Professional Documents
Culture Documents
2021/2022
This dissertation is submitted in partial fulfilment of the requirements for the award of the
degree of BSc in Politics and International Relations
‘I declare that the research contained herein was granted approval by the SPAIS Ethics
Working Group.’
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Dedication
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Acknowledgements
This dissertation would have been impossible without the tireless work of academic and
administrative staff within SPAIS, who have taught me so much and helped my time at Bristol
run smoothly even in the most difficult of contexts. In particular, I would like to thank my
supervisor, Dr Chuka Agboeze, for his advice and guidance while writing this dissertation, and
for encouraging me to critically self-reflect throughout. I must also thank my personal tutor,
Dr Andrew Wyatt, for his practical and pastoral assistance whenever I was struggling. My
gratitude extends to Dr Chris Rossdale, for helping me ground the project in its early stages
Though they must remain anonymous, I cannot thank enough those who happily gave up their
time to be interviewed as part of this dissertation. My intention of using this research to shine
a light on unheard and underrepresented perspectives would have been fruitless without the
memories, insights, and advice that they all shared with me. I wish all of them luck in their
This dissertation was written during a turbulent time in Bristol’s recent history, and I want to
thank everyone who stood against police violence at Bridewell Police Station in March 2021
for encouraging me to study and understand Bristol’s proud history of resistance to injustice. I
can only hope that my research can help us to keep this history alive in our struggles. I offer
solidarity to all ‘Kill the Bill’ political prisoners who the state has punished in order to protect
Finally, I am immeasurably grateful to my friends and family for their tireless advice and
support throughout this whole year, for the long library sessions, and for always being happy
to listen to me talk on and on about riots. I must extend particular appreciation to my Grandad,
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Abstract
Throughout human history, riots have been one of the few aspects of life to remain consistent
and persistent across distinct political systems, socio-economic structures, and cultural
contexts. Their occurrence offers a problem to political science that considers politics as being
that which occurs within institutions, since riots signal an unofficial and illegal form of
discontent that cannot be neatly quantified and exists in opposition to normative codes of public
conduct. Due to this, the importance of riots in political processes is often overlooked or
misunderstood by politicians, academics, and media figures alike. While typically presented as
chaotic and mindless, riots can be spaces of potential in which what is thought to be possible
becomes temporarily redefined. The notion of riots being productive spaces in which
participants can reconsider their identity and relationships to both their immediate environment
With this in mind, this dissertation explores the idea of riots as attempts to reclaim a
community’s right to control their urban space. To do so, it will employ Henri Lefebvre’s
theory of ‘the right to the city’, which argues that communities should reclaim the right to
control their urban environments, but that capitalist economic practices and social relations
prevent them from doing so. By using case studies of two Bristol riots – the 1980 St Pauls Riot
and the 2011 Stokes Croft Riot – this dissertation argues that, in response to a perceived
antagonistic spatial intrusion, these riots represented attempts to practice the ideals of the right
to the city and reclaim control of space for the community. Through this comparison, the
dissertation reveals the changes in power relations that the neoliberalisation of the UK has
produced, and the implications of these changes on urban spatial relations, policing, and the
nature of riots. While there is a blooming interest within urban theory in how neoliberalism
shapes our urban environments, little has been done to examine the position of riots within this.
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Only by understanding previous moments of resistance can we hope to understand how
resistance may change in the politically polarised, economically unequal, and environmentally
unliveable world we face. By tackling such issues, this dissertation aims to promote a greater
understanding of the importance of riots and what they represent in both macro-level political
and economic structures and the micro-level social relations that these structures shape.
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Ethics Approval
On behalf of the SPAIS Ethics Working Group I am able to approve your proposed research.
Research Question: What is the relationship between perceived spatial intrusion and urban
riots in Bristol?
Methodology: Interviews
Date: 13/12/2021
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Table of Contents
Dedication .................................................................................................................................. 2
Acknowledgements .................................................................................................................... 3
Abstract ...................................................................................................................................... 4
Ethics Approval ......................................................................................................................... 6
Table of Contents ....................................................................................................................... 7
List of Figures ............................................................................................................................ 8
Introduction ................................................................................................................................ 9
Chapter 1: Theories of Public Space ........................................................................................ 14
1.i - What is public space? ................................................................................................... 14
1.ii - What is the ‘Right to the City’?................................................................................... 15
Chapter 2: Riot Theories .......................................................................................................... 17
2.i - Mad Crowd Theory: ..................................................................................................... 17
2.ii - Rationality Theory:...................................................................................................... 17
2.iii - Social Identity Theory: ............................................................................................... 18
2.iv - Spatial Control Theory: .............................................................................................. 18
Chapter 3: Pre-riot Spatial Analysis ........................................................................................ 20
3.i – St Pauls 1945-80 .......................................................................................................... 20
3.ii - Stokes Croft Mid-2000s - 2011: .................................................................................. 24
Chapter 4: The Role of Space in the Riots ............................................................................... 27
4.i - St Pauls: ........................................................................................................................ 27
4.ii - Stokes Croft: ................................................................................................................ 32
Chapter 5: Neoliberalism and the Space In-between ............................................................... 38
Conclusion ............................................................................................................................... 42
Bibliography ............................................................................................................................ 44
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List of Figures
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Introduction
In a world where ownership and control of space is becoming more intangible, we must
reconsider how people respond to perceived spatial intrusion. This dissertation seeks to
understand the relationship between riots and urban public space, arguing that riots can contest
control of space and reassert a community’s ‘right to the city’ (Lefebvre, 1968). I will compare
two riots from Bristol’s recent history, namely the 1980 St Paul’s Riot and the 2011 Stokes
Croft Riot, as snapshots of resistance within the neoliberalisation of the UK. The St Paul’s Riot
occurred in response to repeated police drug raids of a café that was popular among the local
Afro-Caribbean community (Joshua, Wallace and Booth, 1983), while the Stokes Croft Riot
developed out of discontent with aggressive policing that accompanied the opening of a Tesco
in a proudly independent area (Reilly, 2015: 756). In both cases, there is a clear sense that
Theoretical Framework
I have employed the theoretical framework of Critical Urban Theory (CUT), which
‘emphasizes the politically and ideologically mediated, socially contested and therefore
malleable character of urban space’ (Brenner, 2009: 198). Specifically, I have used Henri
Lefebvre’s notion of ‘the right to the city’, meaning that urban communities should have the
right to shape their environments but are prevented from doing so by capitalist urban
development (Lefebvre, 1968: 147). This concept has been expanded by David Harvey, who
argues that
the question of what kind of city we want cannot be divorced from the question of what kind of people
we want to be, what kinds of social relations we seek, what relations to nature we cherish, what style of
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Furthermore, I aim to avoid the class reductionism of traditional Marxist urban theory, in light
of Tajbakhsh’s analysis of the dislocation of identities in neoliberal urban spaces beyond class
(2000: 3). This has enabled an understanding of events that exist outside of traditional class
dynamics, which is necessary given the circumstances and the multiplicity of demographics in
the St Pauls and Stokes Croft riots. Furthermore, I have conceptualised neoliberalism as
constituting a process, backed up by ‘the active mobilisation of state power’ (Brenner &
Theodore, 2005: 103), of reshaping urban development toward market-led growth regardless
of the social inequalities such a process produces. The most fundamental aspect of
neoliberalism in this case is the perception of space as a consumable object to be bought and
sold, rather than a commons to be enjoyed and used. Finally, since policing is key in any riot,
I have drawn from critical theories that consider police as enforcers of dominant ideology.
