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Acalanto

para Isabela


Piano

 Am/G 
Ricardo Sardinha

    
 
 = 78 C7M Dm7 Am F7M F/G

 
                              


   
Am7  Am/G     
C7M G /B C


5 F7M F7M F/G F/G

         
 
                     
  


  Am  
 Am/G    
Dm


F7M F/G G7/9-
10 D.C.

                  
       
   




15

 


Ricardo Sardinha
Alegria de Viver - Piano


  = 78
Ricardo Sardinha

 
                           
A D E A

       
   

          
               


        
           
   
9 A D A E D

                   


                     


 
              
  
 
17 A A D E A

                     


                


        
           
   
25 A D A E D

                   


                     


         E7
         
  
33 A D D

             



            


E    A
     
          
  
40 D A A D

  
                            
    

Ricardo Sardinha

   E   A   A
             
2

 
D
49 A

   
            
               


     E   A   
              

D

 
56 D A

             


              



                         
   
63 D E A A

   
                         
             


        
  
             
71 D A E D A A

                   


                     


      
  
         
79 D A D D D A

                       


                 



 
89

  

Ricardo Sardinha
Alegria de Viver - Quarteto

   = 78
Ricardo Sardinha

 
Violino I                                

         
Violino II  

Viola            

           
Violoncello

10         
                 
   
           
 


           

          
 

20 
                   
      
 
                 
    

     
       
        
  

Ricardo Sardinha
29                     
2

      
                
       
           
              
    
        
 
38                  
      

                 
     

       
 
    
       
  
          
  

48                       
        
  
     
                

      
  
     
   
        
  
               
     
                 
     
56

    
       
          


       
   

    
 
       
    
         

Ricardo Sardinha
64  
3

         
           
  



                        
 


        
    
  
           
 

73         


                  
    
       
   
      
 
          
               
   
          

82        


       
     
         


           
      

        
   

Ricardo Sardinha
Brumas


Piano
  
Robson Ribeiro Ricardo Sardinha

             
 = 120

    


G7M C7M


    
Sau da des de.um tem po que não sei

 
As bri sas de cada a ma nhe cer

     


  

           
  
7 G7M C7M Am


 
Das co res e tons que per ce bi Na que la

     
Dis si pam as bru mas.que lá se vão Go tas de

   


               

D /F♯


12 D7 G Em Am D7

       
noi te.em que.eu te.en con trei A es pe ran ça fez pou

       
paz vin do.a qui di zer Há es pe ran ça na re


 
        
       
17 G Am D7 G D /F♯ Em

          
sa da.em mim Trou xe.a lem brança do meu an jo.a qui

           
no va ção Tri go ao chão seu su or e fé


          
1.

       
To Coda


Am D7 G

   
23

        
       
Do ces mis té rios des sa lei

 
Di as vin dou ros o teu pão

     

Ricardo Sardinha e Robson Ribeiro



              

2

   
31 C D7 G D /F♯ Em C

    
Ce go na.es tra da vou gri tar tam bém Tem com pai

           
Dá me tua paz p'reu en xer gar en fim Den tro dos


              
       
1.

  


D7 G D7 G G7M D.S.

   
36

       
       
xão.eu na da ve jo.a lém ma res que.há em mim

   


     
 
       
44 G7M

 
E.as bri sas de ca da.am anh e cer
So pran do as bru mas.que lá se vão
As bru mas de ca da.am anh e cer
As bri sas e.as bru mas lá se vão

   
As bri sas de ca da.am anh e cer

 
Lá se vão Lá se vão

   

Ricardo Sardinha e Robson Ribeiro


Brumas
Flauta e Piano
          
Robson Ribeiro Ricardo Sardinha

           
 = 120

 
G7M


Flauta Transversal

             
      
 
           
  
Piano

                  
       
Am D7 G D /F♯ Em Am


8

Fl.

       
   

       
            

Pno.

             
     
D /F♯ Em


D7 G Am D7 G


16

Fl.

       

            
            

Pno.

   
                
1. 2.

   

Am D7 G C


23

Fl.

  
              
    
          
    
    
Pno.

Ricardo Sardinha e Robson Ribeiro


     D7
     G    
       
2

 
1.

    
32 D7 G D /F♯ Em C


Fl.

        

            


           
Pno.

           
         
 
39 D7 G G7M


Fl.

   
             
       
   
      
    
Pno.

     

48


Fl.

 
       
   

    
Pno.

Ricardo Sardinha e Robson Ribeiro


Brumas
Flauta, Piano e Quarteto
          
Robson Ribeiro Ricardo Sardinha

          
 = 120

 



Flauta Transversal

       



    

 
          
  
Piano

   
       
  
Violino 1

       

   
Violino 2

Viola
      

        
Violoncelo
  

                  
       


8


Fl.

      
   

       
           

Pno.

         


Vln. 1

       


Vln. 2

       

     
Vla

   
Vc.
 

Ricardo Sardinha e Robson Ribeiro



           
           
2

 


16

Fl.

       

            
           
Pno.

        
Vln. 1 
       
Vln. 2 

       

Vla

         
Vc.

        
       


23

Fl.

