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Orwellia

A work for modern dance


in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

George Orwell
1984

   
Two Minutes Hate

        
 
 = 112
Agitato assai


Flute 1

 


   
  
    

Flute 2

 


   
  
    
  
Flute 3/Piccolo

 
          
      



   
Oboes

    
 
            




  
English Horn

 
         
    
 



   
B♭ Clarinets

  

   
  


    
       
B♭ Bass Clarinet

    
   
  

Bassoon

        
               
  



  
   

  
   
Horns I & II

    


                         



     
  
  
  
Horns III & IV

    

    
      



   
B♭ Cornets

     
    


C Trumpets

   
      
   
6


 
Fl. 1

  
     

 

 
Fl. 2

       
Fl. 3/pic.    

      
Obs.    

  
 
  
E. Hn.   

      
B♭ Cls.    

      
   
    
      
B♭ B. Cl.

      
     
   
  
   
Bsn.

     
      

  
    
Hns. I,II



               
     
  
Hns. III,IV

  
 
  
B♭ Cnts.   

      
C Tpts.    

       
Tbns.   

      
B. Tbn.    

       
Tba.
   
     
      
9

Fl. 1

    

   
Fl. 2   

    
Fl. 3/pic.       

    
Obs.       

    
E. Hn.       

    

   
B♭ Cls.   

          

     

                    
B♭ B. Cl.

  
     
 

  

 
Bsn.

         
  

    
Hns. I,II

                    
      
  
Hns. III,IV

    
B♭ Cnts.       

    

   
C Tpts.   

          
Tbns. 

    

   
B. Tbn.   

          
Tba.
 
  
    
15
A

Fl. 1

 
    
 

Fl. 2

  
 

   
Fl. 3/pic.

          

               
 
Obs.

       
           


E. Hn.

     

       
B♭ Cls.

          
   
B♭ B. Cl.

                 

            


    
            
     
Bsn.

  II.         
             
       
II.

          
Hns. I,II

             
       
IV. IV.

Hns. III,IV

     
B♭ Cnts. 

      
   
C Tpts.

            
   
   
Tbns.

            


   
B. Tbn.

        


Tba.
      
  
21

Fl. 1

      



Fl. 2

Fl. 3/pic.        

      
Obs. 

E. Hn.        

      
B♭ Cls.   

       


B♭ B. Cl.

       


Bsn.

    
   

Hns. I,II

      





Hns. III,IV

     

 


   
B♭ Cnts.

             

  

   
I.

C Tpts.

       
    
  
 

  


Tbns.

       
            
 

B. Tbn.

             
      
 

Tba.
      
   
       
28 come prima

    
Fl. 1

 
        

Fl. 2

    
        

     


Fl. 3/pic.

     
Obs.  

        

E. Hn.

              

B♭ Cls.
   
        

         
B♭ B. Cl.

  

   
            
Bsn.

     
 
 

  
      
Hns. I,II

  
     
  

  
Hns. III,IV

 
      
      
 

 
B♭ Cnts.

        

     


     
I.

C Tpts.

  
        
     
 

 
Tbns.

     
   


B. Tbn.

        


   
       
 
34


Fl. 1

 
 

        
 

Fl. 2

 
 

  
      
Fl. 3/pic. 
  
        
       


  
   
Obs.

    
            


  
    
E. Hn.

               



    
B♭ Cls.

        




    
        
B♭ B. Cl.

    
   


Bsn.

   
       

    


      

  

Hns. I,II

    
            
    

  

Hns. III,IV

 
      
B♭ Cnts. 

       
C Tpts.  
  
       
 
 
40
B

    
Fl. 1

   

 

Fl. 2

     
 


Fl. 3/pic.

         

       

Obs.

     

 


    
E. Hn.

    


B♭ Cls.

        



    
B♭ B. Cl.

        
   



  
 
Bsn.

    
         


           

   
II.


       
      
Hns. I,II

     
   
 IV.

 
 
Hns. III,IV

   
   


     
B♭ Cnts.

  
        
 
C Tpts.

  

        
  


 
 
Tbns.

      

     


B. Tbn.

       

      
  
46

Fl. 1

     
Fl. 2   

      
Fl. 3/pic.
 

       
 
   
Obs.

       
E. Hn. 

      
 

   
B♭ Cls.

        
    

B♭ B. Cl.

          
    

   
   
Bsn.

             


 
 

            


Hns. I,II

    
  
    
Hns. III,IV

         
B♭ Cnts.  

     
         
 
     
C Tpts.

      

    
Tbns.

       

       
B. Tbn.

  
      
       
Tba.
     

 = 155
52 molto piu mosso e energico

Fl. 1

 
Fl. 2
   

Fl. 3/pic.      

         
      

  

I.

Obs.

     


E. Hn.

             
       
I.

 
B♭ Cls.

            
          


                         
B♭ B. Cl.

             


        
   

       

  
   
  
      
Bsn.

  
Hns. I,II 

 
Hns. III,IV
   

    
B♭ Cnts. 

 
C Tpts.
   

    
Tbns. 

    
B. Tbn. 

    
Tba.
 
    

56

Fl. 1

   
Fl. 2 

Fl. 3/pic.     

         
Obs.        

                
E. Hn.
      

                     
       


   
B♭ Cls.

                     
         
                  
B♭ B. Cl.

   
          
         
            
 
Bsn.

  
Hns. I,II 

Hns. III,IV     

   
B♭ Cnts. 

   
C Tpts. 

Tbns.
    

B. Tbn.
    

      
Tba.
   
           
        
60

       
Fl. 1

  
        


Fl. 2

     


     
Fl. 3/pic.

        
Obs.       

     

 
E. Hn.

              

   
a2

B♭ Cls.

     
   
B♭ B. Cl.

   
           
      
 
        
Bsn.

         
    
a2

Hns. I,II

   
            
 



a2

Hns. III,IV

    



B♭ Cnts.

    
C Tpts. 

Tbns.
     

B. Tbn.
     

       
Tba.
   
              C  
              
65

             
Fl. 1

Fl. 2                     

     
      
Fl. 3/pic.

             
               
Obs.
      

     

 
E. Hn.

  
                               
          
B♭ Cls.

     
      
                        
B♭ B. Cl.


            
         
       
Bsn.

            
        
    
    
Hns. I,II

               
           
 

Hns. III,IV

       
  

B♭ Cnts.

      
 




C Tpts.

       



Tbns.

     


B. Tbn.

     
Tba.

          

                       
70

 
Fl. 1

                      
Fl. 2          

    
   
           
Fl. 3/pic.

       
    
            
I.

Obs.

    
  
E. Hn.

                
              
         
B♭ Cls.

    

  
              
B♭ B. Cl.

                
 
         
  
Bsn.

   
        
 

 
Hns. I,II

    
    

  


Hns. III,IV

      
  
  
B♭ Cnts.

            
              
     

C Tpts.

      

     
Tbns.

   
       
     

 

B. Tbn.

 
          


      
Tba.


        
         
            
       
74

   
         
Fl. 1

         
       
      
Fl. 2


      
      
Fl. 3/pic.

