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Culture Documents
Louis L. Merriam
louis.merriam@gmail.com
Sidwell Friends School
Washington, DC 20016
The Brahmi script was one of the most influential writing systems in the
world. Developed in the Iron Age, it was India’s first alphabetic writing system
and was the parent to nearly every South Asian script that followed it (Patel et al.,
2007). While the origins of Brahmi have been debated for well over a century
(Bühler, 1898), this issue is far from settled. One proposal is that Brahmi
emerged from the Aramaic script of the Achaemenid Empire (Salomon, 1998).
According to this theory, when the Achaemenids invaded India in 535 BCE
(Curtis & Tallis, 2005), they introduced their writing system, which then evolved
into Brahmi and was altered to match Prakrit sounds (Salomon, 1998). A
competing proposal holds that Brahmi emerged from the Indus script, a Bronze
Age writing system used by inhabitants of the Indus River Valley Civilization
(Salomon, 1998). While there are shortcomings with both proposals, this paper
symbols, and archaeological evidence indicating that Brahmi most likely emerged
The Aramaic script, like Brahmi, was the parent of a number of important
writing systems that followed, influencing the Hebrew, Mongolian, Manchu, and
Arabic scripts (Daniels & Bright, 1996). The script itself descended from the
Phoenician alphabet (Daniels & Bright, 1996), which in turn emerged from the
Egyptian Hieroglyphs (Fischer, 2004). The script spread around the Middle East
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Origin of the Brahmi Script
during the Assyrian empire, and was adopted by the Achaemenid empire
(Aramaic Alphabet | Britannica, n.d.), which invaded India in the year 535 BCE
under the reign of Cyrus the Great (Curtis & Tallis, 2005). However, it was only
under Darius the Great who reigned between 522-486 BCE (Curtis & Tallis,
2005) that the Achaemenids truly established a foothold in India, conquering the
Sindh Valley, in what is now Pakistan. The Persians had an enormous influence
on Indian culture, and Achaemenid sites like Taxila would play a vital role in
Indian history (Fleming, n.d.). However, the idea that the Achaemenids
There are several challenges to the Aramaic Origin Hypothesis. The first
concerns the timeline of events relating to the Achaemenid invasion of India and
the emergence of the Brahmi script. According to the Aramaic hypothesis, the
Achaemenids, who invaded Northwest India in 535 BCE (Curtis & Tallis, 2005),
introduced their writing system to the kingdoms of Northern India. However, there
King Ashoka at around 268-232 BCE (Salomon, 1998). Although not necessarily
a reliable source, the Greek ambassador Meganthesis clearly stated that there
was no writing system within the Mauryan state just 25 years before Ashoka’s
reign and that all tasks were performed from memory (Ancient India As
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Origin of the Brahmi Script
Described by Megasthenes and Arrian, n.d.). This would then indicate that
Ashoka’s court itself was inspired by Aramaic and designed the Brahmi script
around 250 BCE. However, while writing was, for the most part, nonexistent in
Northern India from the collapse of the Indus Civilization until approximately 250
BCE, early Brahmi writings appeared in Southern India from around 500 BCE on
pottery sherds. For example, in the city of Anuradhapura, Sri Lanka, inscriptions
dating from at least the fifth century BCE have been found (Coningham et al.,
1996), and other sites, like Poruntal in Tamil Nadu, have also yielded important
finds dating from between 520-490 BCE (Rajan & V. P. Yatheeskumar, n.d.).
Though there is some debate over the precise dating of these finds, and varying
political interests have interfered with this research, it can be agreed that Tamil
Brahmi existed from at least 500 BCE (Rajan & V. P. Yatheeskumar, n.d.).
Therefore, how could Southern India have had writing centuries before
Northern India, when Northern India was supposed to be the region that was
concerns fundamental differences between the two scripts. For example, Brahmi
has 40 letters while the Aramaic alphabet has only 22 (Balasubramanian, 2015);
Brahmi contains vowels while Aramaic has none; Brahmi is an Abugida (a script
where diacritics alter the consonant to add a vowel sound) while Aramaic is an
Abjad (no vowels, just consonants). Lastly, if Brahmi did come from Aramaic, one
would expect to see more resemblance between the characters of the two
scripts. But instead, Brahmi bears very little similarity with Aramaic symbols
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Origin of the Brahmi Script
But the theory states that Aramaic was the direct ancestor, and as I have shown
The Indus script is much more of a mystery than Aramaic. While multiple
theories have been proposed, it is most likely that the people of the Indus Valley
Civilization spoke a Dravidian language (Parpola, 2009) with many words that
would be adopted into Sanskrit. The writing was also probably Logo-Syllabic due
to the work of Asko Parpola (Parpola, 2009), meaning that each character had a
Most of the writing from this period comes from the famous seals of the
Indus River Valley Civilization; however, by the late Harappan period between
1900 BCE and 1500 BCE, writing had vanished from seals and only remained on
pottery (B. B. Lal, 1960). By the collapse of the Indus River Valley Civilization
around 1500 BCE, the Indus script had gone completely extinct. For a long
period, writing had practically disappeared as a whole from the subcontinent with
the exception of a handful of markings found in various South Indian burial sites.
