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Roland’ SOUND EXPANS/ION Sound Expansion Series Owner's Manual I Using This Manual... This owner's manual js for use with all models in the Sound Expansion Series. It covers virtually all the available functions, and explains how to use them. However, each model in the Sound Expansion Series also provides is own unique features, {designed to deliver a great deal more expressiveness and realism within the musical realism that the model is specialized for. Since each model also has its own individual owner's manval, please refer to that manual as well 1995 ROLAND CORPORATION All rights reserved. No part of this publication may be repro- luced in any form without the written permission of Roland Corporation. I Contents Part Names and Descriptions Quick Start 1 Connections and Powerup Making the Connections Before Turning On the Power ‘Turning On the Power. About the Uni’s Operation Modes About the T. Area Try Listening to Sounds in the Performance Mode Switching to he Performance Mode mance Setings ctons for the Parameters Choesing aPe Changing Perfor About the Fi Muting a Pat. Monitoring a Part [Try Listening to Sounds inthe Patch Mode Switching tothe Patch Mode Setting Patches W Storing the Uni’s Setings Howto DO a Bulk Dump> Saving Setting Returning Saved Setings tothe Unit. 1 Returning Setings to Their Factory Delauls Factory Pest MENRPN Receive Switch Howe fo Listen fo the Demo Songs. 1 Other Handy Functions Level Meter Function MIDI Monitor Function Error Messages. Using MIDI Messages to Control the Unit Changing Changing Reference 1 Porometers 9 Troubleshooting 9 Roland Exclusive Messages 10 MIDI IMPLEMENTATION 12 MIDI Implementation Chart 20 Part Names and Descriptions 4 56 {if iS 3 ee oO 6 86 lO S28, ° Sj 7 8 A 1. Phones (headphones) Jack This is for eonnecting headphones. Sound stil comes out of the ‘Output L/R jacks even when headphones are plugged in 2. Volume Knob Used to adjust the volume of the sound output to the Output LL/R jacks and the headphones jack. 3. Display Shows the numbers assigned to Patchs and the values of Parameters It also displays messages in the event of an enor 4, Patch Button Patches can be selected by using Vale buttons when the inden tor for this buton is itup or flashing. 5. Mute Button, To stop the part sounding, press this button and the indicator for this button is hitwp. 6. Monitor Button Parts for which the indicator on this button is lighted are played —all other Pars willbe silent 7. Part Button To switch Parts, hold down the Part button while you press the Value button, 8. Value Buttons ‘These buttons are used to change various settings, You ean reduce a value rapidly by holding down the 4 Value button and pressing the Be button Inthe same way, you can increase a value rapidly by holding down the Be Value button and press ing the <4 button, @@@ ooco 9. Select Button 10. Select indicator 11. Function Buttons “These are used to change the settings for this sound module They are also used to return values #0 thet factory defaults (p 6) The Select indicator also serves asa level meter forthe unit (p. a 12, Power Switch “This is used to switch the power on and off, Press the button, once to switch the power on, andl press it again to retuen itt its original pesition and switch the power oft, 13, AC Jack Insert the power cord included! with the unit into this jack, and plug the other end into an AC power outlet. 14, MIDI In/MIDI Out/MIDI Thru Connectors MIDI In: Receives messages from external MIDI devices MIDI Out: ‘Transmits messages from the unit to external MIDI devices (Bulk Dump: p. 6). MIDI Thru: Provides duplicate of the complete MIDI message stream received via MIDI In, without change 15. Input L/R Jacks By connecting the output jacks of another soune module to these jacks, you can abtain the mixed output for the twa sound mod tls from the Ourput L/R jacks and the Phones jack. I you want ‘monaural input, connect the cable to thet jack. The volume of the sound input to the Input L/R jacks remains constant regardless of the position ofthis unit's Volume knob. 16. Output L/R jacks These jacks provide output of the audio signals. If you want snonaural outpa, connect the adi cable ko the L jk; I connections and Power-up I Making the Connections .. First make sure that the power off this unit, and on all other external devices is switched off. Thea hook up the unit and the other equipment as showwn below. Use cables with 1/4" phone plugs to connect the unit’s Output incks to keyboard amp; orto connect the unit's input jacks with the output jacks on another device. Use MIDI cables to make connections between MIDI connectors. 