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Reproduction of this manual, in whole or in part, by any means, is prohibited.
Usage and safety precautions
Handling
SAFETY PRECAUTIONS Never put vases or other items filled with liquids on the
Usage and safety precautions
1
Introduction *i>ÃiÊÀi>`ÊÌ ÀÕ} ÊÌ ÃÊ>Õ>ÊV>ÀivÕÞÊÊÀ`iÀÊÌÊÕ`iÀÃÌ>`ÊÌ iÊ,Ó{ÊvÕVÌÃÊÜi°Ê
After reading it, please keep the manual along with the warranty in a safe place.
Introduction
■ Multitrack recorder that can use up to 32 GB ■ Handles a variety of input sources including
SDHC cards guitars, microphones and line-level equipment
/ iÊ ,Ó{Ê V>Ê ÀiVÀ`Ê Õ«Ê ÌÊ nÊ ÌÀ>VÃÊ ÃÕÌ>- / iÊ ,Ó{Ê ÃÊ iµÕ««i`Ê ÜÌ Ê nÊ «ÕÌÊ >VÃÊ Ì >ÌÊ
neously, allowing serious live recording. For >VVi«ÌÊLÌ Ê8,Ê>`ÊÃÌ>`>À`Ê« iÊViV-
example, you can record a complete band ÌÀÃ]Ê VÕ`}Ê £Ê Ì >ÌÊ V>Ê >`iÊ } Ê «i`-
on individual tracks or a drum kit with multiple >ViÊ >`Ê ÈÊ Ì >ÌÊ V>Ê ÃÕ««ÞÊ « >ÌÊ «ÜiÀÊ
microphones. After making linear PCM record- Ó{Ê6ÊÀÊ{nÊ6®°Ê/ iÊ,Ó{ÊV>Ê >`iÊ>ÊÌÞ«iÃÊvÊ
}ÃÊ76ÊvÀ>Ì®Ê>ÌÊ£ÈÉÓ{LÌÊ>`Ê{{°£É{nâÊ sources, including high impedance guitars and
sampling rate, you can transfer recorded files basses, dynamic and condenser microphones,
ÌÊÞÕÀÊV«ÕÌiÀÊÌÊÕÃiÊÌ iÊÊ 7ÊÃvÌÜ>Ài°Ê and synthesizers and other line level instru-
9ÕÊ V>Ê iÛiÊ ViVÌÊ ÌÜÊ,Ó{ÃÊ Ì}iÌ iÀÊ ÜÌ Ê ments. It also has two built-in high-performance
>Ê 1- Ê V>Li]Ê >Ü}Ê ÀiVÀ`}Ê vÊ Õ«Ê ÌÊ £ÈÊ microphones that are convenient for recording
tracks. acoustic guitars and vocals.
■ Hi-Speed USB (USB 2.0) audio interface ■ Exchange files with computers and USB
9ÕÊ V>Ê ÕÃiÊ Ì iÊ ,Ó{Ê >`Ê ÌÃÊ >ÞÊ «ÕÌÊ >`Ê memory devices
ÕÌ«ÕÌÊ >VÃÊ >ÃÊ >Ê Ã«ii`Ê 1- Ê 1- Ê Ó°ä®Ê / iÊ ,Ó{Ê >ÃÊ >Ê 1- Ê Ó°äÊ >VÊ Ì >ÌÊ >ÜÃÊ } Ê
>Õ`Ê ÌiÀv>Vi°Ê ÃÊ >Ê ÌiÀv>Vi]Ê Ì iÊ ,Ó{Ê V>Ê Ã«ii`Ê `>Ì>Ê ÌÀ>ÃviÀ°Ê 9ÕÊ V>Ê ÌÀ>ÃviÀÊ 76Ê
>`iÊnÊ«ÕÌÃÊ>`ÊÓÊÕÌ«ÕÌÃÊ>ÌÊ>Ê>ÝÕÊvÊ >Õ`ÊviÃÊÀiVÀ`i`ÊÊÌ iÊ,Ó{ÊÌÊ>ÊV«ÕÌiÀÊ
Ó{LÌÊ>`ÊÈÊâ°ÊÌÃÊivviVÌÃÊV>ÊiÛiÊLiÊÕÃi`Ê just by dragging and dropping. You can also
>ÌÊ {{°£Ê âÊ Þ®°Ê / iÊ ÕÌÊ V>Ê >ÃÊ «iÀ>ÌiÊ iÝV >}iÊviÃÊ ÜÌ Ê>ÊViVÌi`Ê1- ÊiÀÞÊ
ÕÃ}Ê1- ÊLÕÃÊ«ÜiÀ°Ê device without using a computer.
■ Usable as a control surface for DAW software ■ 24-voice built-in sampler can be triggered
/ iÊ ,Ó{Ê >ÃÊ vÕVÌÃÊ Ì >ÌÊ i>LiÊ VÌÀÊ vÊ using 8 pads and 3 bank keys
7ÊÃvÌÜ>ÀiÊÊ>ÊV«ÕÌiÀÊÛ>Ê>Ê1- ÊV>Li°Ê Use the sampler to assign sounds to each track
You can operate its transport, including play, (pad) and create loops. Play the pads in real-
record and stop keys and physically control time, and even create performance data for a
onscreen faders. You can also assign various complete song by combining loops. By simply
7ÊvÕVÌÃÊÌÊÌ iÊ,Ó{½ÃÊ£qxÊvÕVÌÊiÞÃ°Ê lining up drum loops, anyone can easily create
/ iÊ>ÃÃ}>LiÊvÕVÌÃÊ`i«i`ÊÊÌ iÊ 7Ê professional-quality backing parts and basic
ÃvÌÜ>Ài°® tracks. While listening to loop playback, you can
record audio on other tracks because the R24
■ Diverse effects recorder and sampler work together seamlessly.
/ iÊ,Ó{Ê >ÃÊÌÜÊÌÞ«iÃÊvÊLÕÌÊivviVÌðÊÃiÀÌÊ
effects can be applied to specific channel
signals and send-return effects can be used ■ Rhythm and metronome functions can be
through the mixer send-return bus. You can use used as guides and backing tracks
these effects in a wide variety of ways, including / iÊ ÕÌÊ ÃÌ>ÀÌÃÊ ÜÌ Ê ÛiÀÊ {ääÊ À ÞÌ Ê «>ÌÌiÀÃÊ
during recording, by applying them to already that use the built-in drum machine, and you
recorded tracks, and in the mastering process can create your own original patterns using
of mixing down and bouncing. both real-time and step input. You can output
the metronome sound only to the headphones,
■ Comprehensive built-in mixer features allowing you to send just a click to the drummer
/ iÊ ,Ó{Ê ÃÊ iµÕ««i`Ê ÜÌ Ê >Ê `}Ì>Ê ÝiÀÊ Ì >ÌÊ in a live situation, while the signals from the out-
allows you to mix the playback of audio tracks. put jacks are sent to a mixer.
9ÕÊV>Ê>`ÕÃÌÊÌ iÊÛÕi]Ê«>]Ê +Ê>`ÊivviVÌÃÊ
for each track and mix them into a stereo signal.
Note: For the improvement of this product, its specifications are
subject to change without notice.
2
Contents
Contents
3
For details about use with a computer, refer to the Audio Interface Manual.
You can download the Audio Interface Manual from ZOOM's website (www.zoom.co.jp).
Contents
Editing a sequence . . . . . . . . . . . . 56 Projects
Inserting and deleting beats Project overview . . . . . . . . . . . . . . 89
Changing the time signature Project protection . . . . . . . . . . . . . . 89
Playing back a sequence . . . . . . . . . . 59 Creating a new project . . . . . . . . . . . 90
Changing the BPM . . . . . . . . . . . . . 60 Selecting projects and files . . . . . . . . . 91
Changing tempo without changing pitch . . 61 Project and file information . . . . . . . . . 92
Trimming unnecessary parts of audio files . 63 Copying projects and files . . . . . . . . . 93
Setting fade-ins and fade-outs . . . . . . . 64 Changing project and file names . . . . . . 94
Deleting projects and files . . . . . . . . . 95
Rhythm function Dividing files . . . . . . . . . . . . . . . . 96
Overview of rhythm functions. . . . . . . . 65 Sequential playback of projects. . . . . . . 97
Playing rhythm patterns . . . . . . . . . . 66 Recording settings . . . . . . . . . . . . . 99
Selecting a rhythm pattern
Selecting the drum kit System/SD cards
Playing pad sounds. . . . . . . . . . . . . 67 Adjusting the display . . . . . . . . . . . 100
Switching banks >V} ÌÊ>`ÊVÌÀ>ÃÌÊ
ÀÕÊÀÃ Changing the SD card while the
Pad sensitivity power is on . . . . . . . . . . . . . . . 101
Creating a rhythm pattern . . . . . . . . . 68 Formatting SD cards . . . . . . . . . . . 102
Setting bars, time signature, quantization Checking card capacities . . . . . . . . . 102
Checking remaining memory Checking the system version . . . . . . . 103
,i>ÌiÊ>`ÊÃÌi«Ê«ÕÌÊ Setting the battery type . . . . . . . . . 103
Copying rhythm patterns . . . . . . . . . . 71 Phantom power settings . . . . . . . . . 104
Deleting rhythm patterns . . . . . . . . . . 72
Changing rhythm pattern names . . . . . . 73 USB
Import rhythm patterns . . . . . . . . . . . 74 Connecting with a computer . . . . . . . 105
Setting volume and stereo placement . . . 75 Card reader . . . . . . . . . . . . . . . 106
Assigning rhythm patterns to tracks . . . . 76 Using USB memory to save and
import data. . . . . . . . . . . . . . . . 107
Effects Audio interface/control surface . . . . . . 110
Effect and patch overview . . . . . . . . . 77
Input and output of insert and
send-return effects . . . . . . . . . . . . . 79 Rhythm pattern list . . . . . . . . . . . . 113
vviVÌÊ«>ÌV ÊÃiiVÌ Effect types and parameters . . . . . . . 115
Setting the insert effect position . . . . . . 81 Effect patch list . . . . . . . . . . . . . . 126
Patch editing . . . . . . . . . . . . . . . . 83 Error message list . . . . . . . . . . . . 132
Patch saving . . . . . . . . . . . . . . . . 85 Specifications. . . . . . . . . . . . . . . 133
Patch importing . . . . . . . . . . . . . . . 86 Troubleshooting . . . . . . . . . . . . . 134
Using the insert effect only for monitoring . 87 Upgrading the firmware. . . . . . . . . . 135
Index . . . . . . . . . . . . . . . . . . . 137
4
R24 operation flow
24 audio tracks 8 simultaneous tracks of stereo Track mixer
Multitrack recorder
R24 operation flow
Make various settings for the built- Apply various effects to process input
in microphones, connected musical Effects P77 signals, recorder playback and sound Mixer P39 Project P89
instruments and other input sources, generator output.
signals and tracks. Use the tuner and
the metronome to prepare for a new Adjust recorded tracks using the Recorded sound files and settings can
project or a live performance. track mixer. be managed and stored on a per song
basis as a project and then edited in
various ways.
Project creation P17 Insert effects P79
Prepare a project to save recordings. 1. After input jacks 2. Desired tracks in mixer
5 6
R24 operation flow
24 audio tracks 8 simultaneous tracks of stereo Track mixer
Multitrack recorder
R24 operation flow
Make various settings for the built- Apply various effects to process input
in microphones, connected musical Effects P77 signals, recorder playback and sound Mixer P39 Project P89
instruments and other input sources, generator output.
signals and tracks. Use the tuner and
the metronome to prepare for a new Adjust recorded tracks using the Recorded sound files and settings can
project or a live performance. track mixer. be managed and stored on a per song
basis as a project and then edited in
various ways.
Project creation P17 Insert effects P79
Prepare a project to save recordings. 1. After input jacks 2. Desired tracks in mixer
5 6
Basic recording guide Make a quick recording with the R24
Here we explain how to record in stereo with the built-in microphones on the unit's left and
right sides and how to record an electric guitar in mono using the high impedance input.
Basic recording guide
2
Press the status keys of INPUTS 7 & 8
until their indicators light red.
1
Press repeatedly
Press Change menu
When red, recording is possible
2
Select NEW.
or
Use the up/
down keys
Recording an electric guitar
(high-impedance mono input)
Press
1 Connect the guitar to INPUT 1.
3
Confirm the project name, etc.
Turn the INPUT 1 Hi-Z
2 switch ON.
3
Press the status key of INPUT 1 until the
Change menu
indicator lights red.
4
Select EXECUTE.
Press repeatedly
When red, recording is possible
Use the up/
down keys
Press NOTE
UÊ <Ê ÃÊ ÞÊ Ê INPUT 1, and the built-in stereo
Return to the main screen. VÀ« iÃÊvÕVÌÊÞÊÊÌÀ>VÃÊÇÊEÊn°
UÊ/À>VÃÊÇÊEÊnÊVÀÀië`ÊÌÊINPUT 7 & 8 and are
set up as two mono tracks by default. To use the
built-in mics for a stereo recording, set stereo link
to create one stereo track.
,iv\Ê-ÌiÀiÊÊ P20
,iv\Ê*ÀiVÌÃ P89 Connecting instruments P18, 19
7
Basic recording guide
Adjust the input sensitivity,
STEP 4 monitoring level and output STEP 5 Record—Complete—Play
2
Adjust the recording level
/ iÊÀi`ÊäÊ` ®Ê`V>ÌÀÊvÊ
the level meter should not
light when you apply an insert
effect to an INPUT. Adjust the
2 Press
recording.
and then to start
3
patch level, for example, if Start performing.
necessary.
Counter starts
3
Adjust the monitoring level
Adjust the monitoring
level of an instrument
with the fader of the
track it is being recorded
4 Press to stop recording.
1
iÝ>«i°® Press the status key to end recording
standby and make the light green.
Press repeatedly
2
While pressing press to
move to the beginning.
NOTE
UÊ vÊ>Ê«ÕÌÊÃ}>Ê`ÃÌÀÌÃÊ`ÕÀ}ÊÀiVÀ`}]ÊÀiviÀÊ
ÌÊ -/ *Ê {Ê >`Ê >`ÕÃÌÊ Ì iÊ «ÕÌÊ ÃiÃÌÛÌÞÊ >`Ê
recording level.
UÊ vÌiÀÊÀiVÀ`}Ê >ÃÊV«iÌi`]ÊÌ iʺ*i>ÃiÊÜ>Ì»Ê 3 Press to start playback.
««Õ«ÊÜÊLiÊ`ë>Þi`°Ê ÊÌÊÌÕÀÊÌ iÊ«ÜiÀÊ
"Ê ÀÊ Ì>iÊ Ì iÊ - Ê V>À`Ê ÕÌÊ Ü iÊ Ì ÃÊ ««Õ«Ê
ÃÊ«i°Ê }ÊÃÊVÕ`Ê`>>}iÊ`>Ì>ÊÀÊV>ÕÃiÊ
other problems.
8
Panel layout and functions
Rear panel
Panel layout and functions
ÕÌÊV
&ADER SECTION Transport section
Display section
ë>ÞÊ
TEMPO indicator
9
Input section
Hi-Z switch
1-8Tr key
Faders
(1/9/17~8/16/24,
MASTER)
Cursor keys
EXIT key
Rear panel
10
Connections
,iviÀÊÌÊÌ iÊvÜ}ÊÌÊViVÌÊÌ iÀÊ`iÛViÃ]ÊVÕ`}ÊÃÌÀÕiÌÃ]ÊVÀ« iÃ]Ê>Õ`Ê
equipment and computers.
Connections
Outputs Inputs
Set the METRONOME switch to output it iVÌÊV>LiÃÊÜÌ Ê8,ÊÀÊÊ« iÊ«Õ}ÃÊL>>Vi`ÊÀÊÕL>>Vi`®ÊÌÊÌ iÊ
to only the PHONES jack or also to the INPUT jacks.
OUTPUT jacks.
❷ Microphones ❹ÊÕÌ>ÀÉL>ÃÃÊ
❶ Stereo system, speakers with In order to supply phantom power to a When directly connecting a passive
built-in amplifiers, etc. condenser microphone, first connect electric guitar or bass, use INPUT 1,
/ÕÀÊ vvÊ Ì iÊ ÃÞÃÌi½ÃÊ «ÜiÀÊ ÀÊ ÌÕÀÊ the microphone to INPUT 5 or 6 and which can handle high impedance,
`ÜÊ Ì iÊ ÛÕi®ÊLivÀiÊ ViVÌ}Ê then turn the PHANTOM switch ON. and turn the Hi-Z switch ON.
speakers to avoid damage. Phantom power can also be provided
to INPUTS 3,4,7 and 8ÊÃiiÊ*£ä{®°
❺Ê ÕÌÊVÀ« iÃÊ
❸Ê iÛViÃÊÜÌ ÊÃÌiÀiÊÕÌ«ÕÌÃ 1ÃiÊÌ iÃiÊVÀ« iÃÊÌÊÀiVÀ`Ê`ÀÕÃÊ
7 iÊ ÕÃ}Ê >Ê ÃÞÌ iÃâiÀÊ ÀÊ >Ê Ê indirectly or record a band. Turn the MIC
player, for example, with stereo outputs switch ON to input the sounds to INPUTS
be sure to connect its left output jack 7 and 8.
to an odd-numbered INPUT jack on
this unit and its right output jack to an
even-numbered INPUT jack.
❶ ❷ ❸ ❹
Rear panel
R L
❽ AC adapter
Ü>ÞÃÊÕÃiÊ>Ê<""Ê £{Ê
adapter, which is designed
for use with this unit.
❽ Right side
panel
USB memory
❼
❻ iVÌ}Ê>ÊV«ÕÌiÀÊLÞÊ1-
When connected to a computer, you
can send audio files and projects
`ÀiVÌÞÊÌÊ>`ÊvÀÊÌ iÊ,Ó{°Ê 9ÕÊV>Ê
❼ Connecting another >ÃÊÕÃiÊÌ iÊ,Ó{Ê>ÃÊ>Ê>Õ`ÊÌiÀv>ViÊ
,Ó{ÊLÞÊ1- ❻ >`Ê >Ê VÌÀÊ ÃÕÀv>ViÊ vÀÊ 7Ê ÃvÌ-
ÞÊViVÌ}ÊÌÜÊ,Ó{ÊÕÌÃ]Ê ware.
ÞÕÊ V>Ê ÀiVÀ`Ê £ÈÊ ÌÀ>VÃÊ
simultaneously.
11
SD card installation
/ iÊ,Ó{ÊÃ>ÛiÃÊÀiVÀ`}Ê`>Ì>Ê>`ÊÃiÌÌ}ÃÊÊ- ÊV>À`ðÊ
To protect your data, turn the power off before inserting or ejecting a card.
SD card installation
Ê- ÊV>À`ÊÃÊiViÃÃ>ÀÞÊvÀÊÀiVÀ`}° NOTE
Turn the power OFF beforehand (ordinary use) UÊvÊÞÕÊÜ>ÌÊÌÊV >}iÊÌ iÊ- ÊV>À`ÊÜ iÊÌ iÊ«ÜiÀÊ
ÃÊ" ]ÊvÜÊëiV>Ê«ÀVi`ÕÀiÃÊÃiiÊ*£ä£®°
HINT
Preventing unwanted removal of an SD card
UÊ/ ÃÊÕÌÊV>ÊÕÃiÊ- ÊV>À`ÃÊÜÌ ÊV>«>VÌiÃÊvÊ£ÈÊ
HÓÊ ]Ê>ÃÊÜiÊ>ÃÊ{HÎÓÊ Ê- ÊV>À`ðÊ
Remove the screw near the slot, UÊ9ÕÊV>ÊV iVÊÌ iÊÃÌÊÀiViÌÊvÀ>ÌÊ>LÕÌÊ
and screw it into the hole in the V«>ÌLiÊ- ÊV>À`ÃÊÊÌ iÊ<""ÊÜiLÃÌi°
SD card cover. Ê ÌÌ«\ÉÉÜÜÜ°â°V°«
,iv\ÊÊ- Ê , 8 P101
Ê Ê - Ê , ",/
P102
12
Powering the unit
1ÃiÊÌ iÊVÕ`i`Ê Ê`>«ÌiÀ]ÊÜ V ÊÃÊ`iÃ}i`ÊvÀÊÌ iÊÕÌ]ÊÀÊÃÝÊÊL>ÌÌiÀiÃÊÃ`Ê
Ãi«>À>ÌiÞ®ÊÌÊ«ÜiÀÊÌ iÊÕÌ°Ê
Powering the unit
AC adapter >ÌÌiÀiÃÊ
in use in use >ÌÌiÀiÃÊÕÃÌÊ
be changed.
Power will
turn off.
HINT NOTE
Power supply from USB UÊ Ü>ÞÃÊÌÕÀÊÌ iÊ«ÜiÀÊ"ÊÜ iÊÞÕÊ«iÉVÃiÊ
If the POWER switch is set to OFF, connecting the Ì iÊL>ÌÌiÀÞÊVÛiÀÊÀÊ«Õ}ÉÕ«Õ}ÊÌ iÊ Ê>`>«ÌiÀ°Ê
ÕÌÊÌÊ>ÊV«ÕÌiÀÊÜÌ Ê>Ê1- ÊV>LiÊ>iÃÊÌ iÊÕÌÊ }Ê ÃÊ Ü iÊ Ì iÊ «ÜiÀÊ ÃÊ " Ê } ÌÊ V>ÕÃiÊ
ÃÌ>ÀÌÕ«Ê>ÕÌ>ÌV>ÞÊÜÌ Ê«ÜiÀÊÃÕ««i`ÊLÞÊ1- °Ê recording data to be lost.
In this state, functions are different from when the UÊ / iÊÕÌÊV>ÊÕÃiÊ>>iÊvÊ ÊL>ÌÌiÀiðÊ/ iÊ
POWER switch is ON. The unit can be used only as approximate lifetime for alkaline batteries is about
>Ê- ÊV>À`ÊÀi>`iÀÊÀÊ>ÃÊ>Ê>Õ`ÊÌiÀv>Vi° {°xÊ ÕÀð
UÊ 7 iÊ ÕÃ}Ê Ì iÊ ÕÌÊ >ÃÊ >Ê >Õ`Ê ÌiÀv>Vi]Ê vÊ UÊ ,i«>ViÊ Ì iÊ L>ÌÌiÀiÃÊ Ü iÊ ¸ÜÊ >ÌÌiÀÞt¸Ê ÃÊ
supplying phantom power, we recommend that shown. Turn the POWER switch to OFF immediately
you use the AC adapter. and install new batteries or connect the included
AC adapter.
UÊ -iÌÊÌ iÊL>ÌÌiÀÞÊÌÞ«iÊÌÊVÀi>ÃiÊÌ iÊ>VVÕÀ>VÞÊvÊ
the battery indicator.
13
Turning the power on & off/Date & time setting
Follow these precautions for starting-up and shutting down the unit.
ÜÊÌ iÃiÊÃÌÀÕVÌÊÌÊÃiÌÊÌ iÊ`>ÌiÊ>`ÊÌiÊvÀÊwiÃÊ>`Ê`>Ì>°
1
£°Ê>iÊÃÕÀiÊ>ÊÌ iÊiµÕ«iÌÊÃÊ"°
Ó°ÊÃiÀÌÊ>Ê- ÊV>À`Ê ÌÊ Ì iÊ ,Ó{°Ê wÀÊÌ >ÌÊ
the power, the instruments and the monitoring Press
ÃÞÃÌiÊ ÀÊ ÃÌiÀiÊ i>`« iÃ®Ê >ÀiÊ VÀÀiVÌÞÊ
connected.
1 Press
Slide to ON
3 Select DATE/TIME.
Change menu
Press
2
Then turn the power ON for connected
instruments and for the monitoring
system in that order.
4 Select the date and time units and set
their values in the following order.
9 , Ê" / Ê 9 Êää\ää\ää
Turn the power OFF to shut down the unit Change
unit
1
Change
Slide to OFF
5
value
Select OK.
Move cursor
Press
14
Switch and key operation overview
iÀiÊÜiÊiÝ«>Ê ÜÊÌÊÕÃiÊÌ iÊiÞÃÊ>`ÊÃÜÌV iÃÊvÊÌ iÊ,Ó{°Ê
Please look at the display for icons that show key functions.
Switch and key operation overview
Functions only when tracks are Play, create and set rhythm
REC key RHYTHM key
in recording standby. patterns
7HEN STOPPED Starts recording standby Set the insert and send-
EFFECT key
Recording standby `ÃÊÀiVÀ`}ÊÃÌ>`LÞÊ return effects
Starts recording (>Õ>Ê «ÕV É
During playback 1ÃiÊ >Õ`Ê ÌiÀv>Vi]Ê V>À`Ê
«ÕV ÕÌ® USB key
Ài>`iÀÊ>`Ê1- ÊiÀÞÊ
REW key
PAN/EQ key Access track mixer settings
Stopped/playback ,iÜ`ÃÊ
Hold STOP and press REW to return
to the top of the song. Fader section
>}iÊ-/ ,ÊÌÀ>VÊÃÌ>ÌÕÃÊÌÊ
ENTER key Confirm items. MASTER
*9Ê}Àii®]Ê-/ ,ÊÊ} Ìp
status key Ê«>ÞL>VÉÀiVÀ`}®ÊÀÊ8Ê
"7 ÊÀi`®°
Press to go back. Hold to
EXIT key return to the top screen.