Effectively, the police are tasked with enforcing what the state believes should be done in
particular urban spaces (Raco, 2003: 1872). As such, they are usually the recognisable target
Literature Review
While much has been written on ‘the right to the city’ and on riots as contestations of space,
research using the ‘right to the city’ as a means to understand riots is underexplored. My
research thus expands CUT by connecting this theory to the re-assertion of spatial control in
riots, taking influence from Dovey’s work on public space as a site of negotiating power
relations (2011: 349). Moreover, British riot literature remains primarily London-centric aside
from some Bristol-based academics. For instance, Roger Ball has written on the relationships
between riots and youth subcultures in 1980s Bristol (2012), while Matt Clement has analysed
the Stokes Croft Riot as resistance against neoliberal globalisation (2011). My dissertation
builds on these insights to provide a spatial analysis of riots and urban neoliberalism in Bristol.
The general neglect of Bristol within studies of British riots seems strange given that riots and
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civil disobedience in Bristol often precede events elsewhere in the country (Clement, 2013:
113), even as recently as the 2020 toppling of the Colston statue and the 2021 Kill the Bill
movement. There has also been excellent research on spatial politics within St Pauls and Stokes
Croft, such as Slater and Anderson’s analysis of territorial stigmatisation in St Pauls (2011)
and Buser et al’s research on place-based cultural activism in Stokes Croft (2013). However,
these riots have yet to be compared or analysed through CUT. Through comparison my
research examines the shifts in British urban power relations from 1980, when Thatcherism
was at its inception, to 2011 and beyond where the neoliberal consensus has been ideologically
entrenched.
Methodology
Since riots are inherently contested events, perceived differently by each participant based on
framework aiming to uncover the “truth” of riots. Rather, I used an interpretivist framework
that embraces the emotive context through which spatial intrusion is seen and allowed me to
analyse how perceptions can create conditions for riots. Based on this, I used a mixed approach
of gathering primary and secondary qualitative data, with the primary data gained through
interviews because these individuals’ experiences give them a greater expertise in these events
than myself. I therefore asked them about aspects of the riots or the areas in question, but they
were free to steer this in the direction they felt appropriate. This was important given that
narratives of both riots have been somewhat homogenised in media and academic coverage,
with St Pauls construed as purely a race riot and Stokes Croft as simply an anti-Tesco riot. I
was wary of relying on sources that reproduced such narratives and instead wanted to ensure
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Since my research analyses how perceptions create conditions for riots and stresses the
significance of crowd heterogeneity, I am not claiming that the views given by my participants
constitute an indisputable narrative. Rather, the findings from these interviews represent an
important set of perceptions that have thus far been overlooked. However, I was somewhat
constrained by time and mistrust of academia within networks of people I approached. It was
also harder to find participants to talk about St Pauls, primarily due to the length of time that
has passed since the riot. To overcome this, I was able to draw from other research based on
My interviewees were:
5 St Pauls 130422
Ethics
I considered the ethical implications of this research and the sensitivity of individuals
discussing retrospectively illegal events. I abided fully by the University’s ethical guidelines
interview questions focused on participants’ perceptions of the riots, not their personal actions
during them. I have not included information of personal illegal activity. The secondary
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material was comprised of academic articles, books, pamphlets, and press releases, for which
Structure
In this dissertation, Chapter 1 expands on theories of urban public space. Chapter 2 discusses
riot theories and establishes which a framework for this research. Chapter 3 offers a spatial
analysis of St Pauls and Stokes Croft prior to the riots, while Chapter 4 analyses the role of
space in the occurrence of each riot. Based on this, Chapter 5 situates these riots within the
findings to understandings of riots and urban space. Throughout, I aim to resolve the neglect
within CUT of the overlap between riots and spatial intrusion, especially in a British and
Bristolian context.
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Chapter 1: Theories of Public Space
The form and function of cities is determined by their multiplicity of spaces and the interaction
of people within them (Bodnar, 2015: 2091). Public space thus refers to spaces outside private
ownership and is categorised by free entry into the space, freedom of movement within the
space, and relative freedom of action inside the space (Tajbakhsh, 2000: 174). Since modern
cities are primarily designed as sites of capitalist production and consumption, public space
provides a blueprint for socio-spatial relations outside market logics. As neoliberal urbanism
destroyed and replaced by profitable practices, with public space being no exception (Harvey,
2006: 153).
With cities become increasingly privatised, public spaces offer one of the few remaining
examples of a democratised and accessible commons (Nemeth, 2008: 2463). This is because
spaces in which certain behaviours are incentivised or regulated (Amin, 2008: 7). In
commercialised spaces, consumption becomes the primary function, and the space reproduces
dynamics of consumer capitalism. Moreover, securitised spaces limit behaviour through threats
of coercion, thus strengthening the image of normality upon which neoliberalism relies. On a
macro-scale, racist and classist fears of “uncivil” public behaviour often provoke state-led
urban securitisation, with the police enforcing “acceptable” behaviour (Coleman, 2007: 171).