  
           
      
   
    
     
Pno.

       
          
Vln. 1 
         
Vln. 2 

Vla          

   
Vc.
        

Ricardo Sardinha e Robson Ribeiro


  
      
3

  


32

Fl.

       
    
  
   
      

Pno.

      
Vln. 1           
      
Vln. 2 

      

Vla

     
 
Vc.

      
    
  


38

Fl.

       

           
          
 
Pno.

                 
       
Vln. 1

       
Vln. 2 

       

Vla

          
Vc.
 

Ricardo Sardinha e Robson Ribeiro



   
4

    


45

Fl.

         
 
          
     
Pno.

                         
 
Vln. 1

       
Vln. 2 

Vla        

       
Vc.
     

   
 
     


52

Fl.

       

     
    
 
 
  
   
Pno.

             
    
Vln. 1  
       
Vln. 2 

Vla        

       
Vc.
    

Ricardo Sardinha e Robson Ribeiro


 1.       
5

     


58

Fl.

      

     
       
Pno.

  
        

  
    
D7

Vln. 1

      
Vln. 2 

Vla       

    
Vc.
    

 
  
    
   


63

Fl.

           
        
    
    
Pno.

         
     
Vln. 1 
    
       
    

Vln. 2

Vla                 
 
Vc.
          

Ricardo Sardinha e Robson Ribeiro


  
  
     
6

 


71

Fl.

        
    
    
          
Pno.

            

          
Vln. 1   
 
     
             
   
     
Vln. 2


            
    

Vla

      

Vc.

   
     
 


78

Fl.

      

         
        

Pno.

     
         
 
Vln. 1  
 
    
             

Vln. 2

       
      


Vla

        
Vc.
   

Ricardo Sardinha e Robson Ribeiro


  
  
7

    


84

Fl.

         
 
             
      
Pno.

                    
 
Vln. 1

 
Vln. 2      
              
              
    
  

Vla

         
Vc.
  


      


91
1.
Fl.

       

    
             
 
Pno.

   
      
           
  
          
Vln. 1


     
        
                
Vln. 2

    
Vla
 
     
Vc.
     

Ricardo Sardinha e Robson Ribeiro


 
                 
8


  


97

Fl.

         
  
   
  
    
 
Pno.

    
     

     
Vln. 1    
 
                   

              
Vln. 2

   
   

Vla

  
Vc.
    
   

    
     
       


103

Fl.

    
         
      
      
   
Pno.

         
        
Vln. 1 
  
            
   
              
Vln. 2

    
Vla

    
Vc.
     

Ricardo Sardinha e Robson Ribeiro


 
9


110


Fl.


 



Pno.

  
Vln. 1 




Vln. 2


Vla


Vc.
 

Ricardo Sardinha e Robson Ribeiro


Caminho Além


Piano Ricardo Sardinha

       
          
 = 76 Em Em


  
    
       


     
    
   
   
  
5 Am B7 Em


 

     

    
   
  
 


       
         
10 Em Am B7 Em

       
          


          
            
15 Em Em

      
  
   
   


   
          
20 Am B7 Em Em


 

      
    
  


            
        
25 Am B7 Em

   
     
    
  

Ricardo Sardinha

       
2

       
30 Am Em Gdim

     
                 
   
    


       
     
35 B7 Am

    
   
   
        
     


        
  

39 Em B7

         
           
        
 


      
          
43 E E


               
   
  


            
    

47 A B7

     


       
   



     
          
51 E E

 
            
   
  


           
     

55 A B7

      

 
        

  

Ricardo Sardinha

        E 
3

      
59 E


             
   


               
 
63 A B7

           


        


      E
 
      
67 E

 
             
   
  


        
     
 

71 A B7

      


       
      


    
           
75 E Em


             
   
  


  
                
 
79 Em Am B7

      
       
  


       
                 
84 Em Em Am

     

 
    
     

Ricardo Sardinha

      
4


89 B7 Em

 
      
    
       

 
 

Ricardo Sardinha
Caminho Além
Quarteto
   = 78
Ricardo Sardinha

         
  
Violoncelo
    
Violoncelo
      

    
 
     
Violino

  
Piano
      

5    
      
Vc.
  
Vc.
    

    

         
Vln.


         

Pno    

9       
    
Vc.
       
Vc.
    

    

      
Vln.


   

 



Pno 

Ricardo Sardinha
13       
2

     
   
Vc.


   
Vc.


    
 
      
Vln.

 
  

Pno

17 
        
 
 
   
   

Vc.

 
  
     
Vc.

 
   
 
Vln.

        
Pno
   

22       
            

Vc.

    
     
Vc.


   

Vln.

        
Pno
    

27          
     
 

Vc.

  
 
     
Vc.


  
  
  
 

Vln.

   
Pno



  

Ricardo Sardinha
32  
3

            


Vc.

   
    
Vc.


        
Vln.

          
Pno
     

36   
         
 

Vc.

   
    
Vc.


    
                           
Vln.

Pno 

40        
      
 
Vc.

 
 
     
Vc.


       

Vln.

      
   
 
Pno

44      
               
 
Vc.

   
    
Vc.

