﻤﻴﻨﹰﺎ‬
‫ﻭﻴﺴﺎﺭﹰﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻔﺎﻁﻤﺔ ﻓﻰ‬ ‫‪314‬‬
‫ﺍﻝﺸﺭﻓﺔ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ ‪Low‬‬
‫‪ Angle‬ﺘﻨﻅﺭ ﻴﻤﻴﻨﹰﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‬ ‫‪315‬‬
‫‪ High Angle‬ﻝﻠﺤﺎﺭﺓ ﻭﻴﻅﻬﺭ ﺠﻭﺍﺩ‬
‫ﺃﺒﻴﺽ ﻴﻘﻭﺩﻩ ﺍﻝﺴﺎﻴﺱ ﻭﻴﺩﻭﺭ ﻓﻰ ﺩﺍﺌﺭﺓ‬
‫ﻭﺤﻭﻝﻪ ﻴﻘﻑ ﺍﻝﻨﺎﺱ ﻤﻠﺘﻔﻭﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ .M .L. S‬ﻝﻠﻌﺘﺭ‬ ‫‪316‬‬
‫ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺒﺠﻭﺍﺭﻩ ﻤﺠﻤﻭﻋﺔ‬
‫ﻤﻥ ﺍﻝﺭﺠﺎل ‪ ,‬ﺜﻡ ﻴﻨﻅﺭﻭﻥ ﻨﺎﺤﻴﺔ ﺍﻝﻴﻤﻴﻥ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻤﺤﻤﺩ ﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ‬ ‫‪317‬‬
‫ﻭﻴﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻤﺠﻤﻭﻋﺔ‬
‫ﻤﻥ ﺍﻝﺭﺠﺎل ﻤﻠﺘﻔﻭﻥ ﺤﻭﻝﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ .M. L. S‬ﺸﺒﻙ ‪ :‬ﻤﺴﻜﻴﻥ ﺴﻰ ﻤﺤﻤﺩ ‪..‬‬ ‫‪318‬‬
‫ﻰ‬
‫ﻝﺸﺒﻙ ﺍﻹﺴﻜﺎﻓﻰ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺍﻝﺤﺩﺍﺩ ﺼﻌﺒﺎﻥ ﻋﻠ ‪‬‬
‫ﺠﺎﻝﺱ ﻋﻠﻰ ﻋﺭﺒﺔ ﻗﺩﻴﻤﺔ ﻭﻴﻨﻅﺭﺍ ﻓﻰ ﺍﻝﺤﺩﺍﺩ ‪ :‬ﻭﻻﺃﺒﻭﻩ ﺍﻝﻠﻰ ﺭﺍﻗﺩ ﻓﻭﻕ ‪.‬‬
‫ﺍﺘﺠﺎﻩ ﺒﻌﻀﻬﻤﺎ ‪ ,‬ﺜﻡ ﻴﻨﻅﺭ ﺸﺒﻙ ﻴﺴﺎﺭ ﺸﺒﻙ ‪ :‬ﻭﺍﻝﻨﺩل ﺍﻝﻠﻰ ﻤﺎﻋﻨﺩﻭﺵ ﺩﻡ ‪,‬‬
‫ﻤﺎﻴﺤﻼﻝﻭﺵ ﺸﺭﺍ ﻜﺎﺭﺘﺔ ﺇﻻ ﺍﻝﺴﺎﻋﺔ‬ ‫ﻜﺎﺩﺭ‬
‫ﺩﻯ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‬ ‫‪319‬‬
‫‪ High Angle‬ﻝﻠﺠﻭﺍﺩ ﻭﺍﻝﺴﺎﻴﺱ ﻴﻠﻑ‬
‫ﺒﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻴﺘﺤﺭﻙ‬ ‫‪320‬‬
‫ﻴﺴﺎﺭ ﻭﻴﻤﻴﻥ ﻭﺨﻠﻔﻪ ﺍﻝﻤﺤﻀﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻔﺎﻁﻤﺔ ﺘﻨﻅﺭ‬ ‫‪321‬‬
‫ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M. L. S‬‬ ‫‪322‬‬
‫ﻝﻠﻌﺘﺭ ﻜﻤﺎ ﻓﻰ ﻝﻘﻁﺔ )‪( 316‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﺭﺃﺱ ﺍﻝﺠﻭﺍﺩ‬ ‫‪323‬‬
‫ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻫﻭ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 45 of 81‬‬

‫ﻴﺠﺭﻯ ‪Tracking‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻠﺠﻭﺍﺩ ﻴﺠﺭﻯ‬ ‫‪324‬‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪High‬‬
‫‪ Angle‬ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ ‪,‬‬
‫ﻭﻴﺨﺭﺝ ﻤﻥ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺜﺒﺕ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻋﻠﻰ ﺍﻝﻌﺘﺭ ﻭﺼﺒﻴﺎﻨﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻠﻌﺘﺭ ﻴﻤﻴﻥ ﺍﻝﺒﺎﺌﻊ ‪ :‬ﻗﻠﺕ ﺁﻴﻪ ﻴﺎﻤﻌﻠﻡ ؟‬ ‫‪325‬‬
‫) ‪( 15‬‬ ‫ﺍﻝﻌﺘﺭ ‪ :‬ﺃﻨﺎ ﻤﺎﺃﺩﻓﻌﺵ ﻏﻴﺭ ﻜﺩﻩ ‪ .‬ﺇﺫﺍ‬ ‫ﻜﺎﺩﺭ ﻭﻴﻠﺘﻔﺕ ﺍﻝﺒﺎﺌﻊ ﻨﺎﺤﻴﺘﻪ‬
‫ﻜﺎﻥ ﻋﺎﺠﺒﻜﻡ ﺍﻝﻔﻠﻭﺱ ﺠﺎﻫﺯﺓ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺒﺎﺌﻊ ‪ :‬ﻤﺎﻫﻭ ﻻﺯﻡ ﺘﺯﻭﺩﻫﺎ ﻜﻤﺎﻥ‬
‫ﺨﻤﺴﺔ ﺠﻨﻴﻪ ﻴﺎﻤﻌﻠﻡ ‪.‬‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﻭﻻ ﺨﻤﺴﺔ ﺘﻌﺭﻴﻔﺔ ‪ ..‬ﺃﻨﺎ‬
‫ﻜﻠﻤﺘﻰ ﻭﺍﺤﺩﺓ ‪.‬‬
‫ﺍﻝﺒﺎﺌﻊ ‪ :‬ﺍﻝﻨﻬﺎﻴﺔ ‪ ..‬ﻤﺒﺭﻭﻙ ﻋﻠﻴﻙ ‪.‬‬

‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻠﻌﺘﺭ ﺒﺭﻭﻓﻴل ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬ ‫‪326‬‬

‫ﻭﻴﻨﻅﺭ ﻷﻋﻠﻰ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﺸﻴﺭ ﺍﻝﻌﺘﺭ ‪ :‬ﺁﻩ ﻤﺎﻫﻭ ﺃﻨﺎ ﻤﺎﻴﻬﻤﻨﻴﺵ‬
‫ﺍﻝﻔﻠﻭﺱ‬ ‫ﺒﺎﻝﻨﻘﻭﺩ‬
‫ﻗﻁﻊ‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻔﺎﻁﻤﺔ ﺘﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪,‬‬ ‫‪327‬‬
‫ﺜﻡ ﺘﻠﺘﻔﺕ ﻋﻜﺱ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻠﻌﺘﺭ ﻴﻌﻁﻰ ﺍﻝﻨﻘﻭﺩ ﺍﻝﻌﺘﺭ ‪ :‬ﺍﻝﺤﻘﻴﻘﺔ ﺇﻥ ﺍﻝﻌﺯ ﺍﻝﺘﻤﺎﻡ‬ ‫‪328‬‬
‫ﻝﻘﻴﺘﻪ ﺃﻨﻘﺢ ﻓﻰ ﺭﻜﻭﺏ ﺍﻝﺨﻴل ‪....‬‬ ‫ﻝﻠﺒﺎﺌﻊ‬
‫ﺨﺩ ﻋﺩ ﺩﻭل ‪.‬‬ ‫ﻗﻁﻊ‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻠﻌﺘﺭ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬ ‫‪329‬‬
‫ﻭﻴﻤﺴﻙ ﺸﺎﺭﺒﻪ‬
‫ﻗﻁﻊ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻤﺤﻤﺩ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ﺍﻝﻤﺤﻀﺭ ‪ :‬ﻫﺎﺘﺩﻓﻊ ﻭﻻ ﻨﺒﻴﻊ ﻴﺎﺴﻰ‬ ‫‪330‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪ ,‬ﻴﻘﻑ ﺍﻝﻤﺤﻀﺭ ﺒﺎﻝﺩﻓﺘﺭ ﻤﺤﻤﺩ ؟‬
‫ﻤﺤﻤﺩ ‪ :‬ﺒﻴﻊ ‪.‬‬ ‫ﻗﻁﻊ‬
‫ﺍﻝﻤﺤﻀﺭ ‪ :‬ﻴﺎﻝﻼ ﻴﺎﺠﻌﻔﺭ ‪..‬ﺍﺒﺘﺩﻯ‬
‫ﺸﻭﻑ ﺸﻐﻠﻙ ‪.‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻠﻌﺘﺭ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﻨﺨﻔﻀﺔ‬ ‫‪331‬‬
‫ﻴﻨﻅﺭ ﻝﻠﺨﺎﺘﻡ ﺍﻝﺫﻫﺏ ﻓﻰ ﻴﺩﻩ ﻭﻴﺒﺘﺴﻡ ‪,‬‬
‫ﺜﻡ ﻴﺭﻓﻊ ﺭﺃﺴﻪ‬
‫ﻗﻁﻊ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻤﺤﻤﺩ ﻴﺘﺤﺭﻙ ﺠﻌﻔﺭ ‪ :‬ﺇﺒﺘﺩﻴﻨﺎ ﺍﻝﻤﺯﺍﺩ ‪ ..‬ﺍﻝﻠﻰ ﻤﻌﺎﻩ‬ ‫‪332‬‬
‫ﻤﺎﺭﺵ ﺠﻨﺎﺌﺯﻯ‬ ‫ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻴﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻫﻬﺎ ﻓﻠﻭﺱ ﻴﺘﻘﺩﻡ ‪ ..‬ﻤﺭﺍﻴﻪ ﺒﺩﺍﻴﺭ‬
‫ﻤﺸﻁﻭﻑ ‪ 175‬ﻁﻭل ﻓﻰ ‪85‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﺭﺽ ‪ ..‬ﻫﻴﻪ ﻤﻴﻥ ﻫﺎﻴﻔﺘﺢ ﺍﻝﻤﺯﺍﺩ‬
‫؟‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻜﻤﺎ ﻓﻰ ﻝﻘﻁﺔ‬ ‫‪333‬‬
‫) ‪( 330‬‬
‫ﻭﻴﺘﺤﺭﻙ ﻤﺤﻤﺩ ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ‬ ‫‪334‬‬
‫ﻤﺤﻤﺩ ﻝﺤﻤﻠﺔ ﺍﻝﻘﻤﺎﻗﻡ ﻴﺘﺤﺭﻜﻭﻥ ﻴﻤﻴﻨ ﹰﺎ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 46 of 81‬‬

‫ﻭﻴﺤﻤﻠﻭﻥ ﻨﻌﺸﹰﺎ ﻭﻴﻅﻬﺭ ﺍﻝﻤﺸﻴﻌﻭﻥ ﻓﻰ‬

‫ﻤﻼﺒﺱ ﺴﻭﺩﺍﺀ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‬ ‫‪335‬‬
‫‪ High Angle‬ﻝﻤﺤﻤﺩ ﻴﻠﺘﻔﺕ ﻋﻜﺱ‬
‫ﻤﺤﻤﺩ ‪ :‬ﺍﺴﺘﻨﻰ ﻤﻥ ﻓﻀﻠﻙ ‪.‬‬ ‫ﺃﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺜﻡ ﻴﻠﺘﻔﺕ ﻨﺎﺤﻴﺔ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ .‬ﻭﺘﻘﺘﺭﺏ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻨﻪ ﺤﺘﻰ ﺩﻗﻴﻘﺘﻴﻥ ﻴﺎﻤﺤﺠﻭﺏ ﺃﻓﻨﺩﻯ ‪.‬‬
‫ﻴﺼﺒﺢ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close‬ﻤﺤﺠﻭﺏ ‪ :‬ﻁﻴﺏ ﺃﺴﺘﻨﻰ ‪.‬‬
‫‪up‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻨﻬﺎﻴﺔ ﺍﻝﻤﻭﺴﻴﻘﻰ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻠﺠﻨﺎﺯﺓ ﻜﻤﺎ ﻓﻰ‬ ‫‪336‬‬
‫ﺍﻝﺠﻨﺎﺌﺯﻴﺔ‬ ‫ﻝﻘﻁﺔ ) ‪ ,( 334‬ﺜﻡ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫‪ Pan Right‬ﻨﺎﺤﻴﺔ ﺍﻝﺤﺎﻨﻭﺘﻰ ﻭﻫﻭ‬
‫) ‪( 16‬‬ ‫ﻴﻨﺯل ﺴﻼﻝﻡ ﺍﻝﺤﺎﺭﺓ ﺠﺭﻴﹰﺎ ﻝﻠﻴﻤﻴﻥ ﻭﻴﺼل‬
‫ﺍﻝﻰ ﻤﺤﻤﺩ ﻭﻴﻌﻁﻴﻪ ﺍﻝﻨﻘﻭﺩ ﻭﻴﻠﺘﻔﺕ‬
‫ﻤﺤﻤﺩ ﻴﻤﻴﻨﹰﺎ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Pan‬‬
‫‪Right‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M .S‬ﻝﻤﺤﻤﺩ ﻭﺨﻠﻔﻪ‬ ‫‪337‬‬
‫ﻤﺠﻤﻭﻋﺔ ﺍﻝﺭﺠﺎل ‪ .‬ﺜﻡ ﻴﻌﻭﺩ ﻝﻠﺤﺎﻨﻭﺘﻰ‬
‫ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ ‪ .Pan Left‬ﻤﺤﻤﺩ ‪ :‬ﺇﺘﻔﻀل ﺍﻝﻔﻠﻭﺱ ﺃﻫﻴﻪ ‪.‬‬
‫ﺜﻡ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M .S‬ﻝﻠﻌﺘﺭ ﻴﺘﻘﺩﻡ ﺼﻭﺕ ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﻴﺎﻗﻭﻯ ﻋﻠﻰ ﻜل‬ ‫‪338‬‬
‫ﻗﻭﻯ ﻴﺎﺭﺏ ‪ .‬ﻴﺎﻜﺎﺸﻑ ﺴﺘﺭ‬ ‫ﻝﻸﻤﺎﻡ ﻭﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺍﻷﻋﺎﺩﻯ ﻴﺎﻓﺎﺭﺴﻬﻡ ﺒﻘﻭﺘﻙ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻤﺤﻤﺩ‬ ‫‪339‬‬
‫ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﺍﻝﻠﻰ ﺩﺒﺭﻫﺎ ﻓﻰ ﺍﻝﺤﺠﺯ‬
‫ﻭﺍﻝﺤﺎﻨﻭﺘﻰ ﻴﺒﺘﺴﻤﺎﻥ ‪ ,‬ﺜﻡ ﻴﻨﻅﺭﺍ ﻴﻤﻴﻥ‬
‫ﻴﺩﺒﺭﻫﺎ ﻓﻰ ﺍﻝﻭﻅﻴﻔﺔ ‪ .‬ﻭﺍﻝﻨﺒﻰ‬
‫ﻜﺎﺩﺭ ‪ .‬ﺜﻡ ﻴﻨﻅﺭﺍ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻻﺘﻔﺭﺝ ﻭﺁﺩﻯ ﺩﻗﻨﻰ ﺁﻫﻪ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﺴﻴﺎﺭﺓ ﺍﻝﺒﺎﺸﺎ‬ ‫‪340‬‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﺘﺩﺨل ﻤﻥ ﺍﻝﻴﺴﺎﺭ ﻭﺘﺘﺤﺭﻙ ﻴﻤﻴﻨ ﹰﺎ‬
‫) ‪( 17‬‬ ‫ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨ ﹰﺎ ‪Pan Right‬‬
‫‪ ,‬ﻭﺘﻘﻑ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M .L. S‬‬ ‫‪341‬‬
‫ﻝﻠﺴﻴﺎﺭﺓ ﺘﻘﻑ ﺃﻤﺎﻡ ﻤﻨﺯل ﻤﺤﻤﺩ‬
‫ﻭﻴﺨﺭﺝ ﺍﻝﺴﺎﺌﻕ ﻭﻴﺘﺤﺭﻙ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﹰﺎ‪Pan Right‬‬
‫ﻨﺎﺤﻴﺔ ﺒﺎﺏ ﻤﻨﺯل ﻓﺎﻁﻤﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 60‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﺴﻠﻡ ﻤﻨﺯل ﻓﺎﻁﻤﺔ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L .S‬ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‬ ‫‪342‬‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﺨﻁﻭﺍﺕ ﺍﻝﺴﺎﺌﻕ‬ ‫‪ High Angle‬ﻝﻠﺴﺎﺌﻕ ﻴﺩﺨل ﻤﻥ‬
‫)‪( 17‬‬ ‫ﺼﻭﺕ ﺩﻗﺎﺕ ﺍﻝﺒﺎﺏ‬ ‫ﺍﻝﺒﺎﺏ ﻭﻴﺘﺤﺭﻙ ﻴﻤﻴﻨ ﹰﺎ ﻭﻴﺼﻌﺩ ﺍﻝﺴﻠﻡ‬
‫ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ‪ Pan Right‬ﻭﻫﻭ‬
‫ﻴﺩﻕ ﻋﻠﻰ ﺍﻝﺒﺎﺏ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 47 of 81‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 61‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺼﺎﻝﺔ ﻤﻨﺯل ﻓﺎﻁﻤﺔ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻷﻡ ﻓﺎﻁﻤﺔ‬ ‫‪343‬‬
‫ﺍﻝﺴﺎﺌﻕ ‪ :‬ﺴﻌﺎﺩﺓ ﺍﻝﺒﺎﺸﺎ ﻭﺼل‬
‫ﻭﻴﺩﺨل ﺍﻝﺴﺎﺌﻕ ﺒﻌﺩ ﺃﻥ ﺘﻔﺘﺢ ﺍﻝﺒﺎﺏ‬
‫ﺍﻝﻨﻬﺎﺭﺩﺓ ﻤﻥ ﺃﻭﺭﻭﺒﺎ ﻭﻋﺎﻴﺯ ﻤﺤﻤﺩ‬
‫ﻭﻴﻘﻑ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﺃﻓﻨﺩﻯ ﺤﺎ ﹰﻻ ﺩﻝﻭﻗﺕ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻷﻡ ﻓﺎﻁﻤﺔ ﺍﻷﻡ ‪ :‬ﻤﺤﻤﺩ ﺃﻓﻨﺩﻯ ‪ ..‬ﻤﺤﻤﺩ ﺃﻓﻨﺩﻯ‬ ‫‪344‬‬
‫ﻓﻰ ﺍﻝﺒﻴﺕ ﺍﻝﻠﻰ ﻗﺩﺍﻤﻨﺎ ‪ ,‬ﺘﻼﻗﻴﻪ‬ ‫ﺘﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺤﻀﺭﺘﻙ ﺩﻝﻭﻗﺕ ﻓﻰ ﻓﻰ ﺩﻜﺎﻥ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻤﺯﻴﻥ ﺍﻝﻠﻰ ﻓﻰ ﺍﻝﺤﺎﺭﺓ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻜﻤﺎ ﻓﻰ ﻝﻘﻁﺔ‬ ‫‪345‬‬
‫) ‪ ( 343‬ﻭﻴﺨﺭﺝ ﺍﻝﺴﺎﺌﻕ ﻭﺘﻐﻠﻕ‬
‫ﺍﻷﻡ ‪ :‬ﻓﺎﻁﻤﺔ ‪ ,‬ﻓﺎﻁﻤﺔ‬ ‫ﺘﺩﺨل‬ ‫ﺍﻝﺒﺎﺏ ﻭﺘﺘﺤﺭﻙ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪ ,‬ﺜﻡ‬
‫ﺼﻭﺕ ﻓﺎﻁﻤﺔ ‪ :‬ﺒﺘﻨﺩﻫﻴﻠﻰ ﻴﺎﺃﻤﻪ ؟‬ ‫ﻓﺎﻁﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻤﻥ ﺍﻝﻴﻤﻴﻥ‬
‫ﺍﻷﻡ ‪ :‬ﺘﻌﺎﻝﻰ ﺃﺴﻤﻌﻰ ‪ .‬ﻭﺍﺤﺩ ﺒﺎﺸﺎ‬ ‫ﻤﺴﺢ ‪Wipe‬‬
‫ﺒﺎﻋﺕ ﻤﺭﺴﺎل ﻝﻤﺤﻤﺩ ﺃﻓﻨﺩﻯ ﻋﻠﺸﺎﻥ‬
‫ﻴﻘﺎﺒﻠﻪ ‪.‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺒﺎﺸﺎ ‪!.‬‬
‫ﺍﻷﻡ ‪ :‬ﺃﻴﻭﺓ ﺃﻴﻭﺓ ‪ ..‬ﻻﺯﻡ ﻓﻴﻬﺎ ﺤﺎﺠﺔ‬
‫ﻤﻬﻤﺔ ‪ ,‬ﻤﻌﺭﻓﺔ ﺍﻝﻨﺎﺱ ﺍﻝﻜﺒﺎﺭ ﻜﻠﻬﺎ‬
‫ﻤﻜﺴﺏ ‪.‬‬
‫ﻤﺸﻬﺩ )‪( 62‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺼﺎﻝﻭﻥ ﻤﻨﺯل ﺍﻝﺒﺎﺸﺎ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻠﺼﺎﻝﻭﻥ ﻭﺍﻝﺒﺎﺸﺎ ﺍﻝﺨﺎﺩﻡ ‪ :‬ﻤﺤﻤﺩ ﺃﻓﻨﺩﻯ ﻴﺎﺴﻌﺎﺩﺓ‬ ‫‪346‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﺩﺨل ﺍﻝﺨﺎﺩﻡ ﻤﻥ ﺍﻝﺒﺎﺏ ﻓﻰ ﺍﻝﺒﺎﺸﺎ ‪.‬‬
‫ﻼ‪ ..‬ﺃﻨﺕ‬‫ﺍﻝﺒﺎﺸﺎ ‪ :‬ﺃﻫﻼ ﻭﺴﻬ ﹰ‬ ‫ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﻴﺩﺨل ﻤﺤﻤﺩ‬
‫ﻭﻴﺘﺼﺎﻓﺤﺎ ﻭﻴﺠﻠﺱ ﻤﺤﻤﺩ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺍﺤﺸﻨﻰ ﻗﻭﻯ ﻴﺎﻤﺤﻤﺩ ﺃﻓﻨﺩﻯ‬
‫ﻤﺤﻤﺩ ‪ :‬ﺍﷲ ﻴﺨﻠﻴﻙ ﻴﺎﺴﻌﺎﺩﺓ‬ ‫ﻭﺍﻝﺒﺎﺸﺎ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺍﻝﺒﺎﺸﺎ ‪ .‬ﺤﻤﺩﺍﷲ ﻋﻠﻰ ﺍﻝﺴﻼﻤﺔ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻠﺒﺎﺸﺎ ﻴﻨﻅﺭ ﺍﻝﺒﺎﺸﺎ ‪ :‬ﻗﻭﻝﻠﻰ ﻴﺎﺴﻰ ﻤﺤﻤﺩ ‪ .‬ﺁﻴﻪ‬ ‫‪347‬‬
‫ﺍﻝﻌﺒﺎﺭﺓ ؟ ﻋﺩﻝﻰ ﻤﻥ ﺴﺎﻋﺔ‬ ‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻤﺎﺴﺎﻓﺭﺕ ‪ ,‬ﻻﺒﻌﺕ ﺠﻭﺍﺒﺎﺕ ‪ ,‬ﻭﻻ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻗﺎﻝﻠﻰ ﻋﻤﻠﺘﻡ ﺁﻴﻪ ﻓﻰ ﺸﻐﻠﻜﻡ ؟‬
‫ﻭﺁﺩﻴﻨﻰ ﺭﺠﻌﺕ ﺍﻝﻨﻬﺎﺭﺩﺓ ‪ .‬ﻭﺠﺩﺘﻪ‬
‫ﻤﺘﻐﻴﺏ ﻋﻥ ﺍﻝﺒﻴﺕ ‪ .‬ﻫﻭ ﻏﻁﺴﺎﻥ‬
‫ﻓﻴﻥ ؟‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻴﻨﻅﺭ ﻤﺤﻤﺩ ‪ :‬ﻭﺍﷲ ﻴﺎﺴﻌﺎﺩﺓ ﺍﻝﺒﺎﺸﺎ ﺃﻨﺎ ﻝﻰ‬ ‫‪348‬‬
‫ﻤﺩﺓ ﻤﺎﺸﻔﺘﻭﺵ ‪.‬‬ ‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﺼﻭﺕ ﺍﻝﺒﺎﺸﺎ ‪ :‬ﻤﺎﺸﻔﺘﻭﺵ ﺇﺯﺍﻯ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻜﻼﻡ ﺩﻩ ؟ ﺃﻨﺘﻡ ﻤﺵ ﺒﺘﺸﺘﻐﻠﻭﺍ ﻓﻰ‬
‫ﺍﻝﻤﻜﺘﺏ ﺍﻝﺠﺩﻴﺩ ﻤﻊ ﺒﻌﺽ !‬
‫ﻤﺤﻤﺩ ‪ :‬ﻤﺎﻓﻴﺵ ﻤﻜﺘﺏ ﻭﻻﺤﺎﺠﺔ ‪.‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻸﺜﻨﻴﻥ ﺒﺭﻭﻓﻴل‬ ‫‪349‬‬
‫ﺍﻝﺒﺎﺸﺎ ‪ :‬ﻴﻌﻨﻰ ﺁﻴﻪ ؟‬
‫ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺒﻌﺽ ﺜﻡ ﻴﻌﻁﻰ ﺩﻭﺴﻴﻪ‬
‫ﻤﺤﻤﺩ ‪ :‬ﻤﺎﻫﻭ ﻋﺩﻝﻰ ﻨﻘﺽ ﻜﻼﻤﻪ‬
‫ﻝﻠﺒﺎﺸﺎ ‪ ,‬ﺜﻡ ﻴﻘﻑ ﺍﻝﺒﺎﺸﺎ ‪ ,‬ﻭﻴﻘﻑ ﻤﺤﻤﺩ‬
‫ﺘﺎﻨﻰ ﻭﻴﺎﻴﺎ ‪ ,‬ﺒﻌﺩ ﻤﺎﻜﻨﺕ ﺨﻼﺹ‬
‫ﻭﻴﻘﺘﺭﺏ ﻤﻥ ﺍﻝﺒﺎﺸﺎ ﻭﻴﺘﺤﺭﻙ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺠﻬﺯﺕ ﻜل ﺤﺎﺠﺔ ‪ ...‬ﺇﺘﻔﻀل‬
‫ﻭﻴﺼﺒﺢ ﺒﻤﻔﺭﺩﻩ ﻓﻰ ﺍﻝﻜﺎﺩﺭ ‪ ,‬ﻭﻴﻠﺘﻔﺕ‬
‫ﺴﻌﺎﺩﺘﻙ ﺃﺩﻯ ﺒﻴﺎﻥ ﺍﻝﻤﺸﺎﺭﻴﻊ ‪.‬‬
‫ﻴﻤﻴﻨﹰﺎ ﻨﺎﺤﻴﺔ ﻤﺤﻤﺩ ‪ ,‬ﺜﻡ ﻴﺩﺨل ﻤﺤﻤﺩ‬
‫ﺍﻝﺒﺎﺸﺎ ‪ :‬ﺁﻩ ﺍﻝﺤﻴﻭﺍﻥ ‪.‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 48 of 81‬‬

‫ﻤﻥ ﺍﻝﻴﻤﻴﻥ ﻭﻴﺼﺒﺤﺎ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﺃﻅﻥ ﺃﻜﺘﺭ ﻤﻥ ﻜﺩﻩ ‪ ,‬ﻤﺎﻴﺴﺘﺤﻤﻠﺵ‬

‫ﺃﻤﺭﻴﻜﻴﺔ ‪ , American Shot‬ﺜﻡ ﺃﺏ ﻤﻥ ﺃﺒﻨﻪ ‪ ,‬ﺤﺎﻭﻝﺕ ﻤﻌﺎﻩ‬
‫ﺘﺘﺎﺒﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ‪ Tracking Right‬ﺍﻝﻤﺴﺘﺤﻴل ‪ ,‬ﻭﺁﺩﻯ ﺁﺨﺭ ﺃﻤل ﻜﻤﺎﻥ‬
‫ﺍﻝﺒﺎﺸﺎ ﻭﻫﻭ ﻴﺘﺤﺭﻙ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﺩﺨل ﻁﻠﻊ ﺒﺎﻝﺸﻜل ﺩﻩ ‪ ,‬ﻋﻠﻰ ﺃﻯ ﺤﺎل‬
‫ﺃﻨﺕ ﻤﺎﺘﺯﻋﻠﺵ ﻴﺎﻤﺤﻤﺩ ‪.‬‬ ‫ﺍﻝﻤﻜﺘﺏ ﻭﻴﺴﺤﺏ ﻭﺭﻗﺔ ﻭﻗﻠﻡ‬
‫ﻤﺤﻤﺩ ‪ :‬ﺍﻨﺎ ﻤﺵ ﺯﻋﻼﻥ ﻴﺎﺴﻌﺎﺩﺓ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺒﺎﺸﺎ ‪ ,‬ﺃﻨﺎ ﺒﺱ ﻜﺎﻥ ﺒﻭﺩﻯ ﺃﻥ‬
‫ﻋﺩﻝﻰ ﻴﻨﺎل ﺭﻀﺎﻜﻡ ‪.‬‬
‫ﺍﻝﺒﺎﺸﺎ ‪ :‬ﺍﻝﺘﻌﺏ ﺍﻝﻠﻰ ﺃﻨﺕ ﺘﻌﺒﺘﻪ ﺩﻩ‬
‫ﻜﻠﻪ ‪ ,‬ﺃﻨﺎ ﺒﺈﺫﻥ ﺍﻝﻠﻠﻪ ﺤﺎﻋﻭﻀﻪ ﻝﻙ ‪.‬‬
‫‪ 350‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ . M .S‬ﻝﻠﺒﺎﺸﺎ ﻴﻨﺤﻨﻰ‬
‫ﻋﻠﻰ ﺍﻝﻤﻜﺘﺏ ﻭﺘﻨﺯل ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻷﺴﻔل ‪ Tilt Down‬ﻝﻠﺘﺎﺒﻌﻪ ﻭﻫﻭ‬
‫ﻼ ﺒﺎﺒﺎ ‪ .‬ﺃﻨﺕ ﺸﺭﻓﺕ‬ ‫ﻋﺩﻝﻰ ‪ :‬ﺃﻫ ﹰ‬
‫ﻴﻜﺘﺏ ‪ ,‬ﺜﻡ ﻴﻠﺘﻔﺕ ﻋﻜﺱ ﺇﺘﺠﺎﻩ‬
‫ﺃﻤﺘﻰ ؟ ‪ ..‬ﺁﻴﻪ ﺍﻝﻴﻭﻡ ﺍﻝﺴﻌﻴﺩ ﺩﻩ ‪.‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ ,‬ﺜﻡ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ‬
‫ﺃﻨﺕ ﺼﺤﺘﻙ ﻤﺎﺸﺎﺀ ﺍﷲ ﻴﺎﺒﺎﺒﺎ ‪.‬‬
‫‪ Pan Left‬ﻝﻌﺩﻝﻰ ﻭﻫﻭ ﻴﺩﺨل‬
‫ﺤﻤﺩﺍﷲ ﻋﻠﻰ ﺍﻝﺴﻼﻤﺔ ‪ ,‬ﺃﻨﺎ ﺁﺴﻑ‬
‫ﺍﻝﻤﻜﺘﺏ ‪ ,‬ﺜﻡ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﹰﺎ‪Pan‬‬
‫ﺠﺩﹰﺍ ﺍﻝﻠﻰ ﻤﺎﻜﺎﻨﺵ ﻋﻨﺩﻯ ﺨﺒﺭ‬
‫‪ Right‬ﻤﻌﻪ ﻭﻴﺼﺒﺢ ﻫﻭ ﻭﺍﻝﺒﺎﺸﺎ ﻓﻰ‬
‫ﺃﺴﺘﻘﺒﻠﻙ ﻓﻰ ﺍﻝﻤﺤﻁﺔ ‪ ...‬ﺭﺃﻓﺕ‬
‫ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ , .M.S‬ﻭﻴﻨﻅﺭ ﺸﻭﻜﺕ ﻋﺯﺕ ﺃﺘﻔﻀﻠﻭﺍ ‪.‬‬
‫ﻋﻜﺱ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ ,‬ﺜﻡ ﻴﻠﺘﻔﺕ ﺍﻝﺒﺎﺸﺎ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﺭﺃﻓﺕ ‪ :‬ﺤﻤﺩﺍﷲ ﻋﻠﻰ ﺍﻝﺴﻼﻤﺔ‬ ‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ‪American Shot‬‬ ‫‪351‬‬
‫ﻴﺎﺴﻌﺎﺩﺓ ﺍﻝﺒﺎﺸﺎ ‪.‬‬ ‫ﻝﺜﻼﺜﺔ ﻴﺩﺨﻠﻭﻥ ﻤﻥ ﺍﻝﺒﺎﺏ ‪ ,‬ﺜﻡ ﻴﺩﺨل‬
‫ﺸﻭﻜﺕ ‪ :‬ﺇﺯﺍﻯ ﺍﻝﺼﺤﺔ ‪.‬‬ ‫ﻋﺩﻝﻰ ﻤﻥ ﺍﻝﻴﻤﻴﻥ ﻭﻴﻨﻅﺭﻭﻥ ﺠﻤﻴﻌﹰﺎ‬
‫ﻋﺩﻝﻰ ‪ :‬ﺇﺤﻨﺎ ﺠﺎﻴﻴﻥ ﺴﻭﺍ ﻤﻥ ﺭﺤﻠﺔ‬ ‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﺼﻴﺩ ‪ ,‬ﻜﺎﻨﺕ ﻅﺭﻴﻔﺔ ﻗﻭﻯ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺸﻭﻜﺕ ‪ :‬ﻤﺩﻫﺸﺔ‬
‫ﺭﺃﻓﺕ ‪ :‬ﻤﻀﻴﻨﺎ ﻭﻗﺕ ﻝﻁﻴﻑ‬
‫ﺨﺎﻝﺹ ‪.‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﻜﻨﺎ ﻋﺎﻤﻠﻴﻥ ﺘﺭﺘﻴﺒﻨﺎ ﻨﻘﻌﺩ‬
‫ﻭﻗﺕ ﺃﻜﺘﺭ ﻤﻥ ﻜﺩﻩ ‪,‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻠﺒﺎﺸﺎ ﻭﺍﻀﻌﹰﺎ‬ ‫‪352‬‬
‫ﺼﻭﺕ ﻋﺩﻝﻰ ‪ :‬ﻝﻜﻥ ﺒﻘﻰ ‪..‬‬
‫ﻴﺩﻴﻪ ﻓﻰ ﺍﻝﺼﺩﻴﺭﻯ ‪ ,‬ﻭﻴﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻩ‬
‫ﺍﻝﺒﺎﺸﺎ‪ :‬ﺃﻨﺕ ﻤﺎﺃﺸﺘﻐﻠﺘﺵ ﻤﻊ ﻤﺤﻤﺩ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻝﻴﻪ ؟‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻌﺩﻝﻰ ﻭﺨﻠﻔﻪ‬ ‫‪353‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﻷﻥ ﻴﺎﺒﺎﺒﺎ ‪ ..‬ﻋﻠﺸﺎﻥ ﺃﻗﻭﻝﻙ‬
‫ﺸﻭﻜﺕ ﻭﻋﺯﺕ ‪ ,‬ﻴﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻩ ﻴﻤﻴﻥ‬
‫ﺍﻝﺤﻕ ﻴﺎﺒﺎﺒﺎ ﻴﻅﻬﺭ ﺍﻹﻨﺴﺎﻥ ﺒﻴﺘﻐﺵ‬
‫ﻜﺎﺩﺭ‬
‫ﻜﺘﻴﺭ ﻓﻰ ﺍﻝﻨﺎﺱ ﺩﻯ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻠﺒﺎﺸﺎ ﻜﻤﺎ ﻓﻰ ﺍﻝﺒﺎﺸﺎ ‪ :‬ﻋﺎﻴﺯ ﺘﻘﻭل ﺁﻴﻪ ؟‬ ‫‪354‬‬
‫ﺼﻭﺕ ﻋﺩﻝﻰ ‪ :‬ﺘﺼﻭﺭ ﻴﺎﺒﺎﺒﺎ ﺇﻨﻰ‬ ‫ﻝﻘﻁﺔ ) ‪( 352‬‬
‫ﻝﻘﻴﺕ ﻤﺤﻤﺩ ﺒﻴﺤﺎﻭل ﻴﺎﺨﺩ ﺴﻤﺴﺭﺓ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﻥ ﻭﺭﺍﻴﺎ ‪.‬‬
‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ ‪American Shot‬‬ ‫‪355‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﻭﺃﺴﺄل ﺸﻭﻜﺕ ‪.‬‬
‫ﻝﻌﺩﻝﻰ ﻜﻤﺎ ﻓﻰ ﻝﻘﻁﺔ ) ‪( 351‬‬
‫ﺸﻭﻜﺕ ‪ :‬ﺃﻴﻭﺓ ﻫﻭ ﻅﻬﺭ ﻤﻨﻪ ﺸﻭﻴﺔ‬
‫ﺘﻼﻋﺏ ‪ ,‬ﺘﺩل ﻋﻠﻰ ﻗﻠﺔ ﺍﻝﺫﻤﺔ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﻭﺃﻨﺎ ﻁﺒﻌﹰﺎ ﻝﻤﺎ ﺸﻔﺕ ﻜﺩﻩ‬
‫ﺃﻨﺴﺤﺒﺕ ﺩﻭﻏﺭﻯ ﻤﻥ ﺍﻝﻤﺸﺭﻭﻉ ‪,‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 49 of 81‬‬

