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DANZÓN

No. 2
Arturo Márquez Arr. Álvaro Caballero

       
Flute 

      
Oboe 


  Solo        
                
Clarinete en Si♭        

       
Bassoon

        
F Horn 1 & 3  

      
B♭ Trumpets   

       
Trombón

Timpani
       

          
Claves                   

       
Güiro


              
                       
  
  
   

           
Piano

   

  
  
                
               
pizz.

      
Violins I

           
                       
pizz.

Violins II

   

                     
     
pizz.
Violas


           

          

pizz.

Violoncellos

OMA Danzón No. 2 by Álvaro Caballero OMA


7      
2

Fl. 

Ob.       

  

                       
 
Cl. Si♭         

      
Bsn.

       
F Hn. 1 3 

      
B♭ Tpts.  

      
Tbn.

Timp.
      


Clv.                            

      
Gro.


             
                        
    
              

      
Pno.

    


           
Vlns. I                          

    

                          

Vlns. II

     
                   
   
Vlas.

        

            
     
 
Vcs.
  

OMA Danzón No. 2 by Álvaro Caballero OMA


13
3
     
Fl. 

     
Ob. 

    
                    
Cl. Si♭
    
3 3 

      
Bsn.

       
F Hn. 1 3 

      
B♭ Tpts.  

      
Tbn.

Timp.
      

      
Clv.                      

      
Gro.



                        
          
3

 
3

 
     

         
Pno.

       
  

 
                        
                
3 3


Vlns. I


                    
Vlns. II        

                       
 
Vlas.

            


            
Vcs.

OMA Danzón No. 2 by Álvaro Caballero OMA


19
4
          
Fl. 

 
           
  
                    

Ob.
  

  
 

           
       

Cl. Si♭

           
Bsn.

       
                    
     
F Hn. 1 3
 


B♭ Tpts.             

           
Tbn.

Timp.
           

          
Clv.              

           
Gro.


            
 
          
  
Pno.

        
     

Vlns. I

               
       
pizz.
Vlns. II

                     
 
pizz.
Vlas.

          

          
 
pizz.
Vcs.

OMA Danzón No. 2 by Álvaro Caballero OMA


26 
5
     
Fl. 

            


                 
Ob.

          
                 
 

      

Cl. Si♭


    
 

     
Bsn.
  
 

     
             
F Hn. 1 3
  

 
 

B♭ Tpts.        

       
Tbn.

Timp.
       

     
Clv.                

   
           
Gro.


       

       
Pno.

      
       
arco

Vlns. I

  
 

            
arco

Vlns. II
             

    
 

                        
arco

   
pizz.
Vlas.

      
 

 
                     
arco

  
pizz.
Vcs.
 

OMA Danzón No. 2 by Álvaro Caballero OMA


32                      
6

Fl.        

           
     
       

Ob.

        
Cl. Si♭         

          

Bsn.
 


                 
F Hn. 1 3
          

     
B♭ Tpts. 

     
Tbn.
 

Timp.
     


Clv.      

          
                       
Gro.


     

     
Pno.

                      
Vlns. I    
   

               
Vlns. II             

                   
Vlas.

       
    
Vcs.
        

OMA Danzón No. 2 by Álvaro Caballero OMA


     
37            
7

Fl.    

 
 3 3

   
          
Ob.  

   
                
3

Cl. Si♭

        
 3


Bsn.
 

  
                     
3

F Hn. 1 3


3

    
B♭ Tpts. 

     
Tbn.
 

Timp.
     


Clv.      

      
                        
Gro.



3 3

     

     
Pno.

       
         
Vlns. I     

 
 3 3

             
Vlns. II         
 3 3

Vlas.                   

      
     
Vcs.
  
    

OMA Danzón No. 2 by Álvaro Caballero OMA


42           
8
     
Fl.       

           
Ob.
 

  
Cl. Si♭                 

        

     
Bsn.
 

        
F Hn. 1 3               

    
B♭ Tpts.     

  

    
Tbn.
 

Timp.
       


Clv.        

       
                 
Gro.
 


 
           
    
       

 

    
 
       
    
      

Pno.