                 
        

  
Obs.

        
 
                 
E. Hn.

                
        
  
B♭ Cls.

    

  
                 
B♭ B. Cl.

     
         

 
Bsn.

  
           
 
a2


Hns. I,II

   
          
   
a2

   
             
Hns. III,IV

   
     
   
B♭ Cnts.

            
      
      
C Tpts.

              
  
    
                 
Tbns.

     
        

                 
B. Tbn.

    
         

Tba.
         
             
            
         
78

            
Fl. 1

            
         
               
Fl. 2

         
         
              
Fl. 3/pic.

    
Obs.     
  





            
   
                    
E. Hn.

   
                      
     
B♭ Cls.

    

       
B♭ B. Cl.

 
                     
    
   
Bsn.

    

       
 
a2


Hns. I,II

  

           
 
a2

         
Hns. III,IV

                   
         
   
   
B♭ Cnts.

            
   
          
C Tpts.

              
           
      
       
Tbns.

         
             
   
       
B. Tbn.

         
              

Tba.
   
    
        
          
82
D

    
          
Fl. 1


         
        
    
Fl. 2

    
      
   
               
Fl. 3/pic.

 
  
        

          
  

Obs.

            
   
        
E. Hn.

                   

      
a2

B♭ Cls.

   
  
B♭ B. Cl.

        
  
            
     
 dim.

    
     
      
Bsn.

        
      

   
Hns. I,II

      
            
 

  
Hns. III,IV

          


              
    
 
B♭ Cnts.

           


        
   

        
C Tpts.

                
Tbns.
    
                  
         
B. Tbn.

Tba.
                  
    
    
87

Fl. 1

     
  
 

Fl. 2

     
 

Fl. 3/pic.

    
Obs. 

     

   
E. Hn.

B♭ Cls. 
        

      
3


 
 
B♭ B. Cl.

     
               

 
(dim.)

    
 
Bsn.

    

   

II.

Hns. I,II

   
  
 



IV.

Hns. III,IV

    

 

B♭ Cnts.

    
C Tpts. 

     

  
Tbns.

         
 
B. Tbn.

       

      

92

Fl. 1

     
Fl. 2 

Fl. 3/pic.       

     
Obs. 

E. Hn.       

     
B♭ Cls. 

B♭ B. Cl.
      

      


Bsn.

Hns. I,II
     

Hns. III,IV
      

     
B♭ Cnts. 

     
C Tpts. 

Tbns.
      

B. Tbn.
      

      
Tba.

 
       

98

Fl. 1

       
Fl. 2  

Fl. 3/pic.         

       
Obs. 

E. Hn.         

       
B♭ Cls.  

B♭ B. Cl.
        

        
 

Bsn.

Hns. I,II
       

        
Hns. III,IV 

       
B♭ Cnts. 

       
C Tpts.  

Tbns.
        

        
B. Tbn. 

        
Tba.

 
          

  = 72
105 Tranquillo


Fl. 1


 
  


Fl. 2

     

 
Fl. 3/pic.

            
Obs. 

 
   



E. Hn.

B♭ Cls.                         
      

     
   

  
       
B♭ B. Cl.

   
Bsn.
 
     


  

Hns. I,II

    
Hns. III,IV 

    
B♭ Cnts. 

 
C Tpts.
   

Tbns.
     

    
B. Tbn. 

     
Tba.

  
      
 
109

  
Fl. 1

     
  


 
Fl. 2

      
 


    
Fl. 3/pic.

      
 

I.
Obs.

        
 


 I.  
E. Hn.

      
B♭ Cls.  

         
B♭ B. Cl. 

         
 

Bsn.

           
Hns. I,II  

       
     

Hns. III,IV 

        
 

B♭ Cnts.

        
C Tpts.  

            
Tbns. 

         



B. Tbn.

         
 


Tba.
  = 
      
E


117

Fl. 1

 
Fl. 2
     

Fl. 3/pic.        

 
Obs.
     

      
E. Hn. 

 
B♭ Cls.
     

      
B♭ B. Cl. 

      
 
 
Bsn.

     
Hns. I,II 

      
Hns. III,IV 

 
B♭ Cnts.
     

      
C Tpts. 

      
Tbns. 

      
B. Tbn. 

      
Tba.
 
                
Julia

      
123 Sentimentale

Fl. 1

     


     



 

Fl. 2

               

 

      
Fl. 3/pic.

           


 
 

Obs.

          
 


     
E. Hn.

      

     
B♭ Cls.

           

 


a2  
B♭ B. Cl.

            
Bsn.
 
             

 
I. solo espress.

Hns. I,II

          



Hns. III,IV

          
B♭ Cnts. 

          
C Tpts. 

Tbns.
            

              
B. Tbn. 

           
Tba. 
  
        

134

Fl. 1

    
  
     

Fl. 2


            

Fl. 3/pic.


  
                   

I. solo


espress..

Obs.

          
       
 

E. Hn.


  
       
   


B♭ Cls.

            

       
B♭ B. Cl.

     
 
 
Bsn.

Hns. I,II                 

         
Hns. III,IV 

         
B♭ Cnts. 

         
C Tpts. 

Tbns.
           

             
B. Tbn. 

           
Tba.
 
   
          
  
144

   
Fl. 1


             


Fl. 2

        
   


Fl. 3/pic.

       
Obs.          

      
    

E. Hn.

  
        
     
I. espress.

B♭ Cls.

         

 

 
B♭ B. Cl.

            
   
a2


Bsn.

        


Hns. I,II

       
Hns. III,IV 

       
B♭ Cnts. 

       
C Tpts. 

Tbns.
         

         
B. Tbn. 

           
Tba.
 
   
     

F
152

Fl. 1

    
Fl. 2        

  
     
 
Fl. 3/pic.

          
Obs.    
      
E. Hn. 
 
           
B♭ Cls.  

        

          
B♭ B. Cl.

    


Bsn.

  
               
I.

Hns. I,II

   
            
 

Hns. III,IV 

     

B♭ Cnts.

     
C Tpts. 

Tbns.
       

         
B. Tbn. 

       
Tba.
 
   
 

158

 
Fl. 1


  
Fl. 2
 


     

       I. 
Fl. 3/pic.

 
Obs.    

    
 
  
 
E. Hn.


B♭ Cls.    
   

     
B♭ B. Cl. 

    


Bsn.

                    
     
Hns. I,II

Hns. III,IV                          
  
B♭ Cnts. 

  
C Tpts. 

Tbns.
    

    
B. Tbn. 

      
Tba.
 
              
  
161

Fl. 1


    
Fl. 2
        


     
      
 
Fl. 3/pic.

 
Obs.        

     
E. Hn.    
  
  
  
B♭ Cls.
 
      
B♭ B. Cl. 

       
  

Bsn.

 
                            
II.

Hns. I,II

        
                            
Hns. III,IV

     
 
 
B♭ Cnts.

   



C Tpts.

Tbns.
     

     
B. Tbn. 

       
Tba.
 
                       
               
165

Fl. 1


                          
Fl. 2


Fl. 3/pic.                            

    
Obs.    

     
E. Hn.  


  
  
B♭ Cls.        