Within this process, entire urban areas can be configured as spaces in which certain behaviour
is both anticipated and enforced. Such forms of policing reduce the potential for public spaces
to be sites of possibility by monitoring behaviour that falls outside ideological norms. Once we
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recognise public space as a site of interaction, we can recognise its potential as a site for
The ‘right to the city’ refers to the theory that urban populations must reclaim the right to
control the form and function of urban space. Lefebvre argues that this right has been removed
by urban capitalism, which priorities profit as the principal function of space (1968: 61). With
the state willing to use its power to enforce and ideologically legitimise these practices, the
potential to practice the right to the city usually remains elusive. This is especially for areas
that lack the resources, networks, or power to transform their space through the state. In effect,
many urban working-class communities suffer a contradiction where they are ignored in
aspects that could help the community such as housing, employment or the provision of public
spaces and amenities, and acknowledged in aspects that hinder the community like over-
policing and negative media portrayals (Domaradzka, 2018: 608). Areas are thus undesirable
until they become “cool” enough to be gentrified, at which point logics of capital accumulation
are applied by property developers to transform the space into something that satisfies middle-
class sensibilities and resembles the “normality” of capitalist daily life (Balzarini & Shlay,
2016: 505). In both cases, the ability to control space for the collective benefit of the community
is severely restricted. This predicament fuels urban alienation, as people who feel powerless at
It is important to recognise that the right to the city is a collective right, since ‘changing the
city inevitably depends upon the exercise of a collective power over the processes of
community identity like social class, shared workplaces, or common religion, we can see the
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The right to the city is both a means of constructing an alternative to neoliberalism and an end
of ensuring that such an alternative works. To understand this, we must consider urban areas
as spaces that are the sum of their parts. A space is thus defined as much by its buildings, its
shops, or its houses as by its activities, it memories and traditions, and its social relations
(Lefebvre, 1991: 74). Such a conception is integral to our spatial analysis of St Pauls and Stokes
Croft, where community attempts to control space threatened either the maintenance of social
hierarchies or the potential for neoliberal urban development. With this in mind, the dissertation
will now turn toward a theorisation of riots and their function in urban politics.
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Chapter 2: Riot Theories
For centuries social scientists, historians, and psychologists have sought to explain why riots
occur. While the elusiveness of a universal explanation demonstrates the relativity of riots, it
is still possible to identify generally consistent conditions. This section will thus examine
dominant theories of riots and determine an appropriate model for this dissertation.
From the late 19th century onwards the dominant riot theory was Mad Crowd Theory (MCT),
which positioned collective violence as something irrational stemming from an impulsive mob
mentality (Newburn, 2021: 55). In their chaos, riots presented the antithesis to the
Enlightenment pursuit of individual rationality and civility. As such, this theory views riots as
aberrations from well-ordered social and political structures (Benyon & Solomos, 1988: 408).
The emergence of this theory is inseparable from the fear of “mass society” among ruling elites
in 19th Century Europe, who could use it to simultaneously legitimise social control and
delegitimise social reform. Despite the development of more critical crowd psychology, MCT
is consistently invoked by states following riots for the same reason as in the 19th century: to
separate the “rational” state from the “irrational” mob (Stott & Drury, 2016: 1). Such discourse
is rooted in fears of the working-class, with the “riff-raff” of the 19th Century and the “Chavs”
of the 21st Century occupying the same position of danger in ruling class imaginaries. This
illustrates that riot theory is not neutral, and that it can legitimise the same power structures
As a reaction against MCT, social scientists have sought to rationalise riots. In so doing,
researchers attempt to create generalisable scientific methods for understanding riots. The
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analysis of riots as rational actions first gained traction with Meyer’s quantitative research on
the 1960s Detroit Riots, which found that rioters were usually better educated and more
politically active than non-rioters (Meyer, 2011). His conclusions have been developed, with
Holdo and Bengtsson arguing that riots become possible when low institutional legitimacy and
resentment of the police combines with a contentious event (2020: 163). While such models
represent a necessary shift from MCT, the search for scientific objectivity risks over-
rationalising actors to the point of denying their agency while concealing local contexts in
Social identity refers to the ‘part of an individual’s self-concept which derives from his
knowledge of his membership of a social group together with the value and emotional
significance attached to that membership’ (Tajfel, 1978: 1963). This theory proposes that riots
emerge through a crowd’s self-recognition of a shared social identity and shared discontents
against illegitimate outsiders (Stott & Drury, 2016: 23). Interestingly, one of the first studies to
apply this theory was Reicher’s study of the St Pauls Riot, where he concluded that a shared
social identity rooted in a connection to the area of St Pauls explains the riots’ patterns and
targets (1984). While undoubtedly useful in framing the intersection of collective identity with
collective violence, this theory risks homogenising the motivations and identities of rioters and
obscuring the relation between people and space that this research aims to uncover.
While the previously discussed theories generally focus on processes of identity, wider issues
of marginalisation, or short-term triggers, they are not wholly sufficient for understanding the
spatial element of the riots in question. Furthermore, seeing riots as a singular expression of
discontent ignores their position as part of longer processes of changing relations between
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people and their environment. In this context, perceived spatial intrusion is salient since it acts
as both a short-term trigger of rioting and a long-term indicator of social exclusion. Rather than
neglecting the significance of wider issues and attributing the riots singularly to spatial
intrusion, I aim to integrate these ideas through an analysis of perceived spatial intrusion giving
an observable form to general alienation. Since the perception of spatial intrusion varies from
person to person, this model recognises that riots are not homogenous events and that
individuals use their agency to act collectively while representing their own personal
motivations.
This reflects Apoifis’ observations in his study of anarchist movements in Athens, which found
that collective violence can temporarily unify those with divergent views and experiences
around a recognised shared enemy (Apoifis, 2017: 27). Given the multiplicity of demographics
involved in the riots in question, it is fundamental to the utility of this research that
heterogeneity and agency be central to the analysis. Indeed, we will see that claiming that St
Pauls was simply a race riot or that Stokes Croft was only about Tesco obscures the context in
which the riots emerged. The concept of the ‘right to the city’ is integral since it synthesises
divergent perceptions of how space should be used with a convergent moment of collective
violence around which people can unite to defend a space. We will see that in both cases the
desire to re-establish control of the space from a perceived intruder unified actors with distinct
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Chapter 3: Pre-riot Spatial Analysis
To understand the role of space in the riots, we must first understand the context in which
relationships between communities and their areas operated. As such, this chapter will analyse
the dual processes of state top-down attitudes toward the areas and the bottom-up use of space,
as well as the conflictual power relations that these processes produced. We will see that state
practices in both areas reflected a desire for control, yet the differences in how this control
manifested demonstrates the shifting urban spatial relations that neoliberalism has precipitated.
