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Meter is the basic rhythmic structure of a line within a work of poetry. Meter consists of
two components:
A line of poetry can be broken into “feet,” which are individual units within a line of
poetry. A foot of poetry has a specific number of syllables and a specific pattern of
emphasis.
English poetry employs five basic rhythms of varying stressed (/) and
unstressed (x) syllables. The meters are iambs, trochees, spondees, anapests
and dactyls. In this document the stressed syllables are marked in boldface
type rather than the tradition al "/" and "x." Each unit of rhythm is called a
"foot" of poetry.
IAMBIC (x /) : That time of year thou mayst in me behold
TROCHAIC (/ x): Tell me not in mournful numbers
SPONDAIC (/ /): Break, break, break/ On thy cold gray stones,
O Sea!
That time / of year / thou mayst / in me / be hold - William Shakespeare's "Sonnet 73"
Shall I /com pare /thee to / a sum / mer's day? - William Shakespeare's "Sonnet 18"
Come live / with me / and be / my love
And we / will all / the plea / sures prove - Christopher Marlowe's "The Passionate Shepherd to
His Love"
All I / could see / from where / I stood / Was three / long moun / tains and / a wood; - Edna St.
Vincent Millay's "Renascence"
To swell / the gourd, / and plump / the ha / zel shells - John Keats' "To Autumn"
With / swift, slow; / sweet, sour; / adazzle, dim; - Gerald Manley Hopkins "Pied Beauty"
Break, break, / break
On thy cold gray / stones, / O Sea! - Alfred, Lord Tennyson "Break, Break, Break"
Slow, slow, / fresh fount, / keep time / with my / salt tears; - Ben Johnson "Slow, Slow, Fresh
Fount"
As yet but knock, / breathe, shine, / and seek to mend; - John Donne "Holy Sonnet XIV"
Given that spondee provides irregular feet to the poetry, it's commonly only used in areas of a
poem.