pets anaes nt oe Us PRINCIPLES AND THEORETICAL FOUNDATION OF A STRUCTURAL ANALYSIS AND CLASSIFICATION OF EUROPEAN CHAIN AND ROUND DANCE PATTERNS Liset Tore The util model presented low rl roman sm to eli an enpiely deved and general pplsole nod fo the aca ane o shin an round dances based on iteep penn nd faite th comparative ay o hain and rua dances, he atc rot on sere of her patos, or macels which fr esa of comparison are Alpcacem Scat non theta hve modes ate number of mai express Inbesogorcs have been eatblahel. Since te method of analysts developed Is based en Creal maria» rg tuber ofthe dancer examioed are fat when sped from presatel below: inthe analy pros deviance fom thse Models have been egieed ie th wrk a and rund nes have bn Gio as dane performed by mre than tire pple 0 ined formation. It eset he efaion of the material tha all pcp perform inlay the ne tp pan sirubaneosy. Ths imation, howe {ic rot exc Jaracs wis provisions paramed by te leer anor dass fn Wi individ! dancers perform vrs of be base ate “ine, were aon for peso lps ofl Kod exis The fem chun amd found dances sompaes nce preredIn ie formation well asm hve “or open~ cele rman, provid tax he ov canons a fale, he spr of th anal wick wa ublih acto min car of dance ates? 1h imple n province decrmintion of igniter nonsigicat movements wikin Perfo in inked cain, rows, and ie foomations. cE “ ‘Tum ioe iat work was spans whom an anata! pint of view, might be consider te aie componente oft dance pire fm Base Wish mip be seen a he Sarntors evough morpbologie! aabrit Isbell be noted Dt nie presen wor, the Irth ts sue apled tobe analss of ppc, whe fo example, am ovens In prtonnane ee have ot bean nlded he an rales. “Foe string pot was bse on coin te simple pater of existing dane and onthe uy ef posse vraoy of tne ict ei cmpones heh compel these dete i. Cain ad ound dane om diet sophia ané call ogre ate sie {acd and compare ogee wal he vars andorra of he Kind that nia plane se whe dancinFr id we Sl fo now op ent yee awe Tein ca he ho cab monn! wo {given dance. Inte simplest form ofthe haiti step, the compositional elements onset of & et a atm econo of pa 2, Tee emer apo sationship be these two motifs thatthe structural ca a ce uml cnt eal sta Ie compo re re eta other bee he {lowe ny tut se sree rps” ad ele a en stoped oro sm chr words he See nw pe i a oo The bc pte ae copie ought repeton tough tere are dances where Pike gt canes sl pws he bein sep cated tthe end te pater, es ontrbng to Jomarcaton, Wen mot of pan Ps epsed once an sogthr diferent pte appr. This paver hat canbe Contd at aah Gee Fgwre 8, epesets he id ai apr of dace Barer epee enti work ad wil om ao’ on be blz ky he cap er C npc ovetpton fa shown tht he ain on exp of ein eps out 2) saves pen resus fomton oft pater 2 phenomenon tha en be 2s Bist taco rl Following te above-stabie pics, he heey eet Trading am eee mou a soca C (a) wi crest a pater ht can be alld D aaah ce igre 6 nds symbole te atl ter E 1p, Pause F's excusvely hort Cnaucton sed I the etlisment ofthe mash gery, Even heugh ro example of hep bve ben found ste mtr! wp which SRE aie one ere oe txanpes dance bed ona abeepory pan deived rom, pater ressa fr se ee in sion nooo ale date proses, twas necessary to make he design of the roel eapulusand wo devsipalong sty loa les een te tine wh he meal ra by collecans Nwasether wor, pert reerve ae the data Sve for Thi oul tnt could ot be frezon she ne encoding as sar." lth main cnegor, ori ty cpa eer Gy repress pater whch is cay ansel on moi hon the esto sp 2c Pge 9). As sown i Pigu ,& cre ted sly on mol rin he dances eaing i place of 0vng ack mk Pes yeren imaginary poi de the coustatlacing ele of the son Sep (empenan shoot) For tienen, pte 6 ote os tetris pater for acon secon tase dices of nich te othe ess) would be of he pace-covering pete fo ‘ample pte fed th principle of roars or everson Te crt te above ue, where th don ofp oftavellg ps (ia) to 3 sven pry rau ine foration of feet ute, a alpcaton of te hesiation sep ‘Ebon conbe sen asa var of sven ptr: bu does hot his potion, have sullen signifane taf he pater In queson Encarta sects of cana, tae enicly based on te heaton