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Milton and The Humanist Attitude Towards Women
Milton and The Humanist Attitude Towards Women
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BY PAUL N. SIEGEL
England [University of North Carolina Press, 1935], 206n.): "Erasmus shared with
Vives a reputation for wisdom in domestic affairs because of the comments in his
various works, even though his longest contribution to the subject, Matrimonii
Christiani Institutio, was not well known in England." The central idea of the
Brief and Pleasant Discourse is that marital happiness, "the flower of friendship,"
can be attained by the couple trusting in God and the wife submitting to her hus-
band's gentle rule and paying attention to her care of the house.
13Idem, 198. Cf. Milton's stress on the possession of reason and free will by
men and women, Paradise Lost, ix, 351-6.
14 Idem, 104.
15 Cf. Milton's invocation to wedded love (Paradise Lost, iv, 750-75), which,
unlike the lusts of the brutes, is "founded in reason" and is the source of virtue.
16 Cf. Milton, recoiling from Mary Powell (III, 194): "an image of earth and
phlegm."
17 Vives and the Renaissance Education of Women, 111.
nor debate between those, in whom is one heart, not desiring con-
trary things, and one mind not of contrary opinion."22 Nor in a
harmonious family is the woman a mere household drudge:
A woman well brought up is fruitful and profitable unto her husband, for so
shall his house be wisely governed, his children virtuously instructed, the
affections less ensued and followed, so that they live in tranquillity and
virtue. Nor thou shalt not have her as a servant, or as a companion of thy
prosperity and welfare only, but as a most faithful secretary of thy cares
and thoughts, and in doubtful matters a wise and a hearty counsellor.23
Sir Thomas Elyot, whose young wife sometimes participated
in the studies of More's daughters, wrote a dialogue called The
Defence of Good Women in which the merits of women are de-
bated. Calididus, the champion of women, answers Caninius's
diatribes by quoting Aristotle 's Oeconomica on the role of woman
in the household as a necessary part of the good life. He then
gets Caninius to agree that man's chief excellence is his reason
and, arguing that reason is more necessary for the preservation
than the acquiring of property, states that woman's rational fac-
ulty is superior to that of man. This exaggerated laudation of
womankind, however, is corrected by Zenobia, who represents
Catherine of Aragon, the discarded wife of Henry VIII and the
pupil of Vives. She gives Vives' view of marriage:
For by my study in moral philosophy, wherein I spent the years between
sixteen and twenty, I perceived that without prudence and constancy,
women might be brought lightly into error and folly, and made therefore
unmeet for that company whereunto they were ordained, I mean to be of
assistance and comfort to man through their fidelity, which other beasts
are not, except they be by force of man thereto constrained.24 I found also
22 Fives and the Renaissance Education of Women, 116-7. Cf. The Judgment
of Martin Bucer, IV, 329: "God requires of them both so to live together, and to
be united not only in body, but in mind also. . . They must communicate and consent
in all things both divine and human which have any moment to well and happy
living."
23 Idem, 209. Let us strive, says Adam after the reconcilement (Paradise Lost,
x, 959-61),
In offices of Love, how we may light'n
Each others burden in our share of woe.
24 Cf. Paradise Lost, viii, 389-92:
Of fellowship I speak
Such as I seek, fit to participate
All rational delight, wherein the brute
Cannot be human consort.
age her husband's property and her house and children if she be
married, and all those capacities that are requisite in a good house-
wife . . .' 28 For nature has adapted man and woman to a single
common end: the woman, with her greater caution and placidity
of spirit, preserves at home what the man earns abroad. Most
important, Castiglione counterposed to chivalric love, with its
sensual core, a rational love through which man was to attain the
highest felicity. Romei, in his Courtier's Academy, a book in-
fluenced by The Courtier, distinguished between three kinds of
rational love: the first kind is represented by the divine lover, who
has proceeded from the love of the beauty of a single woman to
the love of universal beauty; the second kind by the lover who,
although above sensual desire, finds pleasure in the company of
his mistress, whom he loves more for the beauties of her mind
than her body; the third kind by the lover who seeks bodily union
within the lawful bonds of matrimony. All other kinds of love,
where reason is not in control, are bestial rather than human.
Castiglione's Bembo regards the second kind of rational love as
merely a stage in the ascent to divine love, but another interlocu-
tor, Lord Magnifico, discusses it at some length and finds that it
should lead to marriage.29
Castiglione's ideals received their highest poetic expression in
The Faerie Queene, which indeed-its purpose, we may remember,
was "to fashion a gentleman or noble person in vertuous and
gentle discipline'"3Ois a kind of courtesy book. The knights of
The Faerie Queene are what Romei calls the second kind of ra-
tional lovers-or rather a mixture of the second and third kinds, for
Spenser joins the neo-Platonic and the Calvinist ideals of love.3'
He shows us the marriage of the Redeross Knight with Una, and
presumably his other heroes and heroines end up in similar domes-
tic felicity. The love of Britomart, the personification of Chas-
tity-and chastity for Spenser is the purity of soul requisite for
28Idem, 176.
29 Idem, 224.
30 Prefatory letter to The Faerie Queene.
31 Milton inherited this Platonic strain, the main element which the humanists
added to the Puritan doctrine of married love. Compare with his statement in
Paradise Lost (viii, 589-93) that true love "refines/ The thoughts, and heart en-
larges, hath his seat/ In Reason, and is judicious, is the scale/ By which to
heav'nly Love thou may'st ascend,/ Not sunk in carnal pleasure."
The relations between Colonel Hutchinson and his wife and the
language of Mrs. Hutchinson in speaking of her husband remind
us of Milton's Adam and Eve before the Fall (except that Colonel
Hutchinson, unlike Adam, does not seem to have needed to be
warned by Raphael against uxoriousness). For Mrs. Hutchinson,
in glorifying the Colonel as an ideal husband, and Milton, in de-
picting marriage in an earthly Paradise, each drew upon the views
concerning the relationship of the sexes which had been made cur-
rent by the humanists and the Puritan domestic conduct hook
writers.
Ripon College.
34 Cf. Raphael's warning to Adam (Paradise Lost, viii, 566-9): "For what
admir'st thou, what transports thee so,/ An outside? fair no doubt, and worthy
well/ Thy cherishing, thy honouring, and thy love,/ Not thy subjection."
35 Lucy Hutchinson, Memoirs of the Life of Colonel Hutchinson (London,
1846), 30-1.