TABLATURE; EXPLANATION
TABLATURE A six-line staff that graphically represents the guitar fingerboard. By placing a number on the
appropriate line, the string and fret of any note can be indicated. For example:
5th string, 3rd fret
Definitions for Special Guitar Notation (For both traditional and tablature guitar lines)
;;;;
1/2
BEND: Strike the note and
bend up 'h step (one fret).
;;;
Full
BEND: Strike the note and
bend up a whole step (two
frets).
~)
LEGATO BEND AND
RELEASE: Strike the note.
1/2 (or FuU)
Bend up 'h (or whole) step,
then release the bend back to
the original note. All three notes
are tied; only the first note is
struck.
1/2 (or FuU)
=
GHOST BEND: Bend the note
up 'h (or whole) step, then
strike it.
1/2 (or FuU)
!~ GHOST BEND AND
1/2 (or Fun)
RELEASE: Bend the note up
'h (or whole) step. Strike ~ and
release the bend back to the
original note.
Full
UNISON BEND: The lower
=
note is struck slightly before the
higher. It is then bent to the
pitch of the higher note. They
are on adjacent strings.
;;;
VIBRATO: The string is
vibrated by rapidly bending and
releasing a note ~h the fret
hand or tremolo bar.
III
SHAKE OR EXAGGERATED
VIBRATO: The pitch is varied
to a greater degree by vibrating
~h the fret hand or tremolo
bar.
1st string, 15th fret,
2nd string, 15th fret,
play~ together
;;;
SLIDE: The first note is struck
and then the same finger of the
fret hand moves up the string
to the location of the second
note. The second note is not
struck.
;;; sl.
SLIDE: Same as above,
except the second note is
struck.
=
SLIDE: Slide up to the note
indicated from a few frets
below.
;;;
SLIDE: Strike the note and
sl. slide up an indefin~e number of
frets, releasing finger pressure
at the end of the Slide.
;;;
PICK SLIDE: The edge of the
pick is rubbed down the length
of the string. A scratchy sound
is produced.
=
HAMMER-ON: Strike the first
(lower) note, then sound the
higher note ~h another finger
by fretting ~ ~hout picking.
PULL-QFF: Both fingers are
in~ially placed on the notes to
=
be sounded. Strike the first
(higher) note, then sound the
lower note by pulling the finger
off the higher note while
keeping the lower note fretted.
FRETBOARD TAPPING:
Hammer ('lap") onto the fret-
board w~h the index or middle
3 3
T P H finger of the pick hand and pull
T P P
off to the note fretted by the fret
hand (''T'' indicates 'lapped"
notes).
an open E chord
;;;
Irem.
TREMOLO PICKING: The
note is picked as rapidly and
continuously as possible.
;;;
Harm.
NATURAL HARMONIC: The
fret hand lightly touches the
string over the fret indicated;
then ~ is struck. A chime-like
sound is produced.
;;;
A.H. ARTIFICIAL HARMONIC:
A
The fret hand fingers the note
indicated. The pick hand
produces the harmonic by
using a finger to lightly touch
the string at the fret indicated in
parentheses and plucking ~h
another finger.
A.B.
ARTIFICIAL 'PINCH"
8wJ, HARMONIC: The note is
fretted normally and a
i:
harmonic is produced by
adding the edge of the thumb
A.H. or the tip of the index finger of
the pick hand to the normal
pick attack. High volume or
distortion will allow for a greater
toundlq pitch: E
variety of harmonics.
TREMOLO BAR: The pitch of
=
a note or chord is dropped a
'" specified number of steps, then
returned to the original pitch.
;;;
PALM MUTE (P.M.): The note
is partially muted by the pick
hand lightly touching the
Iiiiii
string(s) just before the bridge.
...,FFlED STRING~ A
percussive sound is produced
by laying the fret hand across
the strings ~hout depressing
them to the fretboard and strik-
ing them ~h the pick hand.
THE ACOUSTIC CLASSICS 17
Tablature Explanation page 17

MOOD FOR A DAY

As Recorded by Yes
(From the album FRAGILE/Atlantic Records)

Music by Steve Howe

Vivace J = 138
II ...
:
G/D Ft/C#
n
G/D F#lct G/D
.. 1 I ~
:
~
il r-n
"'-4 ... ...
@)

..... ..... -4
* ..... - -4 -4 ... -4 -4 ~

11if
:::
T
A
R
. ~ ~ :::
,.
~ ~
.
*
*Gently tap face of guitar.

~ Bm A G G/B F#/A#
II .. ~ r-'1 r:J nnn ilr::-J ,..... r-r-, Fr1 J::'r'::::1 ~ ~rJ
. .
@T
I
r r r r HP

HP
r "1- "1"1
~H r "I#r "I I r

~ ::. ...--...
~ ':!

, ,

To Coda
Bm
n..m G F# H ::> G/B F#/A# -+ -3-. ..
NC
II .. n~n~fi r::t _ _r-r-, Fn rr-, I ., r-i I "
~3--. ~

~
.
~

r r \I
r ~
HP

HP
r "I -
~H r "I#r "I I ("

poco Tit.

----
~
~

~ , ~

Allegretto J = 92 H P P HHPPHHPPHHPpH
Bm/D E7 G

PPHHPP fr- Grad. pick closed to sound hole)

f

- HpPHHPPHHPpHHPP ~

Copyright © 1972, 1988 Topographic Music Ud.

All rights for the World adminislered by WB Music Corp.
18 THE ACOUSTIC CLASSICS All rights reserved Used by Permission
 Bm
0 P Em/G ~3~ ~3~ )I Gm(B~ B~ C B~A/q

" ... ~ ~~ ~ t:::::=:r--I

@)
'I
r' *sul tasto
HP P '----'''~r
HP P i w/nails..l ---------
. .. ~ iTt" ~ ....
... ~""
P HP P
)

~
----:""
'Play over fingerboard. HPP
O/A E7 G D/A
II ..
-= - .. ~ . r --.--. t\
Em/G

-
$f: r r'
,
If
@)
t"' t"' t"' t"' ~~
'I j sl.

r w/nail • ...J

~
...
~

N.C. sl.
~3~ ~3~

m-ifis~~ J, =84
II ..