 
     
Vln.

       
   
Pno

Ricardo Sardinha
48    
4

            

 
Vc.

   
    
Vc.


       
   
Vln.

Pno      

52       
               
 
Vc.

   
    
Vc.

 
     
Vln.

       
   
Pno

56      
          

 
Vc.

   
    
Vc.


     
   
Vln.

   
Pno    

60  
   
    
 
Vc.

   
   
Vc.

          
 

      
Vln.

       
   
Pno

Ricardo Sardinha
64  
5

     
  
 
Vc.

   
            
Vc.

  
 

    
       
  

  
Vln.

Pno       

68  
       
 
 
Vc.

   
   
Vc.

         
 
  
      
Vln.

       
   
Pno

72  
     
   
 
Vc.

   
        
Vc.

    
  

             
   
Vln.

   
Pno  

76   
      
  
  
Vc.

   
     
Vc.

            
    
Vln.

       
     
Pno

Ricardo Sardinha
80 
6

      
Vc.
   
 
Vc.
   
     
Vln.
         
    
     
Pno
       

85 
      
Vc.
   

 
  
   
Vc.

        
Vln.
             

   
     
     
  
Pno

90 
Vc.       

  
Vc.

   
 
    
   
Vln.

   
   
   
 
Pno

Ricardo Sardinha
Dança dos Pássaros


Piano
Ricardo Sardinha

   
 = 100

                 
A A

                   
   

   


     D     
     
 
     
5 A

              


      
 



 1.    
                 
   

10

             
         


 
    
       
  
D


A Bm


15


            
     
 


             
 
         

20 E7 A Bm


                
      



       E7
 Bm     A  
     
 
     
25 F♯m

            
        
      
 

Ricardo Sardinha

 
2

  

 

         

 

   
30

   

          
   
   
   


                         
 
34

                
   


   
              
38 D A

             
  
       
 
    


   
     F♯m
    

     
Bm


43

             
        



       E7    A 
        
 
Bm

 
47

         
      
  


     D  
                 
   
 
52

             
 
     
 


     
      

 

      
57 A

 

              


     


Ricardo Sardinha

              
     
3

      
D A
62

 
    
 
    
        

  



              
 
Bm E7 A


67


          
             



          
       
Bm E7 A


72


        
      
      

Ricardo Sardinha
Dança dos Pássaros
Quarteto de Cordas

   = 100
Ricardo Sardinha

                   
 
Violino

                 
 
          
Violino


               

                
Viola

        
Violoncelo
   

5     
   

  

         
  
Vln.

 
                 


Vln.


          
Vla
   
        
     
 
Vc.

9     
               
1.

  
Vln.

               
 
    
Vln.


Vla                    

                    
Vc.
    

Ricardo Sardinha
13    
   
2

   

  

      
 
Vln.

          
Vln.          

  
             
   

 
Vla

        


     
 
Vc.

17    
             
Vln.
  
   
             
Vln.
  
          
  
      
   
     
  
Vla

            
                   
Vc.
    


22                 
   
    


         
Vln.

      
   
    
Vln. 
     
                           
Vla
 
                  
 
 
Vc.
       

Ricardo Sardinha
 
26    
      
3

    
          

Vln.

    
     
         
Vln.

       

  
Vla

     
     
Vc.
    
30  
                        
             
Vln.

            
 
      
Vln.

       
             
Vla

Vc.
       

34 
                          

           
Vln.

              
   
           
Vln.

     
             
Vla

Vc.
       

38 
               
 
        
Vln.

      
  
        
Vln.

        
 
     
Vla

             
Vc.
  

Ricardo Sardinha
42        
4

    
      
   
     
Vln.

      

       
  
   
   
   
Vln.

 
     
Vla

        
     



     
Vc.

     
46 
      

 
      
          
Vln.

   
 
 
  
     
 
Vln.

           

    
Vla

      
           
Vc.
    
50   
            
       

 

                         
Vln.


 
      
Vln.

       
            
     
Vla

Vc.
      

54        
      
      
  
Vln.

   
 
       
Vln.

     
    
    
Vla

              
Vc.
  

Ricardo Sardinha
58 
          
5

              
            
   
Vln.

        
   
          
Vln.

        
         
     
Vla

      
Vc.

62       
  
     
  
      
 
Vln.

   
       
   
Vln.

        
     

          
Vla

          
Vc.
     
66 
              
   
     
        
Vln.

   
  
     
         
       
Vln.

   
                
Vla

         


Vc.
    

71        
     
 

      
   
Vln.

  

  

               
Vln.

  

         
Vla

        
Vc.
    

Ricardo Sardinha
75   
6

Vln. 

  
Vln. 

  
Vla         

     
    
Vc.

