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  • Altès - Exercice de Vélocité

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    Julie Laillet
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    This document contains a series of musical exercises focusing on speed and velocity. It consists of 47 lines of musical notation written using symbols like quarter notes, half notes, and whole notes. The exercises start simply and become progressively more complex, incorporating more notes, changes in tempo, and repeats of sections at higher octaves. The goal is to improve the performer's agility and ability to play at faster speeds.

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    Exercices techniques pour flûte

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    This document contains a series of musical exercises focusing on speed and velocity. It consists of 47 lines of musical notation written using symbols like quarter notes, half notes, and whole notes. The exercises start simply and become progressively more complex, incorporating more notes, changes in tempo, and repeats of sections at higher octaves. The goal is to improve the performer's agility and ability to play at faster speeds.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    13 views3 pages

    Altès - Exercice de Vélocité

    Uploaded by

    Julie Laillet
    This document contains a series of musical exercises focusing on speed and velocity. It consists of 47 lines of musical notation written using symbols like quarter notes, half notes, and whole notes. The exercises start simply and become progressively more complex, incorporating more notes, changes in tempo, and repeats of sections at higher octaves. The goal is to improve the performer's agility and ability to play at faster speeds.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 3

    EXERCICE DE VÉLOCITÉ Henri Altès

    gH2022

                                     

      
                                 
    3

                                     
    5

    simile

      
                                   
    7

                                    
    9

                                    
    11

                                    
    13

                                    
    15

                                    
    17

                                    
    19

                                    
    21

                                    
    23
              
    2

          
                  
    25

                                    
    27

                                    
    29

                                    
    31

                              
         
    33

     
                                  
    35

     
                                  
    37

                                
       
    39

                                    

    41

                                
       
    43

                                    

    45

                                   
       
    47

    Reprise à l'8va
    Repeat an octave higher
                                  
    3

     
    8va...........................................................................................................................................................................................
    49

                                   

    51

    
                                  

    53

                                    

    55

                                   

    57

                                    

    59

                                       

    61

                                      

    63

                                   

    65

     
                                  

    67

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