           
     
Vlns. I
     

      
Vlns. II               

                 
Vlas.

          
 
Vcs.
     

OMA Danzón No. 2 by Álvaro Caballero OMA


      
48      
9
    
  
 = 124  = 132
Fl.

            

     
Ob.   

         
              

Cl. Si♭

              

    
Bsn.
   

          
                    
            
               
F Hn. 1 3

          
 

          
       

  

    
     
            
 
B♭ Tpts.

          
 
Tbn.
        
     

        
Timp.
       
       

       


       

Clv.

       
Gro.


 
        
                              
              
             
               

          
Pno.

          

        
Vlns. I 

             
 
                
arco

Vlns. II
          

   

             
      
arco

                  

Vlas.

   
  

   
                 
    
arco

        
Vcs.
 

OMA Danzón No. 2 by Álvaro Caballero OMA


55 
10
      

 = 136
Fl.

       
Ob.  

        
Cl. Si♭   

        
Bsn.

           
     
                                 
                   
F Hn. 1 3

           

                 
    
  
        
 
   
                  
B♭ Tpts.

      
    

      
        
Tbn.

          
    
Timp.
              


Clv.        

       
Gro.


  
                                      
                        
             
     
   
Pno.

   

  


        
        

Vlns. I 

                  
                             
arco

           

Vlns. II

                   
Vlas.                                       

            
                  
  

     
arco

      
Vcs.
 

OMA Danzón No. 2 by Álvaro Caballero OMA


                   
            
11

 = 144

      
62

   
Fl.

                 
          
   
      
     
   
Ob.

 
           
               
  
                
Cl. Si♭

                    
   

         


Bsn.
        

   
 
       
    

F Hn. 1 3

       

           

B♭ Tpts.

     
      


Tbn.
 

     
         
    
Timp.


Clv.       

      


Gro.

        
                               
   
   
        
   
Pno. 

   

              

                           
arco

Vlns. I

    
   
 

   
                               
Vlns. II

              
        


Vlas.                         

               
           
          

     
Vcs.
 

OMA Danzón No. 2 by Álvaro Caballero OMA


              
                
    
 
12  = 170

 
    
68
Fl.

                    


   
sub  

Ob.      
      
   

         
sub  

      
          
            
       
Cl. Si♭

        


            
sub

      


     
 
Bsn.
sub 

              
         
F Hn. 1 3
          

     

 
sub 

B♭ Tpts.     


        

   

    
sub 

      
Tbn.
    
sub 

       
         

Timp.


sub  

            

Snare Drum - Rim shot

Clv.

  
 

               


Gro.


 

 
                
         

       
Pno. sub 


                    
           
 
             
Vlns. I 

  
      
sub  

  
                       
Vlns. II
           

   
sub 

                               
Vlas.           

               
sub  

         
Vcs.



sub 

OMA Danzón No. 2 by Álvaro Caballero OMA


            
73               
13
  
Fl.    

     
 
        
  
Ob.     

        
Cl. Si♭         
      

 

         
         
Bsn.
   

            
                            
          
   
F Hn. 1 3

           
                        
         
Voz de arriba

 
B♭ Tpts.

 
              

     
           
Voz de abajo

Tbn.
    

      
                          
      
Timp.


 3

                


     
  
C. Clar.

        
  

                                     


Gro.


  

      

      
Pno.

                   
 
                
 
                
 
Vlns. I      


  

            


Vlns. II
                                               

                                               


  

Vlas.                        


  

               
                      
Vcs.

OMA Danzón No. 2 by Álvaro Caballero OMA


                         
79         
14
    
Fl.      

                      

Ob.            

           
         
 
      

Cl. Si♭     

                      
        
Bsn.
     

                          
                          
F Hn. 1 3
              

   
           
         
   
B♭ Tpts.


  
 
         
        
Tbn.
   

           
                
     
3
Timp.


 

                    

C. Clar.

                


  

                           


Gro.


  

      

      
Pno.

                                          


          
Vlns. I   

         
 

          

                                              
Vlns. II
         

                            


 

               


Vlas.             

