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    Crochet Magazine 32

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    Crochet Magazine 32

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    Zoka Tornjanski
    158 views129 pages

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    Crochet_Magazine_32

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    158 views129 pages

    Crochet Magazine 32

    Uploaded by

    Zoka Tornjanski

    Copyright:

    © All Rights Reserved
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    of 129
    ~ KNITTING Magazine Din toga Oo Magazine Number 32 STORIES! WINTER'S TALE Wrap up in his season's Fun designs DO gears ge wu ccc Core ROMANCE The AG Os al mother natur 6 RIVER WILD Inspired by FEATURES: ote Debbie Abraham's new book Doe interview with designer Sarah D: ee simple steps to complete a INSPIRATIONS: 4.3 ROWE MaDe rm mysetr The new generation of knives 4D, CHEVER IDEAS bake A most of the winter season with festive table settings and gift ideas Meee IN TS Oona ell allt Oso De eee pa ee Photographer Joey Hair & Make-up Ann Model Yasin Magazine co-octiat Kathleen Han Design Layout Les Dunford Published by Rowan’ Hokiginc, Wese Yooh Telephone +44 (0 14 E-mail: Magho@knitro materia incl Knitting Magad LC] eet a . Ain ed Prey kons Pee Be cas eos: LC] a AC] Sway Ne Wea oe eet ree) ¥ Pregirse Ce y band “pied eg Ra ®) pill DesiGNen Provit Take the simplest knitted square and make it in a delicious variety of patterns. Mix in a spicy medley of colours, throw ina handful of texture and you have the perfect recipe for any blanket you can think of, Debbie Abrahams’ new book, ‘Blankets and throws to knit’ gives you 100 squares to play with. Mix and match squares to knit a baby’s first blanket in pretty pastels, a brightly coloured beaded throw for a teenager or a stylish denim picnic blanket. With so many ideas to choose from, you won't be able to resist getting started a HE [eLASH Embellished with embroidery, ribbons and buttons these garments are designed to get you noticed * KG Opposite Taylor in Wool Cotton, patter page 125, this page Veer in Kidsilk Haze both by Kim Hargreaves, patter page 103 Reflections in Rowanspun 4ply, Kidsilk Haze & Lures Shimmer by Carol Meldrum, pattem page 82 Firs Aid in Polar, Patter page 112, by Kim Hargreaves intel Hobbs Button in Polar & Kids Haze by Leah Sutton, pattem page 99 Photographer fey Haire Make-op Arm Desi NER PROFILE VINTAGE |) Mies In the world of knitting Sarah Dallas has done pretty much all there is to do. Her CV runs to six narrowly typed, impressive pages. She designed her own highly successfull ready-to-wear label for twelve years. She has been a Senior Tutor in Fashion and Textiles at the Royal College of Art since 1992, a Fellow since 1994 and has lectured or assessed at virtually every art school in the country. She has worked as a consultant for Marks & Spencer, Next, Courtaulds and many more. She’s contributed ideas to scores of knitting books - Rowan in particular - and over the past ten months she has been preparing her first solo volume called Vintage Knits to be published in August. On the very last line of her work-packed CV is the phrase ‘Member of the RCA Wine Tasting Committee’ - so its not all work!. Words by Kathryn Samuel. here is a fondly held stereotypical image of a knitting and I textiles tutor, especially ata high academic level. She ~ and it nvariaby ashe tha you picture ~ will have grey hai ewisted into a Toose bun,a benign expression and a faded prettiness. Her hips and bosom will be comfortably padded; her clothes, arty and hand- ‘rafted, wil include some murkily printed woo On her feet will be, without question, shoes in the sandal bracket. AS I' have already suspected Sarah Dallas could not be mote different. Her dress is ‘modetn and minimalist her features good-lookingand trong, her dark haircut shortin contemporary relaxed style an her overall image one ‘of open intelligence and approachability, And there is definitely no) cess pudling anywhere... or sandals for that matter. ‘The Royal College of Art has played a pivotal role in her hfe, She did Jenin and textiles MA here in che mid-seventies, after af at Walthamstow and a BA at Hornsey.” As a student I always had my sights set on going ro the RCA. I'm not relly sure why. T've never been Particularly ambitious - but I'm always striving to do my bese.” Sarah, 51 discover, isa perfectionist, Its not a picky kind of perfectionism that is critical of others but dhe kind that demands that whatever she tempts herself she has to do to her utmost, When shelefe the IKCA she was one ofthe frst knitting students to be allowed