= bya ata ERIES E parasGUITAR ANTHOLOGY SERIES Copyright © 192 CFP/Belin. Inc. 15800 NW. 4éth Averwe, Miam, Florida 33014 Guitar renscptions Rie Molina Faitor Tom Rood Guttor Ector Aaron Stang Design: Frank Mtlone / Deb Johns _WARSENG: Any dupication, adaptation or crongement of the compositions contained ih this collection without the written consent of the owner is cn iningerment of US. ee eee cubiect to the penalties and liabilities provided therein.REFUGEE Flo as BB Fh A Bsus aH : * int | poe Moderate rock J = 116 Words and Music by Intro: TOM PETTY and MIKE CAMPBELL Rhy. Fig. 1A He as 5 Fn Gm cemtg J TI 4 3 Gtr. 2 (eee) Rhy. Fig. 1 (ood Ry. 514) bs wiRhy. Figs. & 1A. ad d Fin as B Fim eat Rig. FD Gee Verses 1, 2 & 3: as 5B Fo A EN d.. dnd Date, 1eWe got somethin’, we both Know it, we don't tlk too much 2.3, See additional Iyres. Refugee = Copyight ©1979 ALMO MUSIC CORP. (ASCAP) a iecradonal Copyigh Secured Aladin USA, AIL Righs Reserved a —‘wiFill1 (ast time) 9 Phat Er Fim a ° fa eee) dn a all the same, some - how, last time only) D B Sere rere: oO don’t real - ly mat me, ba by. You be = lieve what you ‘wRhy. Fig. 1 Fa As B —~ ce => wanna be - lieve. You ste you don't have to Wes ike a ref u - gee Fin To coda dp a5 B Refugee -5-210 Decree aera eee tn as E — ot ref - w+ gee Now bachy you don't abe te tive ike a ref - Bg Bridge: Fim as E EB Seer S: ref =U gee Ba-by, we ain't the first. ZS Don’t have 10 live Ihe a Tim sue a lot of othr lov- ers been bumed.__ [Right now this seems real__ ZN Refugee -53as 5 ss zB . _ D.S. %al Coda Qs pv l-1 theend = a AS E Im As EB A © Cota le au rei- v-gee. No, you don't have 10 _‘live ike @ refugee. Don't have to live like a As E Po As E Fim As E Fin efagee= SotAS E fate : Somewhere, somehow, somebody must have Kicked you around some. "Fel me, why you wanna lay there, Revel in your abandon. TKdon’t make no difference to me, baby, Byergbody’s had to fight be fee. (fa Choris:) Verse 3: Some, somehow, somebody must have ‘Kicked you around some. Who knows, maybe you were kidnapped, ied up “Taken away and beld for ransom. Tent really matter to me, baby, ‘Byergbody’'s had to fight 1 be fee (To Chorus:) :ul J* } Z Moderate rock Imro; ew Rhy. fig | aed MM Verse 1: ‘wiRhhy Figs. 18a (Gtrs, 182) ‘ F Fast ood Rhy. Fig. 1b Gus FREE FALLIN’ 1B F + foves ber ms Fer Cus FS BIS +e seaueecuitaade Words and Music by ‘TOM PETTY and JEFF LYNNE (end Rhy. Fig. 1) caus Fans PF Ceas dd (end Rhy. Fig a) cous Pas ma, doves Je (end Rhy. Fig. 1b) Pass caus She's 2 good roe Fle! =3-1 ‘Copyright © 1989 GONE GATOR MUSIC (ASCAP) and EMI-APRIL MUSIC, INC, (ASCAP) Tatemasenn] Copyright Secured Made ie U.S.A. Al Righis Reserved4 cont Rhy. Fig, 1 F sus Fo Caw F Foos F Cas wR. Figs 1,14, tb Favs F cus F ous 2 aay liv-in' in Re- se = da ‘Tee’sa fie = May. @) Van = ples walk nv through the val > ey move west down Ven - (€) See adaltiona yes. F Cos Fo Fous F Cas runnin’ tuooghthe yard AMd I'm a bud boy, “ealse T don't. e- ven miss her, I'ma tor = a Boulevard And all the bad boys are stand-in’ inthe shad ~ ows. And the Chorus: ‘w/Rhay. Figs 1,10, 1b F Fos F ons R Pais bed boy for break - inher heart Now Tm fee, good ils fre home with bro - Kem heats Fee Bll - int Tm a ———_} — fice fall - bv? ‘Yeah I'm free fee fall in. Pima fee fall ~ i'ma fice fall = in’, ma free fall = in’, Pma # coe pom OO IR me . 6 D1 ds Fee fall = i 3. Andallthe fice fall - inf. ma fee fall - int, ma + Background vocals afer 4th Verse ice Fils!- 3-215 wéRthy. Figg 1,12, eb F Bsus FCs Favs i ous | Freefall ~ inynowlm = fee fall = in 4 1 fod js == —- 4 + + t ont += Repeat ad lib. and fale F Gus 5 Fo F Cas free fa = int Now Pm freefall = it, Now I'm free fallin", when I'm free fall. = in’. Now T'm Verse 4 | wan glide down over Mulholland T wanna write her name inthe sky. I wenna fee fal out into sot’ Gon leave this world for awhile. (ToChonss:) Fos Fal’ 3-316 BREAKDOWN a An? Words and Music by Moderate rock J = 108 OM ReT EY: “AS GS. AS OS as AmtG eats a thd 2 Tad “Elie pana aranged fo NC. AmT G Anat G + Sa contin same rycen é 2 <= Amt G Amt G AnTG AntG — | Ant nt @ ‘ant Ant | 5 I t TD continue same rhythm a —— | Lis als aight if Breakdown 41 Copyright © 1975 ALMO MUSIC CORP. (ASCAP) lesernatonal Copyright Secured Made inUS.A, AN RightsReserved 17 Am? @ Amt G Ant 6 An? G Am? G rm = ning @ = way, hon = ey, get the feel = Int you wont, Verse 2: ers 2 kang An? G Ih conte same Hoghm 2 There is m0 sense in pre tend ~ Inge Am? G Ant 6 An? G —— ee in - side you i | | — Sete —— | your eyes give you 8 way. Some - thing Ami G Ant 6 aur feeling ke 1 doy we've said all there is to say. Ba - by. LOL Chorus: % as J oy bw Dot Jot Ow Luu go a-lcad give it w me. Tasimaoaly Breakdown - 4.218 sme dvogh he nigh, — Break = dows, Ym sand) bat ct you se, (Baby be -by, break down) corvesieneieens As ss r J 7 dN —_— its om - Break = down i's al ~ right, To