Ricardo Sardinha
Doce Caminhar


Piano Ricardo Sardinha

     
 = 90

              

C G /B Am F C /E Dm F E7 C Am Dm G7

     
       
 
              
  


     Dm  
    E7 Am 
  
C C G Am F C /E F
8 /B

  
      
  



 
         
  


 
                         
 
16 Dm G7 C F G C Am F G C C7 F G C Am F G

        
       
     
      
 


                   
 
G G Am
25 G7 C F C Am F G C C7 F C

  
    
   
    
     
     
 


     G7
   C   C /E Dm  
    E7
    

 
 
   
G

   
F C /B G Am F F
33

  
      
    



  
             


Am   C      C Am F   G C C7     
        
    
G G
41 Dm G7 F F

    
                
 
       

Ricardo Sardinha

Am         C 

2


G


F G7
49 C

  
       

Ricardo Sardinha
Doce Caminhar
Quarteto
  = 90
Ricardo Sardinha

Violino 1                

Violino 2    
  
           

           
Viola

            
Violoncelo
     

7      
  
   

Vln. 1

 
      
  
     
Vln. 2

 
Vla        

   
     
Vc.
    

13         
       
Vln. 1


                   

     
Vln. 2

  
Vla           

             

 
Vc.

Ricardo Sardinha
20       
        
2

     
                    
Vln. 1

   
      
              
Vln. 2

      
 
         
Vla

Vc.
       

          
        

28

      
Vln. 1

         
 
                
Vln. 2

 
     
Vla

      
Vc.
 

34        



Vln. 1

  

  
       
 
 
      
Vln. 2

  
       
Vla

Vc.
      

39                  


       

          
Vln. 1

     
  
              
Vln. 2

   
 
            
Vla

Vc.
   

Ricardo Sardinha
46             
3

Vln. 1  

Vln. 2                


             
Vla
 

       
Vc.
     

Ricardo Sardinha
Em Busca da Luz


Maurício Keller
Piano Ricardo Sardinha
 = 75

         
        
G C G D7 C D7

      
       
Ver o bem em mim ver em nós Sen tir o sol di

   


 
 
           
     
6 G C D7 G C G


 
      
vi no rai ar do nos so ser A mor sem fim A mor sem i

   


  
  
   
            

  
12 D7 C D G C D7 G

  
gual é se do ar fe liz e ser a luz de quem nos cha mar Sor

         
     
cer

  



       
          


17 D G D G G G7 C D

 
     
       
rin do com a al ma em fes ta por vi ver dei xan do se me

 



   
          
     
22 G C D7 G C

  
     
lhor em ca da bon da de que le var E só vi ver as sim no


    
 

Ricardo Sardinha e Maurício Keller



         
  
2

   
27 G D7 C D G

     
      
céu se re no.a zul Pai ran do so bre.o ar sem nun ca

     


     
        
31 C D7 G G C G


              

 

vê lo es cu re cer Ver o bem em mim ver em

  
  


   
          

 
36 D7 C D G C D7 C

      
     
nós é se do ar fe liz e ser a luc de quem nos cha mar

   
 


 

41 G


  

Ricardo Sardinha e Maurício Keller


Em Busca da Luz
Quarteto

              
Ricardo Sardinha

     
Flauta Transversal    
 = 60

       
Violin I  
      
Violin II  
        
               
Viola

Violoncello
   

              
Fl. 
7


      
         
      

       
        
  
          
    

   

        
Fl. 
           
13

 
        
      
            
 
       

           
      
                 
 
                  
   
2

      
20


                    
Fl.

      
   

       

         
  
          
               

                  
 
Fl.  

27

 
                 
     
  
           
 

                     
           
  

       
                
Fl.  
   
34

 
            
           
    
  
        
  
 
           
   
         

 
   

  

      
       

           
        
3

Fl. 
  
41

 
          
        
    
 
  
         
    
       
                 
           
 
 

           
     

48

            
Fl.

     

    
                
    
  


            
      
  
     
         

      
 
55

   
Fl.

  
  
 
     

    
 
   
 

Há Deus
Piano
Allan Filho Ricardo Sardinha

           
           
 = 145 C7M F7M

3
 3

 
Sei que em bre ve es ta rei par tin do Estou in do

   
fí cil a cei tar au sên cias Quan do.a es

     


       
           
 
6 C7M F7M Em

 3

 
em bora e agora.é hora de dizer a deus Mas an tes de me des pe

   
pe ran -ça ainda.es pera um pou co mais Mas não dei xa rei de exis

   


           
1.

      
F7M


11 F/G G7/9- C7M

dir só quero a gra de cer por tu do que pas samo jun tos

 
     
tir a pe nas se gui rei o

   
 


     
                 
  
18 F/G G7/9- G7/9- CF/G

   
  
jun tos Sei que.é di E

 
ru mo na tu ral da vi da

    

Ricardo Sardinha e Allan Filho



Am              
 
2

   
Dm G7
24

   
   
quan do a sau dade nos fi zer cho rar que.a nos sa gra ti dão

 


Am   
             
    
30 C Dm

 
pos sa nos re er guer Não há se pa ra ção Pra quem cui da do.a mor e.em

     


 


                    

G7 C F/G G7/9-


36

  
3

   
bre ve es ta re mos jun tos ou tra vez En tão não

  
   


                 
    
42 C7M F7M C7M

 
 
3

      
va mos la men tar par ti das é lei da vi da es sa gran de

  


    
              
    

F7M


48 F7M Em

     
tran si ção to dos es ta mos a mu dar tu do.es tá a pros se guir te

      

Ricardo Sardinha e Allan Filho



       G7/9- Am    
        
3

      
F/G


54 C

  
nha mos fé e se há Deus não.e xis te.a deus E quan do a sau dade

      
 


              
      
Dm G7
60 C

     
nos fi zer cho rar que.a nos sa gra ti dão pos sa nos re er guer Não

    
 


Am        
   
         
Dm G7


66

   
há se pa ra ção Pra quem cui da do.a mor e.em bre ve es ta re mos

   


  
 



                  
 

72 C F/G G7/9- C7M

 
1.