      

     
       
B♭ B. Cl.

    

 
      
Bsn.

Hns. I,II                     


                           
IV.

Hns. III,IV

       
       
  
B♭ Cnts.

   

a2

C Tpts.

     

Tbns.

     
B. Tbn. 

       
Tba.
 
             
    
169

Fl. 1


  
Fl. 2
   


      
 I.     
Fl. 3/pic.

    
Obs.        

     
E. Hn.  


B♭ Cls.                                   

      

                       
                             
B♭ B. Cl.

 
 
                        
Bsn.

     
Hns. I,II

Hns. III,IV                           

   
B♭ Cnts. 

  
C Tpts.
 

Tbns.
     

     
B. Tbn. 

       
Tba.
 
      
    
 
   
173

Fl. 1

  
  
    
 
Fl. 2


      

      
Fl. 3/pic.

       
Obs.      
     
E. Hn.  


  

                       
           
B♭ Cls.

      

                        
B♭ B. Cl.

   
    
                    
Bsn.

      
II. 

                        
Hns. I,II

Hns. III,IV                           

   
B♭ Cnts. 


 
 
C Tpts.

Tbns.
     

     
B. Tbn. 

       
Tba.
 
    

177

Fl. 1


  
Fl. 2
  


Fl. 3/pic.      

   
Obs.    

    
E. Hn.  


  
  

 
B♭ Cls.

         
  
 
B♭ B. Cl.

    
    



                               
Bsn.

Hns. I,II         

                                       
Hns. III,IV
           
  
B♭ Cnts. 

  
C Tpts. 

Tbns.
    

    
B. Tbn. 

      
Tba.
 
         


180

    
    
Fl. 1

 
Fl. 2  


       

         
Fl. 3/pic.

   
Obs.        

      
E. Hn.  


  
B♭ Cls.
    

       
B♭ B. Cl. 

      

 
                               
Bsn.

 


Hns. I,II

Hns. III,IV   
                           
           

     
B♭ Cnts.  

    



   
C Tpts.

Tbns.
     

        



B. Tbn.

          
 


Tba.


        
  
 
185

Fl. 1

    
  
Fl. 2
  


        

         
Fl. 3/pic.

   
Obs.     

       
 
  
E. Hn.


  
B♭ Cls.
          

        

          
B♭ B. Cl.

     
 

Bsn.

     
Hns. I,II 

     
Hns. III,IV 

              
B♭ Cnts.       
     

                         
C Tpts.

Tbns.

                 
B. Tbn. 

                 
 

Tba.
     
   
 
191

Fl. 1

  
  
Fl. 2
   


        

     
Fl. 3/pic.

    
Obs.     

       
 
 
E. Hn.


  
B♭ Cls.
        

        

      
B♭ B. Cl.

     


Bsn.

       
Hns. I,II 

     
Hns. III,IV   
               
B♭ Cnts.       
     

                      
C Tpts.

Tbns.     

                 
B. Tbn. 

                
  

Tba.
      

197

Fl. 1


  
Fl. 2
    


Fl. 3/pic.        

     
Obs.    

      
E. Hn.  


  
    

 
B♭ Cls.

         
B♭ B. Cl.   
      




Bsn.

              
Hns. I,II 

 

          
Hns. III,IV

    
B♭ Cnts. 

    
C Tpts. 

Tbns.
      

      
B. Tbn. 

      
  
 
Tba.
            

202
G

        
Fl. 1

  
Fl. 2   


       

        
Fl. 3/pic.

  
Obs.               

            
 
  
E. Hn.


  
B♭ Cls.
      

       

      
B♭ B. Cl.

    
       

Bsn.

     

 
Hns. I,II

    
Hns. III,IV 

    
B♭ Cnts. 

    
C Tpts. 

Tbns.
      

      
B. Tbn. 

        
Tba.
 
          
   

207

          
Fl. 1

  
 


Fl. 2

     
   


              
   
Fl. 3/pic.

         
  

Obs.

         
     


       
E. Hn.

    
          


B♭ Cls.

      




B♭ B. Cl.

      
  
              
Bsn.

   



 
           
Hns. I,II

                  



    
Hns. III,IV

  
     


B♭ Cnts.

    


C Tpts.

Tbns.
      

        
B. Tbn. 

      
Tba.
 
          
       
212

  
Fl. 1

        
      
 

Fl. 2

           
   

              
Fl. 3/pic.

Obs.                   

              
 

E. Hn.

         
                

B♭ Cls.

      
     

B♭ B. Cl.

            
          

                          
Bsn.


 

Hns. I,II

                      



Hns. III,IV

        

          
  
B♭ Cnts.

      
 

C Tpts.

               

Tbns.

        
  

B. Tbn.

       
    

Tba.

           
                    
Thought Crime

 
216
H


Fl. 1

         
    


          
 

Fl. 2             




 
 
To Piccolo

     
      
       
Fl. 3/pic.

  
              
 
        



           
   
Obs.

 

         
            
          


          
        
             
E. Hn.

                


     
 

       
   
B♭ Cls.

       
 

 


               


  
B♭ B. Cl.

                      
     

Bsn.

 

  
        

            




          
  
  
  
Hns. I,II

  


              

  


       


    
       
Hns. III,IV

       


               



   
B♭ Cnts.



 
            


C Tpts.

      
     
         
220


Fl. 1

    


      
         

Fl. 2

    


 
     
        
     
Picc.

      
                


    
  
Obs.



   
                


       
  
    
E. Hn.

                
 



 
       
B♭ Cls.

        
     
 


       
B♭ B. Cl.

             
 
     

  


 

Bsn.

      
    
       
      


   
 
     
Hns. I,II

      
  
        
      


   
 
     
Hns. III,IV

 
 
   
  


   
B♭ Cnts.

       
C Tpts.      
      
            

223

    
Fl. 1

             

        
Fl. 2

                    
Picc. 

      
      
  

 

 

 


Obs.

   
    
            


     
          
E. Hn.

 
    

  
        
 
B♭ Cls.

         
 
   
  
B♭ B. Cl.

     
   
   
 

Bsn.

        
     
 
 
Hns. I,II

   

    
   
 
       
Hns. III,IV

  
    
   
B♭ Cnts.

   
   
 
C Tpts.

    
 
  
Tbns.

         
B. Tbn.     
   
Tba.
           
I

     
 
 = 155
226 piu mosso, agitato

Fl. 1

     

 
Fl. 2

         
Picc. 

    
 
   
Obs.

   
         
  
      
E. Hn.

 
             
   


    
B♭ Cls.

    

       
 
B♭ B. Cl.

      
      
             

Bsn.

    
   
 a2

Hns. I,II

    
 
    
Hns. III,IV

   
B♭ Cnts.    

    
 

        
C Tpts.

  
   

        
Tbns.

     
        

      
B. Tbn.

  
Tba.
       
 
          
  
230

 
Fl. 1

           


Fl. 2 

     


     
Picc.

   
Obs. 

    

   
E. Hn.

    
          
                 


B♭ Cls.

     
    a2
                
B♭ B. Cl.