Display information
Display and indications Icon display and setting keys
Top Screen: Shows the current project Insert effect icon q P80
Icon display area " ÊÜ iÊÃ Ü°Ê1ÃiÊiÞÊÌÊÃiÌ°Ê
Project name
Hours: minutes: seconds:
milliseconds EFFECT key
Time ÊÀi«i>ÌÊVÊ
sig. >ÀqLi>ÌqÌV
Mark, mark number 1ÃiÊiÞÊÌÊ«iÊÌ iÊEFFECT menu.
Tempo L>ʵÕ>Ìâ>ÌÊ
( *) Send-return effect q P80
Soft key Reverb/chorus icon
" ÊÜ iÊÃ Ü°Ê1ÃiÊiÞÊÌÊÃiÌ°Ê
Menu screen: Shows an operation menu PROTECT icon qÊP89
Menu name or track number If shown, project is protected and cannot
be overwritten. Set using menu.
Soft keys
The functions of the soft keys appear at the bottom of the display.
Press the key under the indication to use that function.
UNDO/REDO
When indicators are shown
After recording and certain other operations, “UNDO»ÊÃÊà ܰÊ
After pressing the UNDO soft key, “REDO»ÊÃÊà ܰÊ*ÀiÃÃÊÌ iÊ
soft key to execute.
16
Recording preparations
Connecting instruments
1 Press
4
Select whether to CONTINUE Change menu
using the previous settings.
Performance preparation
5
Set and use tuner Set the sampling RATE. Change menu
Overdubbing
17
Recording preparations
2
Make settings for instruments,
built-in mics, stereo tracks, etc.
Signal to INPUT 1
Hi-Z PHANTOM MIC
Connecting low-impedance instru-
Stereo Mono x 2 Mono
ments (mono connections)
Connect low impedance instruments to any INPUT 1~8.
3 Select the bank of tracks.
Assign faders to
ÌÀ>VÃÊ£Hn]ÊH£ÈÊ
ÀÊ£ÇHÓ{
Tracks Tracks Tracks
1~8 9~16 17~24
☞ ,iv\Ê-ÌiÀiÊÃiÌÌ} P19
18
Recording preparations
19
Recording preparations
Stereo link
>LiÊ>ÊÃÌiÀiÊÊvÀÊÌÀ>VÃÊÊ>`Û>ViÊvÊÀiVÀ`}ÊÌÊVÀi>ÌiÊ>ÊÃÌiÀiÊwiÊÜ iÊ
ÀiVÀ`}°Ê9ÕÊV>Ê>ÃÊ>ÃÃ}ÊÃÌiÀiÊwið
Stereo link
Status keys and track indicators Stereo link
PAN/EQ>STEREO LINK
1
Press a status key to set the role of a track
fader and change the color of the track indi-
cator light. The track indicator colors show the Press
status as follows.
2 Select a track.
Change tracks
3 Select ST
LINK.
Change menu
4
/À>VÊ`V>ÌÀÃÊ£HÓ{®
Select On.
On/Off
The tracks that are joined with a
Track indicator (MASTER® stereo link are shown.
HINT
Press Press Press
MASTER MIX DOWN PLAY UÊ / iÊÌÀ>VÊ«>ÀÃÊÌ >ÊV>ÊLiÊi`ÊÜÌ ÊÃÌiÀiÊÊ
Ê1ÌÊ Lit red Lit green >Ài\Ê£ÉÓ]ÊÎÉ{]ÊxÉÈ]ÊÇÉn]ÊÉ£ä]Ê££É£Ó]Ê£ÎÉ£{]Ê£xÉ£È]Ê
£ÇÉ£n]Ê£ÉÓä]ÊÓ£ÉÓÓÊ>`ÊÓÎÉÓ{
UÊ -ÌiÀiÊ Ê V >}iÃÊ Ì iÊ ÃiÌÌ}Ê vÀÊ ÌÜÊ Ê
tracks to one stereo track.
HINT UÊ 7 >ÌiÛiÀÊÌÀ>VÊÕLiÀÊÞÕÊV Ãi]Ê>Ê>`>ViÌÊ
track will be linked. You cannot change these
UÊ Ê À`iÀÊ ÌÊ Ãi`Ê Ì iÊ Ã}>Ê vÀÊ >Ê INPUT to a combinations.
ÀiVÀ`}Ê ÌÀ>V]Ê «ÀiÃÃÊ ÌÃÊ ÃÌ>ÌÕÃÊ iÞÊ £qÓÊ ÌiÃÊ UÊ /Ê>`ÕÃÌÊÌ iÊÛÕiÊvÊ>Ê«>ÀÊvÊÌÀ>VÃÊi`ÊLÞÊ
until the track indicator lights red. stereo link, use the odd number fader. The even
UÊ /Ê ÕÃiÊ ÌÜÊ «ÕÌÃÊ «ÀiÃÃÊ LÌ Ê ÃÌ>ÌÕÃÊ iÞÃÊ ÌÊ number fader has no effect.
connect both to tracks. UÊ / iÊ«>Ê«>À>iÌiÀÊvÊ>Ê«>ÀÊvÊÌÀ>VÃÊi`ÊLÞÊ
UÊÊ/Ê VÀi>ÌiÊ iÊ ÃÌiÀiÊ viÊ Ü iÊ ÀiVÀ`}Ê ÌÜÊ stereo link can be used to adjust their relative
tracks set a stereo link. volume balance.
UÊ vÊÌ iÊMASTER track is set to PLAY, all other tracks UÊ -ÌiÀiÊwiÃÊV>ÊLiÊ>ÃÃ}i`ÊÌÊÌÀ>VÃÊi`ÊLÞÊ
will be set to MUTEÊÊÃÕ`®° stereo link. The left channel is sent to the odd
track and the right is sent to the even track.
20
Recording preparations
1 Press beneath .
Tempo
,>}i
{ä°äHÓxä°ä iv>ÕÌÊÛ>ÕiÊ\Ê£Óä°ä
21
Recording preparations
1 Press
3 Select TAKE.
Change menu
Press
HINT
Press UÊ 9ÕÊ V>Ê >ÃÊ «>ÞÊ Ì iÊ ÃiiVÌi`Ê >Õ`Ê viÊ ÀÊ
rhythm pattern.
Stop
UÊ vÊÀ ÞÌ Ê«>ÌÌiÀÃÊ>ÀiÊ>ÃÃ}i`ÊÌÊÕÌ«iÊÌÀ>VÃÊ
and played back simultaneously, or patterns with
numerous note-on events are played, they might
Press not all play as expected due to the maximum
polyphony limitation of the unit.
UÊ 9ÕÊ V>Ê >ÃÃ}Ê Ì iÊ «Ê viÃÊ Ê Ì i USBÊ
iÀÞÊÀiv°Ê*{®°Ê
UÊ Ê -Ìi«Ê x]Ê ÞÕÊ V>Ê V >}iÊ Ì iÊ À`iÀÊ vÊ Ì iÊ
pattern list.
Press the A-Z soft key to list the patterns in
alphabetical order.
Press the No. soft key to list the patterns in
numerical order.
22
Track recording
2
new project
Arm the track for recording.
1 Return the counter to the beginning Press 1-2 times until the
track light turns red.
Press and hold and press When red, recording is possible
to return to the beginning.
Top Screen
3 Adjust the input sensitivity GAIN.
If an insert effect is
applied to an INPUT,
adjust the patch level,
for example, so that the
red indicator (0dB) on the
level meter does not light.
NOTE
UÊ vÌiÀÊÃiÌÌ}ÊÌ iÊ«ÕÌÊ-Ìi«ÊxÊ>`Ê>vÌiÀ®]ÊÞÕÊV>Ê Red lights on PEAK indicators and level meters
process input signals with the insert effect.
A PEAK indicator turns red when the signal exceeds
Ì iÊ>ÝÕÊ`iÌiVÌ>LiÊiÛiÊvÊäÊ` ]ÊÀiÃÕÌ}ÊÊ
input clipping. The red indicator on a level meter
means that the signal being recorded (signal after
«>ÃÃ}ÊÌ ÀÕ} ÊÌ iÊÃiÀÌÊivviVÌ®ÊÃÊV««}°ÊvÊV«-
ping happens, the recorded sound will be distorted.
☞ ,iv\Ê Insert
iÜÊ«ÀiVÌÊVÀi>Ì
effect
P90
You should reduce the recording level.
P81
23
Recording the first track
Recording the first track Playing back the recorded track
7 Start recording.
Counter stops
8
When green, the track is
Stop recording. ready for playback
Recording again
13 Stop playback.
24
Track recording
1 Press
3WITCHING TWO TRACKS 37!0
1 Press beneath .
Select track
3
Select TAKE.
Change menu
2 Select the first track to swap.
Press
Indicators blink orange on tracks that can be selected.
Press the status key to select a track.
3
Press Select the second track to swap.
Press
Selectable: blinking orange
Selected: lit orange
HINT
UÊ 9ÕÊV>Ê>ÃÊ«>ÞÊÌ iÊÃiiVÌi`Ê>Õ`Êwi°Ê
4 Swap the tracks.
Tracks to be swapped
Move cursor
Play
Stop
25
Changing the playback take
NOTE
The swap function switches two tracks, including
the assigned files, track sequence data and all
track parameter information.
26
Overdubbing
2
Press for all recording
Lit red Lit green
recording.
tracks 1-2 times until the
track light turns red.
Counter starts
When red, recording is possible
Input sensitivity
Make Play!
noise!
6
ÀivÞÊ} ÌÃÊÜ iÊÌ iÊÛÕiÊ
Lit
reaches maximum.
Press to stop. green 1ÌÊ
Red
HINT
UÊ vÊÞÕÊÜ>ÌÊÌÊÕÃiÊ>ÊÌÀ>VÊÌ >ÌÊ >ÃÊ>Ài>`ÞÊLiiÊ
recorded on for a later recording, assign the
recorded file to another track, and make the
Ì>À}iÌÊÌÀ>VÊi«ÌÞ°Ê,iviÀÊÌʸ >}}ÊÌ iÊ«>Þ-
L>VÊÌ>i¸Ê*Óx®°Ê
You can also swap recorded tracks with unre-
corded tracks.
Ê Ê Ì Ã]Ê Ü iÊ VÀi>Ì}Ê >Ê ÃiV`Ê }ÕÌ>ÀÊ ÌÀ>VÊ
using Hi-Z, for example.
27
Recording additional tracks
Playback all tracks
1
Press 1-2 times until the
indicator lights green for
all tracks to be played
back.
Playback-ready when green
Lit green
Lit green
NOTE HINT
UÊ 7 iÊ ÞÕÊ ÛiÊ viÃÊ Ê ÌÀ>VÃ]Ê VvÀÊ Ì >ÌÊ Ê UÊ vÊÞÕÊ>ÀiÊÀiVÀ`}ÊÊ>Ê`vviÀiÌÊÌÀ>VÊÌ >ÊÌ iÊ
files are assigned to the tracks to be recorded wÀÃÌÊÌÀ>V]ÊÌ iÀiÊÃÊÊii`ÊÌÊÛiÊÀÊÃÜ>«ÊÌ iÊ
(“New
Take»®°Ê wÀÃÌÊÌÀ>V°Ê
Ê vÊÌ iÀiÊÃÊ>ÊwiÊ>ÃÃ}i`ÊÌÊ>ÊÌÀ>V]ÊÌ >ÌÊÀiVÀ`}Ê UÊÊvÊÞÕÊÜ>ÌÊÌÊÀiVÀ`Ê>ÊiÜÊwi]ÊÃiÌÊÌ >ÌÊÌÀ>VÊÌÊ
will be overwritten by new recording. New
Take.
UÊÊvÊÌ iÊREC
MODE is set to Overwrite, recorded
>Õ`ÊwiÃÊÊÌÀ>VÃÊÜÊLiÊÛiÀÜÀÌÌiÊÜ iÊiÜÊ
ÀiVÀ`}ÃÊ>ÀiÊ>`i°Ê iÊV>ÀivÕÊÜ iÊÀiÌÕÀ}Ê
the counter to the beginning and recording
again. Set the REC
MODE to Always
New if you
do not want to overwrite recordings.
UÊ 7 iÊ >Ê ÌÀ>VÊ ÃÊ «>Þi>Li`]Ê Ì iÊ viÊ Ê ÌÊ ÜÊ
play back.
28
Re-recording
Automatic punch-in/punch-out
*ÕV Ê>`Ê«ÕV ÕÌÊ>ÜÊÞÕÊÌÊÀiÀiVÀ`Ê>ÊÃ}iÊ«>ÀÌÊvÊ>ÊÀiVÀ`i`Êwi°Ê9ÕÊV>Ê
ÃiÌÊÌ iÊLi}}Ê«ÕV ®Ê>`Êi`}Ê«ÕV Õ̮ʫÌÃÊÊ>`Û>ViÊÌÊÃÌ>ÀÌÊ>`ÊÃÌ«Ê
Automatic punch-in/punch-out
recording automatically.
Prepare the track that you want to Rehearse
punch-in/punch-out
2
When the punch-out point is passed, the track is
Press 1-2 times
automatically unmuted.
until lit red
3
Adjust the recording
level and the GAIN to
Re-recording: punch-in/punch-out
8
be the same as the
already recorded part. Locate to before the
punch-in point.
4
Locate the starting
p o s i t i on ( p un c h-in Lit ÃÊ Not recording
Appears on
Perform Lit
display
Lit ÃÊ Not recording
6
Locate the ending position
10
(punch-out point)
Press to stop recorder.
7
1ÌÊ
Press to set the punch-out point
NOTE
11 Press
Indicators disappear from display
UÊ "ViÊÞÕÊÃiÌÊ>ÕÌÊ«ÕV ÉÕÌÊ«Ì]ÊÞÕÊV>ÌÊ
change them. Cancel and set them again.
UÊ vÊÌ iÊREC
MODE is set to Always
New]Ê>ÊiÜÊwiÊ
will be recorded.
,iÀiVÀ`i`Ê«>ÀÌ
29
Re-recording
Manual punch-in/punch-out
You can also punch in and out manually. Press the REC key during playback to start
re-recording from that point.
Manual punch-in/punch-out
Prepare the track that you want to Re-recording: punch-in/punch-out
punch-in/punch-out
2
playback.
Press 1-2 times
until lit red
3
Adjust the recording
level and the GAIN to
6
be the same as the Press REC to punch-in and
already recorded part. start recording.
Lit
Perform (recording)
NOTE
UÊ *ÕV ÉÕÌÊ ÛiÀÜÀÌiÃÊ Ì iÊ ÀiVÀ`}Ê Ê Ì iÊ
track.
Start Stop
UÊ vÊÌ iÊÌÀ>VÊÃÊÃiÌÊÌÊNew
Take, the track will be
silent before punching in and after punching out.
UÊ vÊÌ iÊREC
MODE is set to Always
New]Ê>ÊiÜÊwiÊ
,iÀiVÀ`i`Ê«>ÀÌ will be recorded.
UÊ 1ÃiÊ Ì iÊ UNDO soft key to cancel the re-recording
and keep the previous take.
30
Playback
Project playback
,iVÀ`i`Ê>Õ`ÊwiÃÊ>ÀiÊ>ÃÃ}i`ÊÌÊÌ iÊÌÀ>VÃÊÌ >ÌÊÌ iÞÊÜiÀiÊÀiVÀ`i`Ê°Ê
ÊÌÀ>VÃÊÌ >ÌÊ>ÀiÊi>Li`ÊvÀÊ«>ÞL>VÊLÞÊÌ iÀÊÃÌ>ÌÕÃÊiÞÃÊ}ÀiiÊ} ÌÃÊ®ÊÜÊLiÊ«>Þi`°
Project playback
£n/,
REC New Take New Take New Take New Take New Take REC
MONO-000.WAV STE-000.WAV
£È/,
New Take New Take New Take New Take New Take New Take New Take New Take
£ÇÓ{/,
New Take New Take New Take New Take New Take New Take New Take New Take
PLAY New Take New Take New Take New Take New Take PLAY
MONO-000.WAV STE-000.WAV
New Take New Take REC REC REC New Take New Take New Take
MONO-004.WAV
Playback
Track 1, 11, 12, 13 & 22: mono playback Track 7 & 8: stereo playback
PLAY New Take New Take New Take New Take New Take PLAY
MONO-000.WAV STE-000.WAV
New Take New Take PLAY PLAY PLAY New Take New Take New Take
MONO-004.WAV
New Take New Take New Take New Take New Take New Take New Take New Take
31
Playback
A-B repeat
Setting A-B points HINT
UÊ 7 iÊ«>ÞL>VÊÀi>V iÃÊ«ÌÊ ]ÊÌÊ>ÕÌ>ÌV>ÞÊ
1 Locate the
beginning
goes back to point A and continues playback.
UÊ 7 iÊ Ì iÊ Ê VÊ >««i>ÀÃ]Ê «>ÞL>VÊ Ài«i>ÌÃÊ
continuously.
point.
UÊ / iÃiÊ ÃiÌÌ}ÃÊ V>Ê LiÊ >`iÊ LÌ Ê `ÕÀ}Ê «>Þ-
2
back and when stopped.
Press UÊ vÊÞÕÊÃiÌÊ«ÌÊ Ê>ÌÊ>ÊÌiÊLivÀiÊ«ÌÊ]ÊÀi«i>ÌÊ
«>ÞL>VÊ ÜÊ VVÕÀÊ vÀÊ «ÌÊ Ê ÌÊ «ÌÊ Ê
Appears on
instead.
display
UÊ /Ê>iÊiÜÊÃiÌÌ}Ã]Ê«ÀiÃÃÊÌ iÊA-B REPEAT key
to cancel it once and then follow the procedures
3
to make new ones.
Locate the end point.
4 Press
Appears on
display
A-B repeat
#$ࡇ section
࠻⸳ቯㇱಽ
A-B repeat: playback repeatedly
7
Press to cancel repeat
playback and clear the
The repeat icons A-B points.
disappear from the
display.
32
Using the counter and marks to locate
The counter shows the recording or elapsed time in hours: minutes: seconds: milliseconds
>`ÊL>ÀÃqLi>ÌÃqÌVÃÊ£É{nÊLi>Ì®°Ê-iÌÊ>ÀÃÊÊ>Ê«ÀiVÌÊÌÊV>ÌiÊÌÊÌ iʵÕVÞ°
Using the counter and marks to locate
1
Start from the top screen. Set the counter
to the desired mark position.
1
Change unit
Select the hours: minutes: seconds or or digit
bars–beats–ticks.
Change item
2 Press
1
Change numbers During recording or playback
NOTE
You cannot change the counter this way during re-
cording or playback.
HINT 2 Press
UÊvÌiÀÊ-Ìi«ÊÓ]ÊÞÕÊV>ÊÃÌ>ÀÌÊ«>ÞL>VÊvÀÊÌ iÊÃiÌÊ
counter position.
UÊ>ÀÊVÊ`ë>Þ
>ÀÊäÎÊà ÜÊÃiÌÊ>ÌÊ£äÊÕÌiÃ]Ê
änÊÃiV`Ã]Ê£xÊÃiV`Ã
Mark set at current
counter position
No mark set at
counter position
33
Using the counter and marks to locate
Locate to the position of a mark Delete a mark
Use keys to move between marks in order 1 Press the forward or backward mark
1
key until you reach the desired mark.
Project
2 Press
NOTE
Move to marks in counter sequence UÊ "ViÊ`iiÌi`]Ê>Ê>ÀÊV>ÌÊLiÊÀiVÛiÀi`°Ê
UÊ ÊÌ iÊ«ÀiVÌÊLi}}®ÊV>ÌÊLiÊiÀ>Ãi`°Ê
Change number
Mark deleted
Cannot
change
34
Tools
Tuner
/ iÊ,Ó{Ê >ÃÊ>ÊÕÌvÕVÌÊÌÕiÀÊÌ >ÌÊVÕ`iÃÊV À>ÌVÊÌÕ}ÊÌ >ÌÊ`iÌiVÌÃÊÌiÊ>iÃÊ
LÞÊÃiÌiÃ]ÊÃÌ>`>À`Ê}ÕÌ>ÀÉL>ÃÃÊÌÕ}Ê>`Ê >vÃÌi«`ÜÊÌÕ}°
Tuner
3 Select TUNER.
Change menu
Press
Press
6 Select the note name/
string number and tune
Select note
Chromatic tuner name/string
number
Play the open string of the
4
indicated note and adjust
the pitch
Tune the instrument
Changing the standard pitch
Shows whether the pitch is higher
or lower than the note indicated. Press the under ,
and set the standard pitch
Set the
standard
pitch
Press
Shows the note closest
to the input signal HINT
UÊ / iÊ«ÌV Ê`V>ÌÀÊÀië`ÃÊÌÊÃÕÀViÃÊ«ÕÌÊÊ
tracks with red status lights.
UÊ / iÊÃÌ>`>À`Ê«ÌV ÊV>ÊLiÊÃiÌÊLiÌÜiiÊ{Îxq{{xÊ
âÊÊ£ÊâÊÕÌðÊ/ iÊ`iv>ÕÌÊÃiÌÌ}ÊÃÊ{{äÊâ°
UÊ 7Ì Ê Ì iÊ ÌÕiÀÊ ÌÞ«iÃÊ Ì iÀÊ Ì >Ê V À>ÌV]Ê Ì iÊ
V>LÀ>ÌÊV>ÊLiÊÕÃi`ÊÌÊÜiÀÊÌ iÊ«ÌV ÊLÞÊ£qÎÊ
semitones (♭q♭♭♭®°
UÊ / iÊÃÌ>`>À`Ê«ÌV ÊÛ>ÕiÊÃiÌÌ}ÊÃÊÃÌÀi`ÊÃi«>-
rately for each project.
Tuner type GUITAR BASS /0%. ! /0%. $ /0%. % /0%. ' DADGAD
-ÌÀ}£
-ÌÀ}Ó C# A A
-ÌÀ}Î A A F#
-ÌÀ}É
-ÌÀ}{
note
-ÌÀ}x A A A A
-ÌÀ}È
String7
35
Tools
Metronome
This metronome, which includes a pre-count function, allows you to change its volume, tone
and pattern. You can also output the metronome sound only through the headphones.
Metronome
1
Menu settings and setting values
Press ON/OFF: Set when operative
Settings
2 Select METRONOME.
Change menu
Play
Only
Rec
Only
Play
&
Rec
ÕÀ}Ê«>ÞL>VÊÞ
ÕÀ}ÊÀiVÀ`}ÊÞ
ÕÀ}ÊLÌ Ê«>ÞL>VÊ>`ÊÀiVÀ`}
OffÊ`iv>ÕÌ® No metronome sound
LEVEL: Change metronome volume
Setting range
0-100 iv>ÕÌÊÛ>Õi\Ê50
PAN: Change the stereo positionn
Press
Setting range
This is the standard method for setting the metronome.
L100-R100 iv>ÕÌÊÛ>Õi\ÊCenter
settings. Settings
Metronome sound with a bell on the
Change menu BellÊ`iv>ÕÌ®
accent
Click Click sound only
Stick ÀÕÊÃÌVÊÃÕ`
Cowbell Cowbell tone
Hi-Q Synthesized click sound
Change
TRACK1~TRACK24 /, Ê£HÓ{ÊÃÕ`Ê®
setting
TRACK1/2~TRACK23/24 /, Ê£ÉÓHÓÎÉÓ{ÊÃÕ`ÊÃÌiÀi®
PRE
COUNT: Pre-count setting
Settings
Off
`iv>ÕÌ® No sound
>LiÊÃÕ`Ê`ÕÀ}Ê«ÀiVÕÌÊ vÀÊ£Ê
1~8
ÌÊnÊLi>Ìð
HINT Special pre-count pattern
/54054 0(/.%3
The metronome sound is output
through both OUTPUT and PHONES jacks
0(/.%3 /.,9
The metronome sound is output only
through the PHONES jack.
1ÃiÊ Ì iÊ BALANCE knob to adjust the NOTE
relative volumes of the MASTER fader
signal and the metronome sound. UÊ iÊ>Ü>ÀiÊÌ >ÌÊvÊÞÕÊÌÕÀÊÌ iÊiÌÀiÊÛÕiÊ
MASTER CLICK up high, the accented beat of some sounds
(metronome)
} ÌÊLiViÊ`vwVÕÌÊÌÊ`ÃÌ}ÕÃ °
UÊ vÊ >Ê ÌÀ>VÊ ÜÌ Ê >Ê À ÞÌ Ê «>ÌÌiÀÊ >ÃÃ}i`Ê ÃÊ
UÊ iÌÀiÊÃiÌÌ}ÃÊ>ÀiÊÃ>Ûi`ÊvÀÊi>V Ê«ÀiVÌ°Ê selected in the SOUND setting, no sound will be
UÊ 9ÕÊV>ÊÕÃiÊÌ iÊiÌÀiÊiÛiÊ`ÕÀ}ÊMASTER output.
TRACK playback.
36
Tools
1 Press 1 Press
2 Select SYSTEM.
Change menu
2 Select SYSTEM.
Change menu
Press Press
Press Press
3 Select SYNC
REC and set it to Master.
3 Select SYNC
REC and set it to Slave.
Master/Slave Off/Master/Slave
HINT
Command keys that affect both units.
STOP key
37
NOTE
UÊ *iÀviVÌÊ ÃÞV Àâ>ÌÊ vÊ Ì iÊ ÃÌ>ÀÌ}Ê ÌiÊ vÊ
recording of two units is not guaranteed.