   
  

         
            
Vcs.
     

OMA Danzón No. 2 by Álvaro Caballero OMA


    
85  
15
      
Fl. 

  
       
Ob.     

  
             
Cl. Si♭
  

    
      
Bsn.
 

 
      

             



   

      

       
F Hn. 1 3

 
                

   
               
       

B♭ Tpts.

           


        
       
             
Tbn.
     

      
        
            
Timp.


3

                     

C. Clar.

        

                            


Gro.


     

     
Pno.

 
                  
   

         
Vlns. I      
 

  
 

                
                                
Vlns. II

                                       


 

Vlas.                             
 

         
            
Vcs.
       

OMA Danzón No. 2 by Álvaro Caballero OMA


     
90             
16

Fl.   

   
               
Ob.   

     
Cl. Si♭                 

     
        
Bsn.
  

       
         
F Hn. 1 3
 

     
B♭ Tpts.                 

            


           


  



  


Tbn.
   

        
   

Timp.


            
 
C. Clar.

             


              
Gro.


                  
      
   

 
 
                   
      
 
Pno. 


 

       

               
Vlns. I         
       

                 

              
       
  
Vlns. II

         


 
              
   
Vlas.

                     

       
 
Vcs.
  

OMA Danzón No. 2 by Álvaro Caballero OMA


96
17
     
Fl. 

Ob.       

      
Cl. Si♭  

      
Bsn.

       
F Hn. 1 3 

      
B♭ Tpts.  

             


             
     
3 3

Tbn.

Timp.
      


C. Clar.       

        
                                    
Gro.


3 3

    
           
                 

 
    
           
            
3


3

   
Pno.

  3


3

                  
Vlns. I                

    
              
3

      
3

 
Vlns. II            
3


3

       3
                           
    
3

Vlas.

                                
      
Vcs.
 
3 3

OMA Danzón No. 2 by Álvaro Caballero OMA



102   
18
     
Fl. 

  

Ob.        

  

     
  
  
Cl. Si♭


   

     
Bsn.

        
F Hn. 1 3     


   

     
B♭ Tpts.  

     
              

         
Tbn.
 
 

Timp.
      


C. Clar.       

           
                   
Gro.


 

 
                   
           

 
  
                
    

     
Pno.

   

                    
Vlns. I     
                  

                 

               

    
Vlns. II 
 


                                    
  
 
Vlas.

 
                        
 
 

   
 
Vcs.

 

OMA Danzón No. 2 by Álvaro Caballero OMA


               19

108                

     
    
 = 172

Fl.

         
    
 

    
Ob.     

            

    
       

Cl. Si♭

 
                    

Bsn.
 

      
             
F Hn. 1 3
       
        
  
 

B♭ Tpts.

        
     

       
Tbn.

 

Timp.
                               


 

C. Clar.       
A Platillos
         

  
            
 

        
Gro.


 
            

   
             
Pno.

         
  
    


    
 

 
 
       
                 
     
Vlns. I

   
   

 
   

  
                     
Vlns. II                 
         
                     
 

 
     
Vlas.
 
   
   
  

               
Vcs.
        
 

OMA Danzón No. 2 by Álvaro Caballero OMA


            
114                 
20

Fl.     

     
 
        
  
Ob.     

        
Cl. Si♭         
      

 

         
         
Bsn.
   

        
                             
           
 
F Hn. 1 3

       
                          
         
Voz de arriba

 
B♭ Tpts.

 
                  

 
         
Voz de abajo

Tbn.
     

      
                          
      
Timp.

 3 


                      


A Caja de concierto

  
C. Clar.

        
  

                                     


Gro.


  

      

      
Pno.

                   
 
                
 
                
 
Vlns. I      


  

            


Vlns. II
                                               

                                               


  

Vlas.                        


 

                 

               
Vcs.
   

OMA Danzón No. 2 by Álvaro Caballero OMA


                 
120         
21

Fl.         

 
                
Ob.         

       
Cl. Si♭                        

   
                   
Bsn.
    

                  


                
          
F Hn. 1 3
          
 
   
         
 
      

 
  
B♭ Tpts.