       


        
a2

 a2  
Bsn.

 
           
   
Hns. I,II

  
      
a2

  
   

Hns. III,IV

    
      
  
   
B♭ Cnts.

      
     

 
C Tpts.

     
Tbns.   

B. Tbn.
     

     
Tba.

            
         
  
235

             
Fl. 1

        
Fl. 2    

     
   
            
Picc.

                   
 
            
Obs.

   
   
           
E. Hn.

         
B♭ Cls.         
  

       
    
 
           
B♭ B. Cl.


                    


  
Bsn.

      

           
 
Hns. I,II

       
       

    
Hns. III,IV

       
              
    
   
B♭ Cnts.

        
            

    
C Tpts.

   
   
  
  
Tbns.

    
B. Tbn.         

       
     
 
Tba.
             
     
  
239

             
Fl. 1

     
Fl. 2  

    

   
             
              
Picc.

   
    
         
Obs.

              
  
               
         
E. Hn.

       

B♭ Cls. 

     
      
     
           
B♭ B. Cl.

    
       
  
     
 
Bsn.

       

Hns. I,II         

 
       
        
          
Hns. III,IV

     
                    
    
 
B♭ Cnts.


 
      
        

     
C Tpts.

        
   
   
Tbns.

   
B. Tbn.            

       
      
  
Tba.
         
  
     
244

         
Fl. 1

  
    
   
Fl. 2

     
    
     
Picc.

           

   


       
Obs.

    
  
   
E. Hn.

  
 
     
B♭ Cls.       
        

 
                      
B♭ B. Cl.

       
                    
    
           
Bsn.

            
      
         
Hns. I,II

             
   
 
 
   
Hns. III,IV

           
          

B♭ Cnts.

   
               
               
        

     
C Tpts.

               
      
  
  
       
Tbns.

           
         
      
         
B. Tbn.

        
       

Tba.
     
    
        
249
J

      
Fl. 1

 
        
     
       
Fl. 2

     
 
        
Picc.


              
   
I.

 
Obs.

    
       


     
          
E. Hn.

    
         
       
 
B♭ Cls.

     


 
B♭ B. Cl.

          
     
     

Bsn.

    
Hns. I,II 

    

   
Hns. III,IV

   
B♭ Cnts.    

    



       
   
C Tpts.

  
     
  
Tbns.

    
 
     
     


B. Tbn.

  
     
    
   

Tba.
      
  
254

   
Fl. 1

       
 
Fl. 2

        

      
Picc.

Obs.        
  

      
 
     
          
E. Hn.

B♭ Cls.            

     


B♭ B. Cl.

    
         
 
a2

  
Bsn.

    


Hns. I,II

    

  
         
Hns. III,IV

  
       
 
  
B♭ Cnts.

    
C Tpts.     

               
     



  
I.

Tbns.

         
          


B. Tbn.    
   
        



 
Tba.
     
 
      
259

   
Fl. 1


        


Fl. 2

     


Picc.

   
          
       
   
Obs.

          



   
E. Hn.


                 
   


B♭ Cls.

     


    

B♭ B. Cl.

  
            
a2

  
    
Bsn.

                  
 
    



   
Hns. I,II

                       
  
  


  
Hns. III,IV

    





   
B♭ Cnts.

     
          



   
C Tpts.

 
           
     
       
Tbns.

    
B. Tbn.
   
     
Tba.
 
        
     
 
  

    
264

                 
Fl. 1

Fl. 2  
        

    

                 
Picc.


                  
    
    
Obs.

            
         
E. Hn.

    
  
     
     
          
       
B♭ Cls.

      
  
                
  
B♭ B. Cl.

    
              
 
 

Bsn.

    
         
      

Hns. I,II

    
         
      
Hns. III,IV


             
  
           

B♭ Cnts.

  
  
      
C Tpts.

  
      

     
  
      
       
Tbns.

         
      
B. Tbn.
 
          
 
Tba.
      
                
  

K
268

           
 
Fl. 1

   

 

Fl. 2

     
 

        
        
Picc.

   
Obs.                

     
 

  
E. Hn.

  
       
            


     
B♭ Cls.

     


  
 
B♭ B. Cl.

      
      
   
 
Bsn.

   
        


    
  
 
Hns. I,II

  
        


    
     
Hns. III,IV

          
    


  

B♭ Cnts.

    
       

 
 
C Tpts.

            

   
  
Tbns.

      
   

B. Tbn.

 
      
 
273

Fl. 1

     
Fl. 2  

     
Picc.  

     
Obs.  

    
E. Hn.   
      
B♭ Cls.  

    
B♭ B. Cl.
  

     
   



Bsn.

       
 
 II.

Hns. I,II

     


 
IV.

Hns. III,IV

     
 

B♭ Cnts.

     
C Tpts.  

      
Tbns. 

      
B. Tbn. 

      
Tba.
  
    


278

Fl. 1

    

 

Fl. 2

    

 

Picc.

    
Obs. 

    
E. Hn.  
 
B♭ Cls.     

         
 
 

B♭ B. Cl.

     
 

  
Bsn.

   
Hns. I,II  
      




Hns. III,IV

    
 


B♭ Cnts.

    
C Tpts.  

    
Tbns. 

    
B. Tbn. 

     
Tba.
 
   
       
 
282
L

 
Fl. 1

        



Fl. 2

    

     

  
Picc.

    
     
      
espress.
I.

Obs.

         
 


  
E. Hn.

        
B♭ Cls. 

          
B♭ B. Cl. 

    
Bsn.
             

            
        
 


I.solo

Hns. I,II

          

 piu 

Hns. III,IV 

         
  
I.

B♭ Cnts.

         
 


C Tpts.

          
Tbns. 

          
B. Tbn. 

          
Tba.
  

     

291

Fl. 1

     
Fl. 2 

      


Picc.

    
Obs. 

E. Hn.       

      
B♭ Cls. 

B♭ B. Cl.
      

      
 

Bsn.

     
Hns. I,II 

     
Hns. III,IV 

     
B♭ Cnts. 

     
C Tpts. 

Tbns.
      

      
B. Tbn. 

      
Tba.

   
   
          
297
M

Fl. 1

          
    


   
Fl. 2

             


 
Picc.

           



     
a2

       
Obs.

                  



E. Hn.

 

       
   


   
B♭ Cls.

           
     


   
B♭ B. Cl.

       
 


   

Bsn.

                


    

Hns. I,II

                


    


Hns. III,IV

      
  
a2 

   
B♭ Cnts.

          
    


C Tpts.

               
 
         


Tbns.

               
  


         
B. Tbn.

           

   

               

302


Fl. 1

   

 
Fl. 2            

      

 
Picc.

  
 

               
 
  
Obs.

E. Hn.                 

      
        
  

 


   
B♭ Cls.

      

        
B♭ B. Cl.

                     
                             
  
Bsn.

 
Hns. I,II      



     
   
    
Hns. III,IV

 
                  
 
B♭ Cnts.

 

 
C Tpts.     

                
 
 
Tbns.

  
  
            
 
B. Tbn.

  
               
Tba.