to take part in the degree fashion show tn those days, and to a Jarge extent today, knitting and textile students experiment with fabri, texture and stitch. They don'tinterpret these ideas into actual clothing, school is entirely separate. So working with the fashion students to show her designs on the catwalk was a departu ‘Bur Sarah knew she wanted to combine knitting with fashion design. So on leaving the RCA she and a graduating furniture design student,who also happened to be her boyftiend at thet Sarah Dallas knitwear label. Their frst year in London was tough and very hand work-Then they moved to Yorkshire her partners home patch, and slowly the company took off By the time the partnership disolved in 1988 the Sarah Dallas label was hugely succes, exhibiting at shows i NewYork, Pars and Milan, and selling across th of designer shops “The break-up was quite painful and I didn’ have the motivation to keep the company going a¢ the time, There is a pact of mie that now ‘wishes I hal, But as soon a I got back to London John Miles, the then rang and asked the combination I had started the world to the ereamn Professor of Fashion and Textiles at the RC evo come back to setup a fshion always wanted myself when I was a student there. I've always enjoyed teaching ~ I continued doing i throughout the time I had my own ‘company ~s0 I accepted with great pleasure Ata post-graduate level ceiching i on a mature, one-to-one basis its really more ofa conversion witha student, They are passionate about ‘what they are doing an! really Love helping them crave out their own Opposite Sarah and her niece Georgie are photographed in the workroom at her flat. Both swear Chill jacket knitted in Cork, find the pattern on page 120. KG? DesiGNen PRorite Desionen Penonality in their work and push ideas to the extreme and challenge ‘curren limits or accepted techniques on how something shouldbe done Herbook’ Vinee Knits has ust gone to press and er reliefs enormous ts the rst one 've done on my own and ictook over my lfe beyond, the RCA. evenings and every weekend - fom ast summer ntl Easter” ‘There are over chery paterns in Vineage Knits inspted by sweater I did aloe of research ac Yesterknit in Edinburgh and Bath Costume Museum but Iwas very clear tha | did fiom the fortis and fits. ‘ot want them to be mere updates of old patterns The achive ideas had to be used simply as inspiration fora mood and may interpretations had ‘0 look entirely contemporary. I've built che book rather as 1 would a ‘cohesive ready-to-wear collection, so although tere i alot of variety Inthe styles they havea similar signature and colour theme {ts Stephen Sheard of Rowan who encouraged her to start the book 0 she was delighted to expand the project to design the sweaters When we met it was to0 ealy for me to see the book iselfs0 she showed me hercolection of working notebooks They were immaculate, i — beautifilly written in pencil - no stuidges ~ no rubbing out . Exch page a perfect collage of neat litle tists of wook; colour posteants and cuttings with a faintly nostalgic mood , illustrating flowers china people or decor; recon 0 real day-to-day WORKING notebook ple to her students, ay meetings with hee publisher. Surely nota ut, yes it was, A faily 2"Well, theses Sonow the concentrated work period s over - what 1 range of bright wool blankets, faintly Rothko inspired, that [began making just before I started on the book and sold to shops like Egg and Livin con those ove going to exhibitions and am a Friend of the Tate and the Royal Academy so [wil beable to enjoy more in that direction. used to collet ceramics, Clrice Clifin particular, bu that all packed away [spend much more on are books, and am compelled by exhibition ‘catalogues now, And it will be good to see more of my friends and my family o whom I'm very close. Gok, | mist remember lve promised to babyesit tomorrow See page 69 for more information about Sarah's book ‘Vintage Knitting’ from Ebury Press Pekan | and cables are the ROMA Pee: Een SETS ete Mineo arenas Peart in Wool Cotton Cn enes ean ent KG ania) NY YA\a Ed 7 a Sal ok, : & : sie OP tr sera) is haa > VZ = ey Pas Tra a a “a eae ie 0, ye ig ean kel a oa 3 Tee Lea at ee Uae en eT A pm vi e e i i eae ; ae Lae | p . — a eek Wrar a Stak Make this Hleanor Yates in calico and Kaffe Fassett fabric, she's bound to bea star git, For deuil sce paige 192. Star cushion and sheepskin rug, Next. Hear Mirrs Make sure you don't lose your mittens on their twisted cork, But appliqué hearts give a hint ling, with tassel trims at the wrist for the finishing touch. Designed by Eleanor Yates, see page 131 for pattern SEASONAL Grirrincs ‘Make your own cards