Professional Documents
Culture Documents
of is illu s tra t ed b y
Th e C a ba li s ti c C a lcu la ti ons of P ytha gora s wh ic h I c am e
a c r oss in a n int er es tin g lit t le b o ok o n O ccu lt D i vin a ti on b y
.
h ,
C
”
is s a id t o h a v e b een u sed b y a glios tr o . An a c c ou nt
of th is W h e el is giv e n b y G R A N D O , RIE N T
w h o s ta t e s t h a t
he sele c t e d it fr o m a n o ld La t in m a n u sc r ip t on As tr o lo gy .
CAR T O MANCY
FO RTU NE TE LLING AND O CCU L T
-
D I V I NATI O N
Including
Th e O rac l e H um anD est iny Caglio st ro s ’
of ,
Th e V rio u s M et h o d s
a
o f Di vi nat i o n
By
G R AND O R I E NT
FO U RT H E DIT I O N , R EV I S E D AN D A
E N L R G E !)
W IT H P LAT E S
I
9 9
O
P R E FA C E
'
THE curiositi es of esoteric lit erature s ep arated from
,
G RAND O RIEN T .
C O N T E NTS
P REFA C E
IN TRO D UC TI O N T H E LE S E R S E C R E T S C IE N C E S A N D
: S
HT T RA D ITI ON TH E RE I N
E
TH E O R A C L E O F H U M AN D E STI N Y O R T H E N IN E ,
H U N D RE D A N S W E RS T H E T H I RT Y L IFE Q U E S
To -
T ION S O F PY THAGO A S R
T H E G OLD E N W H EE L O F F O RT U N E
TH E A RT O F I N O ING S I RITS I N T H E CRY STA L
V K P
A N E GY T IA N M E THO D O F F O RT U N E T E LL IN G
P -
TH E NG L I S H M E T HO D O F F O RT U N E T E L L I NG B Y CA R D S
E -
A N U N IV E RS A L O A C LE G I IN G A N S W E RS
R , V AL L To
Q U E STI ON S
T H E B OO O F TH E S E C R E T W O R D AN D T H E H IGH E R
K
WA Y FO RT U N E
To
HO W F I N D L UC Y NU M B E RS W IT H D IC E
To K
To R E A D A PE RS ON S CHA R A C TE R B Y M E A N S O F
’
LE A R N AN Y PE RS ON S A E
’
G
viii CONT ENTS
P AGE
A STRO L OG I C AL PRE D ICTI ON A S D E D UC E D F R O M TH E CHAR
A CTE R O F TH E S IGN O F T H E Z O D IA C AS C E N D I N G
AT TH E B IRTH O F TH E I ND IV I D U AL : TH E P R O
G N O S TI CATI O N S F R O M T H E R U L I NG S I GN
J U D G M E N TS D R A W N F R O M T H E MOON S A
’
G E
THE V I RT U E S A ND IN FL U E N C E S O F P R E C I O U S S T O N E S 1 92
S O M B U NH E A R D O F CU RI O SITI E S
P RE S A G E S
—
PA RT I H w DETE RM IN E T H E L UC Y AN D
. o To K
U N L UC Y D A Y S O F AN Y MON T H I N T H E Y E A R
K
PA RT II FU RTH E R M IS CE LLAN E O U S NO TE S O N
.
-
TH E O B S E R A TI ON O F T I M E S AN D S E AS ON S
V 21 2
T H E A RTS O F I INATI ON
D V
PA RT I — . S O M E M IS C E LLAN E O U S M E THO D S
PA RT I I A S U P LE M EN TA RY LE X IC O N O F
.
- P THE
A RT
OF D I I NA T I O N B Y D RE A MS
V
I N T R O DU C T IO N
p pr o er ly p p
r e a r ed ,
an d duly ch a rg e d a n d c onse
—
th e tru e m agician is like th e po et b orn an d n ot m a de .
—
to th e pri es t th at h e m ay in h is turn comm unic ate
»
—
it to oth ers is Divine Grac e thr ough sacramental
INTRO D U CTION 3
S pirits,
could c omp el th eir appearance and ensur e
their obedi ence to his comm ands This art was .
as it is in all oth er br an ch e s of th e ar t We m ay .
ev en go furth er an d s ay th a t th e s eeres s wh o c an us e
—
cast or discern is pu tting in op eration in th e lowest
degr ee th at power from within which if ex ercised ,
- ,
—
les t we sh ould mis s wh a t m a tt ers c onc ern ing
divers thing s connect ed with and arising th erefrom
to wit th e wh ol e univ ers e of c on s id er ation in th e in
,
Ho w To C ON SU L T TH I S
O RA C U L U M
“
Inor d er to obt ain a c orr ect answer to any one of
th e Thirty Lif e Q ues ti on s of P yth ag or as it is n ec es s ar y
-
,
E X A M PLE
S upp os e that a p ers on n am e d Helen or Harold wer e to
a sk th e qu esti on S h all I obt ain my h ear t s d es ir e P
’
ac c o mp an ying
1
S ee p l a t e .
8 A MANUAL OF CARTOMANCY
th e p arty asking were b orn on th e 20th of any mon th
in th e y ear .
D a te of bir th
Numb er opposite H
Numb er enclosed with Thursday
Numb er of Thursday s planet ’
Tot al I 57
Th e division 57 by 3 0 l ea v
of 1e s a r em a ind er of 7 .
NB P ers on s wh o do k no w the da te o f
’
-
. . no t
T H IRTY L I FE Q UE ST I ON S or P YTHAG O RA S
THE -
world ?
2 Wh at ep ochs of my lif e will be rich est infor tune
.
3 S h.a ll I a tt ai n m y h e ar t s d e s i re l
’
4 W h
. a t a r e th e i n iti als o f th a t u n kn o wn p e rs on s ’
5 W i
. ll th e s ick p e r s on am e n d o r h a v e a r el a ps e,
THE ORACL E OF HUMAN DE STINY 9
destiny P
8 Will a pr omis e m ade be fulfilled P
.
remove P
1 0 I s my frien d tru e and trusty ?
.
a ft er P
1 2 Wh a t kin d of w ea th er wi ll th er e b e on th e
.
fortunate P
14 Wh a t day of th e week or month will be of
.
most importan c e to me ?
1 5 Wh a t will be m y f or tun e in m arr i ag e P
.
2 5 Is it g oo d for m e to tr a v el or v oy ag e ?
.
next s ev en years
prove fortunat e P
3 0 W. h o i s t o w i n in th e c o ming b a ttl e P
10 A MANUAL OF “
CARTOMANCY
THE M YS T I C N U M B E R S AN D L E TTE RS O F THE S TA RS
g
Si n in th e letter V look for th e s ame S ign in th e let
,
27 28 29 30
fi
12 A MANUAL OF CAR TO MANCY
14 A MANUAL OF CARTOMANCY
g
S i ns
Tr av el stwar d from th e place of your birth or
ea ,
y o u sh o r t ly .
T hi s p or t en d s a s m a ll f a mi ly tw o f or t un a t e
p or t ly an d h a n ds om e o n e als o wh o is f or tun a t e .
wh om h e c an love .
wi sh es .
th at th er e is h appiness .
B .
th e f a ce
. This is a S ign Of dec eit and dang er D efer .
gn
Si s
. .
p la c e,s a n d w h e r e b o o ks or p ap er s ar e k ept If it .
in spring g ales , .
C
A MANUAL OF CARTOMANCY
th r
en v quick y It will be th e luckiest migra
em o e l .
?
h appen first .
69 a nd th e S U N (whi ch is y our pl an et
) wi ll s hine glori
ously on your life It b odes g ood succ ess .
5? .
life
.
h op e .
X
but if o f an enemy or thi ef it is N or R and th e name , ,
-
X 96 96
‘
Wh at ever you r misgivings , th e stars S peak in
favour of good fortune
‘ ’
0 .
exc ee dingly g oo d .
wi s e you m ay be v ex ed at th e answers .
In t ra ding yo u will o ft en lo se .
of your life .
( 3
2 r d o f J u ne ) and th e f alling of t h e l ea f ( zr s t of
December) and in one or th e oth er s eason th er e will
,
be a j ourney t aken or a r em ov al , .
( th r e e y ear s ) m o u rn o v er y ou r a pp ar e n t ly e vil f a t e
9 y et b e ch eer fu l ,
fo r m a n y b r ight s c en e s a w a it y o u
fortunat e .
y o u a s ye t t r u ly ; his c a u s e is y o u r o wn A n g er .
h im n ot .
g o n o t u n d er t wen ty ni ne d a ys f-
or f e a r s o m e evi l,
m ay follow you .
h e c an perf orm .
present .
kingdoms .
, ,
—
before you leave th e h ous e s ay an h our h ence , .
, ,
th en a h appy Ch ange .
you .
E .
Q
“
northw ard .
learned .
s earch in th e b edrooms .
?
c h app en there is a great and remarkable b earing of
th e planet s h er eaft er .
. .
th e question .
F
.
th e n am e oft en .
.
,
b een none .
—
profession fair h aired comely and well favoured
-
,
on th a t day .
p es tuo us .
”
g
S i ns
th e st rong n or th e r a c e to th e swift
, .
g ai n .
y o u w i ll a tt e n d a S c en e o f s o rr o w a m a r ri a g e f
, ea st ,
y o u sh o uld a v o id t r a v elli n g .
p l e a si ng h as
, in it b o th th e s we et a n d th e bitt er .
H .
Th er e is s c rity
now i n i n e in th e stars . S eek you r
A MANUAL OF CARTOMANCY
S igns
sufficiently earnest .
stellation .
more .
it b egins with A .
m att er .
y ou a r e s u r e o f s u cc ess .
th e vo yage is doubtful .
( if o f pr op e r ag )e .
y o u m e an to tr a v el i nl and to th e so uth -w e
,st Dw ell .
y o u d esir e t o k n o w .
than yourself .
q ue n c e in lif e an d a cti on s .
a p art of th e evil .
If in summ er r ain ,
in autumn wind in wint er , ,
y o u i n qu ir e
, it w ill b e pl ea s an t a n d s er en e .
”
X deceit will frequently be your lot .
I
.
7 to morrow night
- Y ou are not destined to know
.
th e first tim e .
year and you will achieve much yet enj oy but little
, , .
.
,
.
THE O R ACLE OF HUMAN DE STINY 35
g
Si ns
There is
considerable danger let th e physician t ak e
warning S omething is wrong in his treatm ent
. .
Th ere will
first h app en three crosses th e fourth
effort will bring succ ess B ut there will be and now
.
,
if th e m att er
is intrusted to others although your ,
st ar claims th e mastery .
o f ba d luc k .
will happen .
This for et ells thr ee fri ends : one dark and t all ;
THE ORACLE OF HUMAN DE STINY 39
g
S i ns
j ec t t o c ar e s
.
r ecover .
g y
a an d j oyf ul A ll thin g s.will w ork w ell in two
K .
there is h ope .
promising .
—
three months must needs elapse before you will
have th e requisites ; but th e omens promise fairly
enough .
y o u w ou ld w ish to m arry it is I or E a n d a l o
,
ng ,
thief it is V or W
, .
g ood fortune
Beginning in trouble even until your middle age
, ,
, ,
—
Love m arri ag e fri endship thr ee not ed ev en ts
in any one s life Moreover you will four times
’
.
,
( or h er ) f a t e is b e tt er pla c e d .
y ou m ay r est a ssu r e d .
mon thief .
—
S ever al of th e sign s s peak a ffir matively f probably
in love or fri endship There is s omething f ore
.
- z
and unwh ol es om e .
L .
In winter
clouds and r ain ; in summer fine
, ,
planets say th at thes e are not far from you but you
h ave at least one faithful friend which is a rarity , .
your Constellation .
uncouth .
, ,
y o u t o w e alth w hich y ou
, will a ft er wards l ose .
certain delay .
—
A voy ag e ; two a ccidents one by fire one by ,
travelling or a removal
, .
g
S i ns
s t ella t ion .
k ,
-
y
beware of getting int o dilemmas th rough want of due
caution and vigilance .
THE ORACLE OF HUMAN -DE STINY 47
g
Si ns
—
Th ere are two ch ang es one for g ood one for ,
—
Th e st ar s S h ow two fri ends one d ark elderly ,
In h ea vy trouble d ou btless
,
for th e plane t s n ow
ac t a s wo rk er s of c al a mities evi l r e or t s n ews an d
, p ,
N .
—
Your fate is a remarkable one strange marvellously ,
'
so .
and th ere is h op e .
,
—
If of love L is th e lett er a sh ort name if any
one els e U , .
Try to morr ow -
.
at least e qu al to wh at u d s rv
y o e e e .
a
~
A MANUAL OF CA R TOMANCY
g
Si ns
—
Th ere are four Ch anges one of residence one of
23
friends ; one of money ; and one in pursuits .
before you .
”
EB ,
drawers .
0
.
ge t p a st th a t p e r i o d , y o u w ill b e l on g liv e d - .
—
D is th e letter and a sh ort name .
manner .
y ou th e r e is f or e sh a d ow e d a w o rld of di ffi c ulti es
but you will finally overcome all enemies .
— —
change say three months comes a bitter dis
,
—
wed E is th e lett er and a nam e long er th an or di n
,
ary .
—
If you ask of a thi ef it is P and a sh ort na me
i-
, .
THE O RACLE OF HUMAN D E STI NY 55
and th a t sp eedily .
and thirty thr ee- very prosp er ous many times after
wards but more esp ecially b etween forty and forty
,
ag ain c ast down but you will rise a year af ter your
wish .
A t
en er a less cloudy atmosph ere this bids you hope ,
at least .
o v er th a t you ar e likely to l os e
,
B ett er g amble n ot ,
a t all .
a nd r eno wned .
y ou r l o v e w i ll b e th a t o f a s h all ow b ro ok whi ch , ,
y o ur o t a er t
,
e ro e o e .
matter .
p l a c es j a
,r s c upb o ar ds or v,
a ults I f y ou se e k, .
are d o om e d to be a victi m .
y o u w ill r is e to r e n o w n an d gr ea t est e e m a m on g yo u r
fri ends and kindred Many will envy you but few
.
S pent is th e m ai n m a tt er s
th e c up o f j oy ; but first th er e is wo e
’
"
p l an e ts s eem b al eful a nd d an
, g e r is abroa d .
an h our h enc e .
j ealousy .
R .
p a r tic ul ar d a y t h a t
, da y w ill b e p l eas an t .
W
), w ith M A RS as t h e ru li ng p l an e t M a n y
. s u dd en
”
an eminen t n am e or titl e among th em , .
.
,
your birth .
A MANUA L OF CARTOMANCY
g
S i ns ;
g ain.
ar e A Q U A RIU S ( th e Wa t erm an m ) a n d PI
,
SC E S ( th e
Fishes 96,
Y ou will h av e fortune o f a m arv ellou s
kind and there is little doubt that you will b ecome
n o te d an d rich ; but there will als o be s om e h ea vy
calamiti es .
—
a nam e o f m ean l ength if you ask about a theft th e ,
—
i nitial is R a short uncouth nam e , .
ful industry .
to come .
there is misfortune .
T
e
your destiny .
it will be doubtful .
F
A MANUAL OF CARTOMANCY
Si g
ns
I t is ; thr ee planets s ay s o
’
.
A , ,
y ou w o u ld e n r ich y o u r s elf .
a n d th er e is gr ea t d an g er .
65 y o u n e e d h a v e n o f e ar b u t do, n o t go t r a v elli ng o n
r —
Twic e th e s t a s allo t a ch ang e onc e good onc e evi l , .
.
THE ORACLE OF HUMAN DE STINY 67
g
S i ns
U .
happy
This is a sign of c on fusi on in p ap ers Or writings
be wa tchful in proc eeding ; th ere is one wh o owes you
a grudg e .
la dy.
I t is likely th at it may .
Not ,
if of money or if of love assuming that a
,
o th er p ers on W hatever .
P os s ib ly you m ay
B e no t thrifty o v er m
.
y o u t o b e rich fo r s o m e y e a rs to c o m e .
an d by s upplyi ng th e w an ts o f th e rich .
an d on c e n early lo st .
prev ail over your fate you will travel far and near ,
ov erc o me .
.
,
—
I f you ask ab ou t a thie f th e l etter is F a short ,
is th e initi al .
.
,
th e al ert .
W .
evil luck .
y ou will g a in .
prosp ects are fair and many but some you will not
emb ra c e .
n am e in c ommon o ccurr en c e .
Th e planet s S h ow trouble .
prosp er .
THE ORACL E OF H U MAN D E S TIN Y 73 ,
S ign
“
X .
change .
ful .
threat ened fa te .
pr oa ch es , you may .
i
S i cc es s .
wet .
yours elf .
is C bu t if th ose of a th i ef it is E ,
.
y ou ,
a n d you r o ld a ge w i ll n o
f
t b e s p en t in p o v er ty .
it .
Y .
—
sonal c asualities esp eciall y if you star t on an evil day .
ch oice.
A MAN UAL OF CARTOMAN CY
g
S i ns
b ehind furniture ,
n ex t th e walls
will S t olen g oods
.
not be r ec ov ered .
intersp ers ed .
enc oun t er ed .
- and a l ong n a m e .
s ay th em P
T H URS DAY
'
is th e m ost not ed day but n ot th e b est ,
in your p ower .
p r os pe r ou s s c en e an d giv e s w e alth
, .
little c ause of a a l rm .
Thi s is an om en of su cc ess .
place .
en emi es .
Q u arr e lling an d di s c or d a r e r a th er t o b e e xp e ct e d .
h
b est weeks of th e month .
e vil.
in your p ower .
an d in a Chri s ti an m anner .
p r os per ou s s c en e an d giv e s w e a
,lth .
and v oyagin g,in dist ant l ands and by for eigners you , ,
will gain .