‫ﻝﺒﻌﺩﻴﻥ ﺇﺫﺍ ﺨﺸﻴﻨﺎ ﻓﻰ ﻓﻰ ﺍﻝﻌﻤل ‪,‬‬

‫ﺃﺭﻭﺡ ﺃﻨﺎ ﻜﺩﻩ ﻓﻰ ﺍﻝﺭﺠﻠﻴﻥ ‪.‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻠﺒﺎﺸﺎ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬ ‫‪356‬‬
‫ﻭﺍﻷﺭﺒﻌﺔ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﺘﺘﺤﺭﻙ‬
‫ﺱ ‪ ..‬ﻫﺎﺕ ﺍﻝﺩﻭﺴﻴﻪ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‪ Pan Left‬ﻝﻤﺤﻤﺩ ﺍﻝﺒﺎﺸﺎ ‪ :‬ﺒ ‪‬‬
‫ﻭﻴﻌﻁﻰ ﺍﻝﺒﺎﺍﺸﺎ ﺍﻝﺩﻭﺴﻴﻪ ﻭﺘﺘﺤﺭﻙ ﻴﺎﻤﺤﻤﺩ ﺃﻓﻨﺩﻯ ‪ .....‬ﺃﻨﺎ ﻓﻰ ﺍﻷﻭل‬
‫ﺼﻭﺕ ﺍﻝﺼﻔﻌﺔ ﺒﺎﻝﺩﻭﺴﻴﻪ‬
‫ﺜﺎﻨﻴﺔ ﻝﻠﻴﻤﻴﻥ ‪ Pan Right‬ﻝﺘﺘﺎﺒﻊ ﻜﻨﺕ ﺒﺄﻓﺘﻜﺭ ﺒﺱ ﺃﻨﻙ ﻓﺎﺴﺩ ‪ ,‬ﻝﻜﻥ‬
‫ﺍﻝﺒﺎﺸﺎ ﺤﻴﺙ ﺍﻷﺭﺒﻌﺔ ﻭﺍﻗﻔﻴﻥ ﻭﻴﻀﺭﺏ ﺩﺍ ﻴﺜﺒﺕ ﺇﻨﻙ ﻜﺩﺍﺏ ﻭﺸﺭﻴﺭ ‪.‬‬
‫ﺍﻝﺒﺎﺸﺎ ﻋﺩﻝﻰ ﺒﺎﻝﺩﻭﺴﻴﻪ ﻓﻰ ﻭﺠﻬﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻌﺩﻝﻰ ﻴﻀﻊ ﻋﺩﻝﻰ ‪ :‬ﺒﺎﺒﺎ!‬ ‫‪357‬‬
‫ﻴﺩﻩ ﻋﻠﻰ ﺨﺩﻩ ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺼﻭﺕ ﺍﻝﺒﺎﺸﺎ ‪ :‬ﺃﺨﺭﺱ ﻴﺎﻤﻨﺤﻁ ‪.‬‬
‫ﺃﻨﺎ ﺒﺭﻯﺀ ﻤﻨﻙ ﻭﻤﻥ ﻋﺎﺭﻙ ‪,‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M. S‬ﻝﻠﺒﺎﺸﺎ ﻤﻥ ﻭﺠﻬﺔ‬ ‫‪358‬‬
‫ﺍﻝﺒﺎﺸﺎ ‪ :‬ﻻ ﺃﻨﺕ ﺃﺒﻨﻰ ﻭﻻ ﺃﻋﺭﻓﻙ ‪.‬‬
‫ﻨﻅﺭ ﻋﺩﻝﻰ‬
‫ﺃﻤﺸﻰ ﺤﺎﻻ ﺃﺨﺭﺝ ﻤﻥ ﺒﻴﺘﻰ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ . L. S‬ﻝﻠﺠﻤﻴﻊ ﻜﻤﺎ ﻓﻰ‬ ‫‪359‬‬
‫ﻝﻘﻁﺔ ) ‪ ( 356‬ﻭﻴﺨﺭﺠﻭﻥ ﻤﻥ ﺍﻝﺒﺎﺏ ﺍﻝﺒﺎﺸﺎ ‪ :‬ﺃﻤﺸﻰ ﻭﻴﺎﻩ ﺃﻨﺕ ﻭﻫﻭ‬
‫ﺼﻭﺕ ﻏﻠﻕ ﺍﻝﺒﺎﺏ‬
‫ﻴﺎﻝﻠﻼ ‪.‬‬ ‫ﻭﻴﻐﻠﻕ ﺸﻭﻜﺕ ﺍﻝﺒﺎﺏ ﻭﺭﺍﺀﻩ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 63‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺼﺎﻝﺔ ﻤﻨﺯل ﺍﻝﺒﺎﺸﺎ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻸﺭﺒﻌﺔ ﻓﻰ ﺸﻭﻜﺕ ‪ :‬ﻜﺘﻴﺭ ﻗﻭﻯ ﻴﻁﺭﺩﻨﺎ ﺃﺒﻭﻙ‬ ‫‪360‬‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ﻤﻥ ﺒﻴﺘﻪ ‪ ,‬ﻫﻭ ﺇﺤﻨﺎ ﻝﻤﺎﻤﺔ ؟‬
‫‪ ,High Angle‬ﻭﻴﺘﻘﺩﻤﻬﻡ ﻋﺩﻝﻰ ﺭﺃﻓﺕ ‪ :‬ﺯﻭﺩﻫﺎ ﻗﻭﻯ ‪.‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﺃﻨﺎ ﻋﻤﺭﻯ ﻤﺎﺸﻔﺘﻪ ﺒﺎﻝﺸﻜل‬ ‫ﻭﻴﺠﻠﺱ ﻋﻠﻰ ﺤﺎﻓﺔ ﺍﻝﻤﺎﺌﺩﺓ‬
‫ﺩﻩ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﺯﺕ ‪ :‬ﺍﻨﺕ ﻤﺵ ﺼﻐﻴﺭ ﻋﻠﺸﺎﻥ‬
‫ﻴﻌﻤل ﻭﻴﺎﻙ ﻜﺩﻩ ‪ .‬ﺃﻨﺎ ﺃﺒﻭﻴﺎ ﻋﻤﺭﻩ‬
‫ﻤﺎﻓﺘﺢ ﻋﻴﻨﻪ ﻓﻴﻪ ‪.‬‬
‫ﺭﺃﻓﺕ ‪ :‬ﺍﻷﺒﻬﺎﺕ ﺍﻷﻴﺎﻡ ﺩﻯ ﺨﺴﺭﻭﺍ‬
‫ﺨﺎﻝﺹ‬
‫ﻋﺩﻝﻰ ‪ :‬ﺁﻴﻪ ﺍﻝﻌﻤل ﻴﺎﺠﻤﺎﻋﺔ ﺩﻝﻭﻗﺕ‬
‫؟‬
‫ﺸﻭﻜﺕ ‪ :‬ﻭﻻﻴﻬﻤﻙ ‪.‬ﻫﻭ ﺃﻨﺕ ﻫﺎﺘﻨﺎﻡ‬
‫ﻓﻰ ﺍﻝﺸﺎﺭﻉ ؟‬
‫ﻋﺯﺕ ‪ :‬ﺴﻴﺒﻙ ﻤﻨﻪ ‪ .‬ﺃﻯ ﺸﻰﺀ‬
‫ﻴﻠﺯﻤﻙ ﻴﺎﻋﺩﻝﻰ ‪ ,‬ﺍﻝﺠﻴﺏ ﻭﺍﺤﺩ ‪.‬‬
‫ﺭﺃﻓﺕ ‪ :‬ﻫﻰ ﻓﻭﻀﻰ ﻴﻁﺭﺩﻙ ﻤﻥ‬
‫ﺒﻴﺘﻪ ؟‬
‫ﺸﻭﻜﺕ ‪ :‬ﻭﻜﻤﺎﻥ ﻴﺤﺩﻓﻙ ﺒﺎﻝﺩﻭﺴﻴﻪ‬
‫ﻓﻰ ﻭﺸﻙ ﻗﺩﺍﻤﻨﺎ ؟ ﺴﻰ ﺘﺭﻭ !‬
‫‪ 361‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻸﺭﺒﻌﺔ ‪ ,‬ﺜﻡ ﻋﺩﻝﻰ ‪ :‬ﺇﺴﻤﻌﻭﺍ ﻴﺎﺠﻤﺎﻋﺔ ﺃﺴﺘﻨﻭﻨﻰ‬
‫ﻴﻌﺘﺩل ﻋﺩﻝﻰ ﻭﻴﻘﻑ ﻴﺴﺎﺭ ﻭﺍﻝﺜﻼﺜﺔ ﻴﻤﻴﻥ ﺸﻭﻴﺔ ‪ ..‬ﺍﻨﺎ ﻁﺎﻝﻊ ﺁﺨﺩ ﻫﺩﻭﻤﻰ ‪.‬‬
‫ﻜﺎﺩﺭ ‪ .‬ﺜﻡ ﻴﺨﺭﺝ ﻋﺩﻝﻰ ﻤﻥ ﺍﻝﻴﺴﺎﺭ ‪ ,‬ﺸﻭﻜﺕ ‪ :‬ﺘﻔﺘﻜﺭﻭﺍ ﺇﻥ ﺍﻝﺒﺎﺸﺎ ﻜﺎﻥ‬
‫ﻭﻴﺘﻘﺩﻡ ﺃﺼﺩﻗﺎﺌﻪ ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺒﻴﺘﻜﻠﻡ ﺠﺩ ؟‬
‫ﺭﺃﻓﺕ ‪ :‬ﻤﺎﺃﻅﻨﺵ ‪.‬‬ ‫ﻭﻴﺠﻠﺱ ﺸﻭﻜﺕ ﻋﻠﻰ ﺍﻝﻤﺎﺌﺩﺓ‬
‫ﻋﺯﺕ ‪ :‬ﻻ ﺘﻅﻥ ﻗﻭﻯ ﺃﻨﺎ ﺸﺎﻴﻑ ﺇﻥ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻤﺴﺄﻝﻪ ‪.....‬‬
‫ﺸﻭﻜﺕ ‪ :‬ﻭﺒﻌﺩﻴﻥ ﻝﻤﺎ ﻴﺠﻴﺏ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 50 of 81‬‬

‫ﻫﺩﻭﻤﻪ ‪ ,‬ﺩﻩ ﺤﺘﻌﻤﻠﻪ ﺁﻴﻪ ؟‬

‫ﻋﺯﺕ ‪ :‬ﻤﺎﺃﻨﺘﻡ ﺍﻝﻠﻰ ﻭﺭﻁﺘﻭﺍ‬
‫ﺭﻭﺤﻜﻡ !‪ ...‬ﻗﻌﺩﺕ ﺤﻀﺭﺘﻙ ﺘﻁﻤﻨﻪ‬
‫ﻭﺘﻘﻭﻝﻪ ﻤﺵ ﺤﺎﺘﻨﺎﻡ ﻓﻰ ﺍﻝﺸﺎﺭﻉ ‪.‬‬
‫ﺭﺃﻓﺕ ‪ :‬ﻭﺃﻨﺕ ﻤﺎﻗﻠﺘﻠﻭﺵ ﺍﻝﺠﻴﺏ‬
‫ﻭﺍﺤﺩ ‪ ..‬ﺸﻭﻓﻭﺍ ﺒﻘﻰ ﺘﺯﻭﻏﺯﻭﺍ ﻤﻨﻪ‬
‫ﺇﺯﺍﻯ ؟‬
‫ﺸﻭﻜﺕ ‪ :‬ﺍﻤﺎ ﺍﻨﺕ ﺒﺎﺭﺩ ﺼﺤﻴﺢ ‪.‬‬
‫ﻓﻰ ﻤﻭﻗﻑ ﺯﻯ ﺩﻩ ‪ ,‬ﺤﻨﻘﻭﻝﻪ ﺁﻴﻪ ؟‬
‫ﺃﻫﻭ ﻜﻼﻡ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 64‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﻏﺭﻓﺔ ﺍﻝﻤﻜﺘﺏ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻭﺍﻗﻔ ﹰﺎ ﻤﺤﻤﺩ ‪ :‬ﺃﻨﺎ ﺁﺴﻑ ﻴﺎﺴﻌﺎﺩﺓ ﺍﻝﺒﺎﺸﺎ‬ ‫‪362‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺒﺭﻭﻓﻴل ﻭﺍﻝﺒﺎﺸﺎ ﺠﺎﻝﺱ ﻝﻠﻰ ﺤﺼل ‪ ,‬ﻭﻴﺅﻝﻤﻨﻰ ﺠﺩﹰﺍ ﺃﻨﻪ‬
‫ﺨﻠﻑ ﺍﻝﻤﻜﺘﺏ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻜﻭﻥ ﺒﺴﺒﺒﻰ ‪.‬‬
‫ﺒﺎﻝﻌﻜﺱ ﻫﻭ ﺩﻩ ﺍﻝﻠﻰ ﻜﺎﻥ ﻻﺯﻡ‬ ‫ﻭﻴﺠﺫﺏ ﺴﻤﺎﻋﺔ ﺍﻝﺘﻠﻴﻔﻭﻥ‬
‫ﺼﻭﺕ ﺩﻭﺭﺍﻥ ﻗﺭﺹ‬
‫ﻴﺤﺼل ﻤﻥ ﺯﻤﺎﻥ ‪ .‬ﻭﺃﻨﺎ ﻤﻁﻭل‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺘﻠﻴﻔﻭﻥ‬
‫ﺒﺎﻝﻰ ﻋﻠﻴﻪ ﻝﻐﺎﻴﺔ ﺍﻝﻨﻬﺎﺭﺩﺓ ‪ ...‬ﺁﻝﻭ‬
‫ﺸﺭﻜﺔ ﺍﻝﻤﻘﺎﻭﻻﺕ ﺍﻝﻜﺒﺭﻯ ؟ ﺇﺩﻴﻨﻰ‬
‫ﺍﻝﻤﺩﻴﺭ ﻤﻥ ﻓﻀﻠﻙ ‪ ...‬ﺃﻴﻭﺓ ﻗﻭﻝﻪ‬
‫ﻨﺯﻴﻪ ﺒﺎﺸﺎ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M. Close up‬ﺍﻝﺒﺎﺸﺎ ‪ :‬ﺍﻝﻭﻝﺩ ﺩﻩ ﻴﺴﺘﺤﻴل ﻴﺨﺵ‬ ‫‪363‬‬
‫ﻝﻠﺒﺎﺸﺎ ﻴﻤﺴﻙ ﺍﻝﺴﻤﺎﻋﺔ ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ ﺒﻴﺘﻰ ﺘﺎﻨﻰ ‪ ,‬ﻏﻼ ﺇﺫﺍ ﺇﻨﺼﻠﺢ ﺤﺎﻝﻪ‬
‫ﺘﻤﺎﻡ ﻭﻴﺜﺒﺕ ﻝﻰ ﺃﻨﻪ ﺭﺍﺠل ‪ ...‬ﺃﻴﻭﺓ‬ ‫ﻜﺎﺩﺭ ﻷﺴﻔل‬
‫ﺒﻭﻨﺠﻭﺭ ﺇﻜﺴﻼﻨﺱ ‪ .‬ﺇﺯﺍﻯ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺼﺤﺔ ‪ ,‬ﻤﻴﺭﺴﻰ ﻗﻭﻯ ‪ .‬ﻭﺼﻠﺕ‬
‫ﺍﻝﻨﻬﺎﺭﺩﺓ ‪.‬ﺃﻨﺎ ﻴﺎﺴﻴﺩﻯ ﻝﻰ ﺭﺠﺎﺀ‬
‫ﻋﻨﺩ ﺴﻌﺎﺩﺘﻙ ‪ ..‬ﺍﻝﻌﻔﻭ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M. Close up‬ﺼﻭﺕ ﺍﻝﺒﺎﺸﺎ ‪ :‬ﻓﻴﻪ ﺸﺎﺏ ﺇﺴﻤﻪ‬ ‫‪364‬‬
‫ﻤﺤﻤﺩ ﺃﻓﻨﺩﻯ ﺤﻨﻔﻰ ‪ ,‬ﻴﻬﻤﻨﻰ ﺃﻤﺭﻩ‬ ‫ﻝﻤﺤﻤﺩ ﻴﻨﻅﺭ ﻷﺴﻔل ﻴﺴﺎﺭﹰﺍ‬
‫ﻜﺘﻴﺭ ﻗﻭﻯ ؟‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ M .Close up‬ﺍﻝﺒﺎﺸﺎ ‪ :‬ﻋﺎﻗل ﻭﻤﺴﺘﻴﻘﻡ ﻭﻋﻨﺩﻩ‬ ‫‪365‬‬
‫ﺩﺒﻠﻭﻡ ﻋﺎﻝﻰ ‪ ..‬ﺃﻨﺎ ﺒﺩﻯ ﺃﺒﻌﺘﻪ ﻝﻙ‬ ‫ﻝﻠﺒﺎﺸﺎ ﻜﻤﺎ ﻓﻰ ﻝﻘﻁﺔ ) ‪( 363‬‬
‫ﺘﺸﻭﻑ ﺃﻴﻪ ﺍﻝﻠﻰ ﻴﻤﻜﻥ ﺘﻌﻤﻠﻪ‬ ‫ﺍﺨﺘﻔﺎﺀ ﺘﺩﺭﻴﺠﻰ ‪Fade -out‬‬
‫ﻝﻪ ‪ ....‬ﻤﺘﺸﻜﺭ ﺠﺩﹰﺍ ﻴﺎﺫﻫﻨﻰ‬
‫ﺒﺎﺸﺎ ‪ ..‬ﺃﻭﺭﻭﻓﻭﺍﺭ ﺇﻜﺴﻼﻨﺱ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 65‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﺴﻜﺭﺘﻴﺭ‬
‫ﺍﻝﺸﺭﻜﺔ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪ .M .L. S‬ﺍﻝﺴﻜﺭﺘﻴﺭ ‪ :‬ﺃﺒﺩﹰﺍ ﻴﺎﺠﻭﺩﺕ ‪ .‬ﺍﺒﺩﹰﺍ‬ ‫‪366‬‬
‫ﻝﻠﺴﻜﺭﺘﻴﺭ ﻭﻅﻬﺭﻩ ﻝﻠﻜﺎﻤﻴﺭﺍ ‪ ,‬ﺜﻡ ﻴﺩﺨل ﻤﺴﺘﺤﻴل ﺍﻝﺒﻨﺕ ﺩﻯ ﺃﺘﺼﺎﻝﺢ ﻭﻴﺎﻫﺎ‬
‫ﺒﻌﺩ ﺒﻬﺩﻝﺘﻬﺎ ﻓﻴﻪ ﻗﺩﺍﻡ ﺍﻝﻠﻰ ﻗﺎﻋﺩﻴﻥ‬ ‫ﻤﺤﻤﺩ ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﻓﻰ ﺍﻝﻜﺒﺎﺭﻴﻪ ﻜﻠﻬﻡ ؟ ﺃﻨﺎ ﺍﻝﻠﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻏﺎﻴﻅﻨﻰ ﺒﺱ ﻗﺒﻠﻬﺎ ﺒﻠﻴﻠﺔ ﻭﺍﺤﺩﺓ ‪.‬‬
‫ﻨﺎﺘﺸﺔ ﻤﻨﻰ ﺨﺎﺘﻡ ﺒﺭﻝﻨﺕ ﺒﺄﺭﺒﻌﺔ‬
‫ﻭﺘﻼﺘﻴﻥ ﺠﻨﻴﻪ‬
‫ﻤﺤﻤﺩ ‪ :‬ﺍﻝﺴﻼﻡ ﻋﻠﻴﻜﻡ ﻴﺎﺤﻀﺭﺓ‬
‫ﺍﻝﺴﻜﺭﺘﻴﺭ ‪.‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 51 of 81‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻠﺴﻜﺭﺘﻴﺭ ﺨﻠﻑ ﺍﻝﻤﻜﺘﺏ ﺍﻝﺴﻜﺭﺘﻴﺭ ‪ :‬ﻨﻌﻡ ! ﺃﻅﻥ ﺍﻝﺘﻭﺸﻴﺢ‬ ‫‪367‬‬
‫ﺇﻴﺎﻩ ﺒﺘﺎﻉ ﻜل ﻨﻭﺒﺔ ‪ ..‬ﻤﺵ ﻜﺩﻩ ؟‬ ‫ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻤﺎﻓﻴﺵ ﻭﻅﺎﻴﻑ ﻤﺎﻓﻴﺵ ﻫﺒﺎﺏ ‪,‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺎﻓﻴﺵ ﻗﻁﺭﺍﻥ ﻴﺎﻨﺎﺱ ﺇﺨﺘﺸﻭﺍ ﻋﻠﻰ‬
‫ﺩﻤﻜﻡ ﺭﻭﻗﻭﻨﺎ ‪ ,‬ﺴﻴﺒﻭﻨﺎ ﻨﺸﻭﻑ‬
‫ﺃﺸﻐﺎﻝﻨﺎ ‪ ..‬ﺃﻑ ﺃﻋﻭﺫ ﺒﺎﷲ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪ M .L. S‬ﻝﻤﺤﻤﺩ‬ ‫‪368‬‬
‫ﻜﻤﺎ ﻓﻰ ﻝﻘﻁﺔ ) ‪ ( 366‬ﻴﻤﺩ ﻤﺤﻤﺩ ﻴﺩﻩ ﺍﻝﺴﻜﺭﺘﻴﺭ ‪ :‬ﻜﻨﺎ ﺒﻨﻘﻭل ﺁﻴﻪ ﻴﺎﺠﻭﺩﺕ‬
‫؟‬ ‫ﺒﺎﻝﻜﺎﺭﺕ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻤﺤﻤﺩ ﻅﻬﺭﻩ ﺍﻝﺴﻜﺭﺘﻴﺭ ‪ .....:‬ﻴﺎﻨﻬﺎﺭ ﺯﻯ‬ ‫‪369‬‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺍﻝﺴﻜﺭﺘﻴﺭ ﻓﻰ ﺒﻌﻀﻪ ‪ .‬ﻫﻭ ﺤﻀﺭﺘﻙ ﺍﻝﻠﻰ ﻤﻥ‬
‫ﺍﻝﻤﻭﺍﺠﻬﺔ ‪ .‬ﻭﻴﻘﻑ ﻭﻴﺭﺘﺩﻯ ﺍﻝﻁﺭﺒﻭﺵ ﻁﺭﻑ ﻨﺯﻴﻪ ﺒﺎﺸﺎ ؟ ﻁﻴﺏ ﻴﺎﺃﻓﻨﺩﻡ‬
‫ﻭﺘﺘﺭﺍﺠﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﻠﺨﻠﻑ‪ Track out‬ﻤﺵ ﺘﻘﻭﻝﻠﻰ ؟ ﺃﺭﺠﻭﻙ ﺘﺴﺎﻤﺤﻨﻰ‬
‫‪ ,‬ﺜﻡ ﻴﺘﺤﺭﻙ ﻭﻤﻌﻪ ﻤﺤﻤﺩ ﻝﻠﻴﺴﺎﺭ ﻴﺎﺤﻀﺭﺓ ﺒﺎﺭﺩﻭﻥ ﻤﺎﺘﺄﺨﺩﻨﻴﺵ ‪ .‬ﺃﻨﺎ‬
‫ﻭﺘﺘﺎﺒﻌﻬﻤﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Pan Left‬ﻤﺘﺄﺴﻑ ﻗﻭﻯ ‪.‬ﺇﺘﻔﻀل ﻴﺎﻓﻨﺩﻡ ‪..‬‬
‫ﺇﺘﻔﻀل ‪ .‬ﺴﻌﺎﺩﺓ ﺍﻝﺒﺎﺸﺎ ﺍﻝﻤﺩﻴﺭ ‪,‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺃﺨﺭ ﻨﺯﻭﻝﻪ ﻤﺨﺼﻭﺹ ﻋﻠﺸﺎﻥ‬
‫ﻤﻨﺘﻅﺭ ﺤﻀﺭﺘﻙ‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻶﻝﺔ ﺍﻝﻜﺎﺘﺒﺔ‬ ‫‪370‬‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬
‫ﺼﻭﺕ ﺍﻵﻝﺔ ﺍﻝﻜﺎﺘﺒﺔ‬ ‫ﻴﻜﺘﺏ ﻗﺭﺍﺭ ﺘﻌﻴﻴﻥ ﻤﺤﻤﺩ‬
‫) ‪( 18‬‬
‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻤﺸﻬﺩ ) ‪( 66‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻜﺘﺏ ﻤﻭﻅﻔﻰ‬
‫ﺍﻝﺸﺭﻜﺔ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻤﻜﺎﺘﺏ ﺍﻝﻤﻭﻅﻔﻴﻥ‬ ‫‪371‬‬
‫ﻭﻴﺘﺤﺭﻙ ﻨﺒﻴﻪ ﺒـﻙ ﻤﻥ ﺍﻝﻴﻤﻴﻥ ﻭﺨﻠﻔﻪ‬
‫ﻨﺒﻴﻪ ‪ :‬ﺇﺘﻔﻀل ﺇﺴﺘﺭﻴﺢ ﻴﺎﻤﺤﻤﺩ‬
‫ﺍﻝﺴﺎﻋﻰ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺃﻓﻨﺩﻯ ﺍﻝﺩﻭﺴﻴﻬﺎﺕ ﺍﻝﻠﻰ ﺠﺎﻴﺒﻬﺎﻝﻙ‬
‫‪ Pan Left‬ﻭﺨﻠﻔﻪ ﺍﻝﺴﺎﻋﻰ ﻴﻀﻊ‬
‫ﺩﻯ ﻻﺤﻅ ﺇﻥ ﻓﻴﻬﺎ ﻭﺜﺎﺌﻕ ﺨﻁﻴﺭﺓ‬
‫ﺍﻝﺩﻭﺴﻴﻬﺎﺕ ﻋﻠﻰ ﺍﻝﻤﻜﺘﺏ ‪ ,‬ﻭﻴﻘﻑ‬
‫ﻝﻠﺸﺭﻜﺔ ‪...‬ﺃﻨﺕ ﻓﺎﻫﻤﻨﻰ ؟‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﻤﺤﻤﺩ ‪ ,‬ﺜﻡ ﻴﺠﻠﺱ ﺜﺎﻨﻴﺔ ﻭﻴﺼﺒﺢ ﻓﻰ‬
‫ﻤﺤﻤﺩ ‪ :‬ﺃﻴﻭﺓ ﻴﺎﻓﻨﺩﻡ‬
‫) ‪( 18‬‬ ‫ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M .L. S‬‬
‫ﻨﺒﻴﻪ ‪ :‬ﺁﺩﻯ ﺍﻝﻜﺸﻑ ﺒﺘﺎﻋﻬﺎ ‪,‬‬
‫‪ ,‬ﺜﻡ ﻴﺨﺭﺩﺝ ﺍﻝﺴﺎﻋﻰ ﻤﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻋﻠﺸﺎﻥ ﺘﻤﻀﻰ ﻝﻨﺎ ﻋﻠﻰ‬
‫ﻭﻴﺩﺨل ﻤﻭﻅﻑ ﻝﻴﺸﺭﺏ ﻤﻥ ﺍﻝﺼﻨﺒﻭﺭ‬
‫ﺍﻝﺴﺭﻜﻰ ‪ .....‬ﺍﻝﻌﻬﺩﺓ ﺩﻯ ﻴﺎﻤﺤﻤﺩ‬
‫ﺍﻝﺫﻯ ﻴﻭﺠﺩ ﻓﻰ ﻤﻘﺩﻤﺔ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ‬
‫ﺃﻓﻨﺩﻯ ﻋﺎﻴﺯﺓ ﻤﻨﺘﻬﻰ ﺍﻝﻤﺤﺎﻓﻅﺔ ‪.‬‬
‫ﺃﻤﺎﻡ ﻤﻜﺘﺏ ﻤﺤﻤﺩ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻤﻭﻅﻑ ﺍﻝﻌﻤﻴل ‪ :‬ﺸﻬﻠﻨﻰ ﺒﻘﻰ ﻴﺎﺤﺴﻴﻥ‬ ‫‪372‬‬
‫ﺠﺎﻝﺱ ﻋﻠﻰ ﺍﻝﻤﻜﺘﺏ ﻭﺒﺠﻭﺭﺍﻩ ﺭﺠﻼﻥ ﺃﻓﻨﺩﻯ ﺇﻋﻤل ﻤﻌﺭﻭﻑ‬
‫ﻭﻴﻘﻑ ﻋﻤﻴل ﻓﻰ ﺍﻝﻴﻤﻴﻥ ‪ ,‬ﺜﻡ ﻴﺨﺭﺝ ﺤﺴﻴﻥ ‪ :‬ﻭﺃﻨﺎ ﺃﻋﻤل ﻝﻙ ﺁﻴﻪ ﻭﺭﻗﻙ‬
‫ﺨﻠﺹ ﻭﺍﻝﻤﺴﺄﻝﺔ ﺩﻝﻭﻗﺘﻰ ﻓﻰ ﺇﻴﺩ‬ ‫ﺍﻝﻌﻤﻴل ﻤﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﺍﻝﺤﺴﺎﺒﺎﺕ ‪ ....‬ﻓﺎﻫﻤﻴﻥ ﺁﻴﻪ ﻴﺎﺃﺨﻭﻴﺎ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺒﻨﻠﻌﺏ ﻫﻨﺎ !‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M .Close up‬‬ ‫‪373‬‬
‫ﺍﻝﻤﻭﻅﻑ ‪ :‬ﺨﺩ ﻴﺎﺤﺴﻴﻥ ﺃﻓﻨﺩﻯ‬
‫ﻝﻠﻤﻭﻅﻑ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﻠﻘﻰ‬
‫ﻭﺤﻴﺎﺓ ﺃﺒﻭﻙ ﺭﺍﺠﻊ ﻝﻨﺎ ﺍﻝﻤﻠﻑ ﺩﻩ‬
‫ﺒﺎﻝﻤﻠﻔﺎﺕ ﺨﺎﺭﺝ ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﺒل ﻤﺎﻴﺭﻭﺡ ﺍﻷﺭﺸﻴﻑ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M. Close up‬‬ ‫‪374‬‬
‫ﻝﺤﺴﻴﻥ ﻴﺘﻠﻘﻰ ﺍﻝﻤﻠﻑ ‪ ,‬ﺜﻡ ﻴﻨﻅﺭ ﻝﻠﺨﻠﻑ‬
‫ﺤﺴﻴﻥ ‪ :‬ﺨﺩ ﻴﺎﻤﺤﻤﺩ ﺃﻓﻨﺩﻯ ﻭﺤﻴﺎﺓ ﺼﻭﺕ ﻭﻗﻭﻉ ﺍﻝﻤﻠﻑ ﻋﻠﻰ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 52 of 81‬‬

‫ﺍﻝﻤﻜﺘﺏ‬ ‫ﺃﺒﻭﻙ ‪.‬‬ ‫ﻭﻴﻠﻘﻰ ﺒﺎﻝﻤﻠﻑ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M. Close up‬‬ ‫‪375‬‬
‫ﻝﻤﺤﻤﺩ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻓﻰ ﺍﻝﻤﻘﺩﻤﺔ‬
‫ﻴﻘﻑ ﺃﺤﺩ ﺍﻝﻤﻭﻅﻔﻴﻥ ﻴﺸﺭﺏ ﺜﻡ ﻴﺨﺭﺝ‬
‫ﺼﻭﺕ ﺍﻝﺼﻨﺒﻭﺭ‬ ‫ﻤﺤﻤﺩ ‪ :‬ﻁﻴﺏ‬
‫ﻭﻴﺩﺨل ﻤﻭﻅﻑ ﺃﺨﺭ ﻭﻴﺘﻨﺎﻭل ﺩﻭﺍﺀ‬
‫ﻭﻴﺸﺭﺏ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ M. Close up‬ﺍﻝﻤﻭﻅﻑ ‪ :‬ﺘﻌﺭﻓﻭﺍ ﺒﻘﻰ ﺨﻠﺼﻨﺎ ﻤﻥ‬ ‫‪376‬‬
‫ﻜﻤﺎ ﻓﻰ ﻝﻘﻁﺔ ) ‪ ,( 372‬ﻭﻴﺩﺨل ﻤﻭﻅﻑ ﺍﻝﻜﻭﻨﻜﺎﻥ ﺇﻤﺘﻰ ﻴﺎﺤﻅ !‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻴﺨﺭﺝ ﺒﺴﺭﻋﺔ ﻤﻥ ﺍﻝﻴﻤﻴﻥ ﺍﻝﺭﺠل ‪ :‬ﺇﻤﺘﻰ‬
‫ﺍﻝﻤﻭﻅﻑ ‪ :‬ﺍﻝﺴﺎﻋﺔ ﺃﺭﺒﻌﺔ ﺼﺒﺎﺤﺎ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺭﺠل ‪ :‬ﻴﺎﺴﻼﻡ !‬
‫ﻤﻭﻅﻑ ‪ :‬ﺍﻝﻤﺩﻴﺭ ﺒﻴﻤﺭ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M .S‬ﻝﺤﺴﻴﻥ ﻴﺭﺠﻊ‬ ‫‪377‬‬
‫ﺒﻅﺭﻩ ﻝﻠﺨﻠﻑ ﺤﻴﺙ ﻴﺠﻠﺱ ﻤﺤﻤﺩ‬
‫ﻭﻴﺴﺤﺏ ﻤﻠﻑ ﻤﻥ ﻜﻭﻤﺔ ﺍﻝﻤﻠﻔﺎﺕ‬
‫ﺍﻝﻤﻭﻀﻭﻋﺔ ﻋﻠﻰ ﻤﻜﺘﺏ ﻤﺤﻤﺩ ﻭﺘﺘﺎﺒﻌﻪ‬
‫ﺼﻭﺕ ﺍﻷﻝﺔ ﺍﻝﻜﺎﺘﺒﺔ ﻴﻌﻠﻭ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ ‪ Pan Left‬ﺜﻡ ﺘﺘﺎﺒﻌﻪ‬
‫ﻴﻤﻴﻨﹰﺎ ‪ Pan Right‬ﻭﻫﻭ ﻴﻌﻭﺩ ﺍﻝﻰ‬
‫ﻤﻜﺘﺒﻪ ﻭﻴﻠﻘﻰ ﺒﻤﻠﻑ ﻤﻥ ﺍﻝﻤﻠﻔﺎﺕ ﺍﻝﻰ‬
‫ﺃﺤﺩ ﺍﻝﻤﻭﻅﻔﻴﻥ ﻭﻴﺭﺘﺩﻯ ﺍﻝﻁﺭﺒﻭﺵ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻠﻤﺩﻴﺭ ﻴﻨﺯل ﺍﻝﺴﻠﻡ‬ ‫‪378‬‬
‫ﻭﺤﺭﻜﺔ ﻜﺎﻤﻴﺭﺍ ﻝﻠﻴﻤﻴﻥ ‪, Pan Right‬‬
‫ﺜﻡ ﻴﻘﻑ ﺒﺠﻭﺍﺭ ﺍﻝﻤﻭﻅﻑ ﺍﻝﺫﻯ ﻜﺎﻥ ﻤﻌﻪ‬
‫ﺍﻝﺭﺠﻼﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻔﻨﺎﺠﻴﻥ‬ ‫‪379‬‬
‫ﺍﻝﻘﻬﻭﺓ ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺍﻝﻤﺩﻴﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M. L. S‬‬ ‫‪380‬‬
‫ﻝﻠﻤﺩﻴﺭ ﻴﻘﻑ ﺒﺠﻭﺍﺭ ﺍﻝﻤﻜﺘﺏ ﻭﻴﻘﻑ ﺍﻝﻤﻭﻅﻑ ‪ :‬ﺩﻭﻻ ﻴﺎﺴﻌﺎﺩﺓ ﺍﻝﺒﺎﺸﺎ‬
‫ﺍﻝﻤﻅﻑ ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﻴﺨﺭﺝ ﻋﻤﻼ ﻋﻨﺩﻨﺎ ﻤﻥ ﺩﻤﻨﻬﻭﺭ ﻜﺎﻨﻭﺍ‬
‫ﺒﻴﻨﺎﻗﺸﻭﻨﻰ ﻓﻰ ﺍﻝﻔﻭﺍﺘﻴﺭ ﺒﺘﺎﻋﺘﻬﻡ ‪.‬‬ ‫ﺍﻝﻤﺩﻴﺭ ﻤﻥ ﺍﻝﻴﻤﻴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M. Close up‬‬ ‫‪381‬‬
‫ﻝﺤﺴﻴﻥ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ ,‬ﺜﻡ‬
‫ﺼﻭﺕ ﺴﻘﻭﻁ ﺍﻝﻤﻠﻑ‬
‫ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﻠﻘﻰ ﺒﺎﻝﻤﻠﻑ ﻴﻤﻴﻨ ﹰﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻴﺤﻴﻰ‬ ‫‪382‬‬
‫ﻭﺍﻗﻔﺎﺹ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻴﻐﻠﻕ ﻤﻭﻅﻑ ﺍﻷﺭﺸﻴﻑ ‪ :‬ﻓﺎﻀل ﻜﺘﻴﺭ‬
‫ﺍﻝﻤﻠﻑ ﻭﻴﻌﻁﻴﻪ ﻝﻠﺴﺎﻋﻰ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪ ,‬ﻋﺎﻝﺨﺭﻭﺝ ﻴﺎﺤﺴﻴﻥ ﺃﻓﻨﺩﻯ‬
‫ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ ‪ Pan Left‬ﺤﺴﻴﻥ ‪ :‬ﻓﺎﻀل ﻨﺹ ﺴﺎﻋﺔ ‪.‬ﻴﺎﺩﻭﺏ‬
‫ﻭﻴﻨﻅﺭ ﻝﻠﺨﻠﻑ ﻭﻴﺨﻠﻊ ﺍﻷﻜﻤﺎﻡ ﺍﻝﺴﻭﺩﺍﺀ ﻋﻠﻰ ﻤﺎﻨﻨﺯل ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 67‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻷﺭﺸﻴﻑ‬
‫‪383‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M. L. S‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 53 of 81‬‬