  
 
  
       
        
Tbn.

         
        
              
3
Timp.


 

                   

C. Clar.

        
  

                            


Gro.


  

     

     
Pno.

                                         


                       
Vlns. I 

               
 

        

                                   
Vlns. II
         

                          


 

       

 
Vlas.            

 
  

          
        
Vcs.
  

OMA Danzón No. 2 by Álvaro Caballero OMA


    
125           
22

Fl.    

        
  
Ob.    

   
Cl. Si♭               

        
    
Bsn.
 

        
                       



    
     
F Hn. 1 3


                

 

       
    

B♭ Tpts.

                   


             
Tbn.
   

    
        
             
Timp.


3

                  

C. Clar.

     

                                


Gro.


     

     
Pno.

 
                            
    
Vlns. I        



                       
                                  
Vlns. II

                                       


Vlas.                       

 

        
         
Vcs.
         

OMA Danzón No. 2 by Álvaro Caballero OMA


         
130       
  
23

Fl.       

 
              
      
Ob.   

      
Cl. Si♭                      

        
         
Bsn.
   

          
              
    
F Hn. 1 3

        
       
                

B♭ Tpts.

     
       
               
            
Tbn.
    

         
     

Timp.


              
 
C. Clar.

        
                         
Gro.


            

          

 
            
       
       
Pno. 


 

           

             
Vlns. I                      
      

  

        
              


       
               
  
Vlns. II

       
          
 

       
            
   
Vlas.

         
 

       
          
Vcs.
   

OMA Danzón No. 2 by Álvaro Caballero OMA


136       
24

Fl. 

Ob.        

       
Cl. Si♭  

       
Bsn.

        
F Hn. 1 3 

       
B♭ Tpts.  

                 


                 
     
3 3

Tbn.

Timp.
       


C. Clar.        

        
                                             
Gro.


3 3

  
             
                  

 
  
             
             
3


3

   
Pno.

  3

    
3

          
Vlns. I                 

  
                  
3

      
3

 
Vlns. II             
3


3

  3
                                     
    
3

Vlas.

                                    
       
Vcs.
 
3 3

OMA Danzón No. 2 by Álvaro Caballero OMA


 25
143        
Fl.  

  

Ob.        

  

     
Cl. Si♭      


   

     
Bsn.

        
F Hn. 1 3     


   

     
B♭ Tpts.  

     
               

        
Tbn.
 
 

Timp.
      


C. Clar.       

           
                   
Gro.


 

                
            

 
               
     

      
Pno.

  

                      
Vlns. I     
               

                 

               

    
Vlns. II 
 


                                    
 
Vlas.


                               
 

   
 
Vcs.

 

OMA Danzón No. 2 by Álvaro Caballero OMA


    
149                      
  
26
  
 = 160

  
Solo piccolo
Fl.
3 3 3 3

Ob.         

      
Cl. Si♭           

                  
Bsn.

        
F Hn. 1 3   

       
B♭ Tpts.    

        
Tbn.

Timp.
         


C. Clar.          

  
            
Gro.


      
                                

  

            

                          
3 3 3 3

  
Pno. 

3 3 3 3


            
Vlns. I

            
Vlns. II

            
Vlas.

     
         
Vcs.

OMA Danzón No. 2 by Álvaro Caballero OMA


  = 172             27

157                    
Fl.      

    
            
3 3 3 3

  
 

Ob.     

          
 

                
 
Cl. Si♭

                    
 

            
Bsn.

   
       
 

          
F Hn. 1 3
    

    
 

    
         
  
B♭ Tpts.

    
   

      
Tbn.
  
 

         
    
 
Timp.


              

C. Clar.

            

    
Gro.
  


  

                         

             
 
     
            
   
        
    
3 3 3 3

   
 


Pno.

        
3 3 3 3


 

   
           

Vlns. I

         
  
       
 

  
Vlns. II 

       
 

Vlas.                   

         
 

    
Vcs.

    

 
 

OMA Danzón No. 2 by Álvaro Caballero OMA


   
             
163            
28

Fl.        