Coda® 45 As GS os —_— 1 dd continue sme rythm As Gs AS as —an 6 Am 6Coda Amo Am G Amo Am Breakdown <4LEARNING TO FLY EF ¢ am S Gaus Words and Music by Moderate rock 4 ‘TOM PETTY and JEFF LYNN Ingro; Rhy. Fig. 1 : wikhy. Big. 1 (3 times) E c fm : a II oo * c an Gtr tt iy. RUT A Gtr sore tecnto chords w/palo mate Learing Fy -6-1 | Copycaht © 1991 GONE GATOR MUSIC (ASCAP) end EMFAPRIL MUSIC, INC. (ASCAP) Tntrnational Copyright Secured Madein U.S.A. All Rights ReveredVerse 2 fy aT A & F 2 Rhy, Fig 1 & 14 (anil Chore) = =e czotsed the mot Te + ‘And the sun went down. 1 good ol” days, may and the town lit fand the rocks might the world got and the sea may22 chores Rhy. Figg 4 1B (4 times) fF ca it + eae = = ee denon ing to fly ‘bat 7 3.See additonal Irie (ehonss 3) Laam-ing to fy, Teaming to fly, hard est thing. BW tae ne te ty f ol Rhy. Fg. 1B Ge ‘eaming Fly -6-3Guitar Soto: wiRby. Pip. 18 18 (i183) x Gis G Gus G cS Gi veers nT Id SSIS SIT SPT thle aay d Verse 4 fend solo) W/Rhy. Fig. 1 mes) fend solo) Ry. BE Y (8 times) F Well some say life beat you dwn, break your heart Verse 5 wiRiy. Fig. 1A (4 cimes) ie F c F a SG steal your crown... So I've start-ed out ‘ for T guess Tit Know P c Am G when 1. get there Ree ah, coh an, ‘ooh. eamingio Fly -6-44 Gtes, 1&1 G_Gus sw /Rhy. Figs 1& 18 (12 times) ‘w/Rhy. RAB (3 times) é Chorus: Fi Am bh} 22 SSS oh — E + ces, is the hard - est thing — Am G F c 7 z . Ess eam- ing to fly Learning to fly.— | vide * wiaide earning to Fly -6-5must come down. Tm learning to fly.— Gtr. I (w/slide) ~ 2 4 Leeming to fy. I'm = se = Fade Jearn ing to fly. Learning to horus 3 Learning to fly, Around the clouds. ‘What goes up, ‘Mast come down. (To Coda) lag 1 Fy 6-626 THE WAITING AS, GS Ds. Bm Fim Asus = ie tin i te AB G D A G9) DFE tt ; fs Gy BS i Wodemdnnety | aL aE en ; ci BME fa ModeraterockJ=320 STE, Se erat Intro: iG HAI! Asa A cs D Asus D 6 D ‘wiRby fig, 1 (Ist 3 bars) Z (end Rhy. Fig.) 87a. « eat (end Fi 1) Verse: uf HEIs SHEVee=t LEI ME LOM | ot! boa by don't it feel like heaven eight now? Don’t it (@) See additional lyrics. ‘The Waidng 61 ‘Copyright © 1981, 1982 GONE GATOR MUSIC (ASCAP) overntional Copyright Secured Made inUS.A.- AIRighs Reservedfeel ike some thin’ fiom e — dream?__ Yeah, Tye nev - er known noth - in? Bn ON ates J dns ‘quite The this, Don't it foel_—stke tm night might «nev er bea gain? Ba- by, os aS 2 ad 4. dnd SJ 71 S773 we know bers ter than to uy and pe - tend Hon- ey m0 one could 8 ev - er MTs aa 0 ‘wld me "bout thin 1 sti ——-yean,___ yeah, (jeah, yeah) yeah, ___ yeah, __yesh,__ yeah. The % Chorus: 6 D A D A and 2. a~d The Waiog 6228 3rd time WAP 2 (4 times) © D 4. a D ° > ord 4. od 2 ons D d d wen igrdineneu — tocowe ld A Baie” Tow don’t Jet ‘em kill you babe TRH BND “The Waing 63 FesDon't Jet ‘em kill you babe, don't Jet fem get to you. TH be your exy =n fook Don's Jet this go 100. far, Gon't leek gett you ‘The Waiting - 6-4D.S.% al Coda Tm an oom oom ‘Yeah, yeah, yeab, yesh, yeah, _ yeah, yeab,_ yeah, the a oe a> Pat Yeab, the wait ce) prt Asus D Gy DF : | | SIT SIT SIT SIT eons ae ryton | if ; f if I. i aR aR aR pan, [B- The Wala -6-5 The Wait31 Asus Ge) prt Asus D Palm mute 0K ‘wiRhy. Fig. 1 as ard a) prt ue 4 a Repeat & fade TTT FIT ees ae Verse 2: ‘Well, yeah T might have chased a couple of women round. hal tever got me was down, ‘Yet, then thee were those that made me fee! good, [Bot never as good as I'm felin’ right now. Baby you're the only one thats ever known how ‘To make me want to ive like I want lve [Now I said yeah yeah (yeah, yeah) yeah, yeah, yea, yeah, (To Chores:) The Waitng 6632 AMERICAN GIRL oe Bright rock J = 244 Words and Music by Ry. Fig. 1 TOM PETTY D t 7 Me ce BR aT wiRhy. Figs. 1 1a Rhy. Fig. 1b > cee RS aaa Rhy, Fig. Ja Hl American Gi - 64 Copyright © 1976 ALMO MUSIC CORP. (ASCAP} Intemational Copyright Secures Madea U.S.A. AD RightsReserved(end Rhy. Fig. 10) ee Be Verses I & 2: Ry. gs 4 a, 8 1b D E — oe 1. Wel she 2. See additional lyrics.FE aE Pa aS AE —— Ameican Gil -63 ——‘Anetiean GH-6-4wARhy. Figs. 1, ta & 10 aa Teeeaeesea= | eae ain ae FAN ae Rhy. Figs 1,18 8 3b D Ul Play 3 times. | Asien Gil-6-5wiRhy, Figs. 1, 1a & 1 (2 times) oN Verse 2 ‘Well it was Kinda old that ight, ‘She stood alone on balcony. Yeah, she could hear the ears roll by (Ovton 44}, lke waves crash’ onthe beach. ‘And for one desperate moment there He crept back in ber memory. God, i's so painful, Something ths so close Bur sls far ot of reach, (Ta Chors:)38 DON’T COME AROUND HERE NO MORE c Am om Bh F se «FTE 133 wyatt san Bent net Slow rock J = 80 ‘Words and Music by : Intro: TOM PETTY and DAVID A. STEWART | “Ble sie Ee Hey! (end Rhy. Fig 3) Rhy. Fig. Don't Come Around Here NoDMore- 5 ‘Copytigt © 1984, 1985 GONE GATOR MUSIC (ASCAF) snd BLUE NETWORK MUSIC, INC.