The

White Rose March John Phillip Sousa

Built On Themes From C. C. Frick's Nittaunis

Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

                                                               
 
 = 120
 
 
D♭ Piccolo

                                                             
 
      
 
C Flute

    
                                                          
  

 
Oboes

                              
              
   
    
 
Bassoons

                                                                
   
 
E♭ Clarinet

                                                             
   
  
 
1st B♭ Clarinet

   
                                                      
    
       
2nd B♭ Clarinet

             
                                            

 
3rd B♭ Clarinet

                                           
               
 
 
Alto Saxophone

                                              
            
  
 
Tenor Saxophone

                 
          
                                 
  
Baritone Saxophone

                    
                                   
       
 
E♭ Cornet

     
                                                      
      
 
Solo B♭ Cornet

    
                                                         
    
 
1st B♭ Cornet

   

                                         
                  
  
     
2md & 3rd B♭ Cornets

            
                                         
               
         

1st & 2nd Horns in E♭

          
    
                            
                           
   
 
 
 
3rd & 4th Horns in E♭

              

                          
  
 
1st & 2md Trombones

                  
               
     
 
3rd Trombone

        
 
                            
   
 
Baritone

  
             
 
 
    
 
   
  
          
                  
    
E♭ Basses


 
                                                


            
             
Drums

            
                        
Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.


2

 
Cymbal
       
12         
                             
     
   
D♭ Picc.

     
        
 
                    

  

C Fl.

               

                             
      

Ob.

       
              
               
   
  
          

Bsn.

   

 
                  
 
     
E♭ Cl.

     
   
        
                      
  
         
B♭ Cl. 1

       


                      
   
 
B♭ Cl. 2


         
                          
         
   
B♭ Cl. 3

         
                     
       

A. Sax.

 
           

     
       
     
   

 
 
T. Sax.

        
                            
         
    

Bar. Sax.

 
            
 
          

 

      
    
    
E♭ Cnt.

         
                     
     

Solo B♭ Cnt.

 

                

  

          
         
 
B♭ Cnt 1.

       
                               
     
       

 
     
B♭ Cnt. 2/3

  
                                                       
    
     
E♭ Hn. 1/2

       
                                                     
             
 
E♭ Hn. 3/4

      
       
      
         

Tbn. 1/2

                       
    

Tbn. 3

           
               
             
   
 
Bar.

              
                      
          
      

Bass

  
                                                               
                      
  
 
Drums


                  
Cym.
 

Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y. 3

            
22        
 
           
D♭ Picc.

           
C Fl.  

                 
                   
       
Ob.

                        
          
 
       
Bsn.

            
  
      
        
E♭ Cl.

                
 
          
B♭ Cl. 1

                    
 

          
B♭ Cl. 2

                      
B♭ Cl. 3
  
                  
               
A. Sax.

                 
T. Sax.  
             


           
                                  
Bar. Sax.
          
                           
E♭ Cnt.  
     

                 
             

Solo B♭ Cnt.
 
                 
               
B♭ Cnt 1.


                            
    
       
B♭ Cnt. 2/3

 
                                          
       

             
E♭ Hn. 1/2

                
                                           
E♭ Hn. 3/4
                  
    
  
  
  
             
Tbn. 1/2                             

                                   
              
              
Tbn. 3

                
Bar.  
       
                           
Bass
                

                                             
                     
Drums                       
                      
Cym.


4 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

 33        
               
1. 2.


                 
D♭ Picc.

         
             

C Fl.

        
                                   
dolce

     

  
Ob.

                   
            
dolce


   
      
Bsn.

                    
             
dolce


         
E♭ Cl.

             
               
dolce

  

B♭ Cl. 1

           
                   
    
dolce

   

B♭ Cl. 2

    
                      
    

dolce

     

B♭ Cl. 3

  
                              
dolce

     

A. Sax.

                dolce
             
          

T. Sax.

     
                       

dolce

       

Bar. Sax.

  
                
                 
 
dolce

 

E♭ Cnt.

                          
    

 

dolce

     

Solo B♭ Cnt.