    
            
 
      
 
306

      
      

   
Fl. 1

 
  
      
Fl. 2  

      

 

     
       
   
Picc.

      
   
                         
 
Obs.

E. Hn.       

 


             
         
                
B♭ Cls.

      
 
     
     
B♭ B. Cl.

   
   

       
        
    
 
 
Bsn.

     
  

Hns. I,II

 


   

      
Hns. III,IV

 
                      
   
   
    
B♭ Cnts.

  
            
   
  
C Tpts.

                
    
      
 
 
Tbns.

      
          
     
 
B. Tbn.

     
  

    
         
Tba.
  
       
  
  
310

  
Fl. 1

      
   


Fl. 2

     
  


  
Picc.

      
Obs.       

  

      

 

 


     
E. Hn.

    
      

  


B♭ Cls.

      
 



     
B♭ B. Cl.

       
          
    

Bsn.

     
      


Hns. I,II

 
          
   
Hns. III,IV

     


   





  

B♭ Cnts.

    
     

  
         
C Tpts.


    
  
a2

     
Tbns.

     
       



     
B. Tbn.


  
        


   
Tba.


  
  
   
   
315
N

  
  
Fl. 1

       
  
  
Fl. 2

       
    
Picc.

           
                 
    
    
Obs.

                   


E. Hn.

              
               
             


 
 
B♭ Cls.

     
            


     
 
B♭ B. Cl.

            
            


    
a2

                    


Bsn.

         
        



                       
Hns. I,II

       



     
Hns. III,IV

         
                  


  
 
B♭ Cnts.

     


                    
                    
                  
 
C Tpts.

     
     
                        
       

Tbns.

           

B. Tbn.               

  
   
320


Fl. 1

  
  

Fl. 2

     

  
Picc.

    
    


  
Obs.

         
  
E. Hn.

  
        

 
B♭ Cls.

       
 

B♭ B. Cl.

       
   
  
Bsn.

     
   
  
 
 
Hns. I,II

     
   
  
 


Hns. III,IV

    
   



  
B♭ Cnts.

     
   



  
C Tpts.

         
  

Tbns.

   
      
  
B. Tbn.

         
Tba.
   
Flute 1
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

© 2020 Joe DiRienzo


George Orwell
1984

 
Two Minutes Hate

      A 
Agitato assai
 = 112

  
                    

           
 

    
            
come prima
19


             B
  

      
       
 = 155

  
molto piu mosso e energico
34

                         
    

                   
C
64

                          
                            
   
71

           
                
     
        
78

2 © 2020 Joe DiRienzo


 
       
    Tranquillo
   
       

          
  = 72


84
D

               
E   

   

 
 =  Julia Sentimentale
109

            
   

     
         
F

   
136

                                         
 


  
164

               
             

    

171


              G         
     
184

                                          
   
206

H    
 
             
 

       
                                    
Thought Crime
216

  I  

           
               
 = 155

  
piu mosso, agitato
224

           
                   


 
   
 
236

© 2020 Joe DiRienzo 3


      J      
                             

246

           
        

256



   K                
       
        
266

  
   

        
                   
   
282
L M

   
 

     
                      

        
304

   


     
 
         
313
N

4 © 2020 Joe DiRienzo


Flute 2
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

 
Two Minutes Hate George Orwell
       A 
Agitato assai
 = 112

   
           
1984
      
 

© 2020 Joe DiRienzo



  
    
come prima

        
          
19

    
  

        
       
 = 155


B

 
molto piu mosso e energico
35

                        
   

                   
64
C

                   
          
   
                    
    
71

           
                
      
78

  D       
              
     
  = 72

   
Tranquillo
84

                 
    

E   

    

 =  Julia Sentimentale
113

                 
   

                       
149
F

             


                    
 
166

 
                       
  
188
G

2 © 2020 Joe DiRienzo


          
                        
 
207

 
    
           
     
    
                         
 

 
216
H Thought Crime

   
I

          
                    
 = 155

             
piu mosso, agitato
223

           
                   
 





  
236

      J    
                               
 
246

           

           
256

           K
                   



 
      
265

     
             
 

      
 
L M

    
279

         
 
 
           
                  
   
  

 
304

  
    
    


     
314
N

© 2020 Joe DiRienzo 3


Flute 3
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

 
Two Minutes Hate George Orwell
       A 
Agitato assai
 = 112

   
           
1984
      
 

© 2020 Joe DiRienzo



  
come prima

          
      
    
19

        
 = 155 C 

    


     

molto piu mosso e energico


B

 
35

             
                  
 

   


77

    D        Tranquillo
    
  
E

       
   
  = 72

   
 = 
83

  
 

         
F

              
Sentimentale
124 Julia

 
  To Piccolo

      
Thought Crime

                
                   
166
G H

 

       
I

   
  
 
                                    
 = 155

    
piu mosso, agitato
221

        J  
  
                      

     
236

           M  
     
             
251
K L



2 © 2020 Joe DiRienzo


  
        
 
                  
300
N

 
322

© 2020 Joe DiRienzo 3


Oboe
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

    
George Orwell
                1984
      
Two Minutes Hate

        
A

   
Agitato assai
 = 112

     

 

   
       
  


 
           
come prima
16

© 2020 Joe DiRienzo


      

  

              
   
B

            
34

      


                                    
 = 155
I.
52 molto piu mosso e energico

             
                                    


                  
60

      I.  
                                     
              
C


69

            
                                
          
76

     D   
                        
               
  = 72

       
Tranquillo
81

                     
  
E

      

 = 
108 I.

  

  

                    
I. solo

    
126
Julia Sentimentale espress..

               I.     

               
 

        
F
146 I.

                         

         
       
 
171

2 © 2020 Joe DiRienzo


 
                   G         

           
184

                              
                    
206

       
                               


     
                 
Thought Crime
H

       
215

     
           
 

  
           
                          
   
220


      


                 
I

      
               
        

 = 155

  
piu mosso, agitato
228

             
      
J I. 

                             
240

               
 
                        
 
250

      
    
       
     
                                     
261

                    

         



                   
espress. L

 
268
K I.

              
              
 M  

           
290 a2



© 2020 Joe DiRienzo 3


                            
     
                                         
     
 
305



     
    
          
                             
N

         


314

    

4 © 2020 Joe DiRienzo


English Horn
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

George Orwell
         
        
Two Minutes Hate

    1984
  
   

     

Agitato assai
 = 112
A



                  
          
        
 = 155

 
come prima

  
19
B molto piu mosso e energico

  

© 2020 Joe DiRienzo


 
                           
    
C

   
58

      
    
          
                     
  = 72  = 

  
82
D Tranquillo Julia Sentimentale

  

                            

133

    
               


             
 
156
F G

        
                                    
     


  

211
H Thought Crime

                                 

   


                  
219

           


                     
    
 = 155

           
piu mosso, agitato
226

                        
           


      
240
J

      

   
        
           

252

      M      


 
        
267
K L

 

2 © 2020 Joe DiRienzo


     
    
                               
301



                                     
       
313
N



© 2020 Joe DiRienzo 3


B♭ Clarinet
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

       
George Orwell
                  
Two Minutes Hate

             1984   
Agitato assai
 = 112 A

    

      
                  


     
       
come prima
26

     

© 2020 Joe DiRienzo

      
             
 = 155

     
B I.

