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    The document is a musical score containing multiple sections with different time signatures and musical notation. It begins with an "Adagio" section in 4/4 time followed by "Andantino" and other labeled sections of varying time signatures. The score contains rhythmic notation such as quarter notes, half notes, and whole notes across the treble clef staff.

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    The document is a musical score containing multiple sections with different time signatures and musical notation. It begins with an "Adagio" section in 4/4 time followed by "Andantino" and other labeled sections of varying time signatures. The score contains rhythmic notation such as quarter notes, half notes, and whole notes across the treble clef staff.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    42 views4 pages

    Experience

    Uploaded by

    lola
    The document is a musical score containing multiple sections with different time signatures and musical notation. It begins with an "Adagio" section in 4/4 time followed by "Andantino" and other labeled sections of varying time signatures. The score contains rhythmic notation such as quarter notes, half notes, and whole notes across the treble clef staff.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 4

    Expìrience

    Ludovico Eunaudi

     Adagio
                       
            
         

               
      

      
               
    6 Andantino

           
        

     
                                    
    8

        

     
                     
    10

                   
        
      

    
                         
    12

                
        

     
                             
    14

           

        
    
     

    
                                      
    16

           
                    
        
                            
    2

                    
    19

           
                                                 
        

    
                   
    22

               
                                             
            

    
                          

      
    25

           

                       
    2x8 y 2x8va


            
         

     
                
    27

           
                         
        

               
       

      
                               
    30

                 
         
     

      

     
                   
    8vayTriada y

     
    34

                   
      
     



    +triadaYoctavaarriba
    
    3

                 


    36

               
        

     

     
    cadenciadefa

                    


    38

               
                                  
               
        
      

    
                              
    41

           
         
                   
    2x8 y 2x8va


        

     
                
    43

           
                     
      

     
                                   
     
    46

                      
    x4

               
        
     
                                     Adagio
       
      
    48

      
     
    cadenzadefa adorno2darep

                
        
         
       
     
    4

               

    51

             
              
     
        

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