                            
     
dolce

      
 
B♭ Cnt 1.

      
                                     
  
dolce

             

B♭ Cnt. 2/3

        
                                                
dolce

      
 dolce
E♭ Hn. 1/2

    
                                            
            

E♭ Hn. 3/4

  
 
   
         
               
dolce

 

Tbn. 1/2

                        
   
dolce


Tbn. 3

    
                       
         
dolce

 

Bar.

                    
     
dolce

             

Bass

  
                                                            
              
        
dolce

        
Drums

                  
Cym.


Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y. 5

  
44          
  


D♭ Picc.

          
            

      

C Fl.

              
                               
         
  
Ob.

                              
    
    
Bsn.
    
          
              
E♭ Cl.     

                   
B♭ Cl. 1         



 
      

                      
 
B♭ Cl. 2

                              
B♭ Cl. 3
   
        
                   
A. Sax.
 
          

      

         
T. Sax.
 
      
Bar. Sax.
                
        
                  
E♭ Cnt.   
                   
       
Solo B♭ Cnt.  
  
        

                 
 
B♭ Cnt 1.

          
                                                    
B♭ Cnt. 2/3
                    
   
 
                                   
                      

            
   
E♭ Hn. 1/2

        
   
                                           
E♭ Hn. 3/4
                           

                 
Tbn. 1/2      

                  
 
Tbn. 3
 
                  
    
   


Bar. 

   
Bass
                       
   

 

 


 

 

 

   

 

 


   

 

 


     

 

 

                              
          
Drums

            
Cym.


6 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

 
56                 
 

D♭ Picc.

                              
   
    

C Fl.

                            
      
  
   
        


Ob.

               
        

 

   
   

Bsn.

                          
       
  
   
E♭ Cl.

                   
        
   

B♭ Cl. 1

   
                     
    

B♭ Cl. 2

    
                  
      

B♭ Cl. 3

     
                       
  

A. Sax.

                
        
       

T. Sax.

    
                

Bar. Sax.

     
                       
  

E♭ Cnt.

                      
        

Solo B♭ Cnt.

 
            

      

  
  
 
B♭ Cnt 1.

      
           
      

         

                    
 
   

B♭ Cnt. 2/3

      
                                       
            
      

E♭ Hn. 1/2

            
                                           
    

E♭ Hn. 3/4

                  
            

Tbn. 1/2

               
 

Tbn. 3

              
         

 

   


Bar.

 
                     
  
Bass



                                              
             
                         
        
Drums

           
Cym.
 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.  7
   
          
67

                  
            
Marcato

   
     
      
D♭ Picc.

       
              
Marcato

                    
   
C Fl.

 
                    
         
                     
Marcato

      
     

Ob.

                
                      
Marcato

       
   
Bsn.

           
                  
Marcato

    
        
            
E♭ Cl.

             
                             
Marcato

 
           
B♭ Cl. 1

        


                             
Marcato

  
           
B♭ Cl. 2

           
                              
Marcato

   
 
B♭ Cl. 3

        
                                 
Marcato

      
 
A. Sax.

     

  

                             
Marcato

      

T. Sax.

     
                        
             
Marcato

       
 
Bar. Sax.

     
                           
Marcato

                     
 
E♭ Cnt.

    

  

                                     
Marcato

     Marcato

Solo B♭ Cnt.

     

                                
         Marcato

B♭ Cnt 1.

       
                                           
         
  
B♭ Cnt. 2/3

 
                                         
        

Marcato

        
             

E♭ Hn. 1/2

             
                                                  
Marcato

        

E♭ Hn. 3/4

    
     
  
        
                                    
Marcato



Tbn. 1/2

   
                                  
Marcato

         Marcato
    
Tbn. 3

  
                         
           


Bar.

           
                        
                   

Bass

   
                                
 
      
  
Marcato

                    
         
Drums

        
                          
Cym.
 

8 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

 80                              
                


D♭ Picc.

                        


        
         
tutta forza


C Fl.


                                            
    
tutta forza


Ob.

       
              

          

              

       
   
tutta forza



Bsn.

                          
                     
tutta forza



E♭ Cl.