HPP ,----," i
HP P w/naJIs..l ~'r
HPP

Esus4 HP P
P 11. 11 2 .
=--- DA
" .. :
rn JIl A
rn
:> G
r-ri f1:1
Bm
iii
F#/A#
I
,
s.;]
:
F#/A#
. M4 rn Bm /F# F#7/E
r-n :> Bm
r--r-,
@)
r
P
,---..,
r' P
..-...
r r fH r 'I #r I
,

#r:resc. poc~ a poco r'

I

,---..,
, , ~ --.;
~

,
u

II .. H
F#7 +5
,---..,
,
I, r;] jJ~
Esus4
P DP

D,-
:::---..
-
oJ ""
1]- -~-
D

n rr5
-
E7/G#

@)
I
fH
I ~l
r,it. 71if
~'
~,
*T mf
I'
P
....---..
r....--... , r
P rit. a tempo r' I
'P
~....---..

*T 'T=thumb

II ..
A

~oJ ~J
m
r-:n
G J= 86D
J~fl
i ppp3---,
I III
Gadd9
'f>p3--.
J.EI;I~n FA
HP
D
pp3--.
J•.rm -Ir~1 rTTi
Gadd9
'f>p3--.
J.m}1 n 61
HP

PPP P PP P PP P PP P
HP ...--... HP
,---.., 2:"'>

THE ACOUSTIC CLASSICS 19

 D.S. al Coda
~
II ...
l"""'-
I I ~
I I *r1 r--"I n
@) ~.. .. -ill -ill . .. -ill -ill ... ... ... 11 I
.
ft ~
:; :;
I ':: ':: '::

'Exaggerated rake

•
Coda p with nails. G

nnr1rJn.r.nnn n n
Bm A(6)

II ... r--1
.
r r ~ L"iz
~) r
I I
p
v

. '::

Ft G/B F#lA# Esus4 D

H
p
--... p A G F# H G/B

II ... r-r--, Fr1 r-r--, '~. J;J J:JlfTl r-r1 r-r--, Fr1 I'TI
:
Ie;

sub.
r
Trrr
cresco
"I
VH
.--...
r "I#y
f'
~ I l(norm.J
p
.--...
r
~
p
tover sound hole r fH ~
~ v v

p. Esus4 D qm D E7/G#
11 2 .
F#/A# F#/A#
II... I ~ ~

#f sl.1 (norm.) r p JlOlto rit. - - - -

sl. Meno mosso J = 84

D

FUm
A >- G
p-p-p3---.
II ... J~-!r~1
I e; II <>
---- -------- -----~ p p p p p p P P PP P PP P
~~ HP ~~ H P

Poco meno mosso

D~3
P P --.,
Gad~3 ---,
D
II ... JfflJ 1-1 I I T l Jlf:L-----n~ I
Ie; <>
P P ~",--,"
pp "I - -
rit.- - - - - - - - - - - - - - - - - - - - - i H~~r
P PP P
~~ PP P P wjR.H.

pp
.........
H

20 THE ACOUSTIC CLASSICS

Tablature Explanation page 17

DUST IN THE WIND

As Recorded by Kansas
(From the album POINT OF KNOW RETURN/Kirshner Records)

Words and Music by

Kerry Uvgren
Moderate J = 96
Rhy. Fig. 1
Intra C
**(Acous. gtr.) Cmaj7 Cadd9 C Asus2 Asus4
'm m i m m

'Fingerpicking: m = middle; i = index; t = thumb (use thumb

for all downstemmed notes).
"Doubled by 12 stg. gtr.
Am Asus2 C add9 C Cmaj7 Cadd9 Am Asus2

1 st Verse
Asus4 Am G/B C G/B A~

close my eyes,

(end Rhy. Fig. I)

G Dm7 Am G/B C G/B Am

on -Iy for a mo-ment, and the mo - ment's gone._. All my dreams _ __

Copyright©1977. 1978. 1988 Don Kirshner Music and SBK Blackwood Music Inc.
All Rights Controlled and Administered by SBK Blackwood Music Inc.
All Rights Reserved International Copyright Secured
Used by Permission of the Hal Leonard Publishing Corporation
THE ACOUSTIC CLASSICS 21
 G Om? Am O/F# G
_.--3---,

eyes,_ a eu - ri - os - i - ty._ Oust in the

tWl p

p p p

Am Am/G O/F# G Am G/B

All they are_ is dust in_ the_ wind.

i r
H

,
2nd Verse
w/Rhy. Fig. 2
C

(J
GfB

ir Ita:
Am
p

5
G

IlJ tJdtU: []JRl

Om?
p

Am

acr GfB

,
~

Same old song,_ just -

a drop of wa - ter in an end less sea.--
C G/B Am

w=r
G Om? Am
(J
All
t 11
we do
I I EJ
crum-bles to the ground_ though we
f F f I (4
;;;J
re- fuse to
Uf3r
see. _ _
J

OfF. G
OfF. G

&,;S f1 in the wind. _ __

I b1 EJ
All we are is
r--...-.'tJ
dust in_ the
II
Ah. _ _ _ _ _ _ _ _ _ _ _ __
Amadd2 G/A
-------------~--- F(#ll)/A F6(#II)fA