The neighbouring inner-city areas of Stokes Croft and St Pauls, which lie within Ashley Ward
as seen in Figure 2, have developed divergently from the rest of post-war Bristol. This stems
initially from the destruction of St Pauls during the Bristol Blitz and the post-war imperative
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to rebuild the country using a migrant workforce, with this process revealing the contradictions
of British racism. While migrants filled gaps in the labour market and were welcomed as
Commonwealth citizens, there was little desire within white society to mix or allow migrants
to fill anything but subservient jobs (Hansen, 2000: 6). Whether perceived as threatening or
benign, migrants occupied a subaltern position in the British consciousness that persists today,
exemplified in the state’s “hostile environment” that treat migrants with suspicion at best and
violent coercion at worst. With housing in post-war St Pauls largely unfit for habitation, the
local council could satisfy the perceived “problem” posed by migrants by containing them
there. The result was a relatively large Afro-Caribbean minority emerging in St Pauls,
alongside smaller but still significant Irish, South Asian, and Polish communities, and the
existing white working-class British population. As such, post-war St Pauls has been perceived
through an inaccurately racialised lens, seen as a space filled by populations who the state could
In contrast to these perceptions, in 1981 only 1/5 of the population of St Pauls were born outside
the UK (Avon County Council, 1981). Moreover, St Pauls was the centre of multi-racial youth
subcultures and attracted white teenagers to socialise there, with these complex social networks
key in the spread of violence in 1980 beyond St Pauls into white working-class outlier estates
(Ball, 2017: 38). The supposed foreignness of the area occupied an exaggerated position, as
‘for White residents outside the inner city, St Paul’s was a euphemism for a supposedly ‘Black’
area of “vice and shame”’ (Dresser & Fleming, 2007: 159). External perceptions of St Pauls
thus racialised the space and spatialised race, creating an image of St Pauls that linked
blackness with criminality. This image tied into existing national narratives of black
predisposition to crime and generated new localised narratives that configured St Pauls as a no-
go area. That the police, under Home Office instructions, monitored the “law and order” issue
supposedly posed by black immigration to Bristol demonstrates the extent of this perception.
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Bristol Constabulary reports from the early 1960s claim that ‘their way of life is so directly
opposed to ours’, express concern over ‘breeding habits’, and reccomend that ‘the only remedy
appears to be to educate the coloured immigrant to the required moral standard’ (Hackett, 2021:
309). The implications of such colonial attitudes are pivotal in understanding the riot as an
attempt to reclaim spatial control, in so doing rejecting the notion of having daily life governed
by racist perceptions.
Ken Pryce’s excellent study into Bristol’s West Indian community in the 1970s provides an
important pre-riot snapshot of the relationship between community, space, and social exclusion
in St Pauls. Indeed, St Pauls had developed a lawless reputation due to relatively open
prostitution and drug use in the area, with Pryce’s respondents explaining that ‘many
Bristolians think of St Pauls as almost sinister. Even benevolent social workers see us as a
“problem”’ (Pryce, 1979: 26). In response to such perceptions, Pryce notes that
this attitude is completely different from that of the real denizens of St Pauls, the true inhabitants
who know it from the inside…It is the place where they live, the territory on which they hustle
and the only milieu in which they are really “in control” (1979: 26-7).
We thus see the importance of spatial control in St Pauls residents’ identity. Having been
spatially excluded from the city, there was a need to claim ownership of space within St Pauls.
Pryce also notes St Pauls residents referring to the area as ‘the jungle’ or ‘Shanty Town’ (1979:
27), thus identifying the same dynamics of social exclusion present in the working-class
Jamaican neighbourhoods many had migrated from. This reveals the importance of urban space
in creating ‘hybrid identities’ (Tajbakhsh, 2000: 35). While the urban space of St Pauls is
distinct from that of Jamaica, the residents recognised the same colonial dynamics that
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The spatial forms of this exclusion are analysed in a Trades Union Congress report on the 1980
the shoddy nature of the environment was frequently commented on by witnesses, and several
of them used the term “second-class citizen” for the way they felt those who live in the area are
regarded by others…There was a general agreement among witnesses on the disastrous effect
that the creation of the M32 motorway, and its extension on Parkway Road, running as they do
through the enquiry area, have had on the neighbourhood. A large amount of housing was
destroyed, and the divison of the area has had a lasting effect on community spirit...Although
the area has the lowest car ownership in the city the needs of the car always seem to have been
given priority over the needs of pedestrians. Thus the feeder road and the motorway effectively
divide the area by generating a large volume of through traffic (Bristol Trades Union Council,
1981: 6).
Additionally, St Pauls lacked a library, post office, community centre, any public toilets, and
had many empty shops due to the limited financial capital of residents. Furthermore, the
secondary school that had existed in the area was turned into a primary school to disperse
immigrant teenagers to distant white-majority schools. This decision was based on Department
that they were forced to ‘learn good English speech and social habits’ (Hackett, 2021: 321).
Once again, state racism tangibly prevented the development of St Pauls on its residents’ own
terms. What is most striking here is that simply the practicing of daily life in St Pauls was
considered threatening to normative white British values. The state’s attitude toward St Pauls
is thus inseperable from its function of maintaining the racialised hierarchies upon which
British socio-economic practices are built. The fact that St Pauls was not even a majority ethnic
minority area during this time was incidental once it spatially represented the supposed threat
of black criminality. In this sense, attempts to practice a ‘right to the city’ and use space for the
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between the under-investment and over-policing that forms the basis of systemic social
exclusion.
In contrast to the attempt to practice “normal” daily relations in St Pauls, the pre-riot
With the exception of the contentious Tesco Express, Stokes Croft today is mostly populated
by independent shops, restaurants, cafes, and bars. Countercultural attitudes seem on face value
to be built into the physical environment, which is decorated with street art by famous figures
like Banksy, while the area also acts as a centre for nightlife in Bristol with a high concentration
of clubs and pubs. It is thus worth mentioning that Stokes Croft, which is one fairly short stretch
of the A38, is perhaps more of an idea than a clearly defined place. Several of my interviewees,
in explaining that most of the activists who try to define the identity of Stokes Croft and the
people who visit it for recreation do not live there, proclaimed that ‘Stokes Croft doesn’t exist’.
It is a notable contrast with St Pauls, a tight-knitted community with a clear connection between
For decades the area had been ignored by local government, who in 1977 described it as a ‘ring
of dereliction’ (Punter, 1991: 345). However, its contemporary identity began to emerge in the
mid-2000s as part of an attempt by creative activists to transform the space without official
approval. This process was initially carried out by People’s Republic of Stokes Croft, who
began putting art on derelict buildings to challenge the perversity of the council criminalising
street artists for making the area look more appealing (Dobson, 2015: 163). Alongside this
facilitated by the financial crash and its erosion of the capital required for a planned
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the brutal gentrification was stopped immediately. Because suddenly house prices fell. Land
prices started to fall. No one was going to take the risk of any new businesses in that climate.