step, the ukpeton of moi bwin ven eae pater sin pace used byte dancer etext Dc some exe momen of lata break ie menaany of te roovement or ner ‘ate suh unt ss ee far and eg slaps, ah on. in dances With prong fay te tyros monly be permed by she tent dant afouph sot ples telat dno open il, neo han nso bas he gh ast pte, wh canbe done ster covering space or in p= Secondly, te dances cn ‘aay te hero sys oft dance at hs remaining pce and woidng pushing ‘he denznin font of hem and epson mpovisng, Fly, hy may simpy toda place seg fete improvise woh Rr pa scoding wo loc adons md the char of Telmpovinnsons trees Ine te above. th estaton ep and tee the ent ft pater son cl outSes Tn ands metolaopealy alga to hat of te Comat of the main cE eof the paces, esac chris ofthe established man cts as Sct and nee doratonsfanstoned 2 ame of reference with whieh Tes ter tat anlae of aversive exer of he ole ater were td and eS atric te evining main ctgorin were lms, fin. SiCotthesifees compositor postures sted blow. “ Dyespannon (EXP) Sexpandedpatoms S)Mosieaion(M)— ~moded pate ‘Reverse revered pater ‘tecopraie (RETRO) “eopraded pares Area ropmenaion ewed salou 9 se a msi aus whee caver the preaains af rythm composi of» venom doable at vate. The Examples TOES) wee sagen oo of miata ad, respective rare spatona! pone of the expansion of «given pater is sed ay the tea of cetotng orig! ft y suiting fo sep fr every single tp of he pater. Sng ove aca aoabe enmecon ofboth ine and spe compared 1 te eeipmer(oscan te sven fam Figures 912), wheres the priniple of togmentain SeERRedbove cay roularadoblag of hws te at of pce, een show be exprin of he comptona ants, te motif and, of pater Fists nthe hea put ch haba ye caplet BX. Tena Sac th coveling top in teaser) and resting fom the expsion or a tay cred ot cing tesa econ the preceding taveling eps eanure 3 an fate opoate deco nue 8 se ane stove pebbles of mpmentton and exusin have ll to wo dierent suspen he eneprtin of aid nce maa bons ny i Ree Me pepe The ny can be sbserved epeily i dances where the eee a bv ney pat fncogs ot 2 vrtaan oft mee pater bed the Sr Ss ey pun (oe Example). Note that the pater in guesion st be eee iui realy apr of «pt expand tis eases he ceo fe Modicsantmoied patirns en eh mace a vious wy, Dt geal the expeton ipl tha en Ene em oad ome rope 4 Ha cn however, sue change thesia charac ofthe pater fom whlch darned sb nays be checked arte andy wih fat pater. The most common +e eats ae tase entation or exon of the pat nvlve. One sch rea Phe Vink dance Diana (ne Example 1V) ao knows by the name of Sa Ti from nnbetn Gres. Tn Beanpl V, prof te dance epee yt! madieatn of pate B which canbe ren tn bse form in port of sae nce ‘The modeton Is catacion of {he heaton sep noon af beret eng of tne compared fo he usu represen ‘toute The velatontpSetern ptr dan parte modilcaton of pater J can Sir tine where Fete 14 shows the mdiienton a serfs at oh dance Dims memion above, Te motif putn le symbolized ty he ap leters Bi Reversion/everse patterns “Te ch everson apie fo pes which are tazal on the iden of recpoeting rmotemett. The tm fevcown conesponds he term lara smn abana Recording to tn eral ccd te roverson = gn atu oral aes ple a the ‘iat wha hesitation sp (oi 8) cred omy falvay tough This enmecton, [ful be noted tat mou 8 rue eset the pine of overnite that is ie compestanal samen ad fy re syametal eversons fone another as en be By sing he bun counter Blase ofthe hes stp, the dancer is ft na poston trom th hate ina oper ay ena repent ptm which hoe hss Jus Tinea, Ths porta, boven enables Bier epeat the pate in ve ht Fring th atmo far fat and prominin the oposite deco “Ihe Setian dance Morava (Example V) san example of «Cnc Based on patna is revason The patent Bi (13) andthe manera parents incets the numberof lon sep abd (Ses lo heslaton sep) Trend of adding revrion of the per, th dance may, at this point where bee fishes the fps, a6! «ent pater based othe pipe of reversion. danse, {hae onto dif pees of ever, te tendency seems to be at he Fst of te 40 ptr tong taste sand ene? The om "lnge” Os ese means ha cots Foe trveling spa hu naling gradu! popes it sace This phenomenon can be