22 THE ACOUSTIC CLASSICS

Violin solo (arr. for gtr.)
G/A F($ll)/A
VIn. I Am add2

VIn. II

p
w/Rhy. Fig. 1
~---------------------.=----------------------- C Cmaj7
II.F6( #ll)/A 112. i=F=!==l FFFi I
fI j ..
j1ffllffl #I 1)/A
6 ••
FJ
J .J,J.J .J.J~~
:i: -- --
.!f J-
- --
: ..
I!)
I

v
1...--:1 I V r r
·, ~

--"-

fI
.
~ ~
F"'r"=l r--:I I="i""""=l
. ~

:
.
r--"':l FT""i ~ ~
. ~

I!) L- I iJ i I IJ i I rJ i I iJ
v
·· v
v

C add9 C Asus2 Asus4

Jm~1ffilm J
Am ASUS2..Jill

11 J Jmlmlm-===
II!) r r r ,------
,u

Cadd9 C , Cmaj7 C add9

imJm1IDlm :r Asus2
J----J.
Asus4 Am G/B

,------ --------- r' tl

(Vocal) Now,
'U

f ..\

THE ACOUSTIC CLASSICS 23

,
3rd Verse
w/Rhy. Fig. 2
C G/B Am G ~m7 Am G/B

F lr ~~~
I"'~ IE E rr L:J~ r gTLf"tr F "I
~I

,
don't hang on, _ _ noth- ing lasts for - ev - er but the earth_ and sky. It

C G/B Am

F=
slips
J tc?iU
a
Itt])
way, __ and all your mon- ey won't an - oth - er min-ute buy. _ _

D/F. G Am Am/G D!F# G

& J "I @1 0 ItV' F IF SF F ( ICC\!

~ ~ If -=-
I
Dust_ in the wind. All we are_ is dust in_ the wind._

Am Am/G Am/G
!

Dust _ _ in_ the wind.

All we are_ is dust in_ the wind. _ _ _ _ __ Ev - 'ry-thing_ is dust in_ the

t tr) p

p p p

D/F$ G
Am Asus2 Asus4~13 Am Asus2 Asus4~13

in the wind. The__ wind._

p
w/ Ad lib vocal Play 3 times and [ode
Am Asus2 Asus4~13 Am Asus2 Asus4~ 13
I""'"'I'-~

24 THE ACOUSTIC CLASSICS

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THE ACOUSTIC CLASSICS 25

Tablature Explanation page 17

DEE
As Recorded Ozzy Osbourne
(From the album BLIZZARD OF OZZlJet Records)

Music by Randy Rhoads

Slowly. in 1 J, =48
G D6 Bm G/B A/C'

1\111 1 rDi
H

J r~~' 1IJlIl-IJl[J
, ,
f p!
'@J
I
mp l!
r
r' I
Harm.
I
Let ring
-I
"sl.

-v

A
R ~
.........
G(maj7) D G6 sl.
D/F# A7/E A/C' Bm

Alii
-- 1 m 3H ~
~'

,
J I J J I I I 1 I
-j
ft)
I
H
~
r' r r f' v

AA D/P. Dadd2/F# ~3~~

(OVerdU~
B1/D#
J
B7
11111 H I I I rn I r 1 J l 1 r 1 I J
@J

r I I I ~
H P P
l+r' f tJ
P ...--:;---..
..--....
v v

Em p. E7 A7 H P P Harm

~ I I l JJ A r1 lsi. !~;',
1\111 I
- ~ 3 -,,-

r' ------f 'p=p"-"'~4

@J

#f r------r' H P P
P
...--.. P
"'--"ft

-sl. H:m. H P P

-y-y
P P

nm H P 1'''
Ji-...t
D G/B
I r-il D J J.J .ill A~
I@J f"
I H P P P P
..---... P ~ ...--..

A/Qp Bm Bm/A sl A7 D/P# A7 (overdub) A7/C# D6

1\111 f1ri lsi. rir-1A

- I I I 1AJ> J-J)
Harm.
t~
I@J
r r .. U- tp
P
.---... sl.
r";-f sl.
..-..
r r- . . . . . . i:
P
P rit.-~
...--....
f
~ Harm.
~

........
~.

oc...........
'"----"'
P P

Copyright TRO ©1981. 1988 by Essex Music International. Inc.

All Rights Reserved Used by Permission
26 THE ACOUSTIC CLASSICS
 The Mechanics
of MetafM
A SOUND AND ORGANIZED
APPROACH TO THE MASTERING
Pickin' and Grinin'
OF HEAVY METAL GUITAR
• Absolute dedication to the highest quality instruction
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Slow 'em. down to half speed Switch back & forth
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THE ACOUSTIC CLASSICS 27

Tablature Explanation page 17

LITTLE MARTHA
As Recorded by The Allman Brothers
(From the album EAT A PEACH/Capricorn Records)

Music by Duane Allman

Moderately fast J= 184
Tune both guitar. to open E:
®;E@;G#
@;B@;B
@;E@=E
Intro Rubato B7/E E
Gtr. I r.'\
E
If r---
II II r--"l
.
~

@)

!~ = -r
"II
~-r -r =
... l~
....

ft
H
. :. ;; .,

II II If.
In tempo
- EH ~ I ~ p

.
@) ~
:
•=
p

p
... ~
:
-
i
-
i ~
-r ~
H Sustain all notes as long as possible
- -
i
v~r
p
U
.----.. .. ------- n
-...

Gtr. II
II II If
: . .
IV '--"
H
I r ~

In\

'--"~

-------
H p

B E
H
IIlIlf i. I H i. I I

@)
-
i
-
i
"I
r --
i
-
~- -
r U
--
i
--
i
--
~
r --

~
H H

---- (.,\ --------

IIlIlf

4!.i
- H
'---"
.--------- . . H
'---"
I

n
---....-
------
H H

Copyright©1972. 1988 by No Exit Music Co.