So it was quite funny watching that happen again. You know, so that opened the space for
Squatters repurposed these buildings themselves into alternative spaces like free shops, pop-up
art galleries, or radical bookshops. The effect of these interlinked processes of reclaiming
control of space without permission was the development of an area in which the ‘right to the
city’ was being effectively practiced, with the council and private sector paralysed to act by the
financial crash. This process reflects what Buser refers to as cultural activism, meaning ‘an
activism that calls upon art and creative practices to disrupt commonly held assumptions and
It is important to note here that before the riot, Stokes Croft and the spatial idea it represented
had not yet entered the national or civic imaginary, with residents and activists fighting against
the narrative of dereliction. This gradual process of challenging the neoliberal narratives of
urban development would be critical in the later outbreak of violence. With this in mind, it
would be reductive to consider the riots as purely ‘anti-Tesco’, or that their purpose went no
further than attempting to remove the Tesco store. Indeed, mobilisation to defend Stokes Croft
from neoliberal development dated back to at least 2007 with a campaign to save nightclubs in
Stokes Croft and have them designated as cultural assets. Importantly, this campaign set the
precedent for non-resident mobilisation within Stokes Croft, since many of these who partied
in Stokes Croft had no stake in the area beyond recreation. With the financial crash halting the
process of closing the clubs and enabling greater squatting activity, this idea of Stokes Croft as
a space of freedom and recreation had time to grow. Without the development of an active
culture of reclaiming and repurposing space prior to the riots, such a willingness to defend the
idea of the space would not have existed (Frenzel & Beverungen, 2015: 1027). There was thus
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a convergence of factors to create a spatial identity tied to creativity, anti-neoliberal political
activism, and acting without official approval through which a willingness to defend the space
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Chapter 4: The Role of Space in the Riots
4.i - St Pauls
Having established spatial dynamics in St Pauls and the racialised configuration of the area,
we must now consider the role of space in the riot itself. As we shall see, the riot contested the
police’s control over the area, reasserted residents’ control of the space, and questioned what
kind of spaces the area should be composed of. For clarity, it is necessary here to provide a
brief narrative the riot. Police raided the Black and White Café on Grosvenor Road, marked in
red on Figure 3, at around 3:30 pm, initially composed of two plain-clothes police officers with
more officers immediately outside and more on alert nearby (Joshua, et al., 1983: 78). The
length of time taken to execute the raid and the fact that the school day had just finished led to
large crowd watching. While there are many accounts of exactly what happened next,
antagonistic police acts like the arrest of the Café’s proprieter led to confrontation between the
police and the crowd that escalated to police vehicles being pelted with bricks and projectiles
(Reicher, 1984: 9). This was followed by fluctuating periods of calm in turn giving way to
27
more similar violence. The night ended with police withdrawal, the burning of a Lloyds Bank,
Firstly, this raid was a contentious act in itself, due to both the symbolism of Grosvenor Road
as a frontline that the community perceived to be theirs by ‘public consent’ (Pryce, 1979: 31)
and because the Café had been the recent subject of repeated police raids on the pretext of
searching for illicit drugs and unlicensed alcohol. This frontline, with the Café at its social
centre, signified an area of spatial control that the population was deprived of elsewhere. It is
important to note here that ‘with a number of similar establishments having been shut down,
the Black and White café was, for many West Indians, the last meeting place they had available
to them’ (Hackett, 2021: 303). In this sense, the Café represented a space free from the
discrimination of British society, in which the community could simply exist. This was
effectively a microcosm of what the community was trying to do in St Pauls, yet were largely
prevented from doing so. By repeatedly raiding one of the few spaces that the community felt
was indisputably theirs, the police became the visible enforcers of the racial hierarchies and
social exclusion that St Pauls residents suffered from. Reicher’s respondents emphasise this
point, with ‘the police seen as making a fundamental attack on the right of the community to
We must recognise here that urban spatial divides are as much physical as they are socially
constructed. While the M32 motorway, for instance, was and is a physical barrier that cuts
through East Bristol, the boundaries of St Pauls constituted a reputational ghetto that cut it off
from the rest of the city. Numerous testimonies state that simply giving a St Pauls address was
enough to cause job interviews to be terminated or for pizza deliveries and taxis to be refused
(Slater & Anderson, 2011: 539). These seemingly mundane activities are significant since they
constitute the processes by which narratives of St Pauls permeated into everyday life and
28
everyday operations, the police were perceived to be actively enforcing this invisible line
between St Pauls and the rest of Bristol. An interviewee elaborated further on this dynamic and
you know you're not being treated the same as the rest of society and once you travel out of
your community, you see that certain things happen around you all in other spaces. And it
becomes very apparent then that you're treated different (Interview – 130422).
Such a function was essentially admitted to by the police themselves in research done by Reiner
in Bristol in the mid-70s, seen most clearly in a local constable’s assertion that ‘if you asked
[police] you’d find 90% of the force are against coloured immigrants. They’d never want you
to do that research and come up with that figure’ (1992: 126). The way in which these
conditions interlinked to produce a desire to control the space is illustrated in Figure 4 below.
Resentment of
exclusionary/oppressive authorities,
desire for freedom within the space
of St Pauls
Figure 4 – Relationships between space and
alienation in St Pauls
29
We can see this process in the way the riot played out. Indeed, while much of the official
narrative of why St Pauls rioted centres around macro-level issues like rising unemployment,
which was roughly 3 times higher in St Pauls than the rest of the city (Ball, 2012: 224), this
ignores the specific socio-spatial context of St Pauls at the time. The composition of black
youth who rioted is important, since they were the first generation to be born in Bristol.
Whereas their parents had been more willing to accept a subordinate position on Britain’s racial
hierarchy for the sake of securing the supposed better life that Britain offered, the youth were
more willing to question why they were not allowed to live freely. An interviewee described
that
the difference with us was our generation was born here, and so we thought we're not having
it. So we have people saying “fuck off you black bastard go back home.” What do you mean,
Indeed, interviewees identified the mistreatment and abuse their parents suffered in silence as
a key motivation for fighting back. Additionally to this, St Pauls during this period was the
centre of a youth culture built around reggae music and Rastafarianism that was inextricably
tied to resisting injustice. This developed out of the need to create informal party venues within
St Pauls because black youth largely would not be allowed into nightclubs in town.