                             tutta forza

    
       
          

B♭ Cl. 1

             

                         
tutta forza

       
  

B♭ Cl. 2

       

                                     
tutta forza

 
    

B♭ Cl. 3

      

                                        

tutta forza


A. Sax.

      
                                    
    
tutta forza


T. Sax.


                                   
  

       
    

     
tutta forza


Bar. Sax.

      tutta forza 

                                        


E♭ Cnt.

      
                                      
    
tutta forza


Solo B♭ Cnt.

      

                                   
    
tutta forza


B♭ Cnt 1.


                                             
     
tutta forza

 

B♭ Cnt. 2/3

  
              
          
     
    

                     
tutta forza

    

E♭ Hn. 1/2

         
                                                
tutta forza

    

E♭ Hn. 3/4


                   tutta forza     
                                   
 

Tbn. 1/2

    tutta forza      
                 

          

              


  

Tbn. 3

        
                 

          

              
 tutta forza


 

Bar.

         
                      

           
Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

        
tutta forza 9

        

 
Bass


tutta forza
       
94 
                                    

         
           
D♭ Picc.

                         
C Fl. 
 


                  
  
 

          
 

     
Ob.

                   
                                                  
    
    
Bsn.

     
                                   

     
         
                           
E♭ Cl.


  
      
                         
B♭ Cl. 1

            

        
                             
B♭ Cl. 2

       

B♭ Cl. 3

      
                
        
 
A. Sax.

  

                  
         
 
T. Sax. 
        
  
                     
 
                           
Bar. Sax.
 
 
             
   

        

E♭ Cnt.
   
    

                  
        
 
Solo B♭ Cnt. 
  

                  
         
 
B♭ Cnt 1. 
  
                                                        
 

 

     
 
B♭ Cnt. 2/3

  
                                                 
                    
E♭ Hn. 1/2

                     
         
                                          
         
     
            
E♭ Hn. 3/4

 

 

      
   
                 
Tbn. 1/2


        

   
 


    
             
Tbn. 3


        

   
  
Bar. 

                         
                          

Bass


                                                
Drums                        
                        
Cym.


10 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

 
        
     
                  

106


 
D♭ Picc.

      
        
                  
 

C Fl.

    

                  

     
        
 
     
Ob.

                  
                
     
                                     
      

Bsn.

       
 

    
                   
                 
                   
E♭ Cl.

     

      
                    
B♭ Cl. 1

 
              

      
                    
B♭ Cl. 2

 
              
B♭ Cl. 3

      
                   
  
A. Sax.

                     
       
T. Sax.
 
       
                                     
Bar. Sax.
              
       
                  
 
E♭ Cnt.
 
   


                      
Solo B♭ Cnt.   
                    
       
B♭ Cnt 1.  

               
              
                              
B♭ Cnt. 2/3
   


  


    
   
                   
   
                        
   
           
E♭ Hn. 1/2
                      
                      
                                                           

           
   
    
E♭ Hn. 3/4

          
       
       

            
Tbn. 1/2

         
         

   
           
Tbn. 3

        
      
Bar. 

                 
                                            

Bass


Drums                                                     

                          
Cym.


Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y. 11

           
          
       
119 1. 2.


D♭ Picc.

          
        
           

C Fl.

 
                   
  

Ob.

           
    
                  
 

Bsn.

          
 
              
    

E♭ Cl.

       
          
         

B♭ Cl. 1

       
          
        


B♭ Cl. 2

       
          
        
 

B♭ Cl. 3

   
   
                

 


A. Sax.

     
              
 

T. Sax.


              
  
    

Bar. Sax.

 
       
              

E♭ Cnt.

    
                     

Solo B♭ Cnt.

    
                   
 
 
B♭ Cnt 1.

                                  
    

B♭ Cnt. 2/3

                   
                      
     

E♭ Hn. 1/2

     
                             
           

E♭ Hn. 3/4

        
             
  

Tbn. 1/2

  
               
   

Tbn. 3

  
                 
   

Bar.