 
3

  
   
   
jun tos ou tra vez Sei que em bre ve es ta rei par

 


           
        

79 F7M C7M F7M F/G G7/9-

  
3

     
tin do Estou in do.em bo ra.e.a gora é hora de di zer adeus A

   
 

Ricardo Sardinha e Allan Filho



4

  
86 C

  
 
deus

Ricardo Sardinha e Allan Filho


Nos Mares de Mim


Piano
Aldo Motelevicz Ricardo Sardinha

  = 112    
                
3

          
3

     
Sou em bar ca ção Nos do mí nios do tem


       
       
   
8 3

            
3

        
po Ao dei xar o cais uso a for ça do ven to



          
      
18
3 3

      
3

  
3

   
Nes se mar de si lên cio Na ve gan do.em mim mes mo

 


      
          
25 3

   
3

       
De sa tan do.os nós dos meus me dos con tri tos

     


      
           
33 3

 
3

       
Ve jo.ao meu re dor ou tros bar cos a fli tos

       

Ricardo Sardinha e Aldo Motelevicz



         
2

         
41
3 3

 
3

     
São os meus de sa fe tos An co ran do.o que sin to

 


       
  
               
49

 
3

     
Ten to.en xer gar o sol En tre.o céu tão cin zen to

       


 
 
      

   

 
57

 
     
Um rai o de lu uz Vem.me tra zer a len to

  


        
      
      

    
66

 
3 3

      
Ten to.en xer gar o sol En tre.o ceu tão cin zen to

       


    
          
 
74

 
    
Um rai o de lu uz Vem.me tra zer a len to

   


        
 
           
   
83 3

         
3

       
An te.a.i men si dão sol to.a mar ras e do res

       

Ricardo Sardinha e Aldo Motelevicz




3

          
   
91


3

        


3

  
Pen so.em re gres sar a bra çar meus a mo res


      


          
      
98
3 3

3 3

        
São os meus com pro mis sos Meus co rais mul ti co res

      
      


     
        
  
105
3


         
3

       
A sós nes se con vés ru mo.a.um no vo co me ço


       

 
        
       
113 3
3

3 3

        
Sou meu pró prio des ti no Ro tas que des con nhe

      
    


 
     
     
 
     
120

3 3 3

         
ço Na paz des se con vés sob a luz das es tre

       
       

Ricardo Sardinha e Aldo Motelevicz



       

4

    
128

        
    
las O céu se.a briu so bre mim Vi a gem

      
 


   
       
  
135

          


  
3 3
que che ga.ao fim

        


      
    

144

           
         
3 3

         


           
      
154

3 3 3 3

        
Nes se mar de si lên cio Na ve gan do.em mim mes mo

      
      


            

161

3 3

        
Na ve gan do.em mim mes mo

      
      

Ricardo Sardinha e Aldo Motelevicz


Nos Mares de Mim
Quarteto Ricardo Sardinha

  = 56     
           
3

Flauta Transversal

             
  
3

Piano

          
Violino 1  
         
Violino 2   

Viola            

Violoncelo
           


         
  
9 3

Fl.

            
        
3 3 3

Pno.

          
Vln. 1 
          
Vln. 2  

Vla            

Vc.
           

Ricardo Sardinha
  
2

          
19
3 3

Fl.

        


  
Pno.        

Vln. 1             

           
Vln. 2 

Vla             

           
Vc. 


        
  
30 3 3

Fl.

 
3 3

        
        
Pno.

         
Vln. 1 

         
Vln. 2  

Vla           

       
Vc.   

Ricardo Sardinha
 
3

          

39
3 3

Fl.

 
3 3

   
          
Pno.


Vln. 1            

          
Vln. 2 

Vla            

         
Vc.  


              

49

Fl.

 
3 3

         
         
Pno.

          
Vln. 1 

          
Vln. 2  

Vla            

          
Vc. 

Ricardo Sardinha
    
4

        
59

Fl.

 
            
Pno.


Vln. 1            

          
Vln. 2 

Vla             

       
Vc.    

           
 

69

Fl.

 
3 3

        
        
Pno.

         
Vln. 1 

         
Vln. 2  

       
Vla          

         
Vc. 

Ricardo Sardinha
         
5

    
78

Fl.

     


3 3


            
 
Pno.

          
Vln. 1  

         
Vln. 2 
   
Vla           
 

      
Vc.    

   
     
 
87

Fl.

          
3 3

        
        
     
Pno.

          
Vln. 1 

         
Vln. 2  

     
Vla      
    

        
Vc.  

Ricardo Sardinha
       
    
6

 
96

Fl.