Furthermore, the council’s policy of “bussing” out St Pauls youth to white outlier schools had
a boomerang effect, with many white working-class youth visiting St Pauls for recreation and
breaking down the invisible barrier surrounding it. This eventuated in a shared awareness of
policing as a function of both racial and social control and the impartment of rebellious attitudes
into sections of white working-class youth. A certain level of multi-ethnic solidarity facilitated
by these social connections is evident in the disorder that immediately followed the St Pauls
Riot in Southmead (white outlier estate in North Bristol) and Filwood (white outlier estate in
South Bristol), with white youth taking inspiration from St Pauls to fight the police in their
30
own areas (Ball, 2017). With official narratives configuring St Pauls as a lawless space, this St
as rebellious space. While the authorities saw the riot as a consequence of the area’s
lawlessness, rioters and their external sympathisers saw it as a manifestation of the place-based
culture of rebellion. Especially among Afro-Caribbean youth, workplace racism and job
interview discrimination meant there was not a widespread desire to work, indicated by the fact
that in 1980 only 70 black people in St Pauls were enrolled at the job centre (BBC Points West,
1980). This suggests a view that working legitimised the racist hierarchy upon which such work
was predicated, summed up by young community activist Simba Tongogara after the riot:
Would you spend your life following a system that you know, before you even start, is not
gonna accept anything you try, no matter how hard you try? (BBC Points West, 1980)
While Afro-Caribbean youth bore the brunt of it, the stigmatisation of St Pauls and the
consistency of police harassment was felt beyond those who had “dropped out”. In Reicher’s
research on the riot, a common thread runs through the testimonies of black and white
respondents of all ages in describing the police operation as an “invasion” and ‘seeing
themselves as ridding St Pauls of an illegitimate and alien police presence’ (Reicher, 1984: 14).
The distinctly spatial dimension of the riot is seen in the fact that the riot did not extend
whatsoever beyond the ward boundaries of St Pauls. While this could be seen as residents
reproducing their own segregation, it is more accurate to consider this as displaying a desire
for freedom within the space, in effect a “right to the city” that the state had hitherto denied
them. That expelling the police was considered a pre-requisite for this internal freedom is seen
in the selective looting of buildings seen to be against the community’s interest, most notably
the Lloyds Bank and shops owned by people not from St Pauls, and conversely the protection
and non-looting of black and Asian owned shops (Peplow, 2019). The highly selective targets
31
indicate a level of prefiguration within the crowd, who used the fleeting freedom of the riot and
the absence of the police to demonstrate what kind of space they wanted St Pauls to be. It is
this active attempt to reclaim the community’s right to freely control the space and practice the
Whereas the St Pauls Riot was primarily an attempt by residents to claim control of the space,
the nature of the Stokes Croft Riot is initially harder to determine. Much of this owes to the
space’s liminality, both physically as a corridor between the outer and inner city, and
demographically through the temporality of the squats and the area being a destination for non-
residents to visit for recreation. Such dynamics were heightened in the outbreak of the riot,
Much like in St Pauls, unrest was initially triggered by an antagonistic police operation, with
police trying to evict the Telepathic Heights squat opposite the Tesco site with several riot vans
on the evening of a hot April Bank Holiday. All interviewees described being baffled that the
police turned up heavily in an area where they were not well-liked on an evening when all the
bars were full, the weather was good, and nobody had work in the morning. While the police
claimed that the squatters were planning to petrol-bomb Tesco, no evidence of this was found,
and the fact that they had turned up with reinforcements from South Wales indicates an
awareness that their presence was provocative (Clifton, 2012). As with St Pauls, the operation’s
slow execution caused an increasingly irritated crowd to gather, and also allowed for online
squatting networks to mobilise local squatters to resist the eviction. Rather than a homogenous
crowd opposing Tesco, interviewees said the crowd was largely composed of people out
drinking, locals irritated by the police presence, and local activists who had come to defend
32
against the police incursion. Despite differences in the crowd’s composition, one interviewee
this is about 100 cops, police from South Wales who looked like it was planned with silly
surveillance [vehicles], weird stuff. And it appears to the crowd like they're trying to trying to
dominate our area. They have created a confrontation here, and they have brought tooled-up people
Personal accounts stress that the crowd at this point was observing and playing music, with the
outbreak of violence seemingly triggered by the deployment of riot shields and an attempt to
remove a sound-system from the crowd (Open Democracy, 2011). Several hours later the
police withdrew after sustaining damage and failing to disperse the crowd, leading to
celebrations and the smashing of the Tesco storefront. When the police unsuccessfully
attempted to shut down a screening of footage from the riots in nearby St Werburghs days later,
people began calling for a ‘celebration’ of the one-week anniversary of the first riot, at which
violence again broke out. This second riot was less spontaneous than the first, and testimonies
point toward more concentrated anti-police sentiment, as well as the presence of working-class
youth from elsewhere in Bristol venting their own frustration with the police.
With this in mind, we must interrogate the spatial element of these riots. As we saw in Chapter
4, a spatial identity linking Stokes Croft with freedom was often shared by those who didn’t
live there and arose in opposition to the planned gentrification of the area in 2007. While this
had been stalled by the financial crash, the implementation of austerity by the new
alongside central funding cuts creating an imperative for local councils to prioritise
profitability. Local planning processes thus became increasingly skewed towards big
businesses, despite the fact that any wealth produced would largely be hoarded by these
33
corporations and would not trickle down to the rest of the city (Clement, 2010: 40). This
observation is not intended to absolve Bristol City Council of blame for their planning
development. Indeed, Bristol City Council’s own planning law in 2010 when the Tesco
planning application was submitted dictated that they ‘cannot discriminate between the impacts
of an independent retailer and that of a supermarket’ (People's Republic of Stokes Croft, 2010).
approaches, they will not be able to adapt sufficiently to specific local conditions.
While Tesco was therefore contextually important, its opening intersected with a more general
increase in heavy-handed police evictions of the area’s squats, including a particularly tense
eviction of people squatting the Tesco site itself aiming to halt the construction process. The
logics behind such evictions can only be understood through neoliberalism’s ‘creative
destruction’ (Harvey, 2006: 153). Since these squats were not profitable, they had to be
removed to make way for something that was. That these squats were providing useful
community spaces, free resources, or free activities was irrelevant since they fell outside the
framework of profitability (Frenzel & Beverungen, 2015: 1025). In this development process,
the police are required to act as enforcers for the private sector and the protection of private
property rights. The necessity of the police in this role indicates that the neoliberal project is
intimately reliant on the state’s monopoly on violence to legitimise itself (Newburn, 2001:
832). The way in which these dynamics played out in Stokes Croft points to an increasing
association in the minds of people in Stokes Croft between the police and processes of
gentrification. The two outbreaks of collective violence thus represented a desire from residents
and non-residents alike with divergent experiences and intentions to defend Stokes Croft as an
alternative urban space and a space of escapism, and to fight against a generally disliked police
34
‘[Some people] wanted Tesco's because there's nowhere to buy cheap food around Stokes Croft.