    
           
                   

Bass

 
 
                           
            
   
Drums

  
                
12
Cym.
 
Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.
 Piccolo The White Rose March
Built On Themes From C. C. Frick's Nittaunis

                                         
John Phillip Sousa

 
 = 120
 
 
                           
      
  
9

              
     
           
     
16


                     1. 
   
         
2.


27


            

            
 
38


  
 
                
  
        
Marcato


71

                          
           
83


       
  
     
    
  
        
      
tutta forza
93

      
                    
    
104

Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

                          1.   

    
115 2.

 

  
125

2 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

 Flute The White Rose March
Built On Themes From C. C. Frick's Nittaunis

                                    
John Phillip Sousa

 
 = 120
      
 
                      
    
    
 
8

          
     
      


 
    
14


       
           
    
21

      1.            
      
          
     
34 2.

 
                  
  
dolce

       
 
43

                         
    

    
55


 
              

              
       
66


            
     
   
Marcato

         
77

Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

                             
        

 
88


 
         
tutta forza

                 
 
      
98

                    

               

 
108

 
             1.      
  
 
   
118 2.

2 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

Oboe The White Rose March
Built On Themes From C. C. Frick's Nittaunis

   
John Phillip Sousa


                                         
 = 120
  

 
                 
    
                            
 
9


                  

    
                
 
18



                             
       
1. 2.

  
28



                      
             
dolce


     
        
39

 


                                      
                  
50

  

                                      
          
60

 
 
   
                                   
 
Marcato

            
71

 
      

                              
82

   

                          
      
 
     
92

 

tutta forza
Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.
 
                              
 
      
104

 

              
                  
116
1. 2.

  


2 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

Bassoon The White Rose March
Built On Themes From C. C. Frick's Nittaunis
 = 120
                                   
John Phillip Sousa

          

 
          
  
   
           
       
    
11


              
              
   
    
22


  1.         
             
          
2.


31



                         
dolce

       

41

                                
        
  
52

                
           
   
62

 
    
                       
         
Marcato

  
72


  
                
 
                  

82

Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

                
                                    
         
91

                       
tutta forza

                                  
     
100

                  
                                       

109

        1.      
                    
   
2.


118

2 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

E♭ Clarinet The White Rose March
Built On Themes From C. C. Frick's Nittaunis

              
John Phillip Sousa

         
   
                
 = 120
  
 
                  
  
   
        

9

              

         
       
 
15


                   
        
 
23

            
                          
  
1. 2.


36


                       
    
dolce

       
47

              
            
    
59

 
           
                       
Marcato

    
 
70



                   

   

     
79


                                         

90


tutta forza
Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.
  
              
                   

101

    

                           
 
112

  
      
      
1. 2.

 
122

2 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

 B♭ Clarinet 1 The White Rose March

                                  
Built On Themes From C. C. Frick's Nittaunis

 
John Phillip Sousa
 = 120
  
   
                   
           
     
 
8

       
   
              
 

 
14



          
   
       
      

21


         1. 
                   
2.

     
    
 
31



                                
dolce

    
41

                             
  
      
 
54


    
 
                 


             
66


          
  
             
Marcato
76

                          
          
   
86


tutta forza
Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.
                                  
     

96

                        
             
 
106

                      1.   
 
      
116
2.

2 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

 B♭ Clarinet 1 The White Rose March
Built On Themes From C. C. Frick's Nittaunis

               
 = 120
John Phillip Sousa

                       
      
 
       
                         
  
    
9

     
          
   
    
    
 
  
16

 

         
                
   
25

                   
           
      
1. 2.


36

 

                     
        
dolce

    
47

 
                   
              
59

 
   
           
                     
   
Marcato

  
71


                                   
     
81



                                
    
91


tutta forza
Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.
          
                       
      

101

                  
                  
 
110

      
     

           
120
1. 2.

2 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

 B♭ Clarinet The White Rose March
Built On Themes From C. C. Frick's Nittaunis

           
John Phillip Sousa
 = 120
      
                  
 
 
 
    
                             
 
 
 
9

  
         
 
             
         
 
   


16

  

  
         
                   
 
25

            
                          
1. 2.