All Rights Controlled by Unichappell Music Inc.
international Copyright Secured All Rights Reserved Printed in the U.S.A
28 THE ACOUSTIC CLASSICS Used by Permission
 E
l±. ~ h p BI ...
f\ II
.
I H
"
,,---...
--,

~
-

r U~f p
U r
--
H
-
r
"I
r-------r r r I --
r
---------- --------- /-"
.A

f\ II l±
~

.
~ r p If .----------- . -,t•

-------- ----- '.,

p H

f\ II Ii.
A
~l ~ I J..----------... I I'IP I
. }.. H I ~ I
~ I
r ~

r I
Lr
I
U I
r r·
p H
H

-------- ~
--------- ------------ ~

H P H
f\ II l±
.
~

~ I r I

H P H
., ., .,
~,

------------ --------

11 I. I E H I h P
f\ II
~
" " I I
.
~

r U'---r U I
H
-
r r - r -

r r.,
-
U i
P
~,
U
(~\ ------------
"

f\ II 11.
- ,
. .
~ I - H
~

I
P

----
-,
H
------
p

THE ACOUSTIC CLASSICS 29

 To Coda

fI Ji, l! H ,..
B
I
E
...
. .
@)
! -
i
-
~ r -
i u ! -
i
....
H

...---... .

fiJi, .l!

@)
If ..-----------.. ....

------
H

B c#m; AlB B C#1B AlB F#m/B

flJi,l! oj ~ J~J I I J r-1 I oj ~ ~ I I I

@)

~ U "I LLr--r ~i U~ U LLri i rrrr

ft ~ I~\ .~ ~ ~

.:, ~
y
;; ;, ;,

fI Ji, l! joJ J~ ~~ 11J DJ j oj oj ~~ L----J I J l n I

@)

~ U UJ'--r ~i U~ U rrr--'j i rrrr

.. :: . :: ;:;
v
..

C#m/B AlB B

fI Ji, l! ) oj oj ~ ~ J--=---J I I J -
1 I 1.,
E
p.
:
@)

~ U LLr'---r U"I ~i =it,--~

p

::
··
-----
n
p

fI Ji, l! j ~, ~~~ 11 ] J -
:
@)

~ u I.Lr--r u ~ i
~ 1 -I

··

30 THE ACOUSTIC CLASSICS

 r.:"12-. -Harm-.--------------.----------------,-----~ C#m/B B A/B
/lOIlt ~ t .fL J~~ l ~::=---J J I I l
:
....
~

4!! H "11 P I
"11,-- "11
(Sustain all notes)
Harm.-------------------, H p
. ~"
~
~
~ ~

y
:.
--- ........... .......-

H P
II 01 If ~ ~ =::~ ~ ~ ~
~

~
:
~'--
4!!
I (Sustain all notes)
H
...--." "J:.... .
.. "'--'n
..........
~

...........
~
Y
Y

B C#m/B B A/B B C#m/B B A/B

/I 01 It. J,--~ l .J:. .J ] I~ J:~ 1 .J:--J ] r1
.......-
4!!
H "11 P ... I ..". H 11 P "11--- I I ....

-
H P
..
H P
.
.;-
,:., '!'
.......-y
,,~

,::
~

~
Y
(
(
Y
---."
.--...
.......- Y \Y.~
-
,,---.
y

H P H p

1101 If c=:: =::~ -!- .,.(~ c=:: :c:~ -!- ~ ~

4!!

-- H

..........
~

.-...
P

..........
r

-H
---."
.......-
"J!....
.--.
~
y

P·F#m/B A/B B C#m/B A/B F#m/B

1101 If I rr ~
• n I ~

4!!
. ~ ...-1 r , .... "11 I I ....
:
....'
. n .,
..
~ ~

flOIlt ~ ~~ -fI- -fI- =:: ~ ~

4!! I

;; ~
~
..,
. ;;
I

~
y
- 1
:

\Y/ y

THE ACOUSTIC CLASSICS 31

 E B E B E

•
Coda Harm.- - - - - - - - - - - - - - - - - - - - - - - - - - - 1
D.S.a/ Coda "....
~
;: ~:-:'~
"....
~.
E
1\ II ~ t\ I> l±. iE· ...-:::'.
-'
'-- -
~ 1'----' )
L~
@)

p
!~
Harm.- - - - - - - - , - - - - - - - - - - - - - - - - - - ,

..«i
....
--- P
'::
v

'Slowly pick strings from bottom to top.

Harm.
•

1\ II. +I ~ t\ II l±. ".... (i

~
"""""'" I I @)
•

Harm.
,.~

. ;;
v 'v
~ ..

... with these hard-hitting guitar songbooksl

ROCK OUT! Each book is accurately transcribed in tab notatation.
~
METALLlCA:
MASTER OF
SANTANA
Brand Newl Now you can play the soaring Jeads to songs like
-Black Magic Woman,· -Evil Ways· and the 13 other classics
Included here. Authorized by GUITAR for the Practldng Musician.
~
118m' CLOO9989 $12.95
PUPPETS HEAVY METAL GUITAR Volume One HEAVY METAL GUITAR Volume Two
Metal guitar at Its best Contains 16 songs by such thrashers as Brand Newl Contains guitar saeamers by Metalllca. David Lee Roth,
Ozzy Osbourne, Midlael Schenker, Oef Leppard, Iron MaJden, Ozry Osbourne/Randy Rhoads, Billy Idol, ~I Schenker, Armored
The matching folio to the Kiss and Quiet Riot. Saint. Vinnie Vincent, Robin TrO'N'er and OUlet Rlot Authorized by
killer a1buml Contains GUITAR for the Practicing Musldan.
fN&ry song from ' 118m' CLOO9969 $14.95
118m' CLOO7909 $14.95
-Leper Messiah" 10
-Damage. Inc .. plus
6 othersl Author1zed by YNGWIE MALMSTEEN: RISING FORCE YNGWIE MALMSTEEN: MARCHING OUT
GUITAR for the Practldng Transcribed by WaH Marshall. this matching guitar book contains Featuring "Overture 1383" and "I'll See the Ught Tonight," plus 8
Musician. Ihls Is Ills one "Evil Eye,· "Icarus Dream Suite,· "Black Star" and 5 othet' other crunchers, this one Is essendal to any guitar-playing Malmstaen fan.
everybody's been waiting tori Malmsteen workouts. Transcribed by WoIl Marshall.
118m' CLOO7920 $12.95 118m' HL694755 $14.95 118m' HL694756 $14.95

Send Order to: MAIL BOX MUSIC, P.O. Box 341. Rye. NY 10580 or call 914-937·8601 between 9:00am and 5:00pm (E.S.T.)
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Sub-total
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32 THE ACOUSTIC CLASSICS

Tablature Explanation page 17

BLACKBIRD
As Recorded by The Beatles
(From the album THE BEATLES (THE WHITE ALBUM)/Capitol Records)

Words and Music by

John Lennon and Paul McCartney

Moderate ~ =96
G ,.
Intro G
(Acous. gtr.)
II ..
Am7

-
G/B
sl. ..l .JI
- .JIr-::-
I--
-="
1:; :lI ~
~
... 1--4·
-
@j

"if 'Or i L:::::::Jsl. I I sl.