There's nothing here, you know? And so we don't want a fucking fresh and wild or some fucking
This observation in itself reflects the often problematic relationship between cultural activism
and gentrification, with the development of creative spaces transforming an area into
somewhere with an “alternative” image that property developers can then profit off (Frenzel &
Beverungen, 2015: 1033). That Tesco was the flashpoint for the riot was somewhat incidental
and owed more to the nature of the policing operation surrounding its opening, since it merely
signified the processes of neoliberalisation that many in Stokes Croft positioned themselves
I'll say right from the start, I contest the word Tesco's riot, because although it might have some
relationship to the incident, and the Tesco's is why the police were there, it was much more
about the fact that the area of Stokes Croft was being contested. It was about contestation in the
People mentioned the Tesco a lot. It's kind of a point about the gentrification, but I think it is a
relatively minor one. I think it just got a lot of press at the time. But I think the riot would have
happened exactly the same way without the Tesco, and I didn't think it was a necessary catalyst
(Interview – 110422).
Instead, participants pointed to the highly aggressive policing both on the night and in the
preceding months and the link between policing and gentrification as producing the violence.
This speaks more generally to the function of policing under neoliberalism. Since British
policing generally claims to operate by consent, this consent must be obtained. For
communities who benefit from existing socio-economic structures, the police are usually not
problematised and consent for their role in “fighting crime” is largely given. In contrast,
communities who suffer under these structures and rebel against them must be coerced into
35
their consent (Briken & Eick, 2011: 5). This presents a negative construction of consent as
simply the absence of public disorder, rather than approval of policing. Much like in St Pauls,
respondents therefore identified the police as intruders and recognised their function of
violently inducing consent in a community where they feared they were losing control. Here,
crowd heterogeneity becomes highly significant and contrasts with the more defined social
identity tied to St Pauls residence in the 1980 Riot. Despite divergent experiences, different
reasons for being in Stokes Croft, and distinct views on Tesco, the crowd could unite around a
shared recognition of the police’s illegitimacy and a desire to expel them from the space. The
way in which even non-residents felt a spatial attachment to Stokes Croft, and were willing to
A lot of people who fought on that night would have said that yeah, we're not that bothered about
[Tesco], but what we are bothered about is cops thinking they can fucking run the city and take over
our areas…We're not a bunch of atomised individuals. It’s our fucking place. But it wasn't like we
all live here. It's where people do political stuff, squat, go to clubs, go to parties, go to the pub. I
think my feeling is that it was about contestation of spaces. This is our space, our place. Fuck off.
(Interview – 230322).
The nature of this spatial identity is again demonstrated in the property damage that occurred.
As with St Pauls, police vehicles were the primary target while the infamous Tesco was only
attacked following police withdrawal, perhaps in a similar vein of possibility as had prompted
St Pauls rioters to attack the Lloyds Bank. Participants spoke of attacking Tesco as an
afterthought of the riot rather than its purpose, in stark contrast to the media headlines and
academic articles that have dubbed the events as the Tesco Riots. In both cases we see riots
creating a temporary setting in which unwelcome components of the space can be physically
challenged. Riots thus create a dual process of shaping space negatively by attacking that which
36
is unwanted and positively by creating that which is wanted (Duarte, 2016: 166). The way in
which the riot redefined what was thought possible and altered urban spatial relations beyond
In the immediate aftermath of the riot the area felt so much better. People were more chill with
each other. It's like not only had aggression been let out, but it had been focussed in one
direction. One example was just, I've never lived in Stokes Croft, but I lived in Easton, and
there's always varying degrees of antagonism between organised gangs and kids between these
two areas and that was like gone. People crossed the postcodes and linked up and made
This observation reveals the often-ignored notion that riots can, as much as they are destructive
and violent, be temporarily productive and positive means of fighting against alienation,
building community, and reclaiming dignity in the face of oppression. In Stokes Croft as in St
Pauls, the temporary absence of the police acted as a pre-requisite for constructing an inclusive
space and reclaiming the ‘right to the city’ that the culture of squatting, graffiti and public art,
and grassroots community initiatives in Stokes Croft had embodied. Tesco was therefore a
secondary target representing the wider neoliberal order and process of gentrification that the
37
Chapter 5: Neoliberalism and the Space In-between
Having compared the 1980 St Pauls Riot and the 2011 Stokes Croft Riot, we see that their
differences illustrate the changes in urban power relations and policing that neoliberalism has
produced. They both occurred at formative moments of modern British economic history, with
St Pauls occurring against a backdrop of an incipient Thatcherism and Stokes Croft rioting
soon after the introduction of austerity. While these riots could be seen as indicating a desire
for more interaction with the state in moments of its stripping back, responses from my
interviewees and participants interviewed elsewhere suggest a desire for freedom state violence
and the economic inequalities both tacitly and actively enforced by the state.
The most revealing difference between the riots is the distinctions in policing. Indeed, in the
1970s and 80s there was no economic incentive for St Pauls to be policed so aggressively, with
thus upheld British socio-economic-racial hierarchies and asserted the state’s monopoly on
violence over marginalised populations. These policing practices should be situated in the
context of mainland British police learning from the Northern Ireland conflict and moving
towards area policing that could contain and criminalise “unruly” urban spaces (Ball, 2012:
271). In contrast, by 2011 the police had taken on a more overt economic function of facilitating
protecting private property, while criminalising spaces that do not have a productive economic
use (Laub, 2021). Whereas previously the police could keep “undesirable” populations in their
place on the hierarchy, neoliberalism signifies a paradigm shift where these areas become
potential sites of profit accumulation. Indeed, the state learned from 1980s riots that the police
could no longer be publicly seen as racist and therefore constructed discourses of policing by
38
consent, reinforced by images of inclusivity and minority representation that obscure functional
While such a shift requires gradual changes within institutional norms, we can see it tangibly
with the construction of Cabot Circus shopping centre in Bristol, which borders St Pauls. While
a drug gang turf war had been going on for several years, armed police were deployed for the
first time on the British mainland in St Pauls when the planning application for Cabot Circus
had been submitted. The application received preliminary approval in December 2002, armed
police were deployed in St Pauls from January 2003 (Davies, 2003), and official planning
Notably, the planned gentrification of Stokes Croft in 2007 intersected with the opening of
Cabot Circus, as it offered a lucrative route into this centre of consumption. Since there was
now an economic incentive for imposing “law and order” in St Pauls, namely the smooth
construction of a new shopping centre and ensuring that those visiting Cabot Circus would not
witness violence, the police were required to act as enforcers. The proximity of St Pauls and
Cabot Circus is shown above in Figure 5 (Bristol Live, 2020), with the boundaries of St Pauls
running immediately to the right of the proposed site, shown in red. Clement notes that ‘the
39
design of [Cabot Circus] literally turns its back upon St Paul’s by placing all of its public
entrances on the city centre side, while neighbouring communities become new road conduits
In the words of an interviewee, the change in policing practices and state attitudes toward St
They could have always done it. They could have always made it safe. They could have always
This illustrates the tension within neoliberalism between the illusion of normality needed to
maintain a stable consumer culture and the structural violence required to uphold this illusion.
