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Tea Bugs As Ink
Tea Bugs As Ink
METHODOLOGY
This chapter takes the significant part of this research. The researchers preferred carefully the
right method and procedures for teabags as an alternative ink. Here shows the procedures and
processes on how the study answered the focus topic in this research.
MATERIALS
fork, Bottle
PROCEDURE
Remove the teabags from the boiling water. Use a strainer and a fork to remove all of the
extracts.
Continue to stir it. Add as much dissolved cornstarch as you need to have your desired
consistency.
Remove it from the heat and let it cool. When done, store in a bottle.
SET-UP B Controlled Set-up
MATERIALS
PROCEDURES
Remove the teabags from the boiling water. Use a strainer and a fork to remove all of the
extracts.
Remove it from the heat and let it cool. When done, store in a bottle.
Chapter IV
FINDINGS
During the procedure, researchers discovered that boiling is an excellent extraction method. The
color shift is fairly evident immediately after researchers place the teabags in the boiling water.
The tea gave the mixture a distinct aroma during this phase. Following the steps for Set-up A,
which included the addition of vinegar, there was no instant change in color, as the
researchers had hoped. Instead, researchers observed the vinegar's effect when we attempted to
paint the two inks on paper. It was more difficult to use ink B on paper because its consistency
was so watery. As a result, it became liquid, and after drying, it was discovered that ink A had a
The hypothesis, that tea bag shaves have the potential to be converted into ink when vinegar and
cornstarch are added, was proven right. Researchers had two setups: Setup A, which included
vinegar, and Setup B, which did not. Vinegar is primarily a dilute aqueous solution of acetic
acid, an important reagent and industrial chemical that is primarily utilized in the manufacturing
of cellulose acetate.
A cellulose acetate serves as a film base in photography, and a film base is a clear substance that
works as a filter medium for the photosensitive emulsion that sits atop it; the base of any given
film stock typically accounts for the great majority of its thickness.
The addition of vinegar and cornstarch to ink may result in a thicker consistency and more
consistent color, which is beneficial for ink utilization. Our observations show that adding
vinegar to the combination can make it into an ink since there would be no consistency on the
CONCLUSION
Tea bags can be turned into ink. Vinegar can improve the color of a product, such as ink.
Cornstarch effectively improves to producing the desired ink consistency. The techniques of
boiling and filtering are effective in extracting the extract from tea bags.
We therefore conclude that one can create an improvised ink using the extract from tea bags. As
a result, we infer that tea bag extract can be used to make an improvised ink. Because the
ingredients are usually found around the house, this will be very easy and cost-effective.
Furthermore, the aforementioned procedures, boiling and filtering, are efficient and simple to
carry out.
SUMMARIZATION
There are numerous types of ink. In our experiment, we will make our ink primarily from tea
bags. Having two separate setups enables you to compare the colors and consistency. Cornstarch
is an effective addition for achieving the desired product consistency. Although there is no
visible change in color, it was observed that vinegar gave the ink a consistent color whether wet
or dry.
RECOMMENDATION
Based on the results of the trial, researchers recommend the following changes for future
enhancements. To improve extraction outcomes, advise that the boiling time be increased.
Researchers also propose that a considerable amount of corn starch, a thickening agent, be used
Instead of just adding your chosen amount of cornstarch to the mixture over low heat, dissolve it
first in cold or warm water to remove lumps. Because of the benefits researchers seen, we still
recommend using vinegar. Depending on availability, refined soybean oil can also be used as a
drying oil. This serves as a foundation for printing inks and oil paintings.