860 ‘other unit Thisunit MIDI OUT connector O V about the univs Operation Modes This unit has a Performance mode and a Patch mocte. In the Performance mode, it functions asa multi-timbal sound genera tor capable of playing eight Parts. Inthe Patch made, it works as 4 sound generator which focuses on playing just a single Pat. The Performance mode ean be used for ensemble play with a sequencer, and the Patch mode works well for livestage perfor smances with 2 MIDI keyboard hooked up. About the Temporary Area When a Performance or Patch is called up, the information fr its settings is stored in a temporary area, The only Performances and Patches that you can play with MIDI messages from the MIDI In connector, of can manipulate with the buttons on the front panel are the Performances and Patches that have been reac! into the temporary area fi“. / Keyboard amp ete 1 you connect the output jacks on another sound modsle to the unit's Input jacks, you ean listen to the sounds output from the ‘ovo sound modules without using a mixer You can listen to the unit even if you have no Keyboard amp or audio set, ust plugin headphones to the Phones jack. '§ Before Turning On the Power. Before you switch on the power, make sure that the unit's Volume knob is at "Min." and make sure thatthe voluse kobs for the keyboard amp and any other external equipment ate a0 at their lowest settings. W Turning On the Power sss First swite on the power for the unit, and then turn on the key board amp or other connected equipment, After you've done that, adjust the unit's Volume knob and the volume controls om the other equipment to get the appropriate sound level. When switching off the power, frst tuen off the keyboard amp oF ‘other equipment, and then switeh off the unit * This unit is equipped with a protection circuit, A brief interval (a few seconds) after power up is required efor the unit will ‘operate normally coo om 7 ‘You can change the parameters for Performance of Patch that has been called up into the temporary area. You can also change parameters remotely using an external MIDI device connected to the MIDI in connector. The data in the temporary area is preserved in memory even while the power is of Note, however, that if you select another Performance of Patch, lata in the temporary azea before that is discarded You can also output the setting values through the MIDI Out connector for storage on an external MIDI device (p.6) I Try Listening to Sounds in the Performance Mode ‘This unit has a large number of built-in Performances, A “Performance” isa collection of many settings, including Patches assigned to Parts 1 107, Rhythm Set values assigned to Pact 8, and the values for Level, Pan, and Effects for each ofthese Parts ing to the Performance Mode.. You can startup the unit in the Performance mode by switching fon the power while holding down the Part button, This setting remains in memory even after the power if switched of * The unit is set to the Performance mode when shipped from ‘he factory Quick Start 1 Choosing @ Performance. Hold down the Select button and press the P1 button. “PF = appears onthe display. Then the curently selected Performance number appears onthe display, as shown below While in this state, you can use the Value buttons to choose a Performance. Pressing the Enter button makes it pessible to start playing withthe selected Performance. To cancel instead, press the Exit button, For more information on the settings for each Performance, refer to the Performance Chart in the owner's manual for the particu: Jar model that you'te using, '@ Changing Performance Settings IF the MIDI recive channels set for the various Parts dont match the MIDI send channels used bythe connected MIDI keyboard, ‘ho sound is played. “ey changing the settings for the Patches and Effects assigned to 1 Parts to modify a Performance to suit your own style of play Here's howto change these settings + Choosing a