with oddments of yarn and fabric; Beaded samples are mounted onto ‘white card and are the perfect way to send a personal g Cards designed by Taura Queening. Beads from a selection at Rowan, Shot Cotton in SC26 and SC36, Kalfe Fasett Fabric Collection, Glas baubles, Ark, ee 129 for patcem a. -« Ruowe Sweare. Soft and warm, this childs sweater would make the perfect Christmas vex Knitted in Cork, it has a simple Faiile hordes, while the re ‘ embroidered onto the garment afer knitting. Designed by Gurzy nurroy mac Mother-of-peat! buttons sparkle and shimmer lke sequins when they are sewn onto a simple bag kitted in Rowarspun DK. Lined in Shot Cotton it's special enough for night out on the town, Designed by Kim Hargreaves, pa Silver spot eashion, Breeze Fake fur cushion, Evolution 131 for pattern, Snow ano ice Get creative and make your own tree decorations too. Designed by Laura Queening these knitted spirals and sofily filled wire baubles look stylish and elegant when hung fiom a pale branch, ‘Yarn Kideilk Haze Icicle tree decorations, Ark We. Troe Give gifts that area litle bie more individual when you make fabrieslined mame tgs Remove ribbon from a ready-made git ag and apply fabric ge to the inside. Pres a rectangle of fabric, slightly lager than dhe ag, onto the glue and leave to dry, Trim and snip around che hole. Replace the ibbon and write name on the font ofthe tig. ‘Bubbles’ fibric 3s before Gift tags. silver boxes, coloured papers and ribbon, Breeze Ssownatt swearen Light asa feat Jithy raglan sleeves ane an unusual 8 feather and soft as eandown. With rag Laced neck winter sweater, Heath sweater designed by 93 for pater © ith the ultimate iim Hargreaves and knitted in Kidsilk Haze, see page er Mabe Designs that are smart and sexy Oppestive Harriet =P aply Soft, Ptetn page 110, both Kin Hlanrcaves LAC] 56 Design Wonksnor eS fer TACHING SLEEVES Sewing together the knitted pieces to complete your garment can be daunting — it is one of the most important keys to a successful project; follow these simple steps to achieve 2 perfect result every time ‘ily ko spoilitby nor taking suficent tie and care when it comes, to the finishing. Whilst most of us know how to sew a seam, its how to atach the many different sleeve types to the body that often proves the most daunting, Buc ic doesnt have ro be that way — if you «an knit you can certainly sew in a sleeve properly! Just follow these simple guidelines; [= hours have lovingly been spent knitting your garment, its There area variety ofways to sew the actual seams and no one method fs better chan any other. Often the best method is the one you find easiest! Gener y.seams where cast-on orcas with back stitch, and seams where rw ends m mattress tite off edges met are sewn are best sewn with sesring a sleeve to an armbole joins east edges to sowicend edges so both types of sean are jst a8 good, What really 1s most important is ehat the sections are joined accurately Knitted garments are generally sewn together with the same 8 ‘used for the knitting. But with today’ fancy and super chunky 925 ‘often this is not practical. If this is the eas, join the sams usin smooth fine yarn ~such as 4 ply or DK ~ that matches the cole that used forthe knitting. N.B. Our illustrations show a cons. forthe caming purely for clarity Before attaching any type of sleeve to is body.t isa good idea © N° the knitted pieces ~ this ensures you have smooth fla sections 0 rch easier Always keep ast ning ‘nel makes the seaming and positioning bund of the yarn and refer to this for exactly how to pres the more than one yarn has heen used, remember co press the 54 using the method required by the most delicate yar. ATIACHING A STRAIGHT SLEEVE “This type of sleeve has all the witches eastot™ sc the same time and there is no armhole thaping on the body of the gan sometimes elle a“drop-shouldered” syle, Weis ‘To atach ths ype of sleeve, sart by joining the shoulder seams of the garment: Mark the cette point of the sleeve cast-off edge = point will be matched to the shoulder seam ‘Measure alfthe width ofthe top of hesleewe and then mark pointson the body this disance either side ofthe shoulder seam. The enc of the sleeve eastoff edge match these points — they will eventually be the underarm points. A sunightsloeve will st much better if the cast-off edge of the sleeve is very sli stretched when sewn onto the body.to prevent the sleeve fom sagging in wear. Sev the sleeve to the garment between the Suter pois you shoot se ates St remember you wl have mote row ends {join han stiches Refer to she terion © yu an ides of how these edges nec Mee there a, 20 shes co 10cm bot 30 om you ned to jon dhe ea 3 that 