Poesía de

LA ROSA Y EL SAUCE Música de

Francisco Silva Carlos Guastavino

    
     
 =40


Voz

  
muy expresivo


           
           
   
  
                
                 
Piano




    
         


apacible


5

Vz


 La ro sa se i ba a

         
    
    
  
 
     
                
           
   
Pno

  

m.d.

              

8

 


Vz

 
      
brien do a bra za da al sau ce.

     
  
expresivo

          
       

 
 
          
        


       
Pno

 
 

    
    


11


Vz

 
                  
       
El

 
    


        
    



   
      
      
  
  
  
cresc.

       
Pno

    


           
 
14 
Vz


     
 
ár bol a pa sio na do, a pa sio

          
     
cresc.

          
        
  
        
          
    
  
Pno

       

       
   
    

16


Vz

      

na do, la a ma ba tan to !

    
         
    
         
    
 

   



       
     


            
Pno

 
   


   
 
2
    


         





18

Vz


  
Pe ro u na ni ña u na ni ña co que ta,

    
                   
      
    


 
                  
      
  
Pno

   
  


 
                  

20


Vz

   
pe ro u na ni ña u na ni ña co que ta se la ha ro

     
              
 
 
        
    
   
 
   
          
      


     
Pno

     


       
  
        
22


Vz

 
ba do, y el sau ce des con so la do la es tá llo


                
       
delicadísimo

                


  
        
              
Pno




      

3
        
       

25


Vz

         
ran do, la es tá llo ran do. Ah

                    
         
 
      
               
muy expressivo

           
Pno

   



                 
       
28


Vz

Ah Ah

            
                    

      
  
     
     
dim. _ _ _

 
            

     
Pno


            

 
    
rit. _ _ _ _

 
32


Vz



    
    
   

    

Pno
rit. _ _ _ _

 