Part To switch Parts, hold down the Part button while you press The display shows you which Part i selected — for examn= ple, “P-1" on the display indicates “Part 1"; and “P-2" means “Part.” “The figure below shows how the display looks when Part 1 has been selected + Changing the Patches and Rhythm Set Press the Patch button to make the indicator light up, and then use the Value buttons to choose the desired Patches of Rhythm * A Rhythm Set can be assigned only to Part 8 * Changing Parameter Settings ‘You can make changes tothe various Parameters printed on the right-hand sie ofthe uni’ front panel Choose the Parameter Group with the Select button, and then tue the FI, F2,F3, or button to select the Parameter. The itp indicator shows you which Parameter has been selected. {nthe example below, the Key Shift Parameter is selected © Lis Len [eee Loman Ome eave OT ee Leo Leer [om © (rele [ae | ste ° oO View the value shown in the display while using the Valle but tons to change the value, | About the Functions for the Parameters ‘The Parameters that make up Part Param 1, Part Param 2 and a part of MIDI Rx (Vol&Hold, Pog Clag) can be set independently for each Part. The Parameters contained in Master and a part of MIDI Re (Bank Se, $ySEx) are set commonly fo all Pats, See the Parameter Chart on page 9 for a description of each Parameter's posible range and their default values. * Port Param 1 (Part Parameter 1) Level: This adjusts the volume level fr each Part Pan: Allows you to localize the sound image for each Parl, At 1," the sound is centered in the stereo field. Settings of “LI” to 'L84” place the sound at positions toward the let, with a larger number indicating a further distance away from the center. In the same way, settings of 71” to “e63" position the sound to the right, with a larger number indicating a further distance away. from the center. [Reverb (Reverb Level): This ets the depth of the Reverb effect (reverberation effect) for each ofthe Parts. {Chorus (Chorus Levell: This sets the depth of the Chorus effect {an effect that makes the sound “fatter") that is applied to each Part There are patches that are set the chorus ouput send to reverb, ‘The chorus level is changed, and the reverb level changes when using the these patches, + Part Param 2 (Part Parameters 2) Rx Ch (MIDI Receive Channel): This sets the MIDI receive channel for each Part. Key Shift; This alters, in halfstups, the pitch at which each Part is played. This pitch is raise (or lowered) by an octave for each (or-12), ‘This parameter is set t0 00 high or low value, and this anit might not sounel or make strange sound in key range setting of + Detune: This is used to make fine adjustments in the pitch for ‘each Part The pitch is raised (or lowered) by half a semitone for ‘each setting of +50 (or 50) Assign (Voice Assign): This assigns » minimum number of voices available for play by a Part. This unit can simultaneously play @ maximum of 28 voices. If you are using a sequencer to play complex arrangements, the number of voices available may. rot be enough, and some notes could be dropped. IF this happens, you may want to assign a number of voices that are required for certain Pars to prevent voices for such impor tant Parts from being stolen, even when the total number of simultaneous notes exceeds 28. Remember, however, that the total number of voices assigned to all Parts together cannot be areater that 28, Quick ec nen + Master Parameters Tune: This adjusts the pitch that becomes the overall standard for the unit (middle A = Ad). This display shows "27.4 He" to “52.6 Ha," which represents a value of from 427-4 Hz to 452.6 He, Device ID: The same model ID may be held by other sound ‘modules inthis series, or by the JV-80,JV-80, ]V-1000, or JV-880. The device ID is information tha is used to individually distin- juish each device when MIDI devices ate used together. If you are using any of the above units at the same time, change the device ID when sending system exclusive (SySEx) messages to them Reverb (Reverb Switch): This toggles the reverb effect for the entire unit on or off Chorus (Chorus Switch}: This toggles the chorus effect for the entire unit on or off + MIDI Rx (MIDI Message Reception) VoléHold (Volume/Hold Message Reception Switch) Determines whether Volume and/or