‫ﻝﻤﻭﻅﻑ ﺍﻷﺭﺸﻴﻑ ﻴﺭﺘﺩﻯ ﺍﻝﻁﺭﺒﻭﺵ‬

‫ﺍﻝﺴﺎﻋﻰ ‪ :‬ﺍﻝﺩﻭﺴﻴﻪ ﺩﻩ ﻤﻥ ﻋﻨﺩ‬ ‫ﻴﺤﻤل‬ ‫ﻭﻴﺩﺨل ﺍﻝﺴﺎﻋﻰ ﻤﻥ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ‬
‫ﺍﻝﻤﻠﻑ ‪ ,‬ﺜﻡ ﻴﺨﺭﺝ ﺍﻝﻤﻭﻅﻑ ﻤﻥ ﻴﻤﻴﻥ ﻴﺤﻴﻲ ﺃﻓﻨﺩﻯ‬
‫ﻜﺎﺩﺭ ‪ ,‬ﻭﻴﻠﻘﻰ ﺍﻝﺴﺎﻋﻰ ﺒﺎﻝﻤﻠﻑ ﻋﻠﻰ ﺍﻝﻤﻭﻅﻑ ‪ :‬ﺃﻨﺕ ﺠﺎﻯ ﻝﻰ ﺩﻝﻭﻗﺕ ‪.‬‬
‫ﺨﻠﻴﻪ ‪ ,‬ﺨﻠﻴﻬﻡ ﻋﻨﺩﻙ ‪.‬‬ ‫ﺍﻝﺭﻑ ﻭﻴﺨﺭﺝ ﻤﻥ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 68‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻜﺘﺏ ﺍﻝﻤﻭﻅﻔﻴﻥ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪ .M. L. S‬ﺍﻝﻤﻭﻅﻑ ‪ :‬ﻤﺎﻝﻙ ﻤﻠﺨﻭﻡ ﻝﻴﻪ ؟‬ ‫‪384‬‬
‫ﻝﻤﺤﻤﺩ ﻴﻘﻑ ﺨﻠﻑ ﺍﻝﻤﻜﺘﺏ ﻴﺒﺤﺙ ﻋﻥ ﻤﺤﻤﺩ ‪ :‬ﻤﺵ ﻋﺎﺭﻑ ﺒﺎﻴﻥ ﺍﻝﺩﻭﺴﻴﻪ‬
‫ﺍﻝﻤﻠﻑ ﻭﺨﻠﻔﻪ ﻴﺘﺤﺭﻙ ﺍﻝﻤﻅﻔﻴﻥ ‪ ,‬ﺜﻡ ﻀﺎﻉ ‪.‬‬
‫ﻴﺄﺘﻰ ﻤﻭﻅﻑ ﻭﻴﻘﻑ ﺒﺠﻭﺍﺭﻩ ‪ ,‬ﺜﻡ ﻴﺘﺭﻜﻪ ﺍﻝﻤﻭﻅﻑ ‪ :‬ﻴﺎﺸﻴﺦ ﺃﺒﻘﻰ ﺩﻭﺭ ﻋﻠﻴﻪ‬
‫ﻭﻴﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪ ,‬ﻭﻴﺩﺨل ﻴﻭﻡ ﺍﻝﺴﺒﺕ ‪.‬‬
‫ﻤﻭﻅﻑ ﺁﺨﺭ ﺜﻡ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻤﺤﻤﺩ ‪ :‬ﺴﺒﺕ ﺁﻴﻪ ! ﺩﻯ ﻤﺴﺌﻭﻝﻴﻪ‬
‫ﺍﺨﺘﻔﺎﺀ ﺘﺩﺭﻴﺠﻰ ‪ Fade -out‬ﻭﺩﻩ ﻤﺴﺘﻨﺩ ﺨﻁﻴﺭ ‪.‬‬
‫ﺍﻝﻤﻭﻅﻑ ‪ :‬ﻴﺎﻝﻼ ﻴﺎﺃﺨﻰ ﺩﻩ ﺍﻝﻔﺭﺡ‬
‫ﺒﺘﺎﻋﻙ ﺍﻝﻠﻴﻠﺔ ‪.‬‬
‫ﺼﻭﺕ ﺍﻝﻤﻜﺎﻥ‬
‫ﻤﻭﻅﻑ ﺁﺨﺭ ‪ :‬ﻏﻴﺭﻙ ﻤﺎﻜﺎﻨﺵ ﺠﻪ‬
‫ﺒﺎﻝﻜﻠﻴﺔ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺃﻭﻋﻭﺍ ﻴﺎﺠﻤﺎﻋﺔ ﻤﺎﺘﺠﻭﺵ‬
‫ﺍﻝﻠﻴﻠﺔ ﺃﻨﺎ ﺃﺯﻋل ﺠﺩﹰﺍ !‬
‫ﻴﺤﻴﻲ ‪ :‬ﻤﺎﻨﺠﻴﺵ ‪ .‬ﻭﺩﻩ ﻴﺼﺢ‬
‫ﺒﺭﻀﻪ ‪.‬‬
‫ﺤﺴﻴﻥ ‪ :‬ﺇﻻ ﻤﺎﻨﺠﻴﺵ ‪ .‬ﺩﻩ ﺇﺤﻨﺎ‬
‫ﻤﺴﺘﻨﻴﻴﻥ ﻝﻙ ﺍﻝﺨﻠﻔﺔ ‪ ,‬ﻋﻠﺸﺎﻥ‬
‫ﻨﺤﻀﺭ ﺍﻝﺴﺒﻭﻉ ﻜﻤﺎﻥ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 69‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﻤﻨﺯل ﻓﺎﻁﻤﺔ‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪Close up‬ﻋﻠﻰ‬ ‫‪385‬‬
‫ﺸﻤﻌﺩﺍﻥ ‪ ,‬ﺜﻡ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ‬
‫‪ Pan Left‬ﻭﺘﺭﺘﻔﻊ ﻷﻋﻠﻰ‪Tilt up‬‬
‫ﺠﻭ ﺍﻝﻤﻜﺎﻥ‬ ‫ﻝﺘﻅﻬﺭ ﻓﺎﻁﻤﺔ ﻤﺭﺘﺩﻴﺔ ﻓﺴﺘﺎﻥ ﺍﻝﻔﺭﺡ ‪,‬‬
‫ﺃﻏﻨﻴﺔ ﻓﺭﺡ‬ ‫ﻭﺘﺼﺒﺢ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‬
‫‪ M .S‬ﻫﻰ ﻭﺍﻝﻔﺘﻴﺎﺕ ﺤﻭﻝﻬﺎ ﻭﺃﻤﻬﺎ‬
‫ﺘﺭﺵ ﺍﻝﻤﻠﺢ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L .S‬ﻝﻠﺠﻤﻴﻊ ﻴﻨﻅﺭﻭﻥ‬ ‫‪386‬‬
‫ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺍﻷﻡ ﺘﻠﻘﻰ ﺒﺎﻝﻤﻠﺢ‬
‫ﻋﻠﻰ ﻓﺎﻁﻤﺔ‬
‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻤﺸﻬﺩ ) ‪( 70‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺴﻠﻡ ﻤﻨﺯل ﻓﺎﻁﻤﺔ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻔﺎﻁﻤﺔ ﻭﻤﻭﻜﺏ‬ ‫‪387‬‬
‫ﺍﻝﺯﻓﺎﻑ ﻭﻴﻨﺯﻝﻭﻥ ﺍﻝﺴﻠﻡ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻔﺎﻁﻤﺔ ﻤﻥ‬ ‫‪388‬‬
‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‪ High Angle‬ﺘﻨﺯل‬
‫ﻭﺘﻀﺤﻙ ﻭﺒﺠﻭﺍﺭﻫﺎ ﻓﺭﺩﻭﺱ ﻭﺍﻷﻡ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 54 of 81‬‬

‫ﻭﺘﺘﺎﺒﻌﻬﻥ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻫﻥ ﻴﺘﺤﺭﻜﻥ‬

‫ﻴﺴﺎﺭﹰﺍ‪Pan Left‬‬
‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻤﺸﻬﺩ ) ‪( 71‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻨﺯل ﻤﺤﻤﺩ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻤﺤﻤﺩ ﻭﻓﺎﻁﻤﺔ‬ ‫‪389‬‬
‫ﻴﺩﺨﻼ ﻤﻥ ﺍﻝﺒﺎﺏ ﻤﻤﺴﻜ ﹰﺎ ﻴﺩﻫﺎ‬
‫ﻭﺒﺠﻭﺍﺭﻫﻤﺎ ﺍﻝﻔﺘﻴﺎﺕ ﻭﺃﻡ ﻓﺎﻁﻤﺔ ﺘﻠﻘﻰ‬
‫ﺒﺎﻝﻤﻠﺢ ﻭﺃﻡ ﻤﺤﻤﺩ ﺘﺴﻴﺭ ﺒﺠﻭﺍﺭﻫﻤﺎ‬
‫ﻭﺘﺘﺎﺒﻌﻬﻡ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﺍ ً‪Pan Left‬‬
‫ﺤﺘﻰ ﻴﺼﻼ ﺍﻝﻰ ﺍﻝﻜﻭﺸﺔ ﻭﻴﺠﻠﺴﺎ ﻓﻰ‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 390‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M .Close up‬‬
‫ﻝﻸﺜﻨﻴﻥ ﻤﺤﻤﺩ ﻴﺠﻠﺱ ﻴﻤﻴﻨﹰﺎ ﻭﻴﺭﻓﻊ‬
‫ﺍﻝﻁﺭﺤﺔ ﻭﻴﻘﺒﻠﻬﺎ ﻋﻥ ﻭﺠﻪ ﻓﺎﻁﻤﺔ‬
‫ﻭﻴﻘﺒﻠﻬﺎ ﻓﻰ ﺠﺒﻴﻨﻬﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 391‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‬
‫‪ High Angle‬ﻝﻠﻜﻭﺸﺔ ﻓﻰ ﻤﻭﺍﺠﻬﺔ‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺘﺩﺨل ﺍﻝﺭﺍﻗﺼﺔ ﻤﻥ ﺍﻝﻴﻤﻴﻥ‬
‫ﺍﻝﻔﺭﺡ‬
‫ﻭﺘﺭﻗﺹ ﺃﻤﺎﻡ ﺍﻝﻜﻭﺸﺔ‬
‫ﺍﺨﺘﻔﺎﺀ ﺘﺩﺭﻴﺠﻰ ‪Fade -out‬‬
‫ﻤﺸﻬﺩ ) ‪( 72‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﻤﻘﻬﻰ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M .Close up‬‬ ‫‪392‬‬
‫ﻝﻠﻌﺘﺭ ﺠﺎﻝﺱ ﻭﺤﻭﻝﻪ ﺍﻝﺭﺠﺎل ‪ ,‬ﻭﻴﺩﺨل ﺍﻝﻌﺘﺭ ‪ :‬ﻤﻌﻠﺵ ﻴﺎﺯﻫﺭ ‪ ...‬ﻓﺭﻗﺕ‬
‫ﺼﺒﻰ ﺍﻝﻤﻘﻬﻰ ﻭﻴﻀﻊ ﺍﻝﺸﻴﺸﺔ ﺒﺠﻭﺍﺭﻩ ﺒﻨﻁ ‪.‬‬
‫ﺍﺨﺘﻔﺎﺀ ﺘﺩﺭﻴﺠﻰ ‪Fade -out‬‬
‫ﻤﺸﻬﺩ ) ‪( 73‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻜﺘﺏ ﻤﻭﻅﻔﻰ‬
‫ﺍﻝﺸﺭﻜﺔ‬
‫ﺇﺒﺭﺍﻫﻴﻡ ‪ :‬ﻴﺎﺭﺏ ﻤﺴﺘﻨﺩ ﺯﻯ ﺩﻩ‬ ‫ﻅﻬﻭﺭ ﺘﺩﺭﻴﺠﻰ ‪Fade -in‬‬ ‫‪393‬‬
‫ﻤﺎﻴﻀﻴﻌﺵ ﺇﻻ ﻓﻰ ﻭﻗﺕ ﺍﻹﺤﺘﻴﺎﺝ‬ ‫ﺍﻝﻤﻭﻅﻔﻴﻥ‬ ‫ﻷﺤﺩ‬ ‫‪.‬‬‫‪M‬‬ ‫‪.S‬‬ ‫ﻤﺘﻭﺴﻁﺔ‬ ‫ﻝﻘﻁﺔ‬
‫ﻴﺸﺭﺏ ﺍﻝﻤﺎﺀ ‪ ,‬ﺜﻡ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺇﻝﻴﻪ !‬
‫ﻴﻤﻴﻨﹰﺎ ‪ Pan Right‬ﻝﻴﻅﻬﺭ ﻤﺤﻤﺩ ﺃﺩﻫﻡ ‪ :‬ﻭﺍﻝﻤﺼﻴﺒﺔ ﺇﻥ ﺍﻝﺠﻠﺴﺔ‬
‫ﻭﺒﺠﻭﺍﺭﻩ ﺯﻤﻴﻠﻴﻪ ﻴﻘﻠﺒﺎ ﻓﻰ ﺍﻝﻤﻠﻔﺎﺕ ‪ ,‬ﺍﻝﻨﻬﺎﺭﺩﺓ ﻓﻰ ﺍﻝﻤﺤﻜﻤﺔ ﻭﻫﻰ ﺩﻯ‬
‫ﺜﻡ ﻴﺩﺨل ﺍﻝﺴﺎﻋﻰ ﻓﻰ ﺍﻝﻜﺎﺩﺭ ﺒﺠﻭﺍﺭ ﺍﻝﻭﺭﻗﺔ ﺍﻝﻭﺤﻴﺩﺓ ﺍﻝﻤﻁﻠﻭﺒﺔ ﻓﻰ‬
‫ﻤﺤﻤﺩ ‪ ,‬ﺜﻡ ﻴﺨﺭﺝ ﺜﺎﻨﻴﺔ ‪ ,‬ﻭﻴﺭﺘﺩﻯ ﺍﻝﻘﻀﻴﺔ‬
‫ﻤﺤﻤﺩ ﺍﻝﻁﺭﺒﻭﺵ ﻭﻴﺨﺭﺝ ﻤﻥ ﺍﻝﻴﻤﻴﻥ ﺇﺒﺭﺍﻫﻴﻡ ‪ :‬ﻤﺤﻤﺩ ﺃﻓﻨﺩﻯ ﺍﻝﻤﺩﻴﺭ‬
‫ﺠﻭ ﺍﻝﻤﻜﺎﻥ‬ ‫ﺒﻴﻀﺭﺏ ﻝﻙ ﺍﻝﺠﺭﺱ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﻴﺎﺃﺨﻭﺍﻨﺎ ﺃﻨﺎ ﺒﺄﺴﺘﻐﺭﺏ‬
‫ﺱ‬
‫ﺍﻝﻤﺴﺘﻨﺩ ﺭﺍﺡ ﻓﻴﻥ ﺒ ‪‬‬
‫ﺍﻝﺴﺎﻋﻰ ‪ :‬ﻤﺤﻤﺩ ﺃﻓﻨﺩﻯ ﺍﻝﻤﺩﻴﺭ‬
‫ﻋﺎﻴﺯﻙ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺃﻴﻭﺓ ﺠﺎﻯ ﺤﺎ ﹰﻻ‬
‫ﺇﺒﺭﺍﻫﻴﻡ ‪ :‬ﺍﻷﻤﺭ ﷲ ‪ ,‬ﺒﺎﻷﻜﺎﺩﺓ‬
‫ﺍﻝﻤﺤﺎﻤﻰ ﺤﺏ ﻴﺄﺠل ﺍﻝﻘﻀﻴﺔ ﻝﻜﻥ‬
‫ﺍﻝﻤﺤﻜﻤﺔ ﺭﻓﻀﺕ ﻭﺤﺠﺯﺘﻬﺎ ﻷﺨﺭ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 55 of 81‬‬

‫ﺠﻠﺴﺔ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 74‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻜﺘﺏ ﺍﻝﻤﺩﻴﺭ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﺒﺎﺏ ﻤﻜﺘﺏ ﺍﻝﻤﺩﻴﺭ‬ ‫‪394‬‬
‫ﺍﻝﻤﺩﻴﺭ ‪ :‬ﻫﻪ ‪ .‬ﺃﻴﻭﺓ ﻴﺎﻤﺘﺭ ‪..‬‬
‫ﻭﻴﺩﺨل ﻤﺤﻤﺩ ﻭﻴﻐﻠﻕ ﺍﻝﺒﺎﺏ ﻭﻴﺘﺤﺭﻙ‬
‫ﺃﺠﻠﻭﻫﺎ ﻋﻠﺸﺎﻥ ﺇﺤﻀﺎﺭ ﺍﻝﻤﺴﺘﻨﺩ ‪..‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Pan‬‬
‫ﻫﺎﺃﺘﻜﻠﻡ ﻤﻌﺎﻙ ﺒﻌﺩﻴﻥ ‪ ..‬ﻋﺎﻴﺯﻨﻰ‬
‫‪ Right‬ﺤﺘﻰ ﻴﺼل ﺍﻝﻰ ﺍﻝﻤﻜﺘﺏ ﺤﻴﺙ‬
‫ﺃﻓﺴﺭﻫﺎ ﺇﺯﺍﻯ ﺍﻝﺤﻜﺎﻴﺔ ﺩﻯ ﻴﺎﻤﺤﻤﺩ‬
‫ﺼﻭﺕ ﻓﺘﺢ ﻭﻏﻠﻕ ﺍﻝﺒﺎﺏ‬ ‫ﻴﺠﻠﺱ ﺍﻝﻤﺩﻴﺭ ﻴﺘﺤﺩﺙ ﻓﻰ ﺍﻝﺘﻠﻴﻔﻭﻥ‬
‫ﺃﻓﻨﺩﻯ ؟‬
‫ﻭﺃﻤﺎﻡ ﺍﻝﻤﻜﺘﺏ ﻴﺠﻠﺱ ﺤﺴﻴﻥ ﻭﻴﺤﻴﻰ‬
‫ﻤﺤﻤﺩ ‪ :‬ﺍﻨﺎ ﺁﺴﻑ ﻴﺎﺴﻌﺎﺩﺓ ﺍﻝﺒﺎﺸﺎ ‪,‬‬
‫ﺯﻤﻼﺀ ﻤﺤﻤﺩ ﻭﻨﺒﻴﻪ ﺒـﻙ ﻓﻰ ﻤﻭﺍﺠﻬﺔ‬
‫ﺃﻨﺎ ﻤﻨﺩﻫﺵ ﺇﺯﺍﻯ ﺭﺍﺡ ﺍﻝﻤﺴﺘﻨﺩ ﺩﻩ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﻨﺒﻴﻪ ‪ :‬ﺍﻝﻨﻴﺎﺒﺔ ﺘﺨﻠﻴﻪ ﻴﻌﺘﺭﻑ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ . M .S‬ﻝﻴﺤﻴﻰ ﻤﻥ ﻴﺤﻴﻲ ‪ :‬ﻤﺎﻓﻴﺵ ﻝﺯﻭﻡ ﻝﻠﻨﻴﺎﺒﺔ ‪ .‬ﻗﻭل‬ ‫‪395‬‬
‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‪ High Angle‬ﻴﻤﻴﻥ ﺒﻘﻰ ﻴﺎﻤﺤﻤﺩ ﺃﻓﻨﺩﻯ ﺨﻠﹶﺹ ﻨﻔﺴﻙ ‪..‬‬
‫ﻜﺎﺩﺭ ﻭﻤﺤﻤﺩ ﻓﻰ ﺍﻝﻤﻨﺘﺼﻑ ﻭﻴﺤﻴﻲ ﻗﻭل ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺍﻗﻭل ﺁﻴﻪ ؟‬ ‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺤﺴﻴﻥ ‪ :‬ﺍﻝﺤﻜﺎﻴﺔ ﻤﺎﻫﻰ ﺒﺎﻴﻨﺔ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻴﺄﺨﻰ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﻴﺎﺴﻌﺎﺩﺓ ﺍﻝﺒﺎﺸﺎ ﺃﻨﺎ ﺃﺤﺘﺞ‬
‫ﻋﻠﻰ ﺍﻹﻫﺎﻨﺎﺕ ﺩﻯ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M .Close up‬‬ ‫‪396‬‬
‫ﺍﻝﻤﺩﻴﺭ ‪ :‬ﺇﺤﺘﺠﺎﺠﻙ ﻫﺎﻴﻔﻴﺩﻨﺎ ﺒﺈﻴﻪ !‬ ‫ﻝﻠﻤﺩﻴﺭ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ . M .L. S‬ﺤﺴﻴﻥ ‪ :‬ﺍﻝﺒﺎﺸﺎ ﻤﺎﻴﺤﺒﺵ ﺍﻵﺫﻴﺔ‬ ‫‪397‬‬
‫ﻝﻤﺤﻤﺩ ﻭﺤﺴﻴﻥ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺎﻤﺤﻤﺩ ﺃﻓﻨﺩﻯ ‪..‬ﻭﺍﻝﺠﻭﺍﺯ ﺩﻩ ﻋﺎﺩﺓ‬
‫ﺒﻴﻌﻭﺯ ﺘﻜﺎﻝﻴﻑ ﻭﻤﺼﺎﺭﻴﻑ ‪.‬‬ ‫ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺍﻝﻤﺩﻴﺭ‬
‫ﻭﺍﻝﺨﺼﻭﻡ ﻁﺒﻌﺎﺹ ﻋﻠﺸﺎﻥ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻴﺘﺤﺼﻠﻭﺍ ﻋﻠﻰ ﻤﺴﺘﻨﺩ ﺯﻯ ﺩﻩ‬
‫ﻴﻜﺴﺒﻬﻡ ﺍﻝﻘﻀﻴﺔ ‪.‬‬
‫ﻴﺤﻴﻲ ‪ :‬ﻻﺯﻡ ﻴﺩﻓﻌﻭﺍ ﺍﻝﺘﻤﻥ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺇﺨﺭﺱ ﺃﻨﺎ ﻤﺎﺃﺴﻤﺤﻠﻜﺵ‬
‫ﺃﻨﺘﻥ ﻭﻏﻴﺭﻙ ﺘﺘﺒﺠﺢ ﻭﺘﻘﻭل ﻜﻼﻡ‬
‫ﺯﻯ ﺩﻩ ‪.‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻤﺤﻤﺩ ﻴﻨﻅﺭ‬ ‫‪398‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﻴﺎﺴﻌﺎﺩﺓ ﺍﻝﺒﺎﺸﺎ ﺃﻨﺎ ‪...‬‬
‫ﺃﺴﻔل ﺍﻝﻜﺎﺩﺭ ﻭﻫﻭ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺍﻝﻤﺩﻴﺭ ‪ :‬ﻴﺎﻤﺤﻤﺩ ﺃﻓﻨﺩﻯ ﺃﻨﺎ ﻴﺅﺴﻔﻨﻰ‬
‫ﺇﻨﻙ ﺘﻘﻑ ﻤﻭﻗﻑ ﺯﻯ ﺩﻩ ‪,‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M . S‬ﻝﻠﻤﺩﻴﺭ ﺒﺭﻭﻓﻴل‬ ‫‪399‬‬
‫ﺍﻝﻤﺩﻴﺭ ‪ :‬ﺒﻌﺩ ﺍﻝﻤﺩﺓ ﺍﻝﻁﻭﻴﻠﺔ ﺍﻝﻠﻰ‬
‫ﻓﻰ ﺍﻝﻌﻤﻕ ﻭﻨﺒﻴﻪ ﺒـﻙ ﻓﻰ ﻤﻭﺍﺠﻬﺔ‬
‫ﻗﻀﻴﺘﻬﺎ ﻓﻰ ﺍﻝﺸﺭﻜﺔ ‪ ,‬ﻭﺍﻝﺜﻘﺔ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺍﻝﻜﺒﻴﺭﺓ ﺍﻝﻠﻰ ﺃﻭﻝﻴﻨﺎﻫﺎﻝﻙ ‪....‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻠﻤﺩﻴﺭ ﻓﻰ‬ ‫‪400‬‬
‫ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻓﻰ ﺍﻝﻤﺩﻴﺭ ‪ :‬ﻭﻜﺎﻥ ﻻﺯﻡ ﺯﻯ ﻤﺎﺒﻴﻘﻭل‬
‫ﻨﺒﻴﻪ ﺒﻴﻪ ﺃﺤﻴﻠﻙ ﻋﻠﻰ ﺍﻝﻨﻴﺎﺒﺔ ‪.‬‬ ‫ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻤﺤﻤﺩ ﻴﻨﻅﺭ ﺼﻭﺕ ﺍﻝﻤﺩﻴﺭ ‪ :‬ﻝﻜﻥ ﺇﻜﺭﺍﻤ ﹰﺎ ﻝﻨﺯﻴﻪ‬ ‫‪401‬‬
‫ﺒﺎﺸﺎ ﺃﻨﺎ ﺃﻜﺘﻔﻰ ﺒﺭﻓﺩﻙ ‪.‬‬ ‫ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻤﺤﻤﺩ ‪ :‬ﻴﺎﺴﻌﺎﺩﺓ ﺍﻝﺒﺎﺸﺎ ‪..‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺼﻭﺕ ﺍﻝﻤﺩﻴﺭ ‪ :‬ﺃﺴﺘﻠﻡ ﻤﻨﻪ ﺍﻝﺸﻐل‬
‫ﻴﺎﺤﺴﻴﻥ ﺃﻓﻨﺩﻯ ‪.‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 56 of 81‬‬

‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L .S‬ﻝﻤﺤﻤﺩ ﻴﻠﺘﻔﺕ‬ ‫‪402‬‬

‫)‪( 19‬‬ ‫ﻭﻴﺘﺤﺭﻙ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻤﻌﻪ ﻴﺤﻴﻲ‬
‫ﻭﺤﺴﻴﻥ ﻭﻴﺨﺭﺠﻭﻥ ﻤﻥ ﺍﻝﺒﺎﺏ‬
‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻤﺸﻬﺩ ) ‪( 75‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺃﻤﺎﻡ ﻤﺒﻨﻰ ﺍﻝﺸﺭﻜﺔ‬
‫ﺍﺴﺘﻤﺭﺍﺭ ﻤﻭﺴﻴﻘﻰ‬ ‫‪ 403‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M. S‬ﻝﻤﺤﻤﺩ ﻭﺒﺠﻭﺍﺭﻩ ﺍﺒﺭﺍﻫﻴﻡ ‪ :‬ﻓﻴﻪ ﻭﻅﻴﻔﺔ ﺒﺴﻴﻁﺔ‬
‫)‪( 19‬‬ ‫ﺇﺒﺭﺍﻫﻴﻡ ﻭﺃﺩﻫﻡ ﺯﻤﻴﻼﻩ ﻓﻰ ﺍﻝﺸﺭﻜﺔ ﻤﺎﻫﻴﺘﻬﺎ ﻋﻠﻰ ﻗﺩﻫﺎ ‪ ,‬ﺒﺄﻗﻭل ﺃﻨﺎ‬
‫ﻭﻴﺘﺤﺭﻜﻭﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻬﻡ ﻤﻤﻜﻥ ﺘﻌﺘﻤﺩ ﻋﻠﻴﻬﺎ ﻤﺅﻗﺘﹰﺎ ‪ ,‬ﻝﺤﺩ ﻤﺎ‬
‫ﻴﻔﺭﺠﻬﺎ ﺭﺒﻨﺎ ‪ ..‬ﺇﺫﺍ ﻜﻨﺕ ﺘﻭﺍﻓﻕ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﹰﺎ‪Tracking‬‬
‫ﺃﺴﺘﻨﺎﻙ ﺍﻝﻠﻴﻠﺔ ﻋﻨﺩﻯ ﺍﻝﺴﺎﻋﺔ ﺘﻤﺎﻨﻴﺔ‬ ‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻓﻰ ﺍﻝﺒﻴﺕ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺃﺸﻜﺭﻙ ﻴﺄﺨﻰ ‪ ,‬ﺃﻨﺎ‬
‫ﻤﻤﻨﻭﻥ ‪.‬‬
‫ﺃﺩﻫﻡ ‪ :‬ﺍﻷﻓﻀل ﻴﺎﻤﺤﻤﺩ ﺃﻓﻨﺩﻯ‬
‫ﺒﻼﺵ ﺘﺼﺭﺡ ﻝﻠﺴﺕ ﺒﺘﺎﻋﺘﻙ ﺒﺄﻨﻙ‬
‫ﺴﺒﺕ ﺍﻝﺸﻐل ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺃﻨﺎ ﺒﺭﻀﻪ ﺒﺄﻓﻜﺭ ﻓﻰ ﺍﻝﻨﻘﻁﺔ‬
‫ﺩﻯ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 76‬‬
‫ﺒﺎﺏ ‪ /‬ﺸﻘﺔ ﻤﺤﻤﺩ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪.M .L. S‬‬ ‫‪404‬‬
‫ﻝﻔﺎﻁﻤﺔ ﺘﺠﺭﻯ ﻋﻜﺱ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻨﺎﺤﻴﺔ ﺍﻝﺒﺎﺏ ﻭﺘﻔﺘﺤﻪ ﻭﺘﻘﻑ ﺃﻤﺎﻡ ﺍﻝﺒﺎﺏ ﻓﺎﻁﻤﺔ ‪ :‬ﻻ ﻻ ﻴﺎﻤﺤﻤﺩ‪ ...‬ﺍﻨﺕ‬
‫ﺼﻭﺕ ﺨﻁﻭﺍﺕ ﻓﺎﻁﻤﺔ‬ ‫ﻭﺘﻨﻅﺭ ﻴﺴﺎﺭﹰﺍ ‪ ,‬ﺜﻡ ﻴﺩﺨل ﻤﺤﻤﺩ ﻭﻴﻘﺒﻠﻬﺎ ﻤﺘﺄﺨﺭ ﺨﻤﺱ ﺩﻗﺎﻴﻕ ‪.‬‬
‫ﻓﻰ ﺨﺩﻫﺎ ﻭﻴﺩﺨل ﻤﻥ ﺍﻝﺒﺎﺏ ﻭﻴﺨﺭﺝ ﻤﺤﻤﺩ ‪ :‬ﺴﻌﻴﺩﺓ ﻴﺎﻓﺎﻁﻤﺔ‬
‫ﻤﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M. Close up‬‬ ‫‪405‬‬
‫ﻝﻔﺎﻁﻤﺔ ﺘﻘﻑ ﺨﻠﻑ ﺍﻝﺒﺎﺏ ﺍﻝﻤﻐﻠﻕ ﻭﺘﻨﻅﺭ ﻓﺎﻁﻤﺔ ‪ :‬ﻭﻜﻤﺎﻥ ﺴﻌﻴﺩﺓ ﺤﺎﻑ‬
‫ﻜﺩﻩ !!‬ ‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻤﺤﻤﺩ ﻴﺩﺨل ﻤﻥ‬ ‫‪406‬‬
‫ﺍﻝﻴﻤﻴﻥ ﻭﻴﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ ﻓﺎﻁﻤﺔ ﻋﻜﺱ‬
‫ﻤﺤﻤﺩ ‪ :‬ﻤﺎﺘﺄﺨﺩﻨﻴﺵ ‪ ..‬ﻓﻜﺭﻯ‬
‫ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻴﻘﺒﻠﻬﺎ ‪ ,‬ﺜﻡ ﻴﺘﺤﺭﻜﺎ‬
‫ﻤﺸﻐﻭل ﺸﻭﻴﺔ ‪.‬‬
‫ﻨﺎﺤﻴﺔ ﺍﻝﻴﻤﻴﻥ ﻭﻫﻭ ﻴﻀﻊ ﻴﺩﻩ ﻋﻠﻰ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻴﺎﺤﺒﻴﺒﻰ ﻴﺎﺤﻤﻭﺩﺓ ‪ .‬ﺒﺘﺘﻌﺏ‬
‫ﻜﺘﻔﻬﺎ ﻭﺘﺘﺎﺒﻌﻬﻤﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻜﺘﻴﺭ ‪ .‬ﺘﻌﺭﻑ‬
‫‪ ,Pan Right‬ﺜﻡ ﻴﻘﻔﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻔﺎﻁﻤﺔ ﺘﻨﻅﺭ ﻓﺎﻁﻤﺔ ‪ :‬ﻝﻤﺎ ﺠﻪ ﻤﻴﻌﺎﺩﻙ ﻭﺍﻝﺘﻘﻴﺘﻙ‬ ‫‪407‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﻅﻬﺭ ﺠﺯﺀ ﻤﻥ ﻭﺠﻪ ﺇﺘﺄﺨﺭﺕ ‪ ,‬ﻜﺎﻥ ﻁﺎﻝﻊ ﻓﻰ ﻤﺨﻰ ‪,‬‬
‫ﺃﻝﺒﺱ ﺤﺎ ﹰﻻ ‪ ,‬ﻭﺃﺭﻭﺡ ﻝﻙ ﺍﻝﻤﻜﺘﺏ‬ ‫ﻤﺤﻤﺩ ﻴﻤﻴﻨ ﹰﺎ‬
‫) ﺘﻀﺤﻙ (‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M. S‬ﻝﻸﺜﻨﻴﻥ ﻴﺘﺤﺭﻜﺎ‬ ‫‪408‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻬﻤﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﹰﺎ‬
‫‪Pan Right‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 77‬‬
‫ﻏﺭﻓﺔ ﻨﻭﻡ ﻓﺎﻁﻤﺔ ﻭﻤﺤﻤﺩ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 57 of 81‬‬

‫ﺍﺴﺘﻤﺭﺍﺭ ﻤﻭﺴﻴﻘﻰ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻤﺤﻤﺩ ﻴﺩﺨل ﻤﻥ‬ ‫‪409‬‬

‫) ‪( 19‬‬ ‫ﺍﻝﺒﺎﺏ ﻭﻴﺨﻠﻊ ﺍﻝﺠﺎﻜﻴﺕ ﻭﻓﺎﻁﻤﺔ ﺘﺴﺎﻋﺩﻩ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻴﺎﻤﺎ ﻨﻔﺴﻰ ؟ ﺃﺸﻭﻓﻙ ﻜﺩﻩ‬
‫ﻭﻴﻘﻑ ﻓﻰ ﺍﻝﻤﻨﺘﺼﻑ ﺜﻡ ﺘﺘﺤﺭﻙ ﻓﺎﻁﻤﺔ‬
‫ﻭﺃﻨﺕ ﻗﺎﻋﺩ ﻋﻠﻰ ﺍﻝﻤﻜﺘﺏ ﺘﺅﻤﺭ‬
‫ﺒﺎﻝﺠﺎﻜﻴﺕ ﻭﺍﻝﻁﺭﺒﻭﺵ ‪ ,‬ﻭﻴﺠﻠﺱ ﻋﻠﻰ‬
‫ﻭﺘﻨﻬﻰ ﺯﻯ ﺍﻝﻘﻤﺭ‪....‬ﻴﺎﺴﻼﻡ‬
‫ﻓﻭﺘﻴل ﻓﻰ ﻤﻨﺘﺼﻑ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﺤﺭﻙ‬
‫ﻴﺎﻤﺤﻤﺩ ﺃﻨﺕ ﻤﻥ ﺴﺎﻋﺔ ﻤﺎﺨﺭﺠﺕ‬
‫ﻼ ﻝﻠﻴﻤﻴﻥ‪Pan Right‬‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻗﻠﻴ ﹰ‬
‫ﺍﻝﺼﺒﺢ ‪ ,‬ﻤﺘﻬﻴﺄﻝﻰ ﺯﻯ ﺍﻝﻠﻰ ﺒﻘﻰ ﻝﻨﺎ‬
‫ﻭﺘﺄﺘﻰ ﻓﺎﻁﻤﺔ ﻭﺘﺠﻠﺱ ﻋﻠﻰ ﺍﻷﺭﺽ‬
‫ﺴﺕ ﺸﻬﻭﺭ ﺒﻌﺩﻴﻥ ﻋﻥ ﺒﻌﺽ ‪.‬‬
‫ﺘﻀﻊ ﺍﻝﺸﺒﺸﺏ ﺒﺠﻭﺍﺭ ﻗﺩﻤﻰ ﻤﺤﻤﺩ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻤﻥ ﻤﺤﻤﺩ ‪ :‬ﺇﺴﻤﻌﻰ ﻴﺎﻓﺎﻁﻤﺔ ‪ .‬ﻋﺎﻴﺯ‬ ‫‪410‬‬
‫ﺨﻠﻑ ﻅﻬﺭ ﻓﺎﻁﻤﺔ ﻴﻀﻊ ﻴﺩﻩ ﻋﻠﻰ ﻜﺘﻔﻬﺎ ﺃﻗﻭﻝﻙ ﻋﻠﻰ ﺤﺎﺠﺔ ﻤﻬﻤﺔ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻓﻜﺭﺘﻨﻰ ﻴﺎﻤﺤﻤﺩ ‪ ..‬ﻭﺃﻨﺎ‬
‫ﺭﺨﺭﻩ ﻋﺎﻴﺯﺓ ﺃﻗﻭﻝﻙ ﺤﺎﺠﺔ ﻓﺭﺤﺘﻨﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻗﻭﻯ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻔﺎﻁﻤﺔ ﻤﻥ‬ ‫‪411‬‬
‫ﺨﻠﻑ ﻅﻬﺭ ﻤﺤﻤﺩ ﺘﻨﻅﺭ ﻴﻤﻴﻨﺎ ﻓﻰ ﻓﺎﻁﻤﺔ ‪ :‬ﻻ ﺨﻠﻴﻬﺎ ﺃﻨﺕ ﻝﺒﻌﺩﻴﻥ‬
‫ﻭﺇﺴﻤﻌﻨﻰ ﺃﻨﺎ‬ ‫ﺍﺘﺠﺎﻫﻪ ‪ .‬ﺜﻡ ﺘﻬﻡ ﺒﺎﻝﻭﻗﻭﻑ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ M .Close up‬ﻓﺎﻁﻤﺔ ‪ :‬ﺠﺎﻝﻰ ﺠﻭﺍﺏ ﻤﻥ ﺒﻨﺕ‬ ‫‪412‬‬
‫ﻝﻤﺤﻤﺩ ﻭﻓﺎﻁﻤﺔ ﺘﻘﻑ ﻭﺘﺴﻴﺭ ﻨﺎﺤﻴﺔ ﺨﺎﻝﺘﻰ ﻓﻰ ﺍﻝﺴﻭﻴﺱ ‪ ,‬ﻋﻠﺸﺎﻥ‬
‫ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﺤﺭﻙ ﻴﻤﻴﻨﺎ ﻓﺘﺘﺎﺒﻌﻬﺎ ﻤﺎﻗﺩﺭﺘﺵ ﺘﻴﺠﻰ ﺍﻝﻔﺭﺡ ﺇﻤﺒﺎﺭﺡ ‪.‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ‪ Pan Right‬ﻭﺘﻌﻭﺩ ﻝﺘﺠﻠﺱ ﻴﺎﺴﻼﻡ ﺒﺘﺤﺒﻨﻰ ﺯﻯ ﻋﻴﻨﻴﻬﺎ ﺘﻤﺎﻡ ‪..‬‬
‫ﻋﻠﻰ ﺤﺎﻓﺔ ﺍﻝﻔﻭﺘﻴل ‪ ,‬ﺜﻡ ﺘﺠﻠﺱ ﻋﻠﻰ ﺸﻭﻑ ﻜﺎﺘﺒﺔ ﻝﻰ ﺁﻴﻪ ! ‪ ..‬ﺤﻀﺭﺓ‬
‫ﺍﻝﻭﺴﺎﺩﺓ ﺍﻝﻤﻭﻀﻭﻋﺔ ﻋﻠﻰ ﺍﻷﺭﺽ ﺍﻷﺨﺕ ﺍﻝﻌﺯﻴﺯﺓ ﻓﺎﻁﻤﺔ ﻫﺎﻨﻡ ﺤﺭﻡ‬
‫ﻭﺘﻘﺘﺭﺏ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻨﻬﻤﺎ ﺒﺒﻁﺀ‪ Track‬ﺴﻰ ﻤﺤﻤﺩ ﺃﻓﻨﺩﻯ ﺤﻨﻔﻰ‬
‫ﺍﻝﻤﻭﻅﻑ ‪.‬ﺒﻨﺕ ﺨﺎﻝﺘﻰ ﺍﻝﻔﺭﻴﺩﺓ ‪,‬‬ ‫‪in‬‬
‫ﻭﺤﺒﻴﺒﺘﻰ ﺍﻝﻭﺤﻴﺩﺓ ‪ .‬ﺃﻫﺩﻴﻙ ﺴﻼﻤﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻌﺎﻁﺭ ﺠﺩﹰﺍ‪ ,‬ﻭﻴﻌﻠﻡ ﺍﷲ ﻤﻘﺩﺍﺭ ﺃﺴﻔﻰ‬
‫ﺍﻝﺸﺩﻴﺩ ﺠﺩﹰﺍ ﺠﺩﹰﺍ ‪ ,‬ﻷﻨﻰ ﻤﺎﺃﺩﺭﺘﺵ‬
‫ﺃﺤﻀﺭ ﺠﻭﺍﺯﻙ ﺍﻝﺴﻌﻴﺩ ﺠﺩﹰﺍ ﺠﺩﹰﺍ‬
‫ﺠﺩﹰﺍ ‪ .‬ﻭﻓﺭﺤﺕ ﻷﻥ ﺍﻝﻌﺭﻴﺱ‬
‫ﺍﻝﻤﺤﺘﺭﻡ ﻁﻠﻊ ﻤﻭﻅﻑ ﻜﻤﺎ ﻜﻨﺕ‬
‫ﺘﺘﻤﻨﻰ ﻁﻭل ﺤﻴﺎﺘﻙ ﺠﺩﹰﺍ ﺠﺩﹰﺍ ﺠﺩﹰﺍ ‪.‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻤﺤﻤﺩ ﻴﻨﻅﺭ ﺼﻭﺕ ﻓﺎﻁﻤﺔ ‪ :‬ﻓﺈﻥ ﻀﻤﺎﻥ‬ ‫‪413‬‬
‫ﺍﻝﻭﻅﺎﻴﻑ ﺠﺩﹰﺍ َﺠﺩﹰﺍ‬ ‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﻘﻑ‬
‫ﻤﺤﻤﺩ ‪ :‬ﻜﻔﺎﻴﺔ ﺒﻘﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻔﺎﻁﻤﺔ ﺘﻨﻅﺭ ﻓﺎﻁﻤﺔ ‪ :‬ﺍﷲ ﻤﺎﻝﻙ ﻴﺎﻤﺤﻤﺩ ؟ ﻭﺩﻯ‬ ‫‪414‬‬
‫ﺤﺎﺠﺔ ﺘﺯﻋل ‪ ,‬ﺃﻨﺕ ﻗﻭﺍﻡ ﻫﺎﺘﺸﺨﻁ‬ ‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻷﻋﻠﻰ‬
‫ﻓﻰ ؟‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺱ ﺘﻌﺒﺎﻥ ﺸﻭﻴﺔ‬ ‫ﻝﻘﻁﺔ ﺃﻤﺭﻴﻜﻴﺔ‪ American Shot‬ﻤﺤﻤﺩ ‪ :‬ﻻ ﺒ ‪‬‬ ‫‪415‬‬
‫ﻝﻤﺤﻤﺩ ‪,‬ﺜﻡ ﺘﻘﻑ ﻓﺎﻁﻤﺔ ﻭﺘﻀﻊ ﻴﺩﻫﺎ ﻓﺎﻁﻤﺔ ‪ :‬ﺃﻨﺕ ﻜﺸﺭﺕ ﻋﻠﺸﺎﻥ ﺃﻨﺎ‬
‫ﻋﻠﻰ ﺯﺭﺍﻋﻪ ﻭﻴﻨﻅﺭ ﻤﺤﻤﺩ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‪ ,‬ﻤﺎﺴﻤﻌﺘﻜﺵ ﺃﻨﺎ ﻓﻰ ﺍﻷﻭل ‪ .‬ﺁﻴﻪ‬
‫ﺜﻡ ﻴﻌﻭﺩ ﻭﻴﺠﻠﺱ ﻋﻠﻰ ﺍﻝﻔﻭﺘﻴل ﺨﺎﻓﻀ ﹰﺎ ﺒﻘﻰ ﻜﻨﺕ ﻫﺎﺘﻘﻭﻝﻠﻰ ﺁﻴﻪ ؟ ﺃﺩﻴﻨﻰ‬
‫ﺭﺃﺴﻪ ‪ ,‬ﻭﺘﻨﺤﻨﻰ ﻓﺎﻁﻤﺔ ﻝﺘﺨﻠﻊ ﻝﻪ ﺒﺄﺴﻤﻊ ﺃﻫﻪ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﻤﺵ ﻓﺎﻜﺭ ﻴﺎﻓﺎﻁﻤﺔ ﻨﺴﻴﺕ‬ ‫ﺍﻝﺤﺫﺍﺀ‬
‫ﺍﺨﺘﻔﺎﺀ ﺘﺩﺭﻴﺠﻰ ‪ Fade -out‬ﺃﻨﺎ ﻋﺎﻴﺯ ﺃﺭﺘﺎﺡ ﺸﻭﻴﺔ ‪.‬‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﻓﺎﻁﻤﺔ ‪ :‬ﻁﻴﺏ ﻴﺎﺤﺒﻴﺒﻰ ﺨﻠﻴﻙ‬
‫) ‪( 19‬‬ ‫ﻤﺭﺘﺎﺡ‬
‫ﻤﺸﻬﺩ )‪( 78‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻤﺤل ﺘﺠﺎﺭﻯ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 58 of 81‬‬