2 ches maich every 3 wow, nab inportnt {0 enscmber thatthe undrsrm points need Sbethe same dxance up fon the body eas ‘nedges on the front and the back. Ifthey are Rot when you come to sew the side sears, the garment will be distorted. ATTACHING 4 SQUARE SET-IN SLEEVE ‘Thistype of deve is similartoasteaight sleeve; the stitches ofthe sleeve top ae cast-off but there is also some basic armboe shaping on the body ‘To attach this pe of sleeve, again start by joining the shoulder scams of the garment and ‘marking the centre point of the deeve cat- off edge Asin our illestration, this centre point issometimes very clearly defined by the knitted stitches. this isthe asst is vitally important you match the centre correctly asthe knitting will aceentuate any error There is no need 0 measure along the body edges to find the base ‘ofthe armhole ~ that has alteady been marked by the armhole cast-off shaping. Buc you wil ‘need to mark points along the row-end edges ofthe sleeve. Measure the length of the armhole eastofl ‘on dhe body and mark pons along the row= end edges ofthe sleeve this disance down fo the final caseoff edge Ie is these point that ‘matk the waderarm point. Sew the sleeve to the garment between the ‘ovo underarm points, nutching the cat-off ‘edge ofthe deve tothe ow end edges ofthe arimhole, and the armbole cast-off tices (9 the sleeve raw end edges above the marked underarm points. NB.Theseeve ent-offedge nse NEVER be stretched! fo fit around the body armhole eat-off ATTACHING A SHALLOW SET-IN SLEEVE “The shaping the op of shallow set-in sleeve is very similar o the armhole shaping worked ‘on the body sections. Firstly, ehere will be several stitches cast-off = unless the stitch patterns or yarns used for the sections vary, this will be the same nuunber of stitches on both the sleeve and che armbole. Next there will be a set of decreases worked. Here, although the number of decreases will match, sometimes the number ofrows these decreases are worked over will ary. Finally the remaining sleeve stiches will be cist-of~ these match the row ends ofthe remaining section ofthe armhole. as the sleevehead depth must compensate for the changed body width, Finally, the remaining sleeve stiches will be cast off Its these cast-off stiches tha will ‘match the row ends of the remaining section ‘of the body armhole. [As with a seraight or square set-in deewe, sar by joining the shoulder seams ofthe garment before attaching the sleewe. Again, mark the centre point ofthe final sleeve cait-off edge ‘On both the armhole and the sleeve, mark the ends ofthe first set of extof stitches. and ‘where the decreases end. leis alo sometimes Ilpfal to mark a poin midway beeween the tend of the decreases and the sleeve top/ showlder seam ~ this can help you check you are matching the right number of rows to the right numberof stitches as you sew the Tonger stright edges together, Making sure all the marked poines match, sew the sleeve to the body again ensuring thatthe east edge is not distorted. Finishane Tip ‘Once the deeve has been aechod, the garment can be completed by seyving the side seam, comtinaing along the sleeve sam 0 the ek arments with raglan sleeves don't have “Shoulder seams ~ the “shoulder” edge fl centrally along the top of he sleeve. On both the body and the sleve there will be a few stitches case off atthe underarm and then 3 long series of decreaes will have been worked to forma sloping ede. While the number of stitches cast-off at the ‘underarm will be the same on the body and thesleer, there willnearlyabvays be a difee number of decreases on each section ~but the number of rows these have b vill be the sime on all setions, resulting in 2 n worked over common armhole depth Sew the raglan sleeve seams by matching the ‘underarm stitches and then che sloping edges, ‘ensuring these sloping edges are matched row for tow ifyou feel you need to,puta marker ‘midway up exch sloping edge to ensire they fare matched correctly: Oen you are asked to Jenie a pair ofsleves where the shaping over the last Few ows ofthe ‘worked on the right sleeve ~ this is because some the front neck shaping will occur in the sleeve top. this is the ease, take great care to sew the left sleeve into the left armhole and vice versal IFyou get it wrong your rows will ‘not match and the garment will distort out of | shape. eft sleeve mirrors that Unless any neck edgingsto be worked inthe round, join bo the front raglan scams and the right back raglan seams firs, leaving the left back raglan seam open. Work any neck 58 ny and then join the final raglan seam, ‘ontinuing up to join the ends of the neck ‘edging, Once all our raglan seams have been