         
42 molto piu mosso e energico

 
 


                                  


   
56 a2

          
                                     
          
C

   
64

                   
     
                             
   
70

                             
                               
  
76

     
        a2         
      
                 
D

    
82

  I.    
3



                        
        
  = 72
105 Tranquillo

   

            
E

 
      
Julia

         
 = 
117 Sentimentale I.

        
            
  

                 
 F

 
148 espress.




                                                   
           
168

2 © 2020 Joe DiRienzo


      
              
               
174

  G                       
                        
196

             
  
                                   
 



H

   
Thought Crime

       
215

  
     
               
  

    
 
                              


     

220


        
  

     
I

         
                          
       
 = 155
227 piu mosso, agitato

            
      
                              

233

                       
                     
         
239

                          
       

                            
249
J

 
                  


                               
             
257

  K   
       


 
         
        
     
      
267

  

© 2020 Joe DiRienzo 3

                            
            
L M


283

       

 



                                 
    
                
306



                     
                                      
N

   
314

   

4 © 2020 Joe DiRienzo


B♭ Bass Clarinet
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

    A  
George Orwell
       1984
         
Two Minutes Hate

       
Agitato assai
 = 112

 


       
   
             
 
come prima B

   
17



© 2020 Joe DiRienzo


                  
           
 = 155

  
49 molto piu mosso e energico



                      

         
C D

   
56

       
 dim.

     

     

  = 72  =  F


Julia

 
Tranquillo Sentimentale


88



      

            
    
     
Thought Crime


G H

 
180

  I

  
                 
            
 = 155

 
piu mosso, agitato

   
220

   


            
           
J

    
236


     
        M 
            
       
K L


265



 
 

              
     
    
N

     
299



  
                  
  
318

2 © 2020 Joe DiRienzo


Bassoon
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

           
George Orwell
 
              1984
               
Two Minutes Hate

  
Agitato assai
 = 112

        
           

   A   
     
    
               


                
11

            

© 2020 Joe DiRienzo


            
                          
come prima

   
B

        
29


 
     

           
                   



 = 155

                          
47 molto piu mosso e energico

  
                        
      
                          
     


            
57

 
            
                
             
        
        
        
C

    
65

     
    
                     
                     
           
71

                                        
           
77

    D           
           
                
        
83

      
 
         
  = 72

               
Tranquillo E 

      
a2


105
 =  Julia Sentimentale

          
    

    
        

138
a2 F

                       
                                 



168

2 © 2020 Joe DiRienzo


                            
                    
     
172

       
                  


       
        
178
G

   
                        


          
204

                    


                                
 

 
H Thought Crime

   
      
216


 
       
 

     a2   
I

    
                                   
  = 155 

          
piu mosso, agitato

 
223

    a2   
                             
  


       
231

          
              
                    
                                   
 
236


                J 
                                
                   
     
245

     
   
                                    
254 a2 a2

  
   
 
                        


                 
                   
K

  
264




© 2020 Joe DiRienzo 3
      
     
               
L M

   
275

  


      
                                   

 
                   
301

    
               
                             
           
   
307

   

      
       
  

                   
N

     
315 a2

 

4 © 2020 Joe DiRienzo


Horn in F 1
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

  
 
  

                         
George Orwell

           
Two Minutes Hate

  
          
Agitato assai

     
 = 112

 
1984
  

        


   
                 
    
A


       
10 II. II.

© 2020 Joe DiRienzo


  
       come prima
  
    
                            

  
       
27



              

  

   
 

         
             
 = 155 a2



B II. molto piu mosso e energico



44

        
              
                


  
C

     
63

 
  
                 
           
  
     
73 a2 a2

                 Tranquillo

     
          
  = 72


     
D


82 II.

   
  

             
E

       
 
I. solo espress.
 =  Julia


115 Sentimentale

   


                                   
F

         


152 I.

 

                                          
                 
161 II.

                                   

                                          

167

                                                     


174 II.

                          
   
                                      

180

2 © 2020 Joe DiRienzo


                   
                               
G

    
199

 
                
Thought Crime 
                            




H

      
213


     
I

  
 

 


                          

  


      
 = 155

        
piu mosso, agitato

       
219 a2


           
        
     
    

a2

     
230

                            

            
J

       
241

          
                        
   
        
258

      
 
  


                        
               
K L I.solo

 
268 II.



                           
   

  


     
piu

 
288
M

                                      



     
N

 
307

     


           
   
319

© 2020 Joe DiRienzo 3


Horn in F 2
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

  
                        
 
George Orwell
  
                 
Two Minutes Hate

   1984    
 
Agitato assai
 = 112

      


   A IV. 


       
                                   
 
 
8

   

© 2020 Joe DiRienzo


  
        
          

       
IV. come prima

 
16

 
  
          
  



 

        
                  
     
B

     
IV.


34

  

 


 
                     

       
 = 155 a2

   
molto piu mosso e energico
49

  C    
    


                  
 
 



67

 
 

                           
         

76 a2 a2

            
E

  
        
  = 72

         
84
D IV.
Tranquillo  =  Julia


  


F

                       
Sentimentale


132


                                       
160


                                  
164 IV.

                       

                                              
169

2 © 2020 Joe DiRienzo


                                                    
176

 
                                    

180

 
                        
    
                              
G

      
199

     
                               
H Thought Crime  
 


                      
    
215

    


   
I

   
 

                    
        
a2  = 155

       
piu mosso, agitato

     
221



                                 
       
  
237

        
                    
          
J

      
247

   
   
                     


          
   
K

 
263 IV.

       
 
 

                   


     
      
 
L M


278

          


                
 

         

304
N



© 2020 Joe DiRienzo 3


                  
                  
   
317

4 © 2020 Joe DiRienzo


B♭ Cornet
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

     
George Orwell
                  
Two Minutes Hate

                  1984 
Agitato assai
 = 112



             


   
                
A come prima B

 
15

 

© 2020 Joe DiRienzo


      
               
    
     
 
C

  
 = 155

      
molto piu mosso e energico
52

            
                         


               
      
78

              



        
F

   
  = 72  = 

 
D Julia

 
Tranquillo Sentimentale
84

    
                                


              

166

                       
           


         
194
G

    
                            
 

          
H Thought Crime

   
216

      


            
                  
 = 155

                   
piu mosso, agitato

       
227

 
      
                
                               
J

 
240

   
                               
               
    

253

      



         


      
                
   
265
K L I.

   

2 © 2020 Joe DiRienzo
       
                   
        
M

           
291 a2



         
     
                                         
N


307



      
         
                          
316

  
 

© 2020 Joe DiRienzo 3


C Trumpet
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

     
George Orwell
              
           1984  
      
Two Minutes Hate

   
 = 112
Agitato assai




   
                   
A

           
15 I. I.

 
 

© 2020 Joe DiRienzo


        B 
         
          
       
     
32 come prima



 


                             
 
 = 155 C


                     
molto piu mosso e energico
52

               
 