          


3 3 3 3

    
        
 
Pno.

           
Vln. 1 

         
Vln. 2 

 
Vla      
 

  

       
Vc.   

  
      
   

105

Fl.

          
        
        
 
Pno.

       
Vln. 1     

         
 
3 3

Vln. 2


Vla     




 

      
Vc.    

Ricardo Sardinha
         
7

  
114

Fl.

          


    
        
 
Pno.

        
Vln. 1      

         
3 3 3 3

Vln. 2 

  
Vla   

    

       
Vc.   

         
   
   
123

Fl.

         
       
       
   
Pno.

         
Vln. 1   

        
 
3 3 3

Vln. 2

 
        
Vla

       
Vc.  

Ricardo Sardinha
            

8

   
131

Fl.

          
         
       
  
Pno.

    
        
Vln. 1 

        
Vln. 2      

   
  
    
Vla
  
      
Vc.    

   
        
  
140

Fl.

          
3 3

        
       

 
Pno.

     


 
Vln. 1 

   
 
  
3 3

   
 
3

Vln. 2

 
       
   
3

Vla

      
3 3

Vc.    

Ricardo Sardinha
          
    
9

 
149

Fl.

         


3 3

   
       
   
Pno.

       
Vln. 1   

 
     
3 3 3 3

    
3

Vln. 2

 
        
3 3 3


3 3

Vla

    
3 3

Vc.     

         
      
   
157

Fl.

           
3 3

        
       
Pno.

       
  
        
Vln. 1  

 
               
3 3


   
3 3
Vln. 2

          
   
3 3

Vla

       
Vc.    

Ricardo Sardinha


10


165

Fl.

  

Pno.

 
Vln. 1 

 
Vln. 2 

Vla   

Vc.
  

Ricardo Sardinha
Para Amadeus


  
Piano (simplificado)

     
             
Ricardo Sardinha

 
Em

             
Em

 
 = 85 Am Am

         
       
                


                         Em        
1.

          
6 B7 Em B7 Em B7

                          
       


                      
1.

  
12 Em B7 Em Em E

                   


       
 
    



        
   
  
18 B7 E B7

                                     
   


   G♯

 
       
  
 
23 E F♯

               
     

     


A   B7

  
  
 
27 E

                       
         


Ricardo Sardinha

 
2

       
   
32 E B7 E

                                       
 


      
           
37 B7 E F♯

                         
     


     
 
    

G♯ A B7

 
41

       
 
                     


  
 
   
Em


E

 
45

      
      
    
    
  


 
            
             
Em

  
49 Am Am B7

         
       
  


                    
     
53 Em B7 Em B7 Em

                                     
   


                
 
58 B7 Em E B7

                                    
   

Ricardo Sardinha

            
3

 
 
63 E B7 E

       
                                 



         
   
 
F♯ G♯ A


68


       
     
 
          



  
       
B7 E

 
72

  
             
        
     


 
       
   
77 B7 E

                                       
 


      
          
B7 E F♯ G♯


82

                     

     


         
        

A B7

 
86

 
                 
    
 
  


  
       
         
Em Em

  
90 E Am

    
 
       
              
    
     

Ricardo Sardinha

    B7       B7   
       Em     

4

            
95 Am Em B7

                       
   
      


            

101 Em B7 Em

        


      




   

Ricardo Sardinha
Para Sempre no Coração


Piano

  = 82  
      
Ricardo Sardinha

 
      
A A D

             

         
    


   
           
    
5 D A A D D

            
 
                      
     


                  A
  
1.

      
10 Bm E7 Bm E7

                        


           
      


    
 A
     

15 To Coda A A

    
                   


A         D         
  
   
19 D A

          
     

    
   
 


A  
        
   
          
D Bm
23 E7

          
  

  
 
      

         
   

Ricardo Sardinha

                  

2 
      
 
28 Bm E7 A D.C. A A

 
                  
            
   
 
  


   
     
          
    
33 A A A D D

 
                 

    
 


 
            
     
A A D D


38

       

                
 


     E7
              E7
     A

         

42 Bm Bm

                 


                   
     


    
 
47 A A

   
    


Ricardo Sardinha
Para Sempre no Coração
Flauta e Violoncelo

  = 82     A
            
Ricardo Sardinha

    
 
   
A D


            
            
Flauta Transversal

Violoncelo   

   
          
  
5 D A A D D

        
         
Fl.


   

Vc.

     
               
1.

     
Bm E7 Bm E7 A
10

            
Fl.

              
Vc.
 
    
 A
    

15 To Coda A A

    
Fl.

                
Vc.   

A
               
 
   
D
19 D A

      
Fl.

    
Vc.            

A 
   
            E7
    
    
D Bm
23

    
        
Fl.

    
Vc.          

Ricardo Sardinha
                  

2 
     
 
28 Bm E7 A D.C. A A

Fl.

            
Vc.
                
     

   
     
         
     
33 A A A D D

Fl.

   
           
Vc.        

 
            
     
A A D D


38

Fl.

   
Vc.

          
  
 

     E7
           E7
     A

         

42 Bm Bm

Fl.