Let ring sl. sl
-~

T ..:.>.
H
,-
sl. • Strum upstemmed notes w/mdex fin. of plCk sl.
1st, 2nd, 3rd Verses hand whenever more than one upstemmed note appears.
~ ~ G Am7 G!B G e e.o D
II ... r--=
: ~
~
~

~.

1 , 3. Black - bird sing - ing in the d~f night, take_ these bro - ken wings_ and learn_ to fly._
2. Black - bird sing - ing in the dead of night, take_ these sunk - en eyes_ and learn_ to see._

II .. ~ - rlsi.
LF l.JI~.JI ~'JI
Fr-l
I. L'- i.JII'JI
F~
I. sL I I ~ I JI J 1
~

: -
@j

r r US/. I I --- sl. r !lr r ltr

sl. sl.

..
~

':' .....
~
v

sl. sl. 3rd time to Coda II

II ..
Em Eb D e em ..
~

@j r ~
.
- All yOUf_ life, _ _
life, _ _
- All yOUf_
(3rd time) All YOUf_ life,

II .. j n-~ j r.LFfJ J::J .r:J 1 1::1Frl J r-LB:J

- - -
@)
r T r r r !lr v
~r r r r
v

11.
II... G/B 3 D7(sus4)
_ c::-"r-::l G e G/B A7 D7(sus4) G

you were on - ly wait - ing for the mo - ment to a - rise._

you were on - ly wait - ing for the mo-

II .. I H R"1
..........
r r r r r r rr rrrr r
.

Copyright©1968. 1969, 1988 by Northern Songs Ltd.

All Rights Administered by Blackwood Music Inc. under license from ATV Music (Mac len)
All Rights Reserved International copyright secured
THE ACOUSTIC CLASSICS 49
 r : : ; " 1 2 - - - - - - - - - - - Bridge
. D7(sus4) G ~F(add2) Em Dm(add4) C B~(6) c
fill
- ~

~
~

4!.'
ment to be_ free. Black bird_ fiy,_

1L~ r--l=l l=3i r---= =r-1 J I J I "J I I I r-,::,_MI IF9 Rl

- .. .. -
r r r r r pr r r r
r r 'I
eI ~

v
n

2nd time to Coda I

F(add2) Em Dm(add4) C A7 D(m)7(sus4) • G Am7 G/B
fill
. 11.-." ~ r-c
eI
- ~
.
black bird_ fiy_ in . to the light_ of the dark bl~ nighL

fill ..J ..J l "J I I l rAFn ~~ I ",.r-J" HI ~ r--, r1sl.

~

~
'I r r r t1r r r r r r r r LJ~·
'., '.\ sl.
.-

I"
sl.

c
.r:r;:.
G D Em

fI II .JI1.JI~.J1 FD .J.JI .J--J.~ I I J I J ..J ..J U-. FfJ JJ1- FfJ

-
4!.
I I USI'r ~r r iir r r r r
.., sl,
..... v f.

a _."7.-
.....
sl.

D.S. al Coda I
D c em G/B A7 D7(sus4) G ~

r r r r r i i r

50 THE ACOUSTIC CLASSICS

 Coda I
-$- G Am7 G/B G
1\01

°
@! -/'
_nI
'gh t.
1';\ sl.

1\01 ~ r--, nsf.

/
I:r=~~~f:'
F=
,.. 1:. .. F=~.. .. ~~
~r=
.. f~f"
Fr'"
..II :... ..II
r-F
..II 1..111"
F~

"I" ..1':7: L~}~~

~ ~

-
@!

r i OSl. I I
(strum- - - - - - - - - - - - - - - - - - - - - - - . - - - - - - - - - - - . - - 1>
I I I Li ~.
\!.I sl.
sl., sl.
.~ .~
-= ""- "" """" ""-
"-
(~. , .n
'" .....
sl. sl.
D.S. al Coda II Coda II
Am7 G/B C G/B A7 D7(sus4) -$- G/B A7
1\01 flol 1:"""'1

!@! I@!
you were on - iy wait - ing for this mo-

I\jj I I I l I n::=I Fr1~

1\01 I r-1_Fil ~ I==ri

r r r r r i r r r r r r
@! @)

flol
D7(sus4)
_
G C
3
G/B
- A7
~
D7(sus4)
~
G

ment to a - rise._ You were on iy_ wait - ing for this mo

~-------=-
- ment to a - rise . - _ __
•
r l

..r
I

......
r r r r r r r r r r r

C G/B A7 D7(sus4 G
1\01 -1';\

~'

You were on iy wait-ing_ for this mo ment to a - rise._

-r
1';\
rit- - - - - - - - - - - - - - - - - - - - - - - -I >-
1\01 I I I---i t--i ~ ~o
'" _0
@!

r r r r r I

THE ACOUSTIC CLASSICS 51

Tablature Explanation page 17

EMBRYONIC JOURNEY
As Recorded by The Jefferson Airplane
(From the album SURREALISTIC PILLOW/RCA Records)

Music by Jorma Kaukonen

Moderate J =114
@=D H H H H H

mfLet ring H H

*Unintentional notes due to

hand motion to next
H position

fI .. I=i I bl .J~. l
_J : :

--
sl. J r J WJ
- ~3-' U "I
r H
~ -
f J ~- J
.
H
------ ~

-
~ ~

..... H
sl.
II·
,
H

fljf r-----"'l c:-l I I I----~ 1 I 1

. ~
~

r
~

!~j r~U' r LJ L- H
-- ~ ~:
n ... ... ------ ..
::
;; ~

~ v

Copyright©1963. 1988 by leebag Music

All Rights Reserved Used by Permission
52 THE ACOUSTIC CLASSICS
 H H

IIlI I -t tJ -, r J----==---- J J l r-j 1-..f j i _J. i ~ I

:
--
~ ~U
~
U U U
@)

LJ l H
-----.
f
H
-----.
:: :: ~
~
-,: ~

sl.

sl. sl. sl. sl.