THE ORACLE OF HUMAN DE STINY 79
gns
Si
little c au se of a a l rm .
This is an om en of su cc ess .
place .
enemi es .
Y ou h av e a f ortun a t e S i g n : mu tu al c on fid en c e
les sens th e yoke Guide yourself a ccor dingly
. .
E x p ect pl ea s an t we ath er .
”
J U P I T E R is y our p lan et a n d y ou will h a v e p ow e r
o v er o th er s in f act you will m ake
, a nois e in th e
Health is promised .
a thi ef P , .
b
Y ou will prosper in any busmess which it may suit !
y ou t o u n d er t a k e be s t h ow e v er be a f arm er
, , .
an swer c an be giv en .
many adventures .
t owns .
not .
wh o ar e th e worst of en emi es .
Afflict ed or in trouble
,
.
Th er e is an om en of ba d luck in thi s .
and st or m y in s rin g
p .
n ot long .
G
A MANUAL OF CARTOMANCY
g
S i ns
Th er e is a d oubt of it .
forelock .
S h or e .
a fri en dly s t ar t ct ‘
pro e s you .
o th er m a tt er .
fortunate .
or n ear a reser v o ir .
JU P I T E R b e fr i en ds yo u ; an d y ou
“
h appy one .
h appily .
Th e S U N rules an d it is auspicious
, .
Many times fate will run cross and you will deem
,
lasting.
88 A MANUAL OF CARTOMANCY
this s ent ence ab out th e Cir cle s o that th e eye c an ,
a ti en c e an d per sev er an c e th e c wi ll d v l
p p r o ess e e o p
a kin d of mys t eri ou s s e c on d sight which wi ll en a b le ,
y o u t o r e j e ct f or tuit o u s c om bi n a ti o n s i n s ti n ctiv e ly ,
c alculate .
THE G O LDE N WHE E L O F FO R TU NE
langu age .
wise .
etc : , etc .
1
S ee Fro ntispiec e .
89
90 A MANUAL OF CARTOMANCY
n umb er (it is b etter to do this with th e eyes shut ) and ,
p ar ty .
4 . If y o ur d esir e s a r e e x t ra v ag a n t th e y will n o t ,
news .
. .
s tanc y .
Circumst anc es .
92 A MANUA L O F CARTOMANC Y
p ru d en t .
coveted by o thers .
3 0 Y
. o u l o v e o n e w h o is a ff e cti o n a t e tru e a n
, d
wor thy of respect .
3 1 Y
. o u r e fu s e o ff e rs t o o f an t a stic a lly B e p r
.u
3 2 Y
. o u w i ll b e v e r y u n f or t u n a t e f o r a sh o rt tim e
33 A
. f o rt u n e w ill b e y o urs b e n o t o v e r a nxi o us .
34 A
. lt er y o ur i n t e n ti o n s o r y, o u w ill b e s o rr y w h e n
it is too late .
35 Y
. o u w ill h a v e a r ich but j ea l o us p a rt ne r a n d ,
3 6 Y
. o u w i ll h a v e a s o b e r st e a dy
, a n d a ff ecti o n a t e
37 A
. v e ry g oo d fo rtu n e sudd, e n pr o sp e rity a l arg e ,
39 R e
.m ain a mong your friends , and you will escape
4 0 wi
.ll h av
Y ou e an a ffecti ona t e partner but no
h av e little be frugal
,
.
p a r net r .
mother .
4 8 Y o
. u wi l l b e v e ry u n fo r t u n a t e a t first ; b u t
49 Y o
. u h a v e a n u mb e r o f s ec r e t en e mi e s w h o
5 0 Y o
. ur h a pp i n e ss will c o n sist in d o i n g g oo d
there are pleasing spots in th e memory which affl iction
c anno t erase .
5 1 Y o
. u will di e a n o ld m a id y o u h a v e b ee n to o
5 2 Y o
. ur l ov e r w ill tr av e l in E u r o p e a n d, will be
Very success ful .
54 T his
. is a v e r y lu cky n u mb er wh a t e v e r y o u
55 A ft
. e r m u ch misf o rt un e y o u will b e f a i rly c o m
for table and h appy .
.
94 A MANUAL OF CARTOMANCY
5 6 Good conduct will produc e much luck and
.
happiness .
57 T
. h ro u gh a ff ecti o n y o
, u wil l m a r r y u nf or tu n
5 8 Y
. o u h a v e m a n y lo v e r s b u, t mi n d h o w y o u
59 Y
. o u r lo v e r is o n hi s r e t ur n h o m e bu
, t h e h as
n egl ectful .
rewarded .
y o u wi ll b e v e r y u n h app y .
lov er .
7 0 Y
. o u w i ll m e e t with gr e at t roubl e ; you sh ould
7 1 B
. ew ar e ! T h e p e r s on you lov e d oes not lov e
y o u, a n d is s ee ki n g y o u r r u in .
7 2 If
.
y o u m ar r y in h a s t e y o u w i ll b e d ec eiv e d ;
Wa it p atiently and you will be h appy
,
.
96 A MANUAL OF CARTOMANCY
9Th e pers on to
1 . whom you ar e p a ying you r
attentio ns is d ec eitful .
93 Y ou
. w i ll liv e h a pp i ly t o a gr e a t a ge .
94 Th e
.r e is a y o u n g m a n d y i n g w ith lo v e fo r yo u ,
th e end .
y ou r child r en an d w i ll
, c au s e g r ea t t r ou b le .
99 Y o
. u w i ll di s c o v e r y ou r f als e lo v er .
I N THE C RY S T AL
97
H
98 A MANUAL O F CAR TO MANCY
p an i o ns t o ,
a ssist him in t h e pr o c e d u r e but h e o r
!To face p
.
99 .
'
THE AR T OF IN VO K ING S P I R ITS
—
99
—
following model using consecra ted chalk or char
coal As it is unlikely th at th e Op erator will have
.
BE US E D I N THI S AR T
Th e Op erator must be p rovided with a sm all table ,
, e proper to th e
l o vernin h u h ch w
“
p anet
g g th e o r in w i th e ork is
1 00 A MANUAL O F CAR TOMAN CY
p o lish ed an d en gr av e n as s h own on t
,h e p ed est als , _ .
or c o rd a knife
, a pen knife , a p ai r o f sciss ors
-
, a ,
g f
p olish ed so a s
,
t o b e fr ee fr o m sp ecks o r S po ts ; it
Bless O ,
Lord I b es eech T
,
hee this ground even , ,
to p ass th erein all his desires thro ugh our Lord and ,
S aviour Amen . .
Lord Am en
. .
, ,
, ,
—
E L AGLA TE TR AG R AMMATO N and in th e Cross
o f Christ our Lord ,Amen . .
—
with th e Crystal thereon th e two c andlesticks one
,
—
V AS S AGo in th e m anner following
1 04 A MANUAL O F CAR TO MANCY
GAR DE O NG TE TR AG R AMMATO N
, , S TR ALLAx , S P IG NOS ,
,
—
S O THE R JAH O N E L E LO HIM by all a fores aid
, , ,
— —
I c omm and thee S pi rit V AS S AG O to m ake h as te ,
B O ND O F S P I R ITS
I V AS S AG O under B AR O King of th e West not
, , , ,
a cc ord and free will do esp eci ally obli ge mys elf by
,
—
thes e pres ents firmly faithfully and without deceit
,
p l a c e wh e
,
ns o ev er a n d wh er es o ev e r h e sh al l c all upo n
c
he o mm an di ng I h,av e sign e d this pr es en t O blig a ti o n
I adh ere
S E AL O F TH E S P IR I T V AS S AG O
p o w er o f G o d b e with m e and th ee an d u p on t
,
h e
SO d th e ancient m anuscript
en s —
which it
sh ould
—
be und erstood is offered to th e reader r ather as a
m atter O f curiosity th an as containing an ex p eriment
which h e is advis ed or lik ely to put in practice .
C — 26 _ W
Q I 7
D — T8 K — 1 6 R — Iz X
E — L S _ Y
Tz 12 I 4
F _ 4 M 1 9
~
T 6 Z
G — zr N II
A 3 H 6 O 4
»
U
B 3 P IO V
9 W
C 1 3 Q 12
D 14 K 15 R 13 X
E 5 L 12 S 18 Y
F 3 M 1 3 T 3 Z
G N 15 6
O racle as follows
,
S unday 16
Wednesday 25
Thursd ay 12
Friday 15
S aturd ay 3
Th e R ULE O F THE
\
umb er
O R ACLE is to a dd th e n
o f th e lett ers ih th e Ch risti an n am e o f th e Q u eren t
3 0 a n d th e r em ai n d er i n t e rpr e t e d a cc o rdi ng to th e
GO O D O ME NS
Th e umb ers 1 2 3 4 5 g and O S ignify generally
n , , , , ,
~
, .
, , , , ,
r
p po h e tic a lly upon th em o r h e must h a v e r ec o urs e ,
will Obtain in th e
E V IL O ME NS
E X AMP LE
Ace o f Gla .
—Wealth , happiness and p eace of
disposition .
dear friend
Ni ne of Chi ba Dis obe di ence to fri ends wish es
’
-
.
Fone of Clubs
“
Ace
‘
of Dia monds — A —
letter but
4
from whom and
—
3
thoughts .
Nine of Diamonds —
S hows th at . a p ers on is fond
of roving .
Three f
o Diamonds .
—Qu arrels law suits ,
- and
domestic disagreements .
—
tion and friendship if by Diamonds money and ,
—
distant friends ii by Clubs feasting and m erry ,
making .
Q u een of H ea r ts —i A f a ir w om an f aithful
. prud en t , ,
/
—
‘
k M
c ards ne xt to it
confirms their g ood tidings
,
an d .
th e wish c ard .
whom be ur gu ard
on yo .
s on .
Five o f Hearls .
—
Troubles c aus ed by unf ound ed
j ealousy .
—
Fou r of Hearts A p ers on n ot ea sily won .
Two o f Hca r ts .
—Great success but equ al c ar e
, and
a tt ention n ee e dd to s ecure it .
— A m lici s d k w m
Q f S p d
"
u een o a es a ou a r o an , ,
g enerally a widow .
a d ar k m an s th oughts
’
.
much trouble .
S ix f S pades
o — Wealth through industry .
—
vers ed p overty , and troubl es in which one will
involve th e o th er .
e le —
r eversed a dri n k ing b out
p p o ; .
Three K naves — —
Fals e friends r evers ed a qu arr el
.
Two K na ves — .
—
E vil in t enti ons ; r ever s ed d ang er .
—
vers ed denot es th at th e pr osp ect is only a di st ant
one .
Fonr Nines .
—
A great surprise ; —
r eversed a
pu blic dinn er .
Three Nines — Jy
ofortune h ealth ; r evers ed , ,
a
Two E ights A bri ef l ove dr eam
.
- revers ed -
Fonr S evens —
In trigu es a mong s ervants or low
.
—
vers ed slight and brief indispositon .
E NG LIS H F O R TUN E TE LLING BY CAR D S
'
- 1 17
Two S evens — .
—
Levity ; r ev ers ed r eg r et .
NB.
— In ord er to know wh eth er th e Ac e
. , Ten ,
Nine E ight and S even of Diamonds are r evers ed
, ,
S h ow which is th e top o f th e ca rd .
from .
A MANUAL OF CAR TOMAN CY
To TE LL WHE THE R Y OU Y O U R WIS H
WILL GE T
ment .
1 20 A MAN UAL OF CAR TOMAN CY
a nd th at theoretically there is an obscure law but
in practic e we know als o th at if a given to tal h as
turned up three times in as many c asts of th e dice ,
at r andom .
1 . S h al l I e ver
s ettled comfortably in th e
ge t
world and b ecom e wealthy
2 S h all I be prosp erous in love m atters and
.
s et
3 . r
I f I we
e to m arry th e m or woman wh o is
an
no w in my th oughts would it r v h y m tch
p o e a app, a
AN UN IVE R S AL O R AC LE 1 21
5 . W ill th e p e rs o n wh os e im ag e is now in my mi nd
be favourable P
S h ll I ev er b e h ono ur ed or distinguish ed aft er
9 . a
favourable P
1 2 If I ac t inacc ord anc e with my pres en t inclina
.
money .
to foresee c er tainly
6 I t is destined to be o therwis e but your good
.
,
7 . H o w e v e r t ra n s p o s e d or r e v e rse d th e m ,y stic
figures are excellent in every way for once at least
‘
y o u a r e th e sp o ilt child o f F o rt u n e : t h e a n sw e r
is undoubtedly Y es .
p e rs on ,o r a t l ea st o n e w h o is w e a l th y .
24 Th e an swer is Y es
. As reg ards everything
.
.
—
sh adow of hop e It is No and a s trong negative
u
p o i n t o f vi ew . I t must b e e x
pl ai n e d i n th e first
p la c e th a t T a ro t c a rds a r e th e p r e curs o rs o f o u r
and N ovic e ,
P age or S quire .
th e fact of —
their S ymbols 2 to 1 0 it b eing under
,
Clubs .
,
—
t t e Taro t c ards and these if they are followed
h
—
faithfully will open many secrets to those wh o
have th e needful gifts of intuition or sight within , .
both operations .
K
1 30 A MANUAL O F CAR TO MAN CY
q u es ti o n I t w ill s erv e no ur
p p os e t o .
1 . Th e J uggler .
High P riestess .
3 . E mpress .
4 . E mperor .
P op e or Hi eroph ant
,
.
6 , Lovers .
7 . Ch ari o t .
8 . J ustice .
9 . Hermit .
10 . Wheel of Fortune .
1 1 . Fortitude or S trength ,
.
12 . Hanged Man .
1 3 . D eath .
1 4 . Temper anc e .
15 . D evil or Typhon
,
.
R uined Tower .
1 7 l .
S t ar .
1 8 Moon
. .
1 9 .
20 . Th e Last J udgment .
21 .
22 0. Th e Fool .
forth equilibrium .
7 Ch. a r i ot T r i u m
.
p h
- o f r e as o n s u cc ess in n a t u ra l
things ; th e right prevailing ; also predominance,
p o n d en c e s o f th es e .
tal S ide ra th er
o us for which s ee No 6
, un d er c er t ain .
science .
9 H .e rm i t — C auti ’
o
.n s a f ety p r o t ecti o n
, wisd, o m
on th e m anifes t side ; a nd th e is ol ation th er eo f ;
1 0 Wheel of Forfa ne
.
. — Mu t ation circumst anc es .
,
11 Fortitude
. or S trength
,
— Cour age vitality , ,
1 2 Hanged M a n
.
— Th e symb ol of renunci ation
.
,
1 3 Death .
— Cont ains na turally th e meaning
irnplie d by its nam e and illustr ated by its pi c tori al
s ymb ol but n ot only and not at all of necessity ;
,
14 Tempera nce
.
—New blood c ombin ation ad
.
, ,
in d esirabl e ch ange .
1 5 Devil . or Ty hon
, p - F a t ality evil th.e f als e , ,
THE B O O K O F THE S E CR E T WO R D 1 33
1 6 R ui ned Tow n
.
— D estruction c onfusion judg , ,
1 8 M oon
.
— Half light
- .
, mut ation intellectual , un
a nd m
under th e
p owers o f th e high er p r o vid en c e th e sum o f ma n i fest ,
6 Lovers
.
— Lo ve religion union therewith
of , ,
7 C hari o
.t — R e as on ex alt e d in r eligi o n vict o ry
o f th e m or al f a culti es ; apo th eos is o f th e lo gic al
8 j ustice
.
— pow er which makes th e best of
Th e
both worlds middle p ath le sser s alvation b al ance
be tw een goo d and evil ; goodness but no t r ais ed ,
ab ov e th e s ph er e o f t emp t ation .
H mi —A sc ticism d i l d t chm t h
‘
9 e r . t e .en a e a e
,
n t e ,
1 2 Ha ugea M a n
.
— Cruc ifix ion and self c ruc ifix ion
.
-
1 3 Dea th —
. Mort al S in resurrection to th e life
o f Gr a c e as a n antityp e,
— depending on th e environ
ment of th e c ard .
14 Temperance
.
— Th e principle of s acr am ent al
life th e mix ture of things Divine with things hum an ,
2 The High
. P riestess — Divine intuition ; th e
holy s oul h aving th e b ook of th e Mys teri es opened
, ,
T h E m — H igh r l f m w m
3 . e pr e s s e so u o a n ; o a n
4 T.h e E m p e r or L or d o.n t h-
e high er p l an e s
th e fulfih nen t of th e Grea t Wor k o f spIritual a dept
ship ; th e victory ov er all things .
P H i h — T h lif w hich l ds t
5 .op e or er,op a n t e e . ea o
6 Lovers
.
— S piritu al m arr ia ge ; th e uni on of m an
with his s oul ; th e state of conversion .
8 j us ti ce
.
— High er grades of th e narr ow p ath
e quilibrium on th e spiritu al s ide greater s alvation
th e perf ect life .
H ermit — T h s cr ts f t h K in g ; Divi n
9 . e e e o e e
10 .
—
Wheel of Farta ne Divine raptur e ; triumph .
h as c eas ed to r evolve .
1 1 S trength
.
— Th e will to go forward th e world
ov erc om e th e f or titud e o f th os e wh o ar e es tablish ed
in G od .
1 2 Ha nged M a n
.
— Th e p ath of . choice r eversion
o f th e n a t ur al man h e wh o h as not l ov ed his lif e
THE B O O K O F THE S E CR E T WO R D 1 37
1 3 Dea th
.
— Mystic al death th e pric e of immor
t ality th at which is ent er ed with th e will th at th er e
may be lif e evermor e .
