Reference List

Carpentier, Gregoire et al. “Predicting Timbre Features of Instrument Sound Combinations:

Application to Automatic Orchestration.” Journal of New Music Research 39.1 (2010): 47–61.
Print.

Collins, Nick. “Computational Analysis of Musical Influence: a Musicological Case Study Using
MIR Tools..” (2010): 177–182. Print.

Collins, Nick. “SCMIR: a Supercollider Music Information Retrieval Library.” 2011. Print.

Eigenfeldt, Arne, and Philippe Pasquier. “Real-Time Timbral Organisation: Selecting Samples
Based Upon Similarity.” Organised sound 15.02 (2010): 159–166. Web.

Foote, Jonathan T. “Automatic Audio Segmentation Using a Measure of Audio Novelty.”

Multimedia and Expo, 2000. ICME 2000. 2000 IEEE International Conference on 1 (2000): 452–
455. Print.

Frisson, Christian et al. “Audiogarden: Towards a Usable Tool for Composite Audio Creation.”
Target 7 (2010): 8. Print.

Hoffman, Matt, and Perry R Cook. “Real-Time Feature-Based Synthesis for Live Musical
Performance.” Proceedings of the 7th international conference on New interfaces for musical
expression (2007): 309–312. Print.

Park, Tae Hong et al. “Feature Modulation Synthesis (FMS).” Proc. ICMC 2007 (2007): n. pag.
Print.

Rutz, Hanns Holger. “Sound Similarity as Interface Between Human and Machine in
Electroacoustic Composition.” 2012. 212–219. Print.

Schwarz, Diemo. “The Sound Space as Musical Instrument: Playing Corpus-Based

Concatenative Synthesis.” New Interfaces for Musical Expression (NIME) (2012): n. pag. Print.

Made with Papers - papersapp.com