(ASCAP) TneratonalCopyight Secured Mago in U.S.A. All Rights Reserved39 Verse: WAR. Fig. 1(4 times) POyBI Feyah jin come a-round here no more, don’t come a~ round here no-_morey_ 2.Don't feel you anymore. You dare - en my door, Foysh Fic oye FP Faymh Se ee ei ae Tye given up, stopl Vve aiv-en up, stop! 2 NCC vm Bh c Am Stop! On wait-ing any long ~ er. You tangle my e-mo ~ tions, AR, oh, Tre giv-en op. fon this Tove, got = tng strong ee | Tre giv en op hh 3 Hon - ey, plese wm its oe Chorus: 7 WRG FT Hines) CE} Fovh FC Fowl F Foye FC Feyah Don't come 8- round here no more Don't come = round here no mor. BL © Dnt Come Around Here No More 5:240 F Foy Be Ray) FFB = FC FORE |, R Don't come a-round ber no more, Ray. Fig. 1 (4 ies) F Faye aa FC Foye F Fay Don’t come a-round here no more Don’t come a-found here 0 more F FayBh Fe Fayeh Fo FON Don't come around hele no more, Verse: Bs sh a & 3,Stop walking down my siret, Doa't come a - sound bere FS Foye cD Bs Feat Who you ex- pest to meet? Don't come a= round bere no more Den tCone Around Here No More -5-3What-ev~ er you're look ing for Hey! don’t come a-round here___ no more. : Double - time feel = J t Rhy. Fig. 2 (end Rhy. Fig. 2) : F iB c Bb po Sele: ip se) © Bh Faye Please, don't come a- round here = no more, Rparraneeneeeenay nicnes basse What - ev = er you're look- int ‘Don't Come Arc Here No More 5-4la Bh ©. oe Don't come a= round here no more, — DADEDON’T DO MELT KE THA 43 Go Fn? D ‘Moderate rock d = 114 ‘Words and Music by Intro: ‘TOM PETTY Rhy. Fg. o Fri c > (end Rhy. Fig. 2) Gt aa 7 - dt db dtoh dt ob at dL t = 6 = % verse ‘wnthy. Fg. ‘WF 2 nd ime ; Re oo Pepe pp rer sae pee = a == * LT was tlk in? with a Giend of mine, sid woman had bts pride.__ 2.3, See adutonat bis. FIN 3 (2nd time) ep tu ——- = — x = S22 SS> t ‘old him that she Joved Him so and fumed a~ round ‘a Jet Kim go 5 aa oo SS pe ee == ° = = ‘Then he said, "You bet- ter watch your sep ‘or you'regon- na get hunt your - self,__ WF 42nd tims) : c D g5= Ss 7. = —— x f Some-one's gon - oa tell you ies cut you down slas® a2 rina ie y= = : == = + io x Jade iB 2 mam £ = 1 : ‘i gt De Me Like Tat -3-1 Copytigh © 1977 ALMO MUSIC CORP, (ASCAP) Inwermatonal Copyigh Secured Maden US.A. All Righs Reserved44 Chorus: Rhy. Fig. 2 Gtr. z da> Fngi? aX dao don't do me like thet. wiRhy. Fig. 2 (end Rhy. Fig. 2) G don’t do me Hike that. Some day 1 might Wha if 1 Some-where deep down i need side Don'tdo me Hike that, Gerd you, ba someone is say Fmai7 éon’t dome ike that don't do me Whe that FLL Don't DoMe Like That 3.2 Ul1 Tike this feel-in’ in ~ side, sight oot and day cm D 2. dnd ° Ds.% al Coda baby, 1 cant tke. mo more “ecoda wy. Me.2 : wr ties 3 Pea? bn Dos's dome Tike that, don’t do me ike that. Baby, ba-by, baby, wwiRhy.Fig.2 ‘WiFi 5 (4 times) G Fai, 23 ov, do, iat, no~«etdo mee ht ort domelbe tm, Repeat and fade Verses 2 & 3: Listen honey can't you see? Baby i would bury me, you were inthe public eye, Givin’ someone ese a ty. ‘Well you know you beter waich your step, (G+ you're gonna get het youre. ‘Someone's gona tll yu les, ‘Cat you down size (To Chorus:) [Dori Do Me ike That-3346 HERE COMES MY GIRL ‘AS BA A) a. Fm B Fe pis. A fe Els. 4 i Words and Musicby | Moderate rock J = 106 TOM PETTY and MIKE CAMPBELL nym & : ts a on tA) BA : bra dd db. . 4 (end Rhy. Fig. 14) by. Fig. 18 2 z s % Verses 1, 2 & 3: ‘wihy, Fig} & 1A AS . * L. You tnow some. tines 1 don't know why, but this old town—— Just 2.3, See additional iyres. Gur.3 Rhy. Fig. 1B Here Comes My Git 4 CCopmtght © 1919 ALMO MUSIC CORP. (ASCAP) letematonal Copyright Secured Madein USA. AI Rights Reseed‘WiRhy,. Fig. 1, 1A 8 1B (3 times) AS BiA 1 ain't really sure, but Uf seems I re mem-ber the good times were just a lit-Hle bit more > 3 Bat when she pats her arms around me, BIA 3 = ‘Yeah, of man when I got that it~ te git stand = int right by my side, you know, T can tel the whole wide world to shove it, hey. Here comes my Hee comes my {end Rhy, Fig. 2) J ere Comes My Git 4.248 wiRy. Fig. 2 Bridge: 4 bry Beir b+ 7 AEF FAs ee @ Coda | Fee Comes My Gil- wit Bigs 18 1B (owe) AS BIA ‘w/Bill 2.@ times) ‘Watch her walk, DS. % al Codd} “3WIRby. Figs. 1 1B Repeat & fade as BIA Verse 2 Every now and then I get down to the end ofthe day, Thave to stop and ask myself why I've done it Just seems 50 useless to have to work so hard ‘And nothing ever really seems to come from it. ‘And then she looks me inthe eye and says, "We're gonna last forever.” ‘Man, you know I can’ begin to doubt it ‘You Know it just fels so good and so free and so right. | know we ain't never goana change our minds about it (To Chorus:) Verse 3: very time it seems like thee ain't nothin’ left no mare, {find myself havin'1o reach out and grab hold of something. Then jus catch myself wondering, watting and Worrying about some sill ltl thing that don't add up t nothin, ‘And then the looks me inthe eye and says, "We're gonna last forever: Man, you know I cant agin to doubt it ‘You know it just fels so good and so free and so right Low we ain't never gonna change or ins about (To Chora | Here Comes My Gill - 4INSIDER AB. pe) Pim D Moderate rock J = 100 Rhy. Figs A ‘TOM PETTY pe) (end Rhy. Fig) Verse: STITT TTT wt ret A EB Da) 1. You've got a dangerous back ~ ground, __ 2,3, See addtional lyrics. pe) A 2 De, ev = "ty thing you've dreamed of, Yeah, you're the Dusk An = geh____ a E Da) T don't stow when you break up. & And Fim Fin. E D SL SIA TTT cis Tm the one who ought a know. Yeah, Pm the one deft in the dust. who was ney = e¢ quite © > novgh. 