1 5 Devil or Typhon
.
,
— Th e l ast enemy th e dem on.
of Antichrist .
1 6 R uined Tower
.
— Th e r ending of th e Hous e of
.
p e n it en c e .
1 8 M oon
.
— S piritu al fant asy
. .
1 9 S un
.
— P lenary c on sci ousness in God ; th e
S pirit rul es ; G od enc omp assing ; Ori ent fr om on
,
—
hold I com e quickly that is in answ er to th e call ,
21 The World
.
— Unveiled mystery ; t erm of
.
WO R LD OF H UMAN P R UDE NC E
1 . What will be th e
con s equence on my life of a
—
marriag e whi ch I now cont emplat e it b eing under
stood th at I am not actuated sirnply by p ersonal
a ttr a cti on or sol ely by phys ic al des ire
,
,
.
3 .W h er e in li e s th e p a th o f r e birth ?
4 .W h a t m u s t I d o t o a tt a in e t er n al lif e P
5 .H ow sh all I e xch a n g e t h e dis p o siti o n t ow a rds
S piritu al things for th eir r eal ex p eri ence P
7 .W h a t is t h e g r ea t s e cr e t o f th e I n w ar d Lif e P
—
s tood at least as reg ar ds th e Worlds of Conformity
and Att ainm ent — th at it would be an ac t of s acrilege
to ask fr om curiosity or a s if t o t est th e p owers of
,
dealing are 3 4 1 1 7 9 1 4 1 2 1 5 1 6 8 1 3 1 0
, , , , , , , , , , , ,
11 , 1 9 2 5 6 7 21
, , , 20 1 8
, ,
Th e c ards 1 1 an d 1 8
, , .
( )
1 on t h e l eft an d th e s a f e ty of c auti on ( 9) on th e
must begin .
dealing are 5 6 1 5 1 0 1 4 4 7 1 6 1 2 1 1 8 3 9
, , , , , , , , , , , , ,
8 20 2 1 1 9 1 7 1 1 1 3 2 Ca r d 1 1 is r ev ers ed
‘
. .
, , , , , , ,
on th e o th er by Divin e S ci en c e Th e p ossibility
of f all fr om right eousn ess ( 1 6 ) is ch eck ed by p erf ect lif e
( )
8 a n d th e r a p tu r e o f a s p ir a ti on t ow ards t h e Divi n e
S p o ts as b efor e Having do
. ne this you th en c ons ult
,
play .
V II I .
148 A MANUAL O F CAR TOMAN CY
6 P erfection
. lab our , .
Impi ety .
Folly .
Austerity s adness , .
A j ourney .
Intelligenc e a birth , .
Useful works .
Firmness c ourage , .
Love to kens .
Letters .
Fam e a wedding
,
.
Marriage .
P urity .
39 . P r ais e .
4 0 . Fétes w edding
, .
4 1 . Ignominy .
45 . P opul a ti on .
4 6 . Fertili ty .
49 . Love o f money .
60 .
75 Th e w.orld .
80 A c ure
. .
81 . An a dept
Blindness error affl iction , , .
1 00 . Divine favour .
2 00 . I rr es olution .
21 5 . Calamity .
3 1 8 . Divine messenger .
6
3 5 . Astronomy .
4 00 .
Long a nd wearisom e
ri ests th eology
490 .
P , .
500 . Holiness .
wu erf c tion
e .
1 50 A MANUAL OF CAR TOMAN CY
6 66 . A malicious p erson ,
machinations ,
ene mi es .
7 0 0 S tr
. en g th .
800 E mpire
. .
9 0 0 W
. a rs c
, omb a ts stru ggl es , .
1 000 Mercy
. .
1 095 Taciturnity
. .
1 2 6 0 To rments
. .
frequ ently ch ang e th eir r esid enc e and are not long
in th e s am e plac e Th ey go lo ng v oy ag es and visit
d ist ant countries som etim es as agents missionaries
, , ,
all
. In t emperam ent th ey are h ot and dry and no t
fond of wat er or much b athing They suffer from .
TAU RU S
subj ects
Th e of this S ign ar e u .
dog
m atic obstinat e
, , r equ mng n a c ou nsek and s uf e f ring
no c ontradi c ti q n, d ifficult to k no w ,
d esiring str ife
for th e sake of conqu est .
“
Slow to sngern nd e q ufl ly
p la n et ary i n flu en c es .
.
,
cis th i m th d t di y t t tiv sm l
.
i l l
p r e e n e
”—r e o s e o u s a en e t o a
.
1 60 A MANUAL OF CARTO MAN CY
fortunate .
sciences
ts h terature , ar , ,
derous . E nemi es aff ect his m arri ed lif e and int erfer e
with his h appiness Th e wif e (or hu sb and) is som e
.
foreign land ,
or at sea .
GE MINI
Th e nativ e of thi s S i gn I s endowed with a kind ,
s qu c
e e n e o f the n a tive s love intrigu es Th e c om
’
-
‘
.
”
m any obstacl es to th e att ainm ent of position c aus ed ,
CANCE R
p ro c e ed f r om th em O
. n e O f th ese f em ale frien ds ,
or sci atic a Th e
. r e a r e S i g ns o f d a ng e r by f a lls or
also to be feared .
LE O
op en fr an k and no bl e sp irit
,
am biti ou s p er s ev ering , ,
p o s s es se d an d m a s t erfu l Th e L
. eo m an s c o rns sm all
' ,
are lik ely to o ccu r thr ough serv ant s and by ba d h ealth
dint of hard lab our and even then there rem ains a
,
r
p p o e rty thr ou gh th e w if e o r p artn er G ai n by .
in life bu t strifes are frequ ent and g ener ally th ere are
,
LI B R A
S CO R P I O
”
tu tion s and b eliefs an d this is fr equ ently effect ed by
,
p r o s p er o u s a n d th e n a tiv e g a in s by ex p lo it s in f or eig n
wealth There are few broth ers and S ist ers and
.
,
p r em a t u r e lo ss o f th e fi r s t p ar tn er is to b e f ear ed .
retic ent Hence th e subj ects of this S ign are difli cult
.
,
AS TR O LOG ICAL P R E D ICTIO N 1 77
Th ere are few childr en and not much symp athy b etween
th e nativ e and th em and it is O ft en th e c as e th at
u seful .
CAP R I CO R NU S
p ec u li arity in th e s t e p o r m an n e r o f a cti on a n d m ay ,
AQ UAR I US
”
g enerally rem ain th e ardent lovers of their w ives till
old age and will alw ays pl ay
, D arby wh ere th e wife
will play J o an “
. Th e natu re is frank op en per , ,
, .
may and prob ably will r ec ei v e v alu able assist anc e from
friends esp ecially m en of letters or clergy lawyers etc
, , , , .
He may g ain an inh erit anc e or rec eive assist anc e from
th e family bu t it is m ore lik ely th at this will b e a
,
th e first born -
Th e native frequ ently h as to tr avel
.
P I S CE S
Th e subj ect of this sign is capable of lifting himself
by his own merits to a position of cons iderable ce le
brity and honour and g enerally it h app ens th at th e
,
will be larg ely due to his own efforts and works and ,
p a s e ,
p r o f e s s io n s a r e f o llo w e d by t h e n a tiv e a t th e s am e
p o w e rf u
, l b u t ch an g es a r e sh o w n d u e chi
,
efly to th e
considerable wealth .
1 . A C H I LD
b orn within twenty one hours after th e -
4 T.hi s d ay is u n lu ck y b u t
, f av o u r a b le to un j u st
and tyrannical undertakings P ersons falling ill .
188
JUDGME NTS D R AWN FR O M MOO N S ’
AG E 1 89
s eldom r ecover
1 2 This day is fav ourabl e to prophe cy and to gr ea t
.
15 . A day of e ,
of b usm ess .
1 7 A d
. ay o fs alva tion for th e goo d and of destruc
—
tion for th e wicked dangerous if it fall on a S atur
day .Th e chi ld b orn on this day wi ll be v ali ant but ,
—
Amethyst An old popul ar n oti on r eg ar ds it as a
guarant ee against drunkenness Th e wat er in.
of m a gn es ia us ed t o be r eg ar d ed a s a st one f ound
,
in th e b ody of a fr og an d it was su pp os ed to
,
1 92
V IR TUE S O F P R E C IO U S S TO N E S 1 93
Coral .
—Was s aid to prot ect any hous e ag ainst epi
d emic diseas e to sto p th e flow o f blood to drive
, ,
W
.
11 so ,
regarded as unpropitious .
—
Heliotrope Th e stone b earing this n am e in c omm on
.
,
0
1 94 A MANUAL O F CARTO MAN CY
—
Hyacinth This also is a pres ervative ag ainst th e
.
p l agu e w hich w a
,
s a c omm on sco urg e in th e old
!a i
r a — This is a n o the r st on e which pr o t ec ts a g ai n s t
venom ous bea sts .
j p
as er T
. his st
- on e is n otic ea bl e chi efly a s a f a v ourit e
—
OWL Th e mal efic influ en c e which is s ometimes
a ttribu t ed to th es e j ew els by Which th ey h av e ,
1“
S OME UN HE AR D O F CU R IOS ITIE S 1 97
P AV O Y S , YN MO E LAY
MAB , .
HAS HO THE A .
n or th an d s outh a t th a t tim e wh en th e Mo on is in
"
-
as —
th e auth ority affi rms with v ery pr ofit abl e ,
r esults .
FO R THE J O HN
EVE OF ST .
,
3 . Common ua liti es
Q f
o the P la nets — Th e S un is
ben eficent favour able ; S aturn is cold solitary
an d , ,
p os e .
Th C l u f th P l n t —S turn is th rul r
4 . e o o rs o e a e s a e e .
p r e di sp os i ti on of th e mi n d m a
,y giv e c r edit a lr e a dy
to such arts c an and sh ould fitly be c auti oned th a t
,
.
FATALITY O F D AY S AND P LACE S 2 09
J anuary 3 , 4
Febru ary 6 , 7 ,
1 2, 1 3, 1 9 , 20,
March 5 6 , ,
1 2, 1 3 .
May 1 2, 1 3 , 2 0, 2 1 , 26, 27 .
June 1 2 9 , , , 1 0, 1 6, 1 7, 22 , 2 3 , 2 4 .
July 3 , 11, 1 6 , 1 7 ,
18 .
O ctob er 3 4 , , , 9 , 1 0, 11, 1 6 ,
1 7 , 3 .
1
N ovember 1 , 3 .
— —
will in a greater or less degr ee suffer not only by ,
P
21 0 A MANUAL O F CAR TO MAN CY
their b argain s .
bills and h ave need of all their a ctivity and addr ess
,
hurts in th e legs .
J anuary 5 6 1 3 , , ,
I 4 , 20 , 21 .
Febru ary 2 3 9 , , , 1 0, 1 7 6 ,
1 , 2 2, 23 .
Mar ch 1 2 8 9 , , , , 1 6 ,
1 7 28 , , 29 .
April 2 4 2 5 , .
P AR T I I
p h e r s h a v e s e ttl e d th a t th e 1 0 th o f Aug u st 1 s t o f ,
h °
, ,
th e W l
day J u das I sc ariott was b orne wh o betray ed
el
,
21 2
FATALITY OF DAYS AND P LAC E S
‘
21 3
h w er e r ev e al ed by
were 2 8 dayes in th e yeare w c
th e
Ang ell G abri el to th e G ood J oseph w ever h av e
h c
,
s th , 2 2 n d a n d 2,9 t h of A p r il ; y 4
e th a n d 2 8t h o f
May ; ye 3rd and 8th O f June ; ye 1 2 th 1 8th and , ,
”
and 2 8th of S ept emb er y 4
e t h an d 1 5 th o f O ct o b e r
y e 1 3 th a n d 1 9th O f N o v emb er ; y e 2 3 r d an d 2 6 th
o f D ec ember .
A B ook f o
( pr e c ed en t
P res idents s ) p ub li sh ed in ,
marked are
J anuary I 2 4 5 , , , , 1 0, 5 1 , 1 7 ,
February 7 1 0 1 7 , , , 27 2 8 , .
Mar ch 1 5 1 6 2 8 , , .
April 7 1 0 1 6 20
, , , , 21 .
May 7 ,
1 5 , 20 .
J une 4 1 0 2 2 , , .
J uly 1 5 20 , .
Aug us t 1 1 9 2 0 , , ,
S ept emb er 3 4 6 7 2 1 , , , , , 2 2.
O ctob er 4 1 6 2 4 , , .
N ovember 5 6 2 8 2 9 , , , .
D ecember 6 7 9 1 5 1 7 , , , , , 22 .
J anu ary 1 2 1 5 2 6 2 7 2 8 , , , , , .
February 1 1 2 1 2 5 2 6 , , , .
March 1 0 2 4 , .
April 6 1 5 1 6 20 2 8
, , , , .
May 3 , 1 3 ,
1 8 31 , .
June 1 0 1 1 1 5 2 2 25
, , , , .
J uly 9 41 1,5 2 0 , , .
August 6 7 1 0 1 1 1 6 20 2 5, , , , , , .
S eptember 4 8 9 1 7 1 8 2 3 , , ,
-
, , .
O ctober 3 7 1 6 21 2 2 , , , , .
21 6 A MAN UAL OF CAR TOMAN CY
1
. Chances of the Coming Y ea r — Ii th e night of
'
3
. P r es ages of Fi ne W ea ther —T his i s
. d en ot ed by
a sligh t fog in th e east b efor e sunri s e by a white or ,
4 L .u n a r P re s ag es — A blu e .tin g e on th e m oo n
, ,
5 .S tel la r P r es a ge s W h en th
. e -
st ars s ee m l a rg er
than usual rain is likely when they ar nebulous or
,
e
—
rain or snow according to s eason Wh en th ey .
6 Concerning R ook s
.
— Th e c awing of r ooks on a
pile of s tones or near wat er signifies rain approaching
, , .
7 .O a k a pp
- le s O p.en -
on e th a t is rip e which will ,
.
21 8 A MANUAL OF CAR TO MANCY
on th e Fea st of St . Vincent
dage s ays th at
,
a n old a
T h Y
’
ar s Chances — W h en Ch ri s tm a s D
9 . e e a
y
f alls during th e moon s incr ease th e year will be ver y
’
2 20
THE AR TS O F D IV I N ATIO N 22 1
ria
ge if a letter c an be discover ed near it th at will ,
be th e initial of th e n am e of th e futur e sp ou se If .
j y
o ,
h a ppi n e ss a n d p e ac eful lif e A r o s e pr o mis
. es
health a lily at th e top of th e cup foretells a h appy
marriag e but at th e botto m it portends anger A
, .
D IVINATI O N WITH O NI O NS
This c er em ony is only p erf orm ed on Christmas
E ve and to obt ain tidings of a bs ent pers ons
,
P l ac e .
vigorous health .
G AS TR O MANCY
This m eth od of divinati on is c on c erned with
m agical clairvoyanc e and r equires th e assist anc e of
,
or Metron —
th e spirit of th e north and dir ect th e
,
LE CANO MANC Y
This is anoth er m ethod of divination by water ,
m ering surface .
o th er m eth od .
R HAP S O DO MANC Y
Th is pl eas ing f orm of divinati on is practised by
O p ening th e works of s om e p oet a t h az ard and
,
a s sag e w hich is m ar k ed by th p i n t f th
p e o o e
in strument .
O NYCHO MANCY
S P O DAN O MAN CY
”
bowels of th e earth and are fraught with th e tene
brous myst er ies of th e concentrated c entre of
N atur e are h owever c omp ar atively uncommon
, , , ,
AE R O MANCY .
—Th e pr edicting things to
old ar t of
is describ ed by Herodotus .
A MANUAL O F CAR TO MAN CY
m odern .
—
CLE IDO MANCY Divinati on by a k ey for th e discovery
.
,
p l a c e d in t h e ri ng a n d w hi s p er e d th e n a me o f
DACTY LO MANCY .
— i gs ma de under
Divination by r n
—
D AP HNO MANCY Divination by th e laurel a branch
.
,
—
D E MO NO MANCY A dep artment of Black Magic
.
,
E RO MANCY .
— S aid to be a P ersi an pra ctic e A .
neighing of h ors es
—
.
fish .
m eant news .
—
MYO MANCY Divinati on by r ats and mic e anoth er
.
,
to th e cri es of th es e cr eatur es .
O NO MANCY .
- Divinati on by mes
na , but eno ugh
2 36 A MANUAL O F CARTO MAN CY
S CI O MANCY .
—Another variety of cromantic art
ne ,
S YCO MANCY —
. Divination by th e leaves of th e fig tree -
,
in which th ey burn .
O F D IV I N AT IO N B Y D R E AM S
a tt ention .
p a ssin g in t o S l e e p it is p o ssibl
, e th a t th e s y mb o lic
imag es of things to c ome may be granted to th e
s eeker B ut if th e s tomach h as been loaded with
.
from G od .
th e dr eam .
3 . T o e a t h o t b r e a d p r es ag es a p p r oa chi ng illn e ss .
5 . T o c a tch a n d h o ld a b ee m e a n s h o p es fru s tr a t e d .
for one s h op es
’
.
tions .
3 1 T o st
. an d uprig ht in a cr owd thr e a t e ns som e
a ccus ati on .
33 flyi
. ng fr o m
To be
a vip er or s om e o th er v en o
3 6 To dr
. ea m th at one s eyes have dilated is a ’
37 T o h
. o ld n a ils in t h e h a n d sig n ifi e s a gg r essi o n
on th e part of e nemi es .
3 8 T o
. se e o n e s h air dr e ss’
e d c a r e fully m e a n s
succes s and favour .