yin oe Gace aol om he Sede Ger Region In Bulgin xe Example Vi Tn dances base an the combination or jing of more tanto pas, relprocatog pees ct be sc in conden ir ns of he progressing esa ual os the {nce Nagovne fom te Rodop Region nso Bulga ee Example VU). Retrograderetrograded patterns The ur rerarde ed slog to is use In musical amass where coves the conesitonl eve known a cavern "Foeortealy. al dance Para fom the previously exablsbed mala cagories and beers cn be seine fo eogrdetnton. The oped of given pate is ruc by petorming te pte in ston a rograde sree Ths han hat he cancet Erin by pertlrming ie lat scp osoveent component of he oil ates, contain ‘Wit te Stand ns ands and nahing by prormig win was he fs step oF ovement ‘Sonponont of he erga pater (ce Eames X an 1). Tomy, he esrogrded pater is porfomod reopac and oes, hat i aveling in be pps rion nd eve siping ofthe stereo which derives. "The visual est (bats! the dane moving in fesprocning mtn sent Wo te one charcterise for fancestnced onthe principe of reveson More detailed aaj shows however, that a desingbed fom the rogrded puters, revered paterns ae based on ymca ‘epeon in wien 2 gen pats opened fom is bepanlng to Ise, Bum eppaie (Urcion and wi roves saps. inorder faci te stocurlababst of poup of wes which siposdly ae based on te principle of reognde andr teeopaderevens& gram based onthe syn of eosee Roe! fat te ovo tabled ra eto Dp Of mor eters gu tata wa cin mt in ie Tarn aayes proved that eich of he above thas could ke apie © ery single coca he mui oor ts fsuting nae of seaport mach (eee gram ‘tho foran xemphiinon, ® a Folowig he prin pret in he aa hve, sen esate fr ch ote A A. EK AMARA RETROL a auc | be | kero E Bau REYNE BR ERETRO. G Gale, = GeweGM GR RETRO, te shout be stese thatthe above Ui i srt prod, an hat Ihave ot fund cxampls of every sile ene of eve pats the aul ae hand Fr nance, a ‘Xpuson of ptt b not sings rom an ate repetiion of the same pater Girependigy a erogade of paternG doer not ok feet om an iy repein of fate GLikete avers ptr G wold sme intact wih oe scr en of {Be revrsad poten a fined shove. Tve dfn pen Sates at everson mony spears Tne v's itn Tevved pate hich woul? normaly be eaied ou te oppose "Si of te shove elie subsp an lobe mbjected oth same composition proces eden sstpry ptams. Ths ebony posse nears fe ‘Rann fancy ca ee by eo agra bw, stung ese i ‘Stpesaeup previa» elading te erst pte lng he biol AUG. exP, BM 2RBRETRO, u Dexa i pace, however, only & eave) linked aunder of the tactically posible combos tae cn found nthe alana nce opr examined ora vey ofthe {Tovtutne sed fequeny of otuenc of he vars pes te rear feed to Capes In Ctlgues VI Tap 1990 "The emavon of he status dvving fom main category ptr A diverges lightly hat he ahr sbeaegoes dicoed hr. Some of une grvans of pate # have beecharacte spe kinetic and dmentional lationship between the main weer ater ores eb So grey area er ye Sai a Ts eh et longing 0 es fur bose i mein epaiion of i ae Pune of he symm pr tah, te meet repiton of MU AN 8 een tbe dnc of ten Aad 410, open ee rd lo egos ‘eau aus 808 on tu tunes n-ne based on ptr 4, icine of ws at aly aie oe er ee nf on thereat he move devo neti a ase sou pate ave Desh ve opr isa doubling of ech even 7 as fn ado! posible ora, Sige win te sume space, fc, This oe anton a ea vraton of bse pat Ronen ap vas or abctgoris, ato hey Canin sau y evan mo he stem of cata aNoUHh Bo ton dst stove may Grow ne. et ie crs sate demonnte ow ty pl 10 Se stained dae ceri is efned as ryt Xnet orton within te wal of te a ape ttl uf dance of ten ane sr ayn ancl prin tind Be st eine eal performances of 1 Tei rsuposal tthe vrton) in question fom) “permanent” Fee ant a etme twas recoded Generally speaking, he varus Spe ofa ‘horocteshis r ated on Ltd amb of piles of variation, that i we do take ino account be splint dftraneeseviahlysppating i the oct perfomance of gen pater, “Tse pin fSne fines of yrinon wblch are registered local characte when forming Kure nthe afore of given pater Hkewse ocasinaly me applied Yo This means tit they mux be compaible wit, what kine, yi ad conceal asepble with he covtent a weich they me pefomed I “The