joined, the garment can be completed by side and sleeve seams in one 1 taking eare to snatch the raglan joining “operator underarm pois ATTACHING A SET-IN SLEEVE “This ype ofsleeve isthe only ype where you need to join the side and the sleeve seams before the sleeve is se Once these and the shoulder seams have bee! joined, mark points along both the armhole ‘edge and the sleeve hea. n into the armhole Ac the underarm of both sections, there will normally be the same number ofstitches cast off these, obviously, mustbe matched to each other And,as previously, the centre ofthe final ceastoff edge of the sleeve head must match the shoulder scam, Between these points, the armhole will have a series of decreases and thena straight row-end section, On the sleeve head, there will be shaping point where the rema off. For a sei wel, dhe shaped edges of the sleeve head need to be slightly fonger than the armhole edge. This extea fallnes is genly eased in asthe sleeve is sewn in place, Mark points along the sleeve head and along the armhole to divide it into even he up 0 the ing few stitches are cast sections. Remember that as the sleeve head may be a bitlonger,the distance betwen these marked points may vary on the rwo sections As you are not sewing edges together matching them row for row;or etch itis offen best (0 sew in a set-in back stitch, rather than mattress sich, the sleeve right side out, and have the section inside out. Slip the deeve in body so that the right sides ofthe a edges match and pin the 0 layers toe imatehingall the marked points The tye ‘an then be sewn together, gendy evan shoulder seam When completed and turned right side 8 the sleeve should sit neatly in the anabo forming a slighy rounded effect over holder ate, To ensure the seam looks seam along the row end edges ofthe als Tr For sewing up, if you cannot 6 20 ect match se asad that i ike hot lighter. Although the stiching of the sean wil be wirewaly ivi an somtimes show in wea 2 ket shade wilsinkngo the seam ine bet & Mar Scot/Festure ATTACHING A P A pled set-in sleeve i simply a variation of asevin deeve. The armhole shaping will be the ame asit would be fora setin sleeve, but the sleeve head will be much longer. Phoenraphy Mark Soo The top ofa puffed set-in sleeve will be much, wider and deeper than that of any ordinary setin sleeve - dis extra length will be gathened imo the armhole. Before sewing the sleeve seam, mark points along the top of the deeve head about 4 or 5 cm (I' 0 2 in) below the nal cast-offedge and run a gathering thread along this edge between these points Join the ce imide the and slip the le Body in the same way as for a standard set Aleve. Now pull up the gathering threads so that the edge of the sleeve head is the same Jength as that of the armhole and sew it in Place as for a standard setein sleeve Tw Remember to match the wash care eed of the seaming yarn t0 those of fhe kniting yanAs the final aundering, Method of a garment mast be those of its most delicate component, ie would be silly to sew together a machine Washable yarn. with a yarn thac muse be and washed, GN Worksnor (On completion, urn to right side and pres carefully according tothe instructions on the ballband The puffed set-in sleeve wil siti the armhole With the majority of the fallnes siting, in gathers, over che shoulder area: The remaining armhole seam will lok exactly as it would fora standard set-in sleeve Tips + When you have finished your Iknetng, sewn all end ne the selvage edges + Take special care o press the edges, as this will make sewing up exsier and neater + Before sewing together, always pin ‘ut and block your knitting to the size indiated on the size diagram included sith each pattern. See the ball bind for presing instructions + Always use a new length of yarn for sewing up, 36 this will make any future alsersions much easier + Use a seam sith such as back stich cormaitress stitch forall min kiting os but oi allribs, neckband and cesgings ith a lat seam + After completion, gently pres all scams under a damp cloth ro achieve 4 try profesional Bnshed look Meer SHARON BRANT Sharon Brant is one of two Rowan Design Consultants taking ‘ver from Kate Buller, who bas been promoted to Brand Manager| was always a fanatical knitter! says Sharon, “although I didn’t tain asa designer, knitted everything I possibly could while 1 worked in the City of London! Wanting to find a way to combine her love of knitting with a career when her son was born, Sharon setabour designing her own range of mohair garments. *Uhad 30 ounworkers, and it was all going really well, when a friend told me she had seen a part-time job advertised for a knitting company! Sharon