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Beginning the walk around Pioneer Square, you can easily tell that this is the
oldest part of the city from the built environment. Not only is the architectural style
indicative of the time when the city was just being developed, but the buildings are only
made out of wood, brick, and stone, which must have been local. A very formal example
of city building styles developed elsewhere and transplanted here, but with a touch of
streetscaping that seems to be trying a more vernacular approach, there are lots of
bioswales, drainage using native plants. There is high quality bike infrastructure, a more
sustainable way of getting around, and you can hair water, maybe from rain, rushing in
the drains.
Around the edge of the water however, there’s a lot of unkempt areas, places where
overlying formal infrastructure, like the sea wall, has obviously not been maintained and
pockets of wild grasses, seaweed, or others have inserted themselves. Seattle feels like
it does show you the environment behind much of its formal landscape, at least more so
than other cities. We come upon a dead seal, lying on a pile of rocks beneath the piers,
next to a discarded traffic cone. Both are dead pieces of their own systems, the natural
world and our world, but one will be reused and feed new life, the other will only pollute.
We pass the ferry building, where the ferries carry people to all different parts of the
Salish sea. Seattle is shaped by the water that surrounds it, the ferries offer a
connection to this, riding the currents instead of building bridges and highways over and
around it. All of the construction along Alaskan feels like it is trying to represent itself as
a remaking of the formal into a more vernacular landscape, adding native plant troughs
for example, but they are still building a six lane expressway through the middle of it.
There is a seagull eating a sea-star, a more unusual example of the natural world
interacting with just itself here. Along one of the piers there is a boat and sign that says
“Salish Sea Tours” and it is draped in imagery of native Coast Salish art. This art was
once intimately attached to the land, carved into cedar trees and painted with local
pigments, representing the stories told by the natural world. This is a simulacrum of that
connection, painted to attract people looking for authenticity. On one of the piers, there
is a plant container made to look like a traditional canoe, filled with soil and exotic
tool, a canoe, but that is now used to bring plants from far away to grow here, imposed
by us.
many natural processes and environments, illuminating them for people to learn from,
but none of it is real. The train tracks have weeds growing from them, it seems they
don’t bother tending to the tracks very much. Barnacles are growing along the piers, an
example of nature forcing our places to be vernacular. We finally get to Myrtle Beach
park, which feels like the only truly vernacular piece of the landscape along the entirety
of the waterfront. The beaches are left to be beaches, with sand and stones eroding
themselves in the waves. Trunks of big dead trees line the edge of the beach, creating a
natural protection from erosion. There are paths for humans that weave between the
trees, and leave space for nature to take over the areas that we do not need. It feels like
the entire waterfront could be like this, it doesn’t need to be an expressway, there’s
The arboretum is an interesting space, the first observation is that it is not that
easy to get there. It is not close to many densely populated neighborhoods except for
the U district, but even from there it is a long walk through areas that become quite
unfriendly to pedestrians. The public transportation to get there is limited to buses that
do not come that often and don’t drop you off inside of the park but a little ways from it.
The park itself is very interesting, and the whole thing blurs the ideas of vernacular and
formal, confusing you as to whether or not what you are seeing is the actual natural
processes of this land. The landscaping of the park is very well done, so that it looks
very natural, and likely much of it was natural. The plants inside the park are a harder
story, because the purpose of an arboretum is to display trees of many different species,
much of what seems to be growing naturally here is brought from very far away, and is
pruned and maintained by gardeners to be able to survive. It still feels very vernacular
though, especially in the southern portion of the park. Once we reach foster island
however this changes, and the landscape starts looking more like it has been sculpted
to appear as it did long before the city of Seattle was developed.
The trees are more obviously native, the environment feels less manicured. The
wetlands around the island seem to have lots of life in them, birds are everywhere and
especially here around where the water meets the land. The path has a lot fewer people
here than in other parts of the arboretum, which is nice. The park is opening us up to be
able to see the natural processes of Lake Washington, and it is beautiful to see.
However, something is off about the entire environment. It might have to do with the fact
that much of the nature is restored, it was destroyed and only then brought back when
humans allowed it, but that is not everything, as much of the nature feels plenty wild and
taken back by the environment. The problem is that there is a highway running straight
through the middle of it. The noise, the drum of the highway is audible in every part of
the island, there is no escape, and you cannot help but think this has some effect on the
wildlife. Once you get to the highway and need to pass under it to get to the far side of
the island it becomes really apparent that the priority of this space was to move car
traffic efficiently from Seattle to the east side, and that the restoration and park work
done on the island was an afterthought to make the impact of the highway less
apparent.
The path underneath the highway is quite awful for pedestrians, there is construction
going on and the path is low quality, the natural environment on either side of the
highway disappears while under it, it is only a loud, formal intrusion onto the landscape.
Once you get to the other side, it becomes nice again, the nature is back and the trees
open up to a view of union bay, lake washington, and the university on the other side.
While most of the island feels wild, there are a few areas sculpted out for humans, but
that feel vernacular and respectful of the environment, showing clearly that we are
guests here. The small pedestrian bridges that connect the main island to another small
island and then to the cut feel constructed to be as minimally intrusive to the
environment as possible, it is low and small, leaving you close to observe the natural
While walking around the Montlake cut we happened upon an area that seemed
very interesting just a little further up portage bay, called Fritz Hedges waterway park. I
have been here before, and as it happens I know that this is the newest park in Seattle,
opening in 2020. This is very evident as we walk around. This landscape feels incredibly
formal, the bushes are still manicured, the grass has not outgrown the small patches it
was planted in yet, the benches look new, the concrete is bright, some of it looks like
landscaping people do in their suburban front lawns. Yet by the fact that they planted
native species along the water, fencing them in to protect them, and the small
beachfront created, it is evident that there was an attempt at vernacularity here, there
were some adaptations to the environment of this place.
However the environment that it was trying to adapt to wasn’t already there, it had been
destroyed long ago, they were trying to recreate it, that’s why it feels off. It sits on
portage bay, what would have been the unimportant far edge of lake Union had it not
been for the Montlake cut. An extremely formal example of humans putting their desires
onto the land, at first it must have been made for commerce, to facilitate ships
connecting to industry on other parts of lake Washington getting to lake Union and then
the sound. Nowadays however it mostly is used for the wealthy to bring their luxury
yachts to bigger houses on the east side, occasionally UW’s research vessels.
Changing the current of the water is a huge thing to do, uniting two systems that were
independent for so long. Nature adapts to our encroachment, the salmon did not used
to migrate through here, but now they do. The small beach at this park feels strange,
there are large concrete steps slowly coming down to a pebbly beach, which allow room
for sitting and are nice, but the beach itself is off.
Since the beach is man made, all of the rocks are the same size, gliding into the water
they do not change size, a sight so strange to our eyes that we are used to rocks
gradually turning into sand, and it feels tough to walk on. It will take a lot of years until
the beach feels right, for the plants too, they have not grown over the soil properly yet,
still needing to be protected by a fence. There’s a small pier which is very nice to sit on
with some chairs, but it feels new and formal because of how brightly colored it is, they
used metal and plastic and concrete to make it, it feels off and undoes the effect the
native plants have for me. The park is very close to the ship canal bridge, which carries
i-5 and is quite loud at pretty much all times of the day. Across the street is another
small park, and there’s a new crosswalk with bulb-outs in the middle of the street which
makes crossing easier and is nice. Over there is a preschool, and outside a small
garden with some educational plaques for children, telling them about pollinators and
giving them some philosophical quotes on the relationship between man and nature.