following lt of lal chrctraties la rimoy of the maloriy of the applied Spent wih elvan crests which might reveled dough analy ‘Sfeenueral. The st apps 9 Erampier 1-16 fs -abmeaton 2 ay 3 Ge de (honey Sas So 7 os) 108 HB: ‘replaced by’ 2 rveling scps cach enti at eect I baling ep, respective plied by Lop each ene tha dlp. Felon! by he hyn ins compose gy (ow-quik qu). ‘eptod 6 he thy hms ine compost qe auc qucslon), ‘eptody he hy mabe copes sg lowueksow), ‘epltcedb he thyme et compose sey losiwequh) ‘pte the sym Kei ssmpoae yr Quo som), Feplaced ty te yh compost Quek qvce que) ‘placed ty the yh compete fg gle qik quik sic. pero with 2 iurpension (iain: (replace bye Shyhmie Ent samp). permed tavelng Fevformed with mule Rxtato steps: fo expe comparison beeen Fesipaner Cpertrmed wih 0 baton step (Example) nd20 eatin sp Example), expecta permed wi ipl pf a omarion Dee Festina (Example 140), expecta placed by Ztaeling ses ‘aplaamnt of paternp 116 jn Labonte lowe ye pei of ees std with a ven {2 Seton bow tars fea arcs pci nly to eels ort sate Ses spi, ck de ene fon y pees we ra Leesa ue Nantes ine ove ay of Geet coy ele a pei Correa te development of te shove pexeatolcmpitialy derived metbod, have fund posi stat st rely sepa oer afm swe td deny ‘kepoy pater ean be eos onthe bat ofthe eon modes which esl om he SEDLZia'a ean seco nent oapones a be sp precip or be ‘Ruograle, sev of wich may be lncorparaed smulaneousy, and whi ar al wall mpuical murl eoabled Gh instition of a nomber of subcategories deriving tom the hist min mcg. By sng te Bred moo esa king, he Eaopan raha rund dae mn in ting won ei ome Btn ny rar col be fate econ emcee ange ps ea ‘Ence marl ws the orga aati ofthe tra in a seis of ellogie according wo varus ‘amples in Labenoatio cn be found in Volume 3. and te resuking etlogus in Volume 2 of ugh some of he recorded dancer may possibly be aaa and clase dient, and ae 2 dnhcdy comps crea carn gopapheculund goes of ope wis th ena ar on ih ne ined meted rn the pee ay cee ate nae a ty pats wi oy stustra a ofe y o Epa and es eb’ yn Hon SESE Sve paced ptt pines nw bn soe Se Stblihelioen sia anesiodae pss i en af ly Kc} dy CCT Sty Got > a cy re apr a pr (toa ingeec sper ee! es ord Pn=e =o st SieNADIGRAVANE, Rhodopes, BulginPIMENOS, Sirk, Hungary STRUCTURAL APPROACH IN HUNGARIAN FOLK DANCE RESEARCH Lisa Feo atl pt ew ples hoe fh Fee nates aren lH copra the examination of sures fom one oe aan eo frets of simon These operation Mimicae the main Torm-buling Fee ok tela of the Josette sats preconceptions andthe eieny ofthe ser cis and eases Depending on te ame of th conret research ass 08 Faas sho inthe matric proctor example, Worl formal, until, nd 0 er res one of hese aprasies ae up it he mile ofthe 20 centy. fest en ern sv sounes, appt a2 wt oferta en and method, Hogs ae sing human (nea) phenome es "wanes" sce" and leet et jefe tnt paula form ad flntion (mainly sacral Haan ee ets pe on meaning md content of he pci-culural paces (ee Liv Siu 1963, Karol 198), rae ree nes serch, scram append in he te 1950 8 ares f the nS ous pera of rashes Ir van mento Desome a speci ol fOr seen oti aly ofthe preorinany provi, idriual anes of ern Eira re rocued ts reason agama te pevaing chpogrphcfertonast Eaope Joh was anal to gras the coe semen. fhe phenomenon, tt, ace Bae sores utr spare nes embedded the exising theoreti Pen et Fe aoe rel being based on comparative istra-groyaghial metbods mena of anpaine ehlorine, Two fils had a pact on ebinochorenogy: ethno ee ara Cokie, which cried out the formal antes of fore text. utc te arctralapoach i Higa as asta by esabling ak acadeni aor tic api eval ea from igus, ovemest ory, and oars FBCEIPERLG,"AS aduetgcons ternal covoperaon of the Iteration Folk Msi (1369) hrc) Teannslony Sty Group. (Se Append A) Adoption of socal ton, Ca oe arty etarh methods, whic resid ina fl comblasion of ioven aly, morpologt ea wit aw ons, This was flowed by sit of ee a es: Gonande kar reaches ace complex aay VW Seer nda paradigms We mst ot forge nbs he eh deeloprest a ee cordang eqlprens ogre wiht appleation oF rode ais ‘Satu an plveelsie fr analy oppo ee ht a Hangay and inal Therefore his rescttn abou te