Ê Ê}>«ÊvÊ>««ÀÝ>ÌiÞÊ£ÓÊÃÊÜÊVVÕÀ°
UÊ iVÌÊ ÜÌ Ê >Ê ,£ÈÊ ÃÊ >ÃÊ «ÃÃLi°Ê 7 iÊ
ViVÌ}ÊÌÊ>Ê,£È]Ê>Ü>ÞÃÊÃiÌÊÌ iÊ,Ó{Ê>ÃÊÌ iÊ
Master.
UÊ *ÀiVÕÌÊ ÃÊ `Ã>Li`Ê Ü iÊ ÕÃ}Ê ÃÞV Àâi`Ê
recording.
UÊ 7 iÊ >Ê ,Ó{Ê ÃÊ ÃiÌÊ ÌÊ Slave, operation using
LÕÃÊ«ÜiÀÊÃÊÌÊ}Õ>À>Ìii`°Ê1ÃiÊ>Ê Ê>`>«ÌiÀÊ
or batteries.
38
Mixing
NOTE
!DJUST THE VOLUME %1 ÝVi«ÌÊvÀÊ« >ÃiÊÃiÌÌ}Ã]ÊLÌ ÊivÌÊ>`ÊÀ} ÌÊV >-
AND 0!. OF TRACKS nels of stereo tracks share the same parameter
values.
HINT
Select the send-return What is the track mixer?
UÊ 1ÃiÊÌ iÊÝiÀÊÌÊÝÊÌ iÊÀiVÀ`iÀ¿ÃÊ>Õ`ÊÌÀ>VÃÊ
effect to stereo.
UÊ 1ÃiÊi>V ÊÌÀ>V¿ÃÊv>`iÀÊÌÊ>`ÕÃÌÊÌÃÊÛÕi]Ê«>]Ê
+Ê>`ÊÌ iÀÊ«>À>iÌiÀð
Recorder (recording)
Track 1–24 + MASTER
Apply insert effects to tracks
Track Mixer
Mix down
Mix down
Master track (recording)
Output
39
Mixing
2
eter, including pan and the send-return effect
Select a track.
levels, to process the signals.
Change tracks UÊ ÊÃÌi«ÊÓ]ÊÞÕÊV>Ê>ÃÊÃiiVÌÊ>ÊÌÀ>VÊLÞÊ«ÀiÃÃ}Ê
its status key so that its indicator lights orange.
Change menu
NOTE
UÊ ÝVi«ÌÊvÀÊ« >ÃiÊÃiÌÌ}ÃÊINVERT®]ÊLÌ ÊivÌÊ>`Ê
right channels of stereo tracks share the same
Change parameter values.
setting
UÊ -iÌÌ}ÃÊ>ÀiÊÃÌÀi`ÊÃi«>À>ÌiÞÊvÀÊi>V Ê«ÀiVÌ°Ê
4 Select EQ
HI, EQ
MID or EQ
LO. UÊ / iÊ ÞÊ ÃiÌÌ}Ê Ì >ÌÊ Ì iÊ MASTER TRACK has is
volume control using its fader.
Change menu
Press
Change setting
40
Mixing
Track parameters
These parameters can be set for each track
Track parameters
ÊÌÀ>VÃ\Ê£HÓ{
-ÌiÀiÊÌÀ>VÃ\Ê£ÉÓHÓÎÉÓ{
äH£ÓÇ
, ,
£ää®
Adjust the current volume. ◯ ◯ ◯
"É"vv -ÜÌV Ê ÉvvÊ ÌÊ ÃiÌÊ Ì iÊ ÃÌiÀiÊ Ê vÕVÌÊ Ì >ÌÊ
-/Ê -/ , "Ê
"vv® ViVÌÃÊÌÜÊÊÌÀ>VÃÊÌ}iÌ iÀ°Ê,iv°Ê*°Óä® ◯ ◯
"É"vv Set whether the phase of a track is inverted or not. Set
6 ,/ 6 ,/
"vv® it to Off to use normal phase or ON to invert the phase. ◯ ◯
NOTE
UÊ 1ÃiÊÌ iÊON/OFF soft key to turn EQ
HI, EQ
MID,
EQ
LO, REV
SEND, CHO
SEND and INVERT
«>À>iÌiÀÃÊ" É"°Ê
UÊ 7 iÊ>ÊÃÌiÀiÊÊÃÊ" ]ÊÌ iÊINVERT parameter
is shown as INVERT
L for the odd odd track,
and as INVERT
R for the even track.
41
42
Mix down/Bounce
1 Press
Press 1–2 times until
indicator lights green
3 Select BOUNCE
TR. is possible
Change menu
HINT
To include the signal of the track that is
overwritten by the bounce in the bounce. UÊ º ÕV}»Ê i>ÃÊ VL}Ê >Õ`Ê `>Ì>Ê vÀÊ
ÃiÛiÀ>Ê ÌÀ>VÃÊ>`ÊwiÃÊ Ì}iÌ iÀÊ ÌÊiÊÃÌiÀiÊ
ÀÊÊwi°Ê
Change
setting
5
the recorded signals are mixed to mono. If set
Return to the start of the project. to a stereo linked pair of tracks, the recorded
signals will be mixed to stereo.
43
"/5.#% 02/*%#42%# 3%44).'"/5.#%
Bouncing Adjust the mix balance (audition)
BOUNCE
ON appears on the
display
Adjust the mix balance, including level,
2 volume, pan and EQ settings, for each
track.
4
Green
5 Press in order to
start recording.
Lit red Lit green
Playback-ready
when green
NOTE
UÊ This operation can be undone by pressing the 3 Press and hold and press
UNDO soft key. to return to the beginning.
UÊ vÊ ÞÕÊ LÕViÊÊÃÌiÀiÊÌÊÌÜÊ Ê ÌÀ>VÃ]Ê Ì iÊ
4
«>ÊvÊÌ iÊ``ÊÕLiÀÊÌÀ>VÊÜÊLiÊÃiÌÊÌÊ£ää]Ê
>`ÊÌ iÊiÛiÊÕLiÀÊÌÀ>VÊÜÊLiÊÃiÌÊÌÊ,£ää°Ê Press to start playback.
44
Mix down/Bounce
1 Press
Change
setting
4 Select INPUT
SRC and set it to Master. HINT
9ÕÊV>Ê>ÃÊÃiiVÌÊ>Ê-/ , Ê>}ÀÌ ÊÌÊ«À-
Change menu
cess a stereo mix.
Change
setting
Change
Select a patch while playing the project. setting
(Listen to the effect that the patch has on
Ì iÊ«ÀiVÌÊ>`ÊV ÃiÊiÊÞÕÊi°®
6 Press
45
Mix down/Bounce
2
to return to the beginning.
Adjust the level of the signal that
passes through the master fader.
Red Make sure that Press to start playback.
Ì iÊÀi`ÊäÊ` ®Ê
Orange
Green
indicator does
not light on the
MASTER level
3 Press to stop.
meter.
Green Disable MASTER track playback
6 Press in order to
start recording.
UÊ / iÊ Ã}>ÃÊ Ì >ÌÊ >ÛiÊ «>ÃÃi`Ê Ì ÀÕ} Ê Ì iÊ
MASTER fader are the same as those sent from
the OUTPUT jacks.
7
UÊ / ÃÊ «iÀ>ÌÊ V>Ê LiÊ Õ`iÊ LÞÊ «ÀiÃÃ}Ê Ì iÊ
Press to stop. UNDO soft key.
UÊ 9ÕÊV>ÊÕÃiÊÌ iÊiÌÀiÊ`ÕÀ}Ê«>ÞL>V°
NOTE
The settings of the pan, balance, insert and send-
return effects of each track affect the signals sent to ☞ ,iv\Ê-iµÕiÌ>Ê«>ÞL>VÊv
projects P97
the MASTER track.
46
Sampler functions
☞ ,iv\ÊÃÃ}}ÊÌÀ>VÃÊÊ
Loop settings
P49 ☞ ,iv\Ê Ài>Ì}Ê>ÊÃiµÕiVi P53
P50
loop materials.
,iVÀ`ÊÌ iÊ>ÊÛV>ÃÊ>`ÊÃÌÀÕiÌÃÊÊ
ii«Ê ÀiVÀ`}Ê ÕÌÊ ÞÕÊ >ÀiÊ Ã>ÌÃvi`Ê in time with the basic tracks.
with the performance of the riff, backing
part or other musical phrase. You can
loop only the parts of the recordings that
you like.
☞ ,iv\Ê«ÊÃiÌÌ}ÃÊ P50
47
Sampler functions
48
Sampler functions
Assigning tracks
To use the sampler function, first assign audio files and rhythm patterns to tracks.
In this example, we explain how to assign loops stored on the USB memory.
Assigning tracks
To add loops to the USB memory, use the STORAGE>INIT option from the USB menu and then put loops into
the folder ZOOM_R24/LOOP (Ref. P109).
1 Press
NOTE
UÊ /Ê>`Ê>Ê>Õ`ÊwiÊvÀÊ>Ì iÀÊ«ÀiVÌ]ÊÃiiVÌÊ
OTHER
PRJÊÊÃÌi«Ê{°ÊÀÊPROJECT, select the
2 Select the track to assign. project that contains the file. Then, from NEXT,
ÃiiVÌÊÌ iÊwi°Ê >}iÊÌ iÊwiÊ>iÊvÊiViÃÃ>ÀÞÊ
Select track
before loading it.
UÊ Ê >Ê iÜÊ «ÀiVÌ]Ê Ì iÊ *Ê Ìi«®Ê vÊ Ì iÊ vÀÃÌÊ
>Õ`ÊwiÊ>ÃÃ}i`ÊÌÊ>ÊÌÀ>VÊÃiÌÃÊÌ iÊ *ÊvÊÌ iÊ
project.
UÊ Ê Ì iÊ LOOP[USB] menu, you can see the files
Ê Ì iÊ <""Ú,Ó{É""*Ê v`iÀÊ Ê Ì iÊ 1- Ê
iÀÞ°Ê /Ê ÕÃiÊ >Ê iÜÊ 1- Ê iÀÞÊ `iÛVi]Ê
3 Select TAKE.
Change menu
create a folder with the same name on the
iÀÞÊÕÃ}Ê>ÊV«ÕÌiÀÊ,iv°Ê*£ä®]ÊÀÊÕÃiÊÌ iÊ
STORAGEINIT option from the USB menu, and
then put loops into the folder.
ÊUÊvÊÀ ÞÌ Ê«>ÌÌiÀÃÊ>ÀiÊ>ÃÃ}i`ÊÌÊÕÌ«iÊÌÀ>VÃÊ
and played back simultaneously, or patterns with
numerous note-on events are played, they might
not all play as expected due to the maximum
Press polyphony limitation of the unit.
UÊ ÊÃÌi«ÊÓ]ÊÞÕÊV>Ê>ÃÊÃiiVÌÊÌÀ>VÃÊLÞÊ«ÀiÃÃ}Ê
their status keys.
4 Select LOOP[USB].
Change menu
5 Select a loop.
Select file
Press
49
Sampler functions
Loop settings
Make loop settings separately for each track.
Turn loops ON and set their starting points and lengths.
Loop settings
Setting tracks to loop NOTE
Turn loops ON and OFF for each track. UÊ / iÊÃÌ>ÌÕÃÊiÞÊ`V>ÌÀÊvÊ>ÊÌÀ>VÊÜÌ ÊLOOP set
ON lights orange instead of green when enabled
for playback. Moreover, a track with LOOP set ON
1
cannot be used to record (the indicator will not
Press LiÊÌÊÀi`®°ÊÊ>``Ì]ÊÌ iÊvÜ}ÊvÕVÌÃÊV>Ê
be used when a track has LOOP set ON.
- The pad can be used to trigger the loop.
- Pressing the PLAY key starts loop playback.
3 Select LOOP.
Change menu
Press
4
Select ON/OFF, and set it to ON to
enable loop playback.
Change menu
Change
setting
50
Sampler functions
Loop settings
Loop settings
1 Press
Change
length
HINT
UÊ 7 iÊ ÃiÌÌ}Ê Ì iÊ «Ê ÃÌ>ÀÌ}Ê «ÌÊ >`Ê i}Ì Ê
you can switch between the POSI and LENGTH
soft keys.
3
UÊ 9ÕÊ V>Ê >ÃÊ «>ÞÊ Ì iÊ >Õ`Ê viÊ Ì >ÌÊ ÞÕÊ >ÀiÊ
Select LOOP.
setting.
Change menu
Start playback
Stop playback
Change menu
Change
zoom
Change starting
point
51
Sampler functions
1
1Shot). Move the cursor to the global quantiza-
tion display area and adjust the setting.
1 Press
8Bars, 4Bars,
2Bars, 1Bar (default nÊL>ÀÃ]Ê{ÊL>ÀÃ]ÊÓÊL>ÀÃ]Ê£ÊL>ÀÊ
value)
1/2, 1/2T, Half-note, half-note triplet,
1/4, 1/4T, quarter-note, quarter-note triplet,
1/8, 1/8T, eigth-note, eigth-note triplet,
2
4 sixteenth-note, sixteenth-note
Select PAD and set the playback triplet, thirty-second note
method. (I £ÊÌVÊ£É{nÊvÊ>ʵÕ>ÀÌiÀÌi®
Change menu
Change
setting NOTE
PAD: playback method
UÊ 7 iÊÞÕÊ«ÀiÃÃÊ>Ê«>`]ÊÌ iÊÃÕ`ÊÜÊLiÊ`i>Þi`Ê
Setting until it is in time with the set quantization (bar,
Repeat Play loop repeatedly Ìi®°Ê
Gate
Stop playback as soon as the pad is UÊ / iÊ«>`ÊLÃÊ`ÕÀ}Ê«>ÞL>V°Ê
released UÊ 7 iÊ ÞÕÊ ÃÌ«Ê «>ÞL>V]Ê Ì iÊ «iÀ>ÌÊ ÃÊ
Play the file once completely even if delayed until it is in time with the set quantization
1Shot
the pad is released
L>À]ÊÌi®°Ê
52
Sampler functions
Creating a sequence
ÃÃ}Ê>Õ`ÊwiÃÊ>`ÊÀ ÞÌ Ê«>ÌÌiÀÃÊÌÊÌÀ>VÃÊ>`ÊÃiÌÊÌ iÀÊLOOP settings to ON. Combine them to create
L>V}Ê«>ÀÌÃ]ÊÀ ÞÌ ÃÊ>`ÊÌ iÀÊ`>Ì>ÊÃiµÕiViÊ`>Ì>®ÊvÀÊ>ÊiÌÀiÊÌÀ>V°ÊÊÃiµÕiViÊV>ÊLiÊVÀi>Ìi`ÊÜÌ Ê
Creating a sequence
1 Press
6 Press to end input.
2 Select TRK
SEQ.
Change menu
NOTE
UÊ vÊÞÕÀÊÌ}ÊÃÊÃ} ÌÞÊvv]ÊÌÊÜÊLiÊVÀÀiVÌi`ÊÊ
accordance with the quantize setting
UÊ Ê iÌÀiÊ «ÀiVÕÌÊ V>Ê >ÃÊ LiÊ ÃiÌÊ ,iv°Ê
*ÎÈ®°
Press
53
Creating a sequence
Create a sequence using step
input
5 Press a pad to input that pad's data at
that position.
1 Press
2 Select TRK
SEQ.
Change menu
Note-on
Press
Length of loop or rhythm pattern
Cursor
>ÀÊVÕÀÃÀÊ
Go back 1 step
Go forward 1 step
Press beneath or
to change the length of one
step to a bar, beat or 16th note.
54
Sampler functions
Creating a sequence
Creating a sequence
Deleting data
When using step input, you can delete
data before and after the cursor position 5 Select EXECUTE.
Change menu
together.
Press
Go back 1 step
Go forward 1 step
2 Press beneath .
3 Select DEL
EVENT.
Change menu
Press
4
Select MODE and set it to Before or
After to delete data to the left or right
of the cursor.
Change menu
Change setting
55
Sampler functions
Editing a sequence
When creating a sequence by step input, you can insert and delete beats.
You can also change the time signature.
Editing a sequence
Inserting and deleting beats
5 Select INS
BEAT to insert beats or DEL
BEAT to delete beats.
When using step input for a sequence,
Change menu
you can insert and delete beats.
You can insert and delete a number of
beats that differ from the project time
signature, changing the time signature
for only that part.
Press
Press
6
Select BEAT and set the number of
beats that you want to insert or delete.
Change menu
2 Press beneath or
to change the length of one step.
Change
setting
3
Change menu
Move the cursor to the position where
you want to insert or delete beats.
Move cursor
Change
setting
Change menu
Go forward 1 step
56
Sampler functions
Editing a sequence
Editing a sequence
NOTE
UÊ 7 iÊÞÕÊÃiÀÌÊLi>ÌÃ]ÊÌ iÊÃÕ`ÃÊvÊ«ÃÊ>`Ê UÊ vÊ ÞÕÊ ÃiÀÌÊ ÀÊ `iiÌiÊ Li>ÌÃÊ Ì >ÌÊ `vviÀÊ vÀÊ Ì iÊ
wiÃÊ«>Þ}ÊL>VÊÜÊLiÊVÕÌÊ>ÌÊÌ >ÌÊ«Ì°Ê set time signature, the time signature for that part
might change depending on the SIGNATURE
setting.
One beat inserted here
1 3 5
3)'.!452% TIME SIGNATURE SETTING
Setting
The time signature does not change. The beats are
.O
shifted by the amount inserted or deleted.
UÊ vÊÞÕÊÃiÀÌÊLi>ÌÃ]ÊÌ iÊÌiÊÃ}>ÌÕÀiÊvÊÌ iÊL>ÀÊ
Note-on that contains the last inserted beat will change.
1 3 5 Loop or file length Ê ÀÊiÝ>«i]ÊvÊÎÊLi>ÌÃÊ>ÀiÊÃiÀÌi`ÊÌÊ>ÊÃ}Ê
ÜÌ Ê>Ê{É{ÊÌiÊÃ}>ÌÕÀi]ÊÌ iÊL>ÀÊÜ iÀiÊÌ iÊÎÀ`Ê
Li>ÌÊÃÊ>``i`ÊÜÊLiViÊÇÉ{°Ê
4/4
1 2 3 4
Three beats
inserted here
UÊ 7 iÊÞÕÊ`iiÌiÊLi>ÌÃ]ÊÌ iÊÃÕ`ÃÊvÊ«ÃÊ>`Ê
4/4 7/4 4/4
wiÃÊ«>Þ}ÊL>VÊ>ÌÊÌ >ÌÊÌiÊÜÊLiViÊÃ ÀÌiÀÊ 1 2 3 4
by the same amount.
Note-on
Three beats
1 3 5 Loop or file length deleted here
5/4 4/4
1 2 3 4
UÊ / iÊÌiÊÃ}>ÌÕÀiÊvÊÞÊ£ÊL>ÀÊV >}iÃ]ÊÌiÊ
signatures of other bars do not change.
57
Editing a sequence
Changing the time signature Delete an inserted time signature
Press
Go back 1 step
Go forward 1 step
Go back 1 step
3 Press beneath .
Go forward 1 step
3
Move to the time signature indication
area, and change the setting
Move cursor
ÃÊ
Change setting
58
Sampler functions
2 Select TRK
SEQ.
Change menu
Press
2 Press
3 Press
Track sequencer ON
Press to stop
Press to stop
Press to fast forward
Press to rewind
Press and hold and press
to return to the beginning.
59
Sampler functions
1 Press NOTE
UÊ *ÊÃÊV>VÕ>Ìi`ÊvÀÊ>Ê>Õ`ÊwiÊ>ÃÃÕ}Ê{É{Ê
time.
Change menu
Change
setting
60
Sampler functions
Select track
Change menu
3 Select EDIT.
Change menu
Change
setting
!,'/2)4(-
Setting
Stretching algorithm suitable for
Beat rhythm sources and other sounds
that have short notes
Press Stretching algorithm suitable for
Tone songs and sound sources with long
notes
4 Select STRETCH.
Change menu
8 Select EXECUTE.
Change menu
Press Press
Move cursor
Change menu
Change
setting
Press
61
Changing audio tempo without changing pitch
NOTE
UÊ STRETCH operations cannot be undone (UNDO®°Ê
UÊ STRETCH operations overwrite the original audio
wiðÊvÊÞÕÊÜ>ÌÊÌÊÃ>ÛiÊÌ iÊÀ}>ÊwiÃ]Ê>iÊ
>ÊV«ÞÊvÊÌ iÊ«ÀiVÌÊ>`ÊwiÃÊ Ê>`Û>ViÊ,iv°Ê
*먡
UÊ / iÊ *Ê vÊ i>V Ê ÌÀ>VÊ ÃÊ >ÕÌ>ÌV>ÞÊ V>VÕ-
>Ìi`ÊÜ iÊ>Ê>Õ`ÊwiÊÃÊ>ÃÃ}i`°Ê i«i`}Ê
ÊÌ iÊwiÊ>ÌiÀ>]Ê ÜiÛiÀ]ÊÌ iÊV>VÕ>Ìi`ÊÀiÃÕÌÊ
} ÌÊ `vviÀÊ vÀÊ Ì iÊ >VÌÕ>Ê *°Ê -iÌÊ Ì iÊ *Ê
of each track (TRACKÊÊBPM®ÊvÊÌ ÃÊVVÕÀÃÊ,iv°Ê
*Èä®°Ê/ iÊÃiÌÊ *ÊÃÊÕÃi`Ê>ÃÊÌ iÊÃÌ>`>À`ÊÌi«Ê
when changing the tempo without changing the
pitch of the audio..
UÊ / iÊ Ìi«Ê vÊ >Ê >Õ`Ê viÊ V>Ê LiÊ ÃiÌÊ ÌÊ vÀÊ
xä¯H£xä¯ÊvÊÌ iÊÀ}>°ÊvÊÌ iÊÃÌÀiÌV i`ÊÌi«Ê
value is outside this range, an error message
>««i>ÀÃ]ʸ/, Ê8ÊÃÊÕÌÊvÊÌ iÊÃiÌÌ}ÊÀ>}i¸Ê8Ê
ÃÊÌ iÊÌÀ>VÊÕLiÀ®Ê>`ÊÃÌÀiÌV }ÊÃÊÃÌ««i`°Ê
UÊ vÊ >Ê À ÞÌ Ê «>ÌÌiÀÊ ÃÊ >ÃÃ}i`Ê ÌÊ >Ê ÌÀ>V]Ê Ì iÊ
À ÞÌ Ê«>ÌÌiÀÊÃVÀiiÊ«iÃÊ>vÌiÀÊ-Ìi«ÊΰÊ
HINT
You can listen to a preview of the results of time-
stretching for individual tracks.
62
Sampler functions
Select track
Press
3 Select EDIT.
Change menu
NOTE
UÊ / iÊTRIM operation cannot be undone (UNDO®°Ê
UÊ / iÊTRIMÊ«iÀ>ÌÊÛiÀÜÀÌiÃÊÌ iÊÀ}>Êwi°ÊvÊ
ÞÕÊÜ>ÌÊÌÊÃ>ÛiÊÌ iÊÀ}>ÊwiÃ]Ê>iÊ>ÊV«ÞÊ
vÊÌ iÊ«ÀiVÌÊ>`ÊwiÃÊÊ>`Û>ViÊ,iv°Ê*ή°
UÊ vÊ >Ê À ÞÌ Ê «>ÌÌiÀÊ ÃÊ >ÃÃ}i`Ê ÌÊ >Ê ÌÀ>V]Ê Ì iÊ
Press
À ÞÌ Ê«>ÌÌiÀÊÃVÀiiÊ«iÃÊ>vÌiÀÊ-Ìi«ÊΰÊ
4 Select TRIM.
Change menu
HINT
UÊ / iÊ ÌÀÊ ÃÌ>ÀÌ}Ê >`Ê i`}Ê «ÌÃÊ V>Ê LiÊ
adjusted alternately by using the START and END
Press soft keys.
UÊ 1ÃiÊÌ iÊZOOM soft key to view the waveform more
6 Press beneath
set the ending position.
to
Stop playback
Fast forward
Locate
Rewind
63
Sampler functions
1 Press
Change menu
Change
setting
64
Rhythm functions
The following settings related to playing the The following operations can be conducted on
rhythms can be made. rhythm patterns.
UÊ >}iÊÌ iÊ`ÀÕÊÌÊ>`Ê«>`ÊÃÕ`Ã UÊ «ÞÊ«>ÌÌiÀÊ
UÊ-iÌÊ«>`ÃÊÌÊÀÊii«Ê«>Þ}ÊÜ iÊ«ÀiÃÃi`® UÊ iiÌiÊ«>ÌÌiÀÊ
UÊ-iÌÊ«>`ÊÃiÃÌÛÌÞ UÊ >}iÊÌ iÊ«>ÌÌiÀÊ>i
UÊ«ÀÌÊ>Ê«>ÌÌiÀÊvÀÊ>Ì iÀÊ«ÀiVÌÊ
Moreover, you can create original rhythm pat- UÊ iVÊÀi>}Ê«>ÌÌiÀÊiÀÞ
ÌiÀÃÊÜÌ ÊÌ iÊ,Ó{°Ê
*>ÞÊÌ iÊ«>`ÃÊ>}ÊÜÌ Ê>ÊÀ ÞÌ ÊVV®Ê>`Ê
input data in real-time or input one note at a
time using step input.
65
Rhythm functions
Select pattern
, ÞÌ Ê«>ÌÌiÀÊ>iÊ
Select kit
Press to stop
HINT NOTE
You can change the pattern order. The drum kit setting is saved with each project.
