Poesía

de
LA ROSA Y EL SAUCE Música de
Francisco Silva Carlos Guastavino

     
   
 =40


Voz

 
muy expresivo

    
                        
   
    
     
                   
     
Piano

         


   
      


  
5 apacible


Vz

  
 La ro sa se i ba a

               
    

 
                  
             
Pno

    
 

m.d.

    
            
8


Vz

brien do a bra za da al sau ce.

            

expresivo

        
   
 
 
 
 
   
       
 
                 
     
Pno

  
  
       



11



Vz

 
             
                 
El

   


         

 


  
      
 
 
   
 
   
           
Pno cresc.

   
    

          
  
14 


Vz

  

    
ár bol a pa sio na do, a pa sio

            

cresc.

         
             
  
        
          
       
Pno

       

   
         

16

  


Vz

      

na do, la a ma ba tan to !

          
       
           
       
  



            


             
Pno

   


 
    
 

2
     
        


   


18


Vz


Pe ro u na ni ña u na ni ña co que ta,

                 
            
       

 


      
              
    
 
 
Pno

  
  

  
                

20

 


Vz

   
pe ro u na ni ña u na ni ña co que ta se la ha ro ba do, y el

      
    
                 
         
        

  
    
        
                    
Pno 

   
       

           
     


23

 
Vz

sau ce des con so la do la es tá llo ran do, la es tá llo

 
                      
delicadísimo

     
    

         
         
Pno

      


  

3
   
              

26


Vz

ran do. Ah Ah

     

      
             
   
  


     
muy expressivo


         
Pno

        

  


        
            
rit. _ _ _ _

    


29

 Ah
Vz


            
                        
     
  
    
        
dim. _ _ _

    
Pno

        
rit. _ _ _ _

       