recalls‘ told her I didn'e want a job - but when I saw it was for Rowan I changed my mind.and now it turned into a career that I never envisaged! Sharon began by working for days a week at John Lewis in Welwyn Garden at the same time continuing to run her own business. She developed knitting workshops at the Oxford Sercet store, building them up from tnvo to twelve workshops a year,and: the highly succesful ‘Making Up Service’ available from all John’ Lewis stores - was developed thanks to Sharon and her knitters. Recently Sharon has assisted Kate with “The Knitters Bible'and her new title‘Srle your own - Kid’ Knits’ as well ay ‘writing patterns for Kaffe Fasseteand Brandon Mably. Disic Sharon is always looking for friendly, tenthusiastie people to become part- time Design Consultants. ‘I am looking for people who are approachable, Knitting and have the right degree of experience to help teach others? she says. IF you think you have the right quali Design Consultant, please contact Sharon on 01707 262239 thusiastie about to become a Rowan, Opposite Blaze in ‘id Rowwuspitn Chunky, eee ens zl ze Ries $8 fe LC) mfemis out on dhe advantages of becoming « Rowsn er or gvinga membership package as the perfect gift Mich more Imig scription, forthe price of two mazmzines you ako receive “0 fee neuslecers a year packed with news and tps speci dicounts on books and workshops , a fice weekend Kniting project when you join or renew - Hike Jeanette Trotman's “Alfe’ bag (8h) + a chance to benef from the worldwide Knitng Circle + regular updstes on all new events and exhibitions + free patterns + wo Rowan magazines delivered to your door Membership for one yeie costs (15:90 (UK), £20.50 (Europe), US $40 (USA), US $47 (Canada) £26.00 ebewhere in the world. To join, call 01484 681881 or buy 2 HELPING HAND ] ROWAN independent stockists. For dels of your nearest Rowan Design Consultant, which days she isin-store and dates and times of one-day workshops, contace Rowan on O1484 681381 oF look on the Rowan website www.knitrowan.com, f Help and advice is alivays on hand from Rowan Design Consultan and a all Rowan f See the back inside page for deals of your local Rowan sockist. CROCHET FOR BABIES Easy to do and quick to grow, crochet offers brilliant scope for creativity Whether you want ‘to make an ultra-fine lacy fabric, or one that’s warm and chunky, all you need is coches hook and a ball of yarn to get started. The dearth of good erochet patterns in recent yeas ‘though, has led to a decline in its popularity, but it looks like we're about co wines: revi 3 and luckily heres a book from well-established designer, Lesley Stanfield, to ge us sated Been Te WEB again.*Adorable Crochet for Babies and Toddlers is fll of designs for baby garments, toys and blankets that are sof, comsfortable and stylish, With techniques 1 f stitches that look like ribs and cables, bobble patterns, Icy edgings, multi-coloured siches and some Irish crochet, as well a 2 detailed guide to getting started, this is a book perfect, for anyone wanting to learn the craft, oF for those of ws that would like to brush up ox rusty skillAdorable Crochet for Babies and Toddler’, by Lesley Stanfield, s published by Collins & Brown, price £14.99 (UK), $19.95 (US). ISBN 1 95585 993 9 ‘errwcknitrowan com is our new, fresh and Ally interactive site where you can look up everything you need to know abou the Rowan story, producrs, designers and pattems and much, much more. The visitor Centre has answers to your most-asked |guestions:in the workshop section you will finda comprehensive list ofall current ‘workshops: each yarn in the range i listed with colour, care deals, which needles to tse andl about its unique qualities, and there is a discusion board for members of Rovian International to meet up too. The pattern library has a quick and easy reference system for you browse and there is even a section on Rowan designers, So be good 10 yourself get online today and vise -wwrwknierowan.com 2 Coe ca Fee te os Jin by Ky ey ey ti, ROWAN KNITTING MaGazine NUMBER Jenene Patt No. Page ng 10 10 am. 10 14 2 anoned nd Bene Bog Pato Page 31 M6 1 106 7KG- ” JEAN MOSS: Somme rans yea a cae ons 05353639 om ee HEV. 1) 0H bo Seam kG ouneee Dron seven 3 Sownrrny SASHA KAGAN i ee oa oo ge ee. iPr rae raters ipedeabeaeae oO 8 Oo To oOoooto oo (ee Fae Fe Sle Sle oN Ad Ke tom tlre Homes: A i Set aa spite Bate san 1m ne ae Shree ecm car aS (S64 TA eprom Bee Bans aan occ: Nae ndag anes Biman ess Sait Cerone ey Bs et minnie res [elie nane agora “ipa kon ate ot 2H et a : : i ES teeta toncea ae) ata ae ere Parsy KG Heats 9 (Sap 141116 gS (Bae, Row P01. 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