      
 

          
Ob.             

          

     
            
Cl. Si♭

  
                    

       
Bsn.
  


       
            
          
F Hn. 1 3     

        

          
            
 
B♭ Tpts.


          
Tbn.
     

 


            
            
Timp.
  


C. Clar.                  


                 
Gro.
  


   
       
               

 
   
     
                 

Pno.

     
            
                                 

Vlns. I 
    
                               

    
Vlns. II       

    
              

      
Vlas.                      

            
       
Vcs.
     

 

           

OMA Danzón No. 2 by Álvaro Caballero OMA


       29

       
                   
             
170
Fl.

       
                   
   

  
                                  
   
Ob.

                  
   

                       
       
Cl. Si♭

           
   

                
Bsn.
          

     
 

  
                         
             
F Hn. 1 3

        
  

                 

   
B♭ Tpts.

   
 

           
Tbn.
    

          
                 
 
Timp.


           


 
               


          
C. Clar.

                    
            
       
Gro.


               
   
              
   
     
  
          
         
Pno. 

 

      
     

                               
 


Vlns. I             

                               
   

Vlns. II             

       
   

Vlas.           

  
  
 

  
  
   

  
  
   

               
   

           
Vcs.
        
  
 
  
 
  
   

OMA Danzón No. 2 by Álvaro Caballero OMA


             
       

30

       
178
Fl.

               
 

           


 
Ob.

         
 

                 
   
Cl. Si♭

       


           
Bsn.
     

  

 

      
            
              
F Hn. 1 3

         

                 
   
B♭ Tpts.

        
 

            
Tbn.
     
 

       
    
          
 
Timp.


             

    

   
C. Clar.

            
 

     
Gro.
    



 

             
    
             

   
  
         

 

  
Pno.

           
   


               


         




 
Vlns. I

            

  

           


 
Vlns. II


   

    
Vlas.     

 

         
 
 

        
 

            
Vcs.
      
 

OMA Danzón No. 2 by Álvaro Caballero OMA


Flute
DANZÓN No. 2
Arturo Márquez

               
Arr. Álvaro Caballero

              
     
         

          
      
35

      
   
 3 3

                 

 

 = 124

    
42

  
                
 

                   
 = 144
 = 132  = 136


53

   
              
 
  

                   
 = 170

    
     
68

                        


sub  

            
        
74

                        
   
       
83

      = 172   
    
     
     
        
          

92

                        


   
  

           
         
113

                       
   
       
121

OMA Danzón No. 2 by Álvaro Caballero OMA


           
    
          
2

    
 = 160


130
Solo piccolo

 3


           
 


 
 


  
         
152

3 3 3

  
   
    
           
          
 = 172
158

3 3 3 3
 

   
    
                 
      
163

 

                       
         
170

  

                     
    
    
 

         
176

  

OMA Danzón No. 2 by Álvaro Caballero OMA


Oboe
DANZÓN No. 2
Arturo Márquez

     
Arr. Álvaro Caballero

           
       
              

                
      
 

  
        

   
25

      
           
 

 


32



           
     
37

       

     = 124


          

     
41


 = 132  = 136 
                

                


 = 144


50

  
              
 
                 
               
67  = 170


                    
 

       
sub

     
        

73

     
                          
        
82

 
                        

     
91  = 172

 

OMA Danzón No. 2 by Álvaro Caballero OMA


               
           

    
2

         
114

     
                          
        
123

 
           
          
 = 160  = 172


132

  

          
               
           
162

                            


                   
 
170


  
    

                  
              
177


  

OMA Danzón No. 2 by Álvaro Caballero OMA


Clarinete en Si♭
DANZÓN No. 2
Arturo Márquez

                              
Arr. Álvaro Caballero

  Solo
      
 

                                    

   
8

                                   

    
14


    

         
3


3

                      
22

            

                      
29

  
 

                        
38 3

   

     = 124     


3


       
 = 132  = 136  = 144

         
45

  

                       
 

    
                  sub
64

     = 170


           
  
                       
        
70

           
     

       

            

76

OMA Danzón No. 2 by Álvaro Caballero OMA


                 
           