39 T o
. s ee o n e s e lf d e a d f o r e t ell s t h e c o mi n g
t erm of affliction .
4 0 T o
. s ee a b u ll sh o u l d p u t y o u o n gu a r d a g a i n st
imprudence .
4 1 T o
. l o o k o n a sti ll s ea is a h a ppy o m en fo r
ent erprises .
4 2 T o
. e a t l e ttuc es m e a n s i lln e ss cl o s e a t h a n d .
43 T o
. se e o r t o cl as p a b r o k e n stick o r w a n d
threatens failure in undertakings or deception i n ,
4 6 To
. black h ors es h as th e s ame m eaning
see .
47 T.o f a ll fr o m a h o r s e o r a c a rr i ag e is a S ig n
fortune .
5 0. T o s e e o liv es is a g oo d a u g u r y for a n y ki n d o f
interest .
5 1. T o h o ld k e ys m ea n s hi n d r an c e s .
5 2. T o h o ld a p a lm in t h e h a n d d e n o t e s a n a ccu s a
tion to come .
53 . T o h e a r a d o g b arki n g m e a n s th e n e a r a tt a ck
of an enemy .
o f los s or ab as em ent .
55 . T o s e e c r o w s m e a n s e ith e r th a t d a n g e r o u s
a dvic e will be given or th a t one is ab out to do s om e
thing discreditable .
plans or h opes .
57 . To p o ur o il o n th e h ea d h a s t h e s a m e m e an i n g.
5 8 . To e a t m e a t m e a n s a s atisfaction of which
we sh ould b eware .
om en .
24 2 A MANUAL OF CAR TO MAN CY
good presag e .
a nd s eri ou s d ang er .
and woe to c om e .
7 1 T o . h a v e fi n e f r u it in t h e h a n d is a f o r ec a st o f
g o o d f or t u n e in lo v e .
7 2 T
. o s e e d e a d st r a n g ers a nn o u n c es lo ss o f p os s es
s ions ruin in un dert akings and hopes melting away
,
.
73 T
. o s e e t r ee s W ith o ut l ea v e s m ea n s v ain a tt e mpts
to br ing sch em es to a g ood issu e .
74 T. o s ee a n o a k is a g o o d S ig n fo r u n d e rt a ki n gs .
75 T. o s ee an ol iv e tr e e is a p r o mis e o f vict o ry
o v er en emi es
76 T. o s ee a s er p e n t in o n e s b e d
’
is '
a h a ppy S ig n .
77 T. o sc a l e a m o u n t a in sig n ifi e s st r en gth a n d g oo d
luck .
79 T. o s e e a h o u s e o n fi r e is a g oo d o m e n .
om en .
e xc ell en t S ign .
neighb ours .
p osition .
11 8 To
. s lf swarming with fleas foretells
see one e
vexations disgrace , .
success .
D IV INATIO N BY D R E AMS 24 5
tr ess .
illnes s .
enem i es .
troubles .
1 33 To be s ea t ed on a w a ll is a g ood S ign
. .
1 35 To s ee one s S kin bl a ck is an o m en of f a t al
’
.
1 3 7 To s ee a h ar e wh en st arting on a j ourney
.
troubles .
r
p p o h et o n th e s u bj e ct a n d
'
h e h a s l e ft s o m e r em a i ns
behind him from Which certa in additional items are
,
3 .T o s e e a n d t o sm ell r o s e s i n w in t er m ea n s h o p e s ’
en t erpris e .
affr ont .
vexati on .
for th e rich .
3 1 To s
. e e or e a t ch erri e s p r omis e s h a ppy tid i n gs .
3 2 T o s
. e e g r a ssh o pp e rs ; or t o h ea r th e m chirpi n g ,
33 T o d
. r ea m th a t on e is buri e d a liv e is th e p r es ag e
35 To
. dream of playing on th e flute is a promise
of qu arr el s and l oss at law .
3 6 . T o g a th e r a rip e p o m eg r an a t e sig n ifi e s a f a v o ur
which will be received from a p ers on of exalted
.
vexations .
3 8 .T o s ee th e s u n ris e in th e e a st m ea n s g o o d
ne ws ; but if it is a woman wh o dreams a son is ,
promised h er .
39 .T o s ee a r a in b ow in th e e a st f o r et e lls r ec o v e ry
for th ose wh o are ill and for th e p oor an alleviati on
of th eir distr ess To see it in th e west foretells
.
s t abili ty of f ortune .
THE E ND .
LIS T OF W OR KS
C O M P R IS ING
N e w T h o u gh t P h ilo s o p h y
M y s t ic i s m S p i r it u a li s m
O cc u l t i s m B e ll e s L e tt r e s
E tc .
J u ly , 1 9 1 0
i
I n c l u d n g L at e s t P u b l i c at ions a nd
A nno unc e m e nt s .
P U B L IS H E D B Y
W I L L IAM R ID E R S ON Lt d .
T h e N e w T h o u gh t L i b r a r y
C ro w n 8 vo . C r im s o n c l o th ex t r a , g il t top s 3 s
‘
. 6d . net
p e r v o lu m e .
vo lu m e w ill fin d a l in t h i i u n l it h l d
p a c e s s e r e s e s s a s a r e a y
a n e s t a blis h e d po s it io n i n t h e o u l r f v o u r T h fi t
p p a a e r s .
e igh t v o lum e s a r e n o w r e a d
y .
HAV E Y O U A S TR O NG W I LL ? Ho w t o De ve lo p a n d
S t r e ngt h e n W ill P o we r M e m o r y o r a ny o t h e r Fa c ulty, , ,
o r At t r ibut e o f t h e M in d b t h E s P r f S e lf
y e a y o c e s s o
Hypno t is m B y C H AR L E S G O DFR E Y LE L AN D
. Th ir d .
C T T
ON E N S .
—P r e fa c e In t r o d uc t io n Ho wt o Aw a k e n At t e n t io n a n d
C
. .
re a t e Int e r e s t as pre
p a r ato r
y t o De v e lo p in g
t h e W il l Fa c u lt ie s .
a nd P o w e r s l a t e n t in m a n M e s m e r is m H yp n o t is m a n d S e lf-Hypn o
C
.
,
t is m P o m po na t ius , G a s s n e r a n d P a r a c els u s
. . M e d ic a l u r e s a nd
fi
.
,
B e n e t s w h ic h m a y be r e a l is e d by Aut o -Hypn o t is m Fo r e t h o u h t g
V C
.
a n d it s a lu e o r r u pt a n d P u r e W ill
. In s t in c t a n d S u e s t io n
. gg .
Tim e T h e Ac t io n o f W ill a n d H yp n o t is m o n t h e
. o n s t r u c t iv e Fa c ul
t ie s Fa s c in a tio n
. Th e o ic e
. V
Te le pa t h y a n d t h e S ubl im in a l S e lf
. .
Th e P o w e r O f t h e M in d t o M a s t e r D is o r de r e d Fe e lin s a s s e t fo r t h by g
K a nt P a r a c e ls us , h is T e a c h in
. g
w it h r e a r d t o S e lf-Hypno t is m g .
L a s t W o r ds .
“
W hy we not w ill o ur s e lv e s t o do o u r v e r y be s t in a ll m a t t e rs
”
can
An e a r n e s t ly w r itt e n w o r k e n t ir e ly fr e e f r o m c h a r la t a n is m .
B i r ming h am P os t .
E S S AY S O F P R E NTIC E M U L FO R D . TH I RD S E R I E S .
C T T
ON EN S .
—Th e La w o f S uc c e s s Ho w t o Ke e p o ur S t r e n t h Y g
fi
. .
Th e Ar t o f S t u dy P r o t a n d L o s s in As s o c ia t e s
. Th e S la v e r y o f .
Fe a r . S o m e L a w s o f He a lt h a n d B e a ut y M e n t a l Int e r fe r e nc e C o . .
o p e r a t io n o f T h o u g h t T h e R e li io n o f Dr e s s
. g
U s e yo ur R ic h e s T h e . .
g
He a lin a n d R e n e w in Fo r c e o f S pr in g g
Th e P r a c t ic a l U s e o f R e v e r ie . .
g
S e l f -T e a c h in : o r t h e Ar t o f Le a r n in g H o w t o L e a r n Ho w t o P u s h
k
.
y o u r B u si n e s s T h
. e R e li io n o f t h e D r a m a Tgh e U s e s o f S ic ne s s . .
W o h a r e o u r R e l a t io n s ? Th e U s e o f a R o o m H u s ba n d a n d W ife . .
Th e t h ir d a n d fo u r t h s e r ie s o f P r e n t ic e M u lfo r d s E s s a ys h a v e be e n
’
.
p g
r e p a r e d in r e s po n s e t o a l a r e d e m a n d fo r t h e c o m le t e w o r k s o f
p
the C
W h it e r o s s L ibr a r y a t a m o r e r e a s o n a ble p r ic e t h a n t h a t o f
t h e Am e r ic a n e dit io n in s ix v o l um e s .
E S S AY S O F P R E NTIC E M U LFO RD FO U R T H S E R I E S
”
. .
C T T
ON E N S .
— Th e U s e S u nd ay A ur e fo r Alc o h o lic I n t e m
of . C
p e g
r a n c e t h r o u h t h e L a w o f De m a n d G r a c e B e fo r e M e a t ; o r t h e .
S c ie n c e o f E a t in g
W h a t w e n e e d S t r e n t h fo r O n e W a y t o C u l g
C
. .
g
S o m e P r a c t ic a l M e n ta l R e c ipe s
”
t iva t e o ur a e . T h e Us e a n d .
Ne c e s s it y o f R e c r e a t io n M e n t a l Tyr a nny : o r , Ho w W e M e s m e r is e
g C
.
E a c h O th er Tho u ht
. u r r e nt s U s e s o f Div e r s io n “
L ie s br e e d
. .
Dis ea s e ; Tr ut h s br in He a lt h g
W o m a n s R e a l P o w e r G o o d a nd
’
. .
Ill E ffe c t s o f T h o u h t g
B ur ie d Ta le nt s Th e P o w e r o f Ho ne s t y .
C
. .
o n f e s s io n . T h e Ac c e S S io n o f Ne w T h o u h t g .
T h e s e fo ur vo l u m e s c o n s t it u t e t h e c h e a pe s t a n d be s t e dit io n o f
t h e E s s a y s o f P r e nt ic e M u lfo r d pu blis h e d in t h e E n lis h la n u a e g g g
k
.
S pe c ia l ca r e h a s b e e n t a k e n t o e lim in a t e t h e e r r o r s a n d m is t a e s
w it h w h ic h t h e Am e r ic a n e d it io n a bo un d s .
f r o m t h e E s s a ys o f U R S U LA N G E S TE FE L D . .
CT
ON E N S T — P r e fa c e P a r t I H o w w e M a s ter ou r f.a te —T h e I n v e.n .
to r a nd t h e Inve nt io n Th e As c e n s io n o f Id e a s
. L iv in by In s i h t . g g
o r by O u t s i h t g De s t in y a n d Fa t e Th e O r i in o f E vil W h a t is g
C
. . .
w it h in t h e H e ir P W o r d s a s S t o r a e B a t t e r ie s H o w t o a r e fo r g .
t h e B o dy Th e W a y t o H a pp e s sin Y ou L iv e i y
n o u r Th o u h t W o r ld
- g .
C
.
g g g g
.
Th e L a n ua e o f S u g e s t io n o n s t r uc t iv e I m a in a t io n
. Th e P o w e r .
o f Im p r e s s io n H o w t o R e m o ve Im pr e s s io n s Y o u r In d iv id ua lis m .
a
.
g g g g
.
wl a k in g T h in s go R i h t
’ U t ilis in E ne r y M a s t e r , o r be M a s re r e u
. . .
V
T h e o ic e t h a t is h e a r d in Lo ne line s s Th e In r a ft e d W o r d Th e L a w. g .
o f Lib e r t y P
. a r t I I .
Alt e r E go Th e E v o lut io n O f a Th ie f ; Th e Ho ne s t M a n
. T h e E vo lu .
t io n O f a L ia r ; T h e Tr ut h ful M a n Th e E vo lut io n o f a M is e r ; T h e .
B e ne fa c to r T h e E v o l ut io n O f a n E o t is t ; Th e S e lf-Fo r e t fu l M a n g g .
Th e E vo lut i o n O a D u k a
f r n r d h
T e S e l f-P os ses s ed Ma n Th e E vo lu .
t io n o f a L ibe r t ine Th e S t r o n M a n g
Th e E vo l ut io n o f a Fl ir t Th e .
n a l , n o t in Tim e Af r m a t io n O f B e in
. Af r m a t i o n fo r t h e M o r n in g . g .
fi
Af r m a t io n fo r t h e E v e n in g
Affi r m a t io n fo r Fe a r O f H e r e dity
. .
Affi r m a t io n fo r fe a r O f De a t h .
Th is v e r y p o p ula r Am e r ic a n h a n d bo o k o n t h e s u b e c t O f t h e p r a c t ic a l j
c o n d uc t o f l if e , is n o w o ffe r e d t o t h e B r it is h P u blic a s a n e w vo l um e
O f the g
Ne w Th o u h t L ibr a r y a t t h e po pu la r p r ic e O f 3 s 6 d ne t
”
. . .
S tro n g w is e s o u n d p le a s a n t h e l p fu l w e l l -
w r itt e n —
t h e s e a r e
j
, , , , ,
o n ly a fe w O f t h e c o m p l im e n t a r y a d e c t ive s w h ic h c a n h o n e s t ly be
l
a pp e d
i t o t h i s b o o k - A LI C E B O W N in O hi o S ta te yo um a z
. R .
g
Ad m ir a ble ! It is a lo n t im e S in c e w e h a v e r e a d a bo o k o n t h e
g j
fa s c in a t in s u b e c t o f m in d s in flu e n c e o v e r m a t t e r e s pe c ia lly in t h e
”
’
,
b u ildin g O f c h a r a c t e r , w it h a s m u c h p l e a s u r e a s t h is h a s a ffo r d e d .
g
C h a r a c t e r is e d t h r o u h o u t by a c h e e r y O pt im is m , t h e pe r u s a l O f it is a s
g o o d a s a n y t o n ic , a n d f a r b e t t e r t h a n m o s t — P a l l M a l l G a ze tte . .
NO W R E A DY .
c
W it h a n Int r o d u t io n by LE W E L LY S F B AR E R , M D . K . .
S U M MA RY OF C T ON EN —
T S Th e Ne w O u t lo o
T h e U n i ue kf or H e a lt h . q
P o w e r s o f M in d T h e S p ir it u a l M a s t e r y o f t h e B o dy
. Fa it h a s a .
V it a l Fo r c e .Th e H e a l in a lue O f P r a e r
y GgV
l im p s e s O f t h e S u b
C
.
c o n s c io u s S e lf T h e T r a in in g O f t h e H idd e n E n e r ie s
. Th e a s t in g g
C C
.
O ut O f Fe a r Th e
. a u s e a nd ur e o f t h e W o r r y H a b it Th e
x
. .
G o s pe l o f R e la a t io n W o r k a s a Fa c to r in H e a lt h In s p ir a t io n
”
.
k k
.
O f t h e M e n t a l O ut lo o B e s t B o o s fo r Fu r t h e r R e a d in
. g .
It is a c h e e rf ul , in s p ir it in g boo k , a n d s h o u ld fu l l it s O b e c t t o fi j
”
gi ve m e nt a l g a lv a n ic s h o c s t o k s pir it ua l
p a r a lyt ic s — S unda Times
y . .
A s e r io u s e x po s it io n O f t h e w a y a s p ir it u a l u id e m a y h e lp fu lly
“
g
m in is t e r t o t h e d is e a s e d — B r i s to l Ti mes a nd M ir r or
. .
Le a t h e r , g ilt , 2s 6 d n e t . . .
M y s t ic i s m
ON A G O LD B AS I S . A Tr e a t is e on Mys t ic is m . By
IS A B E L L E D E S T E I GE R , Tr a n s la to r Of Th e C lo ud upo n
t h e S a n c t ua r y by E C K ART S H AU S E N . C r o wn 8 vo , lo t h , c
g ilt , 3 S 6 d n e t . . .
U n li k e ot h e r W e s te r n
w r it e r s , Is a be lle de S t e i e r h a s be e n a t g
g r e a t pa in s t o u n de r s t a n d a r i h t w h a t t h e
p r i n c iple s a s a ppl ie d i n g
E a s t e r n ph ilo s o ph y a r e , a n d t h e r e s u lt is t h a t w e h a v e a bo o w h ic h k
is r e lia ble f r o m e ve r y po in t O f v ie w— r e lia ble a s r e a r d s t h e in fo r ma g
t io n it c o n t a in s , r e lia b le a s r e a r d s t h e de d uc t io n s m a de t h e r e fro m , g
an d r e lia ble a s a n a u t h o r it a t iv e e p o s it io n O f a ll t h a t is be s t a nd t r ue x
n t h e s c ie n c e O f m ys t ic is m E a s t e r n s c h o la r s a s we ll a s W e s t e r n
fi x
.
s c h o la r s w il l be n e t i m m e n s e ly by a pe r u s a l O f t h is e c e lle n t bo o k
The I n di a n R e vi e w .
TH E C LO U D U P O N TH E S AN C TU A R Y A Te x t B o o k .
E n la rge d C r o w n 8 vo , x x x ix 14 4 pp , 3 8 6 d n e t
. . . . . .
B y C O U N C I L L O R KAR L V O N E C AR S H A U S E N Tr a n s la te d K T .
a n d Ann o t a t e d by IS A B E L L E D E S E IG E R , a n d wit h a n T
T W
In t r o duc t io n by AR H U R E D AR D W AI E T
Th f ll t d l e t x h ib it i
u es Of t h D t i
an f S t H ly
c e a res e on e oc r ne O a e c re o
A m bly w it h i t h C h i t i
sse Ch h n e r s an ur c .