10 1981 GONE OATOR MUSIC (ASCAP). Insider -241 Intemational Copyigh Secured Mdein USA. All Bights Reserved Words and Music by | F aoe Jon eo om i ak oh GH eG eGfo ive with some To Coda ard prom- is - ek. crawled through the bel sine 22 Verse 2: 3 cicle of deception, Ws hall of strangers, Wsa cage without akey. You can fel the danger. And Fm the one who oughta know. ‘Vm te one yeu could’t trust. ‘Yeah, I'm the lonely slleat on, Pmthe one let in the dost (To Chorus:) Verse 3: Well, 1 bot you'r his masterpiece 1llbet you's his elf control, Yeah, you'll hooome his legacy: His quiet word of white and gold. ‘And I'm the one who ought to know. 1m the one you left to rs. Not one of you twisted fiends, Thm the one you couldn't love. (Fo Chorusi) oh DS. $5 al Coda 3. Well,52 JAMMIN’ ME ee ee "i ae : 33 aT fs Gt URS Opie aati Eo Words and Music by ‘TOM PETTY, MIKE CAMPBELL |, Moderate rock |= 124 Rhy. me ‘and BOB DYLAN Intro: eee S ree a4 Gira AB SA a E (end Rhy. Fig. 1) B Ta J TIN) {end Rhy. Fig- 14) mt 3 eri midi a Verse 1 ye? > oO S11 7 A D A BE Sear prt ro art rm] 2, See additional ives. pte Samia! Me Cepia © 166,198 cone gxTOr ws tional Coys (ASCAP), WILD GATOR MUSIC (ASCAP) and SPECIAL RIDER MUSIC (ASCAP) jet Seoned “Made inUS.A, AllRigisbre 1 STD f= gaint the wall. (end Rhy. Fig, 2A) AB A D 1 gt where to fall ani" Me 6:2 Verses 2, 4 & 5: SS wneny. Fig. 242A (6 ars) ©) cae. 2.Take back your 45 See additional Ines.4 Chorus: iy. igs 1834 LF : ae apoB Me eee ere You're jam - BBO BOB BORG OB TTDI ITTA coninae same roti You can walle a= way, but To Coda ® withy.Figs.1 818 AG AE OE Jami Me-63° sora fan tor tre and 4 a3 the Emu = Check your front wheel drive, Bros ap - plo vwiRtay Fig. 1 5 = B 4 in young Steve's eye Jey, sos Fs you're jam 4 a 4. “Take back your Ens ‘wiRiny. Fig. List 3 bars) E© Coda wiRhy. Fig. 1 EDania Me 66 Verses 3 & 4 “Take back your angry slander ‘Take back your pension plan. ‘Take back your ups & downs (Of your lif in raisin land ‘Take bock Vanessa Redgrave ‘Take beck Joe Fiscopo, ‘Take back Edie Margy, Give ‘emall some place to go (ToChorus:) Verse 5: “Take back Pasadena. “Take back El Salvador. “Take back that country elub They're tryin’ to bald uted my door (To Chorus:)38 REBELS CG Am Hy FF 3 He Moderate rock J = 140 Intro: Rhy. Fig. 1 Gtrs.1 (Acoustic) & 2 ectrie) > = = Words and Music by | TOM PETTY Am FO) 03nd rAd adh [PRT BS ERD ‘wiRhy, Fig. (Gte. 1) (end Rhy. FD 5 os + Bees ee: Gwr.2), ra J—. Rit 80a. aT cae ab oo Gite. 2 cont, simile win. Fig. 2 ard i—~ c ° a ae [PE ie | | Rebels 6-1 Coryight © 1924, 1985 GONE GATOR MUSIC ASCAP) Intemotonal Copyright Secured Madeis USA. ARighis Reserved Le nebatVerses 1 & 2 c mss) STI 7 ‘hm (sr cont. sii) Teflon = ey, doo’ 2, See additonal lyrics. (2nd te only) Wel, just may-be a lit-de astound the edg = e8 or Rhy. Fig-2 (Gtr. 1) (end Rhy. Fig.2) 1p (Girs, 1 & 2cont. sim.) idea it-de hot— things some + times, that are 60 5 Chorus ‘W/E 2 (2nd & 3rd time) CS (dsttine only) tard ‘w/F 1 Qa tine) © Rebels 63gars oat 4th time To Coda 1 ® an J ss) ~——_. was bom Synth, Solo: nn ~~ Gynth, pt) 3rd time To Codal © Rebels 64Seven be- for my father's fath = while they at night DS. % al Codal | Rebels -65© Coda] witty. Fig. 1 (Gtes. 1&2) c o i DS.%alCodall ® @ Coda lt A oD) JI dG $—_—" oe bel. Hey, her am c ° ° ° . Repeat & fade Verse 2: Yeth, she picked me upin the morning And she pd all my Heke ‘Then she seretmed inthe car, Left me out in the thicket. ‘Well, Inver would have dreamed “That her heart was 90 wicked, Yeah, but I keep coming back "Cause it's so hard 0 Kick it Hey, bey, hey. (oChorws:)it A WOMAN IN LOVE (It’s Not Me) Ge) AQ) ES DFE Gs AS. Bm A .e eis faite 4 orks RracandMesety Intro: ‘TOM PETTY and MIKE CAMPBELL meres 22 (end Rhy. Fig.) ane Verse: ‘Bm A ee 4 ——_—_—_., 1. She laughed in my — face, told me pood - bye, i 23, See addtional tries. ‘wih oa) Ag) ‘fF 2 las ime) eee ° Seid: “Don’t think a - boat it, you can go ct ». oT ee A Womaaia Love 3 Copyright © 1981 GONE GATOR MUSIC (ASCAP) snd WILD GATOR MUSIC(ASCAP) Titemadonal Copyright Seewed Made inUS.A. Al/Righs Reserved awBe A Oe tose hap pen, a y= thing can end. 2. t——J i - Dont ey to fight ty don't__uy to save____ me She's a woman in Chorus: ‘why. Fig. 1 & tn 3 times) ‘And he's goa 9a Bs To Coda® She don't want 10{ see. know. E i DS.