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    A Fool Moon Night

    Uploaded by

    Soumya Prasad Nayak
    1. The document is a piano arrangement titled "A Fool Moon Night" arranged by Guillermo Barquín. 2. It contains musical notation across 39 lines with symbols indicating notes, tempo, dynamics, and other musical markings. 3. The arrangement explores a range of techniques from arpeggios to glissandos in bringing the composer's vision to life on the piano.

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    © All Rights Reserved
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    A Fool Moon Night

    Uploaded by

    Soumya Prasad Nayak
    18 views7 pages
    1. The document is a piano arrangement titled "A Fool Moon Night" arranged by Guillermo Barquín. 2. It contains musical notation across 39 lines with symbols indicating notes, tempo, dynamics, and other musical markings. 3. The arrangement explores a range of techniques from arpeggios to glissandos in bringing the composer's vision to life on the piano.

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    Original Title

    A_Fool_Moon_Night

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    © © All Rights Reserved

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    1. The document is a piano arrangement titled "A Fool Moon Night" arranged by Guillermo Barquín. 2. It contains musical notation across 39 lines with symbols indicating notes, tempo, dynamics, and other musical markings. 3. The arrangement explores a range of techniques from arpeggios to glissandos in bringing the composer's vision to life on the piano.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    18 views7 pages

    A Fool Moon Night

    Uploaded by

    Soumya Prasad Nayak
    1. The document is a piano arrangement titled "A Fool Moon Night" arranged by Guillermo Barquín. 2. It contains musical notation across 39 lines with symbols indicating notes, tempo, dynamics, and other musical markings. 3. The arrangement explores a range of techniques from arpeggios to glissandos in bringing the composer's vision to life on the piano.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 7

    A

    Fool Moon Night


    Piano Arrangement

         
    Arranged by Guillermo Barquín

        
    The KOXX

        
     = 140

       
                            


                        
                        
    5

                             
      
    cresc.

                                   
                                   
    9

              
    (cresc.)

             
                   
    21

       
    Glissando

          
        

               

            
      
    13

                          
       
     
     
                     
           

      
      
    17

                           
        
           
    All rights reserved
              
    
     
         
           
        
     
    21

       
                             
           

    
     
     
           
     

             
              
           

      
            

      
        
    26

            
     
                               
        

          
         
     
         
                
           

        
    30

                           
       

                        
           

        
            
    34 1. 2.

                                           
       

       
                           
    Arpeggio ad lib.

                


          

    39

                                    


                  
       

         

           
    2 All rights reserved
      
        
     
    43

              
                                 
           
             
     
          
      


          
    47

     
                                    

    

           

       
       


      
           


    51

                                  
                  
         
             
                                                
     
           

    
    55

       
    
    Strictly in tempo

                    
                                       
     
    
    56

         
    
    


     
                      
                                          
    
    57

       
     cresc.

            
            
    All rights reserved 3
                                  
                               
                                  
    

    58

    
     
    
     
    (cresc.)  

                  

               
     

           
         
    59

                                    
          
    

     
               
           

            
      
    63

                           
       

               
           

              
       
    67

       
                     
                

      
      
        
     
    
       

           

    4 All rights reserved


                        
                  
    71
    1. 2.

                    
                                        
      
    Subito

        
     
                   
           
      
    Arpeggio ad lib.

                
            

           
     
    77

                                    
                  
       

          

     

         
           

     
    81

       
                            
                            
         

    
     

    

         
           

     

    85

                                    


                  
       
     

       
       


           


    89

                  


           

                   
      
     
          
            
    All rights reserved 5
     
                                    

    93

     
                   
               
     
    

      

    
     

      

                    
       



    95

       
                    
            
       
     

     
                     
       

                    
    97

         
       
     
      
    
       


    
     

       

    
     
       

       
       

     
       
        
      
                            
    99

            
             
      
      
      
        
        
     
     
     

           
                            
       


    101

             
              
      
         
       
     
    

       

       
    6 All rights reserved
         
                     

    103

       
                    
            
       
     

     
       



    105

            
         
             
     
          

            
       

     


    107

       
           
      
    
            
     
     

    All rights reserved 7

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