‫ﻅﻬﻭﺭ ﺘﺩﺭﻴﺠﻰ ‪Fade -in‬‬ ‫‪416‬‬

‫ﺍﻝﻌﺘﺭ ‪ :‬ﻴﺎﺒﺎﻯ ﻋﻠﻰ ﺘﻘﺭﻴﻤﻙ ﻴﺎﺒﺎﻯ ‪,‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻼﻓﺘﺔ ﺍﻝﻤﺤل‬
‫ﻫﻰ ﺒﺎﻝﺸﻌﺭﺓ ! ﺯﻭﺩ ﺸﻭﻴﺔ ﻴﺎﺒﻨﻰ‬
‫ﻋﻠﻰ ﺯﺠﺎﺝ ﺍﻝﺒﺎﺏ " ﻗﺴﻡ ﺍﻷﻗﻤﺸﺔ "‬
‫ﺁﺩﻡ ‪.‬‬
‫ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﺎ‪ً Pan Right‬‬
‫ﺍﻝﺒﺎﺌﻊ ‪ :‬ﺃﺯﻭﺩ ﺁﻴﻪ ﻴﺎﺃﺨﻴﻨﺎ ‪ .‬ﻤﺵ‬
‫ﻝﺘﺼل ﺍﻝﻰ ﺍﻝﻌﺘﺭ ﺍﻝﺫﻯ ﻴﻘﻑ ﺃﻤﺎﻡ ﺒﺎﺌﻊ‬
‫ﺒﺎﻝﻤﻘﺎﺱ !‬
‫ﺍﻷﻗﻤﺸﺔ ﺍﻝﺫﻯ ﻴﻘﻴﺱ ﻝﻪ ﻗﻁﻌﺔ ﻗﻤﺎﺵ‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﺴﺒﺤﺎﻥ ﺍﷲ ﻓﻰ ﻁﺒﻌﻙ ‪,‬‬
‫ﻭﻴﺼﺒﺤﺎ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‬
‫ﻭﺃﻨﺎ ﺍﻝﻠﻰ ﺇﺴﻤﻰ ﺠﺯﺍﺭ ‪ ,‬ﻤﺵ‬
‫ﻷﺜﻨﻴﻥ‪ , M. S. 2‬ﻭﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ‬
‫ﺒﺎﻝﻤﻴﺯﺍﻥ ! ﻝﻜﻥ ﺒﺭﻀﻪ ﺒﺄﻜﺭﻡ‬
‫ﺍﻝﻤﺸﺘﺭﻭﻥ ﻴﺘﺤﺭﻜﻭﻥ ‪ ,‬ﺜﻡ ﻴﻜﺘﺏ ﺍﻝﺒﺎﺌﻊ‬
‫ﺼﻭﺕ ﺍﻝﻤﻜﺎﻥ‬ ‫ﺍﻝﺯﺒﻭﻥ ﺒﺤﺘﺔ ﻝﻴﺔ ‪ ,‬ﺒﺤﺘﺔ ﻜﺒﺩﺓ‬
‫ﺍﻝﻔﺎﺘﻭﺭﺓ ﻭﻴﻌﻁﻴﻬﺎ ﻝﻠﻌﺘﺭ ‪ ,‬ﺜﻡ ﻴﺘﺤﺭﻙ‬
‫ﺍﻝﺒﺎﺌﻊ ‪ :‬ﺃﻫﻪ ﻴﺎﺴﻴﺩﻯ ﻤﺒﺴﻭﻁ ؟‬
‫ﺍﻝﻌﺘﺭ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ ‪Pan‬‬
‫ﺃﺘﻔﻀل ﻋﻠﻰ ﺍﻝﻜﻴﺱ ‪.‬‬
‫‪ Left‬ﺤﺘﻰ ﻴﺼل ﺍﻝﻰ ﺍﻝﻰ ﻤﻜﺎﻥ ﺩﻓﻊ‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﻷ‪ .‬ﻫﺎﺘﻰ ﻨﺹ ﺭﻴﺎل ﻏﻴﺭ ﺩﻩ‬
‫ﺍﻝﻨﻘﻭﺩ ﻭﺘﺄﺨﺫ ﻓﺘﺎﺓ ﺍﻝﻔﺎﺘﻭﺭﺓ ﻤﻨﻪ ﻭﻫﻰ‬
‫ﻴﺎﺭﻭﺡ ﺃﻤﻙ ‪.‬‬
‫ﺠﺎﻝﺴﺔ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﻴﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ ﺍﻝﻔﺘﺎﺓ )ﺒﻠﻜﻨﺔ ﺃﺠﻨﺒﻴﺔ ( ‪ :‬ﺁﻴﻪ ﺩﻩ ﻜﻠﻡ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻴﺼﺒﺢ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ‬
‫ﺤﻀﺭﺘﻙ ؟‬
‫ﻤﺘﻭﺴﻁﺔ‪ M. S‬ﻭﻴﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻌﺘﺭ ‪ :‬ﺁﻩ ‪ ..‬ﻤﺎﺘﻌﺭﻓﻴﺵ ؟ ﺒﺭﺍﻨﻰ‬
‫ﻫﻭ ﺃﻨﺘﻰ ﻓﺎﻜﺭﺍﻨﻰ ﺁﻴﻪ ؟ ﺨﺸﻨﻰ ؟‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M .Close up‬‬ ‫‪417‬‬
‫ﻝﻤﺤﻤﺩ ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﺍﻝﻌﺘﺭ ﻭﻫﻭ ﻴﻠﻑ‬
‫ﺍﻝﻘﻤﺎﺵ ﻝﻠﺯﺒﺎﺌﻥ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M. Close up‬‬ ‫‪418‬‬
‫ﻝﻠﻌﺘﺭ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻴﻬﻡ‬
‫ﺒﺎﻝﺤﺭﻜﺔ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M .L. S‬‬ ‫‪419‬‬
‫ﻝﻠﻌﺘﺭ ﻴﺘﺤﺭﻙ ﺴﺭﻴﻌﹰﺎ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﹰﺎ‪Pan Right‬‬
‫ﻭﻴﻅﻬﺭ ﻤﺤﻤﺩ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻤﺸﻬﺩ )‪( 79‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﻤﺤل ﺍﻝﺠﺯﺍﺭ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻠﻌﺘﺭ ﻭﺍﻗﻑ ﺍﻝﻌﺘﺭ ‪ :‬ﺒﻌﻴﻨﻰ ﺩﻭل ﺍﻝﻠﻰ ﻴﺎﻜﻠﻬﻡ‬ ‫‪420‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﻨﻅﺭ ﻨﺎﺤﻴﺔ ﻓﺭﺩﻭﺱ ﺍﻝﺩﻭﺩ ‪ ,‬ﺸﺎﻴﻔﻪ ﺒﺎﻝﺒﺩﻝﺔ ﺍﻝﺼﻔﺭﺍ ‪,‬‬
‫ﻭﻓﺘﺎﺘﺎﻥ ﻓﻰ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻴﺴﺎﺭﹰﺍ ‪ ,‬ﺜﻡ ﻭﻫﻭ ﺒﻴﻠﻑ ﺍﻝﺤﺎﺠﺎﺕ ﻝﻠﺯﺒﺎﻴﻥ ‪.‬‬
‫ﻓﺭﺩﻭﺱ ‪ :‬ﻴﺎﺨﻴﺒﺘﻙ ﻴﺎﻓﺎﻁﻤﺔ ﻋﻠﻰ‬ ‫ﻴﺨﺭﺠﻥ ﻤﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﺴﻰ ﺍﻝﻤﻭﻅﻑ ‪.‬‬ ‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻓﺘﺎﺓ ‪ :‬ﻫﻰ ﻓﻠﻘﺘﻨﺎ ﻫﻰ ﻭﺃﻤﻬﺎ ‪.‬‬
‫ﻓﺘﺎﺓ ﺃﺨﺭﻯ ‪ :‬ﺍﻝﻭﻅﻴﻔﺔ ﻴﺎﺩﻯ‬
‫ﺍﻝﻭﻅﻴﻔﺔ ‪.‬‬
‫ﻓﺭﺩﻭﺱ ‪ :‬ﻭﺍﻝﻨﺒﻰ ﻝﻨﻔﺭﺴﻬﺎ ‪.‬‬

‫ﻤﺸﻬﺩ )‪( 80‬‬

‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺼﺎﻝﺔ ﺸﻘﺔ ﻤﺤﻤﺩ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪M .L. S‬‬ ‫‪421‬‬
‫ﻝﻔﺎﻁﻤﺔ ﺘﻔﺘﺢ ﺍﻝﺒﺎﺏ ﻭﻴﺩﺨﻠﻥ ﻓﺘﻴﺎﺕ ﺇﺤﺩﺍﻫﻥ ‪ :‬ﺍﻝﻌﻭﺍﻑ ﻴﺎﻓﺎﻁﻤﺔ ﻫﺎﻨﻡ‬
‫ﺍﻝﺠﻴﺭﺍﻥ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﺠﻠﺴﻥ ﻭﺘﺘﺎﺒﻌﻬﻥ ﻓﺎﻁﻤﺔ ‪ :‬ﺍﷲ ﻴﻌﺎﻓﻴﻜﻰ‬
‫ﻓﺎﻁﻤﺔ ﻭﺘﺠﻠﺱ ﻤﻌﻬﻥ ﻓﻰ ﺍﻝﺼﺎﻝﺔ ﻓﺭﺩﻭﺱ ‪ :‬ﺇﺯﺍﻯ ﺍﻷﻓﻨﺩﻯ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺒﺨﻴﺭ ﻴﺎﺨﺘﻰ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 59 of 81‬‬

‫ﻓﺭﺩﻭﺱ ‪ :‬ﺃﻭﻋﻰ ﻴﻜﻭﻥ ﻤﺠﻴﻨﺎ‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫ﺩﻝﻭﻗﺕ ﺤﻴﻌﻁﻠﻙ ﻓﻰ ﺤﺎﺠﺔ ﻴﺎﻁﻤﻁﻡ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻴﺎﺴﻼﻡ ﻴﺎﺩﻭﺴﺔ ‪.‬‬
‫ﻓﺭﺩﻭﺱ ‪ :‬ﻫﻰ ﻤﻨﻬﺎ ﺯﻴﺎﺭﺓ ﻨﻁﻤﻥ‬
‫ﻋﻠﻴﻜﻰ ﻭﻨﺸﻭﻓﻙ ﻭﻤﻨﻬﺎ ﻜﻤﺎﻥ‬
‫ﻗﺎﺼﺩﺍﻜﻰ ﻓﻰ ﻤﺸﻭﺍﺭ ﻤﻌﺎﻴﺎ ‪...‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M .S‬ﻝﻔﺭﺩﻭﺱ ﺘﻨﻅﺭ‬ ‫‪422‬‬
‫ﻓﺭﺩﻭﺱ ‪ :‬ﻨﺎﺯﻝﺔ ﺃﺸﺘﺭﻯ ﻗﻤﺎﺵ‬
‫ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭ ﻓﻰ ﺍﻝﻌﻤﻕ ﻓﺘﺎﺓ ﺘﺠﻠﺱ‬
‫ﻭﺃﻨﺘﻰ ﻓﻰ ﺍﻝﺘﻨﻘﻴﺔ ﻤﺎﻴﻌﻼﺵ ﻋﻠﻰ‬
‫ﻭﺘﻨﻅﺭ ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺫﻭﻗﻙ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺱ‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻔﺎﻁﻤﺔ ﺘﻨﻅﺭ ﻓﺎﻁﻤﺔ ‪ :‬ﻤﻥ ﻋﻴﻨﻰ ﺍﻹﺘﻨﻴﻥ ‪ .‬ﺒ ‪‬‬ ‫‪423‬‬
‫ﻴﺎﺨﺘﻰ ﻤﺎﺍﻗﺩﺭﺵ ﺃﺘﺄﺨﺭ ﺒﺭﻩ ‪,‬‬ ‫ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻴﺎﺩﻭﺏ ﻤﺴﺎﻓﺔ ﺍﻝﺴﻜﺔ ‪ ,‬ﻭﺃﺭﺠﻊ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻗﻭﺍﻡ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M .Close up‬ﻓﺭﺩﻭﺱ ‪ :‬ﻋﺎﺭﻓﺔ ﻴﺎﺨﺘﻰ ﻋﺎﺭﻓﺔ‬ ‫‪424‬‬
‫ﻝﻔﺭﺩﻭﺱ ‪ ,‬ﺜﻡ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ ﻓﺘﺎﺓ ‪ :‬ﺍﻷﻓﻨﺩﻯ ﺒﻴﻴﺠﻰ ﺍﻝﻀﻬﺭ‬
‫‪ Pan Left‬ﻝﺘﺴﺘﻌﺭﺽ ﺍﻝﻔﺘﻴﺎﺕ ﻴﺘﻐﺩﻯ ‪.‬‬
‫ﻗﺘﺎﺓ ﺃﺨﺭﻯ ‪ :‬ﻭﺇﺤﻨﺎ ﺇﻴﺵ ﻗﻌﺩﻨﺎ ﻜل‬ ‫ﺍﻝﺠﺎﻝﺴﺎﺕ ﻓﻰ ﺍﻝﺼﺎﻝﺔ‬
‫ﺩﻩ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻓﺘﺎﺓ ﺃﺨﺭﻯ ‪ :‬ﻨﻜﻭﻥ ﻫﻨﺎ ﻗﺒل ﻤﻴﻌﺎﺩ‬
‫ﺴﻰ ﻤﺤﻤﺩ ‪.‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻔﺎﻁﻤﺔ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬ ‫‪425‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺩﻗﻴﻘﺔ ﻋﻥ ﺇﺫﻨﻜﻡ ‪ ,‬ﻝﻤﺎ‬
‫ﻅﻬﺭﻫﺎ ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﻓﻰ ﺍﻝﻌﻤﻕ ﺍﻝﻔﺘﻴﺎﺕ‬
‫ﺃﺨﺵ ﺃﻝﺒﺱ ‪.‬‬
‫ﻭﺘﺘﺤﺭﻙ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻓﺭﺩﻭﺱ ‪ :‬ﺇﺘﻔﻀﻠﻰ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M .Close up‬‬ ‫‪426‬‬
‫ﻝﻔﺎﻁﻤﺔ ﺘﺩﺨل ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺘﻔﺘﺢ ﺒﺎﺏ‬
‫ﺼﻭﺕ ﻓﺘﺢ ﻭﻏﻠﻕ ﺍﻝﺒﺎﺏ‬
‫ﻏﺭﻓﺔ ﺍﻝﻨﻭﻡ ﻭﺘﺩﺨل ﻭﺘﻐﻠﻘﻪ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪.M .L. S‬‬ ‫‪427‬‬
‫ﻝﻠﻔﺘﻴﺎﺕ ﺠﺎﻝﺴﺎﺕ ﻴﻀﺤﻜﻥ‬
‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻤﺸﻬﺩ ) ‪( 81‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﻤﺤل ﺍﻝﺘﺠﺎﺭﻯ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻔﺎﻁﻤﺔ ﻓﺎﻁﻤﺔ ‪ :‬ﻭﺭﻴﻨﺎ ﻤﻥ ﻓﻀﻠﻙ ﻜﺭﻴﺏ‬ ‫‪428‬‬
‫)‪( 20‬‬ ‫ﻭﺍﻝﻔﺘﻴﺎﺕ ﻴﻘﻔﻥ ﺃﻤﺎﻡ ﺒﺎﺌﻊ ﺍﻷﻗﻤﺸﺔ ‪ ,‬ﺜﻡ ﺠﻭﺭﺠﻴﺕ ‪ ....‬ﺒﻼﺵ ﺍﻷﻝﻭﺍﻥ‬
‫ﺍﻝﻐﻤﻘﺔ ﺩﻯ ﻤﻥ ﻓﻀﻠﻙ ‪ ..‬ﺃﻴﻭﺓ ﺁﻫﻭ‬ ‫ﺘﻨﻅﺭ ﻓﺭﺩﻭﺱ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺩﻩ ﺤﻠﻭ ﻗﻭﻯ ﻴﺎﻓﺭﺩﻭﺱ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻓﺭﺩﻭﺱ ‪ :‬ﻅﺭﻴﻑ ﺼﺤﻴﺢ ‪ .‬ﺒﻜﺎﻡ‬
‫ﺍﻝﻤﺘﺭ ؟‬
‫ﺍﻝﺒﺎﺌﻊ ‪ :‬ﺏ‪ 15‬ﻗﺭﺵ ‪.‬‬
‫ﻓﺭﺩﻭﺱ ‪ :‬ﻁﺏ ﺇﻗﻁﻊ ‪3‬ﺇﻨﺼﺎﺹ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻴﻠﻑ‬ ‫‪429‬‬
‫ﺍﻝﻘﻤﺎﺵ ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ ﻓﺭﺩﻭﺱ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻔﺎﻁﻤﺔ‬ ‫‪430‬‬
‫ﻭﻓﺭﺩﻭﺱ ﻭﺒﺎﻗﻰ ﺍﻝﻔﺘﻴﺎﺕ ﻴﺘﺤﺭﻜﻥ ﻴﺴﺎﺭ‬
‫ﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻬﻥ ﺍﻝﻜﺎﻤﻴﺭﺍ‪Pan Left‬‬
‫ﺤﺘﻰ ﻴﺼﻠﻥ ﺍﻝﻰ ﻤﻜﺎﻥ ﺩﻓﻊ ﺍﻝﻔﺎﺘﻭﺭﺓ ﻓﻰ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 60 of 81‬‬

‫ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪ .M .L .S‬ﻤﻥ‬ ‫‪431‬‬
‫ﺨﻠﻑ ﻅﻬﺭ ﻤﺤﻤﺩ ﻭﺘﻅﻬﺭ ﺍﻝﻔﺘﻴﺎﺕ ﻓﻰ‬
‫ﺍﻝﻌﻤﻕ ﻭﻴﺘﺤﺭﻜﻥ ﻓﻰ ﺍﺘﺠﺎﻩ ﻤﺤﻤﺩ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻴﺎﺭﺒﻰ ﺁﻴﻪ ! ﻤﺤﻤﺩ !‬
‫ﻭﺍﻝﻜﺎﻤﻴﺭﺍ ‪ ,‬ﺜﻡ ﺘﻘﻑ ﻓﺎﻁﻤﺔ ﻭﺘﻨﻅﺭ‬
‫ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M .S‬ﻝﻤﺤﻤﺩ ﻤﻥ‬ ‫‪432‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﻓﺎﻁﻤﺔ !!!!‬ ‫ﻭﺠﻬﺔ ﻨﻅﺭ ﻓﺎﻁﻤﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻔﺎﻁﻤﺔ ﺘﻨﻅﺭ‬ ‫‪433‬‬
‫ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ ,‬ﺜﻡ ﺘﺨﺭﺝ ﻤﻥ‬
‫ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M .S‬ﻝﻤﺤﻤﺩ ﻴﺭﻓﻊ‬ ‫‪434‬‬
‫ﺍﻝﻠﻭﺡ ﺍﻝﺨﺸﺏ ﻭﻴﺨﺭﺝ ﻤﻥ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ L. S‬ﻝﻔﺎﻁﻤﺔ ﺘﺘﺤﺭﻙ‬ ‫‪435‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺃﺴﺘﻨﻰ ﻴﺎﻓﺎﻁﻤﺔ ‪..‬‬ ‫ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻤﺤﻤﺩ ﻴﺠﺭﻯ ﺨﻠﻔﻬﺎ‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﺃﺴﻤﻌﻴﻨﻰ ﻫﺎﺃﺸﺭﺡ ﻝﻙ ﻜل ﺸﻰﺀ ‪.‬‬ ‫ﻭﺍﻝﻔﺘﻴﺎﺕ ﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ ‪ ,‬ﺜﻡ ﺘﺨﺭﺝ‬
‫) ‪( 20‬‬ ‫ﻓﺎﻁﻤﺔ ‪ :‬ﺍﻨﺎ ﻤﺵ ﻓﻰ ﻭﻋﻴﻲ‬ ‫ﻓﺎﻁﻤﺔ ﻤﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﻅل ﻤﺤﻤﺩ‬
‫ﺩﻝﻭﻗﺕ ‪ ,‬ﺍﺒﻌﺩ ﻋﻨﻰ ‪.‬‬ ‫ﻭﺍﻗﻔ ﹰﺎ‬
‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻤﺸﻬﺩ ) ‪( 82‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺼﺎﻝﺔ ﻤﻨﺯل ﻓﺎﻁﻤﺔ‬
‫ﺱ ﻤﺎﺘﻌﻴﻁﻴﺵ ‪ .‬ﻫﻠﻜﺕ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M. S‬ﻝﻔﺎﻁﻤﺔ ﺘﻀﻊ ﺍﻷﻡ ‪ :‬ﺒ ‪‬‬ ‫‪436‬‬
‫ﺭﻭﺤﻙ ‪.‬‬ ‫ﺭﺃﺴﻬﺎ ﻋﻠﻰ ﻜﺘﻑ ﺍﻤﻬﺎ‬
‫ﻓﺎﻁﻤﺔ ‪َ :‬ﺃَﻭﺩﻯ ﻭﺸﻰ ﻓﻴﻥ ﻗﺩﺍﻡ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻨﺎﺱ ﺒﻌﺩ ﻜﺩﻩ ؟‬
‫ﺍﻷﻡ ‪ :‬ﻭﻫﻭ ﺃﻨﺕ ﺒﻌﺩ ﻜﺩﻩ ﻫﺎﺘﻘﻌﺩﻯ‬
‫ﻤﻌﺎﻩ ؟ ‪ ..‬ﺘﺨﻠﺼﻰ ﻤﻨﻪ ‪.‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺃﺨﻠﺹ ﻤﻨﻪ ؟ ﻴﻌﻨﻰ ﺁﻴﻪ‬
‫ﻴﺄﻤﻪ ؟‬
‫ﺍﻷﻡ ‪ :‬ﺁﻴﻪ ؟ ﻤﺵ ﻫﺎﻨﻼﻗﻰ ﻨﻭﻜﻠﻙ ؟‬
‫ﺒﻴﺕ ﺃﺒﻭﻜﻰ ﻤﺵ ﻤﻔﺘﻭﺡ ؟ ﻤﻘﻁﻭﻋﺔ‬
‫ﻤﻥ ﺸﺠﺭﺓ ؟ ﺩﻩ ﺃﻨﺕ ﺒﺭﻗﺒﺘﻪ ‪ ,‬ﻫﻭ‬
‫ﻜﺎﻥ ﻴﻁﻭل ﻭﺍﺤﺩﺓ ﺯﻴﻙ ؟ ﻫﻭ ﻓﻴﻪ‬
‫ﻜﺎﻡ ﻓﺎﻁﻤﺔ ﻓﻰ ﺍﻝﺤﺘﺔ ؟‪ ....‬ﺩﻩ ﺃﻨﺕ‬
‫ﻭﺭﺩﺓ ﻓﻰ ﻭﺴﻁ ﺠﻨﻴﻨﺔ ‪.‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻔﺎﻁﻤﺔ ﺘﻨﻅﺭ‬ ‫‪437‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺍﻝﻠﻰ ﻤﺄﺜﺭ ﻓﻰ ﺒﺎﻷﻜﺘﺭ‬
‫ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻰ‪.‬‬‫ﻴﺎﺃﻤﻪ ﺃﻨﻪ ﻜﺩﺏ ﻋﻠ ‪‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺱ ؟ ﺩﻩ ﻏﺸﻨﺎ‬‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻸﻡ ﺘﻨﻅﺭ ﺍﻷﻡ ‪ :‬ﻫﻭ ﻜﺩﺏ ﻭﺒ ‪‬‬ ‫‪438‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﺘﻨﻅﺭ ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺍﻝﻤﻠﻭ‪‬ﻉ ﺍﻝﺩﻭﻥ ‪ ,‬ﺍﻝﻌﺠﻴﺒﺔ ﻴﺄﺨﻭﺍﺘﻰ‬
‫ﺃﻨﺎ ﻗﻠﺒﻰ ﺩﻝﻴﻠﻰ ‪ ,‬ﻤﺎﻜﻨﺘﺵ ﻤﻁﻤﻨﺔ‬ ‫ﻷﺴﻔل‬
‫ﺃﺒﺩﹰﺍ ﻝﻠﻭﺍﺩ ﺩﻩ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M . Close up‬‬ ‫‪439‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺍﻝﻠﻰ ﺸﻔﺘﻪ ﺒﻌﻴﻨﻰ ﻤﺎﻜﻨﺘﺵ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 61 of 81‬‬

‫ﺃﺼﺩﻗﻪ ﺃﺒﺩﹰﺍ ‪.‬‬ ‫ﻝﻔﺎﻁﻤﺔ ﻤﻥ ﻓﻭﻕ ﻅﻬﺭ ﺍﻷﻡ‬

‫ﺍﻷﻡ ‪ :‬ﻴﺎﻗﻬﺭﺘﻙ ﻴﺎﺒﻨﺘﻰ ‪ .‬ﻭﺃﻨﺕ ﻝﺴﻪ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﺭﻭﺴﺔ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M .S‬ﻝﻸﻡ ﻤﻥ ﺨﻠﻑ ﺍﻷﻡ ‪ :‬ﺨﺩﻙ ﺒﻁﻭﻝﻙ ﻴﺎﻋﻴﻥ ﺃﻤﻙ ‪,‬‬ ‫‪440‬‬
‫ﻭﺇﺴﺘﻔﺭﺩ ﺒﻴﻜﻰ ﻓﻰ ﻭﺴﻁ ﺍﻝﻠﻰ‬ ‫ﻅﻬﺭ ﻓﺎﻁﻤﺔ ‪.‬‬
‫ﻴﺘﻘﺭﺼﻭﺍ ‪ ,‬ﻴﺎﻤﺎ ﺼﻌﺒﺎﻥ ﻋﻠﻰ ﻜﻼﻡ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻨﺎﺱ ‪ ,‬ﺃﺸﻜﺎل ﻭﺃﻝﻭﺍﻥ ‪ ,‬ﻫﻭ ﺩﻩ‬
‫ﻋﻤﺭﻩ ﻴﻜﺴﺏ ؟ ‪ ...‬ﻗﻭﻤﻰ ﻴﺎﺤﺒﻴﺒﺘﻰ‬
‫ﻗﻭﻤﻰ ﻭﻻ ﻴﻬﻤﻙ ﺃﻨﺩﻫﻰ ﻝﻰ‬
‫ﺃﺒﻭﻜﻰ ‪ ,‬ﻴﺠﻤﻊ ﻋﻠﻴﻪ ﺍﻝﻨﺎﺱ‬
‫ﻭﺘﺨﻠﺼﻰ ﻤﻥ ﺸﺒﻜﺘﻪ ‪.‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻁﻴﺏ ﺒﻌﺩﻴﻥ ﻴﺎﻤﻪ ﻤﺵ‬
‫ﺩﻝﻭﻗﺕ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ M. L. S‬ﺍﻷﻡ ‪ :‬ﻭﻫﻰ ﻋﺎﻴﺯﺓ ﺒﻌﺩﻴﻥ ‪ ,‬ﺤﺎ ﹰﻻ‬ ‫‪441‬‬
‫ﻝﻸﺜﻨﻴﻥ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ ,‬ﻭﺘﻘﻑ ﺩﻝﻭﻗﺕ ‪ ,‬ﻨﻘﻁﻊ ﻋﺭﻕ ﻭﻨﺴﻴﺢ ﺩﻤﻪ ‪.‬‬
‫ﺍﻷﻡ ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﻋﻠﻰ‪ Tilt up‬ﻗﻭﻤﻰ ﺒﺄﻗﻭﻝﻙ ﺃﻨﺯﻝﻰ ﻗﻭﻤﻰ ‪.....‬‬
‫ﺃﻨﺘﻰ ﺘﺒﺎﺘﻰ ﺍﻝﻠﻴﻠﺔ ﻋﻠﻰ ﺫﻤﺘﻪ ؟ ﺩﻩ‬ ‫‪ ,‬ﺜﻡ ﻴﺴﺎﺭﹰﺍ ﺤﺘﻰ ﺍﻝﺒﺎﺏ ‪.‬‬
‫ﻤﺴﺘﺤﻴل ‪ ..‬ﺩﻩ ﺍﻨﺕ ﻓﺎﻁﻤﺔ ﺒﻨﺕ‬ ‫ﻤﺴﺢ ‪Wipe‬‬
‫ﺍﻝﻤﻌﻠﻡ ﻋﺎﺸﻭﺭ ﻋﻠﻰ ﺴﻥ ﻭﺭﻤﺢ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 83‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﺤﺎﺭﺓ‬
‫ﺒﺩﺍﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻔﺎﻁﻤﺔ ﺘﻤﺸﻰ ﻓﻰ‬ ‫‪442‬‬
‫) ‪( 21‬‬ ‫ﺍﻝﺤﺎﺭﺓ ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ ‪Pan‬‬
‫‪ Left‬ﺤﺘﻰ ﺘﺼل ﺍﻝﻰ ﺍﻝﻔﺭﻥ ﻭﺘﺘﺤﺭﻙ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ ‪Pan Left‬ﻭﻴﻅﻬﺭ‬
‫ﻤﺤﻤﺩ ﻗﺎﺩﻤ ﹰﺎ ﻤﻥ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺩﺨل‬
‫ﻤﻥ ﺒﺎﺏ ﺍﻝﻔﺭﻥ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ‬
‫ﻝﻴﻅﻬﺭ ﻤﺤﻤﺩ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨ ﹰﺎ‬
‫‪ Pan Right‬ﻭﻫﻭ ﻴﺩﺨل ﺍﻝﻔﺭﻥ ﻭﻫﻭ‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﻴﺭﺘﺩﻯ ﺍﻝﺒﺩﻝﺔ ﺍﻝﺼﻔﺭﺍﺀ‬
‫) ‪( 21‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 84‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﻤﺨﺒﺯ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻔﺎﻁﻤﺔ ﺘﺩﺨل ﻤﻥ ﻤﺤﻤﺩ ‪ :‬ﻓﺎﻁﻤﺔ‬ ‫‪443‬‬
‫ﺍﻝﺒﺎﺏ ﻭﺨﻠﻔﻬﺎ ﻤﺤﻤﺩ ‪ ,‬ﺜﻡ ﺘﺘﻘﺩﻡ ﻝﻸﻤﺎﻡ ﻓﺎﻁﻤﺔ ‪ :‬ﺇﺒﻌﺩ ﻋﻨﻰ ﻤﺎﺘﻜﻠﻤﻨﻴﺵ ‪.‬‬
‫ﻓﻰ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻭﺨﻠﻔﻬﺎ ﻤﺤﻤﺩ ‪ :‬ﺃﻨﺕ ﻋﺼﺒﻴﺔ ﻗﻭﻯ ﺩﻝﻭﻗﺕ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ ,‬ﻭﺘﺨﺭﺝ ﻤﻥ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﺘﻌﺎل ﻤﻌﺎﻴﺎ ﺃﺸﺭﺡ ﻝﻙ ﻓﻰ ﺍﻝﺒﻴﺕ‬
‫ﺍﻝﺤﻜﺎﻴﺔ ﻜﻠﻬﺎ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺒﻴﺕ ؟ ﺃﻨﺎ ﺒﻘﻴﺕ ﺃﺨﺸﻪ‬
‫ﺘﺎﻨﻰ ؟‬
‫ﻤﺤﻤﺩ ‪ :‬ﺒﺭ ﻀﻪ ﺩﻯ ﻜﻠﻤﺔ ﺘﻘﻭﻝﻴﻬﺎ‬
‫؟‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺃﻴﻭﺓ ﺃﻗﻭﻝﻬﺎ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﻋﻴﺏ ﻴﺎﻓﺎﻁﻤﺔ ‪ .‬ﺃﻨﺕ ﻤﺵ‬
‫ﺼﻐﻴﺭﺓ ‪ ,‬ﻴﺎﻝﻠﻼ ﺒﻴﻨﺎ ‪.‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺴﻴﺒﻨﻰ ﻤﺎﻝﻜﺵ ﺩﻋﻭﺓ‬
‫ﺒﻰ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻔﺎﻁﻤﺔ ﻭﻴﺩﺨل ﻤﺤﻤﺩ ‪ :‬ﺃﻤﺎل ﻤﻴﻥ ﺍﻝﻠﻰ ﻝﻴﻪ ﺩﻋﻭﺓ ؟‬ ‫‪444‬‬
‫ﻤﺤﻤﺩ ﺍﻝﻜﺎﺩﺭ ﻤﻥ ﺍﻝﻴﻤﻴﻥ ﻭﺘﻠﺘﻔﺕ ﻓﺎﻁﻤﺔ ‪ :‬ﻜﻔﺎﻴﺔ ﺍﻝﻠﻰ ﻋﻤﻠﺘﻪ ‪...‬‬
‫ﻜﺫﺒﺕ ﻋﻠﻴﻪ ﻭﺨﻠﻠﻴﺘﻨﻰ ﻤﻀﺤﻜﺔ‬ ‫ﻨﺎﺤﻴﺘﻪ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 62 of 81‬‬