                                   
77
D

E 

     
      
  = 72  =  F

   
Julia


Tranquillo Sentimentale

 
105 a2

  
     H  Thought Crime      

                                
G

   
202

 
I

       
     

     
                   
 = 155

        
piu mosso, agitato

    
224

      
           
                             
J

   


239



                    
       


                 
258
K

 
   M     
               

      
        
L

 
273



2 © 2020 Joe DiRienzo


         
                           
                  
N

      


307

  
     

  



  
319

© 2020 Joe DiRienzo 3


Trombone
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

       
George Orwell
 
                  
Two Minutes Hate

               1984  
Agitato assai
 = 112



               
                        
  
A

  
come prima

    
15

   

© 2020 Joe DiRienzo


           
 
 
 
  



 
      
   
 
      
 = 155

   
B


molto piu mosso e e


35

         

                           
 

     
       
C

 
69

         
                       


            
          
79

                    
E

          
  = 72 F


85
D Tranquillo  =  Julia Sentimentale

 
                                        
 
187
G

   
                                          
  
      
Thought Crime


215
H

 

        
I

  
                   
    
 = 155

       
piu mosso, agitato
223

       
       
                                      
     
         
J

 
241


         
                       


             
       
250 I.

 
          K   
                           
 


    
                
260

  

2 © 2020 Joe DiRienzo
   
    
 
                   

   
  
272
L M

 


                                             
  
 
305

N       
     
                                         
     
314 a2



   

322

© 2020 Joe DiRienzo 3


Bass Trombone
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

      
George Orwell
                      1984
    
Two Minutes Hate

      
Agitato assai
 = 112 A



       
                   
           
 
come prima

   
17

   

© 2020 Joe DiRienzo


           
            
 

 = 155 C

     
38
B molto piu mosso e energico

                                       
 

        
71

                                        


           
77

     
                    
  = 72
D

      
Tranquillo


83

   
E  

                    
F


117
 =  Julia Sentimentale

 
                       


  
192
G


        

          
                

H Thought Crime

   
216

  


                       

 


 = 155

           
piu mosso, agitato
227

         


        
             
         
J

 
243


                                   
  


          
253



2 © 2020 Joe DiRienzo


     M
                  
         
K L

   
264

 

     
              
      
           
        
299



      
                              
        
     
N

 
307



           
                     
     
316

© 2020 Joe DiRienzo 3


Tuba
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

    A 
George Orwell
      1984
              
Two Minutes Hate

   
Agitato assai

 
 = 112




   


             
      
       
    
come prima

  
18

 


© 2020 Joe DiRienzo


           
             
         
B

            

37

  
    
 

     


      
 = 155


molto piu mosso e energico C

          
51


                          
         
 

         
73


                                  

         
78

     
       

  
   
  = 72  = 


D Julia

 
Tranquillo Sentimentale

     
84


                              



156
F

 
                


  
        
G H

   
195 Thought Crime





 
I

 
            
    
 = 155

           
piu mosso, agitato

        
218

   
       
             
              



229

    
                         

                  
J

 
246


2 © 2020 Joe DiRienzo
    
        
      
          
K

    
257

  

                   
                

       
L M


284



      
    
                       
 
        
         
306

             
                          
N

      
315

© 2020 Joe DiRienzo 3


Timpani
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5


George Orwell
               
                  1984
Two Minutes Hate

       
Agitato assai
 = 112

  


 
                   
             

A

   
9 come prima

 

© 2020 Joe DiRienzo


  
                      
  
B

   
33

 

                                         

 = 155

    
51 molto piu mosso e energico


                             


  
C

      
61

                             
     
72


                             
D

        
83



                          
        
93

 E  

        
dim.

            
  = 72  =  F

 
Julia


Tranquillo Sentimentale
103

 
                       

             
G H
202 Thought Crime

   I

                                     
 = 155

     
piu mosso, agitato


223

                                         



              
230

2 © 2020 Joe DiRienzo


                                
             
   
237

       
                             

J

    
245




                                 
  
K

           
263

    
    
             
L

 
272

  

                              
              
289

 

                                
M

          
296

 cresc. 



                     
         
    
303

 N
                                   
    
   
313

 

© 2020 Joe DiRienzo 3


Glockenspiel
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

    A  
George Orwell
  
              1984
      
Two Minutes Hate


Agitato assai
 = 112 come prima

              
  = 72

        
 = 155 C D E

 
Tranquillo
35
B molto piu mosso e energico
 = 

© 2020 Joe DiRienzo


         
             
F

 
118
Julia Sentimentale G H Thought Crime

      
  
                
 = 155

  
piu mosso, agitato
218

       
            
 
247
J K L M

 
  
  
308
N

2 © 2020 Joe DiRienzo


Tambourine
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

                                        
Two Minutes Hate George Orwell
     1984     C
Agitato assai
 = 112

                             molto piu mosso e energico


   



 = 155

       
12 A come prima B

                            
 

        
70

© 2020 Joe DiRienzo


                         

         
81 D

   
E

         H Thought Crime
   
           
  = 72  =  F

   
105 Tranquillo Julia Sentimentale G




I

  
                      
              
 = 155

            
221
piu mosso, agitato



                                      
         
233

              L        
      

246 J K M

  
 
314 N

2 © 2020 Joe DiRienzo


Cymbal
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

                         
George Orwell
  
Two Minutes Hate
Agitato assai
 = 112 A come prima

1984
E

                  
 = 155 C

  
molto piu mosso e energico   = 72  =  F
35 B D Tranquillo Julia Sentimentale

© 2020 Joe DiRienzo


I

                        
G

  
 = 155
202 H Thought Crime piu mosso, agitato

              L  M        
     
241 J K



    
  
308 N

2 © 2020 Joe DiRienzo


Concert Bass Drum
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

             
George Orwell
                  1984
        
Two Minutes Hate

   
Agitato assai
 = 112 A

                    molto piu mosso e energico



       
  = 155

       
32 come prima B

                          
 

        
63 C



© 2020 Joe DiRienzo


                   
        
79 D

 
E

        
 
    H Thought Crime
     

  = 72  =  F

    
96 Tranquillo Julia Sentimentale G

 


I

                                piu mosso, agitato


  
 = 155

          
217

 

                          
    
       
229

                      L  M     
 
  
244 J K

 

                N     


     
   
300



2 © 2020 Joe DiRienzo


Tam-Tam
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

                         
George Orwell
  
Two Minutes Hate
Agitato assai
 = 112 A come prima

1984
E

     

          
 
 
 = 155 C D   = 72  = 
35 B molto piu mosso e energico Tranquillo Julia Sentimentale



© 2020 Joe DiRienzo


I

                       
F

        
 = 155
156 G H Thought Crime piu mosso, agitato

             L  M        
     
239 J K

    
  
308 N

2 © 2020 Joe DiRienzo


Grand Piano
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

    A  
George Orwell
      1984     
           
Two Minutes Hate

  
Agitato assai
 = 112

    
   
                 


© 2020 Joe DiRienzo


      
             
  
       
 

 
come prima
22

    
     
      
 

()    

    B     
         
 
 = 155 C D


  = 72

  
molto piu mosso e energico Tranquillo
43

       
        
 


             
 



     H  
E

      
         
      
F
 =  Julia Sentimentale G Thought Crime
117

     
       
            

   
I

   
                     
 = 155

     
piu mosso, agitato
223

   
  
      
          


   

       
        
   
  


241
J K

     

        
   


 

2 © 2020 Joe DiRienzo


   
 
   
     
    
284
L M N

   
 
   
     
    

© 2020 Joe DiRienzo 3


Violins 1
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

           
Two Minutes Hate George Orwell
                         1984
         
      
Agitato assai
 = 112

           
 

    A       pizz.         
      
       
arco

             
come prima

       
12

  

© 2020 Joe DiRienzo


        B  pizz.
                           
