A latter Day Ronsard

Guitar Poem by S N Solomons

inspired by
Si tu t'imagines David W Solomons
by Raymond Queneau

   
Allegretto 
  
  
 
                        
     

            

  

 
      
       
4

      

     

      
            
   
       
9

         
      

                 
              
           
14

     
 
     
  
         
              
18

     
        

          
      
  
 
   
        
23

  
         

        
     
    
      
        
27

     
    

        
  
  
  

        
   
      
32

         
          

©S N Solomons and D W Solomons 1989/2010

2 A latter Day Ronsard

 
          
  
   
   
 

  
  
37

          
  

                     meno
 mosso
 e rubato
                  
41

       

      
          
46

  
        

 
 
           
                 
  
a tempo

 
52

    
    

         

    

  
                 
57

   
     

            
                   
rit.

  
61

    
       


   
rit.
 
            
65

         