I “
y d i l l
c an
y m m d
ve r t ll w h c or i t t d i a re c o en o a o a re n e re s e n
relig i m y t i i m Th C l d p
o us th
s S t c s
y N t ly e ou u on e a nc ua r .
’
o on
i E k t h t x t f t h h ig h i it y d i t t b t th
’
s c ar s t a us e n s e O e es c ur o s an n eres , u e
‘
c r it ic a l f u r n is h e d by t h e t r a n s la to r , by M r B r o die
a pp a r a t u s
’
.
In n e s , a n d b y o t h e r s , w ill pr o v e m o s t h e lp f u l t o t h e s t ud e n t ; a n d
M r A E W a it e s I n t r o d u c t io n , w it h it s h is t o r ic a l s t udy O f t h e
”
’ ‘ ’
fi
. . .
a u t h o r , a n d it s s t o r e O f r e c o n d it e le a r n in , a dd s t h e n is h in t o uc h g g
t o t h is v a lua ble e d it io n o f a v e r y v a l ua b le a n d s in u la r w o r k g .
T P s W ee k ly
. . .
f r o m G e ne r a t io n s An e x pla na t io n O f t h e c o n e a le d c
fo r c e s in e ve r y m a n t o o pe n T H E E M P L E O F TH E S O L , a nd T U
t o le a r n T H E G U I D AN C E O F T H E NS E E N AN D Illus t r a t e d U H .
by J
C S RE E . La r ge S V O
. T T
W it h P la te s , 1 2s ne t
. . . .
DE N I S , a ut h o r Of C h r is t ia n it y
“
a nd S p ir it ua lis m .
c
S e o n d e d it io n , r e v is e d , c lo t h i
g , lt c r o w n 8 vo , 35 2 p
p .
,
”
3 S 6 d ne t
. .
A n a ble a n d lu m i n o u s a c c o u n t o f t h e p h e n o m e n a a n d d o c t r ine s ih
c l ud e d u n d e r t h e t e r m S pir it u a lis m , t h e ir r e la t io n t o m o d e r n
s c ie n c e a n d t h e ir in fl u e n c e On c o n d u c t T h e pr e s e n t v o lu m e is a n e w .
g
a n d e n la r e d e d it io n o f t h e o r i in a l w o r k , t h e o u la r it
p p y g O f w h ic h
C g g
,
ac ros s th e h a n n e l , m a y be au ed b
y t h e f a c t t h a t it h a s a l r e a dy
r u n in t o it s t w e n t -s e c o n d t h o u s a n d
y
k k
.
“
Tr u ly a r e m a r a ble w o r e m in e n t l
y c la s s ic a l ,
p r o fo un d
a n d s e r io u s — L e Temps
”
.
—L ig h t
”
.
E V IDE NC E FO R A FU TU R E L IFE A Tr a ns la t io n o f .
”
G ABR I E L D E LANN E S Im po r t a nt w o r k L Am e e s t Im
’ ’
m o r t e lle B y H A DAL L AS Au t h o r o f G o s pe l R e c o r ds
. . .
,
Int e r pr e t e d by H u ma n E x pe r ie nc e De m y 8 vo , 5 S n e t . . .
T h l S wo r kh be e n a c c e p t e d by a l l S p ir it u a lis t s a s a n u n e u a lle d
as q
fl
”
s um m a r o f t h e m o s t n o t a b le h n m e n a f m o d n t im h i w it h
y p e o O e r e s , c e
y
r e fe r e n c e t o t h e
p e r is r it
p o r fl u id ic b o d y , by w h ic h m a n is b r o u h t g
n t o d ir e c t c o n t a c t w it h t h e u n s e e n u n iv e r s e
k
”
.
A n o t a bl e b o o — Th e L i ter a r W o r l d
y
fi
. .
I t c o ve r s t h e w h o le e ld o f S p ir it u a lis m in a r fe c t l i
“
p e y s e r o u s,
r a t io n a l a n d s c ie n t i c m a n n e r fi — D a i l E x res s
y p . .
M O R S JA N U A V ITA E ? A dis c u s s io n of c e r ta i n c om
m unic a t io n s u
p pr o r t in
g to co me fr o m FR E D E R I c
W H MY E R S
. . . B y H A DAL L AS , . . w it h Int r o duc t io n
by P R O F E S SO R W F B ARR E . C ro wn . TT . 8 vo .
,
cl o th
g ilt , 2S 6 d . . ne t .
NO d is c u s s i o n w it h in p h e re O f P the
s y c h ic a l S R e s e a r c h d ur in g
r e c e n t ye a r s h a s a t t r a c t e d m o r e
p u b l ic a t t e n t io n t h a n t h a t r e l a t in t o g
g
t h e a lle e d c o m m u n ic a t io n s O f t h e la t e Fr e d e r ic W H M ye r s . .
p r i nc i a l l
p b
y y t h e m e t h o d d e s c r ib e d a s c r o s s c o r r e s o n de n c e
p w i t h n
h is e r s t w h ile c o l le a u e s o f t h e S P R g Th e O bj e c t O f t h is bo o is t o
. . . k
p u t b e f o r e t h e r e a din
g p u b l ic w h o a r e in t e r e s t e d in t h e l a t e s t d e v e lo
p
g
m e n t s O f p s yc h ic in ve s t i a t io n t h e m a in fa c t s o f t h e e v id e n c e in t h is
k
r e m a r a b le c a s e .
k
Th e bo o s h o u ld a ppe a l t o a la r ge a ud ie n c e — M a d a me . .
“
T h e v o l u m e s h o uld be h e lpfu l t o t h e m a n y r e a de r s int e r e s t e d in
s uc h
the o r ig in a l d c
o u m e ts
n
A t im e ly lit t le bo o
f o r h
t e m
— L ig h t k ”
m a t t e r s w h o do n o t c a r e t o fa c e t h e t a s k O f s ift in a n d
s e l ve s
.
— B ir mi ng h a m P os t
.
.
” g
.
a n a lys in g
HIG H LA ND S E CO ND S IG HT w it h pr o p h e s ie s , of C o in
ne ac h O dh a r a nd t h e S e e r O f P e t ty In t r o d u t o r y . c
S t udy by R E V W M M O RR I S O N , M A E dit e d by
. . . .
NO R M AN M AC R AE C r o w n 8 V O , 202 pp , lo t h bo u nd ,
. . c
le a t h e r ba , 3s ck
6 d ne t . . .
It is h o pe d t h a t t h is bo o k w ill p r o ve a s h e lp fu l t o t h e s e r io u s
s t u d e n t a s , it is b e l ie ve d , it w ill be we lc o m e t o t h e e n e r a l r e a d e r , not g
in t h e l ig h t O f t h e s u pe r s t it io u s o r t h e m e r e ly c u r io u s , b ut a s a s u b e c t j
of
p a r t ic u l a r in t e r e s t in V ie w o f p r e s e n t d a y rese a rc h in m a t t e r s
p y
s c h o lo g
ic a l .
C O L LO Q U IE S W ITH A N U NS E E N FR IE ND E d it e d by .
3s 6d. . ne t .
C o NT E N T s R e in c a r n a t io n At la nt is
.
-
o n d it io n s o f
. o m m u n ic a t io n . C C
w it h t h e I n v is ib le H is t o r ic a l S k e t c h e s
. H um a n it a r ia n is m a nd t h e .
Ad va n c e o f t h e w o r ld T h e Fr e n c h R e vo lut io n a n d S e c r e t S o c ie t ie s
. .
W a r a n d P o lit ic s S c r a ps
. S t Fr a n c is . . .
T h is v o l u m e c o n s is t s o f a r e m a r k a b le s e r ie s O f co m m u n ic a t io n s , re ,
c o r de d by a g
h i h ly de ve lo p e d m e diu m .
THE P AS T R E V E A LE D : A S e r ie s
R e ve la t io n s c o n of
c e r n in g t h e E a r ly S r ipt u re s R e c o r d e d by E C c . . .
G AFFIE L D , Aut h o r O f “
A S e r ie s o f M e dit a t io n s , a n d
“
A C e le s t ia l M e s s a ge C r o w n RV O , blue lo t h , gilt . c
t o ps , 3 09 pp , 2s 6 d ne t . . . .
A S w e r e a d t h is V iv id pro fo u n d , a n d ye t s im ple e p o s it io n O f
, x
g g
h u m a n l ife in lo n -de pa r te d a e s w e c a n in de e d fe e l t h a t a v e il h a s ,
b e e n l ift e d , a n d s o m e po r t io n O f t r u ly n o s t ic in fo r m a t io n h a s be e n g
u n fo ld e d t o t h e w o r ld —W O LV I LL E
. . J C . .
T V
S E E N S , M D , w it h int r o d uc t io n by
. . M P E E B LE S , J . .
M D P a pe r c o ve rs l s 6 d ne t , lo t h 2S ne t
. . . . c . .
IN P R E P A R A T IO N .
D e m y 8v o . A b o u t 6 0 0 pp .
, 1 23 . 6 d ne t
. .
PS YC HICA L A N D S U P E RNO RM A L P H E NO M E NA .
B e in g a t r a n s la t io n by DU D L E Y W R I G H T O f “
Le s
P h en o m ene s P s yc h iq ue s t h e n e w a nd ve r y no t a ble ,
w o r k O f DR P AU L J O I R E , P r o fe s s o r a t t h e P s yc h o
.
P h ys io lo gic a l In s t it ut e O f P a r is , P r e s ide nt of La
'
S o c iet e U n ive r s e lle d E t ude S P s y h i ue s
’
c q .
C T T
ON E N S — P s c h ic a l P h e n o m e n a
y y E g
x t e r n a ll e n e r a ll c o n s id e r e d .
s o n a lit ie s Ah n o r m a L Fa c ult ie s in H y pn o t ic S u b e c t s
. Ab no r m a l
x
.
Dr ea m s P h e n o m e n a o f L u c id it y a n d E t e r n a l is a t io n O b s e r v e d in
k
.
Fa ir s o r O r ie n t a l S o r c e r e r s H a u nt e d H o u s e s T e le pa t h y
C z g C
. . .
r s t a l G a in
y l a ir a u d ie n c e T yp t o l o y A u t o m a t ic W r it in g g
j
. . .
a n d L u c id it y T h o ug h t P h o t o r a ph y
. g
M o ve m e r t o f O b e c t s it h o ut w
C
.
o nt a c t L e v it a t io n
. E u s a pia P a la d in o
. M a t e r ia lis a t io n s G e ne r a l . .
V ie w o f P s c h ic a l P h e n o m e n a
y .
no w RE ADY .
h ypo t h e s is B y a C le r gym a n O f t h e C h ur c h
. Of
E n gla n d C r o w n 8 V O , s t iff bo a r d s , 9 6 pp , l s n e t
. . . .
Th e uni q bo o is t h a t it is t h e r s t a t t e m pt
u e c h a r a c t e r i s t ic O f t h is k fi
e ve r m a de i n li t e r a r
y f o r m to u s t if
y t h e t h e o r
y o fj R e in c a r n a t io n f r o m
t h e s t a n dpo in t O f C
h r is t ia n it y T h e w r it e r a tt e m pt s t o pr o v e t h a t e ve n
k x
.
t o t h e s t ic le r fo r o r t h o do y t h e r e is n o t h in in c o n s is t e nt , o r o ut o f g
g
,
h a r m o n y w it h t h e t e a c h in s O f t h e c h u r c h , in t h e a vo w a l O f a be lie f
in t h e e vo l ut i o n o f t h e s o u l t h r o ug h t h e t e n a n c y by it o f a s uc c e s s io n
O f p h ys ic a l b o d ie s q J
H e u o t e s e s us h r is t H im s e lf a s po int e d ly r e
. C
fr a in in g f r o m d is a vo w in g
s uc h a b e lie f , a n d in s t a n c e s t h e d e c l a r e d
a d h e r a n c e t o t h e d o c t r in e o f a n u m be r o f e a r l
y h r is t ia n Fa t h e r s H e C .
s h o w s t h a t it i s a m is t a k e t o s u po s e t h a t R e in c a r n a t io n w a s e v e r
p
c o n de m ne d a t a n
y a u t h o r it a t iv e o u n c i l o f t h e h u C
r c h , a nd p r o c e e ds C
g
t o a r u e t h a t m a nv O f t h e C
h r is t ia n s r e a t e s t d if c ul t ie s a re s o lve d by
’
g fi
”
it s a c c e pt a n c e .
A br ie f b ut t h o u h t f ul de f e n c e g of the do c t r in e t h a t ea c h s o ul is
r e a p in g
t h e c o n s e ue n c e s o f a p a s t q .
—Th e Times .
A w e l l-w r it t e n vo l u m e .
—The S c o ts m a n .
He pp lg
e s w
rait h t h e d if c u lt ie s w h ic h a n o r t h o do h fi
r i s t ia n x C
g
m i h t r a is e H is v e r y fa ir a nd t e m pe r a t e a r g u m e nt
. .
- Th e
Q u es t .
fi
It w ill fu l l a m o s t u s e fu l f u n c t io n .
”
Now R E A DY .
RAM A A N D M O S E S . Th e Ar ya n C yc le a nd t h e M is s io n
O f Is r a e l Tr a n s la t e d fr o m Le s G r a n d s In it iés Of
“
.
E D O U A RD S C H U R E by F R O T H W E L L B A C r o w n 8 vo , .
, . . .
g
” g g
It is full O f t h o u h t o n t h e h i h e r t h in s O f life , a n d a t t e m pt s
s e r io u s ly t o ra
pp le w it h g
m a n y m y s t e r ie s O f t h e l ife t h a t n o w is , as
W AL E R G O R N O L D ,T C r o w n 8V O , c lo t h , 2S ne t . .
z
L a o t e r e m a In S a pr in c e a m o n p h ilo s o p h e rs g a nd is s t il l a s
g o o d r e a din g
a s h e w a s s o m e fiv e o r S ix c e nt u r ie s B c — The Times
”
. . .
An e x c e l le n t t r a n s la t io n Of t h e t e a c h in g s of
t h is a n c Ie n t s a g e
xp
.
As a n e d it o r a n d e o s it o r M r O ld is
. bo t h w e ll-in fo r m e d a n d sy m pa
t h e t ic — G l a s o w H er a ld
.
g .
O B E R M ANN B y E IE NN E P IV E T DE S E NAN C O U R Tr a n s
. T .
la t e d fr o m t h e Fr e nc h , wit h B io gr a phic a l a n d C r it ic a l
Int r o d u c t ion by AR UR E D ARD W AITE C r o w n 8vo , TH W .
6 S n e t , o r na m e nt a l lo t h , gilt t o ps
. c .
g
A S pir it u a l Aut o bio r a p h y , r ic h in t h e invit a t io n t o t h i n k , a l ive
q
w it h t h e u e s t O f t r ut h , a nd ye t full o f s pe c u la t iv e u n r e s t Th e va l u e .
O f t h is e d it io n is re atl
y g
e n h a n c e d by t h e c r it ic a l a ppr e c i a t io n w it h
w h ic h M r W a it e h a s e n r ic h e d a bo o k t h a t de s e r ve s t o be m uc h m o re
k
.
w ide ly n o w n — Th e S ta nda r d . .
An e x c e lle n t t r a n s la t io n . Th e Ti m es
-
.
Mr . W a it e
m u s t be w e ll k no wn a s a le a r ne d a n d e nc h a n t in g
M ys t ic e ve n t h o s e w h o a r e n o t m ys t ic s o r e ve n t h yr s u s be a r e r s h o ld
h im in r e s pe c t W e a r e t h er e fo r e n o t s ur pr is e d t h a t h e t r e a t s
k
.
‘ ’
g
O ber ma nn a s A r e a t bo o O f t h e s o u l , a nd De S e n a n c o u r a s a m a n ‘
of V is io n
’
l
be o n i n at h i s b e s t t o e t e rg g
n it y
’
— T h e D a i l y C hr o ni c le . .
TH E LIFE O F L O U IS C L A U DE DE S AI NT - M ARTIN,
k
t h e U n no w n P h ilo s ph e r , a nd t h e S ubs t a n c e O f h is
Tr a n s c e nde nt a l Do t r ine B y AR H U R E D ARD W AI E c . T W T .
De m y 8 V O , 6 s n e t . .
C NT N T
O E S — B o o k I L o u is la ude de S a int M a r t in
. C
B o o k II . .
S o ur c e s O f M a r t in is t ic Do c t r in e B oo k I I I T h e Na t ur e a nd S t a te o f
. .
Ma n B oo k IV T h e Do c t r ine O f t h e R e pa ir e r
. . B o o V Th e W a y o f . k
i
R e nt e g r a t io n B o o k V I M . in o r D o c t r in e s O f S a in
. t -M a r t i n .
”
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—J O U B E R T .
A pr o fo undly S p ir it u a l V ie w O f t h e w o r ld ; a n int e r p r e t a t io n Of
C h r is t ia n it y w h ic h , t h o u h fr e e , is a ls o s u g
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to er c o m m e n d h im t h a n O bs c ur it y a n d —T h e T i m es .
V C De s e r t is W it h In t r o d uc to ry No t e by P RO FE S S O R
. . .
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C o NT E NT s .
—Int r o d uc t o r y No t e P r e fa c e — P a r t I T h e B a s e s o f
a nd
x
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.
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Nu m be r a n d U n it y T im e a n d S pa c e I n E t e r n it y
. Ide a l Fu n c t io n s .
O f T im e a n d S pa c e Un iv e r s a l D iffe r e nt ia t io n
. In t e llige nc e a nd t h e .