-----.
------ sl. ---- sl.

..
H
H

fill I~J.J I rl --., H

H
.,n t J
~
1 1- ~H

-
-
J
@)
-
f-
H
J U U ~- J f- J tJ
- t_-
H
-
f- J
-----. H -----.~ H

. ------ ~
-I:;' ~
~

.. ft ft

sl.
sl.

sl. sl.
Uu H sl. sl. sl. sl.

THE ACOUSTIC CLASSICS 53

 H

H H
u uuuu uuuU
H H sl. sl. H H sl. H
~ ~

H
p. H

i i u

sl. sl. sl. sl.

i---U' rit.
r'
'..:.I

54 THE ACOUSTIC CLASSICS

 SANTANA
LET IT ROCK! CL009989 $12.05
Brand newl Now you can play the soaring lead
guitar lines to Santana classics like "Black
Magic Woman: 'Evil Ways" and the 19 other
YOUR FINGERS'LL DO greats Included In this Play·It·Llke-lt-ls guitar
songbook, all In tab and authorized by GUITAR
THE SCREAMING WITH THE BEST OF U2
HL694410 $16.85
SONGBOOKS LIKE THESE! Complete guitar and baas transcriptions to aI
of their best anthems, from 'Sunday Bloody
Sunday" to 'New Year's Day: All songs are
exact and In tab notation, so order todayl

A ROCK PLAYER'S GUIDE YNGWIE MALMSTEEN'S

TO CLASSICAL GUITAR RISING FORCE
HL694755 $14.115
by Ben Bolt This classic mum put Malmsteen on the map
OAOOO101 $17.95 as a world class guitarist, and now fNery song
Read the tab transcriptions and play along can be found here In 118 note-for-note gloryl
wUh the tape that'slncludedl You'lI develop
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moderate, and advanced classical guhar
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Complete transcriptions to fN9ry song from
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"Goodbye To Romance: "No Bone Movies: WVOO1294 $16.85
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Osbourne's first two albums. Go for III CL009105 $12.95 contained In this one great songbook. All
Authorized by GUITAR. Rock 'n roll guitar from A to GI First you'lIleam songs are arranged for plano, vocal and gUitar.
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MASTER OF PUPPETS up by the likes of Hendrix, Van Halen, Jimmy WVOOI295 $16.95
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'Battery" and the 5 other bone-crunchers from CL009981 $12.95 WINDOWS and more, arranged for plano,
Metailica's monster album. Note·for·note with Play-U-Llke·It-ls guitar songbook features vocal and guhar.
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GUITAR. and contains "Cruise Control: "Ice Cakes,'
'Twiggs Approved" and seven other greats, all
SPECIAL VALUEI SAVE 25% OFF In tab and authorized by GUITAR.
REGULAR PRICESI
MSG: PERFECT TIMING
THE COMPLEAT BEATLES CL027671 $12.95
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CL001324 $15.95 (Volume Two only) features all of the songs from their debut
Absolutely the most definitive collection of album In complete tab notation.
Beatles songs avallablel Every song ever Authorized by GUITAR.
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also features Interviews and exclusive photos I physical command of your Instrument. It won~
All songs are arranged for plano, vocal and be long before you notice your axe snapping
guitar. to attention every time you plok Uupl

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Tablature Explanation page 17

GREENSLEEVES
As Recorded by Jeff Beck
(From the album TRUTH/Epic Records)
Traditional

Slow J= 66

-
Intro Om Dm/B (Bm7~5J B~maj7 ~
Om Ie r-""1
r4-..-- r-i j\ I j\ I 1\ ]I I
e.>
mp
r------T-
Sustain notes to form chords
~ r~r ~ i~i fr~i f
1 1
a 9 a a a a a
ri--
pc:...:::
0
l!
9
I' 9
,I l!
9
l! l!
l! I, e

Moderate J= 104 3
Asus4 oIII G(a dd9) e
j
1\
~ - 1\ 1
f':\
1
-
J I j J--J -~
d I I
Ii'
r--------------f-
molto rit. - - - - - - - - - - - - - - - - - '1
I-
rubato
i--L 3- "
f"

r-
0 S
"
I

ArniE
1\
Arn
I r1
Om
1 I I
E7
I I ,....., 1 I I
Am/G
I -I
-
-
Ie.>
r- r- - T r
r
~
- A A
r
a a
-V
)

l! a I -..
-
.-
"
e Em Dm/F

ffi,
Om G(add9) .--0--' Am Om

1\ J I j J---J ) J,SI. J I I I 11 J
,
~
r- j'--i r- "f
r- r r
H P
1
11if .~ <---3-:' sl.
~
p 0 0"""'--""

I
:; ...
,. " ;. A
A

*T
*T=Th urn b Fie

1\
A7 .. I
DIll
1\ A I I 'I J J J J hJ
r-.;- T~
r mp
r p
.....--..
-u'-'r- --==11if
~
r- r-
I~
.
" ...... -..