          


Vc.       
 
   

    
 
47 A

Fl.

   
    
Vc. 

Ricardo Sardinha
Pelo Perdão


Piano
Ricardo Sardinha

         
 
 = 70

   
C F

     
            
Piano
 


                       
  
6 C F C Am


  
                      
    
Pno.


  
        
      
11 Dm G Am G7 Am

            
Pno.              
 


        C 
    

16 Dm Dm
G7 Fdim

 
      
          
     
Pno.


         
  
22


                     
              
Pno.


          
      
27 F C F C

                       
Pno.
                       

Ricardo Sardinha

      
2

       
33 F C F

           


                          
Pno.


               
1.

    
39 C Am Dm

   
              
           
Pno.


    
 
        
43 G7 Am G7 Am Dm

   
       
 
   
 
  

Pno.


 
               
     
48 G7 Fdim F C F

      
   
 
  
 
Pno.


  
      
54 C4 C4 C

      
Pno.
         

Ricardo Sardinha
Reflexões


Piano

     
Ricardo Sardinha

             


 = 60

        
F7M

        3
F7M F7M F7M B♭7M

  
      

  3

  

  
    
   


          
        
           
F7M F7M

       3
6 B♭7M C7 F7M

  3         
        





      
 
3

   


    F7M
    B♭7M

                
               
11 B♭7M B♭7M F7M

      3       3   
                    
    


  
        
                
        3  
F7M


B♭7M

 3
16 C7 F7 C7

       
             
 
      
 
3

 


   
     
    
1.

        
   
F7M

      
21 F7M Dm Gm C7

  3  
   
  

  
  
    

  
3




        
   
               
F7M F7M

      
26 F7 C7 F7M

 3         3
       




      
 
3

    

Ricardo Sardinha

     
                
2


        
F7M F7M

      
31 B♭7M B♭7M C7

           


           
3 3

       


   B♭7M
    F7M
 
       

   
      

   
    3
36 F7M B♭7M F7M

              
                 
3 3

    


      
                 
         3        3    
F7M F7M


41 B♭7M C7 C7 F7M

        
         
          
      
     
 

Ricardo Sardinha
Saudação ao Amanhecer


Piano
     
Ricardo Sardinha

    
    
 = 80 F7M B♭7M

       
          
 


           B♭7M 
    
F7M
4

          
          


        F
  
        
Gm C /E
8 C7

         
         
  


  
          
  
Dm Gm C7 F7M F7M
12

   
 
       
       
  
 


            F    F  
   
18 B♭7M

   
              
        



       C7
       
    
Gm C /E
23 B♭ B♭ F

  

      
            

Ricardo Sardinha


 Gm  
      
2

      
28 Dm C7 F F


  
      
      
 
   


                  
 
34 F C7

     
        

 
         


            
     
39 F F7 B♭

    
     
  
     
        


     C7
      
    
         
44 F F

     
           
   


           C7
      
  
F
49

    
             
       
 


             
   F7
 
54

     
                
        

Ricardo Sardinha
        F           F


  
3
B♭ C7

 
59

       
       
     



              
  
F7M B♭7M
64

  
          
 
          


          
    
F7M Gm
69 B♭7M

   
          




      


    
 F
   
 Gm 


    
C /E
74 C7 Dm C7

 
 
     
      


         
     
  
F Dm Gm C7 B♭


79

     
            


 
 
85 F F


  
  
 

Ricardo Sardinha
Saudação ao Amanhecer
Quarteto, Piano e Flauta
    F    F
Ricardo Sardinha

     
    
 = 80 B♭


Flauta Transversal

  
    
        
          
Piano

    
Violino   

Violino        

Viola        

      
Violoncelo
 

     F    F     B♭ 
   
B♭


4

Fl.

    
           
       

Pno

    
Vln. 
   
Vln. 

Vla     

    
Vc.
 

Ricardo Sardinha
    
     
  

2

   
Gm C /E
B♭ C7 F


8


Fl.

   

       
 
      

 
Pno

    
Vln. 

Vln.     

Vla     

    
Vc.
 

  
        
  
Dm Gm C7 F


12

Fl.

     
  
   
              

Pno

     
Vln. 

Vln.      

Vla      

     
Vc.
 

Ricardo Sardinha
   F            F  
3

 
F B♭ B♭


17

Fl.

    

   
         
   
  


  



Pno

     
Vln. 

Vln.      

     
 
Vla

       
Vc.
  

           C7
    
    
Gm
F B♭ B♭


22

Fl.

     
   
  
      
  
 
 

    
Pno


     
Vln. 
    
Vln. 

     
 
Vla

        
Vc.
 

Ricardo Sardinha
    
 Gm 



4

         
/E C
F Dm C7 F


27


Fl.

     

     
           
    
Pno

 
      
Vln. 

Vln.       

Vla       

        
Vc.
  

                   
F F C C


33


Fl.

    

    
              
         

Pno

     
Vln. 

Vln.      

Vla      

       
Vc.
    

Ricardo Sardinha
        
5

           
C F F F7


38

Fl.

    

     

             
     
   
Pno

     
Vln. 

Vln.      

     

Vla

       
Vc.
  