O ne . T h e O ne P o t e n t ia l Im po r t o f t h e D o c t r in e O f U n it y
. .
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t h e m o s t im p o r t a n t o f t h e Ne o pla t o n is t s a n d h is t h e o r ie s c a n n o t be ,
g
n e le c t e d M r W h it by h a s pr e s e n t e d t h e m in a n a d m ir a bly c o n c is e
. .
a n d l uc id f o r m a n d f o r m e t a p h s ic ia n s h is l it t l v l u m w ill b
y e o e e
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in d is e n s a bl e —G l obe
p . .
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S u s e fu l e xp o s it io n , c a r e fu ll y a n a l s e d , o f
y t h e life a nd
t e a c h in g
of the g re at t h ir d c e n t u r y Ne o p l a t o n is t °
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MA B D E
. x -P r in c ipa l O f Alm a La d ie s C o lle ge , S t
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Rea so n . 14 7 pp c r o w n 8V O , l s . . 6d . n e t , b ro w n
p p
a e r c o v e r s .
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o f W o r d s , P r o s e a n d P o e t ic L it e r a t u r e , Ne w L a n u a e s , e t c g g .
Tr a ns la t e d fr o m t h e Fr e nc h by W ILLARD L FE L . T .
. c
R o ya l 8 vo , 27 6 pp , lo t h gilt , gilt t o ps , pr i e 8 S 6 d n e t c . . .
by FO S T E R W AT S O N , M A , P r o fe s s o r O f E d uc a t io n in t h e
. .
2s . ne t .
”
Th e bo o ki s e n t it le d Th e Z o dia c Of L ife , ’
be c a u s e a life le d in ac
c or da n c e w it h it s t e a c h in g g
is a s lo r io us a s t h e s un t ra ve llin
s g th ro u gh
th e g
si ns o f t h e Z o d ia c .
(
-T H O M A s S C A U R I N U S O ld w r it e r
) .
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g
de s iro us t o ive a s p ir it u a l a pplic a t io n to a ll h
p ys ic a l t h e o r ie s .
Times .
M ATTE R S P IR IT AND T HE C O S M O S : S o m e S ug
.
ge s t io n s a s t o a B e t t e r U n d e r s t a n din g o f t h e W h e n c e
a nd th e W hy
E x is t e n c e B y H S AN L E Y
of t h e ir . . T
R E DG R O V E , Aut h o r O f O n t h e C a lc ula t io n o f Th e r m o
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C h e m ic a l C o n s t a nt s C r o w n 8vo , c lo t h gilt , 2S 6 d ne t
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a a in s t t h e m a t e r ia l is m o f t h e l a t e n in e t e e n t h c e n t u r
y A S a s t ude n t .
o f s c ie n c e , t h e a ut h o r m a b o n s id e r e d a s a t le a s t a n u npr e u d ic e d j
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y s p r . .
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w it h r e s pec t t o t h e w h o le or
”
a bs o lut e u
p pr o se O f the c os mos .
— The Ac a demy .
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’
o f r e a s o n in g
w h ic h a r e u n d o ubt e d ly b o ld , in e n io u s a nd o r i in a l g g .
— L ig h t .
J U S T P U B L IS H E D .
B o o k in t h e W o r ld , fo r t h e E x c lu s ive Us e O f Init ia t e s .
B y P AP U S Tr a n s la t e d fr o m t h e Fr e n c h by A P
. . .
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M O R O N Ne w e dit io n , r e v is e d t h r o ugh o ut , w it h int r o
.
d u t io n by A E c W AI E C r o w n 8 vo , o r n a m e n ta l
. . T .
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c
lo t h gilt , gilt t o ps , 3 84 pp , pr o fu s e ly illus t r a t e d , 6 s n e t . . .
x
P r o ba bly t h e m o s t c o m ple t e e po s it io n o f t h e w h o le s ub e c t t h a t j
a n be o bt a in e d in t h e E n gl is h la n u a e —L ig h t g g . .
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a t if u l ly
— Tgh e Th eos ophi s t . .
M E n c a us s e ’
s ve r y c o n s id e r a b le le a r n in g c a nno tb e a in s a id g
—
. .
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c o lo ur e d , fr o m n e w a n d o r igina l de s ign s by P A M E LA
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m e a ning Th is is w it h o ut q ue s t io n t h e fi n e s t a nd m o s t
.
a r t is t ic p a c k t h a t h a s e v e r b e e n p r o d u c e d P r ic e .
6s . ne t , po s t fr e e .
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t h e d a ys w h e n G r ingo n n e u r ill u m in a t e d t h r e e pa c s fo r t h e a m u s e k
m e n t O f King C
h a r le s V I O f Fr a n c e , in t h e ye a r O f o ur Lo r d
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Ar t h u r M a c h e n in T P s Week ly
’
. . .
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Th e C a r ds a nd Ke y wi ll b e s u pplie d t o ge t h e r in n e a t
bo x fo r 8 8 po s t fr e e . .
H igh e r Life Ha n d bo o k s .
Cro w n 8 vo U n i fo r m l y b o u n d i n h a n d s o m e d a r k
.
g r e e n
c l o th G i l t o r n a m e n t a l d e s i gn a n d l e t t e r i n g
. .
no w R E A DY .
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Ne w a nd R e v is e d E d it i o n o f
”
LIFE AND P O W E R FR O M W ITH IN By W . . J .
V
C O L IL LE , Aut h o r o f Th e La w O f C o rr e s po nde n e s , c
E le m e n t a ry Te x t -B o o k O f M e nt a l Th e ra pe ut i s , e t c c .
,
”
e tc 1 8 9 pp , 2s 6d n e t
. . . . .
W r it t e n in t h e fl ue nt , s im ple a n d d ir e c t s t yle c h a r a c t e r is t ic o f th e
”
a ut h o r .
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It can g
be s t r o n ly r e c o m m e n de d t o a ll w h o w is h t o go be n e a t h
th e s u r fa c e O f t h in s , a n d
gge t a t t h e s p r in s o f 1ife — T h e P i on eer g . .
”
I NG T H E G E NE RAT IO N , CO NS E R V ATIO N AN D
”
C O NTR O L O F V ITAL FO R C E B y E L LA AD E L IA .
T
FLE C H E R , Aut h o r o f Th e W o m a n B e a ut iful, Th e
P h ilo s o p h y o f R e s t 3 7 2 pp , 4 S 6 d n e t . . . . .
I r e ga r d m o s t im po rt a nt a n d a ut h o r it a t iv e c o nt r ibut io n
it as the
O c c u lt s c ie n c e t h a t h a s be e n m a de s in c e M a da m e B la va t s k y s
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to
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fi
h a ve pr o t e d by I s is Un ve ile d o r T h e S e c r e t Do c t r in e
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.
—J U LI AN HAW T H O R N .
It is po s s ible fo r t h I s bo o k t o c h a n e t h e c o ur s e O f t h e r e a d e r s g ’
lif e . It is c o m pr e h e n s ive ly w r it t e n a n d pr o fo u n d ly im p r e s
s ive — Ti mes Uni on , Alba n y , N Y
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. . .
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Th e Disc o ve r y O f t h e S o ul 229 pp , 4 s 6 d n e t . . . . .
g
T h o u h t fu lly w r it t e n , a nd t h e t r ut h s th e a ut h o rw is h e s t o t e a c h ,
are p r e s e nte d in a ve r y p l a in ye t fo r c ib le m a nn e r — Th e M or ni ng
.
A d ver ti ser .
” ”
TH RO U G H S ILE NC E TO R E ALIZ ATIO N ; O R, THE
H U M A N AW A K E N ING B y FL O Y D B W IL S O N , . .
Aut h o r o f “
P a t h s t o P o we r , “
M a n Lim it les s , e t c
”
.
1 90pp , 3 S 6 d n e t . . . .
T h is is a n im po r t a n t , h e lp fu l a n d in s p I r I n g b o o , t e a c h in m an k g
m
h o w t o be c o e l l h i b le f b e in — T i m es U ni on , Al ba n , N Y g
”
a e s c a pa O
y . .
T h e c h a pt e r o n T h e S ile n c e is t h e c le a r e s t pr a c t ic a l e p o s it io n x
o f t h e s t e p s o f h u m a n c o n s c io u s n e s s by w h ic h o n e r e a c h e s T h e S ile n c e
t h a t w e e ve r r e m e m b e r r e a d in — g
I dea s , B o s t o n , M a s s. .
”
C IS M , LIG HT AN D P RO G R E S S
W I L S O N , Aut h o r O f P a t h s t o P o we r ,
le s s , e t c 24 7 pp , 4 S 6 d n e t .
Y
B y FL O Y D B
Ma n Lim it
. . . .
.
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a tt e g
h a s o b t a in e d o n h is a s c e n t t o w a r d f r e e do m , a n d t o t h r o w l i h t o n t h e g
p a t h l e a d in t h g g
r o u h M ys t ic is m t o t h e d is c o ve r y o f t h o s e u n u s e d
P a t h s t o P owe r . 224 pp , 4 s 6 d ne t . . . .
‘
THE N E W P E A R L O F G R E AT P R IC E Th e Tr e a t is e .
O f B o n us c c
o n e r nin g t h e Tre a s ur e O f t h e P h ilo s o p h e r s
’
S to ne Tr a n a t e d fr o m t h e La t in
. E d it e d by A E . . .
W AI E C ro T 8vo 4 s 6 S . n e t
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fig g g
,
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O f m e t a l s , t h e d e a t h O f t h o s e t h a t a r e b a s e a n d t h e ir r e s u r r e c t io n in
t h e pe r fe c t fo r m s o f g
o l d a n d s ilve r .
A G O LDE N A N D B LE S S E D C AS K E T O F N ATU R E S
’
M AR V E L S B Y B E N E D I C T U S FIG U L U S
. W it h a Life .
4 s. 6d . ne t .
A c o lle c t io n o f s h o r t t r e a t is e s by va r io u s
be lo n in t o t h e a nt h o r s g g
s c h o o l O f P a r a c e ls us , d e a lin g w it h t h e m ys t e r y o f t h e P h ilo s o ph e r s
’
S t o n e , t h e r e ve la t io n O f H e r m e s , t h e g r e a t w o r k o f t h e Tin c t u r e , t h e
g lo r io u s a n t ido t e O f P o t a b le G o ld B e n e d ic t u s Fig u l u s c o n.n e c t s b y
im p ut a t io n w it h t h e e a r ly R o s ic r uc ia n s .
T H E TR IU M P HA L C HA R IO T O F A NTIM O N Y By .
B AS IL V ALE N I N E T
Tr a n s la t e d fr o m t h e La t in , inc lud
.
in g t h e C o m m e n t a ry o f Ke r c k r ingius , a n d B io gr a ph ica l
a n d C r it ic a l Int r o d uc t io n E dit e d by A E W AI E . . . T .
C r o w n 8V O 4 S 6 d n e t . . . .
A v a l ua bl e t r e a t is e by O ne w h o is re
p u t e d a g r e at m a ste r o f a lc h e m i
c a l a rt . It c o nn e c t s p m is t r y w it h t h e o c c u l t t h e o r y o f
r a c t ic a l c h e
'
t r a ns m ut a t io n Th e a n t im o a
. n i l F ir e -S t o n e is s a id t o c ur e d is e a s e s
in m a n a nd t o r e m o v e t h e im p e r fe c t io n O f m e t a ls .
Fr o m t h e La t in E dit io n O f 1 6 76 W it h a B io gr a ph ic a l .
c
In t r o d u t io n , a n Ac c o u nt O f Ke lly s r e la t io ns wit h
’
Dr De e , a n d a t r a n s r ipt O f t h e B o o k O f S t Dun s ta n
.
“
c . .
E dite d by A E W AI E C r o w n 8 vo 4 S 6 d n e t
. . T . . . . .
by m e t a ls , a n d in s t e a d o f a n a c c o unt O f s t e lla r i n ue n c e s we h a ve fl
g g
t h e la ws o ve r n in m e t a llic c o n v e r s io n .
8V O , c lo t h gilt , 9 6 pp .
, 2s 6 d
. . ne t .
§B y
,
S E P H AR IAL .
Th e fi t h is po p u la r w o r o n Ka ba lis t ic As t r o lo y h a vin
r s t e d it io n o f k g g
be e n e nt ir e ly s o ld o ut , t h e p ubl is h e r s a r r a n e d w it h t h e a u t h o r fo r g
t h is c o rr e c t e d a n d r e v is e d e d it io n t o m e e t t h e p u blic de m a n d .
A M A N U AL O F C A RTO M A NC Y Fo r t u ne Te lling ,
a n d O cc u lt D ivinat io n in c lu ding t h e O r a c le O f H um a n ,
”
O R IE N T . C r o w n 8 vo , clot h gilt , 25 2 pp .
, 2S . 6d . net .
“
TO th e c ur io u s in s u c h m a tt e r s t h is bo o k w ill a ffo r d m uc h int e r e s t in g
in fo r m at io n — P a ll M a ll
. .
M e n t a l Pa t h o lo gy a n d T h e r a p e u t ic s
THE M AS TE R Y O F DE ATH B y A O S B O R N E E AVE S . . .
Aut h o r Of Th e C o lo ur C ur e . C r o wn 8 vo . C lo t h ,
28 . net .
j
Th e O b e c t o f t h is w o r k is t o S h o w h o w d is e a s e m a y be e lim in a t e d
a n d h u m a n life a lm o s t in de n it e l
y p r o lo n e d , a n d t h e fi
w r it e r ive s g g
c le a r d ir e c t io n s as t o h o w t h e s e a im s c a n b e a c c o m lis h e d
p
” ”
.
TH E A RT O F LU C K B y A O S B O R NE E A . . VE S Aut h o r
.
Of
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Th e C o lo ur C ur e , “
Th e M a s t e r y Of De a t h ,
e tc 5 in .
p p
a e r o v e r s.
, 1s n e t c . .
It is be t t e r t o be bo r n l u c y t h a n k r ic h . - O LD P R O V E RB .
S Y NO P S I s —L ife H u m a n Fo s s ils
’
s Fa ilur e s Th e Tr u e S o u r c e O f .
k
. .
L uc . Fo r c e s a n d P la n e s Th e Dyn a m ic s o f Th o u h t
. S o c r ate s ’
g .
De m o n . Ho w M a ic c a n Aid g
L uc k y d a ys a n d As t r o lo y Th e
. g
C x
.
”
.
, e tc .
c o ve r s , 1 s n e t . .
THE C O LO U R C U R E A P o pula r E x po s it io n O f t h e Us e
.
O f C o lo ur in t h e Tr e a t m e nt o f D is e a s e , b
y A O S B O R NE .
V
E A E S , Aut h o r O f Th e M a s t e r y O f De a t h , “
e tc . , e tc .
C r o w n 8 vo , 6 4 pp , pa pe r c o ve r s , ls . . 6d . ne t .
P E UTICS By W . . J . CO L V ILLE . C r o w n 8V O , pa pe r
c o ve r s , 80 pp , I S ne t . . .
Th is in t r o du c t o r y t e t bo o x
is c h a r a c t e r is e d by a ll M r W k . J .
C k
.
o lv ille s w e ll
’
n o w n s im plic it y a n d p e r s pic u it y o f s t yle Fo r pr a e .
t ic a l u dg
i a n c e in e v e r
y
-d a
y l ife it is O f f a r r e a t e r v a l ue t h a n m a n y g
x
m o r e e pe n s ive a n d m o r e a m b it io u s v o lu m e s .
P S YCH ATHO LO G IC A L R E S E A RC HE S
O P
- S t udie s in .
M e nt a l Dis s o c ia t io n W it h Te x t Figur e s a n d 10 P la t e s . .
B y B O R I S S I D IS , M A P h D Dir e c t o r o f t h e P s yc h o . .
, . .
,
pa t h o lo gic a l La b o r a t o r
y O f Ne w Y o r k 3 29 pp R o y a l . .
,
8vo , 8 s 6 d n e t . . .
S E LE C T I O N FR O M T H E C o NTE NT s —P s yc h o s is a n d Int r o s pe c t io n .
j fi x
.
Th e S u b e c t ive Meth od
it s Dif c ult ie s E a m in a t io n O f t h e S ub
a nd
x
.
c o n s c io u s T h e P s yc hO pa t h ic P a r a d o
. S u bc o n s c io u s Ha bit Fo r m a .
t io n. Aut o m a t ic W r it in a n d An a e s t h e s ia gO r i in a n d G r o w t h o f . g
D is s o c iat io n Th e D e v e lo pm e n t O f t h e S e c o n da r y S t a t e
. Th e .
S yn t h e s is o f t h e D is s o c ia t e d S t a t e s T h e P h e n o m e n a O f Affe c t ive .
T r iple P e r s o n a lit y g
R e -e m e r e n c e o f D is in t e r a t e d G r o u ps a n d t h e ir
. g
Fin a l Dis s o lut io n D is s o c ia t io n a n d S yn t h e s is
. Fir s t At t a c k s a n d .
R id e r ’
s M in d a nd B o d y Ha n d bo o k s.
Th e s e H a n dbo o k s d e a l it h t h e s ubj e c t o f m e nt a l a nd W
bo d yil h e a lt h in h
t e n ew l ig h t O f s
p y h o -t h e ra pe u t ic s , c
m e nt a l h e a ling a nd a ut o s ugge s t io n Th e fo llo win g vo lu m e s
- .
a r e n o w r e a dy o r in pr e pa r a t io n
NA TU R E S H E LP TO HA P P I NE S S
’
B y J O H N WARR E N .
AC H O R N , M D S m a ll c r o wn 8 vo , 5 5 pp , c lo t h g ilt
. . .
l / ne t, p p
a e r 6d . ne t .