Press the A-Z soft key to list the patterns in
alphabetical order.
Press the No. soft key to list the patterns in
numerical order.
66
Rhythm functions
2
If you release REPEAT/STOP before the pad,
Play the pads that sound continues rolling after the pad is
released. Press the pad again to stop the roll.
1
sounds, and press 9-16Tr to use the
bank of percussion sounds. Press
2
Drum rolls (continuous playback) Select SYSTEM.
Change menu
You can set a pad sound to play at a set
interval repeatedly while pressed.
This is convenient when entering hi-hat
£ÈÌ ÊÌiÃ]ÊvÀÊiÝ>«i°Ê
3 Select PAD
SENSE and set it.
Change menu
2
Select PAD
ROLL and set the repeat
rate. Change setting
Change menu
0!$ 3%.3% PAD SENSITIVITY
Setting
,i}>À`iÃÃÊvÊ«>Þ}ÊÃÌÀi}Ì ]ÊÃÕ`ÃÊ
Soft
are triggered with a soft volume.
,i}>À`iÃÃÊvÊ«>Þ}ÊÃÌÀi}Ì ]ÊÃÕ`ÃÊ
Medium
are triggered with a medium volume.
Change setting
,i}>À`iÃÃÊvÊ«>Þ}ÊÃÌÀi}Ì ]ÊÃÕ`ÃÊ
Loud
are triggered with a loud volume.
PAD ROLL: repeat interval
} iÃÌÊÃiÃÌÛÌÞpiÛiÊ} ÌÊ«>Þ}Ê
Settings Lite
produces loud volume.
^ £É{ÊÌiÃÊÝÊÓH£È
.ORMAL Medium sensitivity.
ÌÌi`Ê£É{ÊÌiÃ]Ê£ÉÓÊÌiÊ ÌÀ«iÌÃ]Ê
ÜÊ ÃiÃÌÛÌÞpÕÃÌÊ «>ÞÊ Ì iÊ «>`ÃÊ
£É{ÊÌiÃ]Ê`ÌÌi`ÊnÌ ÊÌiÃ]Ê£É{ÊÌiÊ (ARD
hard to trigger with loud volume.
ÌÀ«iÌÃ]ÊnÌ ÊÌiÃ]ÊnÌ ÊÌiÊÌÀ«iÌÃ]Ê
£ÈÌ ÊÌiÃ]Ê£ÈÌ ÊÌiÊÌÀ«iÌÃ]ÊÎÓ`Ê ÜiÃÌÊÃiÃÌÛÌÞpÕÃÌÊ«>ÞÊÌ iÊ«>`ÃÊ
%8 (ARD
notes very hard to trigger with loud volume.
67
Rhythm functions
1 Press
Change
setting
Select pattern
, ÞÌ Ê«>ÌÌiÀÊ>iÊ 6 Press
+Õ>Ìâ>Ì
Move cursor
Change setting
1UANTIZATIONS
Setting
1/4 +Õ>ÀÌiÀÊÌiÊ
1/8 nÌ ÊÌiÊ
1/8T nÌ ÊÌiÊÌÀ«iÌÊ
£ÈÌ ÊÌiÊ
4 £ÈÌ ÊÌiÊÌÀ«iÌÊ
ÎÓ`ÊÌiÊ
(I Tick (£É{nʵÕ>ÀÌiÀÊÌi®
4 Press beneath .
68
Rhythm functions
1 Start input.
press .
3 Delete input.
4 End input
Press
69
Creating a rhythm pattern
Create a rhythm pattern using
step input
4 Delete a note or change its volume.
1 Start input.
Õ`Ê } ÊÛiVÌÞ®
Press
+ÕiÌÊÜÊÛiVÌÞ®
5 End input.
Press
Move cursor
NOTE
UÊ ÌiÃÊ >ÌÊ V>ÌÃÊ Ì >ÌÊ >ÀiÊ LiÌÜiiÊ Ì iÊ VÕÀÀiÌÊ
quantize settings cannot be deleted. A note at
ÃÕV Ê>Ê«ÃÌÊ>««i>ÀÊ>ÃÊ>ʸ8¸°
UÊ Ê-Ìi«Ê{]ÊÞÕÊV>Ê>ÃÊÕÃiÊÌ iÊ`>ÊÌÊ«ÕÌÊ>`Ê
Go back one beat delete notes.
70
Rhythm functions
Change menu
2
Select the rhythm pattern that you want
to copy.
Press beneath .
Press
Select pattern
3 Select COPY.
Change menu
Press
4 Select COPY
TO.
Change menu
Press
Press
71
Rhythm functions
Press beneath .
Select pattern
3 Select DELETE.
Change menu
Press
4 Select YES.
Move cursor
Press
72
Rhythm functions
1 Press
Press beneath .
Select pattern
3 Select RENAME.
Change menu
Press
Move cursor
Change
character
Delete
character
Insert
Press character
73
Rhythm functions
2 Press beneath .
Press
3 Select IMPORT.
Change menu
Press
Change menu
Press
10 Select YES.
Move cursor
Change
setting
5 Select PROJECT.
Change menu
Press
NOTE
UÊ iÃÌ>ÌÊ À ÞÌ Ê «>ÌÌiÀÃÊ ÜÊ LiÊ ÛiÀÜÀÌÌi°Ê
When set to All, all the original rhythm patterns
Press
in the project will be deleted. When set to Each,
the rhythm pattern selected as the destination will
74
Rhythm functions
1 Press
Press beneath .
Select pattern
Change menu
Change
setting
NOTE
POSITION settings are saved for each project.
75
Rhythm functions
Select pattern
NOTE HINT
UÊ vÊÀ ÞÌ Ê«>ÌÌiÀÃÊ>ÀiÊ>ÃÃ}i`ÊÌÊÕÌ«iÊÌÀ>VÃÊ UÊ 9ÕÊ V>Ê >ÃÊ >ÃÃ}Ê À ÞÌ Ê «>ÌÌiÀÃÊ vÀÊ Ì iÊ
and played back simultaneously, or patterns with TRACKÊiÕÊ,iv°Ê*ÓÓ®°Ê
numerous note-on events are played, they might UÊ ÊÃÌi«ÊÓ]ÊÞÕÊV>ÊV >}iÊÌ iÊÀ`iÀÊvÊÌ iÊ«>ÌÌiÀÊ
not all play as expected due to the maximum list.
polyphony limitation of the unit. Press the A-Z soft key to list the patterns in
UÊ 7 iÊ>ÊÀ ÞÌ Ê«>ÌÌiÀÊÃÊ>ÃÃ}i`ÊÌÊ>ÊÌÀ>V]ÊÌÊ alphabetical order.
cannot be set to loop. Press the No. soft key to list the patterns in
UÊ 7 iÊÞÕÊ«ÀiÃÃÊÌ iÊASSIGN soft key, the pads of numerical order.
tracks currently set to New
Take blink.
76
Effects
Using effects →
ÃiÀÌÊivviVÌÃÊ*Ç • Adjust effect send level ○ Adjust effect send level
→
-i`ÀiÌÕÀÊivviVÌÃÊ*Ç
→
, 6Ê- Ê*{ä →
"É 9Ê- Ê*{ä
`ÌÊ`ÕiÃÊ
◎
Edit a patch
→
/Ê*nÎ Select type
Adjust parameters
You can make fine adjust-
ments to effect module
parameters and set levels to `ÌÊ«>ÌV ÊiÛi
achieve sounds you like. ◎
Save
◎
Patch
patches
selection →
-6 Ê*nx
→
*/ Ê- /Ê
*nä
◎
Import
patches All patches
Turn algorithms and →
*",/Ê*nÈ
«ÀiÃiÌÊ «>ÌV iÃÊ " É One patch
OFF and select their You can use patches import-
combinations. ed from other projects.
◆
Set INPUT 1~8
insertion point →
*1/Ê
-, Ê*n£ Track 1~24
Guide
MASTER ○ AI-only SEND
• Both R/AI SEND
◆
Monitoring only ◇ AI-only INSERT
use →
, Ê-Ê*nÇ
◆ Both R/AI INSERT
◎ All cases
◇○ Patch initialization (R/AI, INSERT/SEND)
→ Audio interface manual R: Recorder
AI: Audio Interface
SEND: Send-return effect
INSERT: insert effect
Algorithms and patches
A single effect, which is called an “effect Algorithms
`Õi»Ê ÀÊ ¸`Õi¸®]Ê VÃÃÌÃÊ vÊ ÌÜÊ Clean Distortion
Aco/Bass Bass
iiiÌÃpÌ iÊ ivviVÌÊ ÌÞ«iÊ>`ÊÌÃÊ«>À>-
Patches
eters, which control how it processes
COMP/ PRE 6BAND MODULATION/ PATCH
EFX ZNR REVERB
sound. LIMITER AMP EQ DELAY LEVEL
77
Effect and patch overview
Insert and send-return effects
/ iÊ ÃiÀÌÊ ivviVÌÃÊ Ê iÊ «ÀiVÌÊ VÕ`iÊ ÎÎäÊ /ÜÊ ÌÞ«iÃÊ vÊ Ãi`ÉÀiÌÕÀÊ ivviVÌÃ]Ê Ü V Ê >ÀiÊ
«>ÌV iÃÊ V>ÃÃvi`Ê ÌÊ Ê >}ÀÌ Ã°Ê 9ÕÊ V>Ê connected internally in the mixer section, can
select algorithms and the patches that they be adjusted using mixer send levels (amount
contain to suit your purposes and choose vÊ Ã}>Ê ÃiÌÊ ÌÊ Ì iÊ ivviVÌ®Ê >`Ê V>Ê LiÊ ÕÃi`Ê
where to insert those patches. together.
Algorithm
Order
Display
Order
Mono
Display Mono
Order
Display
Order Mono
×2
Mono
Display ×2
Order Stereo
Display Stereo
Mono
Order ×8
Mono
×8
Display
Order
Stereo
Display Stereo
78
Effects
CHORUS/DELAY
Effect insertion points
Inputs
☞ ,iv\Ê vviVÌÊÃiÀÌÊ«Ì
P81
79
Input and output of insert and send-return effects
Uses of effects and patches Select effect and patch
Patches are selected and adjusted the same way for
Effect
both insert and send-return effects.
There are some major differences between mak- Select effect type
ing settings for the two types of effects. For insert
effects, you must select patches and set insertion
points. For send-return effects, you must adjust the Press beneath to
send level of signals using the mixer. select an insert effect.
4
Ê}ÀÌ ÊvÀÊnÊV >iÃÊvÊ`i«i`iÌÊ«ÕÌÊ>`ÊÕÌ«ÕÌÊ
Select a patch.
X#OMP %1 X#OMP %1 ÓäÊ£ä®
Change menu
Algorithm for processing final stereo mix signals
Mastering Mastering ÎäÊÓ£®
Send-return effect
Change patch
Algorithm display name .UMBER OF patches
(preprogrammed patches)
2%6%2" ÎäÊÓÓ®Ê
#(/253$%,!9 ÎäÊ£n®Ê
80
Effects
Press beneath to
select an insert effect.
Select input
source
Change
setting Display Insertion point
Input1~Input8 One input
Change
Track1-8 ÊÌÀ>VÊ£qnÊÕÌ«ÕÌÃ
setting 4RACK ÊÌÀ>VÊq£ÈÊÕÌ«ÕÌÃ
Track17-24 ÊÌÀ>VÊ£ÇqÓ{ÊÕÌ«ÕÌÃ
NOTE
UÊ 9ÕÊV>ÊÃiiVÌÊ>ÊÃ}iÊINPUT (1~8®ÊÞÊvÊÞÕÊ
have chosen the CLEAN, DISTORTION,
ACO/
BASS
SIM, BASS or MIC algorithm.
UÊ 9ÕÊ V>Ê ÃiiVÌÊ Track1-8, Track9-16 or
Track17-24 only if you have chosen the
8xCOMP
EQ algorithm.
UÊ 9ÕÊ V>Ê ÃiiVÌÊ INPUT
1-8 only when the
8xCOMP
EQ algorithm has been chosen.
UÊ vÌiÀÊÃiÌÌ}ÊÌ iÊÃiÀÌÊ«Ì]ÊvÊÞÕÊV >}iÊÌ iÊ
algorithm to 8xCOMP
EQ, the insertion point will
be changed to Input1-8, Track1-8, Track9-
16, Track17-24 (depending on the previously HINT
ÃiiVÌi`ÊÃiÌÌ}®°
Changing the insertion point of the effect
UÊ /Ê ÃiÀÌÊ Ê >Ê Ã}iÊ Ê ÌÀ>VÊ ÕÌ«ÕÌ]Ê ÃiiVÌÊ
Ê ÞÊ`iv>ÕÌ]ÊÌ iÊÃiÀÌÊivviVÌÊÃÊÃiÀÌi`ÊÊINPUT 1
TRACK1 ~ TRACK24. To insert on two mono
in a project. To change this, set the INPUT
SRC
tracks or a stereo track, select TRACK1/2 ~
>ÌÊ-Ìi«Ê{°
TRACK
23/24. To insert before the MASTER fader,
select MASTER.
81
Setting the insert effect position
インサートエフェクトの挿入位置
Setting the insert effect position
Odd-
numbered INSERT Odd-
INPUT EFFECT numbered
or L Track
Track
Even-
numbered INSERT Even-
INPUT EFFECT numbered
or R Track
Track
Odd-
numbered Odd-
INPUT numbered
or Track or
Track Master Track
or (L)
Master L
INSERT
Even- EFFECT
numbered Even-
INPUT numbered
or Track or
Track Master Track
or (R)
Master R
INPUT1 INSERT
or EFFECT Track1/9
Track1/9 1
INPUT2 INSERT
or EFFECT Track 2/10
Track2/10 2
INPUT2 INSERT
or EFFECT Track2/10
Track2/10 8
82
Effects
1
Select
parameter Select RENAME.
press the ON/OFF
Change menu
Press beneath to soft key to turn the
select an insert effect. module on and off.
Press beneath to
select a reverb send-return effect. Effect module ON
Change
value
vviVÌÊÌÞ«iÊ
Press
Press beneath to \Ê `ÌÊ>ÀÊÃ ÜÊÜ iÊ
select a chorus/delay send-return
2 Change the name.
a patch has been edited
effect. or changed
Move cursor
Change
module
Press Delete character
NOTE
UÊ 9ÕÊ V>ÌÊ i`ÌÊ >Ê >}ÀÌ Ê ÌÃiv]Ê VÕ`}Ê
HINT the combination and arrangement of its effect
Change setting modules.
UÊ iÊ vÊ Ì iÊ `ÕiÃÊ Ê ºEmpty»Ê «>ÌV iÃÊ >ÛiÊ
UÊ 7 iÊ ÞÕÊ ÌÕÀÊ >Ê ivviVÌÊ `ÕiÊ OFF, all its
7
UÊ 7 iÊÕÃ}ÊÌ iÊ8xCOMP
EQ
effect, you cannot
Select the TOTAL effect Change UÊ 9ÕÊV>Ê`Û`Õ>ÞÊi`ÌÊÌ iÊ`ÕiÃÊ>ÀÀ>}i`ÊÊ
turn it ON/OFF for all channels at once. You must
module
module. Ì iÊÉ,Ê >iÃÊvÊÌ iÊDUAL
MIC
ALGORITHM.
set it for each channel separately.
The left channel is selected when “L»Ê>««i>ÀÃÊÊ
8
UÊ 9ÕÊV>ÌÊÌÕÀÊvvÊTOTAL modules.
Press Select PATCH
LVL and set the value. the effect module name and the right channel is
UÊ / iÊ 8xComp
EQ algorithm does not include a
Change menu selected when “R»Ê>««i>Àð
< ,Ê`Õi°Ê
UÊ >V ÊV >iÊvÊÌ iÊ8xCOMP
EQ algorithm has its
UÊ vÊ ÞÕÊ ÃÜÌV Ê ÌÊ >Ì iÀÊ «>ÌV Ê ÜÌ ÕÌÊ Ã>Û}Ê
ÜÊ } Ê«>ÃÃÊwÌiÀ]ÊV«ÀiÃÃÀÊ>`Ê +ÊÌ >ÌÊV>Ê
>Ê «>ÌV Ê Ì >ÌÊ >ÃÊ LiiÊ i`Ìi`Ê Ã Ü}Ê Ì iÊ ¼ ½Ê
LiÊ `i«i`iÌÞÊ ÌÕÀi`Ê ÉvvÊ >`Ê >`ÕÃÌi`°Ê
>À®]Ê V >}iÃÊ ÜÊ LiÊ ÃÌ°Ê *i>ÃiÊ ÀiviÀÊ ÌÊ Ì iÊ
Check the current channel by looking at the
next page for how to save patches.
Change value
number shown at the end of the effect module
9
name.
Return to the main effect screen
Press
83 84
Effects
1
Select
parameter Select RENAME.
press the ON/OFF
Change menu
Press beneath to soft key to turn the
select an insert effect. module on and off.
Press beneath to
select a reverb send-return effect. Effect module ON
Change
value
vviVÌÊÌÞ«iÊ
Press
Press beneath to \Ê `ÌÊ>ÀÊÃ ÜÊÜ iÊ
select a chorus/delay send-return
2 Change the name.
a patch has been edited
effect. or changed
Move cursor
Change
module
Press Delete character
NOTE
UÊ 9ÕÊ V>ÌÊ i`ÌÊ >Ê >}ÀÌ Ê ÌÃiv]Ê VÕ`}Ê
HINT the combination and arrangement of its effect
Change setting modules.
UÊ iÊ vÊ Ì iÊ `ÕiÃÊ Ê ºEmpty»Ê «>ÌV iÃÊ >ÛiÊ
UÊ 7 iÊ ÞÕÊ ÌÕÀÊ >Ê ivviVÌÊ `ÕiÊ OFF, all its
7
UÊ 7 iÊÕÃ}ÊÌ iÊ8xCOMP
EQ
effect, you cannot
Select the TOTAL effect Change UÊ 9ÕÊV>Ê`Û`Õ>ÞÊi`ÌÊÌ iÊ`ÕiÃÊ>ÀÀ>}i`ÊÊ
turn it ON/OFF for all channels at once. You must
module
module. Ì iÊÉ,Ê >iÃÊvÊÌ iÊDUAL
MIC
ALGORITHM.
set it for each channel separately.
The left channel is selected when “L»Ê>««i>ÀÃÊÊ
8
UÊ 9ÕÊV>ÌÊÌÕÀÊvvÊTOTAL modules.
Press Select PATCH
LVL and set the value. the effect module name and the right channel is
UÊ / iÊ 8xComp
EQ algorithm does not include a
Change menu selected when “R»Ê>««i>Àð
< ,Ê`Õi°Ê
UÊ >V ÊV >iÊvÊÌ iÊ8xCOMP
EQ algorithm has its
UÊ vÊ ÞÕÊ ÃÜÌV Ê ÌÊ >Ì iÀÊ «>ÌV Ê ÜÌ ÕÌÊ Ã>Û}Ê
ÜÊ } Ê«>ÃÃÊwÌiÀ]ÊV«ÀiÃÃÀÊ>`Ê +ÊÌ >ÌÊV>Ê
>Ê «>ÌV Ê Ì >ÌÊ >ÃÊ LiiÊ i`Ìi`Ê Ã Ü}Ê Ì iÊ ¼ ½Ê
LiÊ `i«i`iÌÞÊ ÌÕÀi`Ê ÉvvÊ >`Ê >`ÕÃÌi`°Ê
>À®]Ê V >}iÃÊ ÜÊ LiÊ ÃÌ°Ê *i>ÃiÊ ÀiviÀÊ ÌÊ Ì iÊ
Check the current channel by looking at the
next page for how to save patches.
Change value
number shown at the end of the effect module
9
name.
Return to the main effect screen
Press
83 84
Effects Effects
Patch saving (insert and send-return effects) Patch importing (insert and send-return effects)
Once you have edited a patch, always save it if you want to keep the changes. You can import one or all patches that have been created in another project for use in the
You can save a patch at any patch number within the same algorithm. current project.
Patch saving (insert and send-return effects)
6 1
Select effect type Select EXECUTE. Select PROJECT.
Change menu
Press beneath to
select a chorus/delay send-return
Select
effect. Import source project
Change setting
project name
2
All Import all patches from the source project Press
Select the algorithm/patch.
Change menu Each Select and import one patch from the source
IMPORT>All
3 Select SAVE.
Change menu
4 Select the patch to import.
Press
Import
4 Select SAVE
TO. NOTE Import source
Press
Select
project name
5
project
Change menu UÊ / iÃiÊ «ÀVi`ÕÀiÃÊ >ÀiÊ Ì iÊ Ã>iÊ vÀÊ LÌ Ê ÃiÀÌÊ Select the destination patch.
and send-return effects. Press
UÊ vÊ ÞÕÊ ÃÜÌV Ê ÌÊ >Ì iÀÊ «>ÌV Ê ÜÌ ÕÌÊ Ã>Û}Ê
Press
>Ê «>ÌV Ê Ì >ÌÊ >ÃÊ LiiÊ i`Ìi`Ê Ã Ü}Ê Ì iÊ ¼ ½Ê
>À®]ÊV >}iÃÊÜÊLiÊÃÌ°ÊÜ>ÞÃÊÃ>ÛiÊ«>ÌV ið 3 Select NEXT.
Change menu
Import
destination
Select
UÊ / iÊ«ÀÌÊÃÕÀViÊ>`ÊÌ iÊ«ÀÌÊ`iÃÌ>ÌÊ>ÀiÊ patch
patch
5 Select where you want to save it. different projects when using PATCH
IMPORT.
Press
Patch number:
6 Select YES.
patch name
Press
where you
HINT Move cursor
4
want to save it Set save
location Select YES.
Move cursor
Press You can save your edited patch to any patch
ÕLiÀÊÜÌ ÊÌ iÊÃ>iÊ>}ÀÌ °Ê ÞÊ`}ÊÌ Ã]Ê
you can also can make a patch copy by saving Press
an existing patch to a different number. Press
85 86
Effects Effects
Patch saving (insert and send-return effects) Patch importing (insert and send-return effects)
Once you have edited a patch, always save it if you want to keep the changes. You can import one or all patches that have been created in another project for use in the
You can save a patch at any patch number within the same algorithm. current project.
Patch saving (insert and send-return effects)
6 1
Select effect type Select EXECUTE. Select PROJECT.
Change menu
Press beneath to
select a chorus/delay send-return
Select
effect. Import source project
Change setting
project name
2
All Import all patches from the source project Press
Select the algorithm/patch.
Change menu Each Select and import one patch from the source
IMPORT>All
3 Select SAVE.
Change menu
4 Select the patch to import.
Press
Import
4 Select SAVE
TO. NOTE Import source
Press
Select
project name
5
project
Change menu UÊ / iÃiÊ «ÀVi`ÕÀiÃÊ >ÀiÊ Ì iÊ Ã>iÊ vÀÊ LÌ Ê ÃiÀÌÊ Select the destination patch.
and send-return effects. Press
UÊ vÊ ÞÕÊ ÃÜÌV Ê ÌÊ >Ì iÀÊ «>ÌV Ê ÜÌ ÕÌÊ Ã>Û}Ê
Press
>Ê «>ÌV Ê Ì >ÌÊ >ÃÊ LiiÊ i`Ìi`Ê Ã Ü}Ê Ì iÊ ¼ ½Ê
>À®]ÊV >}iÃÊÜÊLiÊÃÌ°ÊÜ>ÞÃÊÃ>ÛiÊ«>ÌV ið 3 Select NEXT.
Change menu
Import
destination
Select
UÊ / iÊ«ÀÌÊÃÕÀViÊ>`ÊÌ iÊ«ÀÌÊ`iÃÌ>ÌÊ>ÀiÊ patch
patch
5 Select where you want to save it. different projects when using PATCH
IMPORT.
Press
Patch number:
6 Select YES.
patch name
Press
where you
HINT Move cursor
4
want to save it Set save
location Select YES.
Move cursor
Press You can save your edited patch to any patch
ÕLiÀÊÜÌ ÊÌ iÊÃ>iÊ>}ÀÌ °Ê ÞÊ`}ÊÌ Ã]Ê
you can also can make a patch copy by saving Press
an existing patch to a different number. Press
85 86
Effects
1 Press
3 Select REC
SIG and set it.
Change menu
Press beneath to
select an insert effect. Change setting
2
7ET being processed by the insert effect.
Select algorithm/patch. iv>ÕÌÊÛ>Õi®
Change menu Input signals are recorded to tracks before
being processed by the insert effect. The
Dry «ÕÌÊÃ}>ÊÌÀi`ÊvÀÊÌ iÊ"1/*1/Ê>`Ê
*" -Ê>VÃ]Ê ÜiÛiÀ]ÊÃÊ«ÀViÃÃi`ÊLÞÊÌ iÊ
insert effect first.
Change setting
HINT
UÊ / iÊ ÃiÌÌ}ÃÊ >`iÊ iÀiÊ >ÀiÊ ÃÌÀi`Ê vÀÊ i>V Ê
project separately.
UÊ vÊiViÃÃ>ÀÞ]ÊÀiÃiÌÊÌÊWet before recording other
parts.
87
88
Projects
2
/ÊÃ>Ûi`ÊÊ>Ê«ÀiVÌ\Ê Select PROTECT.
