DIX NOUVELLES GRIMACES

inspirées par Prokofiev

Bernard Col

XI.

                      
Andantino 

        
           
 
Piano 
   
                                    
                         
    

        
                                          
    
7

     


                                                  
                          

                    
13

                        
  

   
              
            
        

               
        
18

            
                       
               


                       
                 

             
                
24

                     
          
      
                    

             
         

       
                          
  
 
29

   

                        
                              


            
                                
           
34

 
  
                       
                            
 

        

                
            
40

   
           

                      
  

   
                                    
44

     
   
   
            
 
           
         


            
   
49

         
(sopra) (norm.)

               
     
                                  
                    
 

  
         
  
     
      
54

       
         
 
                   
              
 XII.


  
Allegro 

      
         
   
                          
Piano staccato sempre

 

  
5

               
   
       

              
 

8
            
     
 
                             



           
11

       
      
       
               

         
 
        
15


    
                                  
   

 
 
                  
19

    
    
                              
       

         
23

          
 
              
       

  
     
    
      
26

       
         
                 


30
   
             

  
    
                  


        
   
34

   
  
                         
       

        
      
37


  
  
   
               
       

            
  
40

  

            
   


        

     
      
43

       

   
  
            

  
46

                   


                     

     
50

              
 
             

 XIII.

 
Allegretto 
  
               


 

    
Piano
      
3

    
          
avec la pédale

                         
   
8



       
              

              
3


        
15

        

             
3

     
   
   

  
                 
     
Rit - - - - - - -

        
21

   


          
    
    
    
 
 A tempo

                   
3

     
28 3

  
  3 3
 
           
      
3


3

          

                 
        
32 3

   
  
            
          
 
  

      
37 3


3

 
          
       

   
 
   
            
 


       
        3
        
43

     
 
   

             
3

    
     
   


un poco rit.

           
    
3

  
50 3


3

  

 
         
    

 XIV.

    
       
Allegro 

       
                   
Piano 
                
     
 
               
      

      
                            
           
5


   
  
 
     
                           
                 

        
     
         
10

    

         
                               
         

              
15

                 
       
                            
           
 
   
                       
     
     
19

     
 
          
                             
            
                    

         
               
        
24 3

  
3 3

       
 
  
    
3

    
   
               

 


            
  
                                       
28 3 3 3 3

       3
 3 3

              
    
         
        
   
3 3 3 3 3

            


    
        
32

    
 sub.            

 3    3    3    3          3 
                                               
3 3

3 3 3 3
        
3

                                  
37

   
      
     
            
                                        
              
3 3

 
 
                           
             
42


   

3 3 3

       
                
3

      
    

     
                 
3

         
46


 dolce 3

           
   
3 3

   3
avec la pédale

             
      
rit.

           
52



      
     
            

 XV.

  
Lento 
        
 
Piano

                 
                             
                       

                     

5

 sub.

                
                            
                         

     
    
9

                
                            
                       

    
         
    
13

    

    
                           
   

                          
           
17

              
                  


          
           
        

         
                
21

 
 
    
      
                     

   


   
      
 
26


                
       

Ralentissez - - - - - - - - - - - - - - - -

         

     
29

 


  
                      
 XVI.

Narquois 

                        
    

  
       

 
      
 

    
           
Piano

          
     
   
   
          
                        
   
5

  
 
               
      
3 3

   
                      

 
    

  
10

 
 
                   
                       
        
      
                 
                        
                   
   
       

 
            
16

       
 
 
                 
 
               


 
    
  
         


    

        
20 3 3

                    
3

 
 
             
                     
 
                            
            
 
25

  3  
 
3


                                           
       
 
                             
30

        
 
     
    
          
3 3    
3
3

 
                               
     
                 
34


    
       
          
       
3

             


                        
        
   
38

    
    
     
       
  3 
3

           
                    

               

        
              
3

  
 
42

 
         3                    
         
  
 

                
                                
46


  
3

              

          
          
          
   
   

  
   
         
      
 
        
51


3 3 

    
                     

 XVII.

     
    
Allegretto 

                        
           

    
Piano
                
                        

     
                           
        
9

        

    
            
                      
 
                                      
17

  
 
   

                                  
  

25

                                        

        

                                          
    
31

      

                            

 subito
                                       
       

             
               
38

         
  
          
      

  
             
     
        
              
45

 
  
                             
     
 
                
     
    
52

                 
    
                                    
                 

      
                             
59

         

    
 

                    
            

           
                         

67

    
                          
 

 
                      

                         
           
     
74


      
  triomphal
                       
                       

  
              
      
82

                


                      
                     
89

      
                    
         
          
                          
                      
    
 XVIII.

 
Lent et mystérieux 

       
             
  

 



  
Piano

     


    
 




avec la pédale

       
      
6

       
           



 
            

 




 
       
      
             
11




 
 3





 le chant en dehors
         
espress.

     
    
     

     
                       
16

       




            

3

      
19

                    
             


 
    
         
 

   
22

                   
      
 
           
    
 



     




(sopra)
      
25


                          
(m.d.) 
      
3 3

  
               (m.g.) 
(norm.) 

                
28

                       
   
     
        






(sopra)

        
    
         
31

            
3

    

3 3 3 3

     
3


3 m.d.

  
        
   

(norm.) 


         
         
              
35

3 3

 
3 3 3

  
3

 
3 3

        
3

   
3




  




         
       
 
 
40

 
 


 
   


                     
 
     
  
 
                 
rit.

 
45
           
 

  
             
       


 XIX.
Andante 

                               

3

   
       

                           
Piano espress.

  
    

 
         
                                
6

        
          
        
     
              

Più animato 

     
                               
10

  

      
3

      
   
 
            

   
            
        


       
  
15

                                    

   
        
  
      
      

     
   
                
   
     
              
             
 
   
          
19

             
   
         
     

            
 

 

       
 
                                   
23
3 3

  
             
    
3

        

                    
                  
26

             
      
3

 
3

               


                                               
30 3 3 3

 
 espress.  la m.g. en dehors
         
                       
 

                                       


35 3

    
3

 3 3

          
 

 

 



   
        
3 3

      
38

    
3 3 3

        
 
    3 3  
        
    
     
      




        
41

   
    
     
    
   
 
 
 
 
 

    
 
             
                
 
  
   


   
     
 
   
      
    
46

                
   
      
la m. g. en dehors jusqu'à la fin

    
             


               
51

 

        


  
                  

 XX.
Allegro giocoso 

 
                 

    
     

            
          
Piano
    

7
   
                        
  
                               
     

     
    
                  
            
13

               
    
                              
           
        


                 
     
19

                    

            
 
        
                  
 
            

 
                              
26

          

                
      
     
            
                          
                                         
32

                       

  
  
                  
          

   

                                    
                                          
38

                                   
  
    
             
   
     
   
               
                                      
44

      
           

crépitant

       
                               
           

                               
            
50

      
    

            
                              
 
                
                     
         
56

 
   sub.
  
       
                             

      
62
                          
                              
   
  
           

                      
   



          
                    
69

 

       
                             
 
  
 
     
         
                               
75

            
      
  
     
                
                   
    
    
                 
                      
81

    

  

    
                          

                
 