S c o ts ma n .
HO W TO R E S T AND B E R E S TE D B y G R AC E .
DAW S O N 4 6 pp r e d pa pe r c o ve r , 6 d ne t , c lot h l s ne t
. . . . .
p r e s e nt D iv ithe
n e L if e , c a lm , w is e a n d bea ut if u l O f t h e s a e a nd , g
S a vio u r T h e m idd le p a r t —Tr a ns m u ta ti on— is t h e t r a ns it io n a l s t a e
. g
be t w e e n t h e t w o ; it is t h e a lc h e m ic p r o c e s s lin in t h e d iv in e w it h k g
t h e h u m a n life D is c iplin e , de n ia l a n d r e n u n c ia t io n do n o t c o n s t it ut e
.
t h e D iv in e S t a t e ; t h e y a r e o n ly t h e m e a n s by w h ic h it is a t t a in e d
g
.
T h e o lo gy .
THE U N E S C A P E A B LE C HR IS T An d O t h e r S e r m o n s . .
An e x pr e s s io n O f t h e Ne w Th e o lo gy B y R e v E D A RD W
”
. .
W LE I S , M A , B D , o f G r a ft o n S q ua r e C o ngr e
. W . . . .
ga t io n a l C h u r h , C la ph a m A u t h o r O f S o mc e V ie w s o f .
M o de r n Th e o logy C r o w n 8vo , c lo t h , 3 S 6 d n e t . . . .
Th e a ut h o r k
fr a n ly de c la r e s h im s e lf a dis c iple O f t h e Ne w Th e
g
o lo y , a n d t h e s e r m o n s a r e a ll u po n s u b e c t s w h ic h a r e inv o lv e d in j
k
t h a t c o n t r o v e r s y T h e y a r e m a r e d by r e a t f r e s h n e s s a n d be a u t y , a nd g
w ill do m uc h t o r e m o ve pr e u d ic e a a in s t t h e n e w V ie w s ”S c ots m a n
j
.
g . .
S O M E B E TTE R THING FO R U S B y A S L S e c o nd . . . .
Im pr e s s io n De m y 1 2m o , c lo t h gilt , 3 S 6 d n e t
. . . .
C
O N T E N T S — In t r o d uc t io n Fa it h : A P r a c t ic a l M a t t e r Fe a r : It s
. .
t r ue Fun c t io n
T r ut h in R e l a t io n t o L ife
. E r r o r in T h o u h t , a nd it s . g
Da n e r s g Th e L a w O f t h e L o r d T h e L a w w h ic h G e n de r e t h B o n d
C
. .
a ge T h e T W O P o int s o f ie w T h e T h r e e fo ld V
o r d o f P ra er
y . .
j C
.
O b e c t le s s o n s O f h r ist s M e t h o ds in H e a lin
’
H e a lt h , H o lin e s s , g.
a nd P ower .
x
A lu c id e po s it io n O f t h e e ffic a c y O f fa it h — L ig h t,
x
.
T h e e pr e s s io n O f a liv in g
fa it h , w h ic h h a s be e n t e s t e d by e x .
r ie nc e — H A DA L LA S in Th e S ee k er
p e , . . .
E P B S e c o n d E dit io n ( t r a n s la t e d int o a pa ne s e a nd
. . . J
G e r m a n) Fc a p 8vo 2S 6 d n e t . . . . . .
Th e w r it e r s ph ilo s o p h y m a y be d e s c r ibe d a s a
’
ind o f pa n t h e is t ic k
ide a lis m . fi
H e n d s a m a n ife s t a t io n o f G o d t h e B e a ut iful in Na t u r e ,
’
in t h e s o ul o f m a n , in a ll a c t s o f h u m a n lo v e a n d c o ur a e g .
Th e bo o k c o nt a in s m a ny s u gg
e s t ive , o r i in a l , a n d be a ut iful t h o u h t s g g .
- C h u r eh u a r ter l e vi e w
Q y R .
TR A NS FO RM E D HIN DU IS M
t h e B e a ut if ul 2 V O ls Fc a p 8 V O 5 5 n e t .
”
B y t h e Aut h o r
.
.
.
, . .
of G od
C T T
ON S VO
EN I I — In t r o d uc t io n
-
P a no r a m a O f An c ie n t Ind ia .
C
. . . .
De v e lo p m e nt O f In d ia s o m m e r c e Th e R is e O f B r a h m a n is m Th e
’
. .
V e da , a ur e d a , At h a r v aV e da V
T h e B r a h m a n a s , Ar a nya k i a nd
k
.
Upa n is h a d s Th e Five fo ld M in is t r y
. T h e L e a l W o r s , Dh a r m a . g
S ut r a s , & c .
C o N T E NT s o l 11 — —V
H in d u P h ilo s o ph ic a l S ys t e m s : Th e Nya ya
Yg
. . .
a n d V a is e s h ik a , Th e S a n k h ya , T h e o a , T h e P u r v a M in ia n s a , T h e
V e d a nt a S c h o o l E p i c s : T h e M a h a b h a r a t a , T h e B h a a v a t G it a , T h e
. g
R a m a ya n a , M o d e r n H in d uis m S in De a t h a n d Im m o r t a lit y
”
. . .
g
It IS w e ll w r it t e n , a nd ive s a c o m pr e h e n s ive v ie w o f B r a h m a n is m ,
t h e s a c r e d s c r ipt u r e s , H in d u p h ilo s o p h ic a l s ys t e m s , a n d t h e H in d u
’
Of
e ic s , m o d e r n H i d u is
n m e tc — T h e Ti m es
p , . .
TH E C H IE F S C R IP TU R E O F IN DIA ( T h e B h a g a va c
”
.
G i ta ) a nd it s r e la t io n t o p r e s e nt e ve nt s By W L . . .
W I L M S H U R S T , Aut h o r O f C h r is t ia n ity a n d S c ie nc e
“
Th e La t e s t P h a s e , &c C ro w n S Y O P a pe r c o ve r , . .
l s n e t ; lo t h , 2S n e t
. c . .
An in t r o d uc t io n t o t h e s t udy O f t h e B h a g a va d G i ta , c a llin a t te n g a
t io n t o it s r e la t io n t o t h e W e s t e r n r e l i io u s t h o u ht O f t h e pr e s e n t g g
da y . g
A t h o u h t fu l a n d w e ll w r itt e n pa p e r by a w ide ly r e a d m a n , w h o
h o pe s t h a t s o m e d a y , in t h e in e v it a ble c o u r s e O f t h e w o r ld s e v o l ut io n ,
’
a ll r a c e s O f m e n w ill fo r m o n e fo ld u n de r o n e S h e h e r d
’
— Ac a demy
p . .
”
A br ie f a n d in t e r e s t in g g
e n e r a l a c c o u n t o f t h e B h a a va d G i ta ,
g
w h ic h m a y w e ll s e r ve a s a n in t r o d uc t io n t o t h e d e t a ile d s t udy O f t h a t
S ac red B oo O f h
t e Eka s t — S c o ts m a n . .
AL L E N C r o w n 8 V O P a pe r c o ve r , 6 d ne t
. . . .
C
O NT E N T S — In t r o d uc t io n E s c h a t o lo g y T h e R e c e s s io n O f t h e
C C
. .
S o ul S pir it u a l o r po r e it y Th e P o w e i O f h r is t s R e s u r r e c t io n
’
q
. . .
T h e N a t u r e o f C h I is t s R e s u r r e c t io n E c le c t ic R e s ur r e c t io n
’
E ua lit y . .
in H e a v e n ( a ) De a d le v e lis m ( b) D is c ip l in a r y T i e a t m e n t ( c ) Fo r m a t io n
Of C h a r a c te r E t e r na l L ife
. .
TH E M E S S AG E O F A RC HDE AC O N W I LB E R FO RC E .
A S u m m a r y o f t h e Te a c h in g fo u n d in h is S e r m o ns a nd
Dis c o u r s e s B y a m e m be r o f t h e C o ng r e ga t io n O f S t
. .
J
o h n s W e s t m in s t e r
’
C r o w n 8 vo P a pe r c o ve r , 6 d ne t
, . . . .
”
TH E M E S S AG E O F THE S U N , AN D THE C U LT
O F T H E C R O S S AN D T H E S E R P E NT B y Rev . .
HO L D E N E S AM P S O N
”
Ligh t ) C r o w n 8 V O , I S 6 d n e t
. . . .
Th e c u lt he r e a dv o c a t e d , u n d e r t h e fa n t a s t ic t it le of t he C u lt O f
the C ro s s a nd the S e r pe n t , wa s , a c c o r d in g to Mr S a m ps o n
.
, t a ug h t
in it s p u r it y by M o s e s a n d t h e H e br e w P r o p h e t s , b y Kr is h n a a n d
C h r is t , b u t w a s e ffa c e d fr o m t h e w o r ld t h r o ug h t h e h e r e s ie s O f t h e
”
N i c en e Apos ta sy u n t il n o w r e -dis c o ve r e d b y h im s e lf a t t h e e n d O f fo ur ,
t e e n c e n t u r ie s u da is m a n d . J C
h r is t ia n it y a r e pe r v e r s io n s O f t h is t r u e
'
— S h e ie ld D a i l
a nd o nl
y r e li io n
g ,
fi y T e
. l e ra h
g p .
C H R IS TIA N IT AN D Y S C IE NC E — TH E LATES T
P HAS E B y W L W IL M S H UR S T . . . . C r o w n 8 V O 9 2 pp . .
in n e a t br o w n pa pe r c o ve r 6 d . n e t , c lo t h l s n e t . .
C T T
ON E N Fo r e w o r d
S — T h e P a r t in O f t h e W a ys Th e De ve lo p g
C fl
. .
m e nt O f t h e o n ic t N e w Fa c t o r s t e n din t o R e c o n c il ia t io n
. Th e g .
P r e s e n t a n d t h e Fu t u r e .
”
JUS T P U B L I S H E D.
B y G R AC E DA S O N Au t h o r O f “
Ho w to R e s t W . .
C r o w n 8 vo , 7 8 pp , c lo t h gilt , gilt t O ps , l s 6 d n e t ; . . .
p p
a e r l s n e t , . .
A s h o r t s t ud
y Of Ch r is t ia n it
y as Ch r is t g
t a u h t it .
Po e t r y .
S TR A NG E HO U S E S O F S LE E P B y AR T H U R E D WA R D .
Fc a p 4 t o P a r c h m e n t gilt P r in t e d a t t h e B a lla nt yn e
. . .
a n d n u m be r e d .
P a r t I S h a do w s O f S a c r a m e n t s P a r t I I Th e H idd e n S a c r a m e n t
k
. . .
O f T h e Ho l r B rother s Ma s s B oo
’
G raal P a r t I II Th e P o o : con
y
fi
. .
g g
t a in in a M e t h o d o f As s is t in a t t h e H o ly S a c r i c e fo r c h ildr e n w h o
a r e n o t O f t h is w o r ld T h e r e is a ls o im plie d a c e r t a in a s s is t a n c e t o
C
.
S e r ve r s P a r t IV
. T h e B O O k o f t h e Kin s D o le , a n d
f
.
’
h a n t r y fo r g
P la in S o n g : A G r e a t e r I n it ia t io n .
g
T h r o u h a ll o n e c o m e s in t o uc h w it h a fin e S pir it , a live t o t h e
g lo r y O f t h e w o r l d a n d a l l t h a t c h a r m s t h e h e a r t a n d s e n s e o f m a n ,
”
y e t s e e i n p a s t t g
h e s e w it h s o m e t h in g O f t h e s o u l o f G a la h a d
g fi
.
R ic h in m e m o r a ble v e r s e a n d S i n i c a n t t h o u g h t , S O c lo s e ly w e dd e d
t o e m o t io n t h a t e a c h s e e m s e it h e r —G l a s ow H er a ld
g . .
Fr o m t h e G u l is t a n , o r R o s e G a r de n o f S a d i, t h e s e le a ve s h a v e
’
be e n g a t h e r e d S a d i , w h o s e n a m e s i n i e s fe lic it y , w a s bo r n a t g fi
z
S h ir a in P e r s i a , A D 1 19 4 It is s a id t h a t h e l ive d a h u n dr e d a n d
. . .
t w o ye a r s T h e w h o le O f h is lo n g life w a s de vo t e d t o t h e a c c u m u la
k
.
t io n O f n o w le d g e ga in e d d u r in h is m a ny t r a v e ls S o m e O f S a di s
’
g .
g
w is e t h o u h t s a r e h e r e s e t fo r t h —Fr om th e For e w or d . .
E di ti on de L u r e o f 100 C o pie s P r in t e d a t t h e C h is w ic k .
P r e ss o n V a n G e lde r P a pe r De c o r a t e d by DU D L E Y .
HB A I H W h it e ve ll u m f c a p 4 t o 7 s 6 d n e t
’
. .
’
. . . . .
T h is E d it io n is pr in t e d by a r r a n g e m e n t w ith M e s s r s hatto C
C
.
W in d u s , the o wn e r s Of the op
y ri gh t .
A ve ry c h a r m i n g
m in ia t u r e e a m ple o f a r t is t ic bo o -pr o d uc t io n x k .
g
In it s c h a s t e ve ll u m bin d in , w it h it s de c o r a t ive le t t e r in a n d it s pe r g
”
fe c t io n O f pa pe r a n d t ype , t h e lit t le v o lu m e pr e s e n t s e ffe r ie s e u is it e J xq
’
p rose
p o e m in a fo r m w o r t h
y O f it s r a r e in t r in s ic be a u t
y a s a w o r of k
lit e r a r y a r t — Th e W or l d
. .
LO R D C HE S TE RFI E L D S A DV IC E TO HIS S ON
’
,
AN D T H E P O L IT E P H I LO S O P H E R . C r o w n 8 vo ,
c lo t h , gilt , l s 6 d n e t . . .
A pla in t a s t e fu lly pr o d uc e d V o l u m e , in c le a r t y pe o n l ig h t pa pe r ,
g
w e ll a n d a t t r a c t ive ly a r r a n e d L o r d h e s t e r e ld c a n a lw a ys be w it t y C fi
”
.
w it h o ut s a t ir e , a n d s e r io u s w it h o ut be in d u ll ; a n d in s p it e O f it s
’
g
a ge h is w is d o m is fr e s h t o -d a y , a n d n o u n s a fe u ide in t h is fo r m fo r g
an
yy o un m g a n be g inn in g h is c a r e e r —T h e B oo k m a n . .
Fi ct io n .
TH E THRO N E O F E DE N : A P s yc h ic a l R o m a n c e By .
W J V
C O L I L L E , Au t h o r o f O ld a n d Ne w P s yc h o lo gy,
. .
“
“
S t udie s in Th e o s o ph y e tc , e tc C r o w n 8 vo , r e d , . .
”
c
lo t h , 4 6 8 pp 3 s 6 d n e t .
, . . .
T HE DAYS
O F FIR E Th e S t o r y O f a Fo r go tt e n E po c h .
.
T
B y t h e C O U N E S S O F C R O M AR I E C r o w n 8 vo 2S 6 d n e t T .
, . .
HIS P R IV AT E LIFE By H . . S MI TH . Ne w E d it io n .
C r o w n 8 vo 3 S 6 d n e t . . . .
A h a s m u c h t r ut h in it , t r e a t e d w it h
n o ve l t h a t s tr i ki gn a b ilit y .
”
T h e m ino r c h a r a c t e r s a r e e x c e e d in g ly w
d r a w n , a n d t h e n o ve l
e ll
s t a n d s o u t fr o m t h e r e a t r uc g k Of fi
c t io n , bo t h b y it s m a t u r it y o f
t o u c h a n d po w e r o f c o n s t r u c t io n T P s I/ V ee k l y
’
. . . .
A n o ve l o f e x c e pt io n a l a b ilit y .
— R eview of R e vie w s .
NO W R E A DY .
TH E P R I E S TE S S O F IS IS An O c ult R o m a n c e o f . c
t h e Da ys O f P o m pe i i , by E D O AR D S C U R E Tr a n s U H .
la t e d by F R O E LL , B A
. TH W
C r o w n 8 vo 3 1 8 pp . . ,
”
c lo t h gilt net , .
It p ic t u r e s w it h m u c h ra
p h ic p o w e r the g C ity Of P o m pe I I on the
e ve O f h e r d e s t r u c t io n —Th e Ti mes
. .
A c l a s s ic a l d r a m a f u ll O f c o lo u r a n d t — Y or k s h i r e P os t
p o e r
y . .
TH E S E C R E T O F THE S P HINX ; o r T h e R in g o f ,
MOs e s By
. J
AM E S S M I H a n d O H N W RE N S U ON T J TT .
C r o w n S Y O , 3 S 6 d ne t . . .
A r o m a nc e fo u n d e d o n t h e b u ild in O f t h e G r e a t P yr a m id b y g
P h a r a o h a n d t h e b ir t h o f M o s e s is a d is t in c t l n o t a b le a ddit io n t o
fi '
m o der n c t io n , a n d M r S niit h a n d M r S u t t o n a ve do n e t h e ir w o r k
”
x
. .
c o n s c ie n t io u s ly a n d w e ll T h e s e c r e t O f t h e S p h in
. is r e v e a le d by a
n a r r a t ive O f a c ur io u s c o m bin a t io n o f c ir c u m s t a n c e s , in w h ic h t h e
g g g
m a ic r in o f M o s e s is ive n a c o n s pic u o u s pla c e — The S co ts m a n . .
”
A viv idly dr a w n a nd
fa s c in a t in p ic t u r e O f l ife ig
n E yp t a nd t h e g
de s e r t , a n d in t e r pr e t s O n br o a d a n d u n iv e r s a l pr inc iple s t h e w is do m
o f th e E yp gt ia ns in w h ic h M o s e s w a s le a r n e d — Li ht
g . .