UÊ Õ`Ê `>Ì>Ê vÀÊ iÛiÀÞÊ ÌÀ>VÊ VÕ`}Ê Ì iÊ
Change menu
-/ ,ÊÌÀ>VÊ
UÊ ÝiÀÊÃiÌÌ}ÃÊ
UÊ *>ÌV ÊÕLiÀÃÊ>`ÊÃiÌÌ}ÃÊ>`iÊvÀÊÃiÀÌÊ
and send-return effects
UÊ ÌiÌÃÊvÊ«>ÞÊÃÌÃÊ
UÊ "Ì iÀÊiViÃÃ>ÀÞÊwiÃ
UÊ ->«iÀÊ«Ê>`ÊÃiµÕiViÊ`>Ì>ÊÃiÌÌ}Ã
UÊ , ÞÌ Ê«>ÌÌiÀ]ÊÛÕiÊ>`ÊÃÌiÀiÊ
3
placement settings Select ON.
Change
UÊ
NOTE
UÊ 7 iÊ>Ê«ÀiVÌÊÃÊ«ÀÌiVÌi`]ÊÞÕÊV>ÌÊÀiVÀ`ÊÊ
it or edit it, and any changes will not be saved to
Ì iÊ- ÊV>À`°Ê-iÌʺPROTECT»ÊÌʺOff»ÊvÊÞÕÊÜ>ÌÊ
to record in it or edit it again.
UÊ *ÀiVÌÃÊ Ì >ÌÊ >ÀiÊ ÌÊ«ÀÌiVÌi`Ê ÜÊ LiÊ >ÕÌ>Ì-
V>ÞÊ Ã>Ûi`Ê ÌÊ Ì iÊ - Ê V>À`Ê Ü iÊ ÞÕÊ ÌÕÀÊ Ì iÊ
POWER switch OFF or when you open another
project.
UÊ 7iÊÀiVi`ÊÃiÌÌ}ʺPROTECT»ÊÌʺOn»ÊViÊ
you complete a piece of music to avoid saving
unwanted changes mistakenly later.
89
Projects
2
project in the new one.
Select NEW.
Change menu Settings carried over with Continue
UÊ /Ê /ÊÃiÌÌ}ÃÊ
UÊ - ,/Ê /ÊÃiÌÌ}ÃÊ
UÊ-i`ÀiÌÕÀÊ /ÊÃiÌÌ}ÃÊ
Press UÊ/À>VÊÃÌ>ÌÕÃÊ*9É1/ É, ®ÊÃiÌÌ}Ã
UÊ "1 ÊÃiÌÌ}ÃÊ
3
UÊ/À>VÊ«>À>iÌiÀÃÊÃiÌÌ}ÃÊ
Select NAME.
UÊ /," " ÊÃiÌÌ}ÃÊ
Change menu
Reset
iv>ÕÌÊÃiÌÌ}ÃÊ>ÀiÊÕÃi`ÊvÀÊi>V ÊÌi
Press
UÊ / iÊRATE can also be set to a sampling rate that
4
ÃÊÃÕÌ>LiÊvÀÊ 6 Ê>Õ`°Ê
Change the project name as necessary.
Move cursor
Delete RATE: sampling rate
character
Setting
{{°£â -Ì>`>À`Ê`iv>ÕÌÊÛ>Õi®
Change Insert {n°äâ ÀÊ 6 ÊÃÕ`]ÊiÌV°
character character
Press UÊ 7 iÊÃiÌÊÌÊ{nÊâ]ÊivviVÌÃÊV>ÌÊLiÊÕÃi`°Ê
Change setting
Change setting
7 Select EXECUTE.
Change menu
Press
90
Projects
1 Press 1 Press
2 Select SELECT.
Change menu 2 Select FILE.
Change menu
Press Press
Change
project Select file
Press
Press
ÃÌiÀÃÃÊI®Ê>««i>ÀÊÌÊÌ iÊivÌÊvÊ>iÃÊvÊ
NOTE files that are already assigned to tracks.
91
Projects
1
Follow these procedures after opening the
project which has the information that you Press
want to see.
1 Press
2 Select FILE.
Change menu
2 Select INFO.
Change menu
Press
Press
3 Select the file.
4 Select INFO.
Change menu
HINT
On the PROJECT
INFO screen, project and file
information can only be viewed. Their contents can-
not be changed directly. &),% ).&/-!4)/. FILE INFORMATION
.!-% File name
DATE 9i>ÀÉÌ É`>ÌiÉÌiÊvÊVÀi>Ì
&/2-!4 Sampling frequency and bit rate
3):% Capacity used
TIME ,iVÀ`}ÊÌi
92
Projects
1
Follow these procedures after opening the
project that you want to copy. Press
1 Press
2 Select FILE.
Change menu
2 Select COPY.
Change menu
Press
Press
3 Select the file to copy.
Change file
3 Select NAME.
Change menu Press
4 Select COPY.
Change menu
Press
5
Move cursor
Delete
Select NAME.
character Change menu
Change Insert
character character
Press
Press
5
Move cursor
Select EXECUTE. Delete
character
Insert
character
Change character
Press Press
7 Select EXECUTE.
NOTE
You cannot copy a project without changing the
name to something different from the original. Press
93
Projects
1 Press
2 Select FILE.
Change menu
2 Select RENAME.
Change menu
Press
Press
3 Select the file name.
Insert Press
Change character
character
Press
4 Select RENAME.
Change menu
NOTE
UÊ 9ÕÊV>ÌÊV >}iÊÌ iÊ>iÊÌÊÌ iÊÃ>iÊ>iÊ
as that of an existing project.
UÊ / iÊ >iÊ vÊ i>V Ê «ÀiVÌÊ v`iÀÊ Ê Ì iÊ <""Ú
,Ó{É*," /Êv`iÀÊÊÌ iÊ- ÊV>À`ÊÃÊÌ iÊÃ>iÊ
as the name of the corresponding project. Press
HINT
Project names
5 Change the characters.
Move cursor
Delete
>Ý°ÊÕLiÀÊvÊV >À>VÌiÀÃ\Ên character
« >LiÌ\Ê<ÊÕ««iÀÊV>Ãi®
-ÞLÃ\ÊÚÊÕ`iÀÃVÀi® Insert
ÕiÀ>Ã\Êä Change character
character
94
Projects
1 Press 1 Press
2 Select DELETE.
Change menu 2 Select FILE.
Change menu
Press Press
Press Press
4 Select YES.
Move cursor 4 Select DELETE.
Change menu
Press Press
5 Select YES.
Move cursor
NOTE
UÊ "ViÊ >Ê «ÀiVÌÊ ÀÊ viÊ ÃÊ `iiÌi`]Ê ÌÊ V>ÌÊ LiÊ
recovered. Please delete with care.
Press
UÊ vÊPROTECT is On for a project, that project and its
wiÃÊV>ÌÊLiÊ`iiÌi`°
95
Projects
Dividing files
9ÕÊV>Ê`Û`iÊ>ÊwiÊ>ÌÊ>ÞÊ«ÌÊÌÊ>iÊÌÜÊwiðÊ
ÊÌ ÃÊÌÊ`iiÌiÊÕiViÃÃ>ÀÞÊ«ÀÌÃÊvÊÀiVÀ`}ÃÊÀÊÌÊ`Û`iÊ}ÊÀiVÀ`}ð
Dividing files
1 Press
You can use the following keys to listen to a
file and to set the division point.
2 Select FILE.
Change menu
Press to start playback
Change menu
Press
Change value
6 Press beneath .
HINT
ÊUÊ7 iÊ>ÊwiÊÃÊ`Û`i`]ÊwiÃÊÜÌ ÊiÜÊ>iÃÊÜÊ
7 Select YES.
Move cursor
be created automatically in the same folder.
Ê ¸¸ÊÃÊ>``i`ÊÌÊÌ iÊi`ÊvÊÌ iÊ>iÊvÊÌ iÊwiÊvÊ
the part before the dividing point.
Ê ¸ ¸ÊÃÊ>``i`ÊÌÊÌ iÊi`ÊvÊÌ iÊ>iÊvÊÌ iÊwiÊvÊ
the part after the dividing point.
UÊ / iÊÀ}>Ê`Û`i`ÊwiÊÃÊ`iiÌi`°Ê
Press
,iv\Ê1Ã}ÊÌ iÊVÕÌiÀÊ>`
☞ marks to locate P33
96
Projects
1 Press
4 Select EDIT.
Change menu
Remove a project from a list
4 Select DELETE.
Change menu
2 Select SEQ
PLAY.
Change menu
5 Select a project to remove.
Change tracks
Press Press
Press
projects in list
Select list
5 Select the first project
(or the project to change).
¸ «ÌÞ¸Êà ÜÊÜ iÊ Change tracks
no songs in list `ÊvÊÃÌÊ
indication
Playlist number Press
Press
4 Select PLAY.
Change menu
Project name
Change tracks NOTE
>«Ãi`Ê
playback time
7 Select and register more projects.
Change tracks
UÊ vÊ>Ê>ÃÌiÀÊÌÀ>VÊÀÊÌ iÊwiÊ>ÃÃ}i`ÊÌÊÌ iÊ>ÃÌiÀÊ
track is deleted, the playlist will become empty.
UÊ -iÌÊ Ì iÊ >ÃÌiÀÊ ÌÀ>VÊ ÌÊ Ì iÊ ÀiVÀ`}Ê Ì >ÌÊ ÞÕÊ
Playback track number want to hear when you register a project in a
Playback stops at the end of the last project. playlist.
HINT
6 Press beneath .
UÊ /ÊV >}iÊÌ iÊwiÊvÊ>ÊÀi}ÃÌiÀi`Ê«ÀiVÌ]ÊÃiÌÊÌÃÊ
master track and edit the playlist.
This inserts the UÊ / iÊ >ÝÕÊ ÕLiÀÊ vÊ «>ÞÃÌÃÊ ÃÊ £ä°Ê >V Ê
Key operation during playback current project. «>ÞÃÌÊ V>Ê >ÛiÊ >Ê >ÝÕÊ vÊ Ê Ài}ÃÌiÀi`Ê
Use the dial projects.
Play from the beginning of the current project to change to a UÊ Ê«ÀiVÌÊV>ÌÊLiÊÀi}ÃÌiÀi`ÊvÊÌÃÊ>ÃÌiÀÊÌÀ>VÊ
Change project different project. ÃÊÌÊÃiÌÊÀÊÌÃÊwiÊÃÊiÃÃÊÌ >Ê{ÊÃiV`ð
Stop playback and return to the beginning of
the current project
Play from the beginning of the first project
+ /,ä䣮
Stop playback and start playback from the Change project
beginning of the next project
Stop playback and start playback from the 8 Press to return.
☞ ,iv\Ê>ÃÌiÀÊÌÀ>VÊÃiÌÌ}ÃÊ P46
beginning of the previous project
97 98
Projects
1 Press
4 Select EDIT.
Change menu
Remove a project from a list
4 Select DELETE.
Change menu
2 Select SEQ
PLAY.
Change menu
5 Select a project to remove.
Change tracks
Press Press
Press
projects in list
Select list
5 Select the first project
(or the project to change).
¸ «ÌÞ¸Êà ÜÊÜ iÊ Change tracks
no songs in list `ÊvÊÃÌÊ
indication
Playlist number Press
Press
4 Select PLAY.
Change menu
Project name
Change tracks NOTE
>«Ãi`Ê
playback time
7 Select and register more projects.
Change tracks
UÊ vÊ>Ê>ÃÌiÀÊÌÀ>VÊÀÊÌ iÊwiÊ>ÃÃ}i`ÊÌÊÌ iÊ>ÃÌiÀÊ
track is deleted, the playlist will become empty.
UÊ -iÌÊ Ì iÊ >ÃÌiÀÊ ÌÀ>VÊ ÌÊ Ì iÊ ÀiVÀ`}Ê Ì >ÌÊ ÞÕÊ
Playback track number want to hear when you register a project in a
Playback stops at the end of the last project. playlist.
HINT
6 Press beneath .
UÊ /ÊV >}iÊÌ iÊwiÊvÊ>ÊÀi}ÃÌiÀi`Ê«ÀiVÌ]ÊÃiÌÊÌÃÊ
master track and edit the playlist.
This inserts the UÊ / iÊ >ÝÕÊ ÕLiÀÊ vÊ «>ÞÃÌÃÊ ÃÊ £ä°Ê >V Ê
Key operation during playback current project. «>ÞÃÌÊ V>Ê >ÛiÊ >Ê >ÝÕÊ vÊ Ê Ài}ÃÌiÀi`Ê
Use the dial projects.
Play from the beginning of the current project to change to a UÊ Ê«ÀiVÌÊV>ÌÊLiÊÀi}ÃÌiÀi`ÊvÊÌÃÊ>ÃÌiÀÊÌÀ>VÊ
Change project different project. ÃÊÌÊÃiÌÊÀÊÌÃÊwiÊÃÊiÃÃÊÌ >Ê{ÊÃiV`ð
Stop playback and return to the beginning of
the current project
Play from the beginning of the first project
+ /,ä䣮
Stop playback and start playback from the Change project
beginning of the next project
Stop playback and start playback from the 8 Press to return.
☞ ,iv\Ê>ÃÌiÀÊÌÀ>VÊÃiÌÌ}ÃÊ P46
beginning of the previous project
97 98
Projects
Recording settings
/ iÊ,Ó{ÊV>ÊÀiVÀ`Ê>ÌÊÓ{LÌ]ÊÜ V ÊÃÊ } iÀʵÕ>ÌÞÊÌ >ÊÌ iÊ£ÈLÌÊvÀ>ÌÊÕÃi`ÊvÀÊ>Õ`Ê
ðÊ7 iÊÀiVÀ`}]ÊÌ iÊÕÌÊV>ÊÛiÀÜÀÌiÊ«ÀiÛÕÃÊÀiVÀ`}ÃÊÀÊÃ>ÛiÊÌ iÊ>`ÊVÀi>ÌiÊ
Recording settings
new ones. This is useful for bands and drums and when you want to record multiple takes.
1 Press 1 Press
2 Select REC.
Change menu
2 Select REC.
Change menu
Press Press
3 Select BIT
LEN.
Change menu
3 Select REC
MODE.
Change menu
16bit/24bit Change
setting
UÊ 7 iÊÛiÀÜÀÌ}]ÊÀiVÀ`}ÊÜÊLiÊ>ÌÊÌ iÊLÌÊÀ>ÌiÊ
vÊÌ iÊÀ}>Êwi°ÊÀÊiÝ>«i]ÊÞÕÊV>ÌÊÛiÀ-
ÜÀÌiÊ>ÊwiÊÀiVÀ`i`Ê>ÌÊ£ÈLÌÊÜÌ Ê>ÊÓ{LÌÊwi°
UÊ -iÌÌ}ÃÊ>ÀiÊÃÌÀi`ÊÃi«>À>ÌiÞÊvÀÊi>V Ê«ÀiVÌ°Ê
UÊ / iÊ`iv>ÕÌÊÛ>ÕiÊÃÊ16bit.
UÊ vÊ ÞÕÊ ÕÃiÊ {{°£âÉÓ{LÌ]Ê {nâÉ£ÈLÌÊ ÀÊ
{nâÉÓ{LÌÊvÀ>ÌÃ]ÊÞÕÊÜÊ >ÛiÊÌÊVÛiÀÌÊwiÃÊ NOTE
ÌÊ{{°£âÉ£ÈLÌÊÌÊVÀi>ÌiÊ>Ê>Õ`Ê °
-iiÊ ¸ ÕViÊ `iÃÌ>ÌÊ ÌÀ>VÊ ÃiÌÌ}Ã¸Ê vÀÊ ÕÃiÊ vÊ
the BOUNCE
TRÊÌiÊ,iv°Ê*{ή°
99
System
1 Press 1 Press
2 Select SYSTEM.
Change menu 2 Select SYSTEM.
Change menu
Press Press
3 Select LIGHT.
Change menu 3 Select CONTRAST.
Change menu
Change Change
value value
HINT 7
8 High contrast
Turn the backlight off to conserve batteries.
100
SD cards
2 6
Select SD
CARD. Select LOAD.
Change menu Change menu
Press Press
3 Select EXCHANGE.
Change menu Save R24 data to the new SD card
6 Select SAVE.
Change menu
Press
Card replacement
possible
Press
7 Select SAVE
TO and set the project
where you want to save it
4
Change menu
Remove the SD card
Change setting
8 Select EXECUTE.
5 Insert an SD card
NOTE
UÊÊvÊ Ì iÊ ÃiÀÌi`Ê - Ê V>À`Ê ÃÊ >Ài>`ÞÊ vÀ>ÌÌi`Ê vÀÊ Press
Ì iÊ ,Ó{]Ê «ÀVii`Ê ÌÊ -Ìi«Ê ÈÊ vÊ ¸>`Ê `>Ì>Ê vÀÊ
Ì iÊiÜÊ- ÊV>À`¸ÊÀʸ->ÛiÊ,Ó{Ê`>Ì>ÊÌÊÌ iÊiÜÊ
- ÊV>À`¸°Ê
NOTE
UÊ vÊ ÞÕÊ ÃiÀÌÊ >Ê - Ê V>À`Ê Ì >ÌÊ >ÃÊ ÌÊ LiiÊ UÊ Ã>LiÊ ÜÀÌi«ÀÌiVÌÊ Ê >Ê - Ê V>À`Ê LivÀiÊ
vÀ>ÌÌi`ÊvÀÊÕÃiÊÜÌ ÊÌ iÊ,Ó{]ÊvÜÊÌ iÊ«ÀVi- inserting it.
`ÕÀiÃÊvÀÊvÀ>ÌÌ}Ê>Ê- ÊV>À`ÊÊÌ iÊiÝÌÊ«>}i° UÊ SAVE includes various data for the project in use,
but no audio data is saved.
101
SD cards
1 Press 1 Press
2 Select SD
CARD.
Change menu 2 Select SD
CARD
Change menu
Press Press
3 Select FORMAT.
Change menu 3 Select REMAIN.
Change menu
Press Press
4 Select YES.
Move cursor
Card open space
,i>}ÊÀiVÀ`}ÊÌiÊ
for the current recording
format
Press
NOTE
UÊ vÊ ÞÕÊ vÀ>ÌÊ >Ê - Ê V>À`]Ê >Ê ÌÃÊ `>Ì>Ê ÜÊ LiÊ
permanently erased.
UÊ 7 iÊ ÞÕÊ vÀ>ÌÊ >Ê - Ê V>À`]Ê >Ê Ì iÊ `>Ì>Ê Ê
Ì iÊV>À`ÊÃÊ`iiÌi`Ê>`Êv`iÀÃÊ>`ÊwiÃÊÌ >ÌÊ>ÀiÊ
iÝVÕÃÛiÞÊvÀÊ,Ó{ÊÕÃiÊÜÊLiÊVÀi>Ìi`°
UÊ vÊ Ì iÊ Ài>}Ê V>«>VÌÞÊ vÊ Ì iÊ - Ê V>À`Ê ÃÊ iÃÃÊ
than the amount of the data being recorded,
recording will fail. Change the card before you
run out of space.
102
System
1 Press 1 Press
2 Select SYSTEM.
Change menu
2 Select SYSTEM.
Change menu
Press
Press
3 Select VERSION.
Change menu
3 Select BATTERY.
Change menu
Press
Change
type
Alkaline >iÊL>ÌÌiÀiÃÊ`iv>ÕÌÊÛ>Õi®
.I -( Nickel-metal hydride batteries
HINT NOTE
Check for the latest system software at the ZOOM 1ÃiÊÞÊ>>iÊÀÊViiÌ>Ê Þ`À`iÊL>ÌÌiÀið
ÜiLÃÌiÊ ÌÌ«\ÉÉÜÜÜ°â°V°«®°
103
System
1 Press
2 Select SYSTEM.
Change menu
Press
3 Select PHANTOM.
Change menu
Press
Change setting
NOTE
UÊ / iÊ« >ÌÊ«ÜiÀÊvÀÊ«ÕÌÃÊxÊ>`ÊÈÊV>ÌÊLiÊ
turned off separately. They will be supplied with
Change setting phantom power unless the PHANTOM switch is set
to OFF.
UÊ Ê "/ÊÃÕ««ÞÊ« >ÌÊ«ÜiÀÊÌÊVÀ« iÃÊ
>`Ê ÃÌÀÕiÌÃÊ Ì >ÌÊ `Ê ÌÊ ii`Ê Ì°Ê }Ê ÃÊ
could cause damage. Check the instructions
for the microphone that you are using before
supplying phantom power.
104
USB
ÞÊViVÌ}ÊÌ ÃÊÕÌÊÌÊ>ÊV«ÕÌiÀ]ÊÞÕÊ
V>ÊÕÃiÊÌÊ>ÃÊ>Ê- ÊV>À`ÊÀi>`iÀ]Ê>Ê>Õ`Ê
interface for sound input and output and a
VÌÀÊÃÕÀv>ViÊÌÊVÌÀÊ 7ÊÃvÌÜ>Ài
NOTE
UÊ /Ê «ÀÌÊ >Ê >Õ`Ê viÊ ÌÊ Ì iÊ ,£È]Ê ÌÃÊ vÀ>ÌÊ
ÕÃÌÊLiÊ76ÊÜÌ Ê>ÊÃ>«}ÊÀ>ÌiÊvÊ{{°£É{nÊâÊ
>`Ê>ÊLÌÊÀ>ÌiÊvÊ£ÈÊÀÊÓ{°
UÊ /ÊÕÃiÊ76ÊwiÃÊÊ>Ê«ÀiVÌ]ÊÌ iÞÊÕÃÌÊÕÃiÊÌ iÊ
sampling rate as set for the project when it was
created (RATE®°Ê
UÊ iÊ >iÊ V>Ê >ÛiÊ Õ«Ê ÌÊ Ó£Ê V >À>VÌiÀÃÊ ÌÊ
VÕ`}ÊÌ iÊiÝÌiî°Ê/ iÊvÜ}ÊV >À>VÌiÀÃÊ
are allowed
Alphabet: A-Z, a-z
Ê ÕiÀ>Ã\Êä
Ê -ÞLÃ\Ê Ã«>Vi®ÊtÊÊfʯÊEÊMÊʮʳÊ]ÊÊÆÊ
rÊJÊ
[]^_`{}~
UÊ 9ÕÊ V>Ê ViVÌÊ >Ê ,Ó{Ê Ü iÊ ÌÃÊ «ÜiÀÊ ÃÊ " Ê
ÜÌ Ê>ÊV«ÕÌiÀÊLÞÊ1- °ÊvÊÞÕÊViVÌÊÌ iÊ,Ó{Ê
LÞÊ1- ÊÜ iÊÌÃÊ«ÜiÀÊÃÊ"]ÊÞÕÊV>ÊÃÌ>ÀÌÊÌÊÕ«Ê
ÜÌ Ê«ÜiÀÊÃÕ««i`ÊÛiÀÊ1- °
UÊ 7 iÊ ÕÃ}Ê Ì iÊ ,Ó{Ê >ÃÊ >Ê V>À`Ê Ài>`iÀÊ ÀÊ >ÃÊ >Ê
audio interface, it cannot be used as a recorder
at the same time.
For details about use with a computer, refer to the Audio Interface
Manual.
HINT
UÊ *ÀiVÌÊ `>Ì>Ê ÃÊ Ã>Ûi`Ê ÌÊ Ì iÊ VÀÀië`}Ê
*," /Êv`iÀÊÊÌ iÊ<""Ú,Ó{Êv`iÀÊÊÌ iÊ
- Ê V>À`Ê >Ã°Ê `iÀÃÊ >ÀiÊ VÀi>Ìi`Ê >`Ê >>}i`Ê
for each project.
UÊ Õ`Ê `>Ì>Ê ÃÊ Ã>Ûi`Ê >ÃÊ 76Ê viÃÊ Ã`iÊ Ì iÊ
1 "Êv`iÀÊvÊÌÃÊ«ÀiVÌÊv`iÀ°Ê
UÊ / iʸ*, "°/8/¸ÊwiÊÃ`iÊi>V Ê1 "Êv`iÀÊ
à ÜÃÊÌ iÊ>iÃÊvÊwiÃÊ>ÃÃ}i`ÊÌÊÌÀ>VðÊ
UÊ -/ ,ÊÌÀ>VÃÊ>`ÊÃÌiÀiÊÌÀ>VÃÊ>ÀiÊÃÌiÀiÊ76Ê
wiðÊ
105
USB
Card reader
9ÕÊV>Ê>VViÃÃÊÌ iÊ,Ó{Ê- ÊV>À`ÊÕÃ}Ê>ÊV«ÕÌiÀÊÌÊL>VÕ«]ÊÀi>`Ê>`Ê«ÀÌÊÛ>ÀÕÃÊ
`>Ì>]Ê«ÀiVÌÃÊ>`Êwið
Card reader
Using the unit as an SD card reader Disconnecting
USB>READER
2 Press
2 or
Press to disconnect
the R24
3 Select READER.
Change menu
3 Select YES.
Move cursor
Press
Press
To computer ←
For details about use with a computer, refer to the Audio Interface
Manual.
>VÊÕ«Ê«ÀiVÌÊ`>Ì>ÊÊ>Ê- ÊV>À`ÊÌÊ>ÊV«ÕÌiÀ°
From computer →
«ÀÌÊ>Õ`Ê`>Ì>Ê>`ÊV«ÕÌiÀÊL>VÕ«ÃÊÌÊÌ iÊ- Ê
card.