This arrangement copyright©1986, 1988 by Cherry Lane Music Publishing Co. Inc.
International copyright secured All Rights Reserved
56 THE ACOUSTIC CLASSICS
 Em/B Am I Dm E7 Am
H
fI j l JI I i1 ~ r1J I I I I A I I

eJ
r ...
_
r
...
r' dim. -
F' H
-....J
U
LJ
- ~

- - ~

ft

Am/G F/e Em Am

fI ~I J ,-,D J- ,
I )D n.J I 11 I 11
I@.I
f' ~. r
11if..
j' r r r
• ft ... oft . .. .~

• ft

... ~

Dm Em Dm/F A7 Dsus2
fI J I I I I I I .-3~ I I I
"
eJ r r I l-
i r' ------------r~oco rit.
.ft ft

-
Meno mosso (J = 84)
Dm G(add9) 3 e Am Dm

fI J 'I J J---j ~ j J I I I I 11 J I I
,
eJ r' r'--/L3~... i' j' r~oco acce/.
..ft.

... .. - ;, .;,
.A
:;

.
(J = 96)
E7 Am Am/G Dm G(add9) 3

fI I ~ r1 r-, I r1 ,-, J 'I .J J--QJ,SI.

-- r' {.

t'--'U T: r--L
@)

F' >-
r:enlY 3-" si.
ft

t
i .""
e Am Dm Em Dm/F A7 D H

fI J I I I 11 J H
Ff' ~I
I I
" I
~n n ,Ill. ,-d
eJ
r... r
>- ft
r r
-..
HP
I I-
111fJ
j
['
rit--------------------
.!l
~~
~ P\!.I
.........
;; ::
;;

-
~ ft

THE ACOUSTIC CLASSICS 57

Tablature Explanation page 17

BLACK MOUNTAIN SIDE

As Recorded by Led Zeppelin
(From the album LED ZEPPELIN/Atlantic Records)

Music by Jimmy Page

Tuning (low to high): DADGAD

Moderate =120 J Harm.--- ---- - - - ----- --,
r,..
I n time
.
Free time
II .. f~ ~,.. fi ..-3:---0
~

@.i

i~
I
f
H P
"f ~'--~ qr -
~
rrrf Harm.-----------------,

~
.... -- .....-'., ......- " -
~
v
~
v
H P -
Tablas enter

1111 ~
........, i"""""'I'-- .--0'1 I I i"'-'I"'iiiiI .......-oJ . L

@.i
f H P "f
~--~ qr -
~
f H P "f
~--~ qr -
~
f H P
"f ~--~ qr -
~
--,
-,
~

-..... ....... --', .... ..... -, /

H p H P
v v
H P -
II .. I
_r--3..=o
........., I I ~ ~ I
""""""'"
p- -- p-
@)
f H "f
~----~ qr ~
f H "f
~---~ qr -
f
-"
" "
~ 'L..
"...... A ,,,'
.... ' '"'
-~
" ......- " .-/ .-/

"
H P H P

r-3--,
II .. I \"'"'iijiiiiii .--0'1 I rTTJ--J sl. J J JI--rJ I
.
I sl. '"

ri.r r f'--.--/f'=v
~ ~--[
@)
-- I
f H P
"f ~--~ qf - - -
~-
- ..... .
-" sl.
....-
sl.
.......-
sl.
......-
---
-"-

"---'"
----- ~
v
/" ... .....- ...
H p sl. sl. " "

ll- p
......
1111
.. ==
I ~~
.
I Ie I

'"
@)
-
-r....---......
H- P

H P
v
lj-
---f' rr r CO" t-U O~lr
:: :. ;;
- ~

..... - ;;
~ -"-

'-I H P sl.
Copyright©1969. 1988 by Superhype Publishing
All Rights Reserved Used by Permission
58 THE ACOUSTIC CLASSICS
 ~H P -
f---

H P H P H P

1111 I S/:..!. -, sl. I '--3-... I

'--3--..
~ ~

'jf·t· -
- -
~~ ~f
.@J - - -- "f ~ H P "f
~f· ~~Uf ~ f'-----~ f ~ t ~
sl. sl.

