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Local Media2776985089587449435
Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (UK: /bɛərˈniːni/, US: /bərˈ-/, Italian: [ˈdʒan loˈrɛntso ber
ˈniːni]; Italian Giovanni Lorenzo; 7 December 1598 – 28 November 1680) was an Italian sculptor
and architect. While a major figure in the world of architecture, he was more prominently the
leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar
has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-
European sculptor whose name is instantaneously identifiable with a particular manner and
vision, and whose influence was inordinately powerful ..."[1] In addition, he was a painter (mostly
small canvases in oil) and a man of the theater: he wrote, directed and acted in plays (mostly
Carnival satires), for which he designed stage sets and theatrical machinery. He produced
designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and
even coaches.
Gian Lorenzo Bernini
As an architect and city planner, he designed secular buildings, churches, chapels, and public
squares, as well as massive works combining both architecture and sculpture, especially
elaborate public fountains and funerary monuments and a whole series of temporary structures
(in stucco and wood) for funerals and festivals. His broad technical versatility, boundless
compositional inventiveness and sheer skill in manipulating marble ensured that he would be
considered a worthy successor of Michelangelo, far outshining other sculptors of his generation.
His talent extended beyond the confines of sculpture to a consideration of the setting in which it
would be situated; his ability to synthesize sculpture, painting, and architecture into a coherent
conceptual and visual whole has been termed by the late art historian Irving Lavin the "unity of
the visual arts".[2]
Biography
Selected works
Gallery
References
External links
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