HINT
UÊ /Ê«ÀÌÊ76ÊwiÃÊvÀÊ>ÊV«ÕÌiÀ]ÊV«ÞÊÌ iÊ
ÌÊÌ iʺ1 "»Êv`iÀÊÊÌ iÊ«ÀiVÌÊv`iÀÊÜ iÀiÊ
ÞÕÊÜ>ÌÊÌÊÕÃiÊÌ i°Ê1ÃiÊÌ iÊ,Ó{ÊÌÊ>ÃÃ}ÊÌ iÊ
wiÃÊÌÊÌÀ>Vð
106
USB
2 Press
Loading files from USB memory
USB>STORAGE>FILE LOAD
3 Select STORAGE.
Change menu
1 Connect the USB memory to the R24
USB HOST port.
Press 2 Press
4 Select FILE
SAVE.
Change menu
3 Select STORAGE.
Change menu
Press
Press
4 Select FILE
LOAD.
Change menu
Change project
For details about use with a computer, refer to the Audio Interface
Manual.
Press
Press
Change file
Select folders
and files
Press
Insert Press
Change character character
Press
107
Using USB memory to save and import data
6 Select the file.
Saving projects to USB memory
USB>STORAGE>PRJ SAVE
Press
Change file
1 Press
Change
project
Press
Press
Delete
character
Insert Press
Change character character
Press
4 Select the project.
9 Select YES.
Move cursor Change project
Press
For details about use with a computer, refer to the Audio Interface
Manual.
Press
5 Change the project name as necessary.
Move cursor
Delete
character
Insert
Change character character
Press
6 Select YES.
Move cursor
Press
108
Loading projects from USB memory Creating an R24 folder on the USB memory
USB>STORAGE>PRJ LOAD USB>STORAGE>INIT
Using USB memory to save and import data
2 Select STORAGE.
Change menu
2 Press
3 Select PRJ
LOAD.
Change menu
Press
Press
4 Select INIT.
Insert
character Press
Change character
USB memory folder structure
Press ZOOM_R24
AUDIO
Folder where project data is saved
NOTE
UÊ iÛiÀÊÀiÛiÊ1- ÊiÀÞÊÜ iÊÃi`}ÊÀÊÀiViÛ}Ê`>Ì>°Ê ÃViVÌÊ>vÌiÀÊÌ iʺ->Û}»ÊÀʺ>`}»Ê
display closes.
UÊ ÕÀ}Ê1- ÊÃÌÀ>}iÊÕÃi]ÊÀiVÀ`iÀÊ«iÀ>ÌÃÊ>ÀiÊÌÊ«ÃÃLi°
UÊ 7 iÊ Ã>Û}Ê Ê 1- Ê iÀÞ]Ê Ì iÊ Ã>Ûi`Ê `>Ì>Ê ÃÊ ÃÌÀi`Ê Ê Ì iÊ 1 "Ê >`Ê *," /Ê v`iÀÃÊ Ã`iÊ Ì iÊ
<""Ú,Ó{Êv`iÀ°
UÊvÊ>ÊwiÊÀÊ«ÀiVÌÊÜÌ ÊÌ iÊÃ>iÊ>iÊ>Ài>`ÞÊiÝÃÌÃ]Ê>ʸ"ÛiÀÜÀÌi¶¸ÊVwÀ>ÌÊ««Õ«Ê>««i>ÀðÊ*ÀiÃÃÊ
8/ÊÌÊV>ViÊÛiÀÜÀÌ}Ê>`ÊV >}iÊÌ iÊ>iÊÀÊÃiiVÌÊ>ÊiÜÊ«ÀiVÌ°Ê
109
USB
2
require Hi-Z or phantom power when used as an Connect the R24 to the computer.
audio interface.
Set and connect the R24
❷ Control surface
See “Connecting and setting the R24” on the next page.
3
«ÀÌÊ>`ÊÝiÀÊ«iÀ>ÌÃÊÊÞÕÀÊ 7ÊÃvÌÜ>Ài° Make DAW software settings
Device settings
Install driver
<""Ê,£ÈÉ,Ó{Ê>Õ`Ê`ÀÛiÀÊ
NOTE
$!7 SOFTWARE SETTINGS
UÊ /Ê ÕÃiÊ Ì iÊ ,Ó{Ê >ÃÊ >Ê >Õ`Ê ÌiÀv>ViÊ vÀÊ 7Ê
Device settings ÃvÌÜ>ÀiÊvÀÊiÝ>«i]Ê ÕL>ÃiÊ ®ÊÌÊÃÊiViÃ-Ã>ÀÞ
Ê ÌÊ ÃÌ>Ê Ì iÊ <""Ê ,£ÈÉ,Ó{Ê Õ`Ê ÀÛiÀ°Ê
<""Ê,£ÈÉ,Ó{Ê>Õ`Ê`ÀÛiÀÊ Install it correctly according to the directions
given in the included installation guide.
UÊ Ü>`Ê Ì iÊ >ÌiÃÌÊ ,Ó{Ê >Õ`Ê `ÀÛiÀÊ vÀÊ Ì iÊ
Control surface settings
<""ÊÜiLÃÌiÊ ÌÌ«\ÉÉÊÜÜÜ°â°V°«®°
Mackie Control
110
Connecting and setting the R24 Disconnecting
Follow these procedures after the first time
Audio interface/control surface
1 Press 1 Press
2 Select AUDIO
I/F.
Change menu 2 Select YES.
Move cursor
Press
Change
setting NOTE
4 Select EXECUTE.
Change menu
3ELECT #/.4).5% TO USE THE SAME SETTINGS AS LAST TIME
UÊ - ,/Ê /ÊÃiÌÌ}Ã
UÊ- Ê, /1, Ê /ÊÃiÌÌ}ÃÊ
UÊÝiÀÊÃiÌÌ}ÃÊ
UÊ/1 ,ÊÃiÌÌ}ÃÊ
Press Select RESET to restore default settings for each item.
5 Connect the USB cable to the R24. UÊ ivÀiÊ ÀiÛ}Ê Ì iÊ 1- Ê V>LiÊ Ü iÊ `ÃV-
necting from a computer, always follow the proper
For details about use with a computer, refer to the Audio Interface
Manual.
111
Interface: Controller
112
Rhythm pattern list
*>ÌÌiÀÃÊÎxHÓÎ{Ê>ÀiÊÌÞ«V>Ê«>ÌÌiÀÃÊ>`ÊwÃÊvÀÊÛ>ÀÕÃÊ}iÀiðÊ
Rhythm pattern list
113
Rhythm pattern list
-ID%S&! 1 281 &53 2 ()0 2 BALD09 2 ,!4. 2
-ID%S6" 2 282 &53 2 ()0 2 BALD10 2 BOSSA01 4
-ID%S6B 1 &53 2 ()0 2 BALD11 4 BOSSA02 4
-ID%S&" 1 284 &53 2 ()0 2 BLUS01 2 440 SAMBA01 4
.O .AME Beats &53 2 ()0 2 BLUS02 2 441 SAMBA02 4
6ARIATION POP01 2 ()0 2 ",53 2 442 MidE01 2
2/#+ 2 287 POP02 2 ()0 2 BLUS04 2 MidE02 2
2/#+ 2 288 0/0 2 ()0 2 ",53 2 444 -ID% 2
2/#+ 2 289 POP04 2 ()0 2 ",53 2 MidE04 2
2/#+ 2 290 0/0 2 ()0 2 #.42 2 ).42/ 1
2/#+ 2 291 0/0 2 $!.# 2 #.42 2 447 ).42/ 1
240 2/#+ 2 292 POP07 2 $!.# 2 #.42 2 448 ).42/ 1
241 2/#+ 2 POP08 2 $!.# 2 #.42 2 449 ).42/ 1
242 2/#+ 2 294 POP09 2 $!.# 2 *!:: 2 ).42/ 1
2/#+ 2 POP10 2 $!.# 2 *!:: 2 ).42/ 1
244 2/#+ 2 POP11 2 $!.# 2 400 *!:: 2 ).42/ 1
2/#+ 4 297 POP12 2 (/53 2 401 *!:: 2 ).42/ 1
2/#+ 2 298 RnB01 2 (/53 2 402 *!:: 2 ).42/ 1
247 2/#+ 2 299 RnB02 2 (/53 2 *!:: 2 ).42/ 1
248 2/#+ 2 2N" 2 (/53 2 404 *!:: 4 ).42/ 1
249 2/#+ 2 RnB04 2 4%#( 2 3(&, 2 ).42/ 1
2/#+ 2 2N" 2 4%#( 2 3(&, 2 ).42/ 1
2/#+ 2 2N" 2 4%#( 2 407 3(&, 2 ).42/ 1
2/#+ 2 RnB07 2 4%#( 2 408 3(&, 2 ).42/ 1
2/#+ 2 RnB08 2 4%#( 2 409 3(&, 2 ).42/ 1
2/#+ 2 RnB09 2 4%#( 2 410 3+! 2 ).42/ 1
2/#+ 2 RnB10 2 4%#( 2 411 3+! 2 ).42/ 1
2/#+ 2 &5.+ 2 4%#( 2 412 3+! 2 %.$).' 1
2/#+ 2 &5.+ 2 4%#( 2 3+! 2 %.$).' 1
2/#+ 2 &5.+ 2 4%#( 2 414 REGG01 2 %.$).' 1
2/#+ 2 &5.+ 2 DnB01 2 REGG02 2 %.$).' 1
2/#+ 2 &5.+ 2 DnB02 2 2%'' 2 %.$).' 1
2/#+ 2 &5.+ 2 $N" 2 417 REGG04 2 %.$).' 1
2/#+ 2 &5.+ 2 DnB04 2 418 !&2/ 2 470 %.$).' 1
(2+ 2 &5.+ 2 $N" 2 419 !&2/ 2 471 #/5.4 2
(2+ 2 &5.+ 2 $N" 2 420 !&2/ 2 472
| EMPTY 2
(2+ 2 &5.+ 2 TRIP01 2 421 !&2/ 2
(2+ 2 &5.+ 2 TRIP02 2 422 !&2/ 2
(2+ 2 &5.+ 2 42)0 2 !&2/ 2
(2+ 2 ()0 2 TRIP04 2 424 !&2/ 2
(2+ 2 ()0 2 AMB01 2 !&2/ 2
270 MTL01 2 ()0 2 AMB02 2 ,!4. 2
271 MTL02 2 ()0 2 !-" 2 427 ,!4. 2
272 -4, 2 ()0 2 AMB04 2 428 ,!4. 2
MTL04 2 ()0 2 BALD01 2 429 ,!4. 2
274 4(23 2 ()0 2 BALD02 2 ,!4. 2
4(23 2 ()0 2 "!,$ 2 ,!4. 2
05.+ 2 ()0 2 BALD04 2 ,!4. 2
277 05.+ 2 ()0 2 "!,$ 2 ,!4. 2
278 &53 2 ()0 2 "!,$ 2 ,!4. 2
279 &53 2 ()0 2 BALD07 2 ,!4. 2
280 &53 2 ()0 2 BALD08 2 ,!4. 2
114
Effect types and parameters 1
Effect parameters
R24 Effect types and parameters
Insert effects
Clean/Crunch, Distortion, Aco/Bass SIM algorithms
s #/-0,)-)4%2 MODULE
Type Parameters/Descriptions
Sense Attack Tone Level
Compressor
8,Ê Þ>V«ÊÌÞ«iÊV«ÀiÃÃÀ°
Threshold Ratio Attack Level
Rack Comp
Compressor with more detailed adjustments.
Threshold Ratio Release Level
Limiter
Limiter for suppressing signal peaks above a certain level.
Parameter descriptions
115
Effect types and parameters 2
s %&8 MODULE
Parameter descriptions
Parameter
Setting range Description
name
Position ivÀi]ÊvÌiÀ -iÌÃÊViVÌÊ«ÃÌÊvÊ 8Ê`ÕiÊÌÊLivÀiÊÀÊ>vÌiÀÊ«Ài>«°
Sense £äH£]Ê£H£ä Adjusts auto wah sensitivity.
Resonance äH£ä Adjusts resonance intensity.
Level ÓH£ää Adjusts signal level after passing through module.
Depth äH£ää Adjusts modulation depth.
Rate äHxäÊ Ê*£Ó{Ê/>Li£® Adjusts modulation rate. Can be set in rhythm tempo note units.
-iÌÃÊ`Õ>ÌÊÜ>ÛivÀÊÌʺ1«»ÊÀÃ}ÊÃ>ÜÌÌ ®]ʺ Ü»Êv>}ÊÃ>Ü-
7AVE 1«Êä~]Ê ÜÊä~]Ê/ÀÊä~ ÌÌ ®ÊÀʺ/À»ÊÌÀ>}Õ>À®°Ê} iÀÊÛ>ÕiÃÊÀiÃÕÌÊÊÃÌÀ}iÀÊV««}]Êi« >-
sizing the effect.
Color {-Ì>}i]Ên-Ì>Ìi]ÊÛiÀÌ{]ÊÛiÀÌn Selects sound type.
,}Ê`Õ>ÌÀ\Ê£Hxä Adjusts frequency used for modulation.
&REQUENCY
Ý7> \Ê£Hxä Adjusts wah center frequency.
Balance äH£ää Adjusts balance between original sound and effect sound.
Time £Hxä Adjusts rise time for sound.
Curve äH£ä Adjusts volume rise curve.
Dry Mix äH£ä Adjusts original sound mix ratio.
RTM Mode *£Ó{Ê/>LiÊÓ Adjusts change range and direction.
24- 7AVE *£Ó{Ê/>LiÊÎ Selects control waveform.
RTM Sync Ê*£Ó{Ê/>LiÊ{® Adjusts control wave frequency.
Range £Hx Selects frequency range to boost.
Tone äH£ä Adjusts tone.
116
%FFECT TYPES AND PARAMETERS
s 02%!-0 MODULE
Type Parameters
R24 Effect types and parameters
Parameter descriptions
Parameter Setting range Explanation
Gain äH£ää `ÕÃÌÃÊ«Ài>«Ê}>Ê`ÃÌÀÌÊÌiÃÌÞ®°
Tone äHÎä Adjusts tonal quality.
Matched Optimizes cabinet settings according to the drive effect type.
Combo -Õ>ÌiÃÊÓÝ£ÓÊi`iÀÊVLÊ>«ÊV>LiÌ°
Cabinet
Tweed -Õ>ÌiÃÊ{Ý£äÊi`iÀÊ/Üii`Ê>«ÊV>LiÌ°
Stack -Õ>ÌiÃÊ{Ý£ÓÊ>ÀÃ >ÊÃÌ>VÊ>«ÊV>LiÌ°
Level £H£ää Adjusts signal level after passing through module.
Top äH£ä Adjusts characteristic acoustic guitar string resonance.
Body äH£ä Adjusts characteristic acoustic guitar body resonance.
s "!.$ %1 MODULE
Type Parameters
Bass Low-Mid Middle Treble Presence (ARMONICS
"AND %1
/ ÃÊÃÊ>ÊiµÕ>âiÀÊÜÌ ÊÈÊvÀiµÕiVÞÊL>`Ã
Parameter descriptions
Parameter Setting range Explanation
Bass £Ó` H£Ó` `ÕÃÌÃÊÜÊvÀiµÕiVÞÊÀ>}iÊ£ÈäÊâ®ÊLÃÌÉVÕÌ°Ê
Low-Mid £Ó` H£Ó` `ÕÃÌÃÊ`ÜvÀiµÕiVÞÊÀ>}iÊ{ääÊâ®ÊLÃÌÉVÕÌ°Ê
Middle £Ó` H£Ó` `ÕÃÌÃÊ``ivÀiµÕiVÞÊÀ>}iÊnääÊâ®ÊLÃÌÉVÕÌ°
Treble £Ó` H£Ó` `ÕÃÌÃÊ } vÀiµÕiVÞÊÀ>}iÊΰÓÊâ®ÊLÃÌÉVÕÌ°Ê
Presence £Ó` H£Ó` `ÕÃÌÃÊÃÕ«iÀ } vÀiµÕiVÞÊÀ>}iÊÈ°{Êâ®ÊLÃÌÉVÕÌÊ°Ê
(ARMONICS £Ó` H£Ó` `ÕÃÌÊ >ÀVÃÊ£ÓÊâ®ÊLÃÌÉVÕÌ°Ê
117
Effect types and parameters 4
s -/$$%,!9 MODULE
Type Parameters
Parameter descriptions
Parameter Setting range Explanation
ÝVÌiÀ\ÊäHÎä Adjusts depth of effect.
Depth
"Ì iÀ\ÊäH£ää Adjusts modulation depth.
ÀÕÃ]Ê ÃiLi\Ê£Hxä Adjusts modulation speed.
Rate `ÕÃÌÃÊ`Õ>ÌÊëii`°Ê1Ã}ÊÌ iÊÀ ÞÌ ÊÌi«Ê>ÃÊÀiviÀiVi]ÊÃiÌ-
>}iÀ]Ê6Li]Ê-Ìi«\ÊäHxäÊ Ê*£Ó{Ê/>LiÊ£®
ting in note units is also possible..
Tone äH£ä Adjusts tonal quality.
Mix äH£ää Adjusts mix ratio of effect sound to original sound.
Adjusts resonance intensity. Negative values result in reversed phase
>}iÀ\Ê£äH£ä
Resonance for the effect sound.
-Ìi«]Ê ÀÞ\ÊäH£ä Adjusts resonance intensity.
Manual äH£ää Adjust the frequency range that is effected.
Shift £ÓH£Ó]ÊÓ{ Sets pitch shift in semitones.
&INE ÓxHÓx -iÌÃÊ«ÌV Êà vÌÊÊViÌÃʣɣääÊÃiÌi®°Ê
Balance äH£ää >>ViÃÊivviVÌÊÃÕ`Ê>`ÊÀ}>ÊÃÕ`°Ê
Shape äH£ä Sets effect sound envelope.
Range £H£ä Adjusts the frequency range that is affected.
Sense £äH£]Ê£H£ä Sets the sensitivity of the effect.
&REQUENCY £Hx Adjusts the frequencies that are effected.
Low Boost äH£ä « >ÃâiÃÊÜvÀiµÕiVÞÊÀ>}i°Ê
3IZE £H£ää Sets size of simulated space.
Reflex äH£ä Adjusts the amount of reflections from the walls.
i>Þ]Ê>}Ê i>Þ\Ê£HÓäääÊà *£Ó{Ê/>LiÊ£®
Time Adjusts delay time.
,iÛiÀÃiÊ i>Þ\Ê£äH£äääÊÃÊ Ê*£Ó{Ê/>LiÊ£®
&EEDBACK äH£ää Adjusts feedback amount.
(I $AMP äH£ä Adjusts the high-frequency attenuation of the delay sound.
Type *£Ó{Ê/>LiÊx Selects the type of pitch change.
24- 7AVE *£Ó{Ê/>LiÊÎ Selects the wave shape of the effect.
RTM Sync *£Ó{Ê/>LiÊ{ Sets the frequency of the wave.
118
%FFECT TYPES AND PARAMETERS
s 2%6%2" MODULE
Type Parameters
R24 Effect types and parameters
Parameter descriptions
Parameter Setting range Explanation
Decay £HÎä Adjusts reverb time.
PreDelay £H£ää Adjusts pre-delay time.
Tone äH£ä Adjusts tonal quality of effect.
Mix äH£ää Adjusts effect sound volume level.
s :.2 MODULE
Type Setting Range Explanation
"vv]Ê£HÎä Adjusts sensitivity. Set value as high as possible without causing unnatural decay.
:.2
ZOOM original noise reduction for reducing noise during playing pauses without affecting the overall tone.
Bass algorithm
s #/-0,)-)4%2 MODULE
Type Parameters
Rack Comp
ÀÊ>ÊiÝ«>>ÌÊvÊÌÞ«iÃÊ>`Ê«>À>iÌiÀÃ]ÊÃiiÊ ]Ê -/",/" ]Ê "É --Ê-Ê>}ÀÌ Ã°Ê
Limiter
s %&8 MODULE
Type Parameters
Position Sense Resonance Dry Mix Level
!UTO 7AH
This effect varies the wah action according to the intensity of the input signal.
Tremolo
Phaser
Ring Modulator ÀÊ>ÊiÝ«>>ÌÊvÊÌÞ«iÃÊ>`Ê«>À>iÌiÀÃ]ÊÃiiÊ ]Ê -/",/" ]Ê "É --Ê-Ê>}ÀÌ Ã°Ê
Slow Attack
&IX 7AH
Parameter descriptions
Parameter Setting range Explanation
Position ivÀi]ÊvÌiÀ -iÌÃÊÃiÀÌÊ«ÃÌÊvÊ`ÕiÊÌÊLivÀiÊÀÊ>vÌiÀÊ*, *Ê`Õi°Ê
Sense q£äHq£]Ê£H£ä Adjusts auto wah sensitivity.
Resonance äH£ä Adjusts resonance intensity.
Dry Mix äH£ä Adjusts original sound mix ratio.
Level ÓH£ää Adjusts signal level after passing module.
s 02%!-0 MODULE
Type Parameters
364 -Õ>ÌÊvÊ«i}Ê-6/ÊÃÕ`°
Bassman -Õ>ÌÊvÊi`iÀÊ >ÃÃ>ÊÃÕ`°
(ARTKE -Õ>ÌÊvÊ>ÀÌiÊÎxääÊÃÕ`°
Super Bass -Õ>ÌÊvÊ>ÀÃ >Ê-Õ«iÀÊ >ÃÃÊÃÕ`°
3!.3!-0 -Õ>ÌÊvÊ->Ã>«Ê >ÃÃÊ ÀÛiÀÊ ÊÃÕ`°
Tube Preamp ZOOM original tube preamplifier sound.
Gain Tone Cabinet Balance Level
All preamp modules have the same parameters.
119
%FFECT TYPES AND PARAMETERS
Parameter descriptions
Parameter Setting range Explanation
s "!.$ %1 MODULE
Type Parameters
Bass Middle Treble Level
"AND %1
This equalizer has three bands.
Parameter descriptions
Parameter Setting range Explanation
Bass £Ó` H£Ó` ÃÌÃÉVÕÌÃÊÜvÀiµÕiVÞÊÀ>}i°Ê
Middle £Ó` H£Ó` ÃÌÃÉVÕÌÃÊ``ivÀiµÕiVÞÊÀ>}i°Ê
Treble £Ó` H£Ó` ÃÌÃÉVÕÌÃÊ } vÀiµÕiVÞÊÀ>}i°Ê
Level ÓH£ää Adjusts signal level after passing through module.
s -/$$%,!9 MODULE
Type Parameters
Chorus
Ensemble
&LANGER
Pitch
6IBE
Step
Cry ÀÊ>ÊiÝ«>>ÌÊvÊÌÞ«iÃÊ>`Ê«>À>iÌiÀÃ]ÊÃiiÊ ]Ê -/",/" ]Ê "É --Ê-Ê>}ÀÌ Ã°Ê
Exciter
Air
Delay
Analog Delay
Reverse Delay
ARRM Pitch
s :.2 MODULE
Type Parameters
:.2 ÀÊ>ÊiÝ«>>ÌÊvÊÌÞ«iÃÊ>`Ê«>À>iÌiÀÃ]ÊÃiiÊ ]Ê -/",/" ]Ê "É --Ê-Ê>}ÀÌ Ã°Ê
Mic algorithm
s #/-0,)-)4%2 MODULE
Type Parameters
Rack Comp
ÀÊ>ÊiÝ«>>ÌÊvÊÌÞ«iÃÊ>`Ê«>À>iÌiÀÃ]ÊÃiiÊ ]Ê -/",/" ]Ê "É --Ê-Ê>}ÀÌ Ã°Ê
Limiter
s %&8 MODULE
Type Parameters
Tremolo
Phaser
Ring Modulator ÀÊ>ÊiÝ«>>ÌÊvÊÌÞ«iÃÊ>`Ê«>À>iÌiÀÃ]ÊÃiiÊ ]Ê -/",/" ]Ê "É --Ê-Ê>}ÀÌ Ã°Ê
Slow Attack
&IX 7AH
Parameter descriptions
Parameter Setting Range Explanation
Type 6V>]ÊVÕÃÌVÌ]Ê>Ì Selects preamp characteristics.
Tone äH£ä Adjusts tonal quality of effect.
Level £H£ää Adjusts signal level after passing through module.
De-Esser "vv]Ê£H£ä Sets the reduction of sibilant sounds.
Low Cut "vv]ÊnäHÓ{äâ Sets filter that reduces low-frequency noise easily picked up by mics.
120
Effect types and parameters 7
s "!.$ %1 MODULE
Type Parameters
R24 Effect types and parameters
s -/$$%,!9 MODULE
Type Parameters
Chorus
Ensemble
&LANGER
Pitch
6IBE
Step
Cry ÀÊ>ÊiÝ«>>ÌÊvÊÌÞ«iÃÊ>`Ê«>À>iÌiÀÃ]ÊÃiiÊ ]Ê -/",/" ]Ê "É --Ê-Ê>}ÀÌ Ã°Ê
Exciter
Air
Delay
Analog Delay
Reverse Delay
ARRM Pitch
s :.2 MODULE
Type Parameters
:.2 ÀÊ>ÊiÝ«>>ÌÊvÊÌÞ«iÃÊ>`Ê«>À>iÌiÀÃ]ÊÃiiÊ ]Ê -/",/" ]Ê "É --Ê-Ê>}ÀÌ Ã°Ê
s #/-0,)-)4%2 , MODULE
Type Parameters
Threshold Ratio Attack Level
Compressor
,i`ÕViÃÊÛ>À>ÌÊÊÃ}>ÊiÛi°Ê
Threshold Ratio Release Level
Limiter
Attenuates signals that exceed a certain level.
