Reality TV Staff

What are the key staff and crew positions on a reality show?

Every reality show has a show runner. Every show has a story department. That would be
the producers who would be primarily involved with the questioning and the direction of
character development on the stories. Every show has a huge post-production department
where a lot of assistant editors and loggers are going through mountains of videotape and
making sure that no good moments go unnoticed. The key positions - everything else, of
course - are segment producers and associate producers; those are all the people that
physically make everything happen. Fixed cameras, robotic cameras, and locked
cameras: all of that comes into play also.

What does a reality TV show runner or executive producer do?

The reality TV show runner or the Executive Producer is first and foremost accountable
to the network to make sure that the network is getting the program they want. They are
the ones that really have to make sure that everybody beneath them is executing the show
that the network wants to have and not freelancing with what they think might be fun. We
have to keep a good communication line open to the network executives, either to apprise
them of a pleasant surprise about how well the story is going in a way we never
imagined, or to help problem solve to keep the reality show on the track that the network
wants. If the network wants a show that's going to maximize its appeal to younger
women, then the male characters have to have their shirts off a lot. That's oversimplifying
it, but we have to stay on the same page about what the objectives of the reality show are.
The show writer primarily is there to manage up and make sure the network, who is the
client, is getting the reality show they want, or better.

What does a reality TV 'casting producer' do?

I think a reality TV casting person has a bigger challenge than a regular casting agent,
who's just doing a cattle call for actors and actresses. I don't mean to downgrade what
those people do, but in reality TV, when you're dealing with people who you have no
track record about, just based on interview and personal history, you're projecting how
they're going to be on camera down the line when put into certain pressure situations.
That's the beauty of it because when somebody cracks, or when somebody gets
emotional, or when somebody falls for somebody else, or when somebody rises to the
occasion, sometimes the casting person would have spoken for you before the reality
show began and would say to you, "This is your crier, this is your hero, this is the person
that's going to get lost, and this is the person that's going to get angry." That takes quite a
bit of 25 cent psychology to suss somebody out, who you've never met before, and just
work off of gut reaction: their physical appearance, the way they talk, their psychological
profile. Casting is actually a pretty complicated scenario.
What does a reality TV 'story producer' do?

Classically, the reality show story producer is the person who is reviewing all of the
video tape and letting the higher-ups know where the story is going on a particular
character or in a particular sequence of beats. They're responsible for letting the people in
the field know, "You know what we're really missing at this point? We saw this person
go through emotion A and then emotion C, but I don't have anything to connect them. I
need an emotion B moment to get you from A to C. I see them happy and then I see them
sad but I missed the jealousy in the middle." That's what a story producer can let the
person in the field know that they're missing.

What does a reality TV 'field producer' do?

The reality show field producer has to have that relationship with the participants in the
show, where they feel that they know that they have an open line of communication and
trust with them, that they know that they're the go-to person for them to open up to. The
participant has to have a sense that the field producer sympathizes with them and
understands where they're coming from, because if you think that somebody is
sympathetic to you, you'll open up to them. If you think somebody doesn't have a clue
about you, you'll blow them off. It's very important that they develop a good, personal
relationship with the reality TV subjects. Those field producers actually work with
camera people, and directly with the crews. Some of the crews are very good, though.
There are reality show cameramen who sometimes prompt their own questions because
they see the moment, and the field producer might be distracted, might be away, or it just
might be a situation where they're the only ones around. What the field producer does
day-to-day depends on if it's a continuous, everyday shoot. If it's a concentrated show -
fourteen straight days of filming to produce six episodes, or something like that - they are
literally on their feet, working with multiple camera crews on the hot set every single
day. If it's a reality show that's more spread out or doesn't shoot every day, they go back,
they work with the post-production department on organizing where they are, and then
they go back into the field.

What does a reality TV 'editor' do?

The editors in reality TV are more important than ever. I think they are more important in
reality TV than in any other format. There is so much tape shot that very few people can
really spend the time to go through the tape as closely as editors do. Because of the way
we organize things digitally, in non-linear systems, they have great shortcuts that they
can use to put scenes together correctly.
What does reality TV 'art department' do?

There is quite a bit of art department in reality TV. People would be surprised, but there
is also quite a bit of wardrobe in reality TV. All of that is a departure from the more
traditional forms of non-fiction programming and documentary because, after all, it's
considered a set. If you are shooting in a house, it's a hot set. So you need people to
maintain that set, make that set, put the props in there, and all that sort of thing. The
reality TV staffs can be large. It depends on the budget of the program.

What does a reality TV director do?

A reality TV director mimics what used to take place classically in the studios. At CBS
Television City they have these big control rooms, and they have all these feeds and
monitors. What reality tends to do is they tend to get these remote video trucks that are
not quite filled with just as many bells and whistles, but they have feeds from the
different cameras, and everybody's on a PL listening to the director. They do mimic what
takes place. It's sort of a portable studio. Reality TV has to be out somewhere real and not
on the stage, unless you're doing a reality show about the stage. The reality TV director is
the modern day version of a studio director. A lot of them do both. The director is often
calling cameras. He's often doing what we call a line-cut, which is laying down the cut
cameras into a master tape, but that won't necessarily be the cut that we keep at the end.
The reality TV director has a little bit less authority than the classic TV director did,
because there are producers and network executives sitting behind him, forcing action by
talking to the host of the show or something like that. The director then has to become
aware of what's going on editorially. We'll say, "We're going to have the host go to
contestant C in about five minutes and have him talk about contestant F. Be ready."