36

   

      
                             
dolce


47

 

                                  
59

 
   
           
                     
   
Marcato

  
71


                                
        
81



                                
    
91


tutta forza
Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.
          
                       
      

101

                  
                  
 
110

      
     
          
 
120
1. 2.

2 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

 Alto Saxophone The White Rose March
Built On Themes From C. C. Frick's Nittaunis

              
John Phillip Sousa

         
   
                
 = 120
  
 
                     
   
             
   
9

                         
 
       
    
17



                           1.    2.     

27

 

                              
  
   
38



                            
         
50 dolce


               
                    
  
63


 
  
                 
  

       
Marcato

     
74

                          
                 
85


                        
        
95 tutta forza

Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

                            
        
108




    
                
  
120
1. 2.

 

2 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

 Tenor Saxophone The White Rose March
Built On Themes From C. C. Frick's Nittaunis
John Phillip Sousa
 = 120
                                   
          
 
                                      
     
9


                                 
         
18


                       1.    2.     
      
29


       
         
 
              
dolce

  
39

   
                               
 
51

             
                   
 
64

 
                    
         
Marcato

    
    
74

 

                                   
    
85



                                 
    
95 tutta forza

Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

                             
        

108

    
                 
120 1. 2.

2 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

 Baritone Saxophone The White Rose March
Built On Themes From C. C. Frick's Nittaunis
John Phillip Sousa

              
                                     
 = 120
   
 
            
                       
  
10

                            
     
18

    

                                 
                
26

     1.    2.           
          
35

 


                             
48 dolce



                           
     
    
64

 
  Marcato
                           
               
75

 

                
           
       
84


                                 
                
93 tutta forza

Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

                                  

             
101

                                 
     
             
110

        
       
  
   
119
1. 2.

2 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

 E♭ Cornet The White Rose March
Built On Themes From C. C. Frick's Nittaunis
John Phillip Sousa

 
                                  
 = 120
         
 
                 

                     
 
9

                      
              
  
17



                              

26

            
 
 
                  
 
36 1. 2.



                  
       
dolce

        
   
46

 

              
                  
59


          
            

Marcato

            
70


        
                           
 
79

          
                             
90


tutta forza
Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.
                 
                
   
102

 

               
                   
114
1. 2.

2 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

 B♭ Cornet 1 The White Rose March
Built On Themes From C. C. Frick's Nittaunis
John Phillip Sousa

                                     
 = 120
         
 
  

    
                   
 
      
9

             
       

  
       
16

 

                             
      
25

                                  
     
1. 2.

  
36


                                    
dolce

      
46

               
                 
59


    

                            
Marcato

 
70

  

    
                               
  
79

 

                               
       

90


tutta forza
Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.
                            
     
    
102

    

                          
114
1. 2.

      

125

2 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

 B♭ Cornet 1 The White Rose March
Built On Themes From C. C. Frick's Nittaunis
John Phillip Sousa
 = 120
            
                                    


 
                             
 
      
9

                                       
      
17



                         1.     
      
27

   
                                     
37 2.



           
                          
dolce


49

 
       
                    
      
62


 
                         
     
Marcato

        
72

   

                             
        
83



                            tutta forza
 
          
93

Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

         
                         
 
105

             

                
118 1. 2.

2 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

 B♭ Cornet The White Rose March
Built On Themes From C. C. Frick's Nittaunis
John Phillip Sousa

                             
 = 120
   
           
 
  
      
         
                                

8


   

                        
       
16

  

 
                                     
                          
29

                  
                 
  
1. 2.

            
36


          
                                  
44 dolce

 
                                   
   
       
51

  

               
     
                         
59


                       
     
              
67


Marcato 

                     
              
  
75

  

Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

                                     
 
86

  

tutta forza


                                       
95

       


                               
        
         
103

  


                                         
111

       



  
                               
120 1. 2.

  

2 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

 Horn in E♭ 1 The White Rose March
Built On Themes From C. C. Frick's Nittaunis

             
John Phillip Sousa

                                 
 = 120
     
         
   
     
                         
             
    
10

  
    
         
                                 
17

      
     
      
                                      

25

           
 1.  2.     
        
