SONATE

Claude Debussy
Arr. Gaspar Hoyos

Flûte

     
Prologue

 
  
Lent(noire 48 à 54) sostenuto e molto risoluto


 
    
               
    


 
Cédez

  
 
5

        

      
dim. . . . . . . . . . . . . . . . . 

        
Poco animando

  
7

dolce sostenuto più dolce

         
                
      
11 Cédez

    
                                   
più 
au Mouvt



16 1


3

  
 
   
 
   
 
   
 
 
        
     dim.

      
    
18

   3  dim.
  

                                                 
21 Animando poco a poco ( Agitato )

       
                                



                
24

 
  
  
  
             


   
sempre animando e crescendo

      

27

molto cresc.
                             
2 au Mouvt (largement déclamé)


  3 
29 2

 molto sostenuto 

      Rubato 3 
    
                     
3


3 Cédez 3

  
32 3

 
3

3 più 
3
dim. lusingando

                                  
(quasi cadenza)



3


3
36

  


 Retenu     
3

                                
au Mouv (poco animando) t

  
En serrant
38

molto dim. dolce sostenuto

    
     
     
Lento

        
40

più dolce più 

  
                   
  
poco vibrato

 
44

 
3 3

3
 più 

 
       
         
48


 

Sérénade et Finale 3


              
Modérément animé  = 72


 
                           
Fantasque et léger

 
52

   
             
                 
    
 


     
     
56


           
  


          
  
                 
59

      
                          
vibrato 


 

    


              

64

   
ironique   expressif

                    
Cédez

 
  
Mouvt

        
Mouvt

 
67 Cédez

      
 

                    
             
71 4

  

                                    
  


        
Cédez Cédez
74

   
3 3
       

    
 Mouv        
Fuoco

       
    
  
Cédez

         
t
76


3 pizz.

       


               



   
    
Cédez

 
       
Mouvt

 
78

3 3 3 3

molto

                         
80 Accel. poco a poco

3 3 3 3 3 3 3 3
cre . . . . . . . . . scen . . . . . . . . . do
4

        
5
(3/8) Vivace (noire pointée = noire)

         
                     
Molto rit.
81

3 3

            
 dim.   leggierissimo

 
      
   
 
83

3
3 3 3   3
  3 3 3

  
                        
                        
88 3 3 3

3 3 3
  3 3 3


3 3 3

          
            
Cédez


3 3 3

            
Rubato


92 3 3

 dim.  più 

                        3              3  
Flautando ten.

      
98 Presque lent  

3
 3  
 

   
vibrato


3 3

                          
1 er Mouv t

     
6

        
104 ten. .

 
   


         au Mouvt
 
                  
108

          
più  
 stretto e cresc. molto


            
112

  
attacca subito al Finale
                
Finale 5


 = 92

  
       
         
Animé (noire=92) Léger et nerveux

    
  
116

Molto rit. . . .  au Mouvt

 expressif

        


 
 




     
et soutenu

                    
arraché

   
 
125

          

   


            
marque


marque

          
cresc. molto volubile
7 

             
   
132


   3  
  
 

             
ten.

        
Poco stretto. . . . . Cédez Rubato

          
ten. 3 ten. 3 3

  
Rubato

     
137

    

       
marqué 
dolce sostenuto  marqué 

      




  
             
3 Rubato


ten. Poco a poco stretto

 

     
  
145

        1er Mouvt
 
                  
     

  


 
 = 92

     
151

                      
 dim. molto  

   
  expressif cre . scen . do

     8        
Con fuoco ed appassionato
Cédez Sempre

 
159

                            
  

  
sostenuto molto

   
166

 3
 


molto

  
                            
172 9 Lento. Molto rubato con morbidezza

    
 

   
    
3 3

     
 dolcissimo ma sostenuto 1er Mouvt  = 92 delicatissimo

        
  
      
     
178 3 3 3 3

più  estinto 3 3 3 3
 
dolce vibrato
                    
     
    
   
   
 6  
 
6

 
   
    
  
3


186 3

  
                
3 3 3 3 3 3 3 3 6 3 3

                                 
 sempre 

              


190

                      
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

   
crescendo . . . . . . . . .

    
    
   
  
  

. . . . . . . . . . . . .


   
    
194

3 3 3 3 3 3 3 3 3 3 3 3 3 3
molto dim.

     


  
3 3

      10                    


   
    
  
  
    
198


            
6 6 6 3 3 3 3 3

     
più  molto

  
 
6

 
         
202

 cresc. poco
           

  

      
                             
  
Molto rit. . . .
au Mouvt


210


  
   

         
cresc.   volubile
Appassionato ed animando

 
      
            
215

          

 

           
 sostenuto

 
     
222

   
     
sec 


    

          

molto

    
1er Mouvt

          
Largo (la moitié plus lent)


   
231

3 

 
à plein son 3 3 3  
arraché

     
237

 sec