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  • Aqueles Olhos Verdes-Saxofone Alto

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    David Eduardo Rodrigues
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    This document appears to be a musical score written in an unfamiliar musical notation. It contains staff-like lines with symbols that likely represent notes, with time signatures and bar lines to divide the music into measures. The score spans multiple pages and seems to be for a solo alto saxophone instrument.

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    Aqueles_olhos_verdes-Saxofone_Alto

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    This document appears to be a musical score written in an unfamiliar musical notation. It contains staff-like lines with symbols that likely represent notes, with time signatures and bar lines to divide the music into measures. The score spans multiple pages and seems to be for a solo alto saxophone instrument.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    29 views1 page

    Aqueles Olhos Verdes-Saxofone Alto

    Uploaded by

    David Eduardo Rodrigues
    This document appears to be a musical score written in an unfamiliar musical notation. It contains staff-like lines with symbols that likely represent notes, with time signatures and bar lines to divide the music into measures. The score spans multiple pages and seems to be for a solo alto saxophone instrument.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    Saxofone

    Alto Aqueles olhos verdes

                                                
             

                                             
           

     


    11

                                           
                     
    20

      
                                           
               
    28

                         



                      
    36

      
                              
                

    44

                            
                
       
    51

             
                           
             
    59

                           
                     
         
    66

                
               
    77

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