The current gentrification of St Pauls would have been impossible without this shift in state
recalled friends being paid up to £10,000 by the council to leave St Pauls to facilitate new
housing that would attract wealthier demographics, a process they described as an ‘ethnic
cleansing and recolonisation of the community’ (Interview – 130422). While St Pauls may now
be safer from drug-associated violence, residents are not safe from property development that
forces them out of their homes. Having spent decades trying to contain St Pauls, neoliberalism
has incentivised the area’s gentrification and opening to middle-class homeowners and
corporate investors. Such a dynamic is further seen in the fact that spaces like the Malcom X
Community Centre and the Rastafari Cultural Centre have been victims of attempted sales by
the council to property developers in recent years, since their utility cannot be measured in
profit. The extent of gentrification is shown by St Pauls’ 2016 inclusion on property website
Zoopla’s list of the UK’s 10 “Hipster Hotspots” following a 38.5% 5-year increase in average
house price (Glaister, 2016). With this in mind, we can see prescience in Simba Tongogara’s
40
it doesn’t matter how much money you spend within our community if you’re not gonna let us take
an active part in it for ourselves. At the end of the day, we own what we have and it is ours, and we
can use it to the best ethic in our culture here (BBC Points West, 1980).
There is continuity here with the gentrification of neighbouring Stokes Croft, which as we have
seen fully exemplifies the shift in policing toward facilitating neoliberalism. This forms a
process through which communities’ power to control their space becomes increasingly
intangible as the forms of power that govern their lives become increasingly diffused. A
proposed initiative by PRSC called the Stokes Croft Land Trust, which aims to organise
an intriguing example of how place-based resistance adapts to this context (People's Republic
of Stokes Croft, 2022). While people rose up in St Pauls in 1980 because they could clearly
identify the police as agents of social control, the nature of neoliberal urbanism means that
power has spread beyond state institutions, residing in intangible webs of development that,
because they cannot be as overtly seen, cannot be as effectively fought. Interestingly, the Stokes
Croft riot was a rare moment at which the intersection between state violence and neoliberal
economics became visible, with police operating specifically to enable the opening of Tesco
and more generally to suppress non-profitable spaces. That St Pauls youth joined the riot
despite not being part of the anti-Tesco campaign or the local squatting networks reveals
lingering resentment of the police, against whom this was an opportunistic moment to vent
anger. Above all, these riots illustrate the shift from a state-led economic system willing to
exclude “unproductive” spaces and populations toward a privatised economic system that
exploits the potential profitability of such spaces. While its forms and functions have shifted,
policing in both cases remains consistent in its use to protect exclusionary systems over the
41
Conclusion
This dissertation has aimed to reveal the spatial dynamics of urban riots and analyse them as a
means of reclaiming the principles of the ‘right to the city.’ Such a conclusion reaffirms
Harvey’s argument that for urban populations the urge for a ‘right to the city’ arises through
lived experience of urban marginalisation rather than studying and theorising. Rather than
present this as a universal model of riots, the intention has been to challenge the trend within
academic literature and mainstream media coverage on riots towards homogenising narratives.
Instead, I have presented a lens that prioritises crowd heterogeneity and agency, identifies the
complex intersection between macro and micro-level factors, and analyses how divergent
social actors can unite against recognised shared opponents. In both St Pauls and Stokes Croft,
rioters identified the police as illegitimate and united in a desire to control space by removing
them. Moreover, both riots were as tied to localised relationships between community and
environment as they were to wider contexts of oppression and exclusion. This suggests that
riots should be considered as more than general expressions of rage and discontent and that
their potential ability to alter the form and function of community space should be given more
recognition. Rather than being singular and aberrative events, riots are part of wider processes
of renegotiating the production of urban space that exist beyond these brief spectacles of
violence and possibility. Above all, we have seen that the desire to practice a ‘right to the city’
and the perception of spatial intrusion seen to prevent this can act as a key trigger of riots. In a
world becoming increasingly urbanised, increasingly unequal, and in many cases increasingly
unliveable, I believe such findings offer an important lens for understanding both present and
Finally, I feel that these specific riots offer rich findings for further analysis. While it was not
the subject of this project, it is notable that both riots occurred one year into the rule of a new
42
Conservative-led government who in both cases were intent on a weakening of the public sector
and a strengthening of policing power through “law and order” discourses. Examining these
of useful future research. Likewise, literature on British riots could benefit from a critical
discourse analysis of how local and national media responded to these riots to legitimise police
narratives at times in which there was institutional fear of disorder spreading beyond Bristol.
from outside Stokes Croft in the 2011 riot, and how their involvement is situated in their
It must also be said that this dissertation has been researched and written in a context of
increasing state authoritarianism and police power in the UK, as seen in the Police, Crime,
Courts, and Sentencing Bill with its restrictions on freedoms of protest and assembly, its
expansion of police powers like Stop and Search, and its reinforcement of a failing prison
system. It would be reductive to claim this Bill and the March 2021 riot against it in Bristol
have not shaped my research. My hope is that by understanding shifting dynamics of resistance
in previous riots, we are better-placed to understand how resistance will adapt to creeping state
authoritarianism and the role of collective violence in this process. It seems that policing in the
UK is at another critical juncture and, especially in light of the approaching cost of living crisis
and the possibility of climate collapse, it remains to be seen how its functions will shift.
profit regardless of the impact on communities and environments alike depends on our ability
ways of thinking, acting, and interacting that these moments represent, however fleeting they
might be, and harness them into tangible change beyond the temporality and spectacle of the
riot.
43
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