Parameter descriptions
Parameter Setting range Explanation
Threshold qÓ{Hä `ÕÃÌÃÊÌ Àià `ÊiÛiÊvÊV«ÀiÃÃÀÉÌiÀ°
«ÀiÃÃÀ\Ê£HÓÈ
Ratio `ÕÃÌÃÊV«ÀiÃÃÊÀ>ÌÊvÊV«ÀiÃÃÀÉÌiÀ°
ÌiÀ\Ê£Hx{]Ê∞
Attack äH£ä Adjusts speed that at which the compressor is activated.
Level ÓH£ää Adjusts module output level.
Release äH£ä Adjusts speed of limiter release after signal falls below threshold level.
s "!.$ %1 , MODULE
Type Parameters
"AND %1 ÀÊ>ÊiÝ«>>ÌÊvÊÌÞ«iÃÊ>`Ê«>À>iÌiÀÃ]ÊÃiiÊ --Ê>}ÀÌ °Ê
s $%,!9 , MODULE
Type Parameters
Time &EEDBACK Mix
Delay
i>ÞÊivviVÌÊÜÌ Ê>Ê>ÝÕÊÃiÌÌ}ÊvÊÓäääÊð
Time &EEDBACK Mix
Echo
7>ÀÊ`i>ÞÊivviVÌÊÜÌ Ê>Ê>ÝÕÊÃiÌÌ}ÊvÊÓäääÊð
Time Tone Mix
Doubling
ÕL}ÊivviVÌÊÌ >ÌÊVÀi>ÌiÃÊL`ÞÊLÞÊ>``}Ê>ÊÃ ÀÌÊ`i>Þ°
Parameter descriptions
Parameter
Setting range Explanation
name
i>Þ]Ê V \Ê£HÓäääÃÊ Ê*£Ó{Ê/>LiÊ£®
Time Adjusts delay time.
ÕL}\Ê£H£ääÃ
&EEDBACK äH£ää Adjusts feedback amount.
Tone äH£ä Adjusts tonal quality of effect.
Mix äH£ää Adjusts mix ratio of effect sound to original sound.
121
Effect types and parameters 8
s #/-0,)-)4%2 2 MODULE
Type Parameters
s "!.$ %1 2 MODULE
Type Parameters
"AND %1 ÀÊ>ÊiÝ«>>ÌÊvÊÌÞ«iÃÊ>`Ê«>À>iÌiÀÃ]ÊÃiiÊ --Ê>}ÀÌ °Ê
s $%,!9 2 MODULE
Type Parameters
Delay
Echo ÀÊ>ÊiÝ«>>ÌÊvÊÌÞ«iÃÊ>`Ê«>À>iÌiÀÃ]ÊÃiiÊ 9Ê>}ÀÌ °Ê
Doubling
s :.2 MODULE
Type Parameters
:.2 , ÀÊ>ÊiÝ«>>ÌÊvÊÌÞ«iÃÊ>`Ê«>À>iÌiÀÃ]ÊÃiiÊ ]Ê -/",/" ]Ê "É --Ê-Ê>}ÀÌ Ã°Ê
:.2 2 ÀÊ>ÊiÝ«>>ÌÊvÊÌÞ«iÃÊ>`Ê«>À>iÌiÀÃ]ÊÃiiÊ ]Ê -/",/" ]Ê "É --Ê-Ê>}ÀÌ Ã°Ê
Stereo algorithm
s #/-0,)-)4%2 MODULE
Type Parameters
Compressor
ÀÊ>ÊiÝ«>>ÌÊvÊÌÞ«iÃÊ>`Ê«>À>iÌiÀÃ]ÊÃiiÊ 1Ê Ê>}ÀÌ °Ê
Limiter
Character Color Dist Tone %&8 ,EVEL Dry Level
,O &I
This effect intentionally reduces the quality of the sound.
Parameter descriptions
Parameter Setting range Explanation
Character äH£ä Adjusts filter characteristics.
Color £H£ä Adjusts sound color.
Dist äH£ä Adjusts distortion.
Tone äH£ä Adjusts tonal quality of effect.
%&8 ,EVEL äH£ää Adjusts effect sound level.
Dry Level äH£ää Adjusts original sound level.
122
Effect types and parameters 9
s "!.$ %1 MODULE
R24 Effect types and parameters
Type Parameters
"AND %1 ÀÊ>ÊiÝ«>>ÌÊvÊÌÞ«iÃÊ>`Ê«>À>iÌiÀÃ]ÊÃiiÊ --Ê>}ÀÌ °Ê
s -/$$%,!9 MODULE
Type Parameters
Depth Rate Mix
Chorus
Mixes a variable pitch-shifted component with the original sound, resulting in full-bodied resonating tone.
Depth Rate Resonance
&LANGER
Produces a resonating and strongly undulating sound.
Rate Color ,&/ 3HIFT
Phaser
Produces a swooshing sound.
Depth Rate Clip
Tremolo
Periodically varies the volume level.
7IDTH Rate Clip
Auto Pan
Swings the panning position of the sound between left and right.
Shift Tone &INE Balance
Pitch
Shifts the pitch up or down.
Ring Modulator ÀÊ>ÊiÝ«>>ÌÊvÊÌÞ«iÃÊ>`Ê«>À>iÌiÀÃ]ÊÃiiÊ ]Ê -/",/" ]Ê "É --Ê-Ê>}ÀÌ Ã°Ê
Time &EEDBACK Mix
Delay
i>ÞÊivviVÌÊÜÌ Ê>Ê>ÝÕÊÃiÌÌ}ÊvÊÓäääÊð
Time &EEDBACK Mix
Echo
7>ÀÊ`i>ÞÊivviVÌÊÜÌ Ê>Ê>ÝÕÊÃiÌÌ}ÊvÊÓäääÊð
Time Tone Mix
Doubling
ÕL}ÊivviVÌÊÜ V ÊVÀi>ÌiÃÊL`ÞÊLÞÊ>``}Ê>ÊÃ ÀÌÊ`i>Þ°
Rise1 Rise2
Dimension
Ý«>`ÃÊÃÕ`Êë>Ì>Þ°
Depth &REQ /&34 Rate &ILTER Resonance %&8 ,EVEL Dry Level
Resonance
,iÃ>ÌÊvÌiÀÊÜÌ Ê"°
Parameter descriptions
Parameter Setting range Explanation
Depth äH£ää Adjusts modulation depth.
Adjusts resonance intensity. Negative values result in reversed phase
Resonance £äH£ä
for the effect sound.
Color {-Ì>}i]Ên-Ì>}i]ÊÛiÀÌ{]ÊÛiÀÌn Selects sound type.
,&/ 3HIFT äH£nä `ÕÃÌÃÊivÌÉÀ} ÌÊ« >ÃiÊÃ vÌ°
7IDTH äH£ä Adjusts auto pan width.
`ÕÃÌÃÊ`Õ>ÌÊëii`°Ê1Ã}ÊÌ iÊÀ ÞÌ ÊÌi«Ê>ÃÊÀiviÀiVi]ÊÃiÌ-
Rate äHxäÊ Ê*£Ó{Ê/>LiÊ£®
ting in note units is also possible.
Clip äH£ä Adds emphasis by clipping the modulation waveform.
Shift £ÓH£Ó]ÊÓ{ Adjusts the pitch shift in semitones.
i>Þ]Ê V \Ê£HÓäääÃÊ Ê*£Ó{Ê/>LiÊ£®
Time Adjusts delay time.
ÕL}\Ê£H£ääÃ
&EEDBACK äH£ää Adjusts feedback amount.
Mix H£ää Adjusts mix ratio of effect sound to original sound.
Tone H£ä Adjusts tonal quality of effect.
&INE qÓxHÓx `ÕÃÌÃÊÌ iÊ«ÌV Êà vÌÊÊViÌÃʣɣääÊÃiÌi®°Ê
Balance äH£ää Adjust balance between original sound and effect sound.
Rise1 äHÎä Adjusts stereo component intensity.
Rise2 äHÎä Adjusts width including mono elements.
&REQ /&34 £HÎä Adjusts LFO offset.
&ILTER *]Ê*]Ê * Selects filter type.
Resonance £HÎä Adjusts resonance intensity.
%&8 ,EVEL äH£ää Adjusts effect sound level.
Dry Level äH£ää Adjusts original sound level.
s :.2 MODULE
Type Parameters
:.2 ÀÊ>ÊiÝ«>>ÌÊvÊÌÞ«iÃÊ>`Ê«>À>iÌiÀÃ]ÊÃiiÊ ]Ê -/",/" ]Ê "É --Ê>}ÀÌ Ã°
123
Effect types and parameters 10
Parameters marked with Ê>ÜÊÛ>ÕiÃÊÌÊLiÊÃiÌÊÊÌiÊÕÌÃ]ÊÕÃ}ÊÌ iÊÃ}É«>ÌÌiÀÊÌi«Ê>ÃÊÀiviÀiVi°Ê
Table 1 The note durations for the setting values are shown below.
Table 2 Table 5
Setting Explanation
Off Frequency does not change.
Setting Explanation
Frequency changes from minimum to maximum
Up 1 £ÊÃiÌiÊÜiÀÊ→ original sound
along with the controlling waveform.
2 Original sound →Ê£ÊÃiÌiÊÜiÀ
Frequency changes from maximum to minimum
Down ÕL}Ê→ detune + original sound
along with the controlling waveform.
Frequency changes from patch setting to maximum 4 iÌÕiʳÊÀ}>ÊÃÕ`Ê→ doubling
(I
along with the controlling waveform. Original sound →Ê£ÊVÌ>ÛiÊ } iÀ
Frequency changes from minimum to patch setting £ÊVÌ>ÛiÊ } iÀÊ→ original sound
Lo
along with the controlling waveform. 7 Original sound →ÊÓÊVÌ>ÛiÃÊÜiÀ
8 ÓÊVÌ>ÛiÃÊÜiÀÊ→ original sound
Table 3 £ÊVÌ>ÛiÊ } iÀʳÊÀ}>ÊÃÕ`Ê→Ê£ÊVÌ>ÛiÊÜiÀʳÊ
9
original sound
Setting Explanation Setting Explanation
Complete fifth down + original sound → complete
Up Saw Rising sawtooth wave Tri Triangular wave 10
fourth up + original sound
5P &IN ,Ã}ÊvÊÜ>Ûi TrixTri Squared triangular wave
Complete fourth up + original sound → complete fifth
DownSaw Falling sawtooth wave Sine Sine wave 11
down + original sound
$OWN&IN Falling fin wave Square Square wave 12 äÊâʳÊÀ}>ÊÃÕ`Ê→Ê£ÊVÌ>ÛiÊÕ«
£ÊVÌ>ÛiÊÕ«Ê→ÊäÊâʳÊÀ}>ÊÃÕ`
Table 4 14 äÊâʳÊÀ}>ÊÃÕ`Ê→Ê£ÊVÌ>ÛiÊիʳÊÀ}>ÊÃÕ`
Setting Explanation Setting Explanation
£ÊVÌ>ÛiÊիʳÊÀ}>ÊÃÕ`Ê→ÊäÊâʳÊÀ}>ÊÃÕ`
nÌ ÊÌiÊ 1 bar £Êi>ÃÕÀi
£ÊVÌ>ÛiÊիʳÊÀ}>ÊÃÕ`Ê→ÊäÊâʳÊÀ}>ÊÃÕ`
+Õ>ÀÌiÀÊÌiÊ 2 bars ÓÊi>ÃÕÀiÃ
Half note BARS ÎÊi>ÃÕÀiÃ
ÌÌi`Ê >vÊÌiÊ 4 bars {Êi>ÃÕÀiÃ
8x Comp EQ algorithm
Module 1~8
Unit Type Setting range Explanation
näHÓ{äâ Sets the cut off frequency.
(0& &REQ HPF
This filter cuts low frequencies and passes high-frequencies.
,>VÊ «
Comp Type ÀÊ>ÊiÝ«>>ÌÊvÊÌÞ«iÃÊ>`Ê«>À>iÌiÀÃ]ÊÃiiÊ ]Ê -/",/" ]Ê
Limiter
"É --Ê-Ê>}ÀÌ Ã°Ê
%1 4YPE -iiÊÌ iÊ --Ê>}ÀÌ ÊvÀÊ`iÌ>ðÊ
Mastering algorithm
s #/-0,O &I MODULE
Type Parameters
Xover Lo 8OVER (I 3ENSE (I Sense Mid Sense Low -IX (IGH Mix Mid Mix Low
"AND #OMP
«ÀiÃÃÀÊÌ >ÌÊ`Û`iÃÊÃ}>ÊÌÊÎÊL>`ÃÊÌ >ÌÊV>ÊLiÊV«ÀiÃÃi`Ê>`ÊÝi`ÊÃi«>À>ÌiÞ°Ê
,O &I ÀÊ>ÊiÝ«>>ÌÊvÊÌ iÊÌÞ«iÃÊ>`Ê«>À>iÌiÀÃ]ÊÃiiÊÌ iÊ-/ , "Ê>}ÀÌ °Ê
Parameter descriptions
Parameter Setting range Explanation
Xover Lo xäâH£Èâ Adjusts low-to-mid crossover frequency.
8OVER (I xäâH£Èâ Adjusts mid-to-high crossover frequency.
3ENSE (I äHÓ{ Adjusts high range compressor sensitivity.
Sense Mid äHÓ{ Adjusts mid range compressor sensitivity.
Sense Low äHÓ{ Adjusts low range compressor sensitivity.
-IX (IGH "vv]ÊÓ{HÈ Adjusts high frequency range mix level.
Mix Mid "vv]ÊÓ{HÈ Adjusts mid frequency range mix level.
Mix Low "vv]ÊÓ{HÈ Adjusts low frequency range mix level.
124
Effect types and parameters 11
s ./2-!,):%2 MODULE
Type Parameters
R24 Effect types and parameters
Gain
.ORMALIZER
`ÕÃÌÃÊ "*ÉÊ`ÕiÊ«ÕÌÊiÛi°°Ê
Parameter descriptions
Parameter Setting range Explanation
Gain £ÓH£Ó Adjusts level.
s "!.$ %1 MODULE
Type Parameters
"AND %1 ÀÊ>ÊiÝ«>>ÌÊvÊÌÞ«iÃÊ>`Ê«>À>iÌiÀÃ]ÊÃiiÊ --Ê>}ÀÌ °Ê
s $)-%.3)/.2%3/ MODULE
Type Parameters
Dimension
ÀÊ>ÊiÝ«>>ÌÊvÊÌÞ«iÃÊ>`Ê«>À>iÌiÀÃ]ÊÃiiÊÌ iÊ-/ , "Ê>}ÀÌ °°
Resonance
s :.2 MODULE
Type Parameters
:.2 ÀÊ>ÊiÝ«>>ÌÊvÊÌÞ«iÃÊ>`Ê«>À>iÌiÀÃ]ÊÃiiÊ ]Ê -/",/" ]Ê "É --Ê-Ê>}ÀÌ Ã°Ê
Send-return effects
s #(/253$%,!9 MODULE
Type Parameters
,&/ 4YPE Depth Rate Pre Delay %&8 ,EVEL
Chorus
Mixes a variable pitch-shifted component with the original sound, resulting in full-bodied resonating tone.
Time &EEDBACK (I $AMP Pan %&8 ,EVEL Rev Send
Delay
i>ÞÊivviVÌÊÜÌ Ê>Ê>ÝÕÊ`i>ÞÊvÊÓäääÊð
Parameter descriptions
Parameter Setting range Explanation
,&/ 4YPE Mono, Stereo Sets LFO phase to mono or stereo.
Depth äH£ää Adjusts effect depth.
Rate £Hxä Adjusts modulation speed.
Pre Delay £HÎä Adjusts pre-delay time.
%&8 ,EVEL äH£ää Adjusts effect sound level.
Rev Send äHÎä Adjusts delay sound reverb send level.
Time £HÓäääÃÊ Ê £Ó{Ê/>LiÊ£® Adjusts delay time.
&EEDBACK äH£ää Adjusts feedback amount.
(I $AMP äH£ä Adjusts amount high-frequency range in delay sound is reduced.
Pan ivÌ£äHivÌ£]Ê iÌiÀ]Ê,} Ì£H,} Ì£ä Adjusts delay sound panning.
s 2%6%2" MODULE
Type Parameters
(ALL Simulates the acoustics of a concert hall.
Room Simulates the acoustics of a room.
Pre Delay Decay %1 (IGH %1 ,OW E.R.Mix %&8 ,EVEL
>Ê>`Ê,Ê >ÛiÊÌ iÊÃ>iÊ«>À>iÌiÀð
Spring Simulates a spring reverb.
Plate Simulates a plate reverb.
Pre Delay Decay %1 (IGH %1 ,OW %&8 ,EVEL
Spring and Plate have the same parameters.
Parameter descriptions
Parameter Setting range Explanation
Pre Delay £H£ää Adjusts pre-delay time.
Decay £HÎä Adjusts reverb time.
%1 (IGH £ÓHÈ Adjusts volume of high-frequency range effect sound.
%1 ,OW £ÓHÈ Adjusts volume of low-frequency range effect sound.
E.R.Mix äHÎä Adjusts mix ratio of initial reflections.
%&8 ,EVEL äHÎä Adjusts effect sound level.
125
Effect patch list 1
Effect patch list
Distortion algorithm
.O Patch
name Description
0 MsDrive >ÀÃ >Ê£xÊ`ÀÛiÊÃÕ`ÊÌ >ÌÊvÜÃÊÛÕiÊV >}iÃÊ>`Ê«ÀÛ`iÃÊÕÌÃÌ>`}Ê`Þ>VÃ
1 MdRhythm >Àà >Ê ÓäääÊÃÕ`ÊvÀÊL>V}Ê«>ÀÌÃÊÃÊ i>ÛÞ]ÊLÕÌÊÃÌÊ >ÃÊÌ iÊÕµÕiÊ>Àà >ÊÃÕ`
2 PvRhythm *i>ÛiÞÊx£xäÊL>V}Ê«>ÀÌÊÃÕ`ÊÜÌ ÊLÌiÊÌ >ÌÊÃÌ>`ÃÊÕÌÊÜ iÊÀvv}Êv>ÃÌÊ
$Z2HYTHM iâiÊiÀLiÀÌÊÃÕ`ÊvÀÊ i>ÛÞÊL>V}Ê«>ÀÌÃ
4 Recti 1µÕiÊ«ÜiÀvÕÊÌ VÊÃÕ`ÊvÊÌ iÊ -É "" Ê,iVÌviÀÊ
&ULL6X -Õ`ÊvÊ6ÝÊ ÎäÊ>ÌÊvÕÊÛÕiÊÜÌ ÊÀÊÀiÛiÀLÊÌ >ÌÊVÀi>ÌiÃÊ>ÊLÝÞÊvii}°
TexasMan /iÝ>ÃÊLÕiÃÊÃÕ`ÊvÊ>Êi`iÀÊ >ÃÃ>ÊÜÌ ÊÌ iÊÛÕiÊ>ÊÌ iÊÜ>ÞÊÕ«
7 BgLead -É "" ÊÊLi>ÕÌvÕÊ`ÀÛiÊÃÕ`Ê}Ài>ÌÊvÀÊi>`Ê«>ÞÊÜÌ Ê}ÊÃÕÃÌ>
8 &AT/D >ÌÕÀ>ÊÛiÀ`ÀÛiÊÃÕ`ÃÊiÊ" £ÊÜÌ Ê +Ê>`ÊV>ÊLiÊÕÃi`ÊL>V}Ê«>ÀÌÊ>`ÊÃÃÊ
9 TsDrive Tube Screamer overdrive good for all around use
10 GvDrive ÕÛ¿ÀÊ«i`>ÊÃÊ}Ài>ÌÊvÀÊ >À`ÊÀVÊÃÕ`
11 dist+ ÀÛiÊÃÕ`ÊÜÌ Ê`ÃÌÀÌ
12 DS1 -£ÊÃÕ`Ê`vi`ÊÜÌ ÊiÝÌÀ>ÊÜÊi`
RAT 7iÊÃÕÃÌ>i`Êi>`ÊÃÕ`ÊvÊ,/
14 &AT&ACE ÕââÊÃÕ`ÊÜÌ Êi >Vi`Ê1<<Ê ÊÜÊi`
MuffDrv Ê1Ê } Ê}>ÊÃÕ`
- 7ORLD Shrapnel-style guitarist sound using Metal Zone
17 (/4 $26 `Ê`ÀÛiÊÃÕ`Ê>`iÊLÞÊÌ iÊÌÕLiÊÃ>ÌÕÀ>ÌÊvÊ"/Ê "8ÊÌÕLiÃ
18 : .%/3 ,iVÀi>ÌÊvÊ`vi`Ê6"8Ê ÎäÊVÀi>ÞÊVÀÕV ÊÃÕ`°
19 : 7),$ ZOOM's original hard overdrive sound with extra boost creates a compressed feeling
20 : -0 ÞLÀ`ÊÃÕ`ÊvÀÊVL>ÌÊvÊ Ê*£Ê>`Ê>Àà >Ê nää
21 : "OTTOM <""ÊÀ}>Ê } Ê}>ÊÃÕ`ÊÜÌ ÊÀV Ê`ÃÊ>`ÊÜÃÊÌ >ÌÊÃÊ}Ài>ÌÊvÀÊnä¿ÃÊiÌ>
22 : $2%!- ZOOM original high gain sound great for leads
: 3#2%!- ZOOM original high gain sound with balanced low to high frequencies cuts through mix
24 LEAD ZOOM's classic lead sound with strong mid-boost and long sustain necessary for soloing
EXT DS ÝÌÀiiÊ`}Ì>Ê`ÃÌÀÌÊÌ >ÌÊ«ÕÃ iÃÊÌ iÊÌÃÊ
EC LEAD ,iVÀi>ÌÊvÊ ÀVÊ >«Ì¿Ãʸ>Þ>¸Êi>`Êi`iÀÊVÀÕV ÊÃÕ`ÊÃÊ}Ài>ÌÊÃÕ`ÊvÀÊ}ÕÌ>ÀÃÊÜÌ ÊÃ}iVÊ«Vիð
27 *IMI&UZZ Êi`ÀÝÊ« >ÃiÊÃÕ`ÊÃÕ>ÌiÃÊ"VÌ>Û>ÊÕÃ}ʸ*ÌV -/¸Ê
28 DT Slide /} ÌÊÌÕLi>«ÊÃÕ`ÊvÊ¿¿i>Û}Ê/ÀÕ¸ÊLÞÊ iÀiÊ/ÀÕVÃ
29 +# 3OLO ÀÛ>>ʸ-iÃÊiÊ/iiÊ-«À̸ÊÃÕ`
126
Effect patch list 2
Every BG Õ``ÞÊÕÞ½ÃÊLÕiÃÊÃÕ`ÊÃÊ`ÀÞÊ>`ÊÛiÀ`ÀÛiÊ>`Ê>``ÃÊVÀÊÌÊ>ÞÊLÕiÃÊV
%6( >ÀÞÊ ``iÊ6>Ê>iÊÃÕ`Ê
R24 Effect types and parameters
Bass algorithm
.O Patch
name Description
0 364 ,Þ>ÊÀVÊÃÕ`Ê}Ài>ÌÊvÀÊv}iÀ«V}Ê>`Êv>Ì«V}°
1 "!33-!. 6Ì>}iÊÀVÊÃÕ`ÊvÀÊ>ÞÊVV>ð
2 (!24+% Hartke simulation with all the glitz and glitter.
SUPER-B Ài>ÌÊvÀÊ}ÕÌ>ÀÊÕÃÊ>`ÊÃÊ«>Þ°
4 3!.3 ! `}ÞÊÃÕ`ÊÜÌ Ê>ÊÃÌÀ}ÊVÀiÊÌ >ÌÊÃÊ>Ê}`Ê>ÌV ÊvÀÊv>Ì«V}°
TUBE PRE All-round tube sound.
Attack Compression sound effective for slap and flatpick playing.
7 7AH 3OLO Solo sound with distortion and a touch of wah. Pitch shift is the secret ingredient.
8 Talk&Cry Typical special effect that makes a crying sound like a talking modulator.
9 Melody Chorus sound for melody, solo, chord and harmonic playing.
10 3LAP*AZZ >ÃVÊÃ>«ÊÃÕ`ÊÊÌ iÊ>ââÊL>ÃÃÊÃÌÞi°
11 Destroy Smashing sound mixing distortion, pitch shifting and ring modulation.
12 Tremolo Ài>ÌÊ>ÌV ÊvÀÊ`ÞÊL>ÃÃÊiÃÊ>`ÊV À`Ê«>Þ}°
SoftSlow Melody or solo play tone that is great for fretless bass.
14 Limiter Limiter evens out the sound when using a pick.
X'over Flanger sound for picking, typical of the crossover genre.
#LEAN7AH Auto wah sound that has many uses.
17 Exciter All-around sound with a fresh and transparent character.
18 ClubBass Sound that simulates the ambience of a small club and is suitable for walking bas lines.
19 $RIVE7AH Auto wah sound with variable drive that follows picking dynamics.