Hold messages are ta be recsived or not The meaning ofthe stings shown in the display isa follows (0m Volume messages and hold messages are both receives. Lod Hold messages are recived, but volume messages are a Volume messages are received, but hold messages are not OFF Neither volume messages nor hold messages are receive. Prog Chg (Program Change Message Receive Switch): Allows you to enable/disable reception of Program Change messages Program Change messages are accepted when “on is displayed, and ignored when “OFF” is selected Bank Sel (Bank Select Message Reception): ‘This changes the units Patch, using a Bank Select message (Controller Number) ‘ 32) in combination with a Program Change message. When shipped from the factory the Patch can be changed with a Controller Number 0 value of 80 or 81. The display reads "80" at this time. When the display shows “0,” Patches can be switched ‘with Controller Number 0 values of @ and 1, Similarly, Patches can be switched with Controller Number 0 values of 10 and 11 when “10" is shown. You can set this value to any muumber from to 126. When set to “oF,” no Bank Select messages are received. When the Patch Table sotto "2," this parameter eannot be work. Systx (System Exclusive Message Receive Switch): This setting determines whether or not system exclusive messages are received. Bulk Dump data is also one type of system exclusive message 27 System Exclusive message is received PAr System Exclusive message other than “GS Reset, "Exit GS," “GM System On,” oF “GM System OM” is received. FE system Exclusive message isnot received © Muting o Part Parts for which the Mute button is pressed (the indicator lights) will remain silent 1 Monitoring @ Part... After pressing the Monitor button to light up the indicator, only fone Part willbe heaed ata time, with al other Parts muted out During ensemble play with a sequencer, it can sometimes be hard to tell how each Part is being played. At such times, you ‘can activate the Monitor button (get its indicator to hight) and then switch through the Parts to listen to how each is played. I Try Listening to Sounds in the Patch Mode In the Patch mode, the unit functions as a sound generator for just one Part. Reverb and Chorus can he selected for each Patch in this mode, which can give you powerful sounds for live per: formances. @ Switch to the Patch Mode The Patch mode is enabled by switching on the power while holding cown the Patch button. Ths setting remains in memory leven after the power i switched off. The indicatr fr the Patch button flashes when in the Patch mode. I Setting Patches... ee In the same way as for the Performance made, you ean make ‘changes to the various Parametets printed on the right-hand side of the unit's front panel. The functions of the Parameters are 10 different from the Performance mode — check out “Changing Parameter Settings” (p. 4 fr more information, However, Key Shift, Detune and Assign parameter of the Part Param 2 and VolkeHold, Prog Chg, parameter of the MIDI Rx doesn’t work in the Patch made. When these parameters are selected, "=~" appears on the display as shown below Quick Star I Storing the Unit's Settings ‘You can transmit the information for the unit's settings From the MIDI Out connector. Tis function iscalled a “Bulk Damp.” This sends the unit's data to a sequencer or some other MIDI device in real-time for storage on the other device. You can also use this function to return settings stored on another device to the unit How to Do a Bulk Dump Hold down the select button and press the F2 button. “bd” appears on the display. Then use the Vale buttons to select the infoemation that you want to sen ALL Sends all of the data as well as the Parameter settings for Master and MIDI Rx that canbe adjusted from the front pane. PF Sends Performance setings and the Parameter se tings for Pare Param I ant Pat Param 2 that can be acted from the font pane). PAL Sends the information for Patches assigned to Pais 1 HY Sends the settings forthe Rhythm Set assigned to Part 8 «The display and operation shown above explain the usage ‘when in the Periormance mode. In the Patch made, the selee tions “PE” and “ray” are not available. Also, selecting “Pat” causes the information for only one Patch to be sent After starting recording on the sequencer, press