...- . -
....- - .. '--" ...... ./
/v
"
p
j

p fI p -
,....3...., ""'3-, ,....3-.
1111 ~~ I I~"""" I
, I p;iiiiiIii;i I r 17L-.J sl. J
- I

~~~~f ~ c.Ll~r-l I sz.1 -

.. sf. sl.
......

...... ""
H P H P H P sf. --v sl.

.--3--..
II II sl. ~ J .J\--.rJ I I ~

I @)
r f---t::Y - I -
~~r
_H P

sl.
;:
...... v

---
VI H
""----"

P sl.
.:;

...... 3--. '--3-. s/:-

1111 . I
"'"""""'- I Ip;iiiiiIii;i_ I ,

--
@J
"L..!-U V
= ~H P
"f ~~~ ~r -
~
~H P
"f ~~~~r
~
~ H P
U:W"f LJ~
sl.

v -----
....... '':' - - ;:: - .
....... "'--'v
. "'----' '--"
~
ft - -..
...-

H P H P H P

THE ACOUSTIC CLASSICS 59

 1111 I sl. I ,.... - ~
I """'"- I I ~ ~ I -
...
e.!
- --
--Uf r f-------f'
~
- -
---r
~--U
•
~qf
-~
~--f
f
Let ring----J
p '--
p
q... §{~

sl.
.
-- - .
I,

'-' A A
V V ..
'-'
/V
V- ~]
...,. V V
p p sl.

Rhy. Fig. 1- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - 1
r-3 - , '--3--.
II~ ~ I I -.--::I ~ I I I ~-
I I
:
e.!
....7 .. "'f sl.
~ qf - f H P
'f ~~~ qf - f H
p
U~~qf 'f
~ ~
~ ~ V
A

A 01

" ------
'-...
A ---------- .~

-V-
sl. " H P H P

Solo (Rhy. Fig. 1 continues behind solo)

P P sl.• l.~ P P

~.
p p p p
6 6
p p p p
...........---- sl. ~ p p
...----:-----..
I. I I
-,-" 'T

P P P P

(End of solo)
1111

Ie.!
. . .. .. ,.."
,..
sl. sl.
" " /"
sl.
. " ,..
sl.
." .. ,.."
sl.
.,.."
sl.
:j.~"
sl.
.... -,J- " " " q:l ~'

ft ft A A A A ..... -"-

/V ..... ..... ...--V

sl.
/
sl. sl. sl. sl. ---sl. /"

sl.

- J nIJ -.
1111

.
r sl.
---- sl. sl. l'\ I
.
~

Ie.! -- /' :!.- - /" - ;;:r - V=- I - - H P

r ...
sl.
sl.
./
~ f
sl.
sl.
...-
~ sl.
./'
~
f-rPr ~ 4.
~~r
A A A

...- V
... /" /"V ft
.,
sl. sl. sl. H P

60 THE ACOUSTIC CLASSICS

 - I

f;q*
sl.
r .. JCl}
;; ;;

sl.

1111 I I sl. I

p
~ H
p ~ H

sl.

H p H p

II II I sl. I -
-
--- r
I I I - J

r sl.
r--U Let

I:' --.;,-
-- -
;;

.A
-,

-
... _.
~ I I ~ .-...."! I I

..
1111

--. -., .
~ V'-'V qr
-.~ /~- P -
i@.i -:i. ~H "f
r
P
p si.
ring- - - i

- '-'
~--
'"
"
- .ft
"
'-'
"
------- .
.1

p p H p
sl.

r-3--, .--3--, r-3--,

"II I ............ .....-! 1 I I ~ --""'" 1 I I i""ijiiiiiii! --""'" ~

@.i
~ H P
"f
r-v qr r
~ H
P
"f
f-'V qr r
~ H P
"f
V-Vqr f
- " " " "
>-

-
.........'", .....,v - ~, j

--"
"
H P H P H P

THE ACOUSTIC CLASSICS 61

Tablature Explanation page 17

MIDSUMMER'S DAYDREAM
As Recorded by Triumph
(From the album THUNDER SEVEN/MeA Records)

Music by Rik Emmett,

Mike Levine and Gil Moore

Moderate J = 88
H~~ Harm.
Harm. .>
@=D

--~JJJ
---- - --
- --
--
,.@ -
-

mp
Harm. Harm. Harm.

Harm.

HHPp
6 6
~ P P HH

~ -....:...= :..=..--'
6 HHPP
6

t
P P HH

Harm. HHPP sl.

P P HH

H HP P P P
-----
HH

II» FI
H P
,..-......

fr1 F J~ I
- P
.--...

fl .I- r l I"I ., J J
s.

J ]

.
~

LJU r
I!!)
-- - - - -
r t l-~r
--- r -

'I
H P
...--.... ---
P

Oft . s1.
.,.-...

~A
y

H P H P
..-.... ..-....
~
HP
II» ~
HP
~ "l F1. Fi r1 :L ~~ ~
..
ffJF91 ..-....

w=
~ ~
:
@)
- - -- -- -- - - •
r [ ]'-L'
HP
t~i
H
r -~r
H P H P
........ .--.. ...--....
w
'! ::
!.,.,~

'-
w
H P H P P

Copyright©1984. 1988 Triumphsongs

All Rights Reserved Used by Permission

62 THE ACOUSTIC CLASSICS

 rn-- M---!!:..-.
:>
H P
HP
Harm

fUf '~:J ~ 1 m:J ~. nil - J: , -

,
II!)
1~ I ~,
r U-~P sl. r bl~r
..~~
H P
~ Harm .
.,
mp
::
;".
--- ':: '::

"- "'- r
~:;'J Oft
..
Poco pin mosso
H P P
6~ P
I I I l F9
II!)
LJ' -&

.• -"
"" •
H H.! P P
y y ~
P H PP P

H P :>
jl
fiji, F9 ffi n ! n .. m~ ------
HP

Fii I=H
HP
.....-......

il!)
- =~~ W~
>- ~
~ == =
f t l-fHP . :> ~ ~~~
H P
----..
H P
..........
y y
i.e ~

----
~

H P sl. H P HP
=-- 3
'"""'~

- .
JDOj~
r--
fill> HM :J ~
~
=F= iiiiiiiiii

~
:> :>:>
!- !-.!-~ J 1 1
- ... .
r
- ~
~
- ~ ~ ~ =
I@.! ~ :> K"
"! :>>-:>~ "!
! W-rHP sl. sl.
~~
:;j

.
y
:: ..
.~----..

~. ------ '::
-:: -:: ~
':::::: '::
-::
::
v
~
::
:: ~
~

~
.~.

.0:. ;::
ft ..
V Y

fiJi,
roo- !"-
1=1=1= - H - ~~ ~1 1J 1 J I J l
,
.. .
@.!
=: ~~=: l...--I, w lJ LJ
mp' cresco
;; ft ft

.., .ft Oft .. "-

THE ACOUSTIC CLASSICS 63

 sl. Harm.

=m-®lJl
H H P P P
~ P H P P
- 6~ P
".LI. I I 1 IF=! ITTTT1 6!'-!: H~6~ J11
@.J
(" ·., ....R =11ffJ
l-'- -&
1Tff
H H P P P P H P P P i' Harm.
~ - -
ft
......, ~......,

-
Harm Harm P P H P P ------
P P sl. Harm.

~dID ~-dlli~A ~-@~

r""!""

II .. Harm. -- -:~ .. ..... ,.. ,..

~

-- A .....
~
L.J'-r
Harm. Harm.
- r
U'--r - Harm.
C::!::::I::j
D--f - Harm.
T

,~ ,~

. !. . . . !.

Ht:'\
H H P P 6 ~
II .. ~ -
P P
~ 6 6 6
.
....~~T'p~~~~ ~~F~'
,@.J ~ -.....::....-41-~4-~
~~~ .
6
6 H H P P P P H H
H H P P P P H H H P P p> >-H
........
.; .... ,:::,
;; "!';T
ft
::;0
= ~
--=--- , ~-
~ ft

H H ~
H H P P P P H H P P P
H P P P

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64 THE ACOUSTIC CLASSICS