20-29 Empty
Mic algorithm
.O Patch
name Description
0 Rec Comp Conventional preamp and compression sound for recording.
1 RoomAmbi Simulates the ambience of a radio station studio.
2 6OCAL$LY i>ÞÊivviVÌÊÌ >ÌÊÜÀÃÊLiÃÌÊÜÌ ÊÜiÌÊÛV>ðʰ
Rock Heavy compression sound for rock vocals
127
%FFECT PATCH LIST
4 Long DLY }Ê`i>ÞÊÃÕ`ÊvÀÊÛV>ÃÊÓLi>ÌÊ>ÌÊ£ÓäÊL«®
InTheBOX This effect seems to put the entire sound into a small box
128
Effect patch list 4
Stereo algorithm
R24 Effect types and parameters
.O Patch
name Description
0 Syn-Lead For single-note synthesizer lead
1 OrganPha * >ÃiÀÊvÀÊÃÞÌ iÃâiÀÉÀ}>
2 OrgaRock ÞÊ`ÃÌÀÌÊvÀÊÀVÊÀ}>
EP-Chor i>ÕÌvÕÊV ÀÕÃÊvÀÊiiVÌÀVÊ«>
4 #LAV&LG Wah for clavinet
Concert Concert hall effect for piano
(ONKEY Honky-tonk piano simulation
7 PowerBD ÛiÃÊL>ÃÃÊ`ÀÕÊÀiÊ«ÜiÀ
8 $RUM&LNG Conventional flanger for drums
9 LiveDrum Simulates outdoor live doubling
10 *ET$RUM * >ÃiÀÊvÀÊ£ÈLi>ÌÊ >Ì
11 !SIAN+IT Changes a standard kit to an Asian kit
12 BassBost « >ÃâiÃÊÜvÀiµÕiVÞÊÀ>}i
-ONO 3T ÛiÃÊë>VÕÃiÃÃÊÌÊ>ÊÊÃÕÀVi
14 AM Radio AM radio simulation
7IDE$RUM Wide stereo effect for drum machine tracks
DanceDrm ,ivÀViÃÊL>ÃÃÊvÀiµÕiViÃÊvÀÊ`>ViÊÀ ÞÌ Ã
17 Octaver Adds sound one-octave lower
18 Percushn ÛiÃÊ>À]Ê«ÀiÃiVi]Ê>`ÊÃÌiÀiÊëÀi>`ÊÌÊ«iÀVÕÃÃ
19 MoreTone Increases midrange frequencies, giving more body to distorted guitar
20 SnrSmack « >ÃâiÃÊÃ>««iÃÃÊvÊÃ>ÀiÊÃÕ`
21 Shudder! Sliced sound for techno tracks
22 SwpPhase Phaser with powerful resonance
$IRTY"IZ Lo-fi distortion using ring modulator
24 Doubler ÕL}ÊvÀÊÛV>ÊÌÀ>V
3&8LAB ÛiÃÊÃÞÌ iÃâiÀÊ«ÜiÀvÕÊëiV>ÊivviVÌÊÃÕ`Ê
SynLead2 Old-style jet sound for synthesizer lead
27 Tekepiko For sequenced phrases or single note muted guitar
28 Soliner Simulates analog strings ensemble
29 (EVY$RUM For hard rock drums
3-3IM -Õ>ÌÊvÊ-xÇÊV]ÊÜ V ÊÃÊ}Ài>ÌÊvÀÊÀiVÀ`}ÊiiVÌÀVÊ}ÕÌ>ÀÃÊ>`ÊÌ iÀÊ>>}ÊÃÌÀÕiÌð
MD421Sim -Õ>ÌÊvÊ {ӣʫÀviÃÃ>ÊÃÌ>`>À`ÊVÊÌ >ÌÊÃÊ`ëiÃ>LiÊÊLÀ>`V>ÃÌ}]ÊÀiVÀ`}Ê>`ÊÛi°
U87Sim -Õ>ÌÊvÊ1nÇ]Ê>ÊV`iÃiÀÊÌÞ«iÊVÀ« iÊÌ >ÌÊÃiÌÃÊÃÌ>`>À`ÃÊ>`ÊÃÊÕÃi`ÊÊÃÌÕ`ÃÊÜÀ`Ü`i°
C414Sim -Õ>ÌÊvÊ {£{]Ê>Êv>ÕÃÊVÀ« iÊ } ÞÊÌÀÕÃÌi`ÊÊÀiVÀ`}ÊÃÌÕ>Ìð
Doubling Creates doubled sounds as if the entire sound body became thicker
ShortDLY i>ÞÊÃÕ`ÊÃÕÌ>LiÊvÀÊÛV>ÃÊ>`Êvi`ÊÀiVÀ`}ÃÊÌ >ÌÊ >ÃÊ>Ê}VÞÊivviVÌ
,O &I Creates lo-fi sound with a nostalgic feeling as if coming from a radio
Limiter A limiter very effective on band rehearsals and live recording
BoostPls Adds overall sound pressure during recording
All Comp Compressor evens out volume differences between instruments in a band performance, for example
40-49 Empty
8x COMP EQ algorithm
.O Patch
name Description Recommended inputs 1 - 8
1 ÕÌ>ÀÊ>«
2 >ÃÃÊ>«
6V>
0 6OCL"AND iiÀ>Ê«ÕÀ«ÃiÊ«>ÌV ÊvÀÊÛV>ÊL>`
4 Chorus
ÀÕÃ
7-8 iÞL>À`
1-2 ÕÌ>ÀÊ>«
>ÃÃÊ>«
1 Inst For jazz fusion bands 4 Piano
ÀÕÃ
7-8 iÞL>À`
1 Acoustic bass
2 Piano
6V>
2 AcoBand For acoustic bands
4 Chorus
Acoustic guitar
7-8 Percussion
129
%FFECT PATCH LIST
1-2 ÕÌ>À
>ÃÃ
Mastering algorithm
.O Patch
name Description
0 PlusAlfa >ViÃÊÌ iÊÛiÀ>Ê«ÜiÀ
1 All-Pops Conventional mastering
2 3T7IDE Wide-range mastering
DiscoMst For club sound
4 Boost For hi-fi finish
Power For a powerful low range
Live Adds a live feel
7 7ARM-ST Adds a warm feeling
8 TightUp Adds a tight feeling
9 -ST >ÃÌiÀ}ÊÜÌ Ê£Îä¿ÃÊÃÕ`
10 ,O&I -ST Lo-fi mastering
11 BGM Mastering for background music
12 RockShow ÛiÃÊ>ÊÀVÊÃÌÞiÊÝÊ>ÊÛiÊvii
Exciter Lo-fi mastering with slight distortion in mid and upper range
14 Clarify « >ÃâiÃÊ } i`ÊÀ>}i
6OCAL-AX À}ÃÊLÕÀi`ÊÛV>ÃÊÌÊÌ iÊvÀi}ÀÕ`
2AVE2EZ Special sweep effect using sharp filter
17 &ULL#OMP Strong compression over full frequency range
18 #LEAR072 Power tuning emphasizes midrange and adds sound pressure and clarity
19 ClearDMS >ViÃÊV>ÀÌÞÊ>`Êë>VÕÃiÃÃ
20 -AXIMIZR ÃÌÃÊÛiÀ>ÊÃÕ`Ê«ÀiÃÃÕÀiÊiÛi
21-29 Empty
130
%FFECT PATCH LIST
Send-return effects
R24 Effect types and parameters
REVERB
.O Patch
name Description
0 4IGHT(AL Hall reverb with a hard tonal quality
1 BrgtRoom ,ÊÀiÛiÀLÊÜÌ Ê>Ê >À`ÊÌ>ʵÕ>ÌÞ
2 3OFT(ALL Hall reverb with a mild tonal quality
,ARGE(AL Simulates the reverberation of a large hall
4 3MALL(AL Simulates the reverberation of a small hall
,IVE(OUS Simulates the reverberation of a club
TrStudio Simulates the reverberation of a rehearsal studio
7 DarkRoom ,ÊÀiÛiÀLÊÜÌ Ê>Ê}iÌiÊÌ>ʵÕ>ÌÞ
8 6CX2EV Tuned to enhance vocals
9 Tunnel Simulates the reverberation of a tunnel
10 BigRoom Simulates the reverberation of a gym-sized room
11 PowerSt. >ÌiÊÀiÛiÀL
12 "RIT(ALL Simulates the bright reverb of a concert hall
"UDO+AN -Õ>ÌiÃÊÌ iÊÀiÛiÀLiÀ>ÌÊ>ÌÊÌ iÊ Õ`>ÊÊ/Þ
14 Ballade For slow ballads
SecBrass ,iÛiÀLÊvÀÊLÀ>ÃÃÊÃiVÌ
ShortPla Short reverb
17 RealPlat Spring reverb simulation
18 Dome ,iÛiÀLÊÃÕ>ÌiÃÊ«>Þ}ÊÊ>Ê`i`ÃÌ>`Õ
19 6IN3PRIN Simulates analog spring reverb
20 ClearSpr Clear reverb with short reverb time
21 Dokan Simulates the reverberation of a clay pipe
22-29 Empty
CHORUS/DELAY
.O Patch
name Description
0 ShortDLY Standard short delay
1 GtChorus Chorus to enhance weak guitar sound
2 Doubling 6iÀÃ>ÌiÊ`ÕL}
Echo Showy analog-style delay
4 $ELAY ÌÌi`nÌ ÌiÊ`i>ÞÊÊÃÞVÊÜÌ ÊÌi«
$ELAY ÌÌi`µÕ>ÀÌiÀÌiÊ`i>ÞÊÊÃÞVÊÜÌ ÊÌi«
&AST#HO Fast-rate chorus
7 DeepCho 6iÀÃ>ÌiÊ`ii«ÊV ÀÕÃ
8 6OCAL Chorus that enhances vocals
9 DeepDBL ii«Ê`ÕL}
10 SoloLead ii«ÃÊv>ÃÌÊ« À>ÃiÃÊÌ} Ì
11 7ARMY$LY Simulates warm analog delay
12 EnhanCho >ViÀÊÌ >ÌÊÕÃiÃÊ« >Ãià vÌi`Ê`ÕL}
Detune For instruments with strong harmonics such as a digital electronic piano or synthesizer
14 .ATURAL Chorus with low modulation suitable for backing parts
7HOLE Whole-note delay in sync with tempo
$ELAY Half-triplet-note delay in sync with tempo
17 Delay1/4 £ÈÌ ÌiÊ`i>ÞÊÊÃÞVÊÜÌ ÊÌi«
18-29 Empty
131
Error message list
vÊÞÕÊÃiiÊ>ÊiÃÃ>}iÊiʺ ÀÀÀ»Ê«Õà ÊÌ iÊEXIT key. When other errors and messages occur,
the displayed screen will automatically close in three seconds.
,iÃiÌÊ / É/ Setting lost because the batteries died. Set the DATE/TIME again. →
*£{
ÜÊ >ÌÌiÀÞt Time to change the batteries. Change batteries or connect the adapter.
The function you tried cannot be accessed
-Ì«Ê,iVÀ`iÀ Stop the recorder first, and then try again..
`ÕÀ}Ê«>ÞL>VÉÀiVÀ`}°
Messages that indicate the capacity or structural limit has been exceeded
Card Full The card is full. Change to a new card or delete unneeded data.
Project Full No more projects can be saved on the card. iiÌiÊÕii`i`Ê«ÀiVÌð
The maximum number of files has been ex-
File Full Ê iiÌiÊÕii`i`Êvið
ceeded.
1- Ê iÛViÊÕ / iÊViVÌi`Ê1- Ê`iÛViÊÃÊvÕ° >}iÊÌ iÊViVÌi`Ê1- Ê`iÛViÊÀÊ`iiÌiÊ`>Ì>°
iÊÀ>ÌÊ ÀÀÀ This file is not in a format the unit can use. Change the file format to one that the unit can use.
/ ÃÊ1- Ê`iÛViÊÃÊÌÊÊ>ÊvÀ>ÌÊÌ iÊÕÌÊV>Ê
1- Ê iÛViÊÀ>ÌÊ ÀÀÀ >}iÊÌ iÊ1- ÊvÀ>ÌÊÌÊiÊÌ >ÌÊÌ iÊÕÌÊV>ÊÕÃi°
use.
>À`Ê ÀÀÀ
*ÀiVÌÊ ÀÀÀ
An error of some kind is occurring. *ÀiÃÃÊ 8/Ê>`ÊÌÀÞÊÌ iÊ«iÀ>ÌÊ>}>°
iÊ ÀÀÀ
1- Ê iÛViÊ ÀÀÀ
132
Specifications
Section R24
Specifications
133
Troubleshooting
vÊÞÕÊÌ ÊÌ iÀiÊÃÊ>Ê«ÀLiÊÜÌ ÊÌ iÊ«iÀ>ÌÊvÊÌ iÊ,Ó{]ÊV iVÊÌ iÊvÜ}ÊÌ«ÃÊwÀÃÌ°
Troubleshooting
Problems during playback suitable value.
UÊ vÊ >Ê ÃiÀÌÊ ivviVÌÊ ÃÊ >««i`Ê ÌÊ >Ê «ÕÌ]Ê V iVÊ
◆ No sound, or sound is very weak Ü iÌ iÀÊ Ì iÊ ivviVÌÊ ÕÌ«ÕÌÊ iÛiÊ «>ÌV Ê iÛi®Ê
UÊ iVÊ Ì iÊ ViVÌÃÊ ÜÌ Ê Ì iÊ ÌÀ}Ê
setting is suitable.
system and its volume settings.
UÊ >iÊ ÃÕÀiÊ Ì >ÌÊ ÃÌ>ÌÕÃÊ `V>ÌÀÃÊ Ê Ì iÊ ÝiÀÊ
section are lit green and that their faders are Problems with effects
raised. If a track's indicator is not green, press its ◆ Insert effect cannot be inserted
key repeatedly until it lights green. UÊ vÊÕÃ}ÊÌ iÊnÝ "*Ê +Ê>}ÀÌ ]ÊÌ iÊÃiiVÌÊ
UÊ >iÊÃÕÀiÊÌ >ÌÊÌ iÊQ-/ ,RÊÃÌ>ÌÕÃÊiÞÊÃÊÌÊÌÊ of insert points is limited (→
*n£®°Ê
>`ÊÌ >ÌÊÌ iÊQ-/ ,RÊv>`iÀÊÃÊÀ>Ãi`°
◆ No sound from the input signal, or the ◆ Send-return effect is not working
sound is very weak UÊ wÀÊÌ >ÌÊÌ iÊREV or CHO icon is shown on the
UÊ >iÊ ÃÕÀiÊ Ì >ÌÊ Ì iÊ GAIN control for that input is display. If it is not shown, press the EFFECT key,
turned up. then press the REVERB or CHORUS soft key and
UÊ iVÊ Ì >ÌÊ Ì iÊ ÃÌ>ÌÕÃÊ } ÌÊ ÃÊ }ÀiiÊ «>ÞL>VÊ set ON/OFF to On.
i>Li`®Ê>`ÊÌ >ÌÊÌ iÊv>`iÀÊvÊÌ iÊÌÀ>VÊÃÊÀ>Ãi`° UÊ >iÊÃÕÀiÊÌ >ÌÊÌ iÊÃi`ÊiÛiÃÊvÀÊÌ iÊÌÀ>VÃÊ>ÀiÊ
raised (→
*{ä]Ênä®°Ê
◆ An operation does not work and the
message “Stop Recorder” is shown on the Other problems
display
UÊ -iÊ «iÀ>ÌÃÊ >ÀiÊ ÌÊ «ÃÃLiÊ Ü iÊ Ì iÊ
◆ Cannot save a project
UÊ / iÊ «ÀiVÌÊ V>ÌÊ LiÊ Ã>Ûi`Ê vÊ Ì iÊ «ÀiVÌÊ ÃÊ
recorder is operating. Press the STOP key to stop
protected. Set “PROTECT»ÊÌʺOff»Ê(→
*n®°Ê
the recorder and then conduct the operation.
134
Upgrading the firmware
1«}À>`iÊÌ iÊwÀÜ>ÀiÊ>ÃÊiViÃÃ>ÀÞ°Ê
Upgrading the firmware
NOTE
UÊ Ü>`Ê Ì iÊ >ÌiÃÌÊ ÃÞÃÌiÊ ÃvÌÜ>ÀiÊ >ÌÊ Ì iÊ
<""ÊÜiLÃÌiÊ ÌÌ«\ÉÉÜÜÜ°â°V°«®°
UÊ 1ÃiÊÌ iÊ/""-9-/ 6 ,-" ÊiÕÊÌiÊÌÊ
check the version of the system software that the
unit is currently using.
135
136
Index
A &
Index
C I
Changing names . . . . . . . . . . . . . . 73, 84, 94 Importing
Chromatic tuner . . . . . . . . . . . . . . . . . . . . . 35 Card reader . . . . . . . . . . . . . . . . . . . . . . . . £äÈ
Connecting equipment . . . . . . . . . . .11, 18, 19 Files . . . . . . . . . . . . . . . . . . . . . . . . . . . £äÈ£än
Contrast . . . . . . . . . . . . . . . . . . . . . . . . . . 100 Patches . . . . . . . . . . . . . . . . . . . . . . . . . . . . nÈ
Projects . . . . . . . . . . . . . . . . . . . . £Ç]Ênx]ÊÇ
Control surface . . . . . . . . . . . . . . . . . 110, PDF
1- ÊiÀÞÊ . . . . . . . . . . . . . . . . . ££]Ê£äÇ£ä
In points . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
D Input sensitivity . . . . . . . . . . . . . . . . . . . . . 23
Date and time setting . . . . . . . . . . . . . . . . . 14 Insert effects
Deleting data ÃiÀÌ}ÊLivÀiÊÌ iÊ-/ ,Êv>`iÀ . . . . . . . {x
Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . x Insertion points . . . . . . . . . . . . . . . . . . . . . . n£
Marks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Î{ 1Ã}ÊÞÊvÀÊÌÀ} . . . . . . . . . . . . . . . nÇ
Projects. . . . . . . . . . . . . . . . . . . . . . . . . . . . . x
- ÊV>À`à . . . . . . . . . . . . . . . . . . . . . . . . . . . £äÓ
Display L
>V} ÌÊ . . . . . . . . . . . . . . . . . . . . . . . . . . £ää Level adjustment. . . . . . . . . . . . . . . . . . . . . 23
Contrast . . . . . . . . . . . . . . . . . . . . . . . . . . . £ää Locate function . . . . . . . . . . . . . . . . . . . .33-34
Information . . . . . . . . . . . . . . . . . . . . . . . . . . £È Loops . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
E M
Effects Manual punch-in/out . . . . . . . . . . . . . . . . . . 30
vviVÌÊ`Õià . . . . . . . . . . ÊÇÇÇn]ÊnÎ]Ê££x£Óx
Marks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33
vviVÌÊ«>À>iÌiÀÃÊ . . . . . . . . . . ÇÇ]Ên{]Ê££x£Óx
Master tracks . . . . . . . . . . . . . . . . . . . . . . . 46
vviVÌÊÌÞ«iÃÊ . . . . . . . . . . . . . . ÇÇÇ]Ê££x]Ê£ÓÈ
Insert effects . . . . . . . . . . . . . . . . . . . . {x]ÊÇÇnÇ Mastering effect . . . . . . . . . . . . . . . . . . . . . 45
Mastering effects . . . . . . . . . . . . . . . . . . . . . {x Metronome . . . . . . . . . . . . . . . . . . . . . . . . . 36
Patches. . . . . . . . . . . . . . . . . . . . . . . . . £ÓȣΣ Mixing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Send-return effects . . . . . . . . . {ä]ÊÇÇÇ]ÊnÎnÈ Mixing down to two tracks . . . . . . . . . . . .43-46
EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
137
PDF: Audio Interface Manual on the included CD.
Index
Out points . . . . . . . . . . . . . . . . . . . . . . . . . . 29 Rhythm patterns
Overdubbing . . . . . . . . . . . . . . . . . . . . . . . 27 Changing rhythm pattern names . . . . . . . . . ÇÎ
Copying . . . . . . . . . . . . . . . . . . . . . . . . . . . . ǣ
iiÌ} . . . . . . . . . . . . . . . . . . . . . . . . . . . . ÇÓ
P Creating . . . . . . . . . . . . . . . . . . . . . . . . . . . . Èn
Pads . . . . . . . . . . . . . . . . . . . . . . . . . . 52, 67 Importing . . . . . . . . . . . . . . . . . . . . . . . . . . . Ç{
Panning. . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 Assigning to tracks . . . . . . . . . . . . . . . . . ÓÓ]ÊÇÈ
Patches
Changing patch names . . . . . . . . . . . . . . . . n{ S
`Ì} . . . . . . . . . . . . . . . . . . . . . . . . . . . . . nÎ
Sampler functions . . . . . . . . . . . . . . . . . .47-64
Initialization . . . . . . . . . . . . . . . . . . . . . . . . . *
SD cards
Importing . . . . . . . . . . . . . . . . . . . . . . . . . . . nÈ
Card reader functions . . . . . . . . . . . . . . . . . £äÈ
Patch list . . . . . . . . . . . . . . . . . . . . . . . . £ÓȣΣ
Changing while the power is on . . . . . . . . . .£ä£
Saving. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ênx
Checking card capacities . . . . . . . . . . . . . . £äÓ
Selection . . . . . . . . . . . . . . . . . . . . . . . . . . . . nä
Formatting . . . . . . . . . . . . . . . . . . . . . . . . . £äÓ
Phantom power . . . . . . . . . . . . . . .11, 18, 104
Installation. . . . . . . . . . . . . . . . . . . . . . . . . . . £Ó
Playlists. . . . . . . . . . . . . . . . . . . . . . . . . .97-98
Send-return effects
Power Send level track settings . . . . . . . . . . . . . . . . {ä
>ÌÌiÀÞÊÃÌ>>Ì. . . . . . . . . . . . . . . . . . . . . £Î Patches. . . . . . . . . . . . . . . . . . . . ÇÇ]ÊnÎnÈ]ʣΣ
>ÌÌiÀÞÊÌÞ«iÊÃiÌÌ}. . . . . . . . . . . . . . . . . . . £äÎ
Sequence data . . . . . . . . . . . . . . . . . . . .53-59
" É" . . . . . . . . . . . . . . . . . . . . . . . . . . . . £{
Creation . . . . . . . . . . . . . . . . . . . . . . . . . . . . xÎ
Projects `Ì} . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xÈ
Changing project names . . . . . . . . . . . . . . . { Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . x
Copying . . . . . . . . . . . . . . . . . . . . . . . . . . . . Î
Sequential playback of projects. . . . . . . . . . 97
Creating new . . . . . . . . . . . . . . . . . . . . . .£Ç]Êä
Shutting down . . . . . . . . . . . . . . . . . . . . . . . 14
iiÌ} . . . . . . . . . . . . . . . . . . . . . . . . . . . . x
Overview. . . . . . . . . . . . . . . . . . . . . . . . . . . . n Specifications . . . . . . . . . . . . . . . . . . . . . . 133
Protecting . . . . . . . . . . . . . . . . . . . . . . . . . . . n Stereo link . . . . . . . . . . . . . . . . . . . . . . . . . 20
Selecting . . . . . . . . . . . . . . . . . . . . . . . . . . . . £ Stereo settings . . . . . . . . . . . . . . . . . . . .19-20
Sequential playback . . . . . . . . . . . . . . . . . . Ç Swapping files. . . . . . . . . . . . . . . . . . . . . . . 25
Punching in and out . . . . . . . . . . . . . . . 29-30 Switches . . . . . . . . . . . . . . . . . . . . . 15, 18, 19
ÕÌÊ«ÕV ÉÕÌÊ . . . . . . . . . . . . . . . . . . . . ÊÓ System version . . . . . . . . . . . . . . . . . . . . . 103
>Õ>Ê«ÕV ÉÕÌÊ . . . . . . . . . . . . . . . . . . ÊÎä
T
1 Tuner types and use . . . . . . . . . . . . . . . . . . 35
Quantization bit rate . . . . . . . . . . . . . . . . . . 99 Tracks . . . . . . . . . . . . 20, 22-28, 31, 43-44, 49
Assigning . . . . . . . . . . . . . . . . . . .ÓÓ]ÊÓx]Ê{]ÊÇÈ
R Mixer . . . . . . . . . . . . . . . . . . . . . . . . . . . .{ä]Ê{£
Recording Parameters . . . . . . . . . . . . . . . . . . . . . . .{ä]Ê{£
Additional tracks . . . . . . . . . . . . . . . . . . . . . . ÓÇ
Changing playback takes . . . . . . . . . . . . . . . Óx U
First track . . . . . . . . . . . . . . . . . . . . . . . . . . . ÓÎ USB . . . . . . . . . . . . . . . . . . . . . . . . . . 105-111
Formats. . . . . . . . . . . . . . . . . . . . . . . . . . ä]Ê Connecting with a computer . . . . . . . . . . . . £äx
Master track . . . . . . . . . . . . . . . . . . . . . . . . . {È 7ÊÃvÌÜ>ÀiÊ«iÀ>ÌÊ . . . . . . . . . . . . . . *
Overdubbing. . . . . . . . . . . . . . . . . . . . . . . . . ÓÇ 1- ÊiÀÞÊ . . . . . . . . . . . . . . . . . . . . . . . £äÇ
Preparations . . . . . . . . . . . . . . . . . . . . . . £Ç£
138
FCC regulation warning (for U.S.A.)
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interference in a residential installation. This equipment generates, uses, and can radiate radio frequency
energy and, if not installed and used in accordance with the instructions, may cause harmful interference
to radio communications. However, there is no guarantee that interference will not occur in a particular
installation. If this equipment does cause harmful interference to radio or television reception, which can be
determined by turning the equipment off and on, the user is encouraged to try to correct the interference by
one or more of the following measures:
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For EU Countries
Declaration of Conformity