                     
 
B♭ F C7 F


43

Fl.

     

    
   
 
     
 
Pno

     
Vln. 
    
Vln. 

     

Vla

       
Vc.
  

Ricardo Sardinha
    F    F      C7

 
6

  


48

Fl.

   

 
         
    
  
Pno

    
Vln. 

    
 
Vln.

       
Vla    
      
Vc.
   

     C   F     F
  
  


52

Fl.

   

   
            
       

Pno

    
Vln. 

Vln.     

    
Vla
           
        
Vc.
 

Ricardo Sardinha
    
         
B♭ 7

 
F F7


56

Fl.

   

   
        
     

   
Pno

    
Vln. 

    
  
Vln.

    
        

Vla

      
Vc.
 

                F 

C7

 
F


60

Fl.

   

         
       
   
Pno

    
Vln. 

    

Vln.

           
   
 
Vla

    
Vc.
  

Ricardo Sardinha
8

  
 


64

Fl.

   

 
      
      


   
Pno

           
  
 
Vln.

            
F F


Vln.

      
   
 
F F

Vla

   
Vc.
       

   



68

Fl.

   

  
 
       
     

Pno

            
   
   
Vln.

         
 


Vln.

      
      
 
F F

Vla

  
Vc.
       

Ricardo Sardinha
9

   



72

Fl.

   

 
 
 

   
 
   
 
Pno


   
       
       

Gm


B♭ C7


     
Vln.

Vln. 
            

             
Vla
  
      
Vc.
   

      


76

Fl.

      

     
              
Pno

  
       
        

      
Vln.

Vln.         

       
Vla        

     
Vc.
       

Ricardo Sardinha
10

    

82


Fl.

    


  
            
Pno

 

     

Vln. 

    
Vln.  

    
Vla  

   
Vc.
     

Ricardo Sardinha
Serena Mente


Piano Ricardo Sardinha

  F7M  
 = 75

      
   
     
   
F B♭

 
   
           


   F7M   
           
 
F B♭


7

  
  
        


 B♭ 
           
13 F Fdim F

 
   



         
       


  F7M    
  
 
          
18 B♭

  
    
        


 F7M
   B♭
  
       
25 F7M

   
        



    
 
 


  
    
  
  
 
30 Fdim F

 
        
  

Ricardo Sardinha

         F 
 
2

      
F7M B♭ B♭ F
36


       
   


    
  


    
   

        
  
42 F F7M B♭ B♭

 

      
   
  


   
       
  
    
48 F F7M F


         

  


  F 
  
     
 
55 B♭ F

         
 
    
 


      

      
    
61 F7M F


    

Ricardo Sardinha
Um Canto de Paz
Piano


Ricardo Sardinha

        
 =78

    
  
E E B7 E

                                  


A  
 
       
    

5 E E B7 E


                                
     
  


 A       E
 B7       
  

10 B7

        


          


          
   
   
14 E B7 E E

                                        


  
  
       
E B7 E E E


19

   
                             
          


         
      

B7 E A A B7

 
24

 
 
                                 
     

Ricardo Sardinha

 
2

       
       
29 E B7 E B7

                               
 


            
      
33 E A E A E

          
 
     
 
    
   


         
   
        
38 B7 E E E E

                                      
  


        E      B7 B7  
      

   
43 B7 E E E


                                  
 


  A
   A       E
  B7    
      
 
48 E E

                                    
    


B7 
         
  
       

B7

  
53 E E

                   
   
 
  


A    A      E
  E
     
  
57


   
    
     
     

Ricardo Sardinha

           
1. 3

  
B7
E E 2.


61


                           

Ricardo Sardinha
Um Canto de Paz
Quarteto

  = 78  
Ricardo Sardinha

                  
Violin I        
   
 
Violin II  
       

Viola           

          
Violoncello
     

10                              
   

       

        

     
 


   
   

18           
   
 
 
            
 
          
         

       
   

Ricardo Sardinha
23        
      
2

   
      
           
    
          
          

28                    


                 

   
         
    
     

        
     
   
33

   
         
        
   
         
     
      
    
 
     
    
  
 
38

  
     
     
   
   
              
 
   
   



Ricardo Sardinha
43    

3

             

 
                
       
             
          

48        
      
   
        
    
    
   
           
   
      
  

53               
     


    
                 
   
               
 
   

  
   

         
     
   
58

        
        
   
   
                    
 
    


 

Ricardo Sardinha
62 1.      
4

  

      
                

       
           

   

       

Ricardo Sardinha
Uma Canção Inocente


Piano
Ricardo Sardinha

      


 
 = 85

  
                              


     
             
5

 
                    
  


     
   

10

           
                   


        
    
 
 
14

       
                     


        
      
     
18

     
            
 


       
                
23

    
                            

Ricardo Sardinha

   
2

          
   
27

 
                              


         
31

           
                    


 
     
      
    
36

        
                    


   
     

41

                          
    


      
    


45

    
                            


     
     
 

49


                                

   


  
  
 
53

          
                  

Ricardo Sardinha

               
  
3

  
57


                  


  
     

62

      
     

Ricardo Sardinha

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