% 5 > She's @ wom-an in 2. But i's nat BS pet A Wornin Love-22DS. % al Coda © Coda wifhy. Figs 1 &ta Ba A D Bs But is pot She's a woman in ‘wiRthy. Fig. 1 & 40 (2 shes) Bm 4 D Bs Bm A D BS jade Verse 2: Verse 3 Buti not me, ‘Time ate time, ‘Wel, aright [Night after aight, Do what you want, She would look up at me Don’t to tk ‘And say she was lonely. Don't say noth’ 1 dont understand the word ody. She used tobe the kind of woman 1 don’t understand what she needed. ‘You bave and you hold, [gave her everything. Se could understand a problem. She threw itall away on nothing ‘She et hele things go. ‘She's a woman in ove, ‘She's.2 woman in love. (To Chonis:) {To Chorus:)STOP DRAGGIN’ MY HEART AROUND Words and Music by Moderate rock J = 108 TOM PETTY and MIKE CAMPBELL Intro om Tom onmil win Rhy. Fig. (end Rhy. Fig.1) BS (Palm mute) os re JT] ITT Ds roe mmm 1 13 mm ze ko (cod Verse I: Bs os AS Bs yon come ‘Knock = in?” om my frent door Same old line you used to ‘Stop aga’ My Wea Aron 3:7 ‘Copyiit © 1981, 1982 GONE GATOR MUSIC (ASCAP) and WILD GATOR MUSIC(ASCAP) Intemational Copyright Secured Made la USA. AIRighs Resrved68 os As ue be fore. 1 said, yeah well ‘what am rpore 1 do? E5 os AS 1 am mew wht Tw ge Chorus c > c > ‘So you had a it de uow-ble in town Now you've keep - in’ some de - mon down, a GB a pao et aaae stop drag- gin) my. sop drag- gin’ my Stop drag: gin’ my, with. Fig. ES ce os Bs os As Verse 2: wiRhy. Fig. BS os AS BS Ws bed to think a boot what you want ~ W's band to think = bout 3, See additional lyrics. os As ES 3 AS ‘what you've los, This docs = n't have to be the (lg “gee = ren 8s os AS BS "This dock nit have to bean yo thing at all. 1 kaow you real -ly want 10 os as Bs os as tell me good-bye, 1 kaow you rel- ly want 10 be yourown gil. ‘Stop gai’ My Hout Aro 3-2Kk 2 ‘Yeah, you'd buck - Je with the weight of the world, _ ‘Stop drag gin? my, D cy on a * 4. ard i. To Coda ® sop diag - gin” my, stop rag ~ gia’ my heat 8 found Interlude: ‘WiRhy. Fig. A (Ist 2 ars) Rhy. Fig.3 BS os as D AS oe cB co é. a6 4 dt L-~ WRhy. Fig. 1 ‘WIR (see page 1) DS. % al Coda BS os as Bs os 4s ‘Ooh. @ Coda WRHy. Fig. 1 WiFi 2 (see page 1) Repeat and fade BS as, As BS os ‘5 ‘Stop drg- giv my Beate - ond. socal ace Ist time) ‘ : Verse 3: “Theres people nnn’ round ous in the weed ‘Ain't got nothin’ bette todo ‘Tan make a teal out of tome brgh-eyed Wi “You need someone looking ae You. now you relly want ell me goodbye ‘ow you ely want tobe your Own ‘Stop Draggi’ My Hear Arcund 33, (To Charus:)70 RU He ofan ant pe Words and Music by ‘TOM PETTY, MIKE CAMPBELL and JEFF LYNNE Bean rock J =144 wiRtny. Fig 1 (3 times) ane Gra § ——————» 2 Ry. Fie t (end Rhy. Fit. D CERES RS bean th fol day, the sun beat down, 23, See addtional iyrics. vwhtrem. bar NARA nin? Down a Dream -7-1 7 g89 GONE OATOR MUSIC(ASCAM, WILD GATOR MUSIC(ASCAP nd EMI APRIL MUSIC INC ASCAP) ToRoon Copyght Secred Made in US.A, Al Rights Reeves‘w/tiny. Fig. 1 time) wilde $6 Chorus: D ead i 1 ee | ase, i runenin’ down dream_—_ that nev = er would come tome, E Gle: 3 fram acoustic guitar i nia’ Down Dream 7-2leads Run- nin’ down @ dream = <—<—<—<—<—<—__- DS. % \\?-wathy. Big. 1 (4 times) Cai To Coda® wikhy. Fig 1 ° gad dre ne — >) = on >) Ds. % \[> DSS. % % al Coda] © Coda w/Rhy. Fig. 1 (Repeat until fade) Bee mn earn’ Down Dre-7340-(16h Ronin’ Down a Dream 7-6ansin’ Down a Deast-7.5Ronni’ Down a Drea -77 Verse 2: felt so good, like anyihing wes possible. Hit the crise contol and rubbed my eyes. “The las thre days, the rain was unstoppable Iwas always cold, no sunshine (To Chorus:) Verse 3 Tralled on, the sky grew dark [po the peda down to make some more time. ‘There's something good waitin’ down this ron. Vm pickin” up whatever is mine (Fo Chorus:)SOUTHERN ACCENTS F pm cD BF BKC Am? Bh Guus CE. lo BEER sc safe fast ft ans a0 ny nE Gen GT Mera! iit rar be pe P Route iach Ballad J =72 TOM PETTY vont F ——e * Piano arranged for girs. 1&2 § Pm cD F Dm ow J 3 ° J J South = em ae cent where come 2.3, See additional ric. from. ‘The young= uns call coun - ty, the Yan + kees___ call it dumb Got my own way of oN Souh = em ac cent where Souter Acres 3-1 CCopyigit © 1984, 1995 GONE GATOR MUSIC (ASCAP) Internatio! Coyeight Seored Made ip US.A. All iahs ReservesB Bk) qe 2. Now that Bridge: Bh pa oD Forjut 2 min - te there T was dream ~ ing For jost’ amin= ute it was Amt Gaus c al real For just a min = wie she was stand + ing there with oe ° DS. % al Coda fe 3. There's a F Dn oD ® Coda — d dVerse 2: [Now that drunk tank in Adana’ Just ¢ mote room to me. ‘Think I might go work Orlando, If them orange groves don’ freeze, [eve got my own way of workin But everything is run With « Souther secent Where came from. Southern Accents-3-3 Verse 3: ‘Thote’s a dream tat I keep havin! ‘Where my mama comes © me, And kneels down over by the window ‘And says a prayer for me. T got my own way of payin’. Bur overy one's begun With a Souther eceent Where [come from.80 I WON’T BACK DOWN Bm Dg PO it, se pe oo es Gee ne OF Words and Music by Moe J tia TOM PETTY and JEFF LYNNE fe (end Rhy, Fig. 1) Ry. Figs Som S771 STN i mm S71 Slide Gtx i tuned: @) =E@)=A @=D gy Verses 1,2 & @-6@-3@-d sriiy Fig 1 times) *Gin2 Ea > 6 En > ° won't back down, You can be tamed a= round, And TL (1) won't__ back down. No 1 @)sané__ my grovnd.