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Origin of the Brahmi Script
Hypothesis: The Brahmi script came from the Megalithic Graffiti Symbols
Southern India and Sri Lanka as far back as 600-500 BCE (Coningham et al.,
1996); this variant of Southern Brahmi has been given the name Damili or Tamil
Brahmi (Salomon, 1998). During this period it appears that Graffiti symbols are
used interchangeably with what is an early form of the Tamil Brahmi. An example
As previously mentioned, the Graffiti symbols were related to the Indus script. It
seems that eventually, the Megalithic Graffiti Symbols evolved into Tamil Brahmi.
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Origin of the Brahmi Script
As others have pointed out, the symbol on the right of the Dwarka inscription
resembles the Tamil Brahmi M(a) letter. This shows that the later Indus script was
beginning to evolve more towards Tamil Brahmi. Furthermore, the symbol seems
to be an evolved version of the common Indus sign , which has been decoded
as ‘fish’ by Asko Parpola (Parpola, 2009). The Dravidic word for fish is Meen
(Parpola, 2009), while the Sanskrit word for fish is Matsya, likely being a loan
word from the Indus or Bactria. In either case, both words start with ‘M’ like the
Tamil M(a) letter. In the same way the Egyptian hieroglyphs eventually evolved
into an alphabet, something similar likely happened to the Indus script. Meen
Following this logic, we can compare already deciphered Indus signs with
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Origin of the Brahmi Script
(Parpola, 1997). Spears play an important role in Tamil culture, they are wielded
by the god Kartikeya and are associated with chiefs and kings. It also appears
that the spear was one of the key weapons of the relatively peaceful Indus
Civilization. Several seals depict warriors with spears and a figurine shows a man
thrusting or throwing a javelin. The word for spear is ‘vel’ or ‘vellan’ in Dravidian.
The Brahmi letter (va) bears similarity to the Indus sign. Another example
would be with the boat sign ; in Proto-Dravidian, the word for boat is either Ota
or Otam. This sign also resembles the Brahmi symbol (ta). The Indus
character probably means person or man. In Dravidian, this would most likely
be āl/ān, the sign resembles the Brahmi letter (ā). Lastly, this common Indus
sign, , probably means pot/container. This was probably called Panai or bān,
though this could be debated, as there are many other ways to say pot, such as
kalam, kal, or akal; these signs also likely meant measurement, as well as
A feature worth mentioning is the fact that many letters in Ashokan Brahmi
have altered versions with an added aspirate. For example, the symbol (ta)
entirely new characters but rather changed versions of existing ones as proposed
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Origin of the Brahmi Script
by Georg Bühler. Since these aspirate versions do not exist in Tamil Brahmi it is
Fish
(This link has
also been
proposed by Dr.
Ramkumar
Unnipillai
Santhakumari.)
Meen Ma M
M(a)
Boat
O’tam/O’ta/Od
T(a) Ta T
Spear/throw/ None
sharp
(This can be
debated as this
reading only
appears in
Tamil and
Malayalam.)
Vel/Vical V(a) Va
Man
Ā’l/Ā’n Ā Ā A
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Origin of the Brahmi Script
Vessel
Ban/panai P(a) Pa P
Hoe/spade/pickax
e
Guntal G(a) Ga G
Carrying yoke as
proposed by Asko
Parpola
Pregnant/womb
cūl/kōl C(a) Ca Q
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Origin of the Brahmi Script
To None
shoot/propel/thrus
t/discharge
Ey/Eri E E
Hammer/mallet
Sutti S(a) S
Sa
Legs/stem
(Another potential
meaning is thigh
which reads as tud.
The meaning kick is
also possible which
reads as toz.)
Tāl T(a) Ta T
Kal Kha
Ātu Ū Ū
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Origin of the Brahmi Script
Mortar/pestle
(Note that the Sanskrit
word for mortar is
Ulukhala.)
Ulukai/Ulukala L(a) La L
Dog None
Ńal Ñ(a) Ña
Hill
Ear of paddy/corn
(Possibly Suggi which
means harvest or śig
which means to
sprout.)
One
Or R(a) Ra R
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Origin of the Brahmi Script
In conclusion, the Indus script was, in fact, the most likely forefather of
Brahmi, not the Aramaic script. Over time, the Indus script was limited to pottery
sherds following the collapse of the civilization, and slowly, as migrants of the
civilization traveled southwards, they brought their writing system with them.
Eventually, these Megalithic Graffiti Symbols would become early Tamil Brahmi
as the syllabic sounds of the Indus script were shortened to be single sounds. By
600 BCE, Southern India flourished under the Sangam age and Brahmi had
grown to be widespread. Finally, with the campaigns of the Nanda and Mauryan
Empires (250 BCE), writing was introduced to Northern India, where additional
modifications were made, such as getting rid of some of the diacritics. As you
can see, overwhelming evidence indicates a link between Brahmi and the Indus
script.
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Origin of the Brahmi Script
Bibliography
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Origin of the Brahmi Script
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Origin of the Brahmi Script
Vinodh.
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