‫ﻭﺴﻁ ﺍﻝﻨﺎﺱ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫ﻤﺤﻤﺩ ‪ :‬ﺃﻨﺎ ﻤﻥ ﺸﻔﻘﺘﻰ ﻋﻠﻴﻙ‬
‫ﻤﺎﺭﻀﻴﺘﺵ ﻻ ﺃﺯﻋﻠﻙ ﻭﻻ ﺃﻜﺴﺭ‬
‫ﺨﺎﻁﺭﻙ ‪.‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻭﺠﻪ ﻓﺎﻁﻤﺔ ﺼﻭﺕ ﻤﺤﻤﺩ ‪ :‬ﻜﺘﻤﺕ ﻫﻤﻰ ﻝﻭﺤﺩﻯ‬ ‫‪445‬‬
‫ﻋﻠﻰ ﺃﻤل ﺍﻥ ﺍﻝﻅﺭﻭﻑ ﺘﺘﺤﺴﻥ ﻗﺩﺍﻡ‬ ‫ﺘﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺸﻭﻴﺔ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻸﺜﻨﻴﻥ‪ .M. S‬ﻜﻤﺎ ﻓﻰ‬ ‫‪446‬‬
‫ﻝﻘﻁﺔ ) ‪ , ( 444‬ﺜﻡ ﺘﺨﺭﺝ ﻤﻥ ﺍﻝﻜﺎﺩﺭ ﻓﺎﻁﻤﺔ ‪ :‬ﺇﻨﺘﻬﻴﻨﺎ ﺨﻼﺹ ‪ .‬ﻤﺎﻓﻴﺵ‬
‫ﺃﻯ ﻓﺎﻴﺩﺓ ‪.‬‬ ‫ﻴﻤﻴﻨﹰﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪M. L. S‬‬ ‫‪447‬‬
‫ﻝﻌﺎﻤل ﺍﻝﻤﺨﺒﺯ ﻭﺘﺩﺨل ﻓﺎﻁﻤﺔ ﻤﻥ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺃﺒﻭﻴﺎ ﻓﻴﻥ ؟‬
‫ﺍﻝﻴﺴﺎﺭ ‪ ,‬ﺜﻡ ﺘﺘﺤﺭﻙ ﻝﻠﻌﻤﻕ ‪ ,‬ﻭﻴﺩﺨل‬
‫ﺍﻝﻌﺎﻤل ‪ :‬ﺍﻝﻤﻌﻠﻡ ﺨﺭﺝ ‪.‬‬
‫ﻤﺤﻤﺩ ﺍﻝﻜﺎﺩﺭ ﺨﻠﻔﻬﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻸﺜﻨﻴﻥ‪ M. S . 2‬ﻤﺤﻤﺩ ‪ :‬ﺁﻴﻪ ﺍﻝﻠﻰ ﻏﻴﺭﻙ ﺒﺎﻝﺸﻜل ﺩﻩ‬ ‫‪447‬‬
‫ﻭﻅﻬﺭﻫﻤﺎ ﻝﻠﻜﺎﻤﻴﺭﺍ ﻭﺘﺘﺎﺒﻌﻬﻤﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ ؟ ﻨﺴﻴﺕ ﻗﻭﺍﻡ ﻤﻌﺯﺘﻙ ﻝﻰ ﻭﻤﺤﺒﺘﻨﺎ‬
‫ﻜﺎﻫﺎ ؟ ﻤﺵ ﺃﻨﺕ ﺍﻝﻠﻰ ﺒﺘﺘﻜﻠﻤﻰ‬ ‫ﻝﻠﺩﺍﺨل ‪Track in‬‬
‫ﻴﺎﻓﺎﻁﻤﺔ ‪ ..‬ﺩﻩ ﻤﺵ ﺼﻭﺘﻙ ﺍﻝﻠﻰ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺇﺘﻌﻭﺩﺕ ﺃﺴﻤﻌﻪ ؟‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻭﺃﻨﺕ ﻜﻤﺎﻥ ﻤﺵ ﻤﺤﻤﺩ‬
‫ﺍﻝﻠﻰ ﻜﺎﻥ ﻤﺎﻴﺨﺒﻴﺵ ﻋﻠﻰ ﺤﺎﺠﺔ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﻤﻌﻠﺵ ﻴﺎﻓﺎﻁﻤﺔ ‪ ..‬ﺒﻌﺩﻴﻥ‬
‫ﺤﺘﻌﺭﻓﻰ ﻜل ﺤﺎﺠﺔ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻤﺵ ﻋﺎﻴﺯﺓ ﺃﻋﺭﻑ ‪,‬‬
‫ﻤﺎﺘﻜﺘﺭﺵ ﻋﻠﻰ ﺨﻠﺼﻨﻰ ‪ .‬ﺍﻨﺎ ﻤﺵ‬
‫ﻤﻤﻜﻥ ﺃﻋﻴﺵ ﻭﻴﺎﻙ ‪.‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻔﺎﻁﻤﺔ ﺘﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻓﺎﻁﻤﺔ ‪ :‬ﺼﺩﻗﺕ ﺃﻤﻰ ﺃﻨﺎ ﻤﺴﺘﺤﻴل‬ ‫‪448‬‬
‫ﺘﺘﻘﻔل ﻋﻠﻰ ﻭﻋﻠﻴﻙ ﺃﻭﺩﺓ ﻭﺍﺤﺩﺓ‬ ‫ﻗﻁﻊ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻸﺜﻨﻴﻥ‪ M. S 2‬ﺒﺭﻭﻓﻴل‬ ‫‪449‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺃﻤﻙ ﻜﺩﺓ ﺒﺘﻀﺭﻙ‬
‫ﻴﺎﻓﺎﻁﻤﺔ ‪ .‬ﺍﻨﺕ ﺒﺄﻝﻔﺎﻅﻙ ﺍﻝﺠﺎﺭﺤﺔ‬ ‫ﻗﻁﻊ‬
‫ﺩﻯ ﺒﺘﻁﻌﻨﻴﻨﻰ ﻓﻰ ﻜﺭﺍﻤﺘﻰ ‪ .‬ﻭﺃﻨﺎ‬
‫ﻝﻭﻻ ﺃﻨﻰ ﺸﺎﺭﻴﻜﻰ ﻭﺒﺄﻋﺯﻙ ﻤﺎﻜﻨﺘﺵ‬
‫ﻁﻭﻝﺕ ﺒﺎﻝﻰ ﺒﺎﻝﺸﻜل ﺩﻩ ‪.‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻁﻭﻝﺕ ﺒﺎﻝﻙ ﻋﻠﺸﺎﻥ‬
‫ﻤﺎﻝﻜﺵ ﻭﺵ ﺘﺘﻜﻠﻡ ‪ ..‬ﻤﺵ‬
‫ﻤﻜﺴﻭﻑ ﻤﻥ ﺭﻭﺤﻙ ؟‬
‫ﻤﺤﻤﺩ ‪ :‬ﺍﻨﻜﺴﻑ ﻝﻴﻪ ؟ ﻫﻭ ﺃﻨﺎ‬
‫ﻋﻤﻠﺕ ﺠﺭﻴﻤﺔ ؟ ﺃﻜل ﺍﻝﻌﻴﺵ‬
‫ﻴﺎﻓﺎﻁﻤﺔ ﻤﺎﻓﻴﻬﺵ ﺃﻯ ﻋﺎﺭ ‪.‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺨﻠﺼﻨﻰ ﻤﺎﺘﺘﻌﺒﺵ‬
‫ﺭﻭﺤﻙ ‪ .‬ﻗﻠﺕ ﻝﻙ ﺨﻠﺼﻨﻰ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺩﻝﻭﻗﺕ ﺒﺱ ﺍﻜﺘﺸﻔﺕ‬
‫ﺍﻝﺤﻘﻴﻘﺔ ‪ ,‬ﺍﻝﻠﻰ ﻜﺎﻨﺕ ﻤﻊ ﺍﻷﺴﻑ‬
‫ﻏﺎﻴﺒﺔ ﻋﻨﻰ ‪ .‬ﺤﺒﻙ ﺍﻷﻭﻻﻨﻰ ﻴﻅﻬﺭ‬
‫ﺃﻨﻪ ﻤﺎﻜﺎﻨﺵ ﻝﻰ ‪ ,‬ﻭﻜﺭﻫﻙ ﺩﻝﻭﻗﺕ‬
‫ﺴﺒﺒﻪ ﺍﻝﺒﺩﻝﺔ ﺍﻝﻠﻰ ﻋﻠﻰ ‪ .‬ﻜﺎﻥ ﻓﻰ‬
‫ﺇﻤﻜﺎﻨﻰ ﻝﻭ ﺸﺌﺕ ﺃﺴﺘﻌﻤل ﺤﻘﻰ‬
‫ﻭﺍﻝﺯﻤﻙ ﺘﺭﺠﻌﻰ ﺒﻴﺘﻙ ﻭﺘﻌﻴﺸﻰ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 63 of 81‬‬

‫ﻤﻌﺎﻴﺎ ﻋﻠﻰ ﻗﺩ ﻤﺎﺃﻗﺩﺭ ‪.‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻔﺎﻁﻤﺔ ﻤﻥ‬ ‫‪450‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﻝﻜﻥ ﺩﻝﻭﻗﺕ ﻤﺎﻨﻴﺵ‬
‫ﺨﻠﻑ ﻅﻬﺭ ﻤﺤﻤﺩ‬
‫ﻋﺎﻴﺯﻙ‪ .‬ﺭﻭﺤﻰ ﻭﺍﻨﺕ ﻁﺎﻝﻘﺔ‬
‫ﻗﻁﻊ‪Cut‬‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M. S‬ﻜﻤﺎ ﻓﻰ ﻝﻘﻁﺔ‬ ‫‪451‬‬
‫) ‪( 22‬‬ ‫) ‪ ( 449‬ﻝﻤﺤﻤﺩ ﻭﻴﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ ﻋﻤﻕ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻴﺨﺭﺝ ﻤﻥ ﺍﻝﺒﺎﺏ ﻭﺘﻨﻅﺭ‬
‫ﻨﺎﺤﻴﺘﻪ ‪ .‬ﺜﻡ ﺘﺘﺤﺭﻙ ﻴﺴﺎﺭﹰﺍ ﻭﺘﺘﺎﺒﻌﻬﺎ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ‪ Pan Left‬ﻭﺘﺠﻠﺱ ﻋﻠﻰ‬
‫ﺤﺠﺭ ‪ .‬ﺘﻨﺯل ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﺴﻔل‪Tilt‬‬
‫‪ Down‬ﻭﺘﺨﻔﺽ ﺭﺃﺴﻬﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close up‬‬ ‫‪452‬‬
‫ﻝﻔﺎﻁﻤﺔ ﺘﺠﻠﺱ ﻭﺘﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻭﺘﺨﻔﺽ ﺭﺃﺴﻬﺎ ﻭﺘﺒﻜﻰ‬
‫ﺍﺨﺘﻔﺎﺀ ﺘﺩﺭﻴﺠﻰ ‪Fade -out‬‬
‫ﻤﺸﻬﺩ ) ‪( 85‬‬
‫ﻨﻬﺎﺭ ﺩﺍﺨﻠﻰ ﻤﻜﺘﺏ ﻤﺩﻴﺭ ﺍﻝﺸﺭﻜﺔ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﺼﻭﺕ ﺍﻵﻝﺔ ﺍﻝﻜﺎﺘﺒﺔ‬ ‫‪ 453‬ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻸﻝﺔ ﺍﻝﻜﺎﺘﺒﺔ‬
‫) ‪( 23‬‬ ‫ﻭﺘﻅﻬﺭ ﺍﻝﻜﺘﺎﺒﺔ ﺍﻝﺘﺎﻝﻴﺔ ‪:‬‬
‫ﺤﻀﺭﺓ ﺍﻝﻤﺤﺘﺭﻡ ﻤﺤﻤﺩ ﺃﻓﻨﺩﻯ ﺤﻨﻔﻰ‬
‫ﺒﻌﺩ ﺍﻝﺘﺤﻴﺔ _ ﻨﺭﺠﻭﻜﻡ ﺍﻝﺘﻜﺭﻡ ﺒﺎﻝﺤﻀﻭﺭ‬
‫ﺍﻝﻰ ﻤﻘﺭ ﺍﻝﺸﺭﻜﺔ ﻴﻭﻡ ﺍﻷﺤﺩ ﺍﻝﻘﺎﺩﻡ‬
‫ﺍﻝﺴﺎﻋﺔ ﺍﻝﻌﺎﺸﺭﺓ ﺼﺒﺎﺤﺎﺹ ‪ ,‬ﻝﻤﻘﺎﺒﻠﺔ‬
‫ﺍﻝﻤﺩﻴﺭ ﺍﻝﻌﺎﻡ ﻓﻰ ﺃﻤﺭ ﻫﺎﻡ ‪.‬‬
‫ﻭﺘﻔﻀﻠﻭﺍ ﺒﻘﺒﻭل ﻓﺎﺌﻕ ﺍﻹﺤﺘﺭﺍﻡ‬
‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻤﺸﻬﺩ ) ‪( 86‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻜﺘﺏ ﺍﻝﻤﺩﻴﺭ‬
‫ﻼ ﻤﺤﻤﺩ‬ ‫ﻼ ﻭﺴﻬ ﹰ‬‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ . L. S‬ﻝﻤﺤﻤﺩ ﻴﻔﺘﺢ ﺒﺎﺏ ﺍﻝﻤﺩﻴﺭ ‪ :‬ﺃﻫ ﹰ‬ ‫‪454‬‬
‫ﺍﻝﻤﺩﻴﺭ ﻭﻴﺩﺨل ﻭﻴﺘﺤﺭﻙ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺃﻓﻨﺩﻯ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﻤﺘﺸﻜﺭ ﻴﺎﺴﻌﺎﺩﺓ ﺍﻝﺒﺎﺸﺎ‬ ‫ﻭﻴﺨﺭﺝ ﺍﻝﻤﻭﻅﻑ ﻤﻥ ﺍﻝﻴﺴﺎﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ M. Close up‬ﺍﻝﻤﺩﻴﺭ ‪ :‬ﺍﻝﻤﺴﺘﻨﺩ ﺇﻴﺎﻩ ﺍﻝﻠﻰ ﺇﺘﻬﻤﻨﺎﻙ‬ ‫‪455‬‬
‫ﻝﻠﻤﺩﻴﺭ ﻤﻥ ﺨﻠﻑ ﻅﻬﺭ ﻤﺤﻤﺩ ‪ .‬ﻅﻠﻤ ﹰﺎ ﺒﻀﻴﺎﻋﻪ ﻭﺠﺩﻨﺎﻩ ﻋﻨﺩﻨﺎ ﻫﻨﺎ‬
‫ﻓﻰ ﺍﻷﺭﺸﻴﻑ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M. Close up‬‬ ‫‪456‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺃﻨﺎ ﺸﺎﻜﺭ ﺍﻝﻌﻨﺎﻴﺔ ﺍﻹﻝﻬﻴﺔ‬
‫ﻝﻤﺤﻤﺩ ﻤﻥ ﺨﻠﻑ ﻅﻬﺭ ﺍﻝﻤﺩﻴﺭ‬
‫ﺍﻝﻠﻰ ﺃﺜﺒﺘﺕ ﺒﺭﺍﺀﺘﻰ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪M. Close up‬‬ ‫‪457‬‬
‫ﺍﻝﻤﺩﻴﺭ ‪ :‬ﻭﺍﻨﺎ ﺸﺎﻜﺭ ﻤﻥ ﺠﻬﺔ ﺘﺎﻨﻴﺔ‬
‫ﻝﻠﻤﺩﻴﺭ ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻨﻅﺭ‬
‫ﻝﺼﺩﻴﻕ ﻋﺯﻴﺯ ﻴﺤﺒﻙ ﺒﺈﺨﻼﺹ ‪ ,‬ﻫﻭ‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﻗﺭﻉ ﺍﻝﺠﺭﺱ‬
‫ﺍﻝﻠﻰ ﺇﻫﺘﻡ ﺒﺎﻝﺒﺤﺙ ﻋﻨﻪ ﻭﻻﻗﺎﻩ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﺼﻭﺕ ﻓﺘﺢ ﺍﻝﺒﺎﺏ‬ ‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M. S‬ﻝﻤﺤﻤﺩ ﻴﻨﻅﺭ‬ ‫‪458‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻤﺤﻤﺩ ‪ :‬ﻤﻴﻥ ؟‬
‫ﺍﻝﻤﺩﻴﺭ ‪ :‬ﻫﺎﺘﺸﻭﻓﻪ ﺩﻝﻭﻗﺕ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M. S‬ﻝﻌﺩﻝﻰ ﻴﻐﻠﻕ‬ ‫‪459‬‬

‫ﺍﻝﺒﺎﺏ ﻭﻴﻨﻅﺭ ﺒﺈﺒﺘﺴﺎﻤﺔ ﻨﺎﺤﻴﺔ ﻴﻤﻴﻥ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 64 of 81‬‬

‫ﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﻴﺨﺭﺝ ﻤﻥ ﺍﻝﻴﻤﻴﻥ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L. S‬ﻝﻌﺩﻝﻰ ﻴﺩﺨل ﻤﻥ‬ ‫‪460‬‬
‫ﺍﻝﻴﺴﺎﺭ ﻭﺍﻝﻤﺩﻴﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺨﻠﻑ‬
‫ﻋﺩﻝﻰ ‪ :‬ﺃﻨﺕ ﻫﻨﺎ ! ﺇﺯﻴﻙ ﻴﺎﻤﺤﻤﺩ ‪.‬‬
‫ﺍﻝﻤﻜﺘﺏ ﻭﻤﺤﻤﺩ ﺍﻤﺎﻤﻪ ﻭﻴﻤﺩ ﻋﺩﻝﻰ ﻴﺩﻩ‬
‫ﺍﻝﻤﺩﻴﺭ ‪ :‬ﺁﻴﻪ ﻤﺵ ﻨﺎﻭﻯ ﺘﺘﺸﻜﺭ ﻝﻪ‬
‫ﻝﻤﺤﻤﺩ ﺍﻝﺫﻯ ﻴﺸﻴﺢ ﻭﺠﻬﻪ ﻓﻰ ﺍﻝﻨﺎﺤﻴﺔ‬
‫ﻭ ﹰﻻ ﺁﻴﻪ ؟‬
‫ﺍﻵﺨﺭﻯ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ . M. S‬ﻝﻤﺤﻤﺩ ﻴﻨﻅﺭ‬ ‫‪461‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺇﻴﺎﻙ ﻫﻭ ﺍﻝﻠﻰ‪....‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺠﺯﺀ ﻤﻥ ﺠﺴﺩ ﻋﺩﻝﻰ‬
‫ﺼﻭﺕ ﺍﻝﻤﺩﻴﺭ ‪ :‬ﻤﺎﺘﺴﺘﻐﺭﺒﺵ‬
‫ﻴﻅﻬﺭ ﻓﻰ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ‬
‫ﻴﺎﻤﺤﻤﺩ ﺃﻓﻨﺩﻯ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻠﻤﺩﻴﺭ ﻴﺘﺤﺭﻙ ﻭﻴﻘﻑ‬ ‫‪462‬‬
‫ﺍﻝﻤﺩﻴﺭ ‪ :‬ﻋﺩﻝﻰ ﺩﻝﻭﻗﺕ ﺒﻘﻰ ﺇﻨﺴﺎﻥ‬
‫ﻭﻴﻨﻅﺭ ﻷﻋﻠﻰ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ‬
‫ﺠﺩﻴﺩ ‪ ,‬ﺤﺎﺠﺔ ﺘﺎﻨﻴﺔ ﺒﺎﻝﻤﺭﺓ ‪ .‬ﻭﺃﻨﺕ‬
‫ﺤﺘﻰ ﻴﺼل ﻨﺎﺤﻴﺔ ﻋﺩﻝﻰ‬
‫ﺒﺎﻝﺫﺍﺕ ﻝﻙ ﺃﺜﺭ ﻜﺒﻴﺭ ﻓﻰ ﺇﺼﻼﺤﻪ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻌﺩﻝﻰ ﻴﻨﻅﺭ‬ ‫‪463‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﻭﺃﻨﺎ ﻓﺨﻭﺭ ﺒﻜﺩﻩ ﻴﺎﺴﻌﺎﺩﺓ‬
‫ﻝﻠﻜﺎﻤﻴﺭﺍ‬
‫ﺍﻝﺒﺎﺸﺎ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻠﺜﻼﺜﺔ ‪ ,M. S‬ﺍﻝﻤﺩﻴﺭ ﺍﻝﻤﺩﻴﺭ ‪ :‬ﻤﻴﻥ ﻜﺎﻥ ﻴﺘﺼﻭﺭ ﺒﻌﺩ ﺍﻝﻠﻰ‬ ‫‪464‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻤﺤﻤﺩ ﻓﻰ ﻤﻨﺘﺼﻑ ﺍﻝﻜﺎﺩﺭ ﺤﺼل ﺒﻴﻨﻪ ﻭﺒﻴﻥ ﻭﺍﻝﺩﻩ ﺃﻨﻪ ﻴﺘﻁﻭﺭ‬
‫ﺒﺎﻝﺸﻜل ﺩﻩ ﻭﻴﻌﺘﻤﺩ ﻋﻠﻰ ﻨﻔﺴﻪ‬ ‫ﻭﻋﺩﻝﻰ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺼﻭﺕ ﺍﻝﻭﻻﻋﺔ‬
‫ﻭﻴﻜﺴﺏ ﻋﻴﺸﻪ ﺒﻤﺠﻬﻭﺩﻩ ﺍﻝﺨﺎﺹ ‪.‬‬ ‫ﺜﻡ ﻴﺸﻌل ﺍﻝﻤﺩﻴﺭ ﺴﻴﺠﺎﺭﹰﺍ‬
‫ﻭﻁﺒﻌﺎ ﻜل ﺩﻩ ﻜﻠﻪ ﻭﺒﻴﻌﺘﺒﺭﻙ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻜﺼﺩﻴﻕ‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻤﺤﻤﺩ ﻴﻨﻅﺭ ﻤﺤﻤﺩ ‪ :‬ﺍﻝﺼﺩﺍﻗﺔ ﺃﻨﺘﻬﻰ ﺍﻤﺭﻫﺎ‬ ‫‪465‬‬
‫ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻋﺩﻝﻰ ﻴﻘﻑ ﺨﻠﻔﻪ ﻴﺎﺴﻌﺎﺩﺓ ﺍﻝﺒﺎﺸﺎ ‪.‬‬
‫ﺍﻝﻤﺩﻴﺭ ‪ :‬ﻝﻜﻥ ﺩﻩ ﻜﺘﻴﺭ ﻴﺎﻤﺤﻤﺩ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺃﻓﻨﺩﻯ ‪ ,‬ﻋﺩﻝﻰ ﻴﻜﻔﻴﻪ ﺘﺄﻨﻴﺏ‬
‫ﻀﻤﻴﺭﻩ ‪ ,‬ﻭﺃﻨﺎ ﻋﺭﻓﺕ ﻜل ﺸﻰﺀ ‪,‬‬
‫ﻭﺃﻨﺎ ﻴﻬﻤﻨﻰ ﺃﻨﻜﻡ ﺘﺘﺼﺎﻓﻭﺍ ‪.‬‬
‫ﻭﺨﺼﻭﺼﹰﺎ ﺇﻥ ﺍﻝﻌﻤل ﻫﺎﻴﺠﻤﻊ ﺒﻴﻨﻜﻡ‬
‫ﻫﻨﺎ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﺓ‪ .M. S‬ﻝﻠﻤﺩﻴﺭ ﻴﻠﺘﻔﺕ‬ ‫‪466‬‬
‫ﻭﻴﺘﺤﺭﻙ ﻝﻴﺼﺒﺢ ﻓﻰ ﺍﻝﻤﻨﺘﺼﻑ ﻭﻴﻤﻴﻥ ﺍﻝﻤﺩﻴﺭ ‪ :‬ﺍﻝﺸﺭﻜﺔ ﻗﺭﺭﺕ ﺇﻋﺎﺩﺘﻙ‬
‫ﻜﺎﺩﺭ ﻴﻘﻑ ﻤﺤﻤﺩ ﻭﻋﺩﻝﻰ ﻴﺴﺎﺭ ‪ .‬ﺜﻡ ﺘﺎﻨﻰ ﻝﻭﻅﻴﻔﺘﻙ ﻤﻊ ﺼﺭﻑ ﻤﺭﺘﺒﻙ‬
‫ﻴﺘﺤﺭﻙ ﻜل ﻤﻥ ﻋﺩﻝﻰ ﻭﻤﺤﻤﺩ ﻝﻴﺨﺭﺠﺎ ﻋﻥ ﻜﺎﻤل ﺍﻝﻤﺩﺓ ﺍﻝﻠﻰ ﺇﺘﻔﺼﻠﺘﻬﺎ ‪.‬‬
‫ﻴﺎﻝﻼ ﻴﺎﻋﺩﻝﻰ ﺨﺩﻩ ﻭﻴﺎﻙ ‪ .‬ﻴﺎﻝﻼ ‪.‬‬ ‫ﻤﻥ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 87‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺼﺎﻝﺔ ﺍﻝﻤﻭﻅﻔﻴﻥ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ . L. S‬ﻝﻤﺤﻤﺩ ﻭﻋﺩﻝﻰ ﻋﺩﻝﻰ ‪ :‬ﺃﻨﺎ ﻤﺵ ﻫﺎﺃﺨﺫﻝﻙ ﺃﺒﺩﹰﺍ ﺒﻌﺩ‬ ‫‪467‬‬
‫ﻴﺨﺭﺠﺎ ﻤﻥ ﺒﺎﺏ ﺍﻝﻤﺩﻴﺭ ﺍﻝﻰ ﺍﻝﺼﺎﻝﺔ ﺍﻝﻨﻬﺎﺭﺩﺓ ‪ ,‬ﻭﻝﻭ ﺍﻨﻙ ﺒﺘﻌﻤل ﻓﻴﺎ‬
‫ﻭﺘﺘﺎﺒﻌﻬﻤﺎ ﻝﻠﻴﻤﻴﻥ ‪ , tracking‬ﺜﻡ ﻴﻘﻔﺎ ﻓﺼﻭل ﺒﺎﺭﺩﺓ ﺠﺩﹰﺍ‬
‫ﻓﻰ ﺤﺠﻡ ﻤﺘﻭﺴﻁ ‪ , .M .S‬ﻋﺩﻝﻰ ﻤﺤﻤﺩ ‪ :‬ﺃﻨﺎ ؟؟‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻤﺤﻤﺩ ﻴﻤﻴﻨ ﹰﺎ ﻷﻤﺎﻡ ﺃﺤﺩ ﻋﺩﻝﻰ ‪ :‬ﻤﻌﻠﻭﻡ ‪ .‬ﺘﺘﺠﻭﺯ ﺤﻀﺭﺘﻙ‬
‫ﻭﻻ ﺘﻌﺯﻤﻨﻴﺵ ‪ .‬ﺍﻝﻨﻬﺎﻴﺔ ﺃﻨﺎ ﻓﺭﺤﺎﻥ‬ ‫ﺍﻝﻤﻜﺎﺘﺏ‬
‫ﻗﻭﻯ ‪ .‬ﺍﻝﺴﺕ ﺒﺘﺎﻋﺘﻙ ﻫﺎﺘﺘﺒﺴﻁﻠﻙ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻋﻠﺸﺎﻥ ﺍﻝﻭﻅﻴﻔﺔ ﻭﺍﻝﺘﻌﻭﻴﺽ ﺇﻴﺎﻩ‬
‫ﻤﺤﻤﺩ ‪ :‬ﻻ ﺴﺕ ﻭﻻ ﻭﻅﻴﻔﺔ ‪.‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 65 of 81‬‬

‫ﻋﺩﻝﻰ ‪ :‬ﺇﺯﺍﻯ !‬
‫ﻤﺤﻤﺩ ‪ :‬ﺒﻌﺩﻴﻥ ﺃﻗﻭﻝﻙ ‪.‬‬
‫‪ 468‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M. Close up‬ﻤﺤﻤﺩ ‪ :‬ﺃﻨﺎ ﺩﻝﻭﻗﺕ ﻓﻰ ﺍﻝﻤﺩﻴﺭ ﺍﻝﻠﻰ‬
‫ﻝﻤﺤﻤﺩ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻤﻥ ﺨﻠﻑ ﻅﻬﺭ ﻋﺎﻴﺯ ﻴﺭﺠﻌﻨﻰ ﺍﻝﻭﻅﻴﻔﺔ ﺍﻝﻠﻰ‬
‫ﺃﺼﺒﺤﺕ ﺒﺄﻤﻘﺘﻬﺎ ‪ .‬ﻜﻔﺎﻴﺔ ﺇﻨﻰ ﻋﺸﺕ‬ ‫ﻋﺩﻝﻰ‬
‫ﻗﺒل ﻜﺩﻩ ﺯﻯ ﻏﻴﺭﻯ ﻤﺎﻫﻭ ﻋﺎﻴﺯ ‪,‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﺩﻝﻭﻗﺕ ﺃﻅﻥ ﻝﻰ ﺍﻝﺤﻕ ﺃﻋﻴﺵ ﺯﻯ‬
‫ﻤﺎﺃﻨﺎ ﻋﺎﻴﺯ ‪.‬‬
‫‪ 469‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ M. Close up‬ﻋﺩﻝﻰ ‪ :‬ﻭﺃﻨﺎ ﻴﺎﻤﺤﻤﺩ ﻋﻠﻰ ﺃﺘﻡ‬
‫ﺇﺴﺘﻌﺩﺍﺩ ﺃﻨﻔﺫ ﻤﺸﺭﻭﻋﻨﺎ ﺍﻝﻘﺩﻴﻡ ‪.‬‬ ‫ﻝﻌﺩﻝﻰ ﻤﻥ ﺨﻠﻑ ﻅﻬﺭ ﻤﺤﻤﺩ‬
‫ﺍﻨﺕ ﻋﻨﺩﻙ ﺍﻝﺘﻌﻭﻴﺽ ﺒﺘﺎﻋﻙ ﻭﺃﻨﺎ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺇﻗﺘﺼﺩﺕ ﺸﻰﺀ ﻤﻥ ﻤﺭﺘﺒﻰ‬
‫ﻭﻋﺭﺒﻴﺘﻰ ﻝﺴﻪ ﺘﻤﻨﻬﺎ ﻓﻴﻬﺎ ‪.‬‬
‫‪ 470‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻭﻋﺩﻝﻰ ﻤﺤﻤﺩ ‪ :‬ﺒﺘﺘﻜﻠﻡ ﺠﺩ ﻴﺎﻋﺩﻝﻰ !‬
‫ﻯ‬
‫ﻋﺩﻝﻰ ‪ :‬ﺃﻨﺎ ﻋﻤﺭﻯ ﻤﺎﻜﻨﺕ ﺠﺩ ﺯ ‪‬‬ ‫ﻓﻰ ﻤﻨﺘﺼﻑ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺼﺎﻓﺤﺎ‬
‫ﺍﻝﻨﻬﺎﺭﺩﺓ ‪.‬‬ ‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻤﺸﻬﺩ ) ‪( 88‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻜﺘﺏ ﺍﻝﻤﺩﻴﺭ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻠﻤﺩﻴﺭ ﻴﺘﺤﺩﺙ ﺍﻝﻤﺩﻴﺭ ‪ :‬ﻜﺎﻥ ﺒﻭﺩﻯ ﻴﺎﻨﺯﻴﻪ ﺒﺎﺸﺎ‬ ‫‪471‬‬
‫ﺃﺠﻴﻠﻙ ﻭﻋﺩﻝﻰ ﻭﻴﺎﻴﺎ ‪ ,‬ﺇﻨﻤﺎ ﺒﻘﻰ‬ ‫ﻓﻰ ﺍﻝﺘﻠﻴﻔﻭﻥ ﻤﻥ ﺨﻠﻑ ﻤﻜﺘﺒﻪ‬
‫ﻴﺎﺴﻴﺩﻯ ﺤﺼﻠﺕ ﺤﻜﺎﻴﺔ ﻋﺠﻴﺒﺔ‬ ‫ﻗﻁﻊ‬
‫ﺩﻝﻭﻗﺘﻰ ‪ .‬ﻤﺤﻤﺩ ﺃﻓﻨﺩﻯ ﺤﻨﻔﻰ ﺍﻝﻠﻰ‬
‫ﻜﻨﺕ ﺯﻤﺎﻥ ﻭﺼﻴﺘﻨﻰ ﻋﻠﻴﻪ ‪ ,‬ﺠﻴﻨﺎ‬
‫ﻨﺭﺠﻌﻪ ﺘﺎﻨﻰ ﻝﻭﻅﻴﻔﺘﻪ ‪ ,‬ﻓﺄﻭل‬
‫ﻤﺎﺇﻨﻔﺭﺩ ﺨﻤﺱ ﺩﻗﺎﻴﻕ ﺒﻌﺩﻝﻰ ﺭﺍﺡ‬
‫ﻭﺍﺨﺩﻩ ﺘﺤﺕ ﺒﺎﻁﻪ ﻭﺨﺭﺠﻭﺍ‬
‫ﻭﺴﺎﺒﻭﻝﻨﺎ ﺍﻝﺸﺭﻜﺔ ‪ ..‬ﻗﺎل ﺇﻴﻪ‬
‫ﻫﺎﻴﺸﺘﻐﻠﻭﺍ ﺴﻭﺍ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 89‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﻤﻜﺘﺏ ﻨﺯﻴﻪ ﺒﺎﺸﺎ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻨﺯﻴﻪ ﻴﺘﺤﺩﺙ ﻨﺯﻴﻪ ‪ :‬ﻗﺩ ﺁﻴﻪ ﺃﻨﺎ ﻤﺴﺭﻭﺭ ﻴﺎﺒﺎﺸﺎ‬ ‫‪472‬‬
‫ﺒﺎﻝﺨﺒﺭ ﺍﻝﻠﻰ ﺒﺘﻘﻭﻝﻠﻰ ﻋﻨﻪ ﺩﻩ ‪..‬‬ ‫ﻓﻰ ﺍﻝﺘﻠﻴﻔﻭﻥ‬
‫ﺍﺨﺘﻔﺎﺀ ﺘﺩﺭﻴﺠﻰ ‪ Fade -out‬ﻤﻌﻠﻭﻡ ﺁﻫﻪ ﺩﻩ ﺍﻝﻴﻭﻡ ﺍﻝﻠﻰ ﺇﺒﺘﺩﺍ‬
‫ﻋﺩﻝﻰ ﻴﻜﻭﻥ ﻓﻴﻪ ﺭﺍﺠل ‪ ..‬ﻤﻴﺭﺴﻰ‬
‫ﻴﺎﺇﻜﺴﻼﻨﺱ ‪..‬‬
‫ﺃﻭﺭﻴﻔﻭﺍﺭ ‪.‬ﺃﻭﺭﻴﻔﻭﺍﺭ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 90‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﻤﺴﺭﺡ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﺨﺸﺒﺔ ﺍﻝﻤﺴﺭﺡ‬ ‫‪473‬‬
‫ﻭﺍﻝﺼﺎﻝﺔ ﻤﻁﻔﺎﺀﺓ ﻭﺘﻘﺩﻡ ﺒﻌﺽ ﺍﻷﻝﻌﺎﺏ‬
‫ﻤﻭﺴﻴﻘﻰ ﺍﻝﻌﺭﺽ‬ ‫ﺍﻝﺒﻬﻠﻭﺍﻨﻴﺔ ﻋﻠﻰ ﺍﻝﺨﺸﺒﺔ ﻓﻰ ﻋﻤﻕ‬
‫ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻷﺤﺩ ﺍﻝﻠﻭﺍﺝ‬ ‫‪474‬‬
‫ﻋﺎﺸﻭﺭ‪ :‬ﺍﷲ ﺍﷲ ﺍﷲ ﻫﻤﺎ ﺍﻝﻠﻰ‬
‫ﻭﺘﺠﻠﺱ ﻓﻴﻪ ﻓﺎﻁﻤﺔ ﻭﺃﻤﻬﺎ ﻓﻰ ﺍﻝﻤﻘﺩﻤﺔ‬
‫ﺒﻴﺘﺸﻘﻠﺒﻭﺍ ﻭﻻ ﺍﻨﺎ ﺍﻝﻠﻰ ﺩﻤﺎﻏﻰ‬
‫ﻭﺍﻝﻌﺘﺭ ﻭﻋﺎﺸﻭﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻓﻰ‬
‫ﻤﺎﻝﺕ ‪.‬‬
‫ﺍﻝﺨﻠﻔﻴﺔ ‪ ,‬ﻭﺠﻤﻴﻌﻬﻡ ﻴﻨﻅﺭﻭﻥ ﻴﺴﺎﺭ‬
‫ﺍﻷﻡ ‪ :‬ﺁﻴﻪ ﻴﺎﺨﻭﻴﺎ ﺩﻩ ‪ .‬ﺩﻩ ﺇﺤﻨﺎ‬
‫ﺃﺴﻔل ﺍﻝﻜﺎﺩﺭ‬
‫ﻤﺵ ﻋﺎﻴﺸﻴﻥ ﻓﻰ ﺍﻝﺩﻨﻴﺎ ‪.‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 66 of 81‬‬

‫ﺍﻝﻌﺘﺭ ‪ :‬ﺃﻨﺘﻭﺍ ﺸﻔﺘﻡ ﺁﻴﻪ ! ﺩﻩ ﺃﻨﺎ‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫ﺒﻜﺭﺓ ﻫﺎﺃﺴﻬﺭﻜﻡ ﺤﺘﺔ ﺴﻬﺭﺓ ‪.‬‬
‫ﺘﺘﻔﺭﺠﻭﺍ ﻓﻴﻬﺎ ﻋﻠﻰ ﻓﺭﻗﺔ ﺠﻬﺎﺒﺯﺓ‬
‫ﺍﻝﻔﻥ ‪ .‬ﺩﻭل ﻴﻀﺤﻜﻭﺍ ﺍﻝﻁﻭﺏ ‪.‬‬
‫‪ 475‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻠﻌﺘﺭ ﻴﻤﻴﻥ‬
‫ﻜﺎﺩﺭ ﻭﻓﺎﻁﻤﺔ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻓﻰ ﺍﻝﻤﻘﺩﻤﺔ‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﻭﺍﺨﺩﺓ ﺒﺎﻝﻙ ﻴﺎﺴﺕ ﻓﺎﻁﻤﺔ‬
‫ﻭﻴﻨﻅﺭ ﻨﺎﺤﻴﺘﻬﺎ ‪ ,‬ﻭﺘﻨﻅﺭ ﻫﻰ ﺒﻌﻴﺩﹰﺍ‬
‫ﻤﻥ ﺍﻝﺒﻼﻨﺱ ﺍﻝﻨﻜﺘﺔ ﺩﻩ !‬
‫ﻨﺎﺤﻴﺔ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﺘﺘﺤﺭﻙ‬
‫ﺍﻷﻡ ‪ :‬ﺒﺎﻻﻨﺱ ؟‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﹰﺎ‪ Pan Right‬ﻝﻴﺼﺒﺢ‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﺁﻩ ‪ .‬ﺍﻫﻰ ﺩﻯ ﺒﻘﻰ ﻋﻨﺩﻫﻡ‬
‫ﻜل ﻤﻥ ﺍﻝﻌﺘﺭ ﻭﺍﻷﻡ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ‬
‫ﺇﺴﻤﻬﺎ ﺴﺎﻨﺘﺎ ﻤﺎﺭﻨﺘﺎﺭﻴﺎ‬
‫ﻤﺘﻭﺴﻁﺔ ‪.M .S‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 476‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻌﺎﺸﻭﺭ ﻴﺴﺎﺭ‬
‫ﻜﺎﺩﺭ ﻭﻤﺘﻔﺭﺝ ﻴﺠﻠﺱ ﻓﻰ ﻝﻭﺝ ﺁﺨﺭ‬
‫ﻭﻴﻨﻅﺭ ﻨﺎﺤﻴﺔ ﻋﺎﺸﻭﺭ ﺍﻝﺫﻯ ﻴﺸﺭﺏ ﻋﺎﺸﻭﺭ ‪ :‬ﻴﺎﺴﻼﻡ ‪ ..‬ﺁﻫﻰ ﺩﻯ ﺍﻝﻠﻰ‬
‫ﺍﻝﺨﻤﺭ ﻭﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﻴﻌﻴﺩ ﺘﻜﻴﻑ ﺼﺤﻴﺢ ‪ ,‬ﺴﺎﻨﺘﺎ ﻤﺎﺭﺘﻨﻴﺎ ‪.‬‬
‫ﺍﻝﻜﺄﺱ ﺍﻝﻰ ﺍﻝﺼﻴﻨﻴﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 477‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ L. S‬ﻝﻸﻝﻌﺎﺏ ﻋﻠﻰ ﺍﻝﻤﺴﺭﺡ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ . L. S‬ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‬ ‫‪478‬‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫‪ high Angle‬ﻝﻠﺠﻤﻬﻭﺭ ﻫﻡ ﻴﺼﻔﻘﻭﻥ‬
‫ﺼﻭﺕ ﺍﻝﺘﺼﻔﻴﻕ‬
‫ﺍﻝﻌﺭﺽ‬ ‫ﻭﺘﻀﺎﺀ ﺍﻝﺼﺎﻝﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M.S‬ﻝﻠﺠﻤﻴﻊ ﻓﻰ ﺍﻝﻌﺘﺭ ‪ :‬ﻋﻔﺎﺭﻡ ‪ .‬ﺃﺠﻴﺏ ﻝﻙ ﻭﺍﺤﺩ‬ ‫‪479‬‬
‫ﺍﻝﻠﻭﺝ ‪ ,‬ﺜﻡ ﻴﻘﻑ ﺍﻝﻌﺘﺭ ﻭﻴﺼﻔﻕ ‪ ,‬ﺜﻡ ﻝﻜﻭﻡ ﻴﺎﻓﻁﺎﻤﻁﻡ ‪.‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻷ ﻤﺵ ﻋﺎﻴﺯﺓ ‪.‬‬ ‫ﻴﺠﻠﺱ‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﺃﺠﻴﺏ ﻝﻙ ﺠﺭﻭﺒﻰ ؟‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻷﻡ ‪ :‬ﻴﺎﻨﺩﺍﻤﺔ ﻴﺎﻤﻌﻠﻡ ﻋﺘﺭ ‪.‬‬
‫ﻤﺎﻜﺎﻨﺵ ﻨﺎﻗﺹ ﺇﻻ ﻜﺩﻩ ﺘﺴﻘﻴﻬﺎ‬
‫ﺨﻤﺭﺓ ؟‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﻭﺃﻨﺎ ﺃﺴﻘﻰ ﺨﻁﻴﺒﺘﻰ ﺨﻤﺭﺓ‬
‫ﺩﻩ ﺸﺭﺒﺎﺕ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M S‬ﻝﻌﺎﺸﻭﺭ‬ ‫‪480‬‬
‫ﻭﺍﻝﻤﺘﻔﺭﺝ ﺍﻝﺠﺎﻝﺱ ﻓﻰ ﺍﻝﻠﻭﺝ ﺒﺠﻭﺍﺭﻩ‬
‫ﻴﻨﻅﺭﺍ ﻝﺒﻌﻀﻬﻤﺎ ﺍﻝﺒﻌﺽ ﺜﻡ ﻴﻠﺘﻔﺕ‬
‫ﺍﻝﻤﺘﻔﺭﺝ ﻨﺎﺤﻴﺔ ﺍﻝﻤﺴﺭﺡ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ L. S‬ﻝﺼﺎﻝﺔ ﺍﻝﻤﺴﺭﺡ‬ ‫‪481‬‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ ﺍﻏﻨﻴﺔ‬
‫ﻭﺍﻝﺨﺸﺒﺔ ﺘﺭﻓﻊ ﻋﻨﻬﺎ ﺍﻝﺴﺘﺎﺭ‬
‫ﻴﺎﺒﻠﺒل ﺍﻝﻬﻭﻯ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M .S‬ﻝﻠﻤﻁﺭﺒﺔ ﺘﻅﻬﺭ‬ ‫‪482‬‬
‫ﻋﻠﻰ ﺍﻝﻤﺴﺭﺡ ﻓﻰ ﺍﻝﻤﻨﺘﺼﻑ ﻭﺨﻠﻔﻬﺎ‬
‫ﺍﻝﻔﺭﻗﺔ ﺍﻝﻤﻭﺴﻴﻘﻴﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻸﺴﺭﺓ ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪483‬‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﻴﺎﺴﻼﻡ ‪ ,‬ﻴﺎﺴﻼﻡ ‪ ,‬ﺁﻯ‬
‫ﻤﺭﺘﻔﻌﺔ‬
‫ﻭﺍﻝﻨﺒﻰ ‪.‬‬
‫ﻗﻁﻊ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ . M. S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪484‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 67 of 81‬‬