                                    
34

    dolce
     
     
                                  
        
 
42

   
      
              
                                     
50

 
  
                                     
        
 
58

      

 
                                 
    
 
67

        
   
 
                                        
Marcato
76

      

Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

                                     
          
85

     



tutta forza

                                     
           
95

                

 
                     
                                   
104

           


                                   
         
113

              


         
                  
122 1. 2.

 

2 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

 Horn in E♭ The White Rose March
Built On Themes From C. C. Frick's Nittaunis

   
John Phillip Sousa

        
               
 = 120
                       
   
 
 
               
  
 
                
           
9


                             
        
           
16


                                    

             
23

 
                 1.    2.         
     
32

       
 dolce
          
                        
               

40

                      
                        
    
48

          
           
       
        
      

56

   
                           
                  
64

  Marcato
   
                                   
         
73

 

Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

 
                                   
      
82

 

                                 
                 
92


tutta forza

  
                              
                     
100

 

                                  
                
108

    
                    1.
                 
       
116

 

           
2.

     
124

2 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

Trombone 1 The White Rose March
Built On Themes From C. C. Frick's Nittaunis

               
John Phillip Sousa

      
                     
 = 120
  
 
 
 
 
                     
  
                
12


                 
                     
        
24

              
                 
1. 2.

   
36


               
           
       
dolce


47

     
            
             
  
60

 
             
      
                 
Marcato

 
73

 
                                       
  
83



                   tutta forza
      
        
  
93

Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

                            
     
 
104

             

   
         
 
1. 2.

 
116

2 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

 Trombone The White Rose March
Built On Themes From C. C. Frick's Nittaunis
John Phillip Sousa

    
                                    
 = 120
  
 
                             
        
12


                                
          
24

                             
   
36 1. 2.


                     
dolce

 
49

                           

         
64


 
               
                   
Marcato

     
76

 

                                    
       
85


             

                
  
tutta forza


95

Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

    
 
                       
    
107

         
              
   
118 1. 2.

2 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

Euphonium The White Rose March
Built On Themes From C. C. Frick's Nittaunis
 = 120
                          
John Phillip Sousa

         
 
 
   
                             
        

11

                     
              

20


  
  1.  
                         
    
2.


30


                         
dolce

         


40

   
   
                        
    
52

            
                    

  
64

  
 
   
                                   
Marcato

      
75

 

   
                                   
 
85


tutta forza
Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.
                    

        
   
95

   
   
                       
    
107

          
             
   
118 1. 2.

2 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

 Tuba The White Rose March
Built On Themes From C. C. Frick's Nittaunis
John Phillip Sousa

         
                      
 = 120
          
          
 

                
                        
9

                                   
            
17


                               
             
25

                          
             
33
1. 2.



   
                             
43 dolce

        
      
               
58



  

                                 
            
71



        
Marcato

                       
   
80

        
                                  
         
89


     

tutta forza
Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.
                  
         
97

    

                   
              
104

 

                           
          
112

      

       
             
       
120
1. 2.

  

2 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

Drumset The White Rose March
Built On Themes From C. C. Frick's Nittaunis


John Phillip Sousa

                                 
 = 120

           
           

                                             
10
           

 
 
                      
  
 
              
    

  

 

 
  
 
 
   
17

 
                        
  
 
             
   
 
 
 
 
 
 
 
 
 
   
24

 2. 
                          
         
          
31
1.

 
                                          
         
       
38

      
                                          
45
          

       
                                       
        
        
52

      
                                         
        
          
60

    
   
                                 
  
   
68

      

Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.
                         
  
  
77

     

                                          
91


tutta forza

                                        
102

                                     
112

 
                  
 
1. 2.

 
122

  

2 Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.

 Cymbal The White Rose March
Built On Themes From C. C. Frick's Nittaunis

            
John Phillip Sousa

                          
 = 120
 


                        
11

 2. 
                           
26
1.

     
                        
38

 

  
                
77


tutta forza

                
102

  
                  
118
1. 2.

Copyright© 1917 by T. B. Harms & Francis, Day & Hunter, N. Y.