2

         
      
84

                         
  
    
 = 172

  
107

 

                             
            
116

                  
                        
      
124

                     
  
133  = 160

 

               
          
 
 = 172

  
158

 

                   
                       
164

 
  
  
 

                               
 
175


    
  

OMA Danzón No. 2 by Álvaro Caballero OMA


Bassoon
DANZÓN No. 2
Arturo Márquez

 
              

Arr. Álvaro Caballero

          
 
                     
 

  
35

           


 

                  


 = 132  = 136  = 144

  
 = 124

  
46

          
          
 

            
               
65

   
                             
sub 

     
        
71  = 170

                    
               
 
 
  
80

       
   
                
 
90  = 172

     
                                   
 

      
113


            
     
  
           

     
 
122



                             
133  = 160

 

OMA Danzón No. 2 by Álvaro Caballero OMA


 
                                    
2

 
 = 172


158

 

 
                   

   
               
164

  

            

   
        
            
176

 

OMA Danzón No. 2 by Álvaro Caballero OMA


F Horn 1 & 3
DANZÓN No. 2
Arturo Márquez

  
Arr. Álvaro Caballero

                               
 
     

    

 
             
            
 
27

 

  
 

                             
 
 
35 3

  


3

     
                  
          
42  = 124

       
 

                              
 = 132

        
50

  
          
    
                               
 = 136

    
56

   
  = 144 
      

             
                       

 = 170

         
62

 

                        

  
 sub 

     

       
         
  
73

  

                      


    

               
                
79

       
       
                                       
  
    
85

   

OMA Danzón No. 2 by Álvaro Caballero OMA


               
            
2

    
92  = 172


     
 

            
                               
 
         
115

  

                               



                            
    
121

     

        
                                 
   
   
127

   

       
     
                
      
 = 172

         
148  = 160

  

      
       

                  
               
164

  

       
       
                    
 
176

           
 

OMA Danzón No. 2 by Álvaro Caballero OMA


B♭ Trumpets
DANZÓN No. 2
Arturo Márquez

       
Arr. Álvaro Caballero

             


      

                    
 = 132


49  = 124

    
       
       
         
          
 = 136

               
54

            
   = 144 
      
                 
     
     

59

       

Voz de arriba   
              = 170     
 

     
      
        
    

              
69

   
             

   
sub 

 
            
 
 
 
   
        
       
78

  

               
          
                          
        
86

 
      
      
       

          
 = 172

   
    
92 Voz de arriba


       

           


 
                        

   
117

   
                       
            
     
                   
        
            
126

OMA Danzón No. 2 by Álvaro Caballero OMA


  
                
2

          
132  = 160  = 172


  

                
                       
163

   
  
 

               
          

177

  
  

OMA Danzón No. 2 by Álvaro Caballero OMA


Trombón
DANZÓN No. 2
Arturo Márquez

      
    
Arr. Álvaro Caballero

          
 = 124


      
                          
 
       
 = 132  = 136

 
50

   
                  
             

 = 144

   
60

   
 
     
 

   
            
  sub

        
Voz de abajo

 
 = 170

  
71

                    


            
 

          
      
81

                                  


                  
    
88

 
                   3 3   
                          
   
95

                    
 
                   
 
103

                


 
 

                 

     
Voz de abajo
 = 172

    
111

                     


        

                   

    
 
120

OMA Danzón No. 2 by Álvaro Caballero OMA


                           
    
 
   
                  
    
2

     
128

 

        
                                   
    
135 3 3

      
                                
 = 160
 = 172

 
143

 
 

  
                           
              
161

  

        
            
   
178

 

OMA Danzón No. 2 by Álvaro Caballero OMA


Timpani
DANZÓN No. 2
Arturo Márquez

     
Arr. Álvaro Caballero

                   
 = 124

  

    
                          
     

   
 = 132  = 136


51

         
  

  
  
                
 = 144


 

59

sub

                                
 

 

 = 170

    
70

 

                        3       
  3


 
              
77


  

              
           
             
84



           
3

    
            
90

                                    