the unit's Enter button, The Bulk Domp is executed when You press this button, Te you want to cance! the Bulk Dump, press the Exit button. W Saving Settings ..srses To save the unit's setting data, connect its MIDI Oat connector t0 the MIDI In connector on a sequencer (or some other MIDI device), and then set the unit's Device ID number (p. 5). When you've done this, start recording on the sequencer and execute a Bulk Dump. After the Bulk Dump has finished, stop recording, fom the sequencer. i Returning Saved Settings to the Uni To load settings data back into the unit, connect the MIDI Out connector on the sequencer to the unit's MIDI In connector Moke sure that the unit's Device ID number (p. 5) s set to the same number that was used when the settings were save. Also ‘heck to make sure that the System Exclusive Message Receive Switch (p. 3s set to “on After you have checked these, send! the settings data stored on the sequencer to the unit 1 you record Bulk Dump data at the start of a batch of ms daa, you can set up the unit simply by sending the song data to the unit I Returning Settings to Their Factory Defaults (Factory Preset) ‘This returns all ofthe unit's settings to the data in elfect when ‘the unit was shipped fom the factory Hold down the Select button and press F3. When the message flashes on the display, confirm that you want to go ahead by pressing the Ener bution, Press the Exit button instead if you change your mind, I NRPN Receive Switch Ifyou hold down the Select button and press F, “ne P "flashes fon the display. After this disappears, you can wie the Value bt ton to select “on” oF “OFF.” When set 10 "on," you can tse an NRPN (non-registered parameter number) t0 edit the unit's Patches and Rhythm Sets. This atomatically set to “on” shen GS Reset or GM Systrm On message i ceived When at “OFF,” 4 Patch or Rhythm Set conmot be edited even when aes NRPN is recived. The sting is always at “oF” sehen {he power siched on = No GS Reset or GM System On messages are received when the SysEx parameter is set to “OFF” or "PAr.” l How to Listen to the Demo Songs Holding down the Select button as you switch on the power ‘makes it possible to listen to the demo songs. Use the Value but tons to choose a song number. The Demo song is played back when you press the Enter button. Pressing the Exit button stops playback Press the Exit button once more, you can play this unit it was For more information on the Demo songs, see the owner's man al or the particular model that you're using Quick Start Tother Handy Functions Level Meter Function sss When the indicator for a Patch button is lit up or flashing, the Select indicator works like level meter for the unit. It nocmally Indicates the total level forall Patches taken together, but when you're monitoring a Part it indicates only the level for that Pat. 1 MIDI Monitor Function. You can display the status of receiving MIDI messages for each, Part (Note messages only). If you hold down the Part button, the Select indicator and the indicators for the Fl to Fé buttons will, light up while the Part button is held down. The following figure shows the relationship between the Part and the indicators Pans t pant? Parte Panes Terror Messages oP (No Pateh) Patch not found in the Bank specified by means of Program (Change and /or Controller No.0 & 32 messages. BEL Battery Low) The battery required for preserving parameter setings in nearly depleted, Consult withthe nearest Roland Service Station oFL (uIDI OF Line) MIDI communications have been disrupted. Consider if the cable connected to MIDI In if faulty, or if there could be a problem, With the external device. (The error will appear ifthe external device has been switched off.) BFL (MDL Buster Full) Data could not be processed successfully because too much was received within a short period of tims. CSE (wt checksum Ervor) [A checksum contended in System Exclusive messages received by the unit was found to bein ersor. * Should an errr ather than those explained above (uch as Er, E12, etc) appear, you should consult with the nearest Roland Service Center or other authorized service personnel. This unit can send and receive the MEDI messages indicated by “0” in the MIDI Implementation Chart on page 20. You can use these MIDI message external device. For details, see “MIDI Implementation’ (p. 12), Read on for an explanation of some typ ical functions that you can use 1 Changing Patches... ‘This unit has more than 128 builtin Patches, so i's not possible to select every Pateh with just Program Change messages. For this reason, Patches can be ssvtched by using Program Change. messages together with Bonk Select messages, |\ Bank Select message is a combination of Controller Number 0 and Conteoller Number 32 but this unit always treats the value ‘of Controller Number 3235 “0” (200), \When the units shipped from the factory, you can select Patches, from 1 to 128 with a value of 80 for Controller Number 0 and with the Program Number. You can select Patches from 129 t0 5 with a value of S1 for Controller Number () and with the Program Number. Ths is shown inthe following figure Program Number ‘To change a Pate send MIDI messages from the external device in the sequence shown below Controller Number 0 Voie: 80 (Patches to 128 Vale: 81 (Patches 129 0 256) Controller Number Value: 0 Program Number Value: 110 128, The Patch is changed when the MIDI messages this sequence. I you sent only 3 Program Number without send ing Controller Number 0), the previously sent value tor ee received in CConteoller Number @ and the Progeam Number just sent are used to choose the Patch, * When shipped from the factory, the unit is set up for switching, patches sith a value of 80 oF BI for Controller Number 0, but ‘you can modify the Bonk Sel parameter (p. 5) to change the ‘valiae for Controfler Number 0 that is used to switch Patches The namber of Patches varies from one model to another. Inyo spe 9a Bank in which a Patch not assigned, the mes sage “m@P” (no Patch) appears on the display’ and nosound ~ plage. Paes the Valu button ta return to the previous di ply. Ree tothe owner's mana forthe parcular model you sve using toe descriptions of the Patches assigned tothe cifer font am, ST er CCRC Changing Performances... You can also use Program Change messages to change the Performance. Wien shipped from the factory, however, the unit was set 50 ths feature is disabled, See "MIDI Implementation” (16:Conteol chan!) for more details Changing the Patch Table .. ‘This unit has two Patch Tables. Patch Table 1 (details of which can he found in the owner's manuals for the particular model that you're using) is enabled when the units power is switched fn, but changes to Patch Table 2 when a General MIDI System (On or GS Reset message is received, You can switch back to Patch Table 1 by sending a General MIDI System Off or Exit GS message to the unit; oF by switching the power off, then on seain See the owner's manual for the particular model that you're using for information onthe Patch Table 2. + This unit receives GS reset or GM system on message when it is set to Patch mode, automatically change to Performance mode. 1 SysEx parameter (p.5) set to “oFP" oF “PAr,” this unit sloesn’t change to Patch Table 2 because of this unit doesn’t receive GM system on and GS reset message Important! ‘When Patch Table 2 has been selected, a dot appeass in the lower left corner of the display, as shown below. i i i Viele liye) Trarameters + Part Param 1 Value Ue 0 0-7 ‘Chorus a + Part Param 2 Parameter Value 16 Detune Assign om ~ * Master Parameter Value Tunes ri — eee Device 13 Reverb OFF, on Chorus OFF on + MIDI Rx Sw Parameter Value VoleHoid OFF, vol, Rd. on Prog Chg OFF on Bank Sel oF ae Sys Ex OFF, PAF on (¢) The hundreds digit (always 4) snot displayed I Troubleshooting If your unit is not providing the expected response, check "heough the following for a ready solution ‘+ Power Doesn’t Come On Make sure the power cond is connected properly (both the plug, _going to this unit and the one at the outlet * Sound Not Produced Recheck that power is indeed switched om — on this unit as well as any other devices (keyboard amp, mixer ec) Could the volume be tamed down too low on this unit, oF on your keyboard amp, miser, or ather device? ‘Areall your cable connected properly? Could any of the cables possibly be flty? ‘Check settings fr "Level" (p. 4) to make sure they are not at “0.” Could the volume possibly have been lowered by MIDI mes: sages sent to the unit by another device (such as Controller Number 7 or 11)? Have you checked to make sure thatthe channel nsimber