‫ﻤﻨﺨﻔﻀﺔ‪ Low Angle‬ﻝﻠﻤﻁﺭﺒﺔ ﻤﻥ‬

‫ﺯﺍﻭﻴﺔ ﺠﺎﻨﺒﻴﺔ ﺘﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻌﺎﺸﻭﺭ‬ ‫‪485‬‬
‫ﻭﺍﻝﻤﺘﻔﺭﺝ ‪ ,‬ﺜﻡ ﻴﺩﺨل ﺍﻝﻨﺎﺩل ﻓﻰ ﺨﻠﻔﻴﺔ‬
‫ﺍﻝﻜﺎﺩﺭ ﻭﻴﻀﻊ ﺍﻝﺼﻴﻨﻴﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻠﺼﻴﻨﻴﺔ ﻤﻥ‬ ‫‪486‬‬
‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪ High Angle‬ﻭﻋﻠﻴﻬﺎ‬
‫ﺍﻝﻜﺄﺱ ﻭﺘﺭﺘﻔﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﻋﻠﻰ‪Tilt‬‬
‫‪ Up‬ﻝﻠﻤﺘﻔﺭﺝ ﺍﻝﺫﻯ ﻴﺄﺨﺫ ﻜﺄﺱ ﺍﻝﺨﻤﺭ‬
‫ﻭﻴﺸﺭﺒﻪ ‪ ,‬ﺜﻡ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﹰﺎ‬
‫‪ Pan Right‬ﻝﺘﺘﺎﺒﻊ ﻴﺩﻩ ﻭﻫﻭ ﻴﻀﻊ‬
‫ﺍﻝﻜﺄﺱ ﺍﻝﻔﺎﺭﻍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M .S‬ﻝﻌﺎﺸﻭﺭ ﻴﺄﺨﺫ‬ ‫‪487‬‬
‫ﻋﺎﺸﻭﺭ ‪ :‬ﻴﺎﺴﻼﻡ ﻴﺄﻡ ﻓﺎﻁﻤﺔ ﻋﻠﻰ‬
‫ﺍﻝﻜﺄﺱ ﻭﻴﺸﺭﺏ ﻓﻴﺠﺩﻩ ﻓﺎﺭﻏﹰﺎ‬
‫ﺍﻝﺤﺭﻜﺔ ﺍﻝﻠﻰ ﺠﺎﻴﺔ ﺩﻯ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M .S‬ﻝﻠﻤﻁﺭﺒﺔ ﺘﻨﻅﺭ‬ ‫‪488‬‬
‫ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﺘﻐﻨﻰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M .S‬ﻝﻔﺎﻁﻤﺔ ﻭﺨﻠﻔﻬﺎ‬ ‫‪489‬‬
‫ﺍﻝﻌﺘﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M. S‬ﻝﻌﺎﺸﻭﺭ‬ ‫‪490‬‬
‫ﻭﺠﺎﺭﻩ ‪ ,‬ﻴﺄﺨﺫ ﻋﺎﺸﻭﺭ ﺍﻝﻜﺄﺱ ﻭﻴﺠﺩﻩ‬
‫ﻓﺎﺭﻏﹰﺎ ﺜﺎﻨﻴﺔ ﺜﻡ ﻴﻨﻅﺭ ﻴﻤﻴﻨ ﹰﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻔﺎﻁﻤﺔ ﺘﻨﻅﺭ‬ ‫‪491‬‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻸﻡ ﻭﺍﻝﻌﺘﺭ ﻓﺎﻁﻤﺔ ‪ :‬ﺭﻭ‪‬ﺤﻭﻨﻰ ‪ .‬ﺃﻨﺎ ﺘﻌﺒﺎﻨﺔ‬ ‫‪492‬‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﺁﻴﻪ ! ﺒﻌﺩ ﺍﻝﺸﺭ ﻴﺎﻓﻁﻤﻁﻡ ‪.‬‬ ‫ﻭﻓﺎﻁﻤﺔ‬
‫ﺍﻷﻡ ‪ :‬ﻤﺎﻝﻙ ؟‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻋﻨﺩﻯ ﺼﺩﺍﻉ ‪ .‬ﻤﺎﻨﻴﺵ‬
‫ﻗﺎﺩﺭﺓ ﺃﻗﻌﺩ ‪ .‬ﻋﺎﻴﺯﺓ ﺃﺴﺘﺭﻴﺢ ﻻﺯﻡ‬
‫ﺃﺭﻭ‪‬ﺡ‬
‫ﺍﻷﻡ ‪ :‬ﻤﺵ ﺒﻌﺩ ﺍﻝﻤﻐﻨﻰ ﻴﺎﺒﻨﺘﻰ ؟‬
‫ﺩﻯ ﺤﺴﻬﺎ ﺤﻠﻭ ‪ .‬ﺃﻗﻌﺩﻯ ﺇﺴﻤﻌﻰ ‪.‬‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﺇﻨﺸﺎﷲ ﻤﺎﺤﺩ ﺴﻤﻊ‬
‫ﺍﻝﻤﻐﻨﻰ ‪ ..‬ﺼﺤﺘﻬﺎ ﺒﺎﻝﺩﻨﻴﺎ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M .S‬ﻝﻸﺭﺒﻌﺔ ﻴﻘﻔﻭﻥ‬ ‫‪493‬‬
‫ﻭﻴﺨﺭﺠﻭﻥ ﻤﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻬﻤﺎ‬
‫ﻨﻬﺎﻴﺔ ﺍﻷﻏﻨﻴﺔ‬ ‫ﺍﻝﻌﺘﺭ ‪ :‬ﻴﺎﻻ ﺒﻴﻨﺎ ‪.‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪Pan Right‬‬
‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻤﺸﻬﺩ )‪( 91‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺼﺎﻝﺔ ﻤﻨﺯل ﻓﺎﻁﻤﺔ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ M. L. S‬ﻝﻸﻡ‬ ‫‪494‬‬
‫ﺍﻷﻡ ‪ :‬ﺤﺩ ﻴﻌﻤل ﻜﺩﻩ ؟ ﺭﺍﺠل‬
‫ﻼ‬
‫ﺘﻔﺘﺢ ﺍﻝﺒﺎﺏ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻗﻠﻴ ﹰ‬
‫ﻋﺎﺯﻤﻨﺎ ﻭﻓﺭﺤﺎﻥ ﺒﻴﻨﺎ ‪ ,‬ﺘﻨﻜﺩﻯ ﻋﻠﻴﻪ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 68 of 81‬‬

‫‪ Track in‬ﻝﺘﺼل ﺍﻷﻡ ﺍﻝﻰ ﺍﻝﻤﺼﺒﺎﺡ ﻭﻋﻠﻴﻨﺎ ؟ ﻤﺵ ﻜﻔﺎﻴﺔ ﺃﻨﻪ ﻫﺎﻴﺎﺨﺩﻙ‬

‫ﻭﺘﻀﻴﺌﻪ ﻭﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ ﺘﺘﺤﺭﻙ ﻓﺎﻁﻤﺔ ﻭﺃﻨﺕ ﻋﺎﺯﺒﺔ ‪.‬‬
‫ﻭﻋﺎﺸﻭﺭ ﺍﻝﺫﻴﻥ ﻴﺨﺭﺠﺎ ﻤﻥ ﻴﻤﻴﻥ ﻓﺎﻁﻤﺔ ‪ :‬ﻤﻨﻴﺵ ﻋﺎﻴﺯﺓ ﺃﺘﺠﻭﺯ ‪.‬‬
‫ﻜﺎﺩﺭ ‪ .‬ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﺎ‪ Pan‬ﺍﻷﻡ ‪ :‬ﻨﻌﻡ ؟‬
‫‪ Right‬ﻝﺘﺼل ﺍﻝﻰ ﻓﺎﻁﻤﺔ ﻭﺘﻨﻅﺭ ﻋﺎﺸﻭﺭ ‪ :‬ﻴﺎﻭﻝﻴﺔ ﺴﻴﺒﻴﻬﺎ ‪ ..‬ﻫﻰ‬
‫ﻓﺎﻁﻤﺔ ﻴﺴﺎﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﻴﺩﺨل ﺩﻯ ﺭﺨﺭﺓ ﺤﺎﺠﺔ ﺒﺎﻝﻌﺎﻓﻴﺔ ‪ ..‬ﺘﻘﺩﺭﻯ‬
‫ﺃﻨﺕ ﺘﺎﻜﻠﻰ ﻝﻘﻤﺔ ﻤﻥ ﻏﻴﺭ ﻨﻔﺱ ؟‬ ‫ﻋﺎﺸﻭﺭ ﺍﻝﻜﺎﺩﺭ ‪ .‬ﺜﻡ ﺍﻷﻡ‬
‫ﺍﻷﻡ ‪ :‬ﺁﻩ ‪ .‬ﻗﺩﺭﺕ ﻭﺃﻜﻠﺕ ‪.. ..‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺃﺘﺠﻭﺯﺘﻙ ﺠﺘﻙ ﺍﻝﻨﻭﺍﻴﺏ ﻴﻭﻡ‬
‫ﺼﻭﺕ ﻓﺘﺢ ﺍﻝﺒﺎﺏ‬
‫ﻤﺎﺇﺘﻠﻤﻴﺕ ﻋﻠﻴﻙ ‪ ...‬ﺒﻘﻰ ﺤﻀﺭﺘﻙ‬
‫ﻋﺎﻴﺯﺓ ﺘﻤﺸﻰ ﻋﻠﻰ ﻁﻭﻋﻙ ‪ .‬ﻤﺎﺸﺎﺀ‬
‫ﺍﷲ ‪ ,‬ﻝﻤﺎ ﺍﻝﺒﻨﺎﺕ ﻴﻔﺘﺤﻭﺍ ﻋﻨﻴﻬﻡ‬
‫ﻭﻴﻘﻭﻝﻭﺍ ﺃﺘﺠﻭﺯ ﺩﻩ ﻭﻤﺎﺃﺘﺠﻭﺯﺵ‬
‫ﺩﻩ ‪ .‬ﻏﻴﺭﻙ ﻜﺎﻨﺕ ﺘﺒﻭﺱ ﺇﻴﺩﻴﻬﺎ‬
‫ﻭﺵ ﻭﻀﻬﺭ ‪ .‬ﻤﺵ ﻜﻔﺎﻴﺔ ﺍﻝﻠﻰ ﻓﺎﺕ‬
‫ﺃﻨﺕ ﻻﺯﻡ ﺘﺴﻤﻌﻰ ﺍﻝﻜﻠﻤﺔ ﺍﻝﻠﻰ‬
‫ﺃﻗﻭﻝﻙ ﻋﻠﻴﻬﺎ ‪.‬‬

‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻔﺎﻁﻤﺔ ﺠﺎﻝﺴﺔ‬ ‫‪495‬‬

‫ﻓﺎﻁﻤﺔ ‪ :‬ﺍﺩﻴﻨﻰ ﺴﻤﻌﺕ ﻜﻼﻤﻙ‬
‫ﺘﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻭﺨﺭﺒﺕ ﻋﻠﻰ ﺭﻭﺤﻰ ﺒﺈﻴﺩﻯ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M. S‬ﻝﻸﻡ ﺘﻨﻅﺭ‬ ‫‪496‬‬
‫ﺍﻷﻡ ‪ :‬ﻤﺴﻜﻴﻨﺔ ‪ .‬ﻓﹸﺘﻰ ﺍﻝﺨﺩﻡ‬
‫ﻷﺴﻔل ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﺤﻴﺙ‬
‫ﻭﺍﻝﺤﺸﻡ ‪ .‬ﻜﺎﻥ ﺁﻴﻪ ﺭﺍﺨﺭ ﻤﺤﻤﺩ‬
‫ﺘﺠﻠﺱ ﻓﺎﻁﻤﺔ‬
‫ﺍﻝﻨﺩﻤﺎﻥ ﺍﻝﻌﺭﺓ ﺩﻩ ؟‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ M .Close up‬ﻓﺎﻁﻤﺔ ‪ :‬ﻤﺎﻝﻪ ﻤﺤﻤﺩ ‪ ,‬ﻋﻴﺒﻪ ﺁﻴﻪ ؟‬ ‫‪497‬‬
‫ﺇﺤﻨﺎ ﺍﻝﻠﻰ ﺃﺫﻴﻨﺎﻩ ﻭﺒﻬﺩﻝﻨﺎﻩ ‪ .‬ﻓﻀﻠﺕ‬ ‫ﻝﻔﺎﻁﻤﺔ ﺘﻨﻅﺭ ﻷﻋﻠﻰ‬
‫ﺘﺯﻨﻰ ﻋﻠﻰ ﻓﻰ ﺩﻤﺎﻏﻰ ﻭﻭﺩﺍﻨﻰ ‪,‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻭﺨﻠﻴﺘﻴﻨﻰ ﺴﺒﺘﻪ ﻓﻰ ﺍﻝﻭﻗﺕ ﺍﻝﻠﻰ‬
‫ﻜﺎﻥ ﻤﺤﺘﺎﺝ ﻓﻴﻪ ﻝﻘﻔﺘﻰ ﺠﻨﺒﻪ ‪.‬‬
‫ﻋﻤﺭﻩ ﻤﺎﻗﺎﻝﻠﻰ ﻜﻠﻤﺔ ﺘﺯﻋﻠﻨﻰ ‪,‬‬
‫ﻋﻤﺭﻩ ﻤﺎﻜﺸﺭ ﻓﻴﻪ ‪ .‬ﻤﺎﺃﻓﺘﻜﺭﻝﻭﺵ‬
‫ﺃﺴﻴﺔ ﻋﻤﻠﻬﺎ ﻭﻴﺎﻴﺎ ‪ ...‬ﻜﺎﻥ ﺒﻴﻌﺎﻤﻠﻙ‬
‫ﺃﻨﺕ ﻭﺃﺒﻭﻴﺎ ﺯﻯ ﺃﺒﻭﻩ ﻭﺍﻤﻪ ﺘﻤﺎﻡ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ‪ M .Close up‬ﻋﺎﺸﻭﺭ ‪ :‬ﺃﻤﻙ ﻤﺎﻝﻬﺎﺵ ﻓﻰ ﺍﻝﻁﻴﺏ‬ ‫‪498‬‬
‫ﻨﺼﻴﺏ ‪ .‬ىﻬﻰ ﺨﺩﺘﻨﻰ ﺃﻨﺎ ﻭﻻ‬ ‫ﻝﻌﺎﺸﻭﺭ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻫﻴﺎﺵ ﻋﺎﺭﻓﺔ ﻗﻴﻤﺘﻰ ﻝﺤﺩ ﺩﻝﻭﻗﺕ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻠﺜﻼﺜﺔ‪ M. S. 3‬ﻤﻥ ﺍﻷﻡ ‪ :‬ﺇﺘﻠﻴﺱ ﺍﻨﺕ ‪ .‬ﺴﻰ ﻤﺤﻤﺩ‬ ‫‪499‬‬
‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‪ , High angle‬ﻓﺎﻁﻤﺔ ﺩﻝﻭﻗﺕ ﺒﻘﻰ ﻓﺭﺨﺔ ﺒﻜﺸﻙ ‪ .‬ﻴﺎﺴﺕ‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻋﺎﺸﻭﺭ ﻓﻰ ﺍﻝﺨﻠﻔﻴﺔ ﺠﺎﻝﺴ ﹰﺎ ﻓﺎﻁﻤﺔ ‪ .‬ﻭﺍﻝﺒﺩﻝﺔ ﺍﻝﺼﻔﺭﺍ ؟!‬
‫ﺒﺠﻭﺍﺭﻫﺎ ﻭﺍﻷﻡ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺍﻗﻔﺔ ﻓﺎﻁﻤﺔ ‪ :‬ﻴﺎﻤﺎ ﻓﻴﻪ ﻨﺎﺱ ﻻﺒﺴﻴﻥ‬
‫ﺒﺭﻭﻓﻴل ﺘﻨﻅﺭ ﻝﻔﺎﻁﻤﺔ ‪ ,‬ﺜﻡ ﺘﺠﻠﺱ ﺠﻭﺍﻫﺭ ‪ ,‬ﻭﻫﻡ ﻓﻰ ﺃﺨﻼﻗﻬﻡ ﺃﻗل ﻤﻥ‬
‫ﻭﺘﻨﺯل ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﺴﻔل ‪ Tilt Down‬ﻜﻼﺏ ﺍﻝﺴﻜﺔ ‪.‬‬
‫ﺍﻷﻡ ‪ :‬ﻭﻨﺴﻴﺘﻰ ﻜﺩﺒﻪ ﻭﺘﻠﻭﻴﻌﻪ !‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻔﺎﻁﻤﺔ ﺘﻨﻅﺭ‬ ‫‪500‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻤﺎﺤﺒﺵ ﻴﻘﻭﻝﻠﻰ ﻋﻠﺸﺎﻥ‬
‫ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ ,‬ﺜﻡ ﺘﻠﺘﻔﺕ ﻭﺘﻨﻅﺭ ﻴﺴﺎﺭ‬
‫ﻤﺎﺃﺯﻋﻠﺵ ﻓﻀل ﻝﻭﺤﺩﻩ ﻜﺎﺘﻡ ﻫﻤﻪ ‪,‬‬
‫ﻜﺎﺩﺭ‬
‫ﺨﺎﻴﻑ ﻋﻠﻰ ﻭﻋﻠﻰ ﺸﻌﻭﺭﻯ ‪ ,‬ﻴﺨﺵ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻴﻀﺤﻙ ‪ ,‬ﻭﻫﻭ ﻗﻠﺒﻪ ﺒﻴﺘﻘﻁﻊ ‪ .‬ﺒﻘﻰ‬
‫ﻤﺴﻜﻴﻥ ﻤﻀﻴﻕ ﻋﻠﻰ ﺭﻭﺤﻪ ‪,‬‬
‫ﻋﻠﺸﺎﻥ ﻤﺎﻴﻘﺼﺭﺵ ﻤﻌﺎﻴﺎ ‪ .‬ﻤﻴﻥ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 69 of 81‬‬

‫ﻴﻌﻤل ﺃﻜﺘﺭ ﻤﻥ ﻜﺩﻩ ﻓﻰ ﺍﻝﺩﻨﻴﺎ ؟‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻠﺜﻼﺜﺔ ﻤﻥ‬ ‫‪501‬‬
‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪ , High Angle‬ﺘﻘﻑ‬
‫ﻓﺎﻁﻤﺔ ﻭﺘﺭﺘﻔﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﻋﻠﻰ ‪ Tilt‬ﺍﻷﻡ ‪ :‬ﻜﻠﻤﺔ ﻤﺎﻓﻴﺵ ﻏﻴﺭﻫﺎ ‪ .‬ﺘﻁﻠﻌﻰ‬
‫‪ up‬ﺜﻡ ﺘﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ‪ .‬ﻭﺘﻨﺯل ﺍﻝﺴﻤﺎ ﺘﻨﺯﻝﻰ ﺍﻷﺭﺽ ‪ ,‬ﺤﺘﺘﺠﻭﺯﻯ‬
‫ﻼ ‪Tilt Down‬ﻭﻴﺘﺤﺭﻙ ﺍﻝﻌﺘﺭ ‪.‬ﻜﺘﺏ ﺍﻝﻜﺘﺎﺏ ﻝﻴﻠﺔ ﺍﻝﻤﻭﻝﺩ ‪.‬‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻗﻠﻴ ﹰ‬
‫ﻋﺎﺸﻭﺭ ﻝﻴﺠﻠﺱ ﻋﻠﻰ ﺍﻝﻤﻘﻌﺩ ﺒﺠﻭﺍﺭ ﻋﺎﺸﻭﺭ ‪ :‬ﻤﺎﺘﺯﻋﻠﻴﺵ ﻴﺎﺒﻨﺘﻰ ‪.‬‬
‫ﻓﺎﻁﻤﺔ ﻭﻴﺼﺒﺤﺎ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﺍﻝﻘﺴﻤﺔ ﻜﺩﻩ ﻭﻗﻌﺘﻰ ﺭﺨﺭﺓ ﻜﺎﻨﺕ‬
‫ﻤﺘﻭﺴﻁﺔ ﻷﺜﻨﻴﻥ ‪ .M. S‬ﻭﺘﻘﺘﺭﺏ ﺯﻯ ﻭﻗﻌﺘﻙ ‪.‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻤﻨﻬﻤﺎ‬
‫ﺍﺨﺘﻔﺎﺀ ﺘﺩﺭﻴﺠﻰ ‪Fade -out‬‬
‫ﻤﺸﻬﺩ ) ‪( 92‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻜﺘﺏ ﻤﺤﻤﺩ ﻭﻋﺩﻝﻰ‬
‫‪ 502‬ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻠﻴﺎﻓﻁﺔ ﻋﻠﻰ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﻤﺩﺨل ﺍﻝﻤﻜﺘﺏ " ﺍﻝﻤﻜﺘﺏ ﺍﻝﺘﺠﺎﺭﻯ ﻤﺤﻤﺩ‬
‫) ‪( 23‬‬ ‫ﻭﻋﺩﻝﻰ "‬
‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻤﺸﻬﺩ ) ‪( 93‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﻤﻜﺘﺏ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M. S‬ﻝﻠﻤﻜﺘﺏ ﻭﻴﻅﻬﺭ‬ ‫‪503‬‬
‫ﺍﻝﺘﻠﻴﻔﻭﻥ ﻋﻠﻴﻪ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‬
‫‪ ,High Angle‬ﻭﻴﺩﺨل ﻋﺩﻝﻰ ﺍﻝﻜﺎﺩﺭ‬
‫ﻋﺩﻝﻰ ‪ :‬ﺁﻝﻭ ‪ ..‬ﺃﻴﻭﺓ ﻴﺎﻓﻨﺩﻡ ﺃﻨﺎ‬
‫ﻭﻴﻠﺘﻘﻁ ﺍﻝﺴﻤﺎﻋﺔ ‪ ,‬ﻭﺘﺭﺘﻔﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺸﺭﻴﻜﻪ ‪ .‬ﺃﻴﻭﺓ ﺍﻝﻔﻭﺍﺘﻴﺭ ﻭﺼﻠﺘﻨﺎ ‪.‬‬
‫ﻷﻋﻠﻰ ‪ , Tilt up‬ﺜﻡ ﻴﺘﺤﺭﻙ ﻴﻤﻴﻨﹰﺎ‬
‫ﺤﻨﺭﺩ ﻋﻠﻴﻜﻡ ﺒﻌﺩﻴﻥ ‪ .‬ﻁﻴﺏ‬
‫ﻭﻫﻭ ﻴﺼﻔ ‪‬ﺭ ﻭﻴﻤﺴﻙ ﻤﻠﻔ ﹰﺎ ﻭﻴﺼﻌﺩ ﻋﻠﻰ‬
‫ﻤﺘﺸﻜﺭ ‪.‬‬
‫ﺴﻠﻡ ﺨﺸﺒﻰ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨ ﹰﺎ‬
‫‪ ,Pan Right‬ﺜﻡ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M. S‬ﻝﻤﺤﻤﺩ ﻴﻔﺘﺢ‬ ‫‪504‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﻋﻤﻠﺕ ﺁﻴﻪ !‬
‫ﺍﻝﺒﺎﺏ ﻭﻴﺩﺨل ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ‬
‫ﻤﺤﻤﺩ ‪ :‬ﺇﻴﺩﻙ ﻋﻠﻰ ﺍﻝﺭﻫﺎﻥ‬
‫‪ Pan Left‬ﻭﻴﺼﺒﺢ ﻫﻭ ﻭﻋﺩﻝﻰ ﻓﻰ‬
‫ﻋﺩﻝﻰ ‪ :‬ﻻ ﻴﺎﺸﻴﺦ ﺒﺘﺘﻜﻠﻡ ﺠﺩ !‬
‫ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M. S‬ﻭﻴﻨﺯل‬
‫ﺼﻭﺕ ﺠﺭﺱ ﺍﻝﺒﺎﺏ‬ ‫ﻤﺤﻤﺩ ‪ :‬ﻗﺒﻠﻭﺍ ﺒﺨﻤﺴﺔ ﻭﺘﻤﺎﻨﻴﻥ ‪,‬‬
‫ﻋﺩﻝﻰ ﻤﻥ ﻋﻠﻰ ﺍﻝﺴﻠﻡ ﻭﻴﻠﻘﻴﺎ ﺒﺎﻷﻭﺭﺍﻕ‬
‫ﻭﺍﻝﻜﻭﻨﺘﺭﺍﺘﻭﺍ ﺇﺘﻤﻀﻰ ‪.‬‬
‫ﻓﻰ ﺍﻝﻬﻭﺍﺀ ﻓﺭﺤﻴﻥ ‪ ,‬ﺜﻡ ﻴﺨﺭﺝ ﻋﺩﻝﻰ‬
‫ﻋﺩﻝﻰ ‪ :‬ﺃﻨﺕ ﻫﺎﻴل ‪ ..‬ﺃﻨﺕ‬
‫ﻤﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻤﺩﻫﺵ ‪ ..‬ﺯﺒﻭﻥ ‪ ..‬ﺇﻝﺤﻕ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M. S‬ﻝﻌﺩﻝﻰ ﻴﻌﺩل ﻤﻥ‬ ‫‪505‬‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﻭﻀﻊ ﺍﻝﺠﺎﻜﻴﺕ ‪ ,‬ﺜﻡ ﻴﻔﺘﺢ ﺍﻝﺒﺎﺏ ﻭﻴﻨﻅﺭ ﻋﺩﻝﻰ ‪ :‬ﻝ ‪‬ﻡ ﺍﻝﻭﺭﻕ ﺍﻝﻠﻰ ﻓﻰ‬
‫) ‪( 23‬‬ ‫ﺍﻷﺭﺽ ‪.‬‬ ‫ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻌﺩﻝﻰ ﻴﺨﺭﺝ ﻤﻥ‬ ‫‪506‬‬
‫ﺍﻝﺒﺎﺏ ﺍﻝﻰ ﺍﻝﺼﺎﻝﺔ ﻭﻴﺘﺤﺭﻙ ﻴﻤﻴﻨ ﹰﺎ ﻭﻴﻔﺘﺢ‬
‫ﺍﻝﺒﺎﺏ ﻭﺘﻅﻬﺭ ﻓﺎﻁﻤﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻔﺎﻁﻤﺔ ﻤﻥ ﺨﻠﻑ ﻅﻬﺭ‬ ‫‪507‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﺇﺘﻔﻀﻠﻰ ‪.‬‬ ‫ﻋﺩﻝﻰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻔﺎﻁﻤﺔ ﺘﺩﺨل ﻤﻥ ﺍﻝﺒﺎﺏ‬ ‫‪508‬‬
‫ﻭﻋﺩﻝﻰ ﻴﺘﺤﺭﻙ ﺨﻠﻔﻬﺎ ﻭﺘﺘﺎﺒﻌﻬﻤﺎ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 70 of 81‬‬

‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ ﻭﻴﻔﺘﺢ ﺒﺎﺏ ﺍﻝﻤﻜﺘﺏ ﻝﻬﺎ‬

‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬
‫ﻭﺘﺩﺨل‬
‫) ‪( 24‬‬
‫ﻗﻁﻊ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻤﺤﻤﺩ ﻓﻰ ﻤﻭﺍﺠﻬﺔ‬ ‫‪509‬‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻭﻴﻌﺩل ﻤﻥ ﻭﻀﻊ ﺍﻝﺒﺩﻝﺔ ‪ ,‬ﺜﻡ‬
‫ﻴﺠﻠﺱ ﻋﻠﻰ ﺍﻝﻤﻜﺘﺏ ﻭﺘﻨﺯل ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻷﺴﻔل‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻔﺎﻁﻤﺔ ﺘﺩﺨل ﻤﻥ‬ ‫‪510‬‬
‫ﺍﻝﻴﻤﻴﻥ ﻭﻤﺤﻤﺩ ﺃﻤﺎﻡ ﺍﻝﻤﻜﺘﺏ ﻤﺴﺘﻨﺩﹶﺍ ﻓﺎﻁﻤﺔ ‪ :‬ﺴﻌﻴﺩﺓ ﻴﺎﻤﺤﻤﺩ ‪ .‬ﺘﺴﻤﺢ‬
‫ﻋﻠﻴﻪ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻋﺩﻝﻰ ﻴﻘﻑ ﺨﻠﻑ ﻝﻰ ﺃﻗﻌﺩ‬
‫ﻤﺤﻤﺩ ‪ :‬ﺇﺘﻔﻀﻠﻰ ‪ .‬ﻨﻌﻡ !‬ ‫ﻓﺎﻁﻤﺔ ‪ .‬ﺜﻡ ﺘﺠﻠﺱ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻏﺭﻴﺒﺔ ﻜل ﺍﻝﻠﻰ ﻓﻰ‬ ‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻔﺎﻁﻤﺔ‬ ‫‪511‬‬
‫ﺩﻤﺎﻏﻰ ﺭﺍﺡ ‪ .‬ﻤﺎﻨﻴﺵ ﻋﺎﺭﻓﺔ ﺃﻗﻭﻝﻙ‬ ‫ﻗﻁﻊ‬
‫ﺁﻴﻪ !‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻤﺤﻤﺩ ﻴﻨﻅﺭ ﺃﺴﻔل‬ ‫‪512‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﻫﻭ ﻓﻴﻪ ﺤﺎﺠﺔ ﻝﺴﻪ‬
‫ﺍﻝﻜﺎﺩﺭ‬
‫ﻫﺎﺘﺘﻘﺎل ‪.‬‬
‫ﻗﻁﻊ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻌﺩﻝﻰ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬ ‫‪513‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﺘﺴﻤﺤﻭﺍ ﻝﻰ ﺃﻨﺴﺤﺏ ﺃﻨﺎ ‪.‬‬
‫ﻗﻁﻊ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻔﺎﻁﻤﺔ ﺘﻨﻅﺭ ﻝﻠﺨﻠﻑ‬ ‫‪514‬‬
‫ﻭﺘﺸﻴﺭ ﻝﻌﺩﻝﻰ ﺍﻝﺫﻯ ﻴﻅﻬﺭ ﺠﺯﺀ ﻤﻥ ﻓﺎﻁﻤﺔ ‪ :‬ﻻ ﺨﻠﻴﻙ ﻤﻥ ﻓﻀﻠﻙ‬
‫ﺠﺴﺩﻩ ﻓﻰ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ ‪ .‬ﺜﻡ ﺘﻨﻅﺭ ﻓﻰ ﺼﻭﺕ ﻤﺤﻤﺩ ‪ :‬ﻋﺎﻴﺯﺓ ﺁﻴﻪ !‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻤﺤﻤﺩ )ﺘﺒﻜﻰ (‬ ‫ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻤﺤﻤﺩ ﻴﻨﻅﺭ ﻨﺎﺤﻴﺔ ﻤﺤﻤﺩ ‪ :‬ﻤﻥ ﻓﻀﻠﻙ ﻫﻨﺎ ﻤﺤل‬ ‫‪515‬‬
‫ﺸﻐل ‪ .‬ﺍﻝﺩﻨﻴﺎ ﻭﺍﺴﻌﺔ ﻋﻴﻁﻰ ﻓﻰ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺤﺘﺔ ﺘﺎﻨﻴﺔ ‪.‬‬ ‫ﻗﻁﻊ‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻔﺎﻁﻤﺔ ﺘﻨﻅﺭ ﻨﺎﺤﻴﺔ ﻓﺎﻁﻤﺔ ‪ :‬ﺴﺎﻤﺤﻨﻰ ﻴﺎﻤﺤﻤﺩ ‪.‬‬ ‫‪516‬‬
‫ﺼﻭﺕ ﻤﺤﻤﺩ ‪ :‬ﻋﻠﻰ ﺁﻴﻪ !‪..‬‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻤﺎﺇﻨﺘﻬﻴﻨﺎ ﺨﻼﺹ ‪..‬‬ ‫ﻗﻁﻊ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻤﺤﻤﺩ ‪ ..‬ﺇﺭﺤﻡ ﺯﻝﻰ ‪.‬‬
‫ﻤﺎﻝﻴﺵ ﻝﺴﺎﻥ ﺍﺘﻜﻠﻡ ‪.‬‬
‫ﺼﻭﺕ ﻤﺤﻤﺩ ‪ :‬ﻤﺎﻓﻴﺵ ﻝﺯﻭﻡ‬
‫ﻝﻠﺘﻤﺜﻴل ﺩﻩ ﻜﻠﻪ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻤﺤﻤﺩ ﻜﻤﺎ ﻓﻰ ﻝﻘﻁﺔ )‬ ‫‪517‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﻭﻓﺭﻯ ﺩﻤﻭﻋﻙ ‪ ,‬ﻭﺴﻴﺒﻴﻨﺎ‬
‫‪(515‬‬
‫ﻨﺸﻭﻑ ﺃﺸﻐﺎﻝﻨﺎ ‪.‬‬
‫ﻗﻁﻊ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻌﺩﻝﻰ ﻴﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻋﺩﻝﻰ ‪ :‬ﻤﺵ ﻜﺩﻩ ﻴﺎﻤﺤﻤﺩ‬ ‫‪518‬‬
‫ﻤﺎﻴﺼﺤﺵ‬ ‫ﻗﻁﻊ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻠﺜﻼﺜﺔ ‪ ,‬ﺜﻡ ﺘﺘﺤﺭﻙ‬ ‫‪520‬‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﺴﻴﺒﻪ ﻤﻌﺎﻩ ﺤﻕ ﺃﻨﺎ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﻠﻴﺴﺎﺭ ﻝﺘﺘﺎﺒﻊ ﻤﺤﻤﺩ ﻭﻫﻭ‬
‫ﺃﺴﺘﺎﻫل ﺃﻜﺘﺭ‬
‫ﻴﺘﺤﺭﻙ ﺨﻠﻑ ﺍﻝﻤﻜﺘﺏ ﻭﻴﻤﺴﻙ ﻓﻰ ﻴﺩﻩ‬
‫ﻤﺤﻤﺩ ‪:‬ﺍﻝﻨﻬﺎﺭﺩﺓ ﺒﺱ ﺍﻝﻠﻰ ﻋﺭﻓﺘﻰ‬
‫ﻜﺭﺓ ﺒﻠﻴﺎﺭﺩ ﻭﻴﻠﻘﻴﻬﺎ ﻓﻰ ﺍﻝﻬﻭﺍﺀ‬
‫ﻜﺩﻩ ‪ .‬ﻝﻤﺎ ﺒﻘﻰ ﻝﻰ ﻤﻜﺘﺏ ‪ .‬ﻝﻤﺎ‬
‫ﻗﻁﻊ‬
‫ﺭﺍﺤﺕ ﺍﻝﺒﺩﻝﺔ ﺍﻝﺼﻔﺭﺍ‬
‫ﻓﺎﻁﻤﺔ ‪ :‬ﻻ ﻴﺎﻤﺤﻤﺩ ﻋﺭﻓﺕ ﻗﻴﻤﺘﻙ‬
‫ﻝﻤﺎ ﻋﺸﺕ ﺒﻌﻴﺩ ﻋﻨﻙ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺁﻴﻪ ﺍﻝﺸﻌﻭﺭ ﺍﻝﺠﻤﻴل ﺩﻩ ‪.‬‬
‫ﺩﻩ ﺃﻨﺎ ﻤﻌﺠﺏ ﻗﻭﻯ ‪ .‬ﺘﻘﺭﻴﻅ ﻝﻁﻴﻑ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 71 of 81‬‬