__ Won't G) See additional lyrics, * Gte. 2 accompanles 3rd verse, Gtr. 1 plays power chords throughout. En D o Em D of ges of oll, but I won't back down, 2.Now 1 stand___ my ground. *Gtn2 % © ote Chorus: msm TTI SST SSS == St 1 =" & aati ot 1 wont back down He, —| { woo'tbase dows, tnd me up at the keep this world from draggin’ me down, gon- ne ps. * Gir.2 Acoustic gr, enters during ist chorus SIT ams 5 2 1 Bey, 1 won't back down, — way out by, there sin't noc 1 Woe't Back Down - 3-1 {Copyright © 1989 GONE GATOR MUSIC (ASCAP) and EML-APRIL MUSIC, INC.(ASCAP) Interatonel Copyiight Scered Made in US.A. All Rights Reserved81 To Coda @ wR. Fig. o_o Em > 6G STII TINT 7 ene 1 will sand my ground, snd 1 ——_whRhy. Fig. 13 times) Em D 6 D.S.% 1 Em D c e won't back down, 3. Well, 3 Sead won't back down. 1 wont beck down Guitar Soto: Em Dn G Em p> oG D.S.8. $$ al Coda c oe ’ 1 Won't Hack Down -3.282 there sin't no eas - y 1 will 1 won't back — dovin. wiRhy. Fle. 1 Em D 6 Bm D G stand ay ground, sd 1 won't back down, 1 won't back down No 1 won't back down. 1 wow't back down Verse 3: Wel, know what's right 1 got just one life Ina world that keeps on pushin’ me around. Butt'll sand my ground. ‘And f won't back dow, (To Chorus:) Won't Back Down-33Om D Dex AS a eee e * FT o i fH BE Words and Music by Moderate rock d = 82 ‘TOM PETTY and JEFF LYNNE Intro: Rhy. fg. 1 (cad Rhy. fig 1) Bn Bas Em(maj7) Ea Ems sons PITTI ITT2 FITIIITD PITIITT TIT STTI — Gtr. : _ a a SE a * 12string Verse 1: 1. BE dle waited il Rein fthed high tehool.— He went to Hol - ly - wood, as co. ‘Asatte En gt a tat t00, He met gid out there with tat f00 too, Tre c_o 6 2 ¢ 6 Pm a rR rn, fa -tore was wide open, Wo the Great Wide Open 5-1 ‘Copyright © 191 GONE GATOR MUSIC (ASCAP) and EML-APRIL MUSIC, INC-(ASCAP) Tieratonal Copy Secured Mado fe US.A. AU Rghs Reserved84 Gtr wRby. fig. 1 Em Em(onj7) En? Eb Ea Em(naj7) ‘They moved in = to a place they He found a nightclub he could Ray. fig.2 Gtr.2 (Gtr cont. smile) Bat Ené An? OG Asti oc taught Nin some chords. tet the Great Wide Open 5-2vn-dortherskies_ of Out in the great_ wide 0. pen, a To Coda o pp OnR BN BES) ay As c iia TA Fp on rb oe) wih out a clus (end Rhy. fig 30) Verse 2: wiRy. fig. 2 (2 times) (Gtr. 2) endsolo W/Rby. fig. 1 (Gtr.t) Ea? Ea Em En(eaj7) ET Em6 Em Boa) 2, The pa-por sald Bd al-waysplayed fromthe heart He got am a-gert and a Gite (wislide) <— Into the Gea! Wide Open 5-386 (Grr. 1 con simile) En Ens ‘An? CG Antrt O 6 F6) road-fe nemed Bar ‘They made a se-oord and it went in the charts — Gw.2 ‘wiRby. fig. 1 ‘wiRhy. fig. 2 (2 times) co En Ba(a)7) a7 Bus TR TA : tr ig leath-er jack-ot ad chaing that woud jin- gle, Ee Em Emmy) Ea? m6 AmT/P4 c Ant c ‘They bothmet mov-fe stars, par-tled and min-gled, ‘Their A. and R man sed," don't ear a sin-gle” The DS. al Coda Dine D Dae OMT ira A Ath Fao the Great Wide Open 5-4Chorus: & ‘wihy, figs 3 & 3a (Gtrs. 182) f S c Into the gre wide D co F Em. as s Int th Oat Wide Open 5-588 Words and Music by TOM PETTY Moderate rc J = 125 f tat —$———— | A E 5 6. ee oe =. > Rhy. Fig. 1 Gtr A (Goo guts a forore) Let ring throughout ‘wiRby. Fig. 1 (Gtr. 1) Verse: ‘wiRhy. Fig 2 (two thes) PM ea TE ITT) 1 You think you're gon-ma take 2, See additional lyrics = (end Rhy. Flg-2) PM, ’5TT) -—___— with your mon-ey snd your 60 - eaine. ‘You keep think - in” that her Listen To Her Heart 4-1 Copyright© 1997 ALMO MUSIC CORP. (ASCAP) fatematonal Copyegit Secu Madein USA. All Rights Reservedie gonna change, — 1 know ev try thing. Ie (simite rhython) Ws gon-n ell hee what to (end Rhy. Fig.3) To Coda ® tmisrm oy ‘She might need a tot of YOv-Int but she don't need Sy. igs 2 et 2bae on) PSII TTI TIT Listen To Her Hear 4-20 Bridge: Gut 2 tune depestand__ tbat she’s ny aid She's my sith P Solo: win. Fig. 2 (2 times) WIRD. RUT (4 times) AS oe mS 4 | sen To Her Hea -4-3DS. % al Coda Coda —_withy. Figs, 1 & 2 (2 bars only) ‘wiRhy. Figs 1&2 (2 bars only) (Play 8 times) oh, (vocal ad lib) you, Verse 2: ‘You want me to think thet 'm being used, ‘You want ber to think i's over. ‘You can't see it doesn't matter what you do, ‘An’ body you don’t even know her (Fo Chorus) Lien To HerHeart- 4-4THE LOSERS D A & c@ GA. wi i Moderate rock ¢ = 128, Tent Hs ae GF Words and Music by "TOM PETTY Intro momo oom aa, 92 EV poiieten s A ITT SIT 17 iN 2 7 dd ct = = po = ee ef — == = (Well wae news ly Smet WE ce your ook (2) Se addon yi ‘ a =s + wfF 4 Qn a) - 7 2 1 SAS J 1 DAS === = md ve vente Las -64 = Copyright © 1979 ALMO MUSIC CORP. (ASCAP) seen Copp Seed Madeib USA. AIRighs Reserved° wart Gna time) J 7 dA J 1 Dad 2 1 DN sand athe moon, asd 1 D A ° D wil 3 nd time) J 1 dd 2S do thd dtd a poppe jae = = ey showed you sas you neveer could un Babe, 1 coulda have J 0d —— —— been that ext = y 10 for- get a bout me, 2.Ba- by, Baby, @- ven the los - Chorus: D a oO ae gE pet ck, —-y some = times. Ee ven the [os - ven the Losee 6:294, es, keep atte bit of pride, they get Solo: D rN jesssiinsiasstenstansasssauiassiaeaeg : ToCoda® J Hd luck -y some - times. *lasttime Ba-by, e+ veo the los -A aA A GIA A wa 2 1 2 7 dss J 7 dd Rocks hit the water lke bok - en glass, should "a nown__ right then ft was foo A oA we good has, Goa, es sucha drag when you ieee ere ero: SEE D.S.% al Coda fre inthe pa Be-ty, e+ ven the bo = Coda p A G D - a. ons i ds 2 and eee pt luck = y some - times Even he Loses -6-4Be ven the los + on keep a lit te bit of pede They get fuck- y some - times. A o - TM dow Ba-by, e- ven the low ya LN ord d. ors 7 B+ ven the los Evontie Len -65Repeat & fade D A c > A G——(notyrle on repeat) a dd 4 ded 2 dd 4 bd Verse 2: By, time meant nothing Anything seemed real ‘Yeah, you could kiss ke te ‘And you made me feel Like every word yon said was Meant wo be Tecowldn’t have been that easy “Ta forge about me | (To Chonss:) vente Latent 6.698 A FACE IN THE CROWD Gm? Em ap nl, Bat Moderate J = 103 A Words and Music by Intro: aia “tp 1 Tt TOM PETTY and JEFF LYNNE Gmaj? . _eieon Wom wom et) Verses 1, 2, & 3: Caine wi, 2m Teno 7 * 8 1 Be-fore all of this ev = er went down. — stde Gtr, Ceeho) (2nd Verse only) THiasGntuat: O-EO=A@=0 @-6@=3@=v ! Em In an-oth- er place, an- oth ex town Ins to my he in = 10 my life. IN, * Acoustic Side Ger. Slide Gt. is ted: @)=E@) =A @=D @=6@=-3O=0 A Facein ke Crows CCopyight © 1989 GONE GATOR MUSIC (ASCAP) and EMI-APRIL MUSIC, INC. (ASCAP) Thternatonal Copyright Secured Made in US.A.. AU RiaNS ReservedChorus: ‘WIRE A (6 times) D Amt a face in the crowd You were just Amt 8 face in the crowd Om inthe street__ worm 2 BT Ant walk = fag - round. think = ing out foud last time w/RiEE A Em To Coda® Slide Gtr (Ast Verse only) m2 A Face in the Crowd 42100 DS. % al Coda 3 Om of a dream ‘w/RGET A (fade) Coda, Em Slide Gtr. i ‘A Face the Crond-3101 A Facein te Crowd.A oa I NEED TO KNOW E Des, DIO) oo PPE «EE EY, a Moderate rock J = 182 Intro: Gte.2 I Es i Vere ta: r JL db. da? TWellhe tak on the street says you might go 2, See additional lyrics. Gtr - 7:35 .——_. A. Words and Music by ‘TOM PETTY Do > ro pts oe ‘Good friend of mine saw yoo leav Need to Know ‘copyright ©1977 ALMO MUSIC CORP. (ASCAP) Iesematona Copyright Seoued Made INUS.A, AIRS Revved the back door,1 need t know, 1 need to need 1 know) if you think you're gon- na leave then you bet ter say__§0, Teed to (1 need to know) D c i a ce aaa T can bold on 1 you're mak in’ me walt PIs ds oo TNead te Kaow 42aoe ast time w/Rhy. Fig-1 (3 times) To Coda ® ae, pe) D . ve roby Dt bd Se aioe z yo 1 need © know. (need 1 know) (1 need 10 know.) Guitar Solo: A - om BP 2 pe DB j tJ tJ J) Fi J dd m4 ras Need Know 43105 end solo D.S.% al Coda tft sett Seance) EO) ee ete eet Cec Ba-by I need to pe) D E DE De®) a4 pooper PPro ride © Coda know. Ba-by 1 seed to Verse2: ‘Who would have thought hat you'd fall for his fine. All ofa sudden it's me onthe outside, (To Chorus:) [poe| ze YOU GOT LUCKY m9 Am Dag Dm Gus, GG) Words and Music by TOM PETTY and MIKE CAMPBELL Moderate rock J = 114 nr: Rhy. Fig t (end Rhy. Fig. Ano An Dm Dm Gras“ GO) Gis 33S JAI 1 SIdS SS LS BY 3 2nd ime only 1 Verses I & 2: wRby. Fig. 1 (2 times) ‘WF 1 nd verse only) Amo Am Dmg Dm, Gin GG) G7sus 1. You bet ser watch what you bet-ter watch what you do 10 me, | 2.See additonal lyri Rhy. Fig. 2 (end Rhy. Fig. 2) wikhy. Bg. 2 Awe Am Dap Dm Gins_G_, G)_GTaws pas. Git, if you can do bet -ter_ than me, 0. Don't get carried 2 + way. sf mL ‘Yow Got Lasky 44 ‘Copyright © 1982 GONE GATOR MUSIC (ASCAP) nd WILD GATOR MUSIC (ASCAP) nternaonal Copyright Seewed Madcin USA, AllRighs Reserved107 ‘wiFal 2 2nd time) Amt oe ‘Sed ie only Chorus: amit c ant ard ar ard a” Good __ tove Is hard 10 find Good love isshand to find__ You got__ 6 To Coda ® 9 eee se Tuck- y babe, you got luck-y babe, ‘when T found — yoo. WiRhy. Figh. 1 & 2 And Am Dm Dm Gis G_GQ)__ Gru ‘Yoo Got Lucky 42108 Guitar Solo: wih Figs 1&2 times) Ang © Coda Ano ‘w/Rhny. Figs. 1 & 2(6 times) Amo Am “You Got Lucky 43 Am ms Dm m9 Da Gias 6 ots Dm Gres GQ) Gtus Amd Go) _GTsus DS. $ al Coda Da Gras 6 GE) Grew Yeah, — c Go 89 GreusUUs uu MW: ULL 109 am Dad Da Glew G G9) Gisus Amd Am ANA AIRAA YAP Dmg Dm Gras 6.09) Ghss And, Am Dm Da bad wm 3 fade Gisus GG) Gus Amo Am me Dm Gras GO) Gis AW NANA as Verse2: ‘You put hand on my cheek, [And then you tam Your eyes way, you don't fel complete, HT don’t ake you all ofthe way then go ‘Yeah go, but remember: (To Chonws:) You Got Lucky - 44i GUITAR TAB GLOSSARY ™* : - —— | : TABLATURE EXPLANATION i READING TABLATURE: Tablature ilustrates the six srings ofthe guitar. Notes BEND AND i and chords are indleated by the placement of et numbers on a given strinals). RELEASE: i Paay the note mK and gradually : F bend tothe j EY exter | ———— | Be to the orginal note. Only the frst note isatacked. : su @.86rar BixQ nin NEw econ nnn -~ | ; Site tam ro - Benos INVOLVING | MORE | BENDING NOTES P THAN ONE i STRING Play tho rote and > beni string ; HALE STEP: Play SLIGHT BEND while playing an additonal nove (or | ‘the note and (Microtone): Play notes) on another string(s). Upon bend string one | Menceane release, relieve pressure from half step.* + i coe additional note(s), causing original is slightly tothe note to sound alone. Fe] equivalent of nat See : Ep att | BENDS INVOLVING STATIONARY WHOLE STEP: PREBEND NOTES: Play F Play the note and {Ghost Bend): notes and bend sting one Bend to the bend lower ‘whole ste. speciiod nota, pitch, then before the string Fold until is picked | release begins (indicated at the ; point where ine becomes solid. cm | WHOLE STEP Ppt) prepeno ano end AND A HALF: 6 RELEASE: Bend ee Play the note and the string, pay a bend string a be then release to Irnmedia aha A lower note to A ‘ne same pitch as the higher note. a = ‘Wo STEPS: REVERSE BEND: DOUBLE SS Praythe note and Piay the already- NOTE BEND: bend sting two ‘ont string, then Play bath whole steps. immediately crop notes and bet itdown to the immediatly ——| trttad note bend both — stings e— simutanaousy Western musi: itis equal to one fret. See ene ea ie | *A half step is the smatiest interval in | all bap fe Wie sate © 1080 Boner Ne Up Murs | Awhole step equals two frets. Iniaratora Coppigh Seared“ Wasein US AL Rohe Reseqved “By Kenn Chipkn end Aaron Stang« 2 4. $8 om ei ‘thn “Te chor voiings ae fund on the fist page of the transeription ‘underneath the song tie, SF ERITH note Fa indicated onto the SHORT GLISSAN- DO: Play note for its full valve and side in spociied by+ with 2 finger of the pick hand, then pull off to the following note held by the fret hand. direction at the last possible moment ‘witha fret number and a ating indication, ARTICULATIONS HAMMER OW: Play lower note, then “hammer | on1"to higher note with another finger. Only the first note ie attacked. LEFT HAND HAMMER: Hammer on the fst nota played on ‘each string with the eft hand. lower note with ‘another finger, Oniy the first note is attacked. following note, © &e Qo moicarina So Pick ae igi a ibd ‘SINGLE TAP SLIDE: ‘SLIDE: NoTes Same at Sido tho a J) J usiNe fretboard edge of RHYTHM eee tapping, but the pick SLASHES: t thetapped in Very often Fae IES INT toe ol spectied Sig nae re nortan $——————] andomiy direcon @ rhythm part. The note name is EE up the: s of the string indicated above the rythm siash Fe nee mania across the length of he singt). [= nwa ite holding bend, tap onto note indicated. p= ee — oer eowaue toa gan peruse oe tees | | eee Fe Species aes) inate ‘cross al six strings while pick hand stikes specified area (ow, value of the note, jistatme nese = LEGATO: PALM MUTE: steer cau ape ry Boa eral tte t the pick hana Sines oii ea J peso sieeve was ee Pere ne | wes FE: 7 cociead fast as possible. ls seinsland the grace note, TRILL: Hammer on ‘and pull oft consecutively and as fast as possible between the original note ACCENT: Notes or chords are tobe played with ade emphasis, — ‘STACCATO (Detached Notes): Notes or chords are ployed roughly ‘aif their actual value dnd with ‘separation own ‘STROKES: ‘AND UPSTROKES: Notes oF ‘chords are to be played with etthera downstoke of the pick VIBRATO: pitch of a note Is varied by a rapid shaking ofthe fret hand finger, wrist, ‘and forearm, HARMONICS FS tinge ofthe tet hand ighty| touches the note ‘0 notes indicated in the tab and is played by the pick hand. ARTIFICIAL HARMONIC: ‘The first tab at number is fretted, then the pick hand produces the harmonic by using a finger to lightly touch the same string at the second tab ‘number (in parenthosie) and is then picked by another finger. (ism) — Gis) ATFACIAL, “PINCH” HAR. MONIC: Anote i fretted as indicated by the tab, then the pick her produces the harmonic by squeezing the pick firmly whe using the tp ofthe index finger in tho pick attack. parenthesis are found ‘around te fretted note, it does not ‘sound, No parenthesis means both the freted note and A. are heard simltaneousiy TREMOLO BAR =p srecirien INTERVAL: oo ‘Thepitehota ia noteor chord = is lowered to a specified Interval and then may oF may nat return to the original pitch, The activity ofthe tremolo bar is ‘graphically represented by peaks ‘and valleys. uN. SPECIFIED INTERVAL: The pitch ofa rote ora chord is owered to an ungpecitied interval