 = 172

        
112


 

                           
 3

              
120

  
3

         
               
      
   
   

127

3

OMA Danzón No. 2 by Álvaro Caballero OMA


           
    
2

      
           
150  = 160  = 172


  

           
           
                      
174

  

  

181

 

OMA Danzón No. 2 by Álvaro Caballero OMA


Claves
DANZÓN No. 2
Arturo Márquez

                                     
Arr. Álvaro Caballero

                                        

9

                                     
18

                       

 = 170
28  = 124  = 132  = 136  = 144


Snare Drum - Rim shot

                             


 
73

  
                             
   
81

 
                           
  
89

 
A Platillos  = 172

        
                             
114 A Caja de concierto  

  
                             
   
122

 
              = 160
    = 172
      
  
130

  
                            
 
162

  
                    
172

       
                      

177

  
  

OMA Danzón No. 2 by Álvaro Caballero OMA


Güiro
DANZÓN No. 2
Arturo Márquez

       
          
Arr. Álvaro Caballero

           
           
                                  

34

            

                     
3 3
41  = 124  = 132  = 136

               

                               
 = 170
63  = 144

                 
  

                                       
       
76

                 
  

                                       
       
82

            
 

               
            
88

           

                  


94

               
     
                            
100

     
                 
 

          
3 3
107  = 172

                 
 

                                       
       
115

                 
  

                                       
       
121

     
                                          
  
127

OMA Danzón No. 2 by Álvaro Caballero OMA


           
                  
2
133

             
     
                      
139

3 3

            = 160 
                
145
 = 172

 


                       
          

161

       

                                    
174

  
    
  

OMA Danzón No. 2 by Álvaro Caballero OMA


Piano
DANZÓN No. 2
Arturo Márquez


Arr. Álvaro Caballero

              

 
 

  
 
      
        
   
                  


 
 


    
          
     
6

           
    
             
      


  
           
      
11

  
3 3

    
              
    

  




                              
16

 
     
      
            


 
         

                
 
23


   
       
           
    


  

               
 = 124

           


        
48

      
     
       
 

   
  
    

OMA Danzón No. 2 by Álvaro Caballero OMA



 
2

                          
 = 132  = 136

               
53

       
    
    
 
  
         


 
 
                       
                       
58

   
    
            
   


   
         
    

                
 
           


63  = 144


         


     
              

           
 = 170

  
69


               
sub  


          

  
                  
  
92 

         
  
  
                   
 
 


         
                                
   

 
98

        3  3
                                
     
3 3

OMA Danzón No. 2 by Álvaro Caballero OMA



                    
 
    
3

   

104

 
 
                     

     
    




              
     
 = 172


109

          
                
          

     



          
  
                    
 

 
133 

         
  
  
                   
      


         
                            
    

 
139

 
        3  3
                     
              



                     
3


3

              

145

 

                        

          
 


    

           
 = 160

        
        

150

             
              
    
3 3 3 3

3 3 3 3

OMA Danzón No. 2 by Álvaro Caballero OMA



        
    
4

    
 = 172

          

156


            
       
3 3 3 3

           

3 3 3 3


 
                
             

 
161

 
                   
    
   



                     
                   
165 

     

   
                         

 

                   
 


         

          


179

 
  
        



 
       
  

OMA Danzón No. 2 by Álvaro Caballero OMA


Violins I
DANZÓN No. 2
Arturo Márquez
Arr. Álvaro Caballero

                    
                      
pizz.

 

        
           
               
7

   
 

                   
           
   
13 3


3

 
             

              
arco

 
19


     
   
 

               
       
34

                     
3  3


     
 = 124  = 132  = 136

 
41

                         


 = 144

   
             
arco

 
63

      = 170

          
           

         
 
69

                                           


sub  

     


73


                                          
  


78

 

OMA Danzón No. 2 by Álvaro Caballero OMA


                   
                                       
2

      
83

                                        


 

   
89

                       


   
           
94

             
             
 
            
  
99

             
3

                    
3


104

   
 

 
                   


 = 172

      
       
109

                                           


 


114


                                          
  


119

                   
                                    

 

       
124

                         


 

      
       
130

               

   

      
                
135

OMA Danzón No. 2 by Álvaro Caballero OMA


             
       
3

                   
  
140

3 3

             
                    
145

 

   
       
  
                
150  = 160  = 172

 

    
     
       
            
     
163

                       
         
168

 

                       
         
174

 

       
         
 
180


 

OMA Danzón No. 2 by Álvaro Caballero OMA


Violins II
DANZÓN No. 2
Arturo Márquez

     
Arr. Álvaro Caballero


                                
  
pizz.