 
          
34

 

  
                           
 = 155


arco

            
48 molto piu mosso e energico

      
                          
    


         
56

                         
                   
62

                    
       
                                  
C
69

          
     D          
  
  = 72

  
Tranquillo
78

                   
E

         
117  = 

              
        
 Julia 

  
Sentimentale
126


                               

144
F

  
   
                  
    
158


   
                                         

178

2 © 2020 Joe DiRienzo


        
                       
 
185


                                           
200
G

                                


     

206

   
        
                       
           
Thought Crime

  
H

           
215

              

                
       


   
                   
222

   
                                    
   
 = 155

    
228 piu mosso, agitato

          
                 
             
234

           J   
           
            
243

  
   
   
252

       
                                          
259

        

                


     
K

 
267

  

© 2020 Joe DiRienzo 3


         
             
             
M
L

  
283

  

    
       

                                       
300

 
       
 
                                        
307

              
                       

                  
N

  
314

 

4 © 2020 Joe DiRienzo


Violins 2
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

                  


                 
George Orwell
  
 
Two Minutes Hate

           1984
  
Agitato assai
 = 112




 
 
 
 
 
 
 
     
                   
          
       
10
A

 


© 2020 Joe DiRienzo


        
 
                        
 
               
arco

   
30 pizz. come prima arco

            


 
  

              
  = 155

 
    
B molto piu mosso e

     
40 pizz.

    
                       
              
arco

 
57

                 C 
     
                  


                
63

                                        
              
70


E

                        
  = 72  = 

       
D

   
Tranquillo
81

 Julia       
          

   
122 Sentimentale


                 
 

 
       
139

    
                       
F

 
155

      

                                   
177


                             


        
184

2 © 2020 Joe DiRienzo



       
           
                  
193


               
G

           
                         
201

    
                         
   
   
 
  
  
207

             
                                    
               
H Thought Crime

   
216

      
                              


         
      
222

 
I

        
                            
 = 155
227 piu mosso, agitato


                              
            
233

  

                                    
      
J

 
242


        

                   
251

                 
               
258


         


        
               
K

          
266

 

© 2020 Joe DiRienzo 3


         
           
 
 
L

 
278

  

     
                                        
   
298
M



   
                  
         
                     
305

  
     
 
 
 
 
               
        
          
N

 
312




  
     

321

4 © 2020 Joe DiRienzo


Violas
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

         
Two Minutes Hate George Orwell
                       
           
   1984    

Agitato assai
 = 112

       


        A  
                  
               
10

 

© 2020 Joe DiRienzo


              
                  
arco

               
come prima arco

     
24 pizz.

          B    
   

                   
       
38 pizz.


                         
 = 155
arco

            
51 molto piu mosso e energico

      


        
                       
           
57

               
                                            
C

 
63

                   
                         
         
70

            
    
          
           
80
D

  
       

     
            
  
      
 
90

dim. 
E

    
  
      
   
  = 72  = 
105
Tranquillo Julia Sentimentale

     
        
  

       
135

2 © 2020 Joe DiRienzo


           
                  
151
F

 
                        
    
163


                 
           
    
  
191

      

    
                                
G

           
201


 
 
 
 
 
 
 
 
 
 
 
      

                   

207

            
                                            
Thought Crime

    
H

         
216

        
I




               
               
 = 155

            
223 piu mosso, agitato

                                
    
     
229

     
  
                                              
   
236

  J   
   
                        
                     
   
247

                                                
254

© 2020 Joe DiRienzo 3


           
                                      
K

           
261

 

   
      
                     
269

  

       
                         
M


L

         
280



         
         
                        
302

               
    

          
308


               
                          
N

         
315



4 © 2020 Joe DiRienzo


Violoncellos
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

           
Two Minutes Hate George Orwell
            
                         1984
Agitato assai

 
 = 112

 

      A       
                              

11

 

© 2020 Joe DiRienzo



 
 
 
    
                                       

arco
come prima arco

    
30 pizz.

   
      B 
                      
     = 155
arco

 
40 pizz. molto piu mosso e energico

                  


             
53

                                     
             
58


                                     
             
  
64
C

                                      
        
70

                                
                      
76

    D      
          
   
  
82


      
                         
89 Div.

 

 
dim.

   
                      
 
  = 72  = 

     
            
Tranquillo
96

      
      

 
     
118
Julia Sentimentale

 

2 © 2020 Joe DiRienzo



                             
    
142
F

   
                      
    
158

 
                   


      
G

   
184

 
                              
  
203

             
                                          
Thought Crime

   
216
H

              piu mosso, agitato


I

        


        
       
 = 155

 
224

 
                                       

230

    
                                         
  
236

    J
                         
               
 
247

          
                                      

258

      
                      
K 

         
267

 
dim.
© 2020 Joe DiRienzo 3
         
     
             
276

    
(dim.)


                          
M


L

       
281



           
                                          

  
303

               
          
   
308

                                        
   
N

       
314



4 © 2020 Joe DiRienzo


Contrabasses
Orwellia
A work for modern dance
in concert form for
symphony orchestra.

I. Two Minutes Hate


II. Julia
III. Thought Crime

penne vodka

2 + 2 = 5

    A 
    
George Orwell
       1984
      
   
Two Minutes Hate

           
Agitato assai
 = 112

 

                  
                 
    
arco

       
come prima
24 pizz.

  

© 2020 Joe DiRienzo


               
           
 = 155 arco
B

  
molto piu mosso e energico
39 pizz.

    
                                           
     
           
63
C

                                      
        
70

                                
                      
76

    D      
                                      
  
82

                                    
           
89 Div.

dim. 
E

  
                           
  = 72  = 

         
     
Tranquillo

  
96 arco

     

            


    
Julia Sentimentale


119

      

                       

151
F


                       

       
   
171



2 © 2020 Joe DiRienzo


 
                             

186
G

                                   
   
H


205 Thought Crime

       
                             


   
218

               


                 
 = 155

 
228 piu mosso, agitato

  J    
           
                
    

239

   
   
                               
253

     
                 
K

             
266

     
         
 


           
276
dim.

       
(dim.) 

                          
M

 
L

     
281

         
                                            


   
303

                                         

N

    
310



© 2020 Joe DiRienzo 3


    
        
   
319

Nov. 2020

4 © 2020 Joe DiRienzo

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