NB: L s nlpl s sont rit n Not : Th s x mpl sar writt n in B a ht ,d ssdi s B ispi l in Position

position un, rm Appliqu

. z l s aux Position 1, los d. Apply th m to 7, eng,g s hri b nsind.V rw nd si fii
positions d u , f rm6 , t trois, n Positions2, los d,and [Position]3, n Posirion2, ng,und[Position]3, n s ali r.
s ali r. s li r.
Ar it im B sond r n mit d m ,, n
.W.ork .. n s ali r'' arp ggio in s li f.-Arp ggiq ind m du aufwdrtsund
Surt ut, trav ill zbi n l'arp g n th
s ali r, n montant t n d s ndant' parti ular, going up nd down. This a wdrtsg hst.Di s ist in i k, d r da
' stun d sastu squi vous p rm t d t i k will allow you to trav l rlau n wird, di h horizont l auf d m
voyag rhorizontal m ntsur l man h , horizontally on th n k and hang Giarr nhals zu w g nund di Position
d hang r d position, om pour l s position,just as with th pr ding zu w hs ln,wi fiir di vorh rg h nd n
rp g spr6 6d nts. erp ggios. Arp ggios.

IVI LAN G ARP G D IIVIINU - DI INISFI D ARP GGIO _ V RIVIIND RT S ARP GGIO -
ARP G S PTI 7.h HORD ARP GGIO IvIIx DOIVIINAN S PTAKKORD
ARP GGIO lvllx
Voi i inq lign s m61odiqu s d d u r r fiv ,two-m asu m lodi
m sur s, qui ont omm stru tur lin s whi h ar stru tu don th 7. Hi r sind fiinf a i ktig , m lodis h
l' ord d s pti m , t font apparaitr hord, and highlight th pr s n of Lini n, di auf d m Domin n S pt kko d
d mani r plus ou moins 6vid nt la th diminish d rp ggio in a mor aufg baut sind und di Prls nz d s
pr s n d l'arp g diminu (d faqon or l ss obvious way (in r m nt d,in v rmind rt nArp gios m hr od r w nig r
gradu ll i i). this as ). off nsi hdi hh rvorh n (stuf nw is in
,
di s mF ll).

x Dm
^1 9

l-.J'. J

1)

_
__--__--;_-- .

% Dm
^7 9

2)

7--------:---q-t

/. Dm
^7 9

3)

I IJO

68
 Diminish d R I 1: F7
rp gros
x R Is 1: F7
u t: z

= -
-

-- - '

"7

ll
r0_13_13_l

R I E 2: F7
Diminish d
Aryegios x R IsE,2z F7
o u 2: F7

G "7
 Iv) DI INISF{ D ARP GGIO Iv) v RIvIIND R s ARP GGIO
ID ARP G DIIVIINU
Th diminish d arp ggio is on of in s d r b d ut ndst nTh m n im
Un d s plus importants srrj tsdans l
th most important topi s in Gypsy G ps Jazz. s wird b inah syst metis h
jazz man u h . Il st pr squ
jazz. It is us d almost syst mi ally s als Substitut fiir d n Domin nt-
iyst6matiqu m nt utilis6 omm
a su stitution for th 7.h hord (s S ptakkord ing s tzt (si h il ins).
substitution i l'a ord s pti m (voir part on ). As for th diminish d
.Was
d n v rmind rt n Akkord b trift,
p mi r parti ). Comm pour l'a ord
lhord, th arp ggio mov s from w gt si h das Arp ggio in kl in n
diminu ,l'arp g va s d pla rd ti r
minor 3.dto minor 3.d.Th r ar two T rz n. s gibt zw i ng Position n und
min ur n ti r min ur . Il y a d ux
los d positions and on oP.. nn in w it Position (mann nnt di s .. n
positionsf rm6 s t un position ouv rt
position (whi h is nam d s ali r''[Ti pp ]):
(qu l'on nomm n s ali r):
s ali r''[st irs]):

I
r..
Jr
Go7

^ll

) i,J rt
^l

F rm6

t'
C1os
'g
G"'I
-v-l ___
ll || l|

ffi J

I YI ffi r) (J

:--t--]!_ ]l_"-

,fl
ri Oarrr..tf-
r1
,l op n <l 3
t
,'tt ( nEs alier)
.W. it t-

R VI .W.: Th diminish d arp ggio, RU IGLICK D srr rmind rt Arp gro

RAPP L: ord ou l'arp g diminu6
od r d rv rmind rt Akko dwfud lsTonik
vont avoir pour toniqu la n uvi m , or hord, will hav th 9,3. ,5.hor 7.h
di kl in Non ,di T r Quint od rS ptim
ti r ,quint ou s pti m d l'a ord d of th 7.h hord as a toni . For xampl ,
xampl ,surA7,onva til r on A7, w might us:B dim7, Cfldim7, d s Dominant-S ptakkord s hab n. S
s pti m Par
.
dim7. Gdim7. k inrrt nwir aufA7 zum B ispi lv rw nd r
imz. Cfldim7, dim7, Gdim7.
B dim7, fldim7' dim7, Gdim7.
Voi i d u xampl s typiqu s FI r ar two rypi al xampl s whi h
d pass rd'un position i llow mov m nt from on position to i r sind zw i typis h B ispi l , di
P rm ttant
i'autr , tout n r stant sur l m m noth r, whil staying on th sam di B w gung von in r Position in in
a ord, F7 (G dim7,Adim7, Cdim7, hord, F7. (G dim7' A'dim7, Cdim7, and r rlaub n,wihr nd men auf d m
d;mz1: gl i h n Akkord, F7, bl i t. (G dim7'
dim7):
Adim7, dim7, dim7):

66