being, used by the keyboard or sequencer for transmission isthe same as what this unit is set tobe receiving on? Could you futility be trying to play while a Demo is playing? Have you checked that relevant Parts are not sett be muted? Could you be sending an invalid Bank Select message? + Reverb/Chorus Not Obtained Could the Master setting for Rev ‘Are you sure that the Part Pata 1 settings for Reverb of Chorus 6 or Chorus beset to “OFF”? fare not set to value that sto low? + Distortion or Other Noise Is Heard Is the volume ata suitable level on this unit oF on your keyboard mp, mixer, or other device? Could you possibly be using an excessively high level for this Lunt’ Level (p. 4) and Master Level? (These settings ate alterable only through System Exclusive messages) Have the Output or Phones jacks gotten very dirty? + Pitch Is Strange Are the settings for Key Shiftp. 4) and Tune (pS) appropriate? Are Pitch Bend messages being constantly sent to the unit? + Sound Doesn’t Change Could you have Prog Chg or Bank Sel (p. 5) switched off? If sending Bank Select messages and or Program Change mes e, make sure you are sending them in the commect onder. * Multiple Sounds Heard at the Same Time ‘Check the channels you have assigned to Parts The same chan. nel could be assigned to more than one Part + Notes Get Dropped The maximum polyphony of the unit is 28 notes, Not all notes can be played if you attempt o sound more than tis atthe same time, To avoid having voies stolen from your most import Parts, use the (Voice) Assign selting to reserve a minimum nur ber of voices for those Parts you want to sound, + Patch Table 2 Not Obtained With GM System ‘On or GS Reset Make sure the “Sys Ex” setting (a switch for enabling reception ‘of System Exclusive messages) snot set at “OFF” Roland Exclusive Messages 1 Data Format for Exclusive Messages = MIDI stat ssa aulasre ID neil afr FH (MID ses 10, + Manufacturer ID: 41H Device ID: DEV OOH-IFH ny be sed ora device wih several base channels Model ID: MDL eM fama nant noe may ls pv ‘*Command ID: CMD, Coan TD erat ayn 0 none o ore place fo provide an ‘eid data fl The flowing te ssp of vd Conn TDs ‘*Main data: BODY 2. Address-mapped Data Transfer ‘Simpl hsp amon amachinedependen ates space rey 10 ‘One-way transfer procedure (See Section 3 for details.) Thi procter of slau fat send cota Brave moeage comply independ oft wecoing vce 6 ton a ot 2 esl for Regus daa” pds eS *Handshake-transfer procedure (This device does not use this procedure) 7h pri ines + pine a gps nn) trey an water ped re ghee a ee ro Connection at point an 2 reser Notes on the above procedures * Devs A and B ant echang data uns hey dese taser 3. One-way Transfer Procedure "hi pce ands ut at un th a est a en risciger sor ht serch ior ng es, ve cig en ae eh ‘Request data #1: RQI (11H) ‘hi message sett whe thei 3 et ae dat fom 2 dev ‘On receiving an RQX message, the remete device chek ts emery foe the tandoori eeu Piast tT" mann heh cml tha eguesed data Ot 1 The ssw ofthe gst dit oes none the numberof yes that ‘wi makeup Di spr reps the ws els whee eyed dss * Soo male a sft ton in data format sod fo 3 single ‘raeacton ogre to ample may fave» nto ‘teed ins predtemined sd ell een The same numberof tyes comprises ade and size dt, which, omer say he Me. “Tertaing oe es a pv a ‘een ae weed. " ‘sData set 1: DTI (12H) ‘Ths mesge corspons he acl dat rarer posi. cn cer ye edt sug x umigue se, DTT message + 1-1 System Common tue ° ta {50 ae—Prae 1 ET Samuel Gaeoae Hour | Te) ‘Oto Gove ‘A010 Outtte Fowerimeh OI sini uote teeta 0108 COINS oar 811 ‘toro uo Wye OT oto BUEN a wy Momma ook alte G3 ‘aon Pad ay O18 oto fale owns wala oto rea won Sim ‘aoe Seat sown Aircel 1 ohne atte ouotte ire 2-100 Davo Un dane 81 Dnattor2 oto Gad pve 1 DoattO1) OWE oie tO Dano ne Reb 1 G01} ma, Pagan 11 antOW Os take 1 tomy mam ie Moone ta te Stn0519 0G Gap ‘tomtom, hi ‘tune nts tee Somos Ma hapa done ‘otgni0- oases tae BAHL om hdl 1516 NOUOIF Otto akin deel 11? o4t09 | Oivaon etl aon ‘Moor Tats tae om, a0) ‘000572 Es te foc awa a Sarina 111, 00 S002 Oaeome Skea! 