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CHAPTER 8
ENGLISH LEARNERS AND
PROCESS WRITING
What are some beginning and What are some What are the six traits
intermediate English learner collaborative of writing and how can
characteristics and teaching contexts for they help teachers
strategies? process writing? and students?
287
288 Chapter 8 English Learners and Process Writing
W hen we were in school, teachers taught writing just as their own teachers
had. They assigned a topic and read our papers, red pens twitching in their
hands to mark errors. Our favorite teacher gave us a mimeographed tome con-
taining the 162 errors she would be looking for when we wrote. Consequently,
writing was like crossing a minefield, hoping we wouldn’t get red-penned. We
always wore out the eraser before the graphite portion of our No. 2 pencils. It
seemed teachers thought writing just needed correcting to make it better and
good thinking came automatically.
By the 1960s, many teachers saw that focusing solely on correctness did
not seem to create good writers. As a result, many moved to what was called
creative writing. In the creative writing approach, teachers avoided correcting
student writing for fear of stifling creativity. Some would give two grades for
writing, one for content and the other for grammar, spelling, and mechanics.
Everyone knew that creative content would pull the higher grade. We often
selected our own topics. For our teachers, this meant that instead of reading
dreary papers, they read papers that might be novel and interesting. We cer-
tainly thought so anyway. But some papers contained so many errors that the
ideas were vitiated.
Following this confusion about teaching writing, researchers such as
Janet Emig (1971) began looking at what good writers did when they wrote.
Research showed that when writers concentrated on correctness while draft-
ing ideas, writing quality suffered. Instead, good writers concentrated on ideas
first, leaving details such as punctuation, spelling, and grammar for editing at
the end. In response to the research and with input from excellent teachers, the
process approach to teaching writing was developed, which broke the writing
task down into manageable phases. In the prewriting phase, writers concen-
trated on forming their ideas with a particular audience in mind. In the next
phase, drafting, writers concentrated on getting their ideas down on paper.
In the revising phase, writers tested whether they had achieved their purpose,
making changes as needed in wording, organization, and clarity. Once they felt
their communicative intent was accomplished, they moved on to the editing
phase, concentrating on spelling, punctuation, and other mechanics in prepa-
ration for publishing the paper. Using the process approach does not mean
that spelling, punctuation, and mechanics are ignored until the editing phase.
Rather, they are not the primary focus until ideas, organization, and clarity of
expression are achieved.
The process approach to teaching writing has gained prominence among
educators from kindergarten to college over the last several decades. In this
chapter, we describe theory and research supporting the rationale for using
process writing with English language learners. We examine ways in which
students may collaborate to practice and improve their writing. In addi-
tion, we provide general descriptions of beginning and intermediate sec-
ond language writers and outline various teaching strategies to facilitate
their progress. Samples of student writing are interspersed to give a sense
of what students are able to do and to illustrate how their writing reflects
both written language knowledge and general second language development.
Finally, we offer procedures for differentiating instruction and assessing writ-
ing progress.
What Does Research Tell Us about Writing in a Second Language? 289
By breaking the task into manageable parts, the process approach makes
writing easier to teach and learn. As a result, students concentrate on one task at
a time and experience the value of peer feedback in developing ideas for effective
written expression (Boyle, 1982a, 1986). Because their writing is published, stu-
dents learn to tailor their message for a particular audience and purpose. More-
over, as students share polished pieces, excitement and enthusiasm is generated
about writing. Not least important, students evolve into a writing community;
they know how to listen to others and to critique each other’s writing positively
and sensitively.
Using process writing, teachers encourage students to write daily and to
select a few papers for revising, editing, and publishing. In their response to
student writing, teachers focus on meaning first. During revision and editing,
teachers focus on the form of the students’ writing, offering individual or group
lessons on correctness as needed. Moreover, sensitive teachers concentrate on
what the student is doing well before addressing errors. Finally, teachers pro-
vide opportunities to write for different audiences and purposes in a variety of
domains or genres, including stories, letters, biographical pieces, and persuasive
essays (Boyle, 1983; Boyle & Buckley, 1983). Table 8.1 shows the writing pro-
cess phases with examples of strategies for each phase.
To give you a feeling for the process approach, we invite you to try the
writing activity described next. Based on a personal memory, this activity works
well with any age (Caldwell, 1984). After trying it, you may wish to use it with
your own students. As you follow the procedure, notice how the five phases
of process writing—prewriting, drafting, revising, editing, and publishing—are
included.
In prewriting a teacher
might help a student
plan what they want to
write about.
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