‫ﺠﺩﹰﺍ ﻴﺎﻋﺩﻝﻰ ‪ .‬ﻤﺎﻜﻨﺎﺵ ﻓﺎﻫﻤﻴﻥ‬

‫ﺍﻝﻨﺎﺱ ﺒﺘﻘﺩﺭﻨﺎ ﻝﻠﺩﺭﺠﺔ ﺩﻯ ‪ .‬ﺩﻩ‬
‫ﺇﺤﻨﺎ ﺃﺘﺎﺭﻴﻨﺎ ﺤﺎﺠﺔ ﻤﻬﻤﺔ ﺨﺎﻝﺹ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻤﺤﻤﺩ ﻴﺠﻠﺱ ﺨﻠﻑ‬ ‫‪521‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﻨﻌﻡ ‪ ..‬ﻭﺁﻴﻪ ﺘﺎﻨﻰ ‪.‬؟‬ ‫ﺍﻝﻤﻜﺘﺏ ﻭﻴﻨﻅﺭ ﻴﻤﻴﻨﺎ ً‬
‫ﻗﻁﻊ‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻔﺎﻁﻤﺔ ‪ ,‬ﺘﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻩ ﻓﺎﻁﻤﺔ ‪ :‬ﺒﻼﺵ ﺘﺼﻔﺢ ﻋﻨﻰ‬ ‫‪522‬‬
‫ﻴﺎﻤﺤﻤﺩ ‪ .‬ﻝﻜﻥ ﻋﻠﻰ ﺍﻷﻗل ﺨﻠﻠﻰ ﻓﻰ‬ ‫ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻠﺒﻙ ﺸﻭﻴﺔ ﺭﺤﻤﺔ ‪ .‬ﺤﺭﺍﻡ ﻭﺃﻨﺕ‬ ‫ﻗﻁﻊ‬
‫ﻓﻰ ﻗﻭﺘﻙ ﺘﺩﻭﺴﻨﻰ ﺒﺎﻝﺸﻜل ﺩﻩ ‪.‬‬
‫ﻜﺎﻥ ﻓﻰ ﺇﻤﻜﺎﻨﻙ ﺘﻘﻭﻝﻠﻰ ﻷ ‪ .‬ﻭﻜﺎﻨﺕ‬
‫ﺒﺯﻴﺎﺩﺓ ﺃﻨﻰ ﺃﺴﻤﻊ ﺍﻝﻜﻠﻤﺔ ﺩﻯ‬
‫ﻭﺤﺩﻫﺎ ‪ ,‬ﻤﻥ ﻏﻴﺭ ﻤﺎﺘﻘﻁﻊ ﻓﻰ‬
‫ﻗﻠﺒﻰ ‪ .‬ﻭﺘﻌﺫﺒﻨﻰ ﺍﻝﻌﺫﺍﺏ ﺩﻩ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻤﺤﻤﺩ ‪ ,‬ﺜﻡ ﻴﺭﻓﻊ ﺼﻭﺕ ﻓﺎﻁﻤﺔ ‪ :‬ﺃﻨﺎ ﺒﻨﻰ ﺃﺩﻤﺔ‬ ‫‪523‬‬
‫ﻴﺎﻤﺤﻤﺩ ‪ .‬ﻭﻜل ﺃﻨﺴﺎﻥ ﺒﻴﻐﻠﻁ ‪,‬‬ ‫ﻋﻴﻨﻴﻪ ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪.‬‬
‫ﻭﺭﺒﻨﺎ ﺒﻴﺘﻭﺏ ﻋﻠﻰ ﺍﻝﻠﻰ ﻴﻌﺼﺎﻩ ‪.‬‬ ‫ﻗﻁﻊ‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻔﺎﻁﻤﺔ ﺘﻨﻅﺭ ﻝﻠﻜﺎﻤﻴﺭﺍ ﻓﺎﻁﻤﺔ ‪ :‬ﻤﺎﻜﻨﺘﺵ ﺃﻓﺘﻜﺭ ﺃﻨﻙ ﺘﺘﺸﻔﻰ‬ ‫‪524‬‬
‫ﺒﺎﻝﻘﺴﻭﺓ ﺩﻯ ﻜﻠﻬﺎ ﻓﻰ ﺒﻠﻭﺘﻰ‬ ‫ﻗﻁﻊ‬
‫ﻭﺁﻻﻤﻰ ‪ ..‬ﺤﺭﻤﺘﻨﻰ ﻤﻥ ﺫﻜﺭﻯ‬
‫ﺠﻤﻴﻠﺔ ‪ ,‬ﻜﺎﻥ ﺒﻴﻌﺯﻴﻨﻰ ﺃﻨﻰ ﺃﻋﻴﺵ‬
‫ﺒﻴﻬﺎ ‪.‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻠﺜﻼﺜﺔ ‪ ,‬ﺜﻡ ﺘﻘﻑ ﻓﺎﻁﻤﺔ‬ ‫‪525‬‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﻭﺘﺘﺤﺭﻙ ﻴﻤﻴﻨ ﹰﺎ ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫) ‪( 25‬‬ ‫ﻭﻭﺭﺍﺌﻬﺎ ﻋﺩﻝﻰ‬
‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻤﺸﻬﺩ ) ‪( 93‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺴﻠﻡ ﻤﻜﺘﺏ ﻤﺤﻤﺩ‬
‫ﻭﻋﺩﻝﻰ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻔﺎﻁﻤﺔ ﺘﺩﺨل‬ ‫‪526‬‬
‫ﺍﻝﻜﺎﺩﺭ ﻤﻥ ﺍﻝﻴﺴﺎﺭ ﻭﺘﺘﺤﺭﻙ ﻝﺘﻨﺯل‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﺍﻝﺴﻼﻝﻡ ﻭﺘﺘﺎﺒﻌﻬﺎ ﺍﻝﻜﺎﻤﻴﺭﺍ‪ Pan Right‬ﺍﻝﻌﺘﺭ ‪ :‬ﺠﺎﻴﺔ ﻤﻥ ﻭﺭﺍﻴﺎ ﺘﺘﻔﻘﻭﺍ‬
‫) ‪( 24‬‬ ‫ﻴﻤﻴﻨﹰﺎ ﻭﻴﻅﻬﺭ ﺍﻝﻌﺘﺭ ﻭﺍﻗﻔ ﹰﺎ ﻋﻠﻰ ﺍﻝﺴﻠﻡ ﺴﻭﺍ ‪.‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M. Close up‬‬ ‫‪527‬‬
‫ﺼﻭﺕ ﺍﻝﻌﺘﺭ ‪ :‬ﻝﻜﻥ ﺩﻩ ﺒﻌﺩﻙ ‪ .‬ﺩﻩ‬
‫ﻝﻔﺎﻁﻤﺔ ﺘﻘﻑ ﻭﺘﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﺍﻨﺎ ﺍﺩﺒﺤﻪ ﻭﺍﺸﺭﺏ ﻤﻥ ﺩﻤﻪ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M .S‬ﻝﻠﻌﺘﺭ ﺒﺭﻭﻓﻴل‬ ‫‪528‬‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﺍﻝﻠﻴﻠﺔ ﺍﻝﻤﻭﻝﺩ ‪ ..‬ﻭﺍﻝﻠﻴﻠﺔ‬
‫ﻭﻤﺴﺘﻨﺩﹰﺍ ﺒﻴﺩﻩ ﻋﻠﻰ ﺍﻝﺩﺭﺍﺒﺯﻴﻥ ﻨﺎﻅﺭﹰﺍ‬
‫ﺤﻨﺘﺠﻭﺯ ‪ ..‬ﻗﺴﻤﹰﺎ ﺒﺎﷲ ﻝﻭ ﻋﺘﺏ‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﺍﻝﺤﺘﺔ ﻷﺸﺭﺤﻪ ﻗﺩﺍﻡ ﻋﻴﻨﻴﻙ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ L. S‬ﻝﻠﻌﺘﺭ ﻴﻘﻑ ﻴﻤﻴﻥ‬ ‫‪529‬‬
‫ﻭﻓﺎﻁﻤﺔ ﺃﻋﻠﻰ ﺍﻝﺩﺭﺝ ﻭﺘﻨﻅﺭ ﻴﻤﻴﻥ ‪.‬‬
‫ﻭﺘﺘﺤﺭﻙ ﻓﻴﻔﺴﺢ ﺍﻝﻌﺘﺭ ﺍﻝﻁﺭﻴﻕ ﻝﺘﻨﺯل ﺍﻝﻌﺘﺭ ‪ :‬ﻓﻭﺘﻰ ﻗﺩﺍﻤﻰ ﺇﻤﺸﻰ ‪.‬‬
‫ﺍﻝﺴﻠﻡ ‪ ,‬ﻭﻴﻨﺯل ﺨﻠﻔﻬﺎ ﺍﻝﻌﺘﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 94‬‬
‫ﻨﻬﺎﺭ ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﻤﻜﺘﺏ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 72 of 81‬‬

‫‪ 530‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻤﺤﻤﺩ ﺠﺎﻝﺴﹰﺎ ﻋﺩﻝﻰ ‪ :‬ﻴﺎﻤﺤﻤﺩ ﺃﻨﺕ ﻜﻨﺕ ﻭﻴﺎﻫﺎ‬
‫ﺨﻠﻑ ﻤﻜﺘﺒﻪ ﻭﻋﺩﻝﻰ ﻭﺍﻗﻔﺎﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻗﺎﺴﻰ ﺠﺩﹰﺍ ‪ .‬ﻗﺎﺴﻰ ﻝﺩﺭﺠﺔ ﺃﻨﻰ ﺃﻨﺎ‬
‫ﻭﺃﻨﺕ ﺒﺘﺘﻜﻠﻡ ﻜﻨﺕ ﺒﺄﺤﺱ ﺒﺭﻋﺸﺔ‬ ‫ﻤﺴﺘﻨﺩﹰﺍ ﺒﻅﻬﺭﻩ ﻋﻠﻰ ﺍﻝﻤﻜﺘﺏ‬
‫ﺘﻠﺠﺕ ﺠﺴﻤﻰ ‪ .‬ﺍﻨﺕ ﻜﻨﺕ ﺸﺨﺹ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺘﺎﻨﻰ ﻏﻴﺭ ﺍﻝﻠﻰ ﺃﻋﺭﻓﻪ ﻁﻭل‬
‫ﻋﻤﺭﻯ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺃﺭﺠﻭﻙ ﻴﺎﻋﺩﻝﻰ ﺘﻘﻔل‬
‫ﺍﻝﻤﻭﻀﻭﻉ ﺩﻩ ﺨﺎﻝﺹ ‪.‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﻝﻴﻪ ﻴﺎﻤﺤﻤﺩ ﺘﺤﻁﻡ ﻗﻠﺒﻙ‬
‫ﺒﺈﻴﺩﻙ ؟ ﺍﻨﺎ ﻋﺎﺭﻑ ﺃﻨﻙ ﺒﺘﺤﺒﻬﺎ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺤﻴﻴﺠﻰ ﻴﻭﻡ ﻭﺃﻨﺴﺎﻫﺎ ‪.‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﻫﻰ ﻋﻤﻠﺕ ﻭﻴﺎﻙ ﺃﻜﺘﺭ ﻤﻥ‬
‫ﺍﻝﻠﻰ ﻋﻤﻠﺘﻪ ﺃﻨﺎ ؟ ﻭﻤﻊ ﺫﻝﻙ‬
‫ﺴﺎﻤﺤﺘﻨﻰ ﻭﻝﻤﺎ ﺇﺩﻴﺘﻨﻰ ﻓﺭﺼﺔ ‪,‬‬
‫ﺇﻨﺼﻠﺤﺕ ﺁﻫﻪ ‪ .‬ﻭﺒﻘﻴﺕ ﺇﻨﺴﺎﻥ‬
‫ﺠﺩﻴﺩ ‪.‬‬
‫‪ 531‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻤﺤﻤﺩ ﻴﺘﺤﺭﻙ ﺼﻭﺕ ﻋﺩﻝﻰ ‪ :‬ﻤﺎﺘﻨﺴﺎﺵ ﺍﻝﻭﺴﻁ‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﻤﻴﻨ ﹰﺎ ﺨﻠﻑ ﺍﻝﻤﻜﺘﺏ ﺍﻝﻠﻰ ﻋﺎﺸﺕ ﻓﻴﻪ ‪ ,‬ﻭﻗﺩﺭ ﺍﻝﻔﺭﻕ ‪,‬‬
‫ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ‪ , Pan left‬ﺜﻡ ﻴﺩﺨل ﺒﻴﻥ ﻋﻘﻠﻙ ﺃﻨﺕ ﻭﻋﻘﻠﻬﺎ ﻫﻰ ‪...‬‬
‫ﻋﺩﻝﻰ ﻤﻥ ﺍﻝﻴﺴﺎﺭ ﻭﻴﺨﺭﺠﺎ ﻤﻥ ﺍﻝﻴﻤﻴﻥ ﺃﻨﺕ ﻤﺎﺼﻌﺒﺘﺵ ﻋﻠﻴﻙ ﺩﻤﻭﻋﻬﺎ‬
‫ﻴﺎﻤﺤﻤﺩ ؟‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﻭﺃﻨﺎ ﻜﻨﺕ ﺼﻌﺒﺕ ﻋﻠﻰ‬
‫ﻋﻠﻴﻬﺎ ﻝﻤﺎ ﺘﺨﻠﺕ ﻋﻨﻰ ﻓﻰ ﺃﺸﺩ‬
‫ﺃﻭﻗﺎﺕ ﺤﻴﺎﺘﻰ ؟‬
‫ﻋﺩﻝﻰ ‪ :‬ﻤﺎﺘﻘﺎﺭﻨﻬﺎﺵ ﺒﺭﻭﺤﻙ ‪,‬‬
‫‪ 532‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M .S‬ﻝﻤﺤﻤﺩ ﻭﺍﻝﺠﺎﻝﺱ ﻋﺩﻝﻰ ‪ :‬ﺩﻯ ﻤﺤﺘﺎﺠﺔ ﻝﻌﻁﻔﻙ ‪.‬ﻭﻻﺯﻡ‬
‫ﻋﻠﻰ ﺍﻷﺭﻴﻜﺔ ﻭﻴﺘﺤﺭﻙ ﻋﺩﻝﻰ ﻝﻴﺠﻠﺱ ﺼﺩﺭﻙ ﻴﺘﺴﻊ ﻝﻬﺎ ﺭﺩﻫﺎ ﻴﺎﻤﺤﻤﺩ ‪..‬‬
‫ﺒﺠﻭﺍﺭﻩ ‪ .‬ﻭﻴﻅل ﻤﺤﻤﺩ ﻴﻘﺫﻑ ﺒﺎﻝﻜﺭﺓ ‪ ,‬ﻭﺘﺄﻜﺩ ﺃﻨﻙ ﻫﺎﺘﻜﻭﻥ ﺴﻌﻴﺩ ‪ ...‬ﻭﺃﻨﺕ‬
‫ﺜﻡ ﻴﺄﺨﺫﻫﺎ ﻋﺩﻝﻰ ﻭﻴﺒﺘﺴﻤﺎ ﻝﺒﻌﻀﻬﻤﺎ ﺍﻝﻨﻬﺎﺭﺩﺓ ﺒﻌﺩ ﺍﻝﺼﻔﻘﺔ ﺍﻝﻠﻰ ﺘﻤﻴﺘﻬﺎ‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ " ﺤﺴﺏ‬ ‫ﺒﺎﻝﻨﺠﺎﺡ ﺩﻩ ‪ ,‬ﻫﺎﺘﺭﺠﻊ ﻷﻫﻠﻙ‬ ‫ﺍﻝﺒﻌﺽ‬
‫ﺍﷲ "‬ ‫ﺒﻜﺭﺍﻤﺘﻙ ‪ ,‬ﺯﻯ ﻤﺎﻜﻨﺕ ﺒﺘﺘﻤﻨﻰ ‪.‬‬ ‫ﺍﺨﺘﻔﺎﺀ ﺘﺩﺭﻴﺠﻰ ‪Fade-out‬‬
‫ﻭﺍﻝﻠﻴﻠﺔ ﺍﻝﻤﻭﻝﺩ ‪ ,‬ﻭﺍﺘﺼﻭﺭ ﺤﺎﻝﺘﻬﺎ‬
‫ﺒﻌﺩ ﺍﻝﻠﻰ ﻋﻤﻠﺘﻪ ﻓﻴﻬﺎ ‪ ..‬ﺭﻭﺡ ﻝﻬﺎ‬
‫ﻴﺎﻤﺤﻤﺩ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﺃﻓﻜﺭ ‪.‬‬
‫ﻤﺸﻬﺩ )‪( 95‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﻤﻭﻝﺩ‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻌﺭﺍﺌﺱ‬ ‫‪533‬‬
‫ﺍﺴﺘﻤﺭﺍﺭ ﻤﻭﺴﻴﻘﻰ ﺍﻝﻤﻭﻝﺩ‬ ‫ﺍﻝﻤﻭﻝﺩ‬
‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪534‬‬
‫ﻤﺭﺘﻔﻌﺔ‪ High Angle‬ﻝﻌﺎﺯﻓﻰ ﺍﻵﻻﺕ‬
‫ﺍﻝﻤﻭﺴﻴﻘﻴﺔ ﻭﺘﺭﺘﻔﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﻋﻠﻰ‪Tilt‬‬
‫‪ up‬ﻭﻴﻅﻬﺭ ﺭﺠﻼﻥ ﻤﺭﺴﻭﻡ ﻋﻠﻰ‬
‫ﻅﻬﺭﻫﻤﺎ ﺸﺨﺼﻴﺎﺕ ﻭﻴﺤﺭﻜﺎ ﺯﺭﺍﻋﻴﻬﻤﺎ‬
‫ﻓﻰ ﻤﻭﺍﺠﻬﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 535‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M. Close up‬‬
‫ﻝﻠﻤﺩﻓﻊ ﻴﺄﺘﻰ ﻤﻥ ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ ,‬ﺜﻡ‬
‫ﺘﺭﺘﻔﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻷﻋﻠﻰ ‪Tilt up‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 73 of 81‬‬

‫ﻭﺘﺼﺒﺢ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪.L. S‬‬

‫ﻝﻠﻁﺭﻴﻘﺔ ﺍﻝﺩﻴﻨﻴﺔ ‪ ,‬ﻭﻴﺘﺤﺭﻙ ﻴﺴﺎﺭﹰﺍ ﻓﻰ‬
‫ﺨﻠﻔﻴﺔ ﺍﻝﻜﺎﺩﺭ‬
‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻠﻤﺭﺍﺠﻴﺢ‬ ‫‪536‬‬
‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ ﺍﻝﻤﻭﻝﺩ‬ ‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻠﻤﻭﻝﺩ ﻭﻓﻰ‬ ‫‪537‬‬
‫ﺍﻝﻤﻘﺩﻤﺔ ﻓﺘﺎﺓ ﺘﻤﺸﻰ ﻋﻠﻰ ﺍﻝﺤﺒل ﻭﻓﻰ‬
‫ﺍﻝﺨﻠﻔﻴﺔ ﺍﻝﻤﺭﺍﺠﻴﺢ‬
‫ﻤﺴﺢ ‪Wipe‬‬
‫ﻤﺸﻬﺩ ) ‪( 96‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ‬
‫ﺼﺎﻝﺔ ﻤﻨﺯل ﻓﺎﻁﻤﺔ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻠﻌﺘﺭ ﻭﺤﻭﻝﻪ‬ ‫‪538‬‬
‫ﺍﻝﻤﻌﺎﺯﻴﻡ ‪ ,‬ﺜﻡ ﻴﺩﺨل ﺭﺠﺎل ﻤﻥ ﺍﻝﺒﺎﺏ ﺍﻝﻌﺘﺭ ‪ :‬ﻋﻘﺒﺎل ﻋﻨﺩﻜﻡ ﺃﻨﺴﺘﻭﻨﺎ ‪..‬‬
‫ﻼ‬
‫ﻼ ﺃﻫ ﹰ‬‫ﻫﻠﺕ ﺍﻷﻨﻭﺍﺭ ﻴﺎﺠﺩﻋﺎﻥ ‪..‬ﺃﻫ ﹰ‬ ‫ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻠﻌﺘﺭ ﺒﺭﻭﻓﻴل‬ ‫‪539‬‬
‫ﻴﻤﻴﻥ ﻭﻴﺩﺨل ﺍﻝﺭﺠﺎل ﻭﺍﺤﺩ ﺘﻠﻭ ﺍﻵﺨﺭ‬
‫ﺍﻝﻌﺘﺭ‪ :‬ﺍﺘﻔﻀل ﻴﺎﻤﻌﻠﻡ ﻗﺭﻨﻰ ‪.‬‬
‫ﻭﻴﺼﺎﻓﺤﻭﻨﻪ ﻭﻴﺨﺭﺠﻭﺍ ﻤﻥ ﻴﺴﺎﺭ‬
‫ﺍﻝﻤﺂﺫﻭﻥ‪ :‬ﺍﻝﺴﻼﻡ ﻋﻠﻴﻜﻡ ‪.‬‬
‫ﺍﻝﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﻴﺩﺨل ﺍﻝﻤﺂﺫﻭﻥ ﻭﻴﺘﺤﺭﻜﺎ‬
‫ﺍﻝﺠﻤﻴﻊ ‪ :‬ﺴﻼﻡ ﻭﺭﺤﻤﺔ ﺍﷲ ‪.‬‬
‫ﺍﻷﺜﻨﺎﻥ ﻨﺎﺤﻴﺔ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻬﻤﺎ‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﻴﺎﻤﺭﺤﺏ ﻴﺎﻋﻡ ﺍﻝﺸﻴﺦ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ , Pan right‬ﻴﺠﻠﺱ‬
‫ﺇﺩﺭﻴﺱ‬
‫ﺍﻝﻤﺂﺫﻭﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻸﺜﻨﻴﻥ ﺍﻝﻌﺘﺭ ‪ :‬ﺍﻝﻠﻴﻠﺔ ﻫﺎﺒﻌﺕ ﻝﻙ ﻋﺎﻝﺒﻴﺕ‬ ‫‪540‬‬
‫ﺤﺘﺘﻴﻥ ﺃﻭﺯﻯ ﺇﻨﻤﺎ ﻋﻠﻰ ﻗﺩ ﻤﻘﺎﻤﻙ‬ ‫ﻭﻴﻨﺤﻨﻰ ﺍﻝﻌﺘﺭ ﻨﺎﺤﻴﺔ ﺍﻝﻤﺂﺫﻭﻥ‬
‫ﺍﻝﻤﺂﺫﻭﻥ ‪ :‬ﻴﻁﻌﻤﻙ ﻤﻥ ﻗﻭﺕ ﺍﻝﺠﻨﺔ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻴﺎﻤﻌﻠﻡ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M. L. S‬‬ ‫‪541‬‬
‫ﻝﻠﻌﺘﺭ ﻴﺭﺒﺕ ﻋﻠﻰ ﻜﺘﻑ ﺍﻝﻤﺂﺫﻭﻥ ‪ ,‬ﺜﻡ‬
‫ﻴﺘﺤﺭﻙ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻨﺎﺤﻴﺔ ﻏﺭﻓﺔ ﻓﺎﻁﻤﺔ ﺍﻝﻌﺘﺭ ‪ :‬ﺍﻝﻤﺂﺫﻭﻥ ﻴﺎﺃﻫل ﺍﷲ ﺸﻬﻠﻭﻨﺎ‬
‫ﻭﻴﺩﻕ ﻋﻠﻰ ﺍﻝﺒﺎﺏ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 97‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﻨﻭﻡ ﻓﺎﻁﻤﺔ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ M. L. S‬ﻋﺎﺸﻭﺭ ‪ :‬ﻁﻴﺏ ﻤﺎﺴﻤﻌﻨﺎ ‪ ..‬ﻭﺒﻜﺭﺓ‬ ‫‪542‬‬
‫ﻝﻔﺎﻁﻤﺔ ﻭﺍﻗﻔﺔ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻋﺎﺸﻭﺭ ﻴﺎﻓﺎﻁﻤﺔ ﻫﺎﺘﺸﺘﻬﻰ ﺍﻝﻔﻭل ﺍﻝﻨﺎﺒﺕ ‪.‬‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺠﺎﻝﺴ ﹰﺎ ‪ ,‬ﺜﻡ ﺘﻨﺯل ﺍﻝﻜﺎﻤﻴﺭﺍ ﺍﻷﻡ ‪ :‬ﺒﻌﺩ ﺍﻝﺸﺭ ‪.‬‬
‫ﻼ ‪ Tilt Down‬ﻭﺘﺩﺨل ﺍﻷﻡ ﻋﺎﺸﻭﺭ ‪ :‬ﻤﻥ ﻜﺘﺭ ﻤﺎﺤﺘﺯﻫﻕ ﻤﻥ‬ ‫ﻷﺴﻔل ﻗﻠﻴ ﹰ‬
‫ﺍﻝﻠﺤﻤﺔ ﻴﺎﻭﻝﻴﻪ ﺇﻓﻬﻤﻴﻨﻰ‬ ‫ﺍﻝﻜﺎﺩﺭ ‪.‬‬
‫ﺼﻭﺕ ﻤﻭﺴﻴﻘﻰ ﺍﻝﻤﻭﻝﺩ‬ ‫ﺜﻡ ﻴﺠﺫﺏ ﻋﺎﺸﻭﺭ ﺍﻝﻘﻠﺔ ﻭﻴﺸﺭﺏ ﺍﻷﻡ ‪ :‬ﻓﺎﻫﻤﺎﻙ ﻭﻋﺎﺠﻨﺎﻙ‬
‫ﺨﺎﺒﺯﺍﻙ ‪ ...‬ﻗﻭﻡ ﺒﻘﻰ ﺇﻨﻜﺸﺢ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﻨﺎﺱ ﺒﺭﻩ ﻓﻭﻕ ﺒﻌﻀﻬﺎ ﻭﺍﻝﻤﺂﺫﻭﻥ‬
‫ﻤﺴﺘﻨﻰ ‪.‬‬
‫ﻋﺎﺸﻭﺭ ‪ :‬ﻁﻴﺏ ﻁﻴﺏ ‪ .‬ﺃﺸﺭﺏ‬
‫ﺃﺸﺭﺏ ﻤﺎﺍﺸﺭﺒﺵ ﻜﻤﺎﻥ !‬
‫‪ 543‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ M. S‬ﻝﻔﺎﻁﻤﺔ ﺘﻘﻑ‬
‫ﻭﺘﻨﻅﺭ ﻤﻥ ﺍﻝﻨﺎﻓﺫﺓ ﻴﻤﻴﻥ ﺍﻝﻜﺎﺩﺭ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 74 of 81‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 98‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻰ ﺃﻤﺎﻡ ﺍﻝﻤﻘﻬﻰ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M. L. S‬‬ ‫‪544‬‬
‫ﻝﻠﺤﺎﻨﻭﺘﻰ ﻭﺸﹸﺒﻙ ﻭﺍﻝﺤﺩﺍﺩ ﺠﺎﻝﺴﻴﻥ‬
‫ﻭﻴﺘﺤﺭﻙ ﺍﻝﻨﺎﺱ ﻓﻰ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻴﻤﻴﻨ ﹰﺎ‬
‫ﺼﻭﺕ ﺍﻝﺸﺎﺭﻉ‬ ‫ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﻫﺎﺘﺸﻰ‬
‫ﻭﻴﺴﺎﺭﹰﺍ‪ ,‬ﻴﻌﻁﺱ ﺍﻝﺤﺎﻨﻭﺘﻰ ﻭﻴﻀﺤﻜﻭﻥ‬
‫ﺠﻤﻴﻌﹰﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M. L. S‬‬ ‫‪545‬‬
‫ﺸﹸﺒﻙ ‪ :‬ﺴﻰ ﻤﺤﻤﺩ ﺃﻓﻨﺩﻯ‬
‫ﻝﻤﺤﻤﺩ ﻭﻋﺩﻝﻰ ﻭﺴﻁ ﺍﻝﻨﺎﺱ ﻭﻴﺘﺤﺭﻜﺎ‬
‫ﻼ ﻋﻡ ﺸﹸﺒﻙ ‪.‬‬‫ﻤﺤﻤﺩ ‪ :‬ﺃﻫ ﹰ‬
‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﺸﹸﺒﻙ ‪ :‬ﻓﻴﻨﻙ ﻴﺎﺴﻰ ﻤﺤﻤﺩ ﻤﻥ‬
‫ﻝﺘﺘﺎﺒﻌﻬﻤﺎ ‪ Pan Right‬ﺜﻡ ﻴﻘﻔﺎ ﻭﻴﻠﺘﻔﺘﺎ‬
‫ﺯﻤﺎﻥ !‬
‫ﻴﺴﺎﺭﹰﺍ ‪ ,‬ﻭﻴﺩﺨل ﺸﹸﺒﻙ ﺍﻝﻜﺎﺩﺭ ﻴﺼﺎﻓﺢ‬
‫ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﺍﻝﺤﻕ ﻴﺎﺴﻰ ﻤﺤﻤﺩ ﺃﻨﺕ‬
‫ﻤﺤﻤﺩ ‪ ,‬ﺜﻡ ﻴﺩﺨل ﺍﻝﺤﺎﻨﻭﺘﻰ ﻤﻥ ﻴﺴﺎﺭ‬
‫ﺯﻭﺘﻬﺎ ﻗﻭﻯ ‪.‬‬
‫ﻜﺎﺩﺭ ﻭﻴﺼﺎﻓﺢ ﻤﺤﻤﺩ ﻭﻋﺩﻝﻰ ﺜﻡ ﻴﺩﺨل‬
‫ﻼ‬
‫ﺍﻝﺤﺩﺍﺩ ‪ :‬ﻭﺍﷲ ﺯﻤﺎﻥ ‪ .‬ﺃﻫ ﹰ‬
‫ﺍﻝﺤﺩﺍﺩ‬
‫ﻼ‪.‬‬ ‫ﻭﺴﻬ ﹰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M. Close up‬‬ ‫‪546‬‬
‫ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﺃﻫﻪ ﻜﺩﻩ ﺸﻐل ﺍﻝﺭﺠﺎﻝﺔ‬
‫ﻝﻠﺤﺎﻨﻭﺘﻰ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‪High‬‬
‫ﻴﺎﺴﻰ ﻤﺤﻤﺩ ‪ .‬ﺇﻋﺘﻤﺩﺕ ﻋﻠﻰ ﺭﻭﺤﻙ‬
‫‪ Angle‬ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻭﺃﺜﺒﺕ ﺃﻨﻙ ﻗﺩﻫﺎ ﻭﻗﺩﻭﺩ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻴﻠﺘﻔﺕ ﻤﺤﻤﺩ ‪ :‬ﺍﻝﺒﺭﻜﺔ ﻓﻰ ﺸﺭﻴﻜﻰ ﻋﺩﻝﻰ ‪.‬‬ ‫‪547‬‬
‫ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﻘﻑ ﻋﺩﻝﻰ ﺒﺠﻭﺍﺭﻩ ﺃﻫﻡ ﺩﻭل ﻴﺎﻋﺩﻝﻰ ﺃﺼﺩﻗﺎﺌﻰ‬
‫ﺍﻝﻤﺨﻠﺼﻴﻥ ﺍﻝﻠﻰ ﺤﻜﻴﺕ ﻝﻙ ﻋﻨﻬﻡ ‪.‬‬ ‫ﺒﺭﻭﻓﻴل ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻋﺩﻝﻰ ‪ :‬ﺘﺸﺭﻓﻨﺎ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪ M .L. S‬ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﺴﻰ ﻤﺤﻤﺩ ﺩﻩ ﺴﻜﺭﺓ ‪,‬‬ ‫‪548‬‬
‫ﻝﻠﺨﻤﺴﺔ ﻴﻘﻑ ﻋﺩﻝﻰ ﻭﻤﺤﻤﺩ ﻴﻤﻴﻥ ﻭﺍﻝﻨﺒﻰ ﻴﺎﺒﻴﻪ ﺘﺨﻠﻰ ﺒﺎﻝﻙ ﻤﻨﻪ‬
‫ﻜﺎﺩﺭ ﻭﺍﻝﺜﻼﺜﺔ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﻴﺨﺭﺠﺎ ﻗﻭﻯ ‪ .‬ﺇﺘﻔﻀﻠﻭﺍ ﻭﻴﺎﻨﺎ ﻋﻠﻰ‬
‫ﺍﻝﻘﻬﻭﺓ ‪.‬‬ ‫ﻤﻥ ﺍﻝﻜﺎﺩﺭ‬
‫ﻤﺤﻤﺩ ‪ :‬ﻝﻤﺎ ﺃﻁﻠﻊ ﻓﻭﻕ ﻭﺃﻨﺯﻝﻜﻡ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﻁﻴﺏ ﻤﺎﺘﺨﻠﻰ ﺍﻝﺒﻴﻪ‬
‫ﺍﻝﻅﺭﻴﻑ ﺩﻩ ﻴﻘﻌﺩ ﻤﻌﺎﻨﺎ ﻝﻐﺎﻴﺔ‬
‫ﻤﺎﺘﺭﺠﻊ ‪.‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﻤﻌﻠﺵ ﺃﺒﻘﻰ ﺃﺭﺠﻊ ﻤﻌﺎﻩ‬
‫ﺒﻌﺩﻴﻥ ‪.‬‬
‫ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﻤﺴﺘﻨﻴﻨﻜﻡ ﻓﻰ ﺍﻝﻘﻬﻭﺓ ‪.‬‬
‫ﺍﻝﺤﺩﺍﺩ ‪ :‬ﻋﺎﻭﺯﻴﻥ ﻨﺭﺠﻊ ﻝﻴﺎﻝﻰ‬
‫ﺯﻤﺎﻥ ‪.‬‬
‫ﻤﺸﻬﺩ ) ‪( 99‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺸﻘﺔ ﻤﺤﻤﺩ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻠﺒﺎﺏ ﻴﻔﺘﺢ ﺤﻨﻔﻰ ‪ :‬ﺨﺵ ﻴﺎﺒﻨﻰ ﺇﺘﻔﻀل ‪.‬‬ ‫‪549‬‬
‫ﻭﻴﺩﺨل ﻤﺤﻤﺩ ﻭﻋﺩﻝﻰ ﺤﺎﻤﻼﻥ ﺼﻨﺎﺩﻴﻕ ﻤﺤﻤﺩ ‪ :‬ﻋﺩﻝﻰ ﺼﺩﻴﻘﻰ ﻴﺎﻭﺍﻝﺩﻯ ‪.‬‬
‫ﺍﻝﻬﺩﺍﻴﺎ ﻭﺘﺘﺎﺒﻌﻬﻤﺎ ﻴﺴﺎﺭﹰﺍ‪ Pan Left‬ﺤﻨﻔﻰ ‪ :‬ﺘﺸﺭﻓﻨﺎ ‪.‬‬
‫ﻭﻫﻤﺎ ﻴﺘﺤﺭﻜﺎﻥ ﻭﻴﺼﺒﺤﺎ ﻓﻰ ﺤﺠﻡ ﻤﺤﻤﺩ ‪ :‬ﺸﺭﻴﻜﻰ ﻓﻰ ﺍﻝﻤﻜﺘﺏ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻭﺍﻷﻡ ﺠﺎﻝﺴﺔ ﻴﺎﻨﻴﻨﺔ ‪.‬‬
‫ﻭﺍﻷﺴﻁﻰ ﺤﻨﻔﻰ ﻭﺍﻗﻔﹰﺎ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ‪ .‬ﺜﻡ ﻋﺩﻝﻰ ‪ :‬ﺇﺘﻔﻀﻠﻰ ﺇﺴﺘﺭﻴﺤﻰ ﻴﺎﺴﺕ‬
‫ﺘﻘﻑ ﺍﻷﻡ ﻭﺘﺼﺒﺢ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪ .‬ﺜﻡ ﻫﺎﻨﻡ ‪ .‬ﺍﻝﻌﻔﻭ ‪.‬‬
‫ﻴﺠﻠﺱ ﻤﺤﻤﺩ ﻭﻋﺩﻝﻰ ﻋﻠﻰ ﺍﻷﺭﻴﻜﺔ ﺤﻨﻔﻰ ‪ :‬ﺩﻩ ﺇﺤﻨﺎ ﺯﺍﺭﻨﺎ ﺍﻝﻨﺒﻰ ‪.‬‬
‫ﺍﻷﻡ ‪ :‬ﺭﺒﻨﺎ ﻴﺤﺭﺴﻙ ﻝﺸﺒﺎﺒﻙ ‪.‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 75 of 81‬‬

‫ﻤﺤﻤﺩ ‪ :‬ﺨﺩﻯ ﻴﺎﻨﻴﻨﺔ ﺨﺩﻯ ‪ ,‬ﺤﺎﺠﺔ‬ ‫ﻗﻁﻊ ‪Cut‬‬

‫ﺒﺴﻴﻁﺔ ﻋﻠﺸﺎﻨﻙ ‪.‬‬
‫ﺍﻷﻡ ‪ :‬ﻝﻴﻪ ﺒﺱ ﻴﺎﻤﺤﻤﺩ ‪ ,‬ﻝﻴﻪ ﻴﺎﺒﻨﻰ‬
‫ﺘﻜﻠﻴﻑ ﺍﻝﺨﺎﻁﺭ ﺩﻩ ‪.‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﻴﺎﺴﻼﻡ ﻴﺎﻨﻴﻨﺔ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻝﻠﺜﻼﺜﺔ ‪. M .S. 3‬‬ ‫‪550‬‬
‫ﻴﺠﻠﺱ ﻤﺤﻤﺩ ﻴﻤﻴﻥ ﻭﻋﺩﻝﻰ ﻓﻰ ﻤﺤﻤﺩ ‪ :‬ﺃﻤﺎ ﺃﻨﺕ ﻴﺎﻭﺍﻝﺩﻯ ﻋﺩﻝﻰ‬
‫ﺍﻝﻤﻨﺘﺼﻑ ﻭﺍﻷﺴﻁﻰ ﺤﻨﻔﻰ ﺒﺭﻭﻓﻴل ﺼﻤﻡ ﺇﻥ ﻫﺩﻴﺘﻙ ﺘﻜﻭﻥ ﻤﻥ ﻋﻨﺩﻩ ‪.‬‬
‫ﻋﻠﻰ ﻁﺭﻑ ﺍﻷﺭﻴﻜﺔ ﺒﺠﻭﺍﺭﻫﻤﺎ ‪ .‬ﻋﺩﻝﻰ ‪ :‬ﺘﺴﻤﺢ ﺘﻘﺒﻠﻬﺎ ﻤﻨﻰ ‪.‬‬
‫ﺤﻨﻔﻰ ‪ :‬ﺭﺒﻨﺎ ﻴﺠﺒﺭ ﺨﺎﻁﺭﻙ ‪.‬‬ ‫ﻭﻴﻌﻁﻴﻪ ﻋﺩﻝﻰ ﺍﻝﻬﺩﻴﺔ ‪.‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻤﺤﻤﺩ ﻴﻔﺘﺵ ﻤﺤﻤﺩ ‪ :‬ﺨﺩ ﺩﻭل ﻜﻤﺎﻥ ﻴﺎﻭﺍﻝﺩﻯ ‪.‬‬ ‫‪551‬‬
‫ﻓﻰ ﺍﻝﺠﺎﻜﻴﺕ ﻭﻴﺨﺭﺝ ﻅﺭﻓﺎ ‪ .‬ﺜﻡ ﻴﻨﻅﺭ ﺼﻭﺕ ﺤﻨﻔﻰ ‪ :‬ﺃﻨﺕ ﺩﻓﻌﺕ ﺍﻝﻔﻠﻭﺱ‬
‫ﻰ ﻴﺎﻤﺤﻤﺩ !‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﻤﻴﺩ ﺍﻝﻅﺭﻑ ‪ ,‬ﺜﻡ ﻴﻠﺘﻔﺕ ﺍﻝﻠﻰ ﻋﻠ ‪‬‬
‫ﻤﺤﻤﺩ ‪ :‬ﻜل ﺩﻩ ﻴﺎﻭﺍﻝﺩﻯ ﻤﻥ ﻓﻀﻠﻙ‬ ‫ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻭﻤﻥ ﺨﻴﺭﻙ ‪ ,‬ﺃﻤﺎ ﻴﺎﻨﻴﻨﺔ ﻋﻨﺩﻯ ﺨﺒﺭ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻫﺎﺘﻔﺭﺤﻰ ﻝﻪ ﻗﻭﻯ‬
‫ﺼﻭﺕ ﺍﻷﻡ ‪ :‬ﺨﻴﺭ ﻴﺎﺒﻨﻰ !‬
‫ﻤﺤﻤﺩ ‪ :‬ﺍﻝﻠﻴﻠﺔ ﻫﺎﺭﺩ ﻓﺎﻁﻤﺔ ‪.‬‬

‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻸﺴﻁﻰ ﺤﻨﻔﻰ ﺤﻨﻔﻰ ‪ :‬ﻓﺎﻁﻤﺔ ﻴﺎﺒﻨﻰ ﻤﺎﺒﻘﺘﺵ ﻤﻥ‬ ‫‪552‬‬
‫ﻗﺴﻤﺘﻙ‬ ‫ﻴﻨﻅﺭ ﻓﻰ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M .Close up‬‬ ‫‪553‬‬
‫ﻝﻤﺤﻤﺩ ﻴﻠﺘﻔﺕ ﻤﻥ ﺍﻝﻴﺴﺎﺭ ﻝﻠﻴﻤﻴﻥ ﻤﺤﻤﺩ ‪ :‬ﺇﺯﺍﻯ !‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M .S‬ﻝﻸﻡ ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪554‬‬
‫ﻤﺭﺘﻔﻌﺔ‪ High angle‬ﺘﻨﻅﺭ ﻴﺴﺎﺭ ﺍﻷﻡ ‪ :‬ﺍﻝﻤﺂﺫﻭﻥ ﺩﻝﻭﻗﺕ ﺒﻴﻜﺘﺏ‬
‫ﻜﺘﺎﺒﻬﺎ ﻭﺯﻤﺎﻨﻪ ﺃﻨﺘﻬﻰ ‪.‬‬ ‫ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ ﻝﻤﺤﻤﺩ ﻴﻨﻅﺭ‬ ‫‪555‬‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬
‫ﻷﺴﻔل‬
‫) ‪( 25‬‬
‫ﻗﻁﻊ‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻤﺤﻤﺩ ﻓﻰ‬ ‫‪556‬‬
‫ﺍﻝﻤﻨﺘﺼﻑ ‪ ,‬ﺜﻡ ﻴﻘﻑ ﻭﺘﺭﺘﻔﻊ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻝﺘﺘﺎﺒﻌﻪ‪ Pan Right‬ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻨﺎﺤﻴﺔ‬
‫ﻏﺭﻓﺘﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 100‬‬
‫ﻝﻴل ؟‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﻤﻜﺘﺏ ﻤﺤﻤﺩ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L .S‬ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‬ ‫‪557‬‬
‫‪ High Angle‬ﻝﻤﺤﻤﺩ ﻴﺩﺨل ﺍﻝﻐﺭﻓﺔ‬
‫ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﹰﺎ ‪pan Right‬‬
‫ﻨﺎﺤﻴﺔ ﺍﻝﻤﻜﺘﺏ ﺍﻝﺫﻯ ﻴﻔﺘﺤﻪ ﻭﻴﺨﺭﺝ‬
‫ﺃﻭﺭﺍﻗ ﹰﺎ ﻭﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﻠﺩﺍﺨل‬
‫‪ Track in‬ﻭﻴﺼﺒﺢ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ‬
‫ﻤﺘﻭﺴﻁﺔ‪ , .M. S‬ﺜﻡ ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ‬
‫ﻴﺴﺎﺭﹰﺍ‪ Pan left‬ﻝﻴﺨﺭﺝ ﻤﻥ ﺍﻝﺒﺎﺏ‬
‫ﻗﻁﻊ ‪Cut‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 76 of 81‬‬

‫ﻤﺸﻬﺩ ) ‪( 101‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﺼﺎﻝﺔ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪.M. L. S‬‬ ‫‪558‬‬
‫ﻝﻤﺤﻤﺩ ﻴﺘﺤﺭﻙ ﻤﻥ ﺍﻝﺒﺎﺏ ﻨﺎﺤﻴﺔ ﺍﻷﺴﺭﺓ‬
‫ﻤﺤﻤﺩ ‪ :‬ﺘﻌﺎل ﻤﻌﺎﻴﺎ ﻴﺎﻋﺩﻝﻰ ‪.‬‬
‫ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﹰﺍ ‪Pan Left‬‬
‫ﻋﺩﻝﻰ ‪ :‬ﻋﻠﻰ ﻓﻴﻥ ؟‬
‫ﻭﻴﺠﺫﺏ ﻋﺩﻝﻰ ﻤﻥ ﻴﺩﻩ ﻭﻴﺘﺤﺭﻜﺎ ﻴﻤﻴﻥ‬
‫ﻤﺤﻤﺩ ‪ :‬ﺘﻌﺎل ﺒﺱ ‪.‬‬
‫ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 102‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺴﻼﻝﻡ ﻤﻨﺯل ﻤﺤﻤﺩ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L . S‬ﻝﻤﺤﻤﺩ ﻭﻋﺩﻝﻰ‬ ‫‪559‬‬
‫ﻴﻨﺯﻻ ﺴﻼﻝﻡ ﺍﻝﻤﻨﺯل ﺴﺭﻴﻌ ﹰﺎ ﻤﻥ ﺯﺍﻭﻴﺔ ﻋﺩﻝﻰ ‪ :‬ﻫﺎﻨﺭﻭﺡ ﻓﻴﻥ ؟‬
‫ﻤﺤﻤﺩ ‪ :‬ﺩﻝﻭﻗﺘﻰ ﻫﺎﺘﻌﺭﻑ ‪.‬‬ ‫ﻤﺭﺘﻔﻌﺔ ‪High Angle‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 103‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻰ ﺃﻤﺎﻡ ﻤﻨﺯل ﻤﺤﻤﺩ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ‪.M. L. S‬‬ ‫‪560‬‬
‫ﻝﻤﺤﻤﺩ ﻴﺨﺭﺝ ﻤﻥ ﺒﺎﺏ ﺍﻝﺒﻴﺕ ﻭﺨﻠﻔﻪ‬
‫ﻋﺩﻝﻰ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﻴﺘﺤﺭﻙ ﻤﺤﻤﺩ ﻤﺤﻤﺩ ‪ :‬ﺭﻭﺡ ﺃﻨﺕ ﺇﻨﺩﻫﻠﻰ ﺍﻝﺠﻤﺎﻋﺔ‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ Pan‬ﻤﻥ ﺍﻝﻘﻬﻭﺓ ﻭﺇﺴﺘﻨﺎﻨﻰ ‪.‬‬
‫‪ Left‬ﻭﻴﺨﺭﺝ ﻤﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 104‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺴﻠﻡ ﻤﻨﺯل ﻓﺎﻁﻤﺔ‬
‫ﻭﺍﻝﺸﻘﺔ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻤﺤﻤﺩ ﻤﻥ ﺯﺍﻭﻴﺔ‬ ‫‪561‬‬
‫ﻤﺭﺘﻔﻌﺔ‪ High Angle‬ﻴﺩﺨل ﻤﻥ‬
‫ﺍﻝﺒﺎﺏ ﻭﻴﺼﻌﺩ ﺍﻝﺴﻠﻡ ﺒﻴﻥ ﺍﻝﻤﻌﺯﻭﻤﻴﻥ‬
‫ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﹰﺎ ‪Pan Right‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪.M .L. S‬‬ ‫‪562‬‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬ ‫ﻝﻤﺤﻤﺩ ﻴﺩﺨل ﻤﻥ ﺍﻝﺒﺎﺏ ﻓﻰ ﺼﺎﻝﺔ‬
‫) ‪( 25‬‬ ‫ﺍﻝﺒﻴﺕ ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪ .M. L. S‬ﻝﻠﻌﺘﺭ‬ ‫‪563‬‬
‫ﻴﻤﻴﻥ ﻭﺍﻝﻤﺂﺫﻭﻥ ﻭﻋﺎﺸﻭﺭ ﻓﻰ ﻋﻤﻕ ﻤﺤﻤﺩ ‪ :‬ﺃﻨﺎ ﻫﺎﺤﻤﻠﻙ ﺍﻝﻤﺴﺌﻭﻝﻴﺔ ﺃﻨﺕ‬
‫ﺍﻝﻜﺎﺩﺭ ‪ ,‬ﺜﻡ ﻴﺩﺨل ﻤﺤﻤﺩ ﻤﻥ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﺍﻝﻠﺼﻴﻥ ﺩﻭل ‪.‬‬
‫ﻭﻴﻘﻑ ﻋﻜﺱ ﺍﺘﺠﺎﻩ ﺍﻝﻜﺎﻤﻴﺭﺍ ‪ ,‬ﺜﻡ ﻴﻘﻑ ﺍﻝﻌﺘﺭ ‪ :‬ﻓﻴﻪ ﺁﻴﻪ ﻴﺎﻭﺍﺩ ‪ .‬ﺃﻨﺕ ﺠﺎﻯ‬
‫ﻫﻨﺎ ﻝﻴﻪ؟ ﺃﺨﺭﺝ ﺒﺭﻩ ؟‬ ‫ﺍﻝﻌﺘﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻌﺎﺸﻭﺭ ﻭﺍﻝﻌﺘﺭ ‪ ,‬ﻋﺎﺸﻭﺭ ‪ :‬ﻤﺎﺘﺠﻴﺵ ﻴﺎﻤﻌﻠﻡ ﺘﻁﺭﺩﻩ‬ ‫‪564‬‬
‫ﻤﻥ ﺒﻴﺘﻰ ﺇﺯﺍﻯ‬ ‫ﻭﺍﻝﻤﺩﻋﻭﻴﻥ ﻓﻰ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﻭﻫﻭ ﻝﻴﻪ ﺁﻴﻪ ﻫﻨﺎ ! ﻋﺎﻭﺯ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﺁﻴﻪ ﺃﻨﺕ‬
‫ﺍﻝﻤﺂﺫﻭﻥ ‪ :‬ﺤﻠﻤﻙ ﻴﺎﻤﻌﻠﻡ ﻝﻤﺎ‬
‫ﻨﺸﻭﻑ ‪.‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪ M. Close up‬ﻤﺤﻤﺩ ‪ :‬ﻋﻘﺩ ﺍﻝﺠﻭﺍﺯ ﺇﺫﺍ ﻜﺘﺒﺘﻪ‬ ‫‪565‬‬
‫ﻴﻌﺘﺒﺭ ﻻﻏﻰ ‪.‬‬ ‫ﻝﻤﺤﻤﺩ ﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 77 of 81‬‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻠﻌﺘﺭ ﻴﻨﻅﺭ‬ ‫‪566‬‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﺁﻴﻪ ! ﻻﻏﻰ ‪.‬‬ ‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻌﺎﺸﻭﺭ‬ ‫‪567‬‬
‫ﺍﻝﻤﺂﺫﻭﻥ ‪ :‬ﺇﺯﺍﻯ !‬
‫ﻭﺍﻝﻤﺂﺫﻭﻥ ﻴﻨﻅﺭﺍ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻋﺎﺸﻭﺭ ‪ :‬ﻓﻴﻪ ﺁﻴﻪ ﻴﺎﻤﺤﻤﺩ ؟‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻠﻤﺩﻋﻭﻴﻥ ﺭﺠل ‪ :‬ﺁﻴﻪ ﺍﻝﺤﻜﺎﻴﺔ ؟‬ ‫‪568‬‬
‫ﺭﺠﺎل ﺍﻝﻤﻌﻠﻡ ﻴﻨﻅﺭﻭﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺭﺠل ‪ : 2‬ﺁﻴﻪ ؟‬
‫ﺭﺠل‪ : 3‬ﻤﺎﺘﻔﻬﻤﻭﻨﺎ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ ﻝﻸﺭﺒﻌﺔ‪ M. L. S‬ﺍﻝﻤﺂﺫﻭﻥ ‪ :‬ﻫﺎﻴﻜﻭﻥ ﺇﺯﺍﻯ ﻻﻏﻰ ‪.‬‬ ‫‪569‬‬
‫ﻭﻴﻤﺩ ﻤﺤﻤﺩ ﻴﺩﻩ ﺒﺎﻝﻭﺭﻗﺔ ‪ ,‬ﺜﻡ ﻴﻨﻅﺭ ﺃﺩﻯ ﺍﻝﻌﺭﻴﺱ ﻭﺁﺩﻯ ﻭﺍﻝﺩ ﺍﻝﻌﺭﻭﺴﺔ‬
‫ﺍﻝﻤﺂﺫﻭﻥ ﻝﻠﻭﺭﻗﺔ ‪ ,‬ﻴﻨﻅﺭ ﻝﻠﻌﺘﺭ ‪ .‬ﺜﻡ ﻭﺁﺩﻯ ﺍﻝﺸﻬﻭﺩ ‪ ,‬ﻭﺇﻨﻘﻀﺕ ﺃﻴﺎﻡ‬
‫ﻴﺘﺤﺭﻙ ﺍﻝﻌﺘﺭ ﻴﺴﺎﺭﹰﺍ ﻨﺎﺤﻴﺔ ﻤﺤﻤﺩ ﺍﻝﻌﺩﺓ ‪.‬‬
‫ﻭﻴﺠﺫﺒﻪ ‪ ,‬ﺜﻡ ﻴﻀﺭﺒﻪ ﻋﻠﻰ ﺭﺃﺴﻪ ﻤﻥ ﻤﺤﻤﺩ ‪ :‬ﻷ ‪ .‬ﺩﻯ ﺘﺜﺒﺕ ﺇﻥ ﺍﻝﻤﺩﺓ‬
‫ﺍﻝﺨﻠﻑ ﺃﺤﺩ ﺭﺠﺎل ﺍﻝﻌﺘﺭ ﺒﺎﻝﻌﺼﺎ ﻭﻴﺴﻘﻁ ﺘﻨﺘﻬﻰ ﺒﻜﺭﺓ ‪.‬‬
‫ﺼﻭﺕ ﺍﻝﻀﺭﺒﺔ‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﺁﻴﻪ ﻫﻭ ﺍﻝﻠﻰ ﺒﻜﺭﺓ ﻭ ﹶﻻ‬ ‫ﻤﺤﻤﺩ‬
‫ﺒﺩﺭﻯ ﺘﺭﻭﺡ ﻤﻥ ﺇﻴﺩﻯ ﺒﻌﺩ ﺩﻩ‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻜﻠﻪ ‪.‬‬
‫ﺍﻝﻤﺂﺫﻭﻥ ‪ :‬ﻜﻼﻤﻪ ﺼﺤﻴﺢ ﻴﺎﻤﻌﻠﻡ ‪.‬‬
‫ﺍﻝﻌﺘﺭ ‪ :‬ﺼﺤﻴﺢ ﻭ ﹶﻻ ﻤﺵ ﺼﺤﻴﺢ ‪.‬‬
‫ﻋﺎﺸﻭﺭ ‪ :‬ﻴﻌﻨﻰ ﺁﻴﻪ ﺘﻀﺭﺒﻪ !‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻠﻌﺘﺭ ﻴﻤﻴﻨﹰﺎ ﺍﻝﻌﺘﺭ ‪ :‬ﺃﻨﺎ ﻤﺴﺘﻘﺘل ‪ .‬ﺃﻨﺎ ﺃﺭﻭﺡ‬ ‫‪570‬‬
‫ﺍﻝﻠﻭﻤﺎﻥ ‪.‬‬ ‫ﻭﻋﺎﺸﻭﺭ ﻴﺴﺎﺭﹰﺍ‬
‫ﻋﺎﺸﻭﺭ ‪ :‬ﻫﻰ ﺤﺎﺠﺔ ﺒﺎﻝﻌﺎﻓﻴﺔ ‪.‬‬ ‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .l. S‬ﻝﻠﻌﺘﺭ ﻴﺭﻓﻊ ﻋﺎﺸﻭﺭ‬ ‫‪571‬‬
‫ﻭﻴﻠﻘﻴﻪ ﻋﻠﻰ ﺍﻷﺭﺽ ﺒﺠﻭﺍﺭ ﻤﺤﻤﺩ‬
‫ﺍﻝﻤﻠﻘﻰ ﻋﻠﻰ ﺍﻷﺭﺽ ‪ ,‬ﻴﺸﺘﺒﻙ ﻜل‬
‫ﺼﻭﺕ ﺍﻝﻤﺘﻌﺎﺭﻜﻴﻥ‬ ‫ﺍﻝﻤﻭﺠﻭﺩﻴﻥ ‪ ,‬ﺜﻡ ﻴﺘﺤﺭﻙ ﺍﻝﻌﺘﺭ ﻴﻤﻴﻨﹰﺎ‬
‫ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ‪ Pan Right‬ﻨﺎﺤﻴﺔ‬
‫ﻏﺭﻓﺔ ﻨﻭﻡ ﻓﺎﻁﻤﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻠﻌﺘﺭ ﻴﻔﺘﺢ‬ ‫‪572‬‬
‫ﺍﻝﺒﺎﺏ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 105‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﻨﻭﻡ ﻓﺎﻁﻤﺔ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ M. S‬ﻝﻔﺎﻁﻤﺔ ﺃﻤﺎﻡ‬ ‫‪573‬‬
‫ﺍﻝﻨﺎﻓﺫﺓ ﺘﻠﺘﻔﺕ ﻭﺘﻨﻅﺭ ﻴﺴﺎﺭﹰﺍ ﻭﺘﺘﺤﺭﻙ‬
‫ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﻠﺩﺍﺨل‪ Track in‬ﻭﺘﺼﺒﺢ‬
‫ﻓﺎﻁﻤﺔ ﻓﻰ ﺤﺠﻡ ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‬
‫‪M. Close up‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻠﺒﺎﺏ ﻭﺍﻝﻌﺘﺭ‬ ‫‪574‬‬
‫ﺼﻭﺕ ﺼﺭﺨﺔ ﻓﺎﻁﻤﺔ‬ ‫ﻴﺩﺨل ﻭﻴﻨﻅﺭ ﻴﻤﻴﻥ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﻔﺎﻁﻤﺔ ﺘﻨﻅﺭ‬ ‫‪575‬‬
‫ﺼﻭﺕ ﺍﻝﻌﺘﺭ ‪ :‬ﺘﻌﺎﻝﻰ ﻭﻴﺎﻴﺎ ‪.‬‬ ‫ﺒﺭﻋﺏ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 78 of 81‬‬

‫‪ 576‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M. S‬ﻝﻔﺎﻁﻤﺔ ﻭﺍﻝﻌﺘﺭ‬

‫ﻴﺩﺨل ﻤﻥ ﻴﺴﺎﺭ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺤﺎﻭل‬
‫ﺠﺫﺒﻬﺎ ‪ ,‬ﺘﺠﺭﻯ ﻓﺎﻁﻤﺔ ﻭﺘﺨﺭﺝ ﻤﻥ‬
‫ﺍﻝﻴﻤﻴﻥ ﻭﺨﻠﻔﻬﺎ ﺍﻝﻌﺘﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫‪ 577‬ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪ M. L .S‬ﺒﺠﻭﺍﺭ‬
‫ﺍﻝﺴﺭﻴﺭ ﻭﺍﻝﻌﺘﺭ ﻴﺩﺨل ﻤﻥ ﺍﻝﻴﺴﺎﺭ‬
‫ﻭﻴﻤﺴﻜﻬﺎ ﻭﺘﺤﺎﻭل ﺍﻹﻓﻼﺕ ﻤﻨﻪ ‪ ,‬ﺜﻡ ﺍﻝﻌﺘﺭ ‪ :‬ﺃﻨﺎ ﻤﺄﻴﺱ ﺍﻝﻠﻴﻠﺔ ‪ ,‬ﺃﻨﺎ ﻫﺎﺃﻫﺩ‬
‫ﺼﻭﺕ ﺍﻝﻀﺭﺒﺔ‬ ‫ﻴﻀﺭﺒﻬﺎ ﻋﻠﻰ ﺭﺍﺴﻬﺎ ﻓﺘﺴﻘﻁ ﻋﻠﻰ ﺍﻝﺒﻴﺕ ﻋﻠﻰ ﺩﻤﺎﻏﻙ ‪ ,‬ﺃﻨﺎ ﻫﺎﺃﻫﺩ‬
‫ﺍﻷﺭﺽ ﻭﻴﺠﺫﺏ ﻤﻼﺀﺓ ﺍﻝﺴﺭﻴﺭ ﻭﻴﻐﻁﻴﻬﺎ ﺍﻝﺤﺘﻪ ﻜﻠﻬﺎ‬
‫ﺒﻬﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 106‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺍﻝﺼﺎﻝﺔ‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ ‪ Close up‬ﻝﻠﻤﺼﺒﺎﺡ ﻓﻰ‬ ‫‪578‬‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﺍﻝﺼﺎﻝﺔ ﻭﻴﻀﺭﺒﻪ ﺃﺤﺩﻫﻡ ﻓﻴﻨﻁﻔﻰﺀ‬
‫ﺼﻭﺕ ﺍﻝﻀﺭﺒﺔ‬
‫) ‪( 26‬‬ ‫ﺍﻝﻀﻭﺀ ﻓﻰ ﺍﻝﺼﺎﻝﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L .S‬ﻝﻠﺼﺎﻝﺔ ‪ ,‬ﻴﺨﺭﺝ‬ ‫‪579‬‬
‫ﻼ ﻓﺎﻁﻤﺔ ﺒﻴﻨﻤﺎ ﺍﻝﺠﻤﻴﻊ‬‫ﺍﻝﻌﺘﺭ ﺤﺎﻤ ﹰ‬
‫ﻴﺘﻌﺎﺭﻜﻭﻥ ‪ ,‬ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﺴﺎﺭﺍ‬
‫‪ Pan Left‬ﻨﺎﺤﻴﺔ ﺒﺎﺏ ﺍﻝﺸﻘﺔ ‪,‬‬
‫ﻭﻴﺘﻘﺩﻤﻪ ﺭﺠﺎﻝﻪ ﻴﻔﺴﺤﻭﻥ ﻝﻪ ﺍﻝﻁﺭﻴﻕ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻴﻔﻴﻕ‬ ‫‪580‬‬
‫ﻭﻴﻘﻑ ‪ ,‬ﺜﻡ ﻴﺨﺭﺝ ﻤﻥ ﺍﻝﻜﺎﺩﺭ ‪ ,‬ﻭﻴﻅل‬
‫ﻋﺎﺸﻭﺭ ﻋﻠﻰ ﺍﻷﺭﺽ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻤﺤﻤﺩ ﻴﺘﺤﺭﻙ‬ ‫‪581‬‬
‫ﻨﺎﺤﻴﺔ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻋﻠﻰ ﺍﻝﺴﻠﻡ ‪ ,‬ﻭﻴﻨﻅﺭ‬
‫ﻷﺴﻔل ﻤﻥ ﻋﻠﻰ ﺍﻝﺩﺭﺍﺒﺯﻴﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻤﻥ ﻭﺠﻬﺔ ﻨﻅﺭ‬ ‫‪582‬‬
‫ﻤﺤﻤﺩ ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‪High‬‬
‫ﻼ ﻓﺎﻁﻤﺔ‬
‫‪ Angle‬ﻝﻠﻌﺘﺭ ﻴﻨﺯل ﺤﺎﻤ ﹰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻤﺤﻤﺩ ﻴﺩﺨل‬ ‫‪583‬‬
‫ﻤﻥ ﺍﻝﻴﺴﺎﺭ ﻭﺘﺘﺎﺒﻌﻪ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻴﻤﻴﻨﹰﺎ‪Pan‬‬
‫‪ Right‬ﻓﻰ ﺍﻝﺼﺎﻝﺔ ﻭﻴﺘﺤﺭﻙ ﻨﺎﺤﻴﺔ‬
‫ﺍﻝﺸﺭﻓﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 107‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻰ ﺍﻝﺸﺭﻓﺔ ﻭﺍﻝﺤﺎﺭﺓ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻤﺤﻤﺩ ﻓﻰ‬ ‫‪584‬‬
‫ﻤﺤﻤﺩ‪ :‬ﻋﺩﻝﻰ ‪ ,‬ﺤﺎﺝ ﺭﻭﺤﻰ‬ ‫ﺍﻝﺸﺭﻓﺔ ﻴﻨﻅﺭ ﻷﺴﻔل‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M. S‬ﻝﻸﺭﺒﻌﺔ ﻤﻥ‬ ‫‪585‬‬
‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ ‪ High Angle‬ﻓﻰ‬
‫ﺍﻝﺤﺎﺭﺓ ﻴﻨﻅﺭﻭﻥ ﻷﻋﻠﻰ ‪ .‬ﺜﻡ ﻴﻨﻅﺭﻭﻥ ﺼﻭﺕ ﻤﺤﻤﺩ ‪ :‬ﺇﻝﺤﻘﻭﺍ ﺍﻝﻌﺘﺭ ﻋﻨﺩ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 79 of 81‬‬

‫ﺍﻝﺒﺎﺏ ‪.‬‬ ‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻭﻴﺨﺭﺠﻭﻥ ﻤﻥ ﺍﻝﻴﺴﺎﺭ‬

‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻸﺭﺒﻌﺔ ﻴﺩﺨﻠﻭﻥ‬ ‫‪586‬‬
‫ﺍﻝﻜﺎﺩﺭ ﺃﻤﺎﻡ ﻤﻨﺯل ﻓﺎﻁﻤﺔ ﻭﻴﺸﺘﺒﻜﻭﻥ ﻤﻊ‬
‫ﺭﺠﺎل ﺍﻝﻌﺘﺭ ‪ ,‬ﻴﺨﺭﺝ ﺍﻝﻌﺘﺭ ﻤﻥ ﺒﻴﻨﻬﻡ‬
‫ﻼ ﻓﺎﻁﻤﺔ ‪ ,‬ﺜﻡ ﻴﺨﺭﺝ ﻤﻥ ﻴﺴﺎﺭ‬ ‫ﺤﺎﻤ ﹰ‬
‫ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﺤﻨﻁﻭﺭ ﺍﻝﻌﺘﺭ ﻓﻰ‬ ‫‪587‬‬
‫ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ‪ ,‬ﻭﻴﺄﺘﻰ ﺍﻝﻌﺘﺭ ﻤﻥ‬
‫ﺍﻝﻌﻤﻕ ‪ ,‬ﻴﺤﻤل ﺍﻝﺭﺠﺎل ‪ ,‬ﻴﻀﺭﺏ ﻜل‬
‫ﻤﻥ ﻴﻘﺘﺭﺏ ﻤﻨﻪ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻠﻌﺘﺭ ﻴﻠﻘﻰ‬ ‫‪588‬‬
‫ﺒﻔﺎﻁﻤﺔ ﻓﻰ ﺍﻝﺤﻨﻁﻭﺭ ﻤﻥ ﺯﺍﻭﻴﺔ‬
‫ﻤﺭﺘﻔﻌﺔ ‪ . High Angle‬ﻴﺼﻌﺩ ﻓﻭﻕ‬
‫ﺍﻝﻌﺭﺒﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻤﺤﻤﺩ ﻴﺄﺘﻰ‬ ‫‪589‬‬
‫ﻤﻥ ﺨﻠﻔﻪ ﻭﻴﺼﻌﺩ ﺍﻝﻰ ﺍﻝﻌﺭﺒﺔ ﻭﻴﻀﺭﺒﺎ‬
‫ﺒﻌﻀﻬﻤﺎ ﺍﻝﺒﻌﺽ ‪ ,‬ﺜﻡ ﻴﻠﻜﻤﻪ ﻤﺤﻤﺩ‬
‫ﻓﻴﺴﻘﻁ ﺨﺎﺭﺝ ﺍﻝﺤﻨﻁﻭﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻠﻌﺘﺭ ﺴﺎﻗﻁ ﹰﺎ‬ ‫‪590‬‬
‫ﻓﻭﻕ ﻗﻁﻌﺔ ﺤﺩﻴﺩ ‪ ,‬ﻭﻴﻔﻘﺩ ﺍﻝﻭﻋﻰ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻗﺭﻴﺒﺔ‪ Close up‬ﻝﺠﻨﺩﻯ‬ ‫‪591‬‬
‫ﺼﻭﺕ ﺍﻝﺼﻔﺎﺭﺓ‬ ‫ﺍﻝﺩﻭﺭﻴﺔ ﻴﺼﻔﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻠﺭﺠﺎل ﻴﻬﺭﺒﻭﻥ‬ ‫‪592‬‬
‫ﻨﺎﺤﻴﺔ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ ‪ ,‬ﻭﻴﺩﺨل ﺭﺠﺎل‬
‫ﺍﻝﺒﻭﻝﻴﺱ ﻤﻥ ﺍﻝﻴﺴﺎﺭ ﺨﻠﻔﻬﻡ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻤﻥ ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‬ ‫‪593‬‬
‫ﻼ‬
‫‪ High Angle‬ﻝﻌﺩﻝﻰ ﻭﻤﺤﻤﺩ ﺤﺎﻤ ﹰ‬
‫ﻓﺎﻁﻤﺔ ﻤﻥ ﻓﻭﻕ ﺍﻝﺤﻨﻁﻭﺭ ‪ ,‬ﻴﺘﺤﺭﻙ‬
‫ﻨﺎﺤﻴﺔ ﻋﻤﻕ ﺍﻝﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻠﺭﺠﺎل ﻴﻀﺭﺒﻭﻥ‬ ‫‪594‬‬
‫ﺒﻌﻀﻬﻤﺎ ﺍﻝﺒﻌﺽ ﻭﺒﻴﻨﻬﻡ ﺍﻝﺠﻨﻭﺩ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L .S‬ﺃﻤﺎﻡ ﻤﻨﺯل ﻤﺤﻤﺩ‬ ‫‪595‬‬
‫ﻭﻓﺎﻁﻤﺔ ‪ ,‬ﻭﺘﺩﺨل ﺴﻴﺎﺭﺓ ﺍﻝﺒﻭﻝﻴﺱ ﻤﻥ‬
‫ﺍﻝﻴﻤﻴﻥ ﻨﺎﺤﻴﺔ ﺍﻝﻌﻤﻕ ﻭﺘﻘﻑ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 108‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﺴﻼﻝﻡ ﻤﻨﺯل ﻤﺤﻤﺩ‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻜﺒﻴﺭﺓ‪ .M .L. S‬ﻤﻥ‬ ‫‪596‬‬
‫ﺯﺍﻭﻴﺔ ﻤﺭﺘﻔﻌﺔ‪ High Angle‬ﻝﻤﺤﻤﺩ‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
‫‪Arab Film TV School‬‬ ‫‪Page 80 of 81‬‬

‫ﻼ ﻓﺎﻁﻤﺔ ﻭﻋﺩﻝﻰ ﺒﺠﻭﺍﺭﻩ ﻭﻴﺼﻌﺩﺍ‬

‫ﺤﺎﻤ ﹰ‬
‫ﻨﻬﺎﻴﺔ ﻤﻭﺴﻴﻘﻰ‬
‫ﺍﻝﺴﻠﻡ‬
‫) ‪( 26‬‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 109‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﻤﻨﺯل ﻤﺤﻤﺩ‬
‫‪ 597‬ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ ‪ .L. S‬ﻝﻤﺤﻤﺩ ﻴﺩﺨل ﻤﻥ‬
‫ﺍﻝﺒﺎﺏ ﻭﺨﻠﻔﻪ ﻋﺩﻝﻰ ﻭﻴﺘﺤﺭﻜﺎ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﺤﻨﻔﻰ ‪ :‬ﻴﺎﺴﺎﺘﺭ ‪ ,‬ﻴﺎﺭﺏ ‪.‬‬
‫ﺼﻭﺕ ﻓﺘﺢ ﺍﻝﺒﺎﺏ‬
‫ﻤﺤﻤﺩ ‪ :‬ﻨﺸﺎﺩﺭ ‪ ,‬ﻨﺸﺎﺩﺭ ﻗﻭﺍﻡ ‪.‬‬ ‫ﻭﺨﻠﻔﻬﻤﺎ ﺤﻨﻔﻰ ﻭﺃﻡ ﻤﺤﻤﺩ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 110‬‬
‫ﻝﻴل ‪ /‬ﺩﺍﺨﻠﻰ ﻏﺭﻓﺔ ﻨﻭﻡ ﻤﺤﻤﺩ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L. S‬ﻝﻤﺤﻤﺩ ﻭﻤﻌﻪ ﻋﺩﻝﻰ‬ ‫‪598‬‬
‫ﻼ ﻓﺎﻁﻤﺔ ﻭﻴﻀﻌﻬﺎ ﻋﻠﻰ‬ ‫ﻴﺩﺨل ﺤﺎﻤ ﹰ‬
‫ﺍﻝﺴﺭﻴﺭ ﻓﻰ ﻤﻘﺩﻤﺔ ﺍﻝﻜﺎﺩﺭ ﻭﻴﺘﺤﺭﻙ‬
‫ﻋﺩﻝﻰ ﻝﻴﺤﻀﺭ ﻭﺴﺎﺩﺓ ‪ ,‬ﻭﺤﻨﻔﻰ ﻴﺸﻌل‬
‫ﺍﻝﻤﺼﺒﺎﺡ ‪ ,‬ﻭﺘﺩﺨل ﺍﻷﻡ ﺍﻝﻜﺎﺩﺭ ﻭﺘﻌﻁﻴﻪ‬
‫ﺯﺠﺎﺠﺔ ﺍﻝﻨﺸﺎﺩﺭ ‪ ,‬ﻭﻴﺄﺨﺫﻫﺎ ﻤﺤﻤﺩ‬
‫ﻭﻴﺤﺭﻜﻬﺎ ﺃﻤﺎﻡ ﺃﻨﻑ ﻓﺎﻁﻤﺔ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻌﺩﻝﻰ ﻭﺤﻨﻔﻰ‬ ‫‪599‬‬
‫ﻭﺍﻷﻡ ﻴﻨﻅﺭﻭﻥ ﻴﻤﻴﻥ ﻜﺎﺩﺭ ﻭﻴﺒﺘﺴﻤﻭﻥ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ‪ .M .S‬ﻝﻤﺤﻤﺩ ﺠﺎﻝﺴ ﹰﺎ‬ ‫‪600‬‬
‫ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻋﻠﻰ ﺤﺎﻓﺔ ﺍﻝﺴﺭﻴﺭ ‪,‬‬
‫ﻭﻓﺎﻁﻤﺔ ﺘﻔﻴﻕ ﻭﺘﻨﻅﺭ ﻨﺎﺤﻴﺘﻪ ‪ ,‬ﻭﺜﻡ ﻓﺎﻁﻤﺔ ‪ :‬ﻤﺤﻤﺩ !‬
‫ﻴﻀﻊ ﻴﺩﻩ ﻋﻠﻰ ﻓﻤﻬﺎ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ﻗﺭﻴﺒﺔ‪M .Close up‬‬ ‫‪601‬‬
‫ﻝﻔﺎﻁﻤﺔ ﺘﻤﺴﻙ ﻴﺩ ﻤﺤﻤﺩ ﻭﺘﻘﺒﻠﻬﺎ ‪ ,‬ﺜﻡ‬
‫ﺘﻨﻅﺭ ﻴﺴﺎﺭ ﻜﺎﺩﺭ ﻷﻋﻠﻰ ‪ .‬ﻨﺎﺤﻴﺔ ﻤﺤﻤﺩ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻤﺸﻬﺩ ) ‪( 111‬‬
‫ﻝﻴل ‪ /‬ﺨﺎﺭﺠﻰ ﺃﻤﺎﻡ ﻤﻨﺯل ﻤﺤﻤﺩ‬
‫ﻝﻘﻁﺔ ﻜﺒﻴﺭﺓ‪ .L .S‬ﻝﻠﺠﻨﻭﺩ ﻴﻀﻌﻭﻥ‬ ‫‪602‬‬
‫ﺭﺠﺎل ﺍﻝﻌﺘﺭ ﻓﻰ ﺍﻝﺴﻴﺎﺭﺓ ﻭﺒﻴﻨﻬﻡ ﺍﻝﻌﺘﺭ ‪,‬‬
‫ﻭﺘﺘﺤﺭﻙ ﺍﻝﺴﻴﺎﺭﺓ ﻝﺘﺨﺭﺝ ﻤﻥ ﺍﻝﻴﺴﺎﺭ ‪.‬‬
‫ﺩﺨﻭل ﻤﻭﺴﻴﻘﻰ‬ ‫ﺍﻝﺤﺎﻨﻭﺘﻰ ‪ :‬ﺃﺨﺭﺘﻙ ﻓﻰ ﺍﻝﺘﺨﺸﻴﺒﺔ‬
‫ﺜﻡ ﻴﻅﻬﺭ ﺸﺒﻙ ‪ ,‬ﻭﺍﻝﺤﺩﺍﺩ ﻭﺍﻝﺤﺎﻨﻭﺘﻰ‬
‫) ‪( 27‬‬ ‫ﻴﺎﻋﻔﺵ ‪.‬‬
‫ﻤﺨﺘﺒﺌﻴﻥ ﺩﺍﺨل ﺃﺤﺩ ﺍﻷﻜﺸﺎﻙ ﻓﻰ‬
‫ﺍﻝﺤﺎﺭﺓ ‪ ,‬ﻭﻴﻨﻅﺭﻭﻥ ﻴﺴﺎﺭ ﻜﺎﺩﺭ‬
‫ﻗﻁﻊ ‪Cut‬‬
‫ﻝﻘﻁﺔ ﻤﺘﻭﺴﻁﺔ ‪ .M .S‬ﻝﻔﺎﻁﻤﺔ‬ ‫‪603‬‬
‫ﻭﻤﺤﻤﺩ ﻭﻋﺩﻝﻰ ﻴﻨﻅﺭﻭﻥ ﻤﻥ ﺍﻝﻨﺎﻓﺫﺓ‬
‫ﻭﻴﺒﺘﺴﻤﻭﻥ ‪ ,‬ﺜﻡ ﻴﻠﺘﻔﺕ ﻤﺤﻤﺩ ﻨﺎﺤﻴﺔ‬
‫ﻓﺎﻁﻤﺔ ﻭﻴﻨﻅﺭ ﻝﻌﺩﻝﻰ ﺍﻝﺫﻯ ﻴﻀﺤﻙ‬
‫ﻭﻴﺩﺨل ﻭﻴﻨﺯل ﺍﻝﺴﺘﺎﺭﺓ ﺨﻠﻔﻬﻤﺎ ‪ ,‬ﺜﻡ‬
‫ﺘﺘﺤﺭﻙ ﺍﻝﻜﺎﻤﻴﺭﺍ ﻝﻠﺩﺍﺨل ‪track In‬‬
‫ﻭﻴﻘﺒﻼ ﺒﻌﻀﻬﻤﺎ‬
‫ﺍﺨﺘﻔﺎﺀ ﺘﺩﺭﻴﺠﻰ ‪Fade -out‬‬
‫ﻅﻬﻭﺭ ﺘﺩﺭﻴﺠﻰ ‪Fade-In‬‬ ‫‪604‬‬

‫‪http://www.arabfilmtvschool.edu.eg/Classics/78.htm‬‬ ‫‪9/22/2011‬‬
Arab Film TV School Page 81 of 81

‫ﻝﻜﻠﻤﺔ ﺍﻝﻨﻬﺎﻴﺔ ﻋﻠﻰ ﺨﻠﻔﻴﺔ ﺴﻭﺩﺍﺀ‬

http://www.arabfilmtvschool.edu.eg/Classics/78.htm 9/22/2011