 

   
       
                         
8



         
                         
15
pizz.

  

   
                                  
24
arco

       

 
                
          
31

                
 

      
   
     
   
39

       

  
   
3 3

   
 = 124
 = 132

   
                          
arco

 
46

           
  = 136

                                
arco

     
55

 

         
  
 
                                 
 = 144

 
62


     
             

 = 170

                
69



sub 

OMA Danzón No. 2 by Álvaro Caballero OMA


 
2

                                        


73


                 
  

                                        
   
     
78

                        


                    

   

83


               

    

   
                      
  
88


         
      

       

    
        
93

                  
          
 
    
     
98

            
3

               
3

 
103

    
 

    

            
 = 172

       
      
108


                                        
          
113

          
 

                                         
                
118

                                


  

  
        
              
  
123

 

OMA Danzón No. 2 by Álvaro Caballero OMA


              
3

           
                
         
128

 

               
         
           
133

          
             
         
138

        
3

             
                

143

 

   
                    
 = 160  = 172


148

 
                
 

         
   
   
162

                       
         
166

                       
         
172

  

               
          




178


 

OMA Danzón No. 2 by Álvaro Caballero OMA


Violas
DANZÓN No. 2
Arturo Márquez
Arr. Álvaro Caballero

 
                                   

     
pizz.

 

                                     
9

  

                                 
18

     
pizz.

    
                              
   
arco
27

 
pizz.

 

                                      
35

     
 = 124

                               


arco  = 132
44


              

 
                                   
    
 = 136

 
54

   
                   
 
      

        
 = 144
61

       
 
                    
            

     
 = 170
68

                                   


sub 

                                        
73

  

OMA Danzón No. 2 by Álvaro Caballero OMA


                                         
                
2
78

                               


         
 

                            
83

                       
                                   
 

 
88


 

      
         

           
93

                                           

      
99 3 3

      
               

          
       
105

     = 172
                                 
 

    
 
111

                                   


  

                                        
116


   
                                      
  

    


       
121

                                       


 

                           
126

         
 

    
              
   
131

OMA Danzón No. 2 by Álvaro Caballero OMA


 
3

                   
            
     
137

 
3 3

                                 
   
143

 


                    

148  = 160  = 172

  

       
            
                  
     
   
162

     
               
 
            
167

 

         
                                  
174

  


 

    
181


OMA Danzón No. 2 by Álvaro Caballero OMA


Violoncellos
DANZÓN No. 2
Arturo Márquez

 
                                 
Arr. Álvaro Caballero

pizz.

     
     
                   

        

8

                                   


15
pizz.

  
                                  

  
24 arco
pizz.

   

                               
 


 
   
 
  
32



 = 124

           


arco

       
           
  

41


            
     

  
 = 136

                      

 = 132

  
arco

   
51


                   

     
 
 = 144

      
58

                
             

       
64

                         
                     
 = 170


69

sub   

OMA Danzón No. 2 by Álvaro Caballero OMA


 
                                   
2

     
77


                                 
       
85

                          

        
 
92

     
       
 
            
                
98

                               
3 3

      
104

           
  

      
       
     
    
    
 = 172

  
110

 
                                   

     
118


                                 
       
126

                
                  

  
133

              
  
              

          
139

                               = 160 
3 3

    
 
145

 

OMA Danzón No. 2 by Álvaro Caballero OMA


        
             
3

           
 = 172

           
160

  

         
  
   
  
   
  


                   
167

  

                  
                         
175

  

OMA Danzón No. 2 by Álvaro Caballero OMA

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