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Uh | 42— MIDI IMPLEMENTATION 06% my Hele ee 121 WRU Dano Mela (ie 10 ite ei ese 8 S641 Gaon elt 11 es) 312 tha Meets 1 16113 vam Mec gh 11-8) bye bese Area tain 1 anys em 2h 11 — ia ‘a Seen 6120), ar tea 1-81) oy tera enn 120 ony (awd 9 tari ‘eet O12) mai sted 5 toa Cmte ein O12 ani [seg — 4) moat ‘ate O12 01 eae eh IA (007 tem tedden 21 0621 atoms ae ih IIMA) yds taeany (oro, zoe Lee Uo, TO a ‘ue R72 oto Yodan 95m Sen, Wa iter Bloke Acinsat si Om GUE Lhe 81 US Oma uol ce ey tteae I Sy co oi mx (00.2 AOE oA takydy 3100 on} ewe oleh an 092) feeme UDI heh TTT) ony pinta times nx Woimige inca ap ona ode” 0S Sst, am soya Wondie OA sts tt anne rc) nym team Ot 8 G13) Oia Uo2eky IN (o— int onan variaepdy 01K 00 ona Witt OP cons Bipdigh 1 mona waiteige 1p s oonae wuMidgh 1, oan Rite on ona te wai. mam Roan ois 115.1357 1 0, 1, 1) puiteidy tis lo 3 3'310.0 .58ta ,) 00243 tee Rayne tI 8—s 105230 tbe FAN 0 oF 5h) 0 5980) raioday 018 0, 5402) 0 tf 5 0) (totam rte = (7-100, 1, ony anoom tag SICH Gino time) ae Gnome FM Tata Savon tim? ota Otome Pied? 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OID m3)50 arom Mees OI R37 Geom Mead OID RS arom NeLMonet OI 58 Oooo TEM OID MRM Dara led toi 050 Ota They OI (0 105,36, 3 mt 05 tame tin um (501 Cr C870, 36,1 9 9, ‘2b wma 902461 fake Thy ie a a 1.0m oat iyiayare atl omyes Tite aan 110 eka somyus minty 0 39,0, 6,809, 8,8, 00 00247 totam Tah ey TOL 0,698, 8 9, 0 ony iat eae 6 it ah 3,86 600 0 5,4, 00 ann rate mony eel 348 Teter? maya ren a.480 Tats mo ere waar yi moa tel G0a}72 tae Gonrndid SetTabs 402,30 tatm ad, aan mos ce yg pega ei ba ea 1-4 Rhythm Setup 1 {onnrlt ovis tewenenae 01 0) (Orme) Suesee TH sue 11 8) {geek tae ‘Maye ou 7050-88, tome em ag tims tare Weaeimet Om fone Wetted OI int Weteind? Oi Gon Neti) Oia en Wetted Ota ae Wiest Oia Uae la om ct ereret) ee! tena TOM hime 117) nent (ibeae NAGinety wed {e008 30, th, 8, ina2# tense THGWined 8? hank tevaee MEW) 81) Sian at tee NAW? OP anna) femsem NUEed 81D Slaendt tee Tad 1 eat nen om ‘atte Or Tare in a 1.5 Rhythm Setup 2 anne soe sa coh 1165-1 Rhythm Note 2 26s < MODEL ID = 42H > 251 Scale Tone sere 22 ies Ben Tae etre 6 — ha) 1-1 Rhythm Note 1 tains ei Gp 7 ae Hong TBAT re) Ceo) Goo Towseeh 810,00 newt tne eee DIN Cian team Wego 03 Mie UE egerede 0 SST ines! twee Moines a a 12510 37, 3, cB Sone Wheen inde OmiP nme teapane PM aye 1D {Gone tobe PA ey 016 ee, 30,8, 1,006, fonmn0t tne Py ste at Gana tows RANA) IDS tanett Foti? ti Sane Rote? Tien Soenit fois ID Gael? Foe 1a tenet Romine ID Saneit Rovids— Wimest— nats ee ae Simeth Cuegsey 018 18 oe ria tie ‘eae lpgnenanngect| oe ena ede med be pe 1 Example of DT1 application / ‘nate epost ed FN WW 0S Ss Table A Decimal 1 Hexadecimal ‘hl nestled eget ‘deterred eye (etn (attend amo. OF om oe os om om aes 255 i " a eueeeezeses Sdn nf Wl deen dg nn il Ins und nnn 7 te sn oo fe 1 Hh oe on ik ig espera de eb i ‘aver "seed 77H Dede eeg =H mo m me me wD mn mB ms m7 am me mh wow aww mn wt mm ian mK i a i we ue & oH a se sa se im ue se st a aH o " iw Mw tk w it io m 1 ts mw it % ta 1" us an a ri z BeEeueReyEE 9 nad eH Tabla &-2 ASC code MIDI IMPLEMENTATION Peete el lh “ eid nue Oost) ate) (soe ee el boom bom kt rr re ee) rr re) fn tn SH com oe me fm Te ee ee al rr ee) ye me rr ee ne) a rr a pod oo o fa re oom tm fom me Pg ee rr Ea iw m 9 SOUND MODULE Date : Feb. 22, 1995 1.00 Model MIDI Implementation Chart Version ‘Sound Expansion Series Transmitted | “Recognized =| Remarks Function. | | T 7 Basic Default x 116 Channel Changed x ia6 Memorized Default x | Mode 3 Mode Messages x Mode 3.4 ( Ales Jeceunssansenvee Note x |o-m Number: True Voice | #++4s+ssenanten o—17 Note ON x ° ay Note OFF x 10 | After Key's x x | Touch chs x ° | Pitch Bend x ° Resolution: 9 its 0,32} x ort Bank select 1 |x 09 Modulation 5x on Portamenta time 6,38 |X 04 Data entry 7 |x oF Volume Controt i]X 033 Enesion Change oa} x on Hold? 65 |x 04 Portamento 86 | x O92 Sostenito er |x 09 Som ot} 09 Revert 93 |x on Chorus 98,99 | x OF NRPN LSB, MSB 100, 101 | X on RPNLSB, MSB, Prog x on Change True | theveseevsceree o-17 System Exclusive ° o gum ate |S ; ae Tune | X x System clock |x x Real Time Commands | x Riswaon [x ° fiserattcancotos | X ° Aux Local ON/OFF x x Message | AiNanow x Suna Awe seme 3 3 Rec x x Notes 1 OX isselecable 2 OX is selectable using external MIDI device 20 Mode 1 : ONNION, POLY Mode 2 : OMNI ON, MONO Mode 3 : OMNI OFF, POLY Made 4 : OMNI OFF, MONO 0: Yes X:No

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