G RAN ; A G ir l W o r t h Kn o w ing . B y H D AR C Y .
’
MA R T I N .
C r ow n 8 vo , 3 s 6 d n e t . . .
T h e u pb r in in O f G r a n a m id s t s ur r o u n d in s S O u n u s ua l—a s t e r n ,
g g g
fa n a t ic a l fa t h e r , a r e s e r v e d m o t h e r w h o n u r s e s a s e c r e t a nd c a r e s
”
n o t h in g fo r h e r c h ild , l e a v in g
h e r t o t h e s o le c h a r e O f a n o ld g
s e r v a n t — a n d t h e d e ve lo m e n t o f h e r c h a r a c t e r , a r e t d w it h
p p o r r a y e
c o n s id e r a ble p o w e r , t h e r e s u lt b e in a v e r y c h a r m in
p gic t u r e g .
L i ter a ry W or ld .
G r a n is r e m a r k a ble , a n d a ls o a r e m a r
i
k bly tt
a a r a c t ive h e r o in e .
“
T h e r e is n o t a d u ll s e nt e n c e in t h e h o o . e vi e w o
f R e vi e w s .
THE LIV I NG W H E E L By T I . . . U N I AC K E . A Dr a m a
in Five Ac t s C r o w n 8 vo , 3 S 6 d . . .
T h is is o n e O f t h e m o s t r e m a r a ble b o o s t h a t I h a ve r e a d for k k
”
m a n y a lo n d a y g A d a r in g bo o , a p u l in k zz g
b o o , o ne t h a t s u ge s t s k g
q
.
m o r e t h a n it s a ys , a n d r a is e s u e s t io n s i nn u m e r a b le t o w h ic h it s u
p
”
p l ie s n o a n s we r s . . . T
—W T S E A D , in Th e R e vi ew o f R e vie ws .
A t h o u g h t fu lly w r it t e n n o v e l , a n d o n e t h a t d ips a l it t le de e pe r t h a n
m o s t in t o s pir it ua l a n d int e lle c t u a l m a tt e r s W eek ly . .
g
T h is s t o r y o f a s p ir it u a l m a r r ia e pr e s e n t s s t r a n ge po s s ibilit ie s O f
u n io n b e t w e e n t h o s e w h o a r e O f n e c e s s it y s e pa r a t e d in t h e ph ys ic a l bo dy .
TH E TW —
IC E B O R N . B y a n E x -As s o c ia t e of th e S o c ie t y
fo r P s yc h ic a l R e s e a rc h C r o w n 8V O , . c lo t h , 23 . ne t .
A m o d e r n in s t a n c e O f R e -in c a r n a t io n p l i e d
as in t h ee c x
a s em
e o f fi
h
two c i d e
l r n — b t e
r o h r a n d S ster
i — wh o r e v is it t h e e a r t h a ft e r a v e r
y
S h o r t in t e r v a l, S O t h a t t h e y a r e e n a b le d t o r e t a in a v ivid i m pr e s s io n o f
t h e ir pr e vio u s s t a t e o f e is t e n c e x .
TH E S O U N D O F A V O IC E THAT IS S TILL By .
AR C H I E C A M P B E L L C h e a pe r Is s ue C r o wn 8vo , 3 S 6 d
. . . .
ne t .
C a n c e r t a in ly c la im t o be t h e m o s t o r i in a l w o r k o f t h e ye a r A g .
c o m bin a t io n o f r o m a n c e a n d t h e o lo
y , o r
p e r h a p s w e S h o ugl d s a
y
g
m yt h o lo y , it pr o v ide s , in t h e fo r m o f a -s t o r y , a n e w t h e o r y o f life ,
de a t h , a n d e t e r n it y , d e r ive d fr o m E a s t e r n t ea c h in g , h r is t ia n d o c t rin e , C
g
a n d r o m a n t ic i m a in a t io n , w h ic h is a s fa s c in a t in a s it is de l i h t fu l g g .
An in t e r e s t in a n d g a g
fa s c in a t in bo o w h i c h m e r it s t h e k at t e n t io n
it h a s a l r e a dy a r o u s e d .
—B ir ming h a m D a i ly G a z e tte .
”
FLAX I U S : Le a ve s fr o m t h e Life o f a n Im m o r t a l By .
M r G o dfr e y
. L e la n d , a pa r t fr o m t h e k e e n s e n s e O f h u m o ur w h ic h
in s p ir e d t h e H a n s B r e it m a n n B a lla d s , ’
has a r e a t d e a l O f O ld g
k g
w o r ld no w le d e a t h is c o m m a n d B o t h t h e h u m o ur a n d t h e k n o w
g j
.
le d e o s t le o n e a n o t h e r in Fla x iu s , a bo o k w h ic h is r a t h e r a r h a p s o dy
’
76 4 A ld er sg a te S tr eet, L ondon, E C . .
WI L L I A M R IDE R (S r
S O N , L im ited
”
Mr Le e s
. a c ts m e r e ly a s r e c o r d e r , a nd k
h is w o r S h o u ld h a v e m uc h
of the vo g ue t h a t fe ll t o L e t t e r s fr o m H e ll o n t h e o n e h a n d , a n d
’
Mr Le e s
’
s to ry is s up re m e ly fa s c in a t in g .
" - B i r m ing h a m G a z e tt e .
It is r e v e r e n t , po e t ic a l a n d u it e I n q g e ni o u s in c o nc e
pt io n . It w ill
a ppe a l e s pe c ia lly t o S p ir it u a lis t s , m a n y Of whos e r e li
g io u s be l ie fs it e m
bo d ie s — .M a nc h es ter Cou r ier .
THE LI FE E L S IA N Y . B e in g M o r e Le a ve s fr o m t h e
Aut o bio gr a ph y O f a S o ul in P a r a dis e R e c o rde d .
fo r t h e Aut h o r by R . J . LE E S 3 4 9 pp , 3 S 6 d n e t
. . . . .
W h o e ve r ta k e s up t h is bo o k w ill be lo t h t o la y it d o w n t ill t h e la s t
pa g e is rea c h ed —L i verpoo l C ou r i er
A v e r y c ur io u s a n d in t e r e s t in gb k oo —Th e L a dy
”
. .
°
It is im pr e s s iv e w o r k
an a m o s t u n u s u a l t y pe ; a n d e v e n t h o s e
of
k x
,
r e a de r s w h o t a e e c e pt io n t o t h e d o c t r in e s s e t fo r t h w ill b e r e a id
p
fo r t h e ir t r o u b l e by m u c h t h a t is s u e s t iv e a n d in s
p ir in — C ou rt gg g .
C i rc u la r .
TH E C A R O F P HOEB US . By R . J . LE E S . 3 8 8 pp .
3S . 6 d ne t. .
”
A w e ll-t o ld s t o r y o f lo ve , a dve n t u r e a n d po lit ic a l in t r i u e in t h e g
da ys w h e n t h e g r e a t po w e r s O f B a b ylo n a n d E y pt w e r e ye t r is in g g
to w a r d s t h e e n it h O f t h e ir z
lo r y De c ide d ly int e r e s t in g . g .
To -D ay .
Th o r o u h ly g r e a da ble .
— P u nc h .
”
A c le v e r m ys t ic a l ro m a nc e —L i h t
.
g .
A pa s s io na t e lo ve s t o r y It is v e r y po w e r f u lly w r it t e n , a n d
ta k e s , w h a t i s s o r a r e t o fin d , a n e w a n d u n c o m m o n l in e —
Q u een . .
THE H E R E TIC . B y RO BE R T J AM ES LE E S . 5 6 6 pp
3s 6 d . . ne t .
De c id e d ly c u r io u s a n d int e r e s t in g .
— M or ni n L ea der
g .
”
A ve r y o r ig in a l s t o r y .
— L loy d ’
s Week l y .
Th e boo is a n k a b le p r o d u c t io n a nd h o n e s t a t t e m pt
is an at
”
xi t
,
s o lv in g
t h e pr o b le m of h um a n e s e nc e .
— D u ndee A dver tis e r .
In Th e H e r e t ic M r Le e s h a s pr o d uc e d a t h o u h t f ul w o r g k th at
—C a tholi c H era ld
.
IDA L LY M O N D AN D H E R HO U R O F V IS IO N . By
HO P E C R AN F O R D 3 S 6 d ne t . . . .
It s m a c h in e r y is e la bo r a t e ye t S im p le Al w a y s a b u r n i n g
”
x
.
fa it h in t h e a l l-w is d o m o f t h e Fa t h e r o f a ll It e pr e s s e s m a n y
k
.
g g g g
.
u p l ift in t h o u h t s in g r a c e fu l la n ua e , a n d is t h e s o r t o f boo
k
t h a t m a e s a d e e p im pr e s s io n o n t h e r e s po n s iv e m ind — Aber deen .
Fr ee P r es s .
Th e r e is m o r e t h a n a t e n d e n c y t o m ys t ic is m in t h e c o nt e n t s O f
t h is vo l u m e It s t o n e is d is t inc t ly r e l i io u s Ida L lym o n d i s g
fi
. .
g
b r o u h t lo w by ill n e s s , a n d h e r m in d bo r d e r in o n t h e in n it e , h a s a n g
”
O pe n v is io n O f t h e l if e be yo n d t h e v e il S h e t h in s s h e O bt a in s a n in s ig h t k
k
,
g g
in t o t h e h idde n m e a n in O f m a n y t h in s , a n d la n o w le d e o f t h e be a t ific g
”
c o n d it io n O f t h o s e w h o h a v e e n t e r e d in t o r e s t — B ir mi ng ha m P os t . .
T h e t o n e a nd m o r a l t e a c h in g are Of h i h est
the Th e g . bo o k
g
s h o u ld fin d a la r e c ir cle O f r e a d e r s .
— S h e t ze ld Tel e r a h
f g p .
T h is w ill p le a s e a n d e d ify m a ny r e a d e r s
s to r y it is a n o v e l a nd
" —
r e v e r e n t t r e a t is e o n a t h o r n y pr o bl e m Th e E ng li s h R e vi e w . .
B y RO BE R T J AM E S LE E S 4 04 pp 38 6 d ne t
”
. . . .
, .
M r Le e s h a s
. in pr o d u c in a m o s t int e r e s t in
s uc c e e de d
g g
s t o r y , in w h ic h g
b o t h t r a e d y a n d c o m e d y a r e a d m ir a b ly b le n d e d ,
x
w h ile o c c u lt e p e r ie n c e s o c c u r o n a lm o s t e v e r y p a e g
”
.
— An na ls o P s c h ic a l S c i enc e
f y .
g
No t o n ly a c fe ve r a n d o r i in a l , b ut in s o m e pa r t s a h u m o r o us
no ve l .
—Th e C hr is tm a s B ook s e ll er .
C o n t r o v e r s ia l .
IN FE R E NC E S FRO M HA U NTE D HO U S E S A N D
HAU NTE D M E N . B y Ho n J O H N HAR R I S C r o wn
. .
”
8 vo , 1s n e t . .
C ur io us r e a de r s of c ur io u s s ub e c ts j
m a y fin d it w o r t h w h ile t o
”
lo o ki nt o w h a t M r H a r r is
. s a ys .
—N ew Y or k Ti m es .
T h e r e is a g re a t de a l in t h e vo l u m e w h ic h w ill in t e r e s t t h o s e w h o
lo ve t o e x pl o re the o c c ult br a n c h e s o f s c ie n c e W es tmins ter .
R e vie w .
We rec o m m e n d it t o a ll int e r e s t e d in t h e s ub e c j t .
— S pec ta tor .
THE P S E U DO O C C U LT No t e s o n Te le pa t h ic V is io n
s
.
a nd Au d it o r y M e s s a ge s d in f ro m H t i m
pr o c e e g yp n o s .
B y Ho n O HN HARR I S . J
C r o w n 8 vo , l s n e t . . .
LE L AN D , A M , Ha r v a r d Ne w a n d C h e a pe r . . .
E d it io n C r o w n 8 vo , c lo t h , 2S 6 d n e t
. . . .
C T T
ON E N S — Abs o l ut e D iffe r e n c e S ex Of
T h e O r i in o f L ife , o r h o w . g
it is t h a t T h in s gro w g
Th e O r i in O f S e x Th e Fe m a le M in d in g
fl
. .
M a n ; it s In ue n c e o n t h e In n e r S e lf— O c c ul t is m a nd S p ir it ua lis m .
T h e M a le In t e lle c t in W o m a n Dr e a m s Me m o ry Hypn o t is m
. . .
g
.
S e n s it iv it y a n d Lo ve O n E n t e r in in t o H a r m o ny a n d S ym pa t h y
fl
.
w it h t h e In n e r M in d O f M u t u a l I n ue n c e T h e I m m o r t a l it y O f t h e
x
. .
S o ul T h e E is t e n c e o f G o d
”
. .
A c u r io u s t h e o r y o f t h e ps yc h o lo y o f s e x T h e c h ie f po int g
O f t h e t h e o r y is t h a t e v e r y m a n h a s s o m u c h w o m a n i n h is na t u r e ,
”
e ve r y w o m a n s o m u c h m a n in h e r s — S c o ts ma n
k
. .
T h e bo o is t h e fr u it O f w id e e c l e c t ic r e a d in , a nd is in lin e w it h g
t h e be s t t h u h t f t h t im — D ail N w
o g O e e
y e s . .
TE KE L ; o r , Th e W o n de r la n d o f t h e B ible B y HO R O N
A S e q ue l t o M y S e a r c h fo r Tr ut h a n d W h a t I Fo u n d
. J . T
.
”
.
”
De m y 8 V O , C lo t h gilt , 6 s n e t . .
In m a n y r e s pe c t s a c le v e r , fa s c in a t in g a ndw h o le s o m e pie c e O f
k
,
g
w r it in , a n d in a ll r e s p e c t s a n h o n e s t a n d s in c e r e w o r .
G l a sg o w E veni ng Ti mes .
De m y 8 vo . V o ls 1 I I I I I IV l s n e t e a c h , pa pe r
. . . . . . c o ve r s ;
1s . 6 d n e t n e a t ly bo u n d in gr e e n lo t h
. c .
By E D WA R D T . B E NN E TT
As s i s ta n t S e c r e ta r y to t h e S oc i e ty f o r P s y c h i c a l R es e a r c h ,
—
7882 7902 .
I .
~
TH E S O C IE T Y FO R P S Y C HIC A L R E S E ARC H
It s R is e a n d P r o gr e s s , a n d a S k e t h O f it s W o r k c .
R
P I NC I P A L C T T
O N E N S — T h e S o c ie t y fo r P s yc h ic a l R e s e a r c h : It s
.
t io n — —
Hypn o t is m P s yc h ic H e a lin T h e S u b lim in a l S e lf g Ap pa r i .
x
.
t io n s a n d H a u n t in s g
E v id e n c e O f t h e E is t e n c e o f In t e ll i e n c e s
. g
other th an Th e L iv in g a n d o f t h e R e a l it y O f I n t e r -c o m m u n ic a t io n .
C
,
o n c lu s io n s .
E D IT E D BY R AL P H S H I R L E Y
TH E S UB yE C Ts D E A L T WI TH I N CL UDE
O cc ult is m Hypn o t is m , Ma gic , P s yc h ic P h e no m e na Te le pa t h y,
, ,
R e inc a r n a t io n W o r ld M e m o ry, P la n e ta ry In fl ue nc e
, ,
&c .
, &c .
NO RA ALE X AND E R , R H B E N S O N , M B R A M S TO N , LA DY AR C H I A L D
. . . B
C A M P E LL , H E R E W ARD
B A R R I N GT O N M A E L C
O LL IN S W O LV I LL E , , B C , . J C
.
M R S S T UA R T E R S K I N E , FLO R E NC E FA RR A G O O D R IC H FR E E R ( M r s
.
, . .
HAN S S P O E R ) , C
G HA RR I S O N , FRA N Z HA R T M AN N ,
. . ART H U R H I L L J . ,
R E G I NA L D HO DD E R B E R NA R D HO L LA ND E R , M D , P r o fe s s o r H J
”
. . . .
,
HY S LO P , I S A E L LE D E S T E I G E R , W F K I R Y , AN D R E W LAN G , E R IC
B . . B
M AC LA GA N , A P E ARC E , M R S
. J A M P E L L P R A E D H S TA N L E Y R E D . C B , .
G RO V E , CW S A LE E Y , M D , F
. . B
S S C H I LLE R “
S C R UTAT O R
. . . C . .
, ,
. C
NO R T H C O T E W T H O M A S , H A R LE S LLO Y D T U C K E Y , M D A E W A IT E . .
, . .
,
W . L . W I LM S H U R S T , &c .
, &c .
ANNU AL S U B S C R IP TIO N
B r it is h I s le s , S e ve n S h illin g s, po s t fr e e .
Un it e d S ta t e s a nd C a n a da , c e nt s . E ls e w h e r e , 8 S . or it s e q u iva le nt.
V o ls . I to
. KI ( Ja n
. 1 905 t o u ne
. J
h a nds o m e ly bo und in
g re e n c lo t h , g
ilt t o ps , 4 s n e t e a c h , po s t fr e e . .
V o l IV , ve r y s c a r c e , 1 0s n e t
. . . .
W I L L IA M R I D E R
'
S O N, LT D .
1 6 4 ALD E R S G AT E S T R E E T , LO N DO N , E C . .
AM E R IC A : I NT E R NAT I O NA L NE W S C O 8 5 DUA N E S T .
, NE W YO R K
IND IA : A H W H E E LE R . . Co .
, C A LC U TTA