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  • Blue Salsa-Trombone

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    maarten
    13 views1 page
    This musical score is for a trombone solo piece titled "Blue Salsa". It contains musical notation symbols across 51 measures that will guide a trombone player in performing the song. The score uses symbols like slurs, repeats, and dynamics to indicate how different notes and sections should be played in terms of timing, articulation, and volume. It provides all the information needed for a trombone player to interpret and perform the "Blue Salsa" composition as written by the composer.

    Original Description:

    Original Title

    Blue_Salsa-Trombone

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    This musical score is for a trombone solo piece titled "Blue Salsa". It contains musical notation symbols across 51 measures that will guide a trombone player in performing the song. The score uses symbols like slurs, repeats, and dynamics to indicate how different notes and sections should be played in terms of timing, articulation, and volume. It provides all the information needed for a trombone player to interpret and perform the "Blue Salsa" composition as written by the composer.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    13 views1 page

    Blue Salsa-Trombone

    Uploaded by

    maarten
    This musical score is for a trombone solo piece titled "Blue Salsa". It contains musical notation symbols across 51 measures that will guide a trombone player in performing the song. The score uses symbols like slurs, repeats, and dynamics to indicate how different notes and sections should be played in terms of timing, articulation, and volume. It provides all the information needed for a trombone player to interpret and perform the "Blue Salsa" composition as written by the composer.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 1

    Trombone Blue Salsa

          
               
                 

               
                           
       
    12

         
        
              
         
    To Coda

         
    18

     
         
          
    25

                             

    32

         
